Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)
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The Letters of Robert Burns 1
The Letters of Robert Burns 1 The Letters of Robert Burns The Project Gutenberg EBook of The Letters of Robert Burns, by Robert Burns #3 in our series by Robert Burns Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. The Letters of Robert Burns 2 **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Letters of Robert Burns Author: Robert Burns Release Date: February, 2006 [EBook #9863] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 25, 2003] Edition: 10 Language: English Character set encoding: ISO-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK THE LETTERS OF ROBERT BURNS *** Produced by Charles Franks, Debra Storr and PG Distributed Proofreaders BURNS'S LETTERS. THE LETTERS OF ROBERT BURNS, SELECTED AND ARRANGED, WITH AN INTRODUCTION, BY J. -
2015 Inventory of Library by Categories Penny Kittle
2015 Inventory of Library by Categories Penny Kittle The World: Asia, India, Africa, The Middle East, South America & The Caribbean, Europe, Canada Asia & India Escape from Camp 14: One Man’s Remarkable Odyssey from North Korea to Freedom in the West by Blaine Harden Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity by Katherine Boo Life of Pi by Yann Martel Boxers & Saints by Geneluen Yang American Born Chinese by Gene Luen Yang The Orphan Master’s Son by Adam Johnson A Fine Balance by Rohinton Mistry Jakarta Missing by Jane Kurtz The Buddah in the Attic by Julie Otsuka First They Killed My Father by Loung Ung A Step From Heaven by Anna Inside Out & Back Again by Thanhha Lai Slumdog Millionaire by Vikas Swarup The Namesake by Jhumpa Lahiri Unaccustomed Earth by Jhumpa Lahiri The Rape of Nanking by Iris Chang Girl in Translation by Jean Kwok The Joy Luck Club by Amy Tan The Reason I Jump by Naoki Higashida Nothing to Envy: Ordinary Lives in North Korea by Barbara Demick Q & A by Vikas Swarup Never Fall Down by Patricia McCormick A Moment Comes by Jennifer Bradbury Wave by Sonali Deraniyagala White Tiger by Aravind Adiga Africa What is the What by Dave Eggers They Poured Fire on Us From the Sky by Deng, Deng & Ajak Memoirs of a Boy Soldier by Ishmael Beah Radiance of Tomorrow by Ishmael Beah Running the Rift by Naomi Benaron Say You’re One of Them by Uwem Akpan Cutting for Stone by Abraham Verghese Desert Flower: The Extraordinary Journey of a Desert Nomad by Waris Dirie The Milk of Birds by Sylvia Whitman The -
Toronto Pearson International Airport – YYZ Once You’Ve Arrived, There Are Lots of Options to Get Downtown
Transportation Toronto Pearson International Airport – YYZ Once you’ve arrived, there are lots of options to get downtown. Hop in a taxi, or arrange for a limo or take the light rail - they’re all conveniently waiting to take you where you want to go. http://www.torontopearson.com/en/toandfrom/ground/# Union Pearson Express speeds you from the airport to downtown Toronto in just 25 minutes, with trains departing every 15 minutes, 19 ½ hours a day. UP Express is North America’s first dedicated air-rail link, offering travelers a comfortable and reliable way to get in and out of the city without risking the uncertainties of city traffic. But, it also offers amenities that make the journey easier, like airline check-in kiosks, power outlets, luggage racks, onboard Wi- Fi, and up-to-the-minute flight information. Get a discount on your travel with UP Express! Just visit https://www.upexpress.com/ before July 21, 2019 and use promo code ACERS2019 to get your 25% discount on adult return tickets (round-trip) from Pearson Station to Union Station (regular price $24.70* CAD). Tickets are valid for 1 year. • select “From Pearson To Union,” • select an adult return ticket for your round-trip • Add to order then click the ‘Buy Now’ button and then Checkout to pay for ticket At checkout... • apply the promo code ACERS2019 during purchase Area Information Toronto has plenty to offer the international visitor. Visit Tourism Toronto, Toronto’s convention and visitor’s bureau for an up‐to‐date calendar of events, sample itineraries and more , http://www.seetorontonow.com/ ACerS Concierge: Have questions about the meeting location? Contact Greg Phelps for assistance. -
ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, on M6J 2L7
ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, ON M6J 2L7 www.andreabolley.com 1949 Born Guelph Ontario EDUCATION 1975 Bachelor of Fine Arts, University of Windsor TEACHING EXPERIENCE 2004-17 Masterworks Museum of Art, Bermuda 1982 Arts Sake, Toronto 1980 Activity Centre, Art Gallery of Ontario, Toronto 1979 Activity Centre, Art Gallery of Ontario, Toronto SOLO EXHIBITIONS 2016 Gallery 261, Toronto 2002 Gallery 132, Toronto 2014 Gallery 261, Toronto 2000 Gallery 132, Toronto 2014 Gallery 26, Bermuda 1999 Gallery 132, Toronto 2013 Gallery 26, Bermuda 1998 Gallery 132, Toronto 2013 Windjammer Gallery, Bermuda 1997 Gallery 132, Toronto 2011 BSOA Gallery, Bermuda 1996 Gallery 132, Toronto 2010 ACE Gallery, Bermuda 1995 Gallery 132, Toronto 2010 ITAL Interiors, Toronto 1994 Gallery 132, Toronto 2009 Masterworks Museum of Art, Bermuda 1993 Upper Canada Brewing Co. Toronto 2008 533 Gallery, Toronto 1991 Klonaridis Gallery, Toronto 2008 X Collection, Asolo, Italy 1990 Klonaridis Gallery, Toronto 2007 Archive Gallery, Toronto 1989 Klonaridis Gallery, Toronto 2007 Gallery 132, Toronto 1986 Gallery One, Toronto 2007 ACE Gallery, Bermuda 1985 Gallery One, Toronto 2007 Masterworks Museum of Art, Bermuda 1984 Gallery One, Toronto 2006 Gallery 132, Toronto 1981 Agnes Etherington Art Centre, Toronto 2005 Gallery 132, Toronto 1980 Pollock Gallery, Toronto 2005 The Spoke Club, Toronto 1978 Pollock Gallery, Toronto 2004 30 Year Retrospective, Thames Art 1977 The Art Gallery of Brant, Brantford Gallery, Chatham-Kent (catalogue) -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
ROM AR Highlights 2013-2014.Indd
ANNUAL HIGHLIGHTS 2013 | 2014 ROYAL ONTARIO MUSEUM 2013/2014 1 CONTENTS 2013/2014 HIGHLIGHTS 2 Year in Review 8 Centres of Discovery 4 Exhibition Highlights 9 New Galleries 6 Acquisition Highlights 10 Budget at a Glance 7 Programs & Education 11 Philanthropic Support YEAR IN REVIEW MESSAGE FROM JANET CARDING Director & CEO This year has been a momentous one at the ROM. We shared a remarkable range of exhibitions, beginning the year with Mesopotamia: Inventing Our World, VIKTOR&ROLF DOLLS, Wildlife Photographer of the Year and The Forbidden City: Inside the Court of China’s Emperors. The Museum opened two new permanent galleries, The Barrick Gold Corporation Gallery and our recently renovated Gallery of Korea. Beyond our gallery walls there was signifi cant activity with research discoveries, including two from the Burgess Shale and two new species of dinosaurs, as well as new insights on the geology of Mars. In addition, the Museum welcomed Bonnie Brooks as the Chair of our Board of Trustees and Dr. Xerxes Mazda as our new Deputy Director of Engagement. The highlight of the year was our March 19th Centennial celebrations which marked the day one hundred years ago when the ROM opened its doors to the people of Ontario. It was a once-in-a-lifetime celebration and the beginning of our year-long festival of exhibitions, events and programs designed to share your ROM in new and unexpected ways. 100 YEARS OF THE ROM 1,700,000 WEB VISITORS 2 ROYAL ONTARIO MUSEUM 2013/2014 EXHIBITIONS 19 ON DISPLAY NEW SPECIES 140 DISCOVERED 1,568 BURGESS SHALE FOSSILS 80 SPECIES 96% OF VISITOR SATISFACTION SPIDERS IDENTIFIED ROYAL ONTARIO MUSEUM 2013/2014 3 EXHIBITION HIGHLIGHTS MESOPOTAMIA: in the ROM's Department of World INVENTING OUR WORLD Cultures. -
Sig Process Book
A Æ B C D E F G H I J IJ K L M N O Ø Œ P Þ Q R S T U V W X Ethan Cohen Type & Media 2018–19 SigY Z А Б В Г Ґ Д Е Ж З И К Л М Н О П Р С Т У Ф Х Ч Ц Ш Щ Џ Ь Ъ Ы Љ Њ Ѕ Є Э І Ј Ћ Ю Я Ђ Α Β Γ Δ SIG: A Revival of Rudolf Koch’s Wallau Type & Media 2018–19 ЯREthan Cohen ‡ Submitted as part of Paul van der Laan’s Revival class for the Master of Arts in Type & Media course at Koninklijke Academie von Beeldende Kunsten (Royal Academy of Art, The Hague) INTRODUCTION “I feel such a closeness to William Project Overview Morris that I always have the feeling Sig is a revival of Rudolf Koch’s Wallau Halbfette. My primary source that he cannot be an Englishman, material was the Klingspor Kalender für das Jahr 1933 (Klingspor Calen- dar for the Year 1933), a 17.5 × 9.6 cm book set in various cuts of Wallau. he must be a German.” The Klingspor Kalender was an annual promotional keepsake printed by the Klingspor Type Foundry in Offenbach am Main that featured different Klingspor typefaces every year. This edition has a daily cal- endar set in Magere Wallau (Wallau Light) and an 18-page collection RUDOLF KOCH of fables set in 9 pt Wallau Halbfette (Wallau Semibold) with woodcut illustrations by Willi Harwerth, who worked as a draftsman at the Klingspor Type Foundry. -
St. Catharines Standard, Aug 12, 2012 I Read the Article in the St
St. Catharines Standard, Aug 12, 2012 I read the article in the St. Catharines Standard On Friday Aug 10 and would like to provide you the following information that may be of value to understanding the meeting reported “on Monday Aug 13 that Pillitteri Estates Winery is hosting a round table discussion on allowing wineries to discuss issues related to the LCBO with MPP Agriculture critic, Ernie Hardeman”. Approximately 20 invited participants will be allotted 2-3 minutes each to express their opinions and it is to be a closed meeting. Pillitteri Estates agreed to host the meeting as we believe that providing information to all elected officials regarding the positive economic benefits of local VQA wines is invaluable for VQA wine growth. Pillitteri Estates Winery July 4 toured and hosted Minister of Agriculture Ted McMeekin and a group of senior OMAFRA policy advisors for a 3 hour visit to discuss a wide range of issues including greater market access for VQA wines. I believe we all need to work together to obtain growth for VQA wines within Ontario and within the LCBO system. This is needed even more so with a minority government. The importance of growing VQA wines, according to the KPMG study, is that VQA wines provide over $12.56 a litre value add to the economy, Value add is beyond taxation benefits. In a previous study by KPMG the amount for imports is $.67. Going local is an economic benefit to the economy. Blended wines have a value add proportionate to their Ontario content. For this meeting Pillitteri Estates spokesperson and participant will be myself, Jamie Slingerland, and I hope that the amount of time for each participant will be sufficient to educate Mr. -
The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
Snap Shots on the Ottawa River and Rideau Lakes [Microform] : with Many Illustrations of Interesting Places and Scenes : Also A
IMAGE EVALUATION TEST TARGET (MT-3) m IIIII25 '""==iiM 1.0 5 " IIIIM |||Z2 IIIIM IS 12.0 I.I 1.8 lo^ C?^ G", CIHM/ICMH CIHM/ICMH Microfiche Collection de Series. microfiches. Canadian Institute for Historical Microreprodurtions / Institut canadien de microreproductions historiques :\ Technical and Bibliographic Notes/Notes techniques et bibliographiques The Institute has attempted to obtain the best L'Institut a microfilmd le meilleur exemplaire original copy available for filming. Features of this qu'il lui a 6t6 possible de se procurer. Les details copy which may be bibliographically unique, de cet exemplaire qui sont peut-dtre uniques du which may alter any of the images in the point de vue bibliographique, qui peuvent modifier reproduction, or which may significantly change une image reproduite, ou qui peuvent exiger une the usual method of filming, are checked below. modification dans la m6thode normale de filmage sont indiquds ci-dessous. Coloured covers/ Coloured pages/ I I y Couverture de couleur Pages de couleur I Covers damaged/ Pages damaged/ I Couverture endommagde I I Pages endommag^es Covers restored and/or laminated/ Pages restored and/orand/oi laminated/ I I Couverture restaur6e et/ou pelliculde Pages restaurdes et/ou pelliculdes Cover title missing/ r~7] Pages discoloured, stained or foxed/foxec Le titre de couverture manque Pages ddcolordes, tachetdes ou piqu6es Coloured maps/ Pages detached/ Cartes gdographiques en couleur I I Pages d6tach6es Coloured ink (i.e. other than blue or black)/ r~| Showthrough/Showthroughy -
Huntsville Town Council Resolution 338-15 on October 26, 2015
Town of Huntsville Staff Report Meeting Date: July 25, 2018 To: General Committee Report Number: CS-2018-24 Confidential: No Author(s): Teri Souter, Manager of Arts, Culture & Heritage Subject: Cultural Strategy Update Report Highlights • Cultural Strategic Plan update • Current internal/external situation review • Cultural Strategic visioning/inclusion encouraged for 2018-19 Recommendation That: Motion GC54-16 be rescinded; and Further That: the next term of Council be encouraged to consider an updated Cultural Strategy for the Corporation of the Town of Huntsville when identifying the Strategic Priorities for 2018-2022. Background The Town of Huntsville's Cultural Strategy 2011 contained 27 recommendations. Progress on the Cultural Strategy has been regularly reported. A status update "Culture Strategy Update" was presented to the Arts, Cultural and Heritage Advisory Committee on February 23, 2016: 25 of 27 goals were "finished/ongoing" and the remaining 2 were "started/needs attention." Some of the goals were completed or outdated. "Culture Strategy Direction" Report CS-2016-16 was then presented and Motion ACH8-16, including a commitment for community engagement and collaboration, was passed by the Advisory Committee: "The Manager of Arts, Culture & Heritage work via Advisory Committee, staff, sector professionals and stakeholders to draft a Huntsville Culture Strategy whitepaper, 2016 to 2019, to better reflect the direction of current council and to implement these directions." This motion was amended at General Committee on March 30, 2016. The amended motion GC54-16 is: "that The Manager of Arts Culture and Heritage work to draft a Huntsville Culture Strategy, 2016 to 2019, to better reflect the direction of current Council and further that the Manager of Arts, Culture and Heritage report back to committee." This was ratified via Council Resolution 94- 16, April 27, 2016. -
On the Structure of the Roman Pantheon 25
College Art Association http://www.jstor.org/stable/3050861 . Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. College Art Association is collaborating with JSTOR to digitize, preserve and extend access to The Art Bulletin. http://www.jstor.org On the Structureof the Roman Pantheon Robert Mark and Paul Hutchinson Since the time of its construction, the bold, brilliantly simple schema of Hadrian's Pantheon has inspired much emulation, commendation, and even fear. Modern commentators tend to view the building as a high point in an "architectural rev- olution" brought about mainly through the Roman development of a superior poz- zolana concrete that lent itself to the forming of unitary, three-dimensional struc- tures.