National Medal of Arts

Total Page:16

File Type:pdf, Size:1020Kb

National Medal of Arts National Endowment for the Arts & National Council on the Arts 2001 National Medal of Arts recipient Judith Jamison, artistic director of the Alvin Ailey Dance Foundation (which also received a National Medal of Arts in 2001), surrounded by dance students who performed at the Medals ceremony. Photo by Neshan Naltchayan What is the National Medal of Arts? The National Medal of Arts is the We at the Arts highest award given to artists and Endowment strive arts patrons by the United States to support artistic Photo by Vance Jacobs government. These individuals, excellence in the United States, through their creativity, inspiration, and the National Medal of Arts and hard work, have significantly recipients demonstrate that the arts enriched the cultural life of are continuing to thrive. Dynamic, our nation. diverse, and original, the arts are an essential part of our American When the award program began identity and civilization. As in 1984, it was envisioned that President Reagan stated at the the National Medal of Arts would 1987 ceremony, “The arts and honor the extraordinary humanities teach us who we are accomplishments of those engaged and what we can be. They lie at in the creation and production the very core of the culture of of the arts in the United States. which we are a part, and they Looking at the list of those provide the foundation from which honored over the past 20 years, we may reach out to other cultures one can see the breadth of artistic so that the great heritage that is endeavors in this country. From ours may be enriched by—as well writers such as Saul Bellow, as itself enrich—other enduring Richard Wilbur, and Ralph traditions.” Ellison to visual artists such as Georgia O’Keeffe, Romare Bearden, and Roy Lichtenstein to musicians Dave Brubeck, Aaron Dana Gioia Copland, and Ray Charles, the Chairman map of American artistic National Endowment for the Arts achievement is clearly drawn. National Council on the Arts Brief History of the National Medal of Arts In 1983, prior to the On May 31, 1984, President official establishment of Reagan signed legislation the National Medal of creating the National Medal of Arts, President Ronald Arts, authorizing the President to Reagan presented a medal to the award up to 12 medals a year following artists and patrons at a to “individuals or groups who in White House luncheon arranged the President’s judgment are by the President’s Committee on deserving of special recognition the Arts and the Humanities: by reason of their outstanding (artists) Pinchas Zukerman, contributions to the excellence, Frederica Von Stade, Czeslaw growth, support, and availability Milosz, Frank Stella, Philip of the arts in the United States.” Johnson, and Luis Valdez; (patrons) The Texaco Philanthropic Foundation, James Michener (considered a patron for the award), Philip Morris, Inc., The Cleveland Foundation, Elma Lewis, and The Dayton Hudson Foundation. This was the beginning step in creating a Presidential award for those who significantly contributed to the cultural life of our nation. President Ronald Reagan with 1987 National Medal of Arts recipient Ella Fitzgerald. White House photo by Mary Anne Fackelman-Miner The National Council on the Arts, the advisory board for the National Endowment for the Arts, is responsible for recommending candidates for the medal to the President. Unlike other arts awards, the National Medal of Arts is not limited to a single field or area of artistic endeavor. It is President William J. Clinton and designed to honor exemplary First Lady Hillary Rodham individuals and organizations Clinton with 1996 Medalist that have encouraged the arts in Edward Albee. America and offered inspiration to White House photo by Sharon Farmer others through their distinguished achievement, support, or patronage. For 20 years, the recipients of the National Medal of Arts have The National Medal of Arts touched every aspect of artistic life was designed by internationally in the United States, from the fine renowned sculptor Robert Graham, arts to popular culture. The award whose design was chosen by a has honored not only those whose special committee of the National vision and creativity provided the Council on the Arts from among American public with their art 31 designs submitted in a national work, but also those whose support competition. Mr. Graham is known of the arts has been crucial to its for creating the Gateway for the development. XXIII Olympiad in Los Angeles, California. How to Submit Nominations for the National Medal of Arts Annually, the National Frequently Asked Questions: Endowment for the Arts initiates Who is eligible to receive the the selection process for the National Medal of Arts? National Medal of Arts by Nominees must be living U.S. soliciting nominations from the citizens or permanent residents public. The National Council on who have filed for naturalization the Arts reviews the nominations and who are not ineligible to and draws up a list of become U.S. citizens. Nominated recommendations that it submits organizations must be established to the President. Typically, the or incorporated in the United announcement of the year's States. awardees is made by the White House in the fall. Can I submit more than one nomination? The period of nomination for the Yes, but you must complete National Medal of Arts is January separate nomination forms for each through April 11. To submit a nominee. nomination, please complete a Where do I find detailed information nomination form, which includes to submit about my nominee? a one-page biography of the If you do not personally know the nominee’s accomplishments. nominee (or wish to keep your Because of difficulties with the nomination a surprise), you may receipt of mail, nominations are find information at your local only accepted online at the Arts library in the reference section. Endowment’s Web site: Who’s Who in America and other www.arts.gov. More information biographic reference books are on the nomination process can be often good sources of information. found on the Web site as well. National Council on the Arts Members as of January 2005: Dana Gioia, Chairman James K. Ballinger, Museum Director Phoenix, AZ Donald V. Cogman, Patron/Trustee Internet searches may also turn up Scottsdale, AZ good material. Ask your librarian Mary Costa, Opera Singer Knoxville, TN for other suggestions. Check the Katharine Cramer DeWitt, list of previous awardees to ensure Patron/Trustee that your nomination has not Cincinnati, OH Makoto Fujimura, Visual Artist already received a National Medal New York, NY of Arts. David H. Gelernter, Author/Critic/Educator What information must I submit for Woodbridge, CT Teresa Lozano Long, Patron/Trustee my nomination? Austin, TX Career highlights, not compre- James McBride, hensive biographies, are requested. Author/Musician/Composer Carversville, PA Provide the source of the Maribeth Walton McGinley, information if possible. This award Art Director/Designer Glendale,CA is bestowed only to U.S. citizens Jerry Pinkney, Artist/Illustrator who have made exceptional Croton-on-Hudson, NY contributions to the arts so the Deedie Potter Rose, Patron/Trustee most competitive nominees will be Dallas, TX Gerard Schwarz, Symphony Orchestra familiar to the reviewers. The Conductor purpose of your nomination is to Seattle, WA remind the reviewers that your Terry Teachout, Critic/Author New York, NY nominee should be considered. Dr. Karen Lias Wolff, Music Educator Ann Arbor, MI The information requested on the “For All Nominations” section is Ex-Officio Members, United States Congress the most important; any critical SENATE biographical material must be Robert Bennett (R-UT) provided here. Brochures, books, or Mike DeWine (R-OH) Harry Reid (D-NV) music samples will not be accepted. HOUSE OF REPRESENTATIVES Betty McCollum (D-MN) Howard “Buck” McKeon (R-CA) one seat vacant National Medal of Arts Recipients 1985-2004 2004 2001 Ray Bradbury, author Alvin Ailey Dance Foundation, modern Carlisle Floyd, opera composer dance company and school Frederick Hart, sculptor Rudolfo Anaya, writer Anthony Hecht, poet Johnny Cash, singer, songwriter John Ruthven, wildlife artist Kirk Douglas, actor, producer Vincent Scully, architectural historian and Helen Frankenthaler, painter educator Judith Jamison, artistic director, Twyla Tharp, contemporary dance choreographer, dancer choreographer Yo-Yo Ma, cellist Andrew W. Mellon Foundation, Mike Nichols, director, producer philanthropic foundation 2000 2003 Maya Angelou, poet, writer Austin City Limits, PBS television Eddy Arnold, country singer program Mikhail Baryshnikov, dancer, director Beverly Cleary, writer Benny Carter, jazz musician Rafe Esquith, arts educator Chuck Close, painter Suzanne Farrell, dancer, choreographer, Horton Foote, playwright, screenwriter company director, educator National Public Radio, Cultural Buddy Guy, blues musician Programming Division, broadcaster Ron Howard, actor, director, writer, Claes Oldenburg, sculptor producer Itzhak Perlman, violinist Mormon Tabernacle Choir, choral group Harold Prince, theater director, producer Leonard Slatkin, symphony orchestra Barbra Streisand, entertainer, filmmaker conductor Lewis Manilow, arts patron George Strait, country singer, songwriter Tommy Tune, dancer, actor, choreographer, director 1999 Aretha Franklin, singer Michael Graves, architect, designer 2002 Odetta, singer, music historian Florence Knoll Bassett, architect The Juilliard School, performing arts Trisha Brown, artistic director,
Recommended publications
  • Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
    EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions Of
    January 7, 2011 CONGRESSIONAL RECORD — Extensions of Remarks E43 with international challenges. Our armed Arms Control and Non-Proliferation; David of the federation’s Executive Council from forces are a uniquely expensive asset and for Gold, Graduate Program in International Af- 1998 until 2005, vice president of the New some tasks no other instrument will do. For fairs, The New School; William Hartung, York State AFL–CIO and of the New York City many challenges, however, the military is Arms and Security Initiative, New America not the most cost-effective choice. We can Foundation. Central Labor Council. An honors graduate of achieve greater efficiency today without di- David Hendrickson, Colorado College; Mi- Brandeis University and Harvard Law School, minishing our security by better discrimi- chael Intriligator, UCLA and Milken Insti- he previously served as Chief House Counsel nating between vital, desirable, and unneces- tute; Robert Jervis, Columbia University; of the Democratic National Committee and as sary military missions and capabilities. Sean Kay, Ohio Wesleyan University; Eliza- Executive Assistant to the Secretary of the There is a variety of specific options that beth Kier, University of Washington; Charles State of Connecticut. would produce savings, some of which we de- Knight, Project on Defense Alternatives; A skilled and tireless political activist who scribe below. The important point, however, Lawrence Korb, Center for American has dedicated his life to progressive causes, is a firm commitment to seek savings Progress; Peter Krogh, Georgetown Univer- through a reassessment of our defense strat- sity; Richard Ned Lebow, Dartmouth Col- Stu Appelbaum was elected a Delegate to the egy, our global posture, and our means of lege; Walter LaFeber, Cornell University; 1996, 2000, 2004, and 2008 Democratic Na- producing and managing military power.
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Coa-Program-For-Web.Pdf
    HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful.
    [Show full text]
  • The Uuiversitj Musical Souietj of the University of Michigan
    The UuiversitJ Musical SouietJ of The University of Michigan Presents ANN ARBOR THE PHILADELPHIA ORCHESTRA E UGENE ORMANDY , Music Director and Conduct01' WILLIAM SMITH, Assistant Conductor EUGENE ORMANDY, Conducting Soloist BEVERLY SILLS, Soprano SATURDAY EVENING , MAY 4, 1974, AT 8 :30 HILL AUDITORIUM , ANN ARBOR , MICHIGAN PROGRAM Five Pieces for Small Orchestra, Op. 42 SHOSTAKOVI CH Moderato Andante Largo Moderato Allegretto Symphony No. 88 in G major HAYDN Adagio; allegro La rgo Menuetto : a llegretto Allegro con spirito Motet, "Exsultate, jubilate," K. 165 MOZART Exsul tate, jubilate Tu virginum corona Fulge t arnica di es .-\lIelu ja BEVERL Y S ILLS IN TERiVIISSION " Depuis Ie jour," fr om Louise CHARPENTIER Fin al Scene from Anna Bolena DON IZETTl MISS SILLS ';'Roman Festivals R ESPIGHI *A vailable on Columbia R ecords RCA R ed Seal F ourth Concert Eighty-first Annua l May Festi n ll Complete Conce rts 3885 PROGRAM NOTES by G LENN D. MCGEOCH Five Pieces for Small Orchestra, Op. 42 DMITRI SHOSTAKOVICH (1906- ) The Fi ve Pieces, written by Shostakovich at the age of twenty-nine, were never mentioned or listed among his major works, until Ivan M artynov, in a monograph ( 1947) referred to them as "Five Fragments for Orchestra, 193 5 manuscript, op. 42." A conflict, which had begun to appear between the compose r's natura l, but advanced expression, and the Soviet official sanction came to a climax in 1934 wh en he produced his "avant guarde" opera Lady Ma cbeth of Mzensk. He was accuse d of "deliberate musical affectation " and of writing "un Soviet, eccent ric music, founded upon formalistic ideas of bourge ois musical conce ptions." Responding to this official castigation, he wrote a se ries of short, neoclassic, understated works, typical of the Fi ve Pieces on tonight's program.
    [Show full text]
  • The Attucks Theater September 4, 2020 | Source: Theater/ Words by Penny Neef
    Spotlight: The Attucks Theater September 4, 2020 | Source: http://spotlightnews.press/index.php/2020/09/04/spotlight-the-attucks- theater/ Words by Penny Neef. Images as credited. Feature image by Mike Penello. In the early 20th century, segregation was a fact of life for African Americans in the South. It became a matter of law in 1926. In 1919, a group of African Americans from Norfolk and Portsmouth met to develop a cultural/business center in Norfolk where the black community “could be treated with dignity and respect.” The “Twin Cities Amusement Corporation” envisioned something like a modern-day town center. The businessmen obtained funding from black owned financial institutions in Hampton Roads. Twin Cities designed and built a movie theater/ retail/ office complex at the corner of Church Street and Virginia Beach Boulevard in Norfolk. Photo courtesy of the family of Harvey Johnson The businessmen chose 25-year-old architect Harvey Johnson to design a 600-seat “state of the art” theater with balconies and an orchestra pit. The Attucks Theatre is the only surviving theater in the United States that was designed, financed and built by African Americans. The Attucks was named after Crispus Attucks, a stevedore of African and Native American descent. He was the first patriot killed in the Revolutionary War at the Boston Massacre of 1770. The theatre featured a stage curtain with a dramatic depiction of the death of Crispus Attucks. Photo by Scott Wertz. The Attucks was an immediate success. It was known as the “Apollo Theatre of the South.” Legendary performers Cab Calloway, Count Basie, Duke Ellington, Ella Fitzgerald, Sarah Vaughn, Nat King Cole, and B.B.
    [Show full text]
  • Ukrainian Folk Singing in NYC
    Fall–Winter 2010 Volume 36: 3–4 The Journal of New York Folklore Ukrainian Folk Singing in NYC Hindu Home Altars Mexican Immigrant Creative Writers National Heritage Award Winner Remembering Bess Lomax Hawes From the Director Since the found- a student-only conference. There are prec- Mano,” readers will enjoy fresh prose pieces ing of the New York edents for this format, also. In commenting and poetry in English and Spanish from a Folklore Society, the on the 1950 meeting, then-president Moritz recently published anthology, produced by organization has pro- Jagendorf wrote, “Another ‘new’ at the Mexican cultural nonprofit Mano a Mano, vided two consistent Rochester meeting was the suggestion to the New York Writers Coalition, and a group benefits of member- have an annual contest among students of of New York’s newest Spanish-language ship: receipt of a New York State colleges and universities for writers. Musician, discophile, and Irish- published journal— the best paper on New York State folklore. American music researcher Ted McGraw since 2000, Voices— The winner will receive fifty dollars, and his presents a preliminary report and asks Voices and at least one annual meeting. or her paper will be read before the mem- readers for assistance in documenting the In the early years, the annual meeting bers.” (It is unclear whether this suggestion fascinating history of twentieth-century took place jointly with the annual gathering was implemented!) button accordions made by Italian craftsmen of the New York Historical Association, The 2010 meeting was held at New York and sold to the Irish market in New York.
    [Show full text]
  • Mayodan High School Yearbook, "The Anchor"
    » :-.i.jV Digitized by the Internet Archive in 2013 http://archive.org/details/anchor1958mayo ^he eAncko ,,: ^ . 1958 CHARLOTTE GANN - Editor-in-Chief SHIRLEY EASTER Assistant Editor MILDRED WHITE Sales Manager BETTY S. WILKINS Advertising MONTSIE ALLRED Class Editor FRANKIE CARLTON Picture Editor ROGER TAYLOR Art Editor UDELL WESTON Sports Editor JIMMY GROGAN Feature Editor foreword The Senior Class of '58 presents this ANCHOR as a token of our appreciation to all who have helped us progress through the past years, especially our parents, teach- ers, fellow students, and Mr. Duncan. success, It is our sincere hope that your lives may be filled with happiness and and that you will continue to manifest a spirit of loyalty to Mayodan High School. SHIRLEY EASTER CHARLOTTE GANN ^Dedication To our parents, who, in the process of rearing us, have picked us up when we have fallen, pushed us when we needed pushing, and have tried to understand o u r problems when on one else would listen to us! Because of their faithfulness, understanding, and undying love, for which we feel so deeply grateful, we dedicate to them our annual, the ANCHOR of 1958. The Seniors ^iicfk Oc/tocl faculty Not Pictured HATTIE RUTH HYDER ELLIOTT F. DUNCAN VIOLET B. SULEY B. S., A. S. T. C. A. B., U. N. C. A. B., Wisconsin University Home Economics Principal Biology Not Pictured OTIS J. STULTZ IRMA S. CREWS HENRY C. M. WHITAKER B. A., Elon College B. A., Winthrop College A. B., High Point College Business Administration A. B., High Point College Spanish, Social Studies, Band Mathematics, English MAUD G.
    [Show full text]
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • Allen. Ray Allen, Ray
    Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 6-29-2004 Allen. Ray Allen, Ray. Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Allen, Ray. June 29th 2004. Interview with the Bronx African American History Project. BAAHP Digital Archives at Fordham. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. 1 Interviewee: Ray Allen Interviewer: Dr. Mark D. Naison Date: June 29, 2004 Mark Naison (MN): Hello. This is the 69th interview of the Bronx African American History Project. We’re here with Ray Allen who is an actor, singer, and organizer of theater and education programs in the Bronx and this is the first of what will probably be several interviews and what I want to do today is focus on Mr. Allen’s childhood and school experiences. Mr. Allen, when did your family move to the Bronx? Ray Allen (RA): I came to the Bronx in - - that was December 9, 1968. I came here to 1225 Boston Rd which is by 168th St. in the Bronx. It was my sister and I, my second sister and I; we came here after my fathers’ death. My father died that year in March. - - I was born on the island of Curacao, which is in the Netherlands Antillies, the ABC islands.
    [Show full text]