Coa-Program-For-Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Coa-Program-For-Web.Pdf HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. You’re your own boss and you get to meet a lot of wonderful people,” Sid told the Houston Chronicle when interviewed for a story about the farm. “I enjoy getting to talk and visit with the people the most.” The same is true when this opera lover comes downtown to enjoy an evening at the TEXT TO GIVE Wortham. Join Sid in supporting these remarkable artists who Sid has been an HGO subscriber since the 2010-11 season, a represent the future of opera. Trustee since 2016, and a member of the Board of Directors since early 2019. Generous of spirit and always eager to be of Text HGO to 61094 to invest in the next generation of service to HGO, Sid immediately agreed to join the Board after soul-stirring inspiration on our stage! being invited. His sole request was getting the chance to snap a quick selfie while holding HGO’s Tony Award. Sid is also active 3 UNDERWRITERS 2021 2020–21 CONCERT OF ARIAS HELDENCIRCLE A mighty corps of outstanding character who believe in the power of great art, encouraging and supporting the stars of tomorrow, despite the hardship of today. PRESENTER Sid Moorhead, Concert of Arias Chairman Novum Energy Louise Chapman Petrello Family Foundation Estate of Eleanor Searle McCollum Jill and Allyn Risley Glen A. Rosenbaum AWARDS PRESENTER Houston Methodist CHORUS Official Healthcare Provider for Houston Grand Opera Dr. Saúl and Ursula Balagura Janice H. Barrow BACKSTAGE LIVE PRESENTED BY Zane and Brady Carruth Frost Bank Molly and Jim Crownover Norton Rose Fulbright STAR Kathleen Moore and Steve Homer Judy and Richard Agee Tokio Marine HCC A Friend of HGO United Airlines Claire Liu and Joseph G. Greenberg Official Airline for Houston Grand Opera Laura and Brad McWilliams Vinson & Elkins LLP Winstead PC DIRECTOR Janet and John Carrig MAESTRO John G. Turner and Jerry G. Fischer Robin Angly and Miles Smith Michelle Beale and Richard H. Anderson IMPRESARIO Susan and Dr. Michael Bloome Drs. Rachel and Warren A. Ellsworth IV Efraín Z. Corzo and Andrew Bowen Sandy and Lee Godfrey FINALIST TRAVEL & ACCOMMODATIONS Drs. Elizabeth Grimm and Jack A. Roth UNDERWRITTEN BY Dr. Ellen R. Gritz and Milton D. Rosenau Jr. Michelle Beale and Richard H. Anderson Gloria M. Portela and Richard E. Evans Dr. Ellen R. Gritz and Milton D. Rosenau Jr. Dr. Elizabeth Travis and Jerry Hyde Helen Wils and Leonard Goldstein CONDUCTOR Ajamie LLP BB&T Cathy and Randy Crath Judy and David Belanger Kathleen Cross and Richard Stout ConocoPhillips Anna M. Dean Jennifer and Benjamin Fink Jeanette and John DiFilippo Nancy F. Haywood Connie Dyer Elizabeth and Richard Husseini Carol and Bob Hewell Teresa and José Ivo Sharon Ley Lietzow Marianne Kah Susan and Ward Pennebaker Reinnette and Stan Marek Betty and Jess Tutor Kathrine G. McGovern 4 RÉPÉTITEUR Linda and Stephen Bickel Adrienne Randle Bond Robert Noyes Chanon Mathilda Cochran Joanne and David Dorenfeld Kellie Elder and David Halbert Patricia Freeman and Bruce Patterson Carolyn and Ron Galfione Geraldine Gill Lynn Gissel Brenda Harvey-Traylor Ann and Stephen Kaufman Stephanie and Richard Langenstein Carolyn J. Levy Sara and Gabriel Loperena Tracy Maddox and John Serpe Muffy and Mike McLanahan Lexie and Dr. Bill Mitch Sara and Bill Morgan Charlene and Chuck Nickson Hinda Simon Barbara and Louis Sklar Rhonda and Donald Sweeney Marietta Voglis Penny and John Wright Rini and Edward Ziegler SOLOIST Meg Boulware Linda and Lester Burgess Gwyneth Campbell Sarah and Sam Cooper Lee Huber Michelle Klinger and Ru Flanagan Dorothy McCaine Terrylin G. Neale Dr. Barbara Tilley Ann and Karl Tornyos Dean Walker Christa M. Cooper FROSCH Maureen and Mel Hetzel Kirk Hickey Iris McWilliams Patterson & Sheridan LLP DonNell and Tom Rushing 5 CONCERT OF ARIAS PATRICK SUMMERS Diego Opera as Mimì in their production of La bohème, for HGO Artistic and Music Director, the world’s first-ever drive-in opera production. She also gave Judge a series of virtual performances, including a “Living Room Margaret Alkek Williams Chair Recital” for Los Angeles Opera and a Spanish-themed program entitled “Pasíon Latina,” alongside pianist Craig Terry, for Lyric Patrick Summers was named Opera of Chicago. Planned engagements during the winter artistic and music director of HGO and spring of 2021 include her first-ever performances in in 2011 after having served as the the title role of Tosca at Opera Philadelphia and then again company’s music director since 1998. Some highlights of at Cincinnati Opera, and Cio-Cio San in Madama Butterfly at his work at HGO include conducting the company’s first-ever Opernhaus Zürich; she also had been set to perform Donna complete cycle of Wagner’s Ring and its first performances Elvira in Don Giovanni at Los Angeles Opera, but that was of the Verdi Requiem; collaborating on the world premieres of canceled. Martínez’s career highlights include Cio-Cio San and Tarik O’Regan’s The Phoenix, André Previn’s Brief Encounter, Musetta in La bohème at the Metropolitan Opera; the title role Christopher Theofanidis’s The Refuge, Jake Heggie’s It’s a in Rusalka at the Glyndebourne Festival and Teatro Colón in Wonderful Life, The End of the Affair, and Three Decembers, Buenos Aires; the title role in Luisa Miller and the Countess Carlisle Floyd’s Cold Sassy Tree and Prince of Players, and in Le nozze di Figaro at the Bayerische Staatsoper; Violetta in Tod Machover’s Resurrection; leading the American premiere La traviata, Donna Elvira, and Cio-Cio San at the Royal Opera of Weinberg’s Holocaust opera The Passenger, both at HGO House Covent Garden; Donna Elvira at San Francisco Opera; and on tour to the Lincoln Center Festival; and nurturing the Nedda in I Pagliacci, Tatyana in Eugene Onegin, Marguerite in careers of such artists as Christine Goerke, Ailyn Perez, Joyce Faust, Fiordiligi in Così fan tutte, and Rusalka at Lyric Opera of DiDonato, Ana María Martínez, Ryan McKinny, Tamara Wilson, Chicago; Elisabetta in Don Carlo, Amelia in Simon Boccanegra, Albina Shagimuratova, Anthony Roth Costanzo, Norman Mimì, Violetta, Nedda, and the title role in Carmen at Los Reinhardt, Jamie Barton, and Dimitri Pittas. Maestro Summers Angeles Opera; and her major roles with HGO. Orchestral has enjoyed a long association with San Francisco Opera highlights include performances with the Berlin Philharmonic, (SFO) and was honored in 2015 with the San Francisco Opera New York Philharmonic, Boston Symphony Orchestra, Medal. His work with SFO includes conducting Jake Heggie’s Filharmonica della Scala, Puerto Rico Symphony, Seoul Moby-Dick, which was recorded and telecast on PBS’s Great Philharmonic, Tchaikovsky Symphony in Moscow, the Sinfônica Performances. In 2017, he was awarded an honorary Doctor Brasileira, and the BBC Symphony. of Music degree by Indiana University. He was recently named artistic director of the Aspen Music Festival’s opera program E. LOREN MEEKER alongside Renée Fleming. During the 2019–20 season at Guest Judge HGO, he conducted Saul and Aida. Other recent engagements included Dead Man Walking at the Israeli Opera. E. Loren Meeker has served as General & Artistic Director of ANA MARÍA MARTÍNEZ OPERA San Antonio since 2019. HGO Artistic Advisor, Judge Meeker co-directed Vinkensport and directed The Impresario for the HGO Grammy Award–winning soprano Digital series. She made her HGO mainstage directorial debut Ana María Martínez is considered with The Pearl Fishers in 2019. Also for HGO, she served as one of the foremost sopranos of associate director of Florencia en el Amazonas (2019), The her time, with an international Marriage of Figaro (2011), and Show Boat (2013); assistant career that spans the world’s director of The Queen of Spades (2010); and choreographer most important opera houses and concert halls. HGO’s first- and assistant director for The Marriage of Figaro (2005) and ever artistic advisor, Martínez has a storied history with the Don Giovanni (2006). Other HGO projects as director include company, performing roles including Cio-Cio San in Madama a special production of Trial by Jury at the 1910 Harris County Butterfly (2010), the title role in Carmen (2014), Marguerite Courthouse (2013), HGO Studio Showcase 2013–14, and in Faust (2016), and Florencia in Florencia en el Amazonas HGOco world premieres of A Way Home (2010), From My (2019).
Recommended publications
  • Annual Report 2015–2016
    ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home.
    [Show full text]
  • Lectures and Community Engagement 2017­–18 About the Metropolitan Opera Guild
    Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM).
    [Show full text]
  • Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
    EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner.
    [Show full text]
  • Opera Warhorses
    Opera Warhorses An appreciation and analysis of the 'Standard Repertory' of opera front page about RSS Recent Posts In Quest of Live Performances of Popular Operas – May-November, 2016 World Premiere Review: “JFK”, a Fort Worth Fantasy – April 23, 2016 Review: Houston Grand Opera’s Convincing Case for “Carousel” – April 22, 2016 Review: Jay Hunter Morris, Christine Goerke Lead a Vocally Strong “Siegfried” Cast – Houston Grand Opera, April 20, 2016 In Quest of European Opera Performances (Part Two) Mid-May 2016 Categories 2005-2016 William's Commentaries (27) 2005-2016: William's Reviews (435) 2008-2016 William's Interviews (86) 50 Year Anniversaries (61) Blazing Batons with Arthur Bloomfield (15) General correspondence (4) Guest Reviews (2) Quests and Anticipations (79) San Francisco Opera DVD Reviews (2) Superlatives (5) Tom's Reviews (42) Tom's Tips (11) William's Conversations (23) William's Conversations with John Pascoe (8) William's Program Notes (6) William's Thoughts and Assessments (12) Archives Archives Select Month ← Review: A Magnificent “Manon” starring Ailyn Pérez and Stephen Costello – The Dallas Opera, March 4, 2016 Review: An Exciting, Moving “Madame Butterfly” – Los Angeles Opera, March 12, 2016 → World Premiere: A Triumphant “Prince of Players” for Composer Carlisle Floyd, Baritone Ben Edquist – Houston Grand Opera, March 5, 2016 March 7th, 2016 Composer Carlisle Floyd, who turns 90 this summer, created the lyrics and music for yet another master work for the Houston Grand Opera, the company in which so much of the Floyd Legacy is invested. The opera, “Prince of Players”, is based considerably on the 2004 movie Stage Beauty.
    [Show full text]
  • MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
    MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member.
    [Show full text]
  • Metropolitan Opera 19-20 Season Press Release
    Updated: November 12, 2019 New Productions of Porgy and Bess, Der Fliegende Holländer, and Wozzeck, and Met Premieres of Agrippina and Akhnaten Headline the Metropolitan Opera’s 2019–20 Season Yannick Nézet-Séguin, in his second season as Music Director, conducts the new William Kentridge production of Wozzeck, as well as two revivals, Met Orchestra concerts at Carnegie Hall, and a New Year’s Eve Puccini Gala starring Anna Netrebko Sunday matinee performances are offered for the first time From Roberto Alagna to Sonya Yoncheva, favorite Met singers return Debuting conductors are Karen Kamensek, Antonello Manacorda, and Vasily Petrenko; returning maestros include Valery Gergiev and Sir Simon Rattle New York, NY (February 20, 2019)—The Metropolitan Opera today announced its 2019–20 season, which opens on September 23 with a new production of the Gershwins’ classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson. Philip Glass’s Akhnaten receives its Met premiere with Anthony Roth Costanzo as the title pharaoh and J’Nai Bridges as Nefertiti, in a celebrated staging by Phelim McDermott and conducted by Karen Kamensek in her Met debut. Acclaimed visual artist and stage director William Kentridge directs a new production of Berg’s Wozzeck, starring Peter Mattei and Elza van den Heever, and led by the Met’s Jeanette Lerman-Neubauer Music Director Yannick Nézet-Séguin. In another Met premiere, Sir David McVicar stages the black comedy of Handel’s Agrippina, starring Joyce DiDonato as the conniving empress with Harry Bicket on the podium.
    [Show full text]
  • 2 Fifteenth Berkeley Festival & Exhibition 2
    2 FIFTEENTH BERKELEY FESTIVAL & EXHIBITION 2 june 3–10, 2018 Festival Advisory Committee, Board of Directors & Staff ...............................................................................................2 Festival Supporters ...........................................................................................................................................................3 Welcome ..........................................................................................................................................................................6 Festival Calendar .............................................................................................................................................................8 Main Stage Players Sunday, June 3 Seattle Historical Arts for Kids ...............................................................................................................................14 California Bach Society ..........................................................................................................................................17 Monday, June 4 Christine Brandes & Elizabeth Blumenstock ..........................................................................................................23 Tuesday, June 5 San Francisco Conservatory Baroque Ensemble Students and Alumni ...................................................................27 Davis Senior High School Baroque Ensemble ........................................................................................................30
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • Akhnaten 12:55Pm | November 23
    AKHNATEN 12:55PM | NOVEMBER 23 2019-2020 RICHARD HUBERT SMITH / ENGLISH NATIONAL OPERA NATIONAL ENGLISH / SMITH HUBERT RICHARD Met Opera AT THE PARAMOUNT THEATER The Paramount Theater is pleased to bring the award-winning 2019-2020 Met Opera Live in HD season, in its 14th year, to Charlottesville. This season will feature ten transmissions from the Met’s stage, including three new productions and two Met premieres. Pre-opera lectures will be held again this season and will take place in the auditorium (see website for lecture times and details). Doors to the auditorium will close during the lecture and will re-open for audience seating prior to the start of the broadcast. NEW PRODUCTIONS Wozzeck* • The Gershwins’ Porgy and Bess* Der Fliegende Holländer* REVIVALS Turandot • Manon • Madama Butterfly Tosca • Maria Stuarda MET PREMIERES Akhnaten* • Agrippina* *First Time in HD TICKETING & SUBSCRIPTIONS July 11 - On Sale to Met Members July 15 - On Sale to Paramount Star Circle Members July 17 - On Sale to all Paramount Members July 19 - On Sale to General Public Single Event Pricing $25 Adult, $23 Senior, $18 Student Subscription Pricing Reserved seats for all performances. $225 Adult, $207 Senior, $162 Student Box Office 215 East Main Street, Charlottesville, VA 22902 Monday - Friday 10AM - 2PM 434-979-1333 www.theparamount.net All tickets go on sale at 10:00AM on the dates specified above. Subscribers from previous seasons will have their preferred seat locations held throughout the duration of the pre-sale. If not renewed, seat locations will be released at 10:00AM on July 19, 2019.
    [Show full text]
  • Un Ballo in Maschera
    San Francisco Opera Association War Memorial Opera House 2014-2015 Un Ballo in Maschera A Masked Ball (In Italian) Opera in three acts by Giuseppe Verdi Libretto by Antonio Somma Based on a libretto by Eugene Scribe for Daniel Auber's opera Gustave III, ou Le Bal masque Cast Conductor Nicola Luisotti Count Horn (Sam) Christian Van Horn Count Ribbing (Tom) Scott Conner * Director Jose Maria Condemi Oscar Heidi Stober Costume Designer Gustavus III, King of Sweden (Riccardo) Ramón Vargas John Conklin Count Anckarström (Renato) Thomas Hampson Lighting Designer Brian Mulligan 10/7, 22 Gary Marder Chief Magistrate A.J. Glueckert † Chorus Director Madame Arvidson (Ulrica) Dolora Zajick Ian Robertson Christian (Silvano) Efraín Solís † Choreographer Amelia's Servant Christopher Jackson Lawrence Pech Amelia Anckarström Julianna Di Giacomo * Assistant Conductors Giuseppe Finzi Vito Lombardi * San Francisco Opera debut † Current Adler Fellow Musical Preparation Bryndon Hassman Tamara Sanikidze Place and Time: 1792 in Stockholm, Sweden John Churchwell Jonathan Khuner Fabrizio Corona Prompter Dennis Doubin Supertitles Philip Kuttner Assistant Stage Directors E. Reed Fisher Morgan Robinson Stage Manager Rachel Henneberry Costume Supervisor Jai Alltizer Wig and Makeup Designer Jeanna Parham Saturday, Oct 04 2014, 7:30 PM ACT I Tuesday, Oct 07 2014, 7:30 PM Scene 1: Levee in the king's bedroom Friday, Oct 10 2014, 7:30 PM Scene 2: Madame Arvidson's house on the waterfront Monday, Oct 13 2014, 7:30 PM INTERMISSION Thursday, Oct 16 2014, 7:30 PM ACT II Sunday, Oct 19 2014, 7:30 PM A lonely field Wednesday, Oct 22 2014, 7:30 PM INTERMISSION ACT III Scene 1: Count Anckarström's study Scene 2: The king's box at the opera Scene 3: Inside the Stockhold opera house Sponsors This production is made possible, in part, by the Bernard Osher Endowment Fund and the Thomas Tilton Production Fund.
    [Show full text]
  • View the Program!
    cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley.
    [Show full text]
  • Help Celebrate 10T H Anniversary
    H E L P C E L E B R A T E 10 T H A N N I V E R S A R Y THE GLIMMERGLASS FESTIVAL Celebrating Francesca Zambello’s Gal a 10 TH Anniversary “I am fortunate to have been part of many productions at Glimmerglass during Francesca’s tenure, and her support, guidance and friendship have been invaluable to me throughout my career. Happy 10 TH anniversary, ’Cesca!” ERIC OWENS “I will never forget WED 202 0 April1 my summer at Glimmerglass. The Metropolitan Club Congratulations, Francesca, 1 East 60th Street I New York City on your 10 TH anniversary!” DEBORAH VOIGT Cocktails 6:00 PM Perfmances 7:00 PM by Isabel Leonard, William Burden and more Francesca joined Glimmerglass 10 years ago with a grand Dinne r 8:00 PM vision to enliven the prestigious festival with a full season of concerts , talks, campus art, second stage events and opera 9:30 PM for youth. She also reimagined outreach, with projects like D essert & Dancin g the compan y’s now-renowned Attica Initiative, and added an annual Artist in Residence from her circle of distinguished with the Peter Duchin Orchestra friend s—William Burden, Joh n Corigliano, Christine Goerke, Julie and Nathan Gunn, Isabel Leonard, Jay Hunter Morris, BLACK TIE OR COCKTAIL Eric Owens and Deborah Voigt. The Young Artists Program evolved from its corps of emerging opera stars to include musical theater singe r/ dancers, directors and composers. New works, classics with a twist, and innovative ways to experience art and ideas are her hallmark, along with a commitment to what Francesca calls “artistic citizenship,” WED 202 0 Honar y making Glimmerglass a model of social responsibility in all April1 aspects of its operations.
    [Show full text]