Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
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Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
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ATHANASIOS ZERVAS | BIOGRAPHY BRIEF BIOGRAPHY ATHANASIOS ZERVAS is a prolific composer, theorist, performer, conductor, teacher, and scholar. He holds a DM in composition and a MM in saxophone performance from Northwestern University, and a BA in music from Chicago State University. He studied composition with Frank Garcia, M. William Karlins, William Russo, Stephen Syverud, Alan Stout, and Jay Alan Yim; saxophone with Frederick Hemke, and Wayne Richards; jazz saxophone and improvisation with Vernice “Bunky” Green, Joe Daley, and Paul Berliner. Dr. Athanasios Zervas is an Associate Professor of music theory-music creation at the University of Macedonia in Thessaloniki Greece, Professor of Saxophone at the Conservatory of Athens, editor for the online theory/composition journal mus-e-journal, and founder of the Athens Saxophone Quartet. COMPLETE BIOGRAPHY ATHANASIOS ZERVAS is a prolific composer, theorist, performer, conductor, teacher, and scholar. He has spent most of his career in Chicago and Greece, though his music has been performed around the globe and on dozens of recordings. He is a specialist on pitch-class set theory, contemporary music, composition, orchestration, improvisation, music of the Balkans and Middle East, and traditional Greek music. EDUCATION He holds a DM in composition and an MM in saxophone performance from Northwestern University, and a BA in music from Chicago State University. He studied composition with M. William Karlins, William Russo, Stephen L. Syverud, Alan Stout, and Jay Alan Yim; saxophone with Frederick Hemke and Wayne Richards; jazz saxophone and improvisation with Vernice ‘Bunky’ Green, Joe Daley, and Paul Berliner; and jazz orchestration/composition with William Russo. RESEARCH + WRITING Dr. -
Singer Kristin Chenoweth Speaks up for Ose with Migraine
CELEBRITY PROFILES DECEMBER 2019/JANUARY 2020 BY LAUREN PAIGE KENNEDY Singer Kristin Chenoweth Speaks Up for ~ose with Migraine Chenoweth says migraine and Meniere's disease almost ended her career. Now she advocates for others with these conditions. Stage lights, flashing cameras of paparazzi, air travel, and adoring fans seeking selfies are all in a day's work for actress and singer Kristin Chenoweth. They're also the reasons the Broadway legend, recording artist, and TV star almost retired in her thirties. Identifying triggers and finding the right combination of medications help actress and singer Kristin Chenoweth manage her migraine attacks. Photograph by Michael Larsen The performer says light, even from a smartphone's tiny camera, can bring on a migraine with aura—a temporary visual loss or disturbance—intense nausea, and crippling head pain, as well as room-spinning vertigo. Now 51, Chenoweth has battled these symptoms half her life. Her first attack happened mid-performance with the Virginia Symphony when she was 25. She lost peripheral vision and saw strobing flashes, or what she refers to as "kaleidoscope eyes." The viselike head pain that followed left her "crawling off the stage," she says, only to retreat to her hotel room. There, she vomited repeatedly and experienced extreme light sensitivity and dizziness, even as the worst headache of her life did not abate for days. "I didn't know what hit me," says Chenoweth, who is readying for the release of For the Girls, her seventh album, with an all-star roster of female singers including Ariana Grande, Dolly Parton, and Reba McIntire. -
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
Mcallister Interview Transcription
Interview with Timothy McAllister: Gershwin, Adams, and the Orchestral Saxophone with Lisa Keeney Extended Interview In September 2016, the University of Michigan’s University Symphony Orchestra (USO) performed a concert program with the works of two major American composers: John Adams and George Gershwin. The USO premiered both the new edition of Concerto in F and the Unabridged Edition of An American in Paris created by the UM Gershwin Initiative. This program also featured Adams’ The Chairman Dances and his Saxophone Concerto with soloist Timothy McAllister, for whom the concerto was written. This interview took place in August 2016 as a promotion for the concert and was published on the Gershwin Initiative’s YouTube channel with the help of Novus New Music, Inc. The following is a full transcription of the extended interview, now available on the Gershwin channel on YouTube. Dr. Timothy McAllister is the professor of saxophone at the University of Michigan. In addition to being the featured soloist of John Adams’ Saxophone Concerto, he has been a frequent guest with ensembles such as the Chicago Symphony Orchestra and the Los Angeles Philharmonic. Lisa Keeney is a saxophonist and researcher; an alumna of the University of Michigan, she works as an editing assistant for the UM Gershwin Initiative and also independently researches Gershwin’s relationship with the saxophone. ORCHESTRAL SAXOPHONE LK: Let’s begin with a general question: what is the orchestral saxophone, and why is it considered an anomaly or specialty instrument in orchestral music? TM: It’s such a complicated past that we have with the saxophone. -
GUEST ARTIST RECITAL ANTHONY DEAN GRIFFEY, Tenor RICHARD
GUEST ARTIST RECITAL ANTHONY DEAN GRIFFEY, Tenor RICHARD BADO, Pianist Monday, November 8, 2010 8:00 p.m. Lillian H Duncan Recital Hall Q l975 -20l0 Celebrating ? r Years T H E SHEPHERD SCHOOL OF MUSIC RICE UNIVERSITY PROGRAM A Simple Song Leonard Bernstein from Mass (1918-1990) The Boatmen's Dance Aaron Copland The Dodger (1900-1990) Simple Gifts Early in the Morning NedRorem I am Rose (b. 1923) It's about the way people is made Carlisle Floyd from Susannah (b. 1926) Sleep now Samuel Barber I hear an army (1910-1981) INTERMISSION On Wenlock Edge Ralph Vaughan Williams 1. On Wenlock Edge (1872-1958) 2. From far, from eve and morning 3. 'Is my team ploughing 4. Oh, when I was in love with you 5. Bredon Hill 6. Clun Kathleen Winkler, violin Heather Kufchak, violin Ivo-Jan van der Werff, viola Matthew Kufchak, cello Tonight's performance is made possible by The Aleko Endowed Fund. The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. BIOGRAPHY Four-time Grammy Award Winning American tenor ANTHONY DEAN GRIFFEY has captured critical and popular acclaim on opera, concert and recital stages around the world. The combination of his beautiful and power ful lyric tenor voice, gift of dramatic interpretation and superb musicianship have earned him the highest praise from critics and audiences alike. He has performed leading roles at the great international opera houses including The Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Glyndebourne, the Opera National de Paris, and the Teatro Comunale di Firenze to name a few. -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
Third Practice Electroacoustic Music Festival Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 11-3-2017 Third Practice Electroacoustic Music Festival Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Third Practice Electroacoustic Music Festival" (2017). Music Department Concert Programs. 505. https://scholarship.richmond.edu/all-music-programs/505 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. LJ --w ...~ r~ S+ if! L Christopher Chandler Acting Director WELCOME to the 2017 Third festival presents works by students Practice Electroacoustic Music Festi from schools including the University val at the University of Richmond. The of Mary Washington, University of festival continues to present a wide Richmond, University of Virginia, variety of music with technology; this Virginia Commonwealth University, year's festival includes works for tra and Virginia Tech. ditional instruments, glass harmon Festivals are collaborative affairs ica, chin, pipa, laptop orchestra, fixed that draw on the hard work, assis media, live electronics, and motion tance, and commitment of many. sensors. We are delighted to present I would like to thank my students Eighth Blackbird as ensemble-in and colleagues in the Department residence and trumpeter Sam Wells of Music for their engagement, dedi as our featured guest artist. cation, and support; the staff of the Third Practice is dedicated not Modlin Center for the Arts for their only to the promotion and creation energy, time, and encouragement; of new electroacoustic music but and the Cultural Affairs Committee also to strengthening ties within and the Music Department for finan our community. -
Eastman Notes July 2006
Summer 2010 FOr ALUMNI, PARENTS, AND FrIeNDS OF THe eASTmAN SCHOOL OF MUSIC FrOm THe DeAN A musical model In December of this year, we will witness the completion of George Eastman’s original dream when we open our new addition. What many once knew as the Swan Street parking lot was a small triangular parcel of land—the last piece of real estate George needed to complete his school and theater, at least as he had originally imagined it back in 1922. But the price the owner demanded was in George’s mind too high, and so the theater project went ahead without that property. In the ensuing years, the University of Rochester purchased the lot, and we are now completing the second phase of our Eastman Theatre Renovation and Expansion Project. Although “bricks and mortar” have occupied our time, energy, and resources NOTES as of late, we are equally committed to intensifying the Volume 28, Number 2 signal Eastman sends to the nation and the world. We re- Summer 2010 turned to New York City: our Eastman Virtuosi performed at Merkin Concert Hall, and the Ying Quartet performed Editor at the Morgan Library. We continued our participation in David raymond the Kennedy Center’s Conservatory Project, as well as in Contributing writers a John Adams residency in the nation’s capital (see p. 28). Clive Gillinson Douglas Lowry We are a leader in our expanding deployment of Internet2 ramon ricker technology to enhance our “virtual partnerships” around Helene Snihur the world. Our students learn from distinguished art- Contributing photographers ists and scholars from places as far away as Oslo, and we Kurt Brownell share our perspectives with those audiences, all in real- Adam Fenster time master class exchanges. -
School of Nursing Simon Business School Warner School of Education
CLASS NOTES payoff for human health. Jay will use based in Stamford, Connecticut. the award to support his study of a new type of DNA and its role in ocular 2010 Marcus Cano (MBA) has been and neurological disorders. An expert named market director of program on age-related macular degenera- execution at the Sierra Providence tion, he’s a professor and vice chair Health Network in El Paso, Texas. of the Department of Ophthalmology and Visual Sciences at the University of Kentucky. Warner School of Education 2004 Roger Di Pietro (Pdc), a Rochester-area psychotherapist, has 1976 Christine Thurber Ervin published a book, The Anxiety Code: (MA) (see ’74 Nursing). Deciphering the Purposes of Neurotic Anxiety (Lulu). 2011 Ashley Smeltzer (MS) and Melissa Kraft ’13 (MS) were mar- 2005 Mai Le (MD) has been ried in July in Wilmington, Delaware. appointed chief medical officer at Melissa writes: “Each of us was pre- OncoSec Medical, a San Diego–based viously an assistant in the athlet- company that develops DNA-based ic department, and are now head intratumoral cancer immunotherapies. coaches in our respective sports (Ashley in field hockey and I in wom- en’s basketball) at Shenandoah School of Nursing University in Winchester, Virginia. 1974 Christine Thurber Ervin 2013 David Hamilton (EdD) (see 2008E Britton ’76W (MA) writes that she’s moved to ’97 Eastman). Melissa Kraft (MS) Sarasota, Florida, where she contin- (see ’11). ues to work part-time in a free care clinic, and enjoys tennis and traveling with her husband. In Memoriam ALUMNI 1996 Christine Tebaldi ’01 (MS) Lillie Kreisberg ’32N, (see ’98 College).