Michael Collins Clarinet / Conductor
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Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
Mcallister Interview Transcription
Interview with Timothy McAllister: Gershwin, Adams, and the Orchestral Saxophone with Lisa Keeney Extended Interview In September 2016, the University of Michigan’s University Symphony Orchestra (USO) performed a concert program with the works of two major American composers: John Adams and George Gershwin. The USO premiered both the new edition of Concerto in F and the Unabridged Edition of An American in Paris created by the UM Gershwin Initiative. This program also featured Adams’ The Chairman Dances and his Saxophone Concerto with soloist Timothy McAllister, for whom the concerto was written. This interview took place in August 2016 as a promotion for the concert and was published on the Gershwin Initiative’s YouTube channel with the help of Novus New Music, Inc. The following is a full transcription of the extended interview, now available on the Gershwin channel on YouTube. Dr. Timothy McAllister is the professor of saxophone at the University of Michigan. In addition to being the featured soloist of John Adams’ Saxophone Concerto, he has been a frequent guest with ensembles such as the Chicago Symphony Orchestra and the Los Angeles Philharmonic. Lisa Keeney is a saxophonist and researcher; an alumna of the University of Michigan, she works as an editing assistant for the UM Gershwin Initiative and also independently researches Gershwin’s relationship with the saxophone. ORCHESTRAL SAXOPHONE LK: Let’s begin with a general question: what is the orchestral saxophone, and why is it considered an anomaly or specialty instrument in orchestral music? TM: It’s such a complicated past that we have with the saxophone. -
The Chamber Music Society of Lincoln Center
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-15-1999 Concert: Ithaca College Concerts 1998-1999: The Chamber Music Society of Lincoln Center The Chamber Music Society of Lincoln Center David Shifrin Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation The Chamber Music Society of Lincoln Center and Shifrin, David, "Concert: Ithaca College Concerts 1998-1999: The Chamber Music Society of Lincoln Center" (1999). All Concert & Recital Programs. 7432. https://digitalcommons.ithaca.edu/music_programs/7432 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE CONCERTS 1998-99 THE CHAMBER MUSIC SOCIETY OF LINCOLN CENTER David Shifrin, artistic director Stephen Taylor, oboe* Allan Vogel, oboe Bil Jackson, clarinet David Shifrin, clarinet* Frank Morelli, bassoon Milan Turkovic, bassoon* William Purvis, horn Jennifer Montone, horn Octet for Two Oboes, Two Clarinets, Ludwig van Beethoven Two Bassoons, and Two Horns in E-flat Major, Op. 103 (1770-1827) Allegro Andante Menuetto Finale: Presto Selections from Don Giovanni Wolfgang Amadeus Mozart (1756-1791) transcribed by Johann Georg Triebensee INTERMISSION Rondino for Wind Octet Ludwig van Beethoven Serenade No. 12 in C Minor for Winds Wolfgang Amadeus Mozart KV. 388 (384a) Alleg ro Andante Men11 etto Allegro Ford Hall Auditorium, Thursday, April 15, 1999 8:15 p.m. *Artist Member of the Chamber Music Society CHAMBER MUSIC SOCIETY OF LINCOLN CENTER The Chamber Music Society of Lincoln Center is made up of 20 Artist Members. -
AS Level Performance Studies Topic Exploration Pack (John Adams)
Performance Studies A LEVEL Performance Studies: John Adams Topic Exploration Pack September 2015 www.ocr.org.uk Topic Exploration Pack We will inform centres about any changes to the specification. We will also publish changes on our website. The latest version of our specification will always be the one on our website (www.ocr.org.uk) and this may differ from printed versions. Copyright © 2015 OCR. All rights reserved. Copyright OCR retains the copyright on all its publications, including the specifications. However, registered centres for OCR are permitted to copy material from this specification booklet for their own internal use. Oxford Cambridge and RSA Examinations is a Company Limited by Guarantee. Registered in England. Registered company number 3484466. Registered office: 1 Hills Road Cambridge CB1 2EU OCR is an exempt charity. 2 www.ocr.org.uk AS Level Performance Studies Contents John Adams Teacher Resource Pack ............................................................................................. 4 Background ..................................................................................................................................... 5 Adams’ Works ................................................................................................................................. 5 Fingerprints of Adams’ Style ........................................................................................................... 7 Influences ...................................................................................................................................... -
ABSTRACT Title of Dissertation: INSPIRATIONS and INFLUENCES
ABSTRACT Title of Dissertation: INSPIRATIONS AND INFLUENCES: POPULAR COMPOSITION TRENDS IN THE CONTEMPORARY CLARINET REPERTOIRE (1996-2010) Emily Marie Robinson, Doctor of Musical Arts, 2015 Directed by: Associate Professor Robert DiLutis School of Music Clarinetists have seen a large increase in the diversity of styles and influences available for performance in the concert hall since 1996. Being an instrument that easily adapts to a wide range of musical styles, the clarinet is ideal for composers to utilize as they explore exciting new ways to create unique programmable works. From the incorporation of the more traditional folk sounds found in Jewish folk music to the assimilation of electronic distortion and classic rock, new repertoire for the clarinet showcases the instrument’s great range, flexibility, and versatility. The future can only hold more opportunities for fantastic new compositions in the same vein as composers become even more familiar with the possibilities available when writing for the clarinet. This dissertation explores popular composition trends in the contemporary clarinet repertoire through three thematic recital programs. The first contains works that integrate the Jewish folk music style of Klezmer; the second consists of programmatic works that all seek to represent a specific source of inspiration; and the third showcases works that integrate a variety of styles of American popular music. The works performed and discussed in this dissertation are the following: Samuel Adler - Cantos XIV – A Klezmer Fantasy; Ronn Yedidia - Impromptu, Nocturne, and World Dance; Ruth Schonthal - Bells of Sarajevo; Dana Wilson - Liquid Ebony; Christopher Rouse - Compline; Richard Toensing - Children of Light; Paul Moravec - Tempest Fantasy; John Adams - Gnarly Buttons; Anna Clyne - Rapture; and Scott McAllister - Black Dog. -
An Annotated Bibliography and Performance Commentary of The
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2016 An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble Stephen Andrew Hunter University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Fine Arts Commons, Music Education Commons, Music Performance Commons, and the Other Music Commons Recommended Citation Hunter, Stephen Andrew, "An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble" (2016). Dissertations. 333. https://aquila.usm.edu/dissertations/333 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AN ANNOTATED BIBLIOGRAPHY AND PERFORMANCE COMMENTARY OF THE WORKS FOR CONCERT BAND AND WIND ORCHESTRA BY COMPOSERS AWARDED THE PULITZER PRIZE IN MUSIC 1993-2015, AND A LIST OF THEIR WORKS FOR CHAMBER WIND ENSEMBLE by Stephen Andrew Hunter A Dissertation Submitted to the Graduate School and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: ________________________________________________ Dr. Catherine A. Rand, Committee Chair Associate Professor, School of Music ________________________________________________ Dr. -
Download Booklet
disc A Felix Mendelssohn (1809-1847) Concert Piece No. 1 in F major, Op. 113 8:43 for clarinet, basset horn and orchestra ① I. Allegro con fuoco 2:37 ② II. Andante 3:20 ③ III. Presto 2:44 Richard Strauss (1864-1949) Sonatina No. 1 for Wind Instruments in F major, TrV 288 38:42 “From an Invalid’s Workshop” ④ I. Allegro moderato 13:09 ⑤ II. Romance and Minuet: Andante –Tempo di minuetto 10:17 ⑥ III. Finale: Molto allegro – Meno mosso –Tempo primo – Presto 15:15 total duration disc A: 47:25 disc B John Adams (b.1947) Gnarly Buttons 27:00 ① I. The Perilous Shore 10:22 ② II. Hoe-down 6:23 ③ III. Put Your Loving Arms Around Me 10:13 Kevin Malone (b.1958) ④ The Last Memory 13:58 total duration disc B: 40:58 Elizabeth Jordan (basset horn): disc 1 tracks 1-3 (clarinet): disc 2 tracks 1-3 Lynsey Marsh (clarinet): disc 1 tracks 1-3; disc 2 track 4 Northern Chamber Orchestra directed by Lynsey Marsh (Mendelssohn) conducted by Stephen Barlow (all other works) This CD is the culmination of a project conceived by the two solo clarinettists after they each lost a parent in 2014 to complications with Parkinson’s Disease. The initial concept was simply to put together a concert to raise money for Parkinson’s UK. Around this time, Elizabeth Jordan was involved in a performance of John Adams’ ‘Gnarly Buttons’, and had become aware of the way in which the piece was influenced by the composer’s father and his struggle with Alzheimer’s. -
Classical Season 2020 / 21
CLASSICAL SEASON 2020 / 21 Welcome Our Classical Season 2020/21 offers an exciting vision for classical music, now and for years to come. We welcome three award-winning musicians as our new Associate Artists. Our four resident orchestras, the London Philharmonic Orchestra, the Philharmonia Orchestra, the Orchestra of the Age of Enlightenment and the London Sinfonietta, present series jam-packed with outstanding music – including farewell seasons from the LPO’s Principal Conductor and Artistic Advisor Vladimir Jurowski, and Principal Conductor and Artistic Advisor of the Philharmonia, Esa-Pekka Salonen. As part of their final seasons, both conductors will exploit the dramatic possibilities of the Royal Festival Hall, with a complete Wagner Ring Cycle from Jurowski and a concert staging of Strauss’ Elektra from Salonen. The great pianist Daniel Barenboim returns to our much-loved hall and we are also proud to present Europe’s oldest civic orchestra, the Gewandhausorchester Leipzig. I look forward to seeing you here, at the beating heart of classical music in London. Elaine Bedell Chief Executive, Southbank Centre Southbank Centre has always been a natural home for musicians who are pushing music forward in new directions. Our three new Associate Artists – pianist Víkingur Ólafsson, violinist Patricia Kopatchinskaja and composer Bryce Dessner – are leading the way in changing the landscape of classical music. Some of this season’s many highlights include a weekend dedicated to the haunting music of Canadian composer Claude Vivier, our global new music festival SoundState, and a setting of the Extinction Rebellion manifesto by British composer Laura Bowler. This is music that really has something to say, and we are strongly focused on widening the audience it speaks to. -
Composer Brochure | Works
Book 3.indb 2 John ADAMS ElliottCARTER 9/5/2008 12:08:42 PM John Adams Introduction English 1 Deutsch 4 Français 7 Abbreviations 10 Works Operas 12 Full Orchestra 16 Chamber Orchestra 20 Solo Instrument(s) and Orchestra 21 TABLE OF CONTENTS TABLE Voice(s) and Orchestra 22 Ensemble and Chamber with out Voice(s) 23 Piano(s) 26 Instrumental 26 Miscellaneous 27 Arrangements 27 Recordings 29 Chronological List of Works 32 Boosey & Hawkes Addresses 34 Composer List Cover photo: Deborah O'Grady Book 3.indb 3 9/5/2008 12:08:42 PM The Music of John Adams ON I The strains of his grandfather’s lakeside New England dance hall were among the earliest layers of John Adams’s aural CT memory. So too were the marching bands in which he played clarinet as a young student. Learning the basic European DU canon in front of the family Magnavox, Adams readily O assimilated it alongside the crazy quilt of American vernacular R music he encountered in the early postwar decades. Duke Ellington is a recurrent inspiration, and Adams’s love of jazz— which returns in unexpected forms, such as the improvisatory NT I “hypermelody” of the Violin Concerto (1993) or the electric violin’s raga-like musings in The Dharma at Big Sur (2003)— was early nurtured by his parents’ activities in jazz groups. As a student at Harvard during the cataclysmic upheavals of the late Sixties, Adams experienced the cognitive dissonance of the arid pronouncements of contemporary serialists when confronted with the fresh, Dionysian inventiveness of this golden age of rock. -
Counterpoint and Polyphony in Recent Instrumental Works of John Adams Alexander Sanchez-Behar
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Counterpoint and Polyphony in Recent Instrumental Works of John Adams Alexander Sanchez-Behar Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC COUNTERPOINT AND POLYPHONY IN RECENT INSTRUMENTAL WORKS OF JOHN ADAMS By ALEXANDER SANCHEZ-BEHAR A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 The members of the Committee approve the dissertation of Alexander Sanchez- Behar defended on November 6, 2007. Michael Buchler Professor Directing Dissertation Charles E. Brewer Outside Committee Member Jane Piper Clendinning Committee Member Nancy Rogers Committee Member Matthew R. Shaftel Committee Member The Office of Graduate Studies has verified and approved the above named committee members ii Dedicated to my parents iii ACKNOWLEDGMENTS I would like to express my sincere gratitude first and foremost to my advisor, Michael Buchler, for his constant support on all aspects of my dissertation. His inspiring approach to music theory stimulated much of my own work. I am indebted to the rest of my dissertation committee, Charles E. Brewer, Jane Piper Clendinning, Nancy Rogers, and Matthew Shaftel, for their encouragement. I also wish to convey my appreciation to Professors Evan Jones, James Mathes, and Peter Spencer. I would also like to acknowledge former music professors who influenced me during my years as a student: Candace Brower (my master’s thesis advisor), Robert Gjerdingen, Richard Ashley, Mary Ann Smart, John Thow, Michael Orland, Martha Wasley, Kirill Gliadkovsky, James Nalley, and David Goodman. -
Program Notes for Graduate Recital Season E
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 4-16-2015 Program Notes for Graduate Recital Season E. Cowley Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Cowley, Season E. "Program Notes for Graduate Recital." (Apr 2015). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. PROGRAM NOTES FOR GRADUATE RECITAL by Season Cowley B.M., University of Nebraska at Omaha, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music Degree. School of Music in the Graduate School Southern Illinois University Carbondale May 2015 RESEARCH PAPER APPROVAL PROGRAM NOTES FOR GRADUATE RECITAL By Season Cowley A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music Performance Approved by: Dr. Eric P. Mandat, Chair Dr. Douglas Worthen Professor Edward Benyas Graduate School Southern Illinois University Carbondale April 16, 2015 AN ABSTRACT OF THE RESEARCH PAPER OF Season Cowley, for the Master of Music degree in MUSIC PERFORMANCE, presented on April 16, 2015, at Southern Illinois University Carbondale. TITLE: PROGRAM NOTES FOR GRADUATE RECITAL MAJOR PROFESSOR: Dr. Eric P. Mandat The purpose of this research paper is to provide scholarly program notes to accompany the Graduate Recital of Season Cowley, which took place on May 9, 2015. -
Clarinet Sonatas Michael Collins | Michael Mchale Clarinet Piano Lebrecht Music & Arts Photo Library Photo Music & Arts Lebrecht
REGER CLARINET SONATAS Michael Collins | Michael McHale clarinet piano Max Reger, with his wife, Elsa withhiswife, Max Reger, © T.P. / Lebrecht Music & Arts Photo Library Max Reger (1873 – 1916) Sonata, Op. 107 (1908 – 09)* 30:46 in B flat major • in B-Dur • en si bémol majeur for Clarinet (or Viola) and Piano Seiner Königlichen Hoheit dem Großherzog Ernst Ludwig von Hessen und bei Rhein ehrfurchtsvoll gewidmet 1 Moderato – Molto tranquillo – Sostenuto – Tempo I – Molto tranquillo – (Tempo I) – Molto tranquillo – (Tempo I) – Sostenuto – Quasi adagio 12:27 2 Vivace – Andante – Adagio – Vivace – Quasi adagio 5:14 3 Adagio 5:46 4 Allegretto con grazia, vivace – Adagio – Più adagio 7:08 Sonata, Op. 49 No. 1 (1900)* 20:16 in A flat major • in As-Dur • en la bémol majeur for Clarinet and Piano 5 Allegro affanato – Più tranquillo 7:43 6 Vivace, ma non troppo – Sostenuto – Tempo I. Vivace 4:01 7 Larghetto, ma non troppo, un poco con moto – Un poco più andante – Più mosso assai – Tempo I. Larghetto 4:05 8 Prestissimo assai 4:17 3 Sonata, Op. 49 No. 2 (1900)† 20:19 in F sharp minor • in fis-Moll • en fa dièse mineur for Clarinet and Piano Herrn Karl Wagner zugeeignet 9 Allegro dolente 7:51 10 Vivacissimo – Sostenuto – Vivacissimo 2:41 11 Larghetto, un poco con moto – Più andante – Più mosso – Tempo I. Larghetto 4:19 12 Allegro affabile, con moto 5:16 TT 71:49 Michael Collins clarinets in B flat* / A† Michael McHale piano 4 © Spring Festival in Tokyo / Tomoko Hidaki Michael McHale and Michael Collins at the Spring Festival in Tokyo, 2017 inTokyo, Michael McHaleandCollinsattheSpringFestival Reger: Clarinet Sonatas Sonatas in A flat major and F sharp minor, a mental and physical breakdown following Op.