Classical Season 2020 / 21
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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
Neil Thomson — Biografia
Neil Thomson — Biografia Neil Thomson é um dos mais respeitados e versáteis maestros britânicos de sua geração. Nascido em 1966, estudou com Norman Del Mar na Royal College of Music em Londres e mais tarde em Tanglewood, com Leonard Bernstein e Kurt Sanderling. O maestro assume em 2014 a regência titular e direção artística da Orquestra Filarmônica de Goiás. Ele já gravou com a Orquestra Sinfônica de Londres, Orquestra Filarmônica Real de Liverpool e trabalhou nos concertos da Orquestra Filarmônica de Londres, da Philharmonia, da Orquestra Filarmônica da BBC, da Royal Scottish National Orchestra, da Hallé, da Orquestra Filarmônica Real, da Aarhus Symphony Orchestra, da Orquestra do Teatro Massimo em Palermo, Orquestra Sinfônica de Yucatan no México, Romanian Radio Chamber Orchestra e a RTE Concert Orchestra. Em maio de 2005, o maestro foi convidado para reger o concerto em homenagem ao cinquentenário da morte de George Enescu com a Orquestra Nacional da Romênia e os solistas David Geringas e Carmen Oprisanu. Ele fez atualmente estreias bem-sucedidas com a Orquestra Filarmônica de Tóquio, com as Orquestras Sinfônicas de Lahtu e de Oulu na Finlândia, a Royal Northern Sinfonia, a Orquestra Sinfônica de Israel, a Orquestra Sinfonica do Porto Casa da Música, a Orquestra da Rádio WDR, a Koln, Orquestra da Ópera Nacional de Gales, Orchestra of Opera North, a Royal Oman Symphony Orchestra, a Aurora Orchestra e a Nordic Youth Orchestra. Ele tem se apresentado com vários solistas ilustres, como Sir James Galway, Dame Moura Lympany, Sir Thomas Allen, Dame Felicity Lott, Philip Langridge, Sarah Chang, Ittai Shapira, Steven Isserlis, Julian Lloyd Webber, David Geringas, Natalie Clein, Gyorgy Pauk, Brett Dean, Jean-Philippe Collard,Stephen Hough,Peter Jablonski e Sir Richard Rodney Bennett. -
Mcallister Interview Transcription
Interview with Timothy McAllister: Gershwin, Adams, and the Orchestral Saxophone with Lisa Keeney Extended Interview In September 2016, the University of Michigan’s University Symphony Orchestra (USO) performed a concert program with the works of two major American composers: John Adams and George Gershwin. The USO premiered both the new edition of Concerto in F and the Unabridged Edition of An American in Paris created by the UM Gershwin Initiative. This program also featured Adams’ The Chairman Dances and his Saxophone Concerto with soloist Timothy McAllister, for whom the concerto was written. This interview took place in August 2016 as a promotion for the concert and was published on the Gershwin Initiative’s YouTube channel with the help of Novus New Music, Inc. The following is a full transcription of the extended interview, now available on the Gershwin channel on YouTube. Dr. Timothy McAllister is the professor of saxophone at the University of Michigan. In addition to being the featured soloist of John Adams’ Saxophone Concerto, he has been a frequent guest with ensembles such as the Chicago Symphony Orchestra and the Los Angeles Philharmonic. Lisa Keeney is a saxophonist and researcher; an alumna of the University of Michigan, she works as an editing assistant for the UM Gershwin Initiative and also independently researches Gershwin’s relationship with the saxophone. ORCHESTRAL SAXOPHONE LK: Let’s begin with a general question: what is the orchestral saxophone, and why is it considered an anomaly or specialty instrument in orchestral music? TM: It’s such a complicated past that we have with the saxophone. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice. -
George Gershwin Soloist: Mike Thomson
Pelly Concert Orchestra ~ 29 January 2011 Welcome to tonight‟s concert which replaces the postponed Christmas Concert. We have altered the programme slightly to reflect the fact that it is no longer the Christmas season and hope you will enjoy the additional pieces such as Copland‟s Rodeo, the Tahiti Trot and Arnold‟s Cornish Dance. Thank you for your support tonight and wishing you a very Happy New Year from all associated with the Pelly. Pelly Concert Orchestra News HMS Pinafore 30 October 2010 The Pelly Orchestra was delighted to have the opportunity to play with Grosvenor Light Opera Company at the end of October. The performance was „from scratch‟ and was semi-staged in St Gabriel‟s Church, Pimlico. This was a new experience for the orchestra and proved that we can adapt ourselves to a new setting and role. It was fun to be part of this vibrant production and the singers enjoyed performing with such an enthusiastic and competent orchestra. Playday 27 February 2011 Come and play with the Pelly Concert Orchestra for the day in February when our third Playday will be taking place at Farnborough Hill. The programme will include: Pictures at an Exhibition – Mussorgsky, The Pines of Rome – Respighi and La Mer – Debussy. To find out more please speak to our bassoonist, Karen Carter, during the interval or send an email to pellyorchestra @hotmail.co.uk. Peter Houghton RIP We were very sorry to hear of the death on 11 November of Peter Houghton who was a Patron and a staunch supporter of the orchestra. -
ECONOMIC EAR Symphonic Tigers and Chamber Kittens
ANALYSIS ECONOMIC EAR Symphonic tigers and chamber kittens In the fifth of our series of articles on the business of classical music, Antony Feeny reflects on the extent to which the UK music industry may be dominated by a few large organisations ans Sachs was a remarkably like to ensure free competition and level example, and the top four supermarkets and productive artist if the com- playing fields, those pesky markets persist in top four banks have over 70% of the British mon sources are to be believed. becoming more concentrated and awkward grocery store and retail banking markets, HIn addition to keeping the inhabitants of ruts will keep appearing in those playing while the top six energy suppliers account Nürnberg well-heeled, he apparently cob- fields. And so it seems with classical music. for 90% of the UK market. But these are bled together 4,000 Meisterlieder between Was Le Quattro Staggioni – well-known (relatively) free markets where commercial 1514 and his death in 1576. That’s about to every denizen of coffee shops and call cen- companies compete, so what’s the situa- one every five-and-a-half days every year tres – really so much ‘better’ than works by tion for classical music – a market which is for 62 years including Sundays, in addition the Allegris, the Caccinis, Cavalli, Fresco- subsidised and where its leading organisa- to his other 2,000 poetic works – not to baldi, the Gabrielis, Landi, Rossi, Schütz, or tions are best semi-commercial, or at least mention shoes for the 80,000 feet of those the hundreds of other 17th-century compos- non-profit-making? Nurembergers, or at least the wealthy ones. -
Patricia Kopatchinskaja Violin
Patricia Kopatchinskaja Violin “Kopatchinskaja was like a cat teasing a butterfly, always ready to pounce on a passing phrase, whether answering the first violins or duetting with a perky clarinet. It has become her calling card to make the familiar unfamiliar.” Rebecca Franks, The Times, May 2019 A combination of depth, brilliance and humour, Kopatchinskaja brings an inimitable sense of theatrics to her music. Whether performing a violin concerto by Tchaikovsky, Ligeti or Schoenberg or presenting an original staged project deconstructing Beethoven, Ustwolskaja or Cage, her distinctive approach always conveys the core of the work. Highlights of the 19/20 season included a tour of the US with cellist Jay Campbell featuring a premiere of a new duo by Márton Illés, and in spring 2020 Kopatchinskaja performed the world premiere of a new commission by Francisco Coll with Philharmonie Luxembourg and Gustavo Gimeno. Kopatchinskaja appears regularly with artists such as: Polina Leschenko with whom she toured recently to Japan and the U.S; and Reto Bieri, with whom she premiered a new trio programme at the Wigmore Hall (with Leschenko). Highlights of the 2020/21 season include residencies with Frankfurt Alter Oper, SWR Symphony Orchestra, Bamberg Symphony, and Elbphilharmonie Hamburg. She will also be one of three new Associate Artists at the Southbank Centre beginning in January 2021 and running until the end of the 21/22 season. Included in the 20/21 season with Bamberg is the world premiere of a new concerto commission by Luca Francesconi. Kopatchinskaja will continue to showcase the works of living composers such as Michael Hersch, György Kurtág and Márton Illés in her varied and innovative curated projects like Farewell Beethoven, with pianist Igor Levit and soprano Ah Young, which will feature in the Lucerne Festival in autumn 2020. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / FEB 17 / 11:00 AM Kevin Fitz-Gerald PIANO Robert Davidovici VIOLIN Andrew Shulman CELLO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Joseph Haydn (1732-1809) Piano Trio in G major, “Gypsy”, Hob.XV:25 i. Andante ii. Poco adagio iii. Finale. Rondo all'Ongarese, Presto Zoltán Kodály (1882-1967) Duo for Violin and Cello, Op.7 (1914) i. Allegro serioso, non troppo ii. Adagio – Andante iii. Maestoso e largamente, ma non troppo lento – Presto Johannes Brahms (1833-1897) Piano Trio No. 3, Op.101 i. Allegro energico ii. Presto non assai iii. Andante grazioso iv. Allegro molto This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 18 ABOUT THE ARTISTS KEVIN FITZ-GERALD (PIANO), enjoys spectacular technique, wide-ranging full-blooded tone being just what a versatile performing career as repertoire and magnificent artistry the work deserves” (TheArtsDesk. recitalist, orchestra soloist and with an exciting, compelling stage com). He returned to London in chamber musician. His performances presence. Born in Transylvania, February 2015 to perform the have garnered international acclaim, Romania, he began his studies as a Tchaikovsky and Brahms Violin and he has been recognized for student of David Oistrakh. He went Concerti, again with the RPO his “hypnotically powerful and on to study with Ivan Galamian at under Maestro Nowak. In February precise” pianism and “dynamic and the Juilliard School, where, upon 2007, he was soloist at Lincoln distinguished” interpretations. graduating, he became a teaching Center’s Avery Fisher Hall in the His concert tours and performances assistant to the Juilliard String American premiere of the Kletzki have taken place in major concert Quartet. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Re-Defining the String Orchestra
RE-DEFINING THE STRING ORCHESTRA 2015/16 WELCOME 2015 2016 How does classical music fit into our lives today? How can we make it vital and relevant to everyone who AUGUST JANUARY experiences it live? Mull Sweden SE has always strived to probe these questions not only SEPTEMBER FEBRUARY in its programming, through which we aim to create Bucharest Sweden new connections and perspectives, but also in opening Sweden Perth up the music to people who may not be familiar with it. Shetland Musselburgh Glasgow In our second large-scale, cross-artform adventure, OCTOBER Shetland we’ve collaborated with Swedish contemporary dance Glasgow Aberdeen company Andersson Dance to blend music and Dundee movement in new and unexpected ways. If you’ve Inverness MARCH ever wanted to see a musician really sweat, now’s your Edinburgh Linlithgow chance (!). London Inverness We’ve also asked two writers and a filmmaker to join the team to help us share our Dundee stories and journeys with you. They will illuminate the programmes with visual and NOVEMBER Glasgow written content, contextualising and positioning the music even further within today’s Glasgow London world. And we do mean the whole world - this year we extend our reach even wider as Dundee we travel to new places in Scotland as well as prestigious international stages. Inverness APRIL Aberdeen Shetland Around me is, of course, a group of outstanding string players who are passionate about Newcastle MAY making every performance powerful and meaningful - and if you come to any of the concerts this season you’ll witness that for yourself. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.