Digital Concert Hall
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mozart À Cordes Et À Plumes |
Les Concerts du Mercredi à 18h Mozart à cordes et à plume Mercredi 4 octobre à 18h Wolfgang Amadeus Mozart Avec Divertimento en Fa Majeur KV 138 (125c) (1772) Les solistes du Concert d’Astrée [Allegro] Andante Agnieszka Rychlik, violon [Presto] Charles-Etienne Marchand, violon Quatuor à cordes en Sol Majeur KV 80 (73f), Michel Renard, alto dit « Quatuor Lodi » (1770) Felix Knecht, violoncelle Adagio Allegro et Menuetto Rondeau [allegro] Antoine Suarez-Pazos, récitant Lettres de W. A. Mozart : traduction complète par Henri de Curzon - Paris 1888 Brève de concert Dans la scène finale du premier acte de Cosi fan tutte, Despina déguisée en médecin chante : « Ceci est un fameux morceau d’aimant, pierre mesmérique qui eut son origine en Allemagne et fut ensuite si célèbre là-bas en France ». Elle soigne ainsi, avec cette pierre, Ferrando et Guglielmo feignant de s’être empoisonnés pour mettre fin à leur déception amoureuse. Da Ponte et Mozart évoquent dans cette grande scène comique le fondateur du magnétisme, Franz- Anton Mesmer qui exerça à Vienne en 1776 avant de se rendre à Paris. Mélomane averti et riche mécène, il reçut chez lui Gluck, Haydn et Mozart… Avant d’immortaliser cette référence dans son Cosi, le compositeur avait déjà croisé la route du médecin : c’est Mesmer qui probablement commanda Bastien und Bastienne au jeune Wolfgang Amadeus âgé de 12 ans, opéra qui précède de quelques mois les œuvres au programme de ce soir ! www.opera-lille.fr #operalille Note de programme Je me porte bien, grâce à Dieu; je baise les mains de maman, et la fi gure, le nez, la bouche et le cou de ma sœur et ma mauvaise plume, et le derrière s’il est propre. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20
OTHER WORLDS 2019/20 Concert season at Southbank Centre’s Royal Festival Hall Highlights 2019/20 November Acclaimed soprano Diana Damrau is renowned for her interpretations of the music of Richard Strauss, and this November she sings a selection of her favourite Strauss songs. Page 12 September October Principal Conductor and Mark Elder conducts Artistic Advisor Vladimir Elgar’s oratorio Jurowski is joined by The Apostles, arguably Julia Fischer to launch his greatest creative the second part of Isle achievement, which of Noises with Britten’s will be brought to life elegiac Violin Concerto on this occasion with alongside Tchaikovsky’s a stellar cast of soloists Sixth Symphony. and vast choral forces. Page 03 Page 07 December Legendary British pianist Peter Donohoe plays his compatriot John Foulds’s rarely performed Dynamic Triptych – a unique jazz-filled, exotic masterpiece Page 13 February March January Vladimir Jurowski leads We welcome back violinist After winning rave reviews the first concert in our Anne-Sophie Mutter for at its premiere in 2017, 2020 Vision festival, two exceptional concerts we offer another chance presenting the music in which she performs to experience Sukanya, of three remarkable Beethoven’s groundbreaking Ravi Shankar’s works composed Triple Concerto and extraordinary operatic three centuries apart, a selection of chamber fusion of western and by Beethoven, Scriabin works alongside LPO traditional Indian styles. and Eötvös. Principal musicians. A love story brought to Page 19 Pages 26–27 life through myth, music -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Friday 8 May 2020
Koanga - New Zealand SO/John Hopkins Zealand National Youth Choir/Karen (EX Tartar TRL 020) Grylls (TRUST MMT 2016) 2:00 approx ELGAR: Nursery Suite - New Zealand JOPLIN: Maple Leaf Rag; Magnetic Rag (2) SO/James Judd (Naxos 8.557166) - Elizabeth Hayes (pno) (QUARTZ QTZ 2005) COPLAND: Down a Country Lane - Saint Friday 8 May 2020 BECK: Sinfonia in G minor Op 3/3 - Paul CO/Hugh Wolff (Teldec 77310) Toronto CO/Kevin Mallon (Naxos 5:00 approx 12:00 Music Through the Night 8.570799) BRAHMS: Violin Sonata No 2 in A Op 100 - RAMEAU: The Entrance of Polyhymnia, GAY: Virgins Are Like The Fair Flow'r, from Tasmin Little (vln), Piers Lane (pno) from Les Boréades - Ensemble The Beggar's Opera - Kiri Te Kanawa (sop), (Chandos CHAN 10977) Pygmalion/Raphaël Pichon (Harmonia National Phil/Richard Bonynge (Decca 475 VAUGHAN WILLIAMS: In the Fen Country - Mundi HMM902288) 459) London Festival Orch/Ross Pople (ASV CD DELIUS: Walk to the Paradise Garden - DETT: Eight Bible Vignettes - Denver DCA 779) Symphony Nova Scotia/Georg Tintner Oldham (piano) (New World NW 367) ANONYMOUS: Masque Dances - Alison (CBC Records SMCD 5134) HAN KUN SHA: Shepherd's Song - Melville (recorder), Margaret Gay (cello), CIMAROSA: Concerto in G for two flutes - Shanghai Quartet (Delos DE 3308) Peter Lehman (theorbo), Valerie Weeks Mathieu Dufour (fl), Alex Klein (ob), Czech 3:00 approx (hpschd) (EBS EBS 6016) National SO/Paul Freeman (Cedille CDR TELEMANN: Trumpet Concerto in D - DELIUS arr Fenby: Serenade, from Hassan 90000 080) Niklas Eklund (baroque tpt), - Julian Lloyd Webber -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com. -
Ernst, Daniel & Andreas Ottensamer
THE CLARINOTTS ERNST, DANIEL & ANDREAS OTTENSAMER THE CLARINOTTS 2 FELIX MENDELSSOHN 1809–1847 AMILCARE PONCHIELLI 1834–1886 Concert Piece for Clarinet, Basset Horn and Orchestra op. 113 7 Il convegno op. 76 9.54 arranged by Rainer Schottstädt The Meeting | Die Zusammenkunft | Le Rendez-vous 1 1. Allegro con fuoco 2.27 arranged by The Clarinotts 2 2. Andante 2.55 DANIEL OTTENSAMER clarinet I | ANDREAS OTTENSAMER clarinet II 3 3. Presto 2.23 WIENER VIRTUOSEN DANIEL OTTENSAMER clarinet | ANDREAS OTTENSAMER basset horn JEAN FRANÇAIX 1912–1997 WIENER VIRTUOSEN 8 Petit Quatuor: Cantilène (2nd mvt.) 2.28 WOLFGANG AMADEUS MOZART 1756–1791 arranged by Rainer Schottstädt 4 Trio “Soave sia il vento” from Mozart’s Così fan tutte 2.54 ANDREAS OTTENSAMER clarinet | DANIEL OTTENSAMER basset horn ERNST OTTENSAMER bass clarinet ANDREAS OTTENSAMER clarinet I | DANIEL OTTENSAMER clarinet II ERNST OTTENSAMER basset horn BELA KORENY *1946 WIENER VIRTUOSEN 9 Cinema I 10.25 FRANZ DOPPLER 1821–1883 & KARL DOPPLER 1825–1900 ANDREAS OTTENSAMER A clarinet | DANIEL OTTENSAMER B flat clarinet bass clarinet piano 5 Fantasy on Themes from Verdi’s Rigoletto 10.01 ERNST OTTENSAMER | CHRISTOPH TRAXLER arranged by Rainer Schottstädt WIENER VIRTUOSEN DANIEL OTTENSAMER clarinet I | ANDREAS OTTENSAMER clarinet II LUIZ BONFÁ 1922–2001 ERNST OTTENSAMER basset horn 0 Manhã de Carnaval 5.40 WIENER VIRTUOSEN THE CLARINMorning of Carnival | Karnevalsmorgen | MatinO de carnaval TTS GIOACCHINO ROSSINI 1792–1868 arranged by The Clarinotts 6 La danza 4.35 ANDREAS & DANIEL OTTENSAMER -
New • Nouveaute • Neuheit
NEW • NOUVEAUTE • NEUHEIT 10/10-(5) „Blue Hour“ Brilliant and Sentimental Moments Works by Nino Rota, Zequinha de Abreu, Joaquin Rodrigo, Rimsky-Korsakow etc. Andreas Blau, flute Hendrik Heilmann, piano 1 CD Order No.: MDG 308 1659-2 UPC-Code: Blue Blood At the incredibly young age of twenty Andreas piccolo, and the noble alto flute that appeals to Blau was already the solo flutist in the Berlin our senses. It is the special magical moment, the Philharmonic Orchestra. He presented countless blue hour between daylight and nighttime reverie, recordings and concerts with Herbert von that we feel here. The atmospheric pictures Karajan, Claudio Abbado, and Simon Rattle while presented to us by Blau in the finest sound always seeking to explore the limits of his quality and airy acoustics are tuneful, peppy, instrument, whether as a member of the Berlin witty, melancholy, and always highly pleasurable. Philharmonic Soloists or as the founder of the Our warning: such interpretations have addictive Fourteen Berlin Flutists, which with its listening potential! spectacular performances regularly brings the whole of the German capital’s symphonic life to a stunned standstill. „Dancing Flutes“ Bizet: L’Arlesienne Favorite Color Ravel: Ma mere l’oye Blue Hour is not only a witty play on words on the Saint-Saëns: Danse macabre etc. interpreter’s name (“blau” means “blue” in Die 14 Berliner Flötisten German) and the blue note so popular in jazz. MDG 308 1114-2 The flutist and his equally dexterous piano partner Hendrik Heilmann deliver with light hand „Flute Waves“ some two-dozen great popular favorites from Mozart: Overture „Figaros Hochzeit“ “Greensleeves” to “The Godfather” in Verdi: Overture „La Traviata“ sophisticated arrangements. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Dossier De Presse Nomination Bartoli EN
New director for Monte-Carlo Opera appointed Cecilia Bartoli to take over from Jean-Louis Grinda on 1 January 2023 At a press conference in Salle Garnier on Tuesday 3 December, H.R.H. the Princess of Hanover, Chair of the Monte-Carlo Opera Board of Directors, made an important announcement: Cecilia Bartoli will take over from Jean-Louis Grinda as director of the Monegasque institution on 1 January 2023. “In March 2019, Jean-Louis Grinda informed Me and H.S.H. the Sovereign Prince of his intention to eventually leave his post as director of the Monte-Carlo Opera. Having occupied this position since July 2007, he felt that, in all good conscience, the time had come to hand over to someone who would bring new ideas to opera in the Principality. Jean-Louis Grinda then mentioned the name of Cecilia Bartoli, whom he had informally consulted. In addition to her personal and professional qualities, Cecilia already has strong ties to the Principality, having led the Musicians of the Prince as artistic director since the ensemble was established in 2016. This attractive proposition naturally caught my interest and attention as Chair of the Opera’s Board of Directors. After receiving the agreement of H.S.H. the Sovereign Prince, a proposal was officially made to Cecilia Bartoli which, I am delighted to say, she accepted,” said Her Royal Highness. Cecilia Bartoli will thus become the first woman to lead the Monte-Carlo Opera. She will also stay on as director of the Musicians of the Prince. “Cecilia Bartoli will, of course, be free to pursue her exceptional career as a singer, just as Jean-Louis Grinda has been free to work as a stage director,” concluded the Chair of the Board of Directors.