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From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Guest Artist Recital, Luby Symposium
2016 Luby Violin Symposium Guest Artist Recital Kevork Mardirossian, violin Lee Phillips, piano Wednesday, May 18, 2016 7:30 PM Person Recital Hall Program Sonata in D Major, HWV 371 (1681) George Frideric Handel Affetuoso (1685-1759) Allegro Larghetto Allegro Violin Sonata No. 2 in A Major, Op. 100 Johannes Brahms Allegro amabile (1833-97) Andante tranquilo – Vivace – Andante Allegretto grazioso Intermission Sonata No. 1 in G Minor for violin solo, BWV 1001 J.S. Bach Adagio (1685-1750) Fuga Suite Populaire Espagnole (1926) Manuel De Falla/arr. Paul Kochanski El paño moruno (1876-1946/1887-1934) Nana Canción Polo Asturiana Jota Tzigane (1924) Maurice Ravel (1875-1937) Special thanks to the UNC Summer School and Dean Jan Yopp, the UNC Music Department and Chair Louise Toppin, and Susan Klebanow. About the Luby Violin Symposium Named in honor of its founder, violinist and former UNC professor Richard Luby, the Symposium offers participants an intensive one-week immersion focused on individual instrumental and musical growth within the context of a supportive and nurturing atmosphere. Previously directed by Richard Luby and Fabian Lopez, the Symposium is in its eighth summer. The Symposium includes private lessons masterclasses student performances faculty performances guest artist performances HIP Bach perspectives body awareness methods practice techniques performance psychology All course activities take place on the beautiful campus at the University of North Carolina at Chapel Hill in the Kenan Music Building and Person Hall. The Symposium is supported by the UNC Music Department, sponsored as a course by the UNC Summer School, and by donations which support student scholarships, activities, and artists. -
OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20
OTHER WORLDS 2019/20 Concert season at Southbank Centre’s Royal Festival Hall Highlights 2019/20 November Acclaimed soprano Diana Damrau is renowned for her interpretations of the music of Richard Strauss, and this November she sings a selection of her favourite Strauss songs. Page 12 September October Principal Conductor and Mark Elder conducts Artistic Advisor Vladimir Elgar’s oratorio Jurowski is joined by The Apostles, arguably Julia Fischer to launch his greatest creative the second part of Isle achievement, which of Noises with Britten’s will be brought to life elegiac Violin Concerto on this occasion with alongside Tchaikovsky’s a stellar cast of soloists Sixth Symphony. and vast choral forces. Page 03 Page 07 December Legendary British pianist Peter Donohoe plays his compatriot John Foulds’s rarely performed Dynamic Triptych – a unique jazz-filled, exotic masterpiece Page 13 February March January Vladimir Jurowski leads We welcome back violinist After winning rave reviews the first concert in our Anne-Sophie Mutter for at its premiere in 2017, 2020 Vision festival, two exceptional concerts we offer another chance presenting the music in which she performs to experience Sukanya, of three remarkable Beethoven’s groundbreaking Ravi Shankar’s works composed Triple Concerto and extraordinary operatic three centuries apart, a selection of chamber fusion of western and by Beethoven, Scriabin works alongside LPO traditional Indian styles. and Eötvös. Principal musicians. A love story brought to Page 19 Pages 26–27 life through myth, music -
Results in I, II and III Cycles of the Internet Music Competition 2015
Results in I, II and III cycles of the Internet Music Competition 2015 I cycle: Duo, Chamber Ensemble, Piano Ensemble, Choir, Orchestra, Percussion II cycle: Piano, Bassoon, Flute, French horn, Clarinet, Oboe, Saxophone, Trombone, Trumpet, Tube III cycle: Accordion, Contrabass, Cello, Alt, Violin, Classical, Traditional and Jazz singing International Music Competition (INTERNET MUSIC COMPETITION) which passes completely through the Internet and it is unique event since its inception. The competitors of the first cycle in Masters Final INTERNET MUSIC COMPETITION 2015: "Duo" – Duo Zakhariya - Zakhariya Dana, Zakhariya Mykhaylo (Lučenec, Slovakia) "Piano Ensemble" – Trukhanovich Valeryia, Liapich Matsvei - GUO Music School №66 (Minsk, Belarus) "Chamber Ensemble" – “Ensemble Collage” - Children's School of Arts №7 (Nizhny Novgorod, Russia) "Choir" – Concert choir “Radost” - Сenter of creative development of musical and aesthetic education “Radost” (Moscow, Russia) "Orchestra" – Vologda breake band - Vologda Music College (Vologda, Russia) "Percussion" – Toteva Alexandra - National School for Music and Dance "Dobrin Petkov" (Plovdiv, Bulgaria) The competitors of the second cycle in Masters Final INTERNET MUSIC COMPETITION 2015: "Piano" – Momčilo Tomić – Music School "Mihailo Vukdragović" (Šabac, Serbia) "Flute" – Filippova Maria – Children’s Musical School №3 (Nizhny Novgorod, Russia) "French horn" – Yumerska Kristina – Dobrin Petkov National school of music and dance (Plovdiv, Bulgaria) "Clarinet" – Veloccia Edoardo – Conservatorio di Musica -
Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
iMffi BOSTON SYMPHONY TRA **** ft %?% Levine James | Music Dim "fe Bernard Haitink Cone1 \cvuu Seiji Ozawa Music Diircti « he Clarendon BACK BAY The Way to Live ; 'j v 11 B 1 1 1 1 1 # iilf)I « 1 1 '" ' ; ! i m r m if l Dill H incut ** IE DIC | m ''IS !! 1 iS a . i! W i PIE i w: i«. 1 114 IE fc, IBS OP 1 iir; * ! : jjj E*. aiwi ill yiM " r i. *' ; - '' • J £j L : • ' liur m §ii !! !l Hi v ii I J!! '! iii ni" fill «• «*« il 1191 III I INTRODUCING FIVE STAR LIVINGtm WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FLOOR CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON, MA 617.267.4001 www.theclarendonbackbay.com U t I^^J^ BRELATED DC/\L COMPANIES, UPh REGISTER : U.S. GREEN BUILDING COUNCIL WITH ANTI SILVER CERTIFICATION whic The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, No Fe subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or described. being Void where prohibite agency has judged the merits or value, if any, of this property. This is not an offer where registration is required prior to any offer made. Table of Contents Week 6 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 29 A BRIEF HISTORY OF SYMPHONY HALL 35 THIS WEEK'S PROGRAM 36 THE PROGRAM IN BRIEF Notes on the Program 37 Johannes Brahms 49 Richard Strauss 65 To Read and Hear More.. -
AN ALPINE SYMPHONY by Richard Strauss Philharmonic Orchestra Carl St
AN ALPINE SYMPHONY by Richard Strauss Philharmonic Orchestra Carl St. Clair, guest conductor Wednesday, March 29 ∙ 8pm Musical Arts Center A Message from Tonight’s Sponsor German American Bank The German American Bloomington team welcomes you to the Alpine Symphony. We are delighted to be a financial partner with the Jacobs School of Music to offer you this evening of musical entertainment. German American Bank was organized in 1910 in a southern Indiana community rich in German-American heritage—Jasper, Ind. Through the years, we have grown to 51 offices in 20 counties, including 3 offices in Bloomington. Our team is dedicated to helping individuals, families, and businesses achieve greater prosperity and quality of life. Together, our financial team builds lasting client relationships based on integrity, responsive service, innovation, and shared values. In the banking industry, we are consistently recognized as one of the top-performing community banks in the country. Our CEO, Mark Schroeder, was named one of three 2016 Community Bankers of the Year in the country by American Banker, an essential resource for breaking news, research, data, and opinion content for senior executives in the banking and financial services industry nationwide. Maintaining superior financial performance allows us to positively influence the health of our local communities in key areas of economic development, education, and overall quality of life. We support the communities we serve and believe that when a community thrives, its people prosper. Seven Hundred Thirtieth Program of the 2016-17 Season _______________________ Philharmonic Orchestra Carl St. Clair, Conductor _______________________ Eine Alpensinfonie (An Alpine Symphony), Op. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
Dean's Showcase# 3
PROGRAM Dean's Showcase #3 Thursday, November 15,2007 Dr. Jon Robertson, 7:30p.m. Amarnick-Goldstein Concert Hall Dean Lynn University Conservatory of Music Boca Raton, FL Welcome to the 2007-2008 season. A5 dean of the conservatory, I greet the season with unabated enthusiasm and excitement. The talented musicians and extraordinary performing faculty at Lynn repre sent the future of the performing arts, and you, the Poeme, Op. 25 Chausson patrons, pave the road to their artistic success through your presence and generosity. Sonia Shklarov, violin Tao Lin, piano There are a number of ways by which you can help us fulfill our mission: THE ANNUAL FUND String Quartet in D Major, K 575 Mozart A gift to the Annual Fund can benefit scholarships, Allegretto various studios, special concerts or the general conservatory fund. Vadim Kim, violin Sandra Rubio, violin THE LEADERSHIP SOCIETY OF LYNN UNIVERSITY Carlos San Isidro, viola With an annual gift of $2,500 or more during the Christine Echezabal, cello fiscal year July 1 to June 30, you will be recognized in our new Leadership Society. This premier annual giving society honors donors who recognize the Woodwind Quintet No.2, Op. 88 Reicha significant impact leadership gifts have in sustaining Lento-Allegro moderato the excellence of conservatory programs. Oderlyn Gutiez, flute ESTATE GIFT An estate gift will provide for the conservatory in Nicholas Thompson, oboe perpetuity. Your estate gift may be made as a gift Girard Villanueva, clarinet of appreciated stock, real estate, bequests and/or Eduardo Albuerme, bassoon planned gifts. Yu-Ju Sun, French hom FRIENDS OF THE CONSERVATORY OF MUSIC Scheno from Symphony No. -
Richard Strauss' Eine Alpensinfonie
Richard Strauss’ Eine Alpensinfonie: A Culmination and Rejection of Nineteenth Century Philosophical Influences Chloe Tula MUSI 551 Dr. Bailey November 18, 2016 !1 ABSTRACT The goal of this paper is two-fold: on one hand, exploring how Alpensinfonie both challenges and stays true to traditional symphonic idioms, and on the other, examining how it fits into Strauss’s compositional career, personal religious journey, and the greater landscape of early 20th century leanings towards modernism. This paper is part analysis, part biography, and part historical analysis. Strauss clearly had a unique (and changing) perspective on Friedrich Nietzsche’s writings, and this often drew sharp contradictions in his life; one can view evidence of how this plays into Alpensinfonie, especially when contrasted against Zarathustra (1896), which shares many motives with Alpensinfonie (which, coincidentally, was sketched out as early as 1899, before Strauss’s operatic career took off). While Un Alpensinfonie is not his definitive - and far from his final - work, it is an important landmark in Strauss’s ever-changing compositional perspective. In Un Alpensinfonie, Strauss overturns norms of the early twentieth century by constructing an intense, one-movement symphony that all but replaces lofty reverence of deity figures with a more universal reverence of nature, adding to the collection of earth- conscious masterpieces (e.g. Rite of Spring, La Mer, The Planets for instance) that inspired a irreversible large-scale shift to programmatic and agnostic-leaning music in the European modernist movement to follow. INTRODUCTION Richard Strauss’ final tone poem, Un Alpensinfonie (An Alpine Symphony) is largely overlooked in the analyses of his tone poems. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Les Pages Sur Les Festivals D'été
festivalsSummer d’été Une pléiade de festivals de musique classique se disputent chaque été les faveurs des mélomanes. Le plaisir des yeux y rejoint celui des oreilles, les sites étant souvent splendides et totalement dépaysants. La Scena en brosse, ce mois-ci, un portrait pastoral. A growing number of festivals appeal to classical music lovers. They aim to please their patrons’ ears, but also they strive to delight their eyes, being located in bucolic pastures. This month, La Scena attempts to capture their unique appeal. 3 2pm. StAC. Ensemble vocal Joseph-François- über die Folie d’Espagne, Wq. 118/9, H.263 JULY Perrault; Oakville Children’s Choir; Academic (1778); Mozart: Fantaisie in C minor, K.V. 475 12 20h. EcLER. $10-22. Chausson: Quatuor; Brahms: Choir of Adam Mickiewicz University; Bach (1785); 9 Variationen über ein Menuett von Quatuor #3 en sol mineur. Quatuor Kandinsky Children’s Chorus of Scarborough; Prince of Duport, K.V. 573 (1789); Haydn: Variations in F 13 20h. ÉNDVis. $10-22. Piazzolla: “Four for Tango”; Wales Collegiate Chamber Choir; Choral Altivoz minor, Hob. xvii/6 (1793); Beethoven: 6 Castonguay-Prévost-Michaud: “Redemptio” 3 8pm. A&CC. Cantare-Cantilena Ensemble; Young Variations, op.34 (1802). Cynthia Millman-Floyd, (poème Serge-Patrice Thibodeau); Dvorak: Voices of Melbourne; Daughter of the Baltic fortepiano “Cypresses” #6 10 5 12; Chostakovich: 2 Pieces 3 8pm. GowC. St. John’s Choir; Scunthorpe Co- 3 8pm. DAC Sir James Dunn Theatre. $20-25. Guy: for String Quartet; Reinberger: Nonet op.139. Operative Junior Choir; Amabile Boys Choir Nasca Lines. Upstream Orchestra; Barry Guy, bass Quatuor Arthur-LeBlanc; Eric Lagacé, contre- 4 8pm. -
The Politicization of Music During the Period of Totalitarian Rule in Bulgaria (1944 – 1989)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serbian Academy of Science and Arts Digital Archive (DAIS) DOI https://doi.org/10.2298/MUZ1825179D UDC 78:316.75(497.2)"1944/1989" 78.071.1(497.2)"1944/1989" The Politicization of Music During the Period of Totalitarian Rule in Bulgaria (1944 – 1989) Stanimira Dermendzhieva1 Independent scholar, Corfu, Greece Received: 15 September 2018 Accepted: 1 November 2018 Original scientific paper Abstract: Since this is a phenomenon of recent times, the signifcance of the politicization of music during the period of totalitarian rule in Bulgaria (1944–1989) is still unexplored. Tis paper focuses on the interplay between the political regime, musical life in Bulgaria, and the status of Bulgarian composers. Many books, articles, conferences and PhDs have been presented recently in the feld of cultural studies, promoting a multidisciplinary approach in several felds. A new approach tothis dynamic period would clarify the overall development of Bulgarian musical culture in the twentieth century. Keywords: music, political aspects, Bulgaria, history of the twentieth century, Bulgarian composers Introduction This article focuses on the interplay between the political regime, musical life in Bulgaria and the status of Bulgarian composers between 1944 and 1989. My interest in the history and problems of Bulgarian composers and specifically in the politicization of music during the period of totalitarian rule in Bulgaria (1944–1989) stems from the early days of my musical career and my childhood. Music written by Bulgarian composers has significantly influenced me over the period of my formal education.