OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20

Total Page:16

File Type:pdf, Size:1020Kb

OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20 OTHER WORLDS 2019/20 Concert season at Southbank Centre’s Royal Festival Hall Highlights 2019/20 November Acclaimed soprano Diana Damrau is renowned for her interpretations of the music of Richard Strauss, and this November she sings a selection of her favourite Strauss songs. Page 12 September October Principal Conductor and Mark Elder conducts Artistic Advisor Vladimir Elgar’s oratorio Jurowski is joined by The Apostles, arguably Julia Fischer to launch his greatest creative the second part of Isle achievement, which of Noises with Britten’s will be brought to life elegiac Violin Concerto on this occasion with alongside Tchaikovsky’s a stellar cast of soloists Sixth Symphony. and vast choral forces. Page 03 Page 07 December Legendary British pianist Peter Donohoe plays his compatriot John Foulds’s rarely performed Dynamic Triptych – a unique jazz-filled, exotic masterpiece Page 13 February March January Vladimir Jurowski leads We welcome back violinist After winning rave reviews the first concert in our Anne-Sophie Mutter for at its premiere in 2017, 2020 Vision festival, two exceptional concerts we offer another chance presenting the music in which she performs to experience Sukanya, of three remarkable Beethoven’s groundbreaking Ravi Shankar’s works composed Triple Concerto and extraordinary operatic three centuries apart, a selection of chamber fusion of western and by Beethoven, Scriabin works alongside LPO traditional Indian styles. and Eötvös. Principal musicians. A love story brought to Page 19 Pages 26–27 life through myth, music and dance. Page 14 April May FUNharmonics As we mark the 250th Antonio Pappano conducts This October the Orchestra anniversary of Beethoven’s sublime Bach transcriptions, performs the live orchestral birth, Vladimir Jurowski brings and is joined by acclaimed soundtrack to Zog – four of the composer’s pianist Igor Levit for a a new animated film rarely heard works to the rare and eagerly awaited based on Julia Donaldson stage including his performance of Busoni’s and Axel Scheffler’s remarkable choral piece immense Piano Concerto. celebrated picture book. Cantata on the Death Page 36 Page 41 of Emperor Joseph II. Page 29 01 Introduction A warm welcome to our new season We have another fine array of concerts for During the second half of the season, we present you to enjoy in 2019/20. We begin the season the first part of a new strand of concerts entitled with the second part of Isle of Noises, our 2020 Vision, offering the chance to hear some exploration of landmark classics inspired by the of the most exciting music written since 2000 British Isles, and including the music of Walton, including works by Thomas Adès, Péter Eötvös, Vaughan Williams, Britten and Foulds, alongside Oliver Knussen and Kaija Saariaho. Each of these a celebration of a century of great British film will be combined in a concert with works written scores. Other early season highlights include both 100 and 200 years earlier, which along a performance of Mahler's mighty Resurrection the way gives us the perfect opportunity Symphony with Principal Conductor and to celebrate Beethoven’s 250th anniversary Artistic Advisor Vladimir Jurowski, Verdi’s with some of his great masterpieces including glorious Requiem under the baton of Edward his first six symphonies. Gardner, and a welcome return to the Royal We continue our Wagner Ring Cycle project Festival Hall stage for celebrated soprano with Siegfried in January, and in March our regular Diana Damrau, who performs a selection guest soloist and friend Anne-Sophie Mutter of her favourite Strauss songs. joins us for a performance of Beethoven's Triple After its critically acclaimed premiere with the Concerto, and an evening of chamber music LPO in 2017, Ravi Shankar’s only opera Sukanya with Principal musicians from the Orchestra. is performed again for one night only in January There really is something for everyone this 2020 – don't miss the chance to join us for this season, so please do join us again to experience special event. the wonder of orchestral music. Timothy Walker AM Chief Executive and Artistic Director A selection of this season’s concerts will be broadcast on BBC Radio 3, and available for 30 days after broadcast via BBC Sounds. © Chris© Blott Y– DECEMB AR ER U 2 N 01 A 9 J ISLE OF NOISES Landmark classics inspired by the British Isles 1689 –2019 Isle of Noises January–December 2019 lpo.org.uk/isleofnoises ‘Be not afeard. The isle is full of noises, sounds and sweet airs, that give delight and hurt not.’ The British Isles have always been of British film scores tells stories of Polish a place where diverse traditions meet fighter pilots and Arabian adventurers; tragic and interact: where ideas are born lovers and 1930s sci-fi. It’s never just been and debated, and where past, present and about country lanes and stiff upper lips. future are in continual, often tempestuous So we’ll dive deeper. Elgar explores his dialogue. Throughout it all, musicians Catholic faith in music of red-blooded in and from Britain have created art passion, and Vaughan Williams summons as varied and as surprising as the nation the spirit of William Blake. There are bold itself – and in Isle of Noises, the LPO new sounds from Thomas Adès, and a vision performs and celebrates that music. of heaven from William Alwyn: his lovely, And it’s not necessarily what you might neglected Lyra Angelica. And to finish, expect – with soloists as dynamic as a rare performance of John Foulds’s Sheku Kanneh-Mason and Nicola Benedetti, Dynamic Triptych: a fusion of Art Deco classics like Elgar’s Cello and Violin modernism with Indian rhythms that might Concertos belong as much to the present also be the greatest piano concerto as the past. Holst’s The Planets will you’ve never heard. British music is rarely be a startlingly new experience when straightforward. We just know that it conducted by Thomas Adès, and a night sounds great. 03 September/October Friday 27 September 2019 | 7.30pm Jurowski’s Tchaikovsky Royal Festival Hall Tickets £46–£14 Premium seats £65 Book 020 7840 4242/lpo.org.uk Series discounts Page 47 Knussen Scriabin Settings At the dawn of a new century, Alexander Scriabin Britten Violin Concerto saw wondrous musical visions – but then, he was Tchaikovsky Symphony No. 6 standing on the shoulders of giants. Don’t be (Pathétique) misled by the name ‘Pathétique’: Tchaikovsky’s blazing, autobiographical final symphony summed up a century of Russian music, and Vladimir Jurowski conductor is still one of the classical concert hall’s most Julia Fischer violin uncompromising emotional experiences. As we start our new season, Vladimir Jurowski and the LPO gaze forward and backward, paying homage Vladimir Jurowski to a great friend, the late Oliver Knussen, and exploring one of British music’s most powerful 20th-century masterpieces with Julia Fischer. Free pre-concert event 6.15pm — 6.45pm | Royal Festival Hall As we continue our Isle of Noises festival featuring landmark classics from the British Isles, we look at how British music continues to be a strong force in the world of classical music – from Elgar, Vaughan Williams and Britten through to current © Matthias Creutziger© champions Colin Matthews and Thomas Adès. Wednesday 2 October 2019 | 7.30pm To the summit Royal Festival Hall Tickets £46–£14 Premium seats £65 Book 020 7840 4242/lpo.org.uk Series discounts Page 47 Elgar Violin Concerto Richard Strauss once boasted that he could R Strauss An Alpine Symphony depict even a knife and fork in music. So when he set out to portray the Bavarian Alps, the results are exactly as spectacular as you’d Vladimir Jurowski conductor expect, complete with waterfalls, glaciers, and Nicola Benedetti violin an ear-splitting storm. But Vladimir Jurowski will find an extra dimension in Strauss’s vast hymn to nature: the huge vistas and moments of stillness that make this infinitely more than just the world’s greatest musical picture postcard. It should Nicola Benedetti make a fitting counterpart to Nicola Benedetti’s performance of Elgar’s Violin Concerto – still the ultimate proof of the profoundly romantic heart behind Elgar’s veneer of Edwardian reserve. © Simon Fowler Simon © 04 October Saturday 5 October 2019 | 7.30pm Sheku Kanneh-Mason Royal Festival Hall plays Elgar Tickets £46–£14 Premium seats £65 Book 020 7840 4242/lpo.org.uk Series discounts Page 47 Sibelius The Oceanides Jean Sibelius found a vast stillness in the endless Elgar Cello Concerto forests of his native Finland, while an ocean Britten Variations on a Theme voyage prompted visions of classical myth of Frank Bridge and elemental power. Susanna Mälkki begins this concert with Sibelius’s warmest tone- Sibelius Symphony No. 6 poem and ends it with his gentlest symphony: in between come two very different visions Susanna Mälkki conductor of nature from two British masters. Fresh Sheku Kanneh-Mason cello sea air blows through every bar of Britten’s youthful Frank Bridge Variations. And Edward Sheku Kanneh-Mason Elgar retreated to rural Sussex to write his Cello Concerto, a work whose haunted poetry – as Sheku Kanneh-Mason (2016 BBC Young Musician of the Year) will demonstrate – takes on a fresh meaning for each generation. Concert generously supported by Victoria Robey OBE. © Lars Borges© Wednesday 9 October 2019 | 7.30pm The Inextinguishable Royal Festival Hall Tickets £46–£14 Premium seats £65 Book 020 7840 4242/lpo.org.uk Series discounts Page 47 Bartók Dance Suite ‘The struggle, the wrestling, the generation Walton Violin Concerto and the wasting away go on today as yesterday, Nielsen Symphony No. 4 tomorrow as today, and everything returns. (The Inextinguishable) Music is life, and like it, inextinguishable.’ While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony Edward Gardner conductor whose thundering drums represent a struggle James Ehnes violin for the future of life itself.
Recommended publications
  • Repetiteurs Masterclasses
    www.georgsoltiaccademia.org Repetiteurs Masterclasses The Georg Solti Accademia announces LWV¿IWK6ROWL3HUHWWL5pSpWLWHXUV0DVWHUFODVVHV in Barcelona, 2 | 10 April 2013 The Georg Solti Accademia Répétiteur’s Masterclasses are unique in the music world, and have become the go-to intensive course for aspiring répétiteurs internationally. Featured last year on BBC 2’s series Maestro at the Opera, the course offers an immersion in preparing singers for operatic performance, with an incomparable faculty of teachers including Sir Richard Bonynge, Pamela Bullock, Jonathan Papp and Audrey Hyland. This year the President of the Nando and Elsa Peretti Foundations, Ms Elsa Peretti (the pre-eminent designer for Tiffany), has made it possible for the course to be run in Elsa’s elective city of Barcelona, in collaboration with the Theatre Akademia, where WKHUpSpWLWHXU¶V¿QDOFRQFHUWZLOOWDNHSODFHRQ$SULODW Six outstanding young pianists, from $XVWUDOLD)UDQFH*UHHFH6SDLQDQGWKH8., will gather in Barcelona in April with six talented singers, all alumni of the Georg Solti Accademia’s Bel Canto course, to focus on this vital, but often hidden, craft. A répétiteur is the singer’s key ally in achieving their performance, and essential to any opera production. They are the ultimate multi-taskers of the opera world, and must be constantly alert to vocal performance, musicality, language, style and nuance, while bringing the whole orchestral score alive at the piano. No wonder so many of them go on to become great opera conductors – Georg Solti, Riccardo Muti, Valery Gergiev and Sir Antonio Pappano to name but four. This year the faculty includes the legendary 6LU5LFKDUG%RQ\QJH3DPHOD%XOORFN from Chicago Lyric Opera, -RQDWKDQ3DSS, Director of the Georg Solti Accademia di Bel Canto, $XGUH\+\ODQG from the Royal Academy of Music.
    [Show full text]
  • Roger Steptoe, Including a Performance Diary, May Be Found at for News of Recent Works, Please See
    ROGE R STEPTOE Stainer & Bell CONTENTS Biographical Note .............................................................2 Orchestral Works ..............................................................3 Solo Voice and Orchestra ..................................................3 Solo Instrument and Orchestra .........................................4 Chorus and Orchestra ......................................................5 Works for Choir ................................................................6 Vocal Works......................................................................7 Chamber Music ................................................................8 Music for Strings ............................................................11 Music for Wind ...............................................................12 Music for Solo Piano .......................................................12 Discography....................................................................13 Note biographique ...........................................................14 Alphabetical List of Works ..............................................16 Please see the back cover for Ordering Information. Further information about the music of Roger Steptoe, including a performance diary, may be found at www.stainer.co.uk/steptoe.html For news of recent works, please see www.rogersteptoe.com September 2015 1 ROGER STEPTOE In a postmodern era often characterised by various aesthetic movements, it is especially enriching to encounter an artist like Roger Steptoe,
    [Show full text]
  • Rachmaninoff Symphony No
    RACHMANINOFF SYMPHONY NO. 3 10 SONGS (ARR. JUROWSKI) VLADIMIR JUROWSKI conductor VSEVOLOD GRIVNOV tenor LONDON PHILHARMONIC ORCHESTRA SERGE RACHMANINOFF SYMPHONY NO. 3 Sir Henry Wood, writing in his autobiography My Life and conductor. If the public in Russia, Europe and America of Music (1938), predicted that Rachmaninoff’s Third recognised his gifts in all three branches of the profession, Symphony would ‘prove as popular as Tchaikovsky’s Fifth’. he himself always regarded himself as a composer first If that has never really been the case, Wood’s further and foremost. If he also happened to be one of the finest assessment of the score does ring true: pianists the world has ever known, that was, to a certain extent, a bonus. In 1917, however, there came a seismic ‘The work impresses me as being of the true Russian change in his life. With the onset and aftermath of the Romantic school. One cannot get away from the October Revolution, Rachmaninoff and his family felt beauty and melodic line of the themes and their logical compelled to emigrate. ‘Everything around me makes it development. As did Tchaikovsky, Rachmaninoff uses the impossible for me to work’, he wrote to his cousin and fellow instruments of the orchestra to their fullest effect. Those pianist Alexander Ziloti, ‘and I am frightened of becoming lovely little phrases for solo violin, echoed on the four solo completely apathetic. Everybody around me advises me to woodwind instruments, have leave Russia for a while. But where to, and how? And is it a magical effect in the slow movement.
    [Show full text]
  • Tchaikovsky Competition 1982 a Diary by Peter Donohoe1
    TCHAIKOVSKY COMPETITION 1982 A DIARY BY PETER DONOHOE1 1 The footnotes in this diary are restrospective notes from 2012 – 30 years later... 08 June 1982 Recital at Charlotte Mason College in Ambleside in the British Lake District Program: Tchaikovsky Sonata 2 in G Major (1st Movement) Tchaikovsky November (from The Seasons) Tippett Sonata 2 Prokofiev Sonata 6 ---- Scriabin Etude Op65/3 Chopin Etude Op10/8 Rachmaninov Etude Tableau Op39/5 E flat Minor Bach Prelude and Fugue Book 2 No. 3 Flierkovsky – Prelude and Fugue in G minor Stravinsky Three Movements from Petrushka A very nice, but knowing guy came up to me after the concert, and said “That was a very unusual program. It is almost as if you are preparing to enter the Tchaikovsky Competition.” I asked him to keep it under his hat – it is never good for people to know in advance of your competition efforts, in case it doesn’t work out. Set off home at 11.00 p.m. The car –a Vauxhall Viva borrowed from my parents-in-law – broke down after about 10 miles of a 120 mile journey to my in-laws on the Wirral. Still in the Lake District countryside. The weather was appallingly wet. I had to get to the Wirral, and then the next morning to Manchester for an early flight to London to connect with the Aeroflot flight to Moscow. 09 June 1982 Thank God for the AA Relay service. They got me to the Wirral in the cab of one of their trucks, with the car on the back.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • 04 July 2020
    04 July 2020 12:01 AM John Philip Sousa (1854-1932) Stars & Stripes forever – March Netherlands Radio Symphony Orchestra, Richard Dufallo (conductor) NLNOS 12:05 AM Thomas Demenga (1954-) Summer Breeze Andrea Kolle (flute), Maria Wildhaber (bassoon), Sarah Verrue (harp) CHSRF 12:13 AM Antonio Vivaldi (1678-1741) Concerto in C major, RV.444 for recorder, strings & continuo Il Giardino Armonico, Giovanni Antonini (recorder), Giovanni Antonini (director), Enrico Onofri (violin), Marco Bianchi (violin), Duilio Galfetti (violin), Paolo Beschi (cello), Paolo Rizzi (violone), Luca Pianca (theorbo), Gordon Murray (harpsichord), Duilio Galfetti (viola) DEWDR 12:23 AM Maurice Ravel (1875-1937) 3 Chansons for unaccompanied chorus BBC Singers, Alison Smart (soprano), Judith Harris (mezzo soprano), Daniel Auchincloss (tenor), Stephen Charlesworth (baritone), Stephen Cleobury (conductor) GBBBC 12:30 AM Bela Bartok (1881-1945) Out of Doors, Sz.81 David Kadouch (piano) PLPR 12:44 AM Franz Schubert (1797-1828) Rosamunde (Ballet Music No 2), D 797 Oslo Philharmonic Orchestra, Heinz Holliger (conductor) NONRK 12:52 AM John Cage (1912-1992) In a Landscape Fabian Ziegler (percussion) CHSRF 01:02 AM Jean-Francois Dandrieu (1682-1738) Rondeau 'L'Harmonieuse' from Pieces de Clavecin Book I Colin Tilney (harpsichord) CACBC 01:08 AM Bohuslav Martinu (1890-1959) The Frescoes of Piero della Francesca Slovak Radio Symphony Orchestra, Robert Stankovsky (conductor) SKSR 01:30 AM Richard Strauss (1864-1949) Metamorphosen for 23 solo strings (AV.142) Risor Festival Strings,
    [Show full text]
  • The Shaping of Time in Kaija Saariaho's Emilie
    THE SHAPING OF TIME IN KAIJA SAARIAHO’S ÉMILIE: A PERFORMER’S PERSPECTIVE Maria Mercedes Diaz Garcia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS May 2020 Committee: Emily Freeman Brown, Advisor Brent E. Archer Graduate Faculty Representative Elaine J. Colprit Nora Engebretsen-Broman © 2020 Maria Mercedes Diaz Garcia All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor This document examines the ways in which Kaija Saariaho uses texture and timbre to shape time in her 2008 opera, Émilie. Building on ideas about musical time as described by Jonathan Kramer in his book The Time of Music: New Meanings, New Temporalities, New Listening Strategies (1988), such as moment time, linear time, and multiply-directed time, I identify and explain how Saariaho creates linearity and non-linearity in Émilie and address issues about timbral tension/release that are used both structurally and ornamentally. I present a conceptual framework reflecting on my performance choices that can be applied in a general approach to non-tonal music performance. This paper intends to be an aid for performers, in particular conductors, when approaching contemporary compositions where composers use the polarity between tension and release to create the perception of goal-oriented flow in the music. iv To Adeli Sarasola and Denise Zephier, with gratitude. v ACKNOWLEDGMENTS I would like to thank the many individuals who supported me during my years at BGSU. First, thanks to Dr. Emily Freeman Brown for offering me so many invaluable opportunities to grow musically and for her detailed corrections of this dissertation.
    [Show full text]
  • Sally Matthews Is Magnificent
    ` DVORAK Rusalka, Glyndebourne Festival, Robin Ticciati. DVD Opus Arte Sally Matthews is magnificent. During the Act II court ball her moral and social confusion is palpable. And her sorrowful return to the lake in the last act to be reviled by her water sprite sisters would melt the winter ice. Christopher Cook, BBC Music Magazine, November 2020 Sally Matthews’ Rusalka is sung with a smoky soprano that has surprising heft given its delicacy, and the Prince is Evan LeRoy Johnson, who combines an ardent tenor with good looks. They have great chemistry between them and the whole cast is excellent. Opera Now, November-December 2020 SCHUMANN Paradies und die Peri, Cincinnati Symphony Orchestra, Paolo Bortolameolli Matthews is noted for her interpretation of the demanding role of the Peri and also appears on one of its few recordings, with Rattle conducting. The soprano was richly communicative in the taxing vocal lines, which called for frequent leaps and a culminating high C … Her most rewarding moments occurred in Part III, particularly in “Verstossen, verschlossen” (“Expelled again”), as she fervently Sally Matthews vowed to go to the depths of the earth, an operatic tour-de-force. Janelle Gelfand, Cincinnati Business Courier, December 2019 Soprano BARBER Two Scenes from Anthony & Cleopatra, Chicago Symphony Orchestra, Juanjo Mena This critic had heard a fine performance of this music by Matthews and Mena at the BBC Proms in London in 2018, but their performance here on Thursday was even finer. Looking suitably regal in a glittery gold form-fitting gown, the British soprano put her full, vibrant, richly contoured voice fully at the service of text and music.
    [Show full text]
  • Paul Weller with the BBC Symphony Orchestra and Jules Buckley
    For immediate release Paul Weller with the BBC Symphony Orchestra and Jules Buckley concert date added to ‘Live from the Barbican’ line-up in spring 2021 Barbican Hall, Saturday 6 February 2021, 8pm The Barbican and Barbican Associate Orchestra, the BBC Symphony Orchestra are excited to announce that the orchestra and its Creative Artist in Association Jules Buckley, will be joined by legendary singer songwriter Paul Weller on Saturday 6 February for a concert reimagining Weller’s work in stunning orchestral settings as part of Live from the Barbican in 2021. In Weller’s first live performance for two years, songs spanning the broad spectrum of his career from The Jam to as yet unheard new material will delight fans and newcomers alike. Classic songs including ‘You Do Something to Me’, ‘English Rose’ and ‘Wild Wood’ along with tracks from Weller’s latest number 1 album ‘On Sunset’ will be heard as never before in brand new orchestral arrangements by Buckley. Weller, who takes cultural authenticity to the top of the charts, reunites with Steve Cradock for this one-off performance. Part of the acclaimed Live from the Barbican series which returns to the Centre in the spring, the concert will have a reduced, socially distanced live audience in the Barbican Hall, and it will also be available to watch globally via a livestream on the Barbican website. Whilst the concert will reflect on some of Weller’s back catalogue, as is typical of his constantly evolving career, it will look to the future with performances of songs from an album not released until May 2021, as well as welcoming guest artists to illustrate his work and the music that influenced him.
    [Show full text]
  • Honegger Pastorale D’Été Symphony No
    HONEGGER PASTORALE D’ÉTÉ SYMPHONY NO. 4 UNE CANTATE DE NOËL VLADIMIR JUROWSKI conductor CHRISTOPHER MALTMAN baritone LONDON PHILHARMONIC ORCHESTRA and CHOIR NEW LONDON CHILDREN’S CHOIR 0058 Honegger booklet.indd 1 8/23/2011 10:24:50 AM HONEGGER PASTORALE D’ÉTÉ (SUMMER PASTORAL) Today the Swiss-born composer Arthur of birdsong on woodwind place Honegger Honegger is often remembered as a member more amongst the 19th-century French of ‘Les Six’ – that embodiment of 1920s landscape painters than les enfants terribles. Parisian modernist chic in music. How unjust. From this, Pastorale d’été builds to a rapturous It is true that for a while Honegger shared climax then returns – via a middle section some of the views of true ‘Sixists’ like Francis that sometimes echoes the pastoral Vaughan Poulenc and Darius Milhaud, particularly Williams – to the lazy, summery motion of when they were students together at the Paris the opening. Conservatoire. But even from the start he Stephen Johnson could not share his friends’ enthusiasm for the eccentric prophet of minimalism and Dadaism, Eric Satie, and he grew increasingly irritated with the group’s self-appointed literary SYMPHONY NO. 4 apologist, Jean Cocteau. It was soon clear that, despite the dissonant, metallic futurism of By the time Honegger came to write his Fourth works like Pacific 231 (1923), Honegger had Symphony in 1946, he was barely recognizable more respect for traditional forms and for as the former fellow traveller of the wilfully romantic expression than his friends could provocative Les Six. He had moved away from accept. Poulenc and Milhaud both dismissed any desire to shock or scandalize audiences: Honegger’s magnificent ‘dramatic psalm’ Le Roi instead, like Mozart, he strove ‘to write music David (‘King David’, 1923) as over-conventional.
    [Show full text]
  • Peter Donohoe Piano Raphael Wallfisch Cello
    Volume II SOMMCD 256 DDD PROKOFIEV serGEI PROKOFIEV (1891-1953) PIANO SONATAS PIANO SONATAS nos. 9 &10 volume II SONATINAS nos.1 &2 Sonatas nos. 9 &10 CeLLO Sonata Sonatinas nos.1&2 Peter Donohoe piano Raphael Wallfisch cello Sonata No. 9, Op. 103 in C major (21:33) Sonatina No 1, Op. 54 in E minor (9:12) CELLO SONATA 1 1. Allegretto 6:44 9 1. Allegro moderato 3:08 2 2. Allegro strepitoso – Andantino – Allegro strepitoso 2:56 bl 2. Adagietto 3:29 3 3. Andante tranquillo 6:38 bm 3. Allegretto 2:34 4 4. Allegro con brio, ma non troppo presto 5:13 Sonatina No. 2, Op. 54 in G major (8:52) Sonata No. 10 (fragment), Op. 137 in E minor bn 1. Allegro sostenuto 3:25 5 Allegro moderato 0:57 bo 2. Andante amabile 2:15 bp 3. Allegro ma non troppo 3:11 Sonata for Cello & Piano, Op. 119 in C major (23:13) 6 1. Andante grave 11:01 Total duration 64:05 7 2. Moderato 4:40 8 3. Allegro ma non troppo 7:30 Peter Donohoe piano Recording location: Turner Sims Concert Hall, University of Southampton on 15th and 16th April 2014 Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor Front Cover Photographs: Peter Donohoe by Sussie Ahlburg; Raphael Wallfisch by Benjamin Ealovega Raphael Wallfisch cello Design & layout: Andrew Giles © & 2014 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Made in the EU PROKOFIEV PIANO SONATAS volume II Amongst Prokofiev’s friends during those last years were the pianist Sonatas nos.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
    iMffi BOSTON SYMPHONY TRA **** ft %?% Levine James | Music Dim "fe Bernard Haitink Cone1 \cvuu Seiji Ozawa Music Diircti « he Clarendon BACK BAY The Way to Live ; 'j v 11 B 1 1 1 1 1 # iilf)I « 1 1 '" ' ; ! i m r m if l Dill H incut ** IE DIC | m ''IS !! 1 iS a . i! W i PIE i w: i«. 1 114 IE fc, IBS OP 1 iir; * ! : jjj E*. aiwi ill yiM " r i. *' ; - '' • J £j L : • ' liur m §ii !! !l Hi v ii I J!! '! iii ni" fill «• «*« il 1191 III I INTRODUCING FIVE STAR LIVINGtm WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FLOOR CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON, MA 617.267.4001 www.theclarendonbackbay.com U t I^^J^ BRELATED DC/\L COMPANIES, UPh REGISTER : U.S. GREEN BUILDING COUNCIL WITH ANTI SILVER CERTIFICATION whic The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, No Fe subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or described. being Void where prohibite agency has judged the merits or value, if any, of this property. This is not an offer where registration is required prior to any offer made. Table of Contents Week 6 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 29 A BRIEF HISTORY OF SYMPHONY HALL 35 THIS WEEK'S PROGRAM 36 THE PROGRAM IN BRIEF Notes on the Program 37 Johannes Brahms 49 Richard Strauss 65 To Read and Hear More..
    [Show full text]