Verdi Week on Operavore Program Details
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Repetiteurs Masterclasses
www.georgsoltiaccademia.org Repetiteurs Masterclasses The Georg Solti Accademia announces LWV¿IWK6ROWL3HUHWWL5pSpWLWHXUV0DVWHUFODVVHV in Barcelona, 2 | 10 April 2013 The Georg Solti Accademia Répétiteur’s Masterclasses are unique in the music world, and have become the go-to intensive course for aspiring répétiteurs internationally. Featured last year on BBC 2’s series Maestro at the Opera, the course offers an immersion in preparing singers for operatic performance, with an incomparable faculty of teachers including Sir Richard Bonynge, Pamela Bullock, Jonathan Papp and Audrey Hyland. This year the President of the Nando and Elsa Peretti Foundations, Ms Elsa Peretti (the pre-eminent designer for Tiffany), has made it possible for the course to be run in Elsa’s elective city of Barcelona, in collaboration with the Theatre Akademia, where WKHUpSpWLWHXU¶V¿QDOFRQFHUWZLOOWDNHSODFHRQ$SULODW Six outstanding young pianists, from $XVWUDOLD)UDQFH*UHHFH6SDLQDQGWKH8., will gather in Barcelona in April with six talented singers, all alumni of the Georg Solti Accademia’s Bel Canto course, to focus on this vital, but often hidden, craft. A répétiteur is the singer’s key ally in achieving their performance, and essential to any opera production. They are the ultimate multi-taskers of the opera world, and must be constantly alert to vocal performance, musicality, language, style and nuance, while bringing the whole orchestral score alive at the piano. No wonder so many of them go on to become great opera conductors – Georg Solti, Riccardo Muti, Valery Gergiev and Sir Antonio Pappano to name but four. This year the faculty includes the legendary 6LU5LFKDUG%RQ\QJH3DPHOD%XOORFN from Chicago Lyric Opera, -RQDWKDQ3DSS, Director of the Georg Solti Accademia di Bel Canto, $XGUH\+\ODQG from the Royal Academy of Music. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Libretto Nabucco.Indd
Nabucco Musica di GIUSEPPE VERDI major partner main sponsor media partner Il Festival Verdi è realizzato anche grazie al sostegno e la collaborazione di Soci fondatori Consiglio di Amministrazione Presidente Sindaco di Parma Pietro Vignali Membri del Consiglio di Amministrazione Vincenzo Bernazzoli Paolo Cavalieri Alberto Chiesi Francesco Luisi Maurizio Marchetti Carlo Salvatori Sovrintendente Mauro Meli Direttore Musicale Yuri Temirkanov Segretario generale Gianfranco Carra Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Nicola Bianchi Andrea Frattini Nabucco Dramma lirico in quattro parti su libretto di Temistocle Solera dal dramma Nabuchodonosor di Auguste Anicet-Bourgeois e Francis Cornu e dal ballo Nabucodonosor di Antonio Cortesi Musica di GIUSEPPE V ERDI Mesopotamia, Tavoletta con scrittura cuneiforme La trama dell’opera Parte prima - Gerusalemme All’interno del tempio di Gerusalemme, i Leviti e il popolo lamen- tano la triste sorte degli Ebrei, sconfitti dal re di Babilonia Nabucco, alle porte della città. Il gran pontefice Zaccaria rincuora la sua gente. In mano ebrea è tenuta come ostaggio la figlia di Nabucco, Fenena, la cui custodia Zaccaria affida a Ismaele, nipote del re di Gerusalemme. Questi, tuttavia, promette alla giovane di restituirle la libertà, perché un giorno a Babilonia egli stesso, prigioniero, era stato liberato da Fe- nena. I due innamorati stanno organizzando la fuga, quando giunge nel tempio Abigaille, supposta figlia di Nabucco, a comando di una schiera di Babilonesi. Anch’essa è innamorata di Ismaele e minaccia Fenena di riferire al padre che ella ha tentato di fuggire con uno stra- niero; infine si dichiara disposta a tacere a patto che Ismaele rinunci alla giovane. -
10-26-2019 Manon Mat.Indd
JULES MASSENET manon conductor Opera in five acts Maurizio Benini Libretto by Henri Meilhac and Philippe production Laurent Pelly Gille, based on the novel L’Histoire du Chevalier des Grieux et de Manon Lescaut set designer Chantal Thomas by Abbé Antoine-François Prévost costume designer Saturday, October 26, 2019 Laurent Pelly 1:00–5:05PM lighting designer Joël Adam Last time this season choreographer Lionel Hoche revival stage director The production of Manon was Christian Räth made possible by a generous gift from The Sybil B. Harrington Endowment Fund general manager Peter Gelb Manon is a co-production of the Metropolitan Opera; jeanette lerman-neubauer Royal Opera House, Covent Garden, London; Teatro music director Yannick Nézet-Séguin alla Scala, Milan; and Théâtre du Capitole de Toulouse 2019–20 SEASON The 279th Metropolitan Opera performance of JULES MASSENET’S manon conductor Maurizio Benini in order of vocal appearance guillot de morfontaine manon lescaut Carlo Bosi Lisette Oropesa* de brétigny chevalier des grieux Brett Polegato Michael Fabiano pousset te a maid Jacqueline Echols Edyta Kulczak javot te comte des grieux Laura Krumm Kwangchul Youn roset te Maya Lahyani an innkeeper Paul Corona lescaut Artur Ruciński guards Mario Bahg** Jeongcheol Cha Saturday, October 26, 2019, 1:00–5:05PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. The Met: Live in HD series is supported by Rolex. -
Web Site Leads to GOP Complaint
Johnny Appleseed Linden students celebrated the American legend of Johnny Appleseed last week. Serving Linden, Roselle, Rahway and Elizabeth Page 3 LINDEN, N.J WWW.LOCALSOURCE.COM 75 CENTS VOL. 89 NO. 39 THURSDAY OCTOBER 5, 2006 Web site leads to GOP complaint By Kitty Wilder paid a total of $9 for two domain Kennedy said he was not aware ofthe site, Enforcement Commission said it is Managing Editor CAMPAIGN UPDATE names. The second domain name was adding, “It’s nothing I’m supporting.” not the commission’s policy to con RAHWAY — Local Republicans used to create a second Rahway He said Devine is not a consultant firm or deny complaints filed. have filed a complaint with the state Republicans for Kennedy Web site at for his campaign, but he is paid for Web sites have become common in alleging a Democratic campaign Lund. It did not contain a disclaimer. www.timeforchange2006.net. printing services. campaigning and are treated like other worker created a Web site intended to The site, which did not include a The address is similar to another Devine said he is a consultant for campaign literature, Davis said. They misrepresent their party. disclaimer, contained a similar address Bodine for Mayor address, www.time- Kennedy, adding, “I advise the Demo are required to include a disclaimer The complaint, filed Friday with to the homepage for the campaign rep forchange2006.com. cratic Party on strategic and tactical clarifying who paid for the site. the state Election Law Enforcement resenting the council candidates and Cassio said the similarity between measures to promote their candidates The commission follows a standard Commission, alleges the group Rah mayoral candidate Larry Bodine. -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
CHAN 3160 Gioachino Rossini (1792 –1868 ) The
CHAN 3160 Gioachino Rossini (1792 –1868 ) THE © Lebrecht Music & Arts Photo Library Photo & Arts Music © Lebrecht ItaliaN GIRL IN AlgiERS Highlights Dramma giocoso in two acts to a libretto substantially derived from Angelo Anelli’s libretto for Luigi Mosca’s L’italiana in Algeri English translation by David Parry Mustafà, Bey of Algiers Alastair Miles bass Elvira, Mustafà’s wife Sarah Tynan soprano Zulma, slave, and Elvira’s confidante Anne Marie Gibbons mezzo-soprano Haly, Captain of the Algerian Corsairs David Soar bass Lindoro, Mustafà’s favourite slave Barry Banks tenor Isabella, Italian lady Jennifer Larmore mezzo-soprano Taddeo, Isabella’s companion Alan Opie baritone Geoffrey Mitchell Choir Philharmonia Orchestra Martin Fitzpatrick assistant conductor Brad Cohen Gioachino Rossini 3 Time Page Time Page 1 Overture 8:13 [p. 32] 9 ‘Please tell me where my niece is’ – 2:08 [p. 36] Taddeo, Haly, Mustafà, Isabella Act I 10 from ‘Though we must part from you’ – 3:47 [p. 37] 2 No 2, Cavatina: ‘In dreams of endless pleasure’ 7:16 [p. 32] Elvira, Zulma, Lindoro, Isabella, Haly, Taddeo Lindoro 11 ‘Tell me, who is this woman?’ 5:27 [p. 38] 3 No 3, Duet: ‘When I choose a girl to marry’ 4:13 [p. 32] Isabella, Mustafà, Elvira, Zulma, Lindoro, Taddeo, Haly, Chorus Lindoro, Mustafà 4 from No 4, Cavatina: ‘Fate is cruel!’ 4:46 [p. 33] from Act II Isabella, Chorus 12 No 10, Aria: ‘All this shouting makes my head ache’ 3:45 [p. 39] 5 No 5, Duet: ‘From the buffets of misfortune’ 7:34 [p. 34] Taddeo, Chorus Isabella, Taddeo 13 No 11a, Cavatina: ‘Sweetest treasure, dearest pleasure’ 7:27 [p. -
Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
Kirsten Flagstad, Wagner, Set Svanholm, Arnold Van Mill, Hans
Kirsten Flagstad Die Walküre Act One Complete / Götterdämmerung mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Die Walküre Act One Complete / Götterdämmerung Country: Japan Released: 1987 Style: Opera MP3 version RAR size: 1186 mb FLAC version RAR size: 1132 mb WMA version RAR size: 1903 mb Rating: 4.6 Votes: 283 Other Formats: MMF ASF WAV AA AHX MIDI AUD Tracklist Die Walküre Act 1 A1 Wess Herd Dies Auch Sei B2 Gast, Wer Du Bisst Wuss Ich Gern C1 Der Manner Sippe Götterdämmerung C2 Dawn And Siegfried's Rhine Journey C3 Siegfried's Funeral Music Credits Bass Vocals – Arnold Van Mill Composed By – Richard Wagner Conductor – Hans Knappertsbusch Orchestra – Wiener Philharmoniker Soprano Vocals – Kirsten Flagstad Tenor Vocals – Set Svanholm Notes Superanalogue release Barcode and Other Identifiers Barcode: T498800302398 Other versions Category Artist Title (Format) Label Category Country Year Kirsten Flagstad, Wagner*, Set Kirsten Flagstad, Svanholm, Hans Wagner*, Set Knappertsbusch, SXL 2074 - Svanholm, Hans SXL 2074 - Vienna Philharmonic Decca, SXL 2075, Knappertsbusch, SXL 2075, UK Unknown Orchestra* - Die Decca SXL.2074-75 Vienna SXL.2074-75 Walküre Act One Philharmonic Complete / Orchestra* Götterdämmerung (2xLP) Wagner*, Kirsten Flagstad, Set Wagner*, Kirsten Svanholm, Arnold Flagstad, Set van Mill, Wiener Svanholm, Arnold Philharmoniker LXT 5429/30 van Mill, Wiener Decca LXT 5429/30 Germany Unknown Dirigent: Hans Philharmoniker Knappertsbusch - Die Dirigent: Hans Walküre Erster Akt / Knappertsbusch Götterdämmerung