Les Pages Sur Les Festivals D'été
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Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
Private Studies with Leif Lauritsen and André Orlowitz 2
CV of David Danholt, Tenor Born in Faaborg, Denmark Education: Private studies with Leif Lauritsen and André Orlowitz 2002-2005: The Opera Academy at the Royal Opera House, Copenhagen 2005-2007: The Soloist Class, The Royal Academy of Music, Copenhagen 2007-: Private studies with Tonny Landy, Gregory Lamar and Klavs Lewinsky OPERA: 2004: Lysander, A Midsummer Night's Dream, Royal Opera House, Copenhagen, DK 2005: A Messenger, Aida, Royal Opera House, Copenhagen, DK Eurimaco, Il Ritorno d'Ulisse in Patria, Royal Opera House, Copenhagen, DK Don Ottavio, Don Giovanni, The Rialto Theatre, Copenhagen, DK 2006: Gastone, La Traviata, Royal Opera House, Copenhagen, DK 2007: The Fisherman, Le Rossignol, Bramstrup, DK 2008: Faust, National Opera, Århus Steuerman, Der fliegende Holländer, National Opera, Århus, DK Tamino, Die Zauberflöte, National Opera, Århus, DK 2009: Nemorino, L'Elisir d'Amore, National Opera, Århus, DK Alfredo, La Traviata, National Opera, Århus, DK 2010: Idomeneo, National Opera, Århus, DK SS-Officer and cover the role of Walter, Die Passagierin, Bregenzer Festspiele, AU Hans, The Bartered Bride, Staatstheater Mainz, DE 2012: Don Ottavio, Don Giovanni, National Opera, Århus, DK Idomeneo, Grange Park Opera, UK Junger Seemann & Hirte, Tristan & Isolde, National Opera, Århus, DK 2013: Claudio, Das Liebesverbot (Wagner), Oper Leipzig/Bayreuther Festspiele, DE Arindal, Die Feen (Wagner), Chelsea Opera Group, London (Concert performance), UK 2014: Claudio, Das Liebesverbot (Wagner), Oper Leipzig, DE Arindal, Die Feen (Wagner), -
Program Book
J U L Y 1 6 T H , 2 0 2 1 M U S I C A N D B E Y O N D P R O G R A M B O O K Live Concert PPRROOGGRRAAMM// PPRROOGGRRAAMMMMEE Claude Debussy (1862-1918) arr. Caroline Lizotte and Kathleen Bride En Bateau Caroline Léonardelli – harp / harpe Alicia Miguelez – harp / harpe Camille Saint-Saëns (1835-1921) The Cuckoo in the Depths of the Woods (from The Carnival of the Animals) / Le Coucou au fond des bois (tiré du Carnaval des animaux) Kimball Sykes – clarinet / clarinette Frédéric Lacroix – piano Carson Becke – piano Antonin Dvořák (1841 – 1904) Song to the Moon (from Rusalka) Meghan Linsday – soprano Carson Becke – piano Johann Sebastian Bach (1685-1750) Toccata and Fugue in D minor, BWV 565 / Toccata et fugue en ré mineur, BWV 565 Matthew Larkin – organ / orgue Gabriel Fauré (1845-1924) Piano Quartet no. 1 in C minor, op. 15 / Quatuor avec piano no 1 en do mineur, op. 15 Marc Djokic – violin / violon Juan-Miguel Hernandez – viola / alto Julian Armour – cello / violoncelle Frédéric Lacroix – piano EEVVEENNTT SSAAFFEETTYY GGUUIIDDEELLIINNEESS Carleton Dominion-Chalmers Centre 355 Cooper St. July 16th, 2021 Schedule: 7:00 - Doors open and check-in begins 8:00 - Concert begins 9:00 - Concert ends All guests must enter from the Lisgar Street doors (parking lot entrance). Please note that indoor line-ups will not be permitted. All seating is pre- assigned. Guests must wear face masks at all times while inside the venue. Guests without masks will be provided with one or asked to leave the event. -
Nadia Boulanger's Lasting Imprint on Canadian Music
Document généré le 27 sept. 2021 06:24 Intersections Canadian Journal of Music Revue canadienne de musique Providing the Taste of Learning: Nadia Boulanger’s Lasting Imprint on Canadian Music Jean Boivin Musical Perspectives, People, and Places: Essays in Honour of Carl Résumé de l'article Morey Cet article retrace le riche héritage canadien de la grande personnalité de la Volume 33, numéro 2, 2013 musique française du XXe siècle qu’était Nadia Boulanger (1887–1979). À travers son enseignement auprès d’une soixantaine d’élèves canadiens, tant URI : https://id.erudit.org/iderudit/1032696ar francophones qu’anglophones, la célèbre pédagogue française a joué un rôle DOI : https://doi.org/10.7202/1032696ar important dans le développement de la musique de concert au Canada à partir des années 1920, en particulier à Montréal et à Toronto. Ses nombreux étudiants canadiens ont continué de se démarquer en tant que compositeurs, Aller au sommaire du numéro enseignants, artistes, musicologues, théoriciens, administrateurs, et producteurs de radio. En se basant sur une longue recherche dans les archives et les sources de première main, l’auteur démontre l’impact décisif qu’a eu Éditeur(s) Nadia Boulanger sur le développement de styles musicaux et de pratiques compositionnelles au Canada au cours du siècle dernier. Canadian University Music Society / Société de musique des universités canadiennes ISSN 1911-0146 (imprimé) 1918-512X (numérique) Découvrir la revue Citer cet article Boivin, J. (2013). Providing the Taste of Learning: Nadia Boulanger’s Lasting Imprint on Canadian Music. Intersections, 33(2), 71–100. https://doi.org/10.7202/1032696ar Copyright © Canadian University Music Society / Société de musique des Ce document est protégé par la loi sur le droit d’auteur. -
14 July 2017 Page 1 of 13
Radio 3 Listings for 8 – 14 July 2017 Page 1 of 13 SATURDAY 08 JULY 2017 5:35 AM recording of Vaughan Williams©s plea for peace, tolerance and Mozart, Wolfgang Amadeus (1756-1791) understanding written in 1936, his Dona Nobis Pacem. The piece SAT 01:00 Through the Night (b08wn5ld) Violin Sonata in B flat major, K.454 is on a huge scale, scored for soloists, chorus and large orchestra, RTS Symphony Orchestra - Serbia Johannes Leertouwer (violin), Derk Pik (piano) in six continuous parts, and the phrase Dona nobis pacem "Give Catriona Young presents a performance of Smetana©s cycle of us peace" recurs throughout; a theme with perennial relevance. symphonic poems, Má vlast, from Serbia. 5:58 AM Zelenski, Wladyslaw (1837-1921) arr. Jan Maklakiewicz Composer: Vaughan Williams 1:01 AM 2 Choral Songs: Zaczarowana królewna (The Bewitched Piece: Dona Nobis Pacem Smetana, Bedrich (1824-1884) Princess) ; Przy rozstaniu (At Leave-taking) Reviewer: Alexandra Coghlan Má vlast - cycle of symphonic poems Polish Radio Choir, unnamed pianist, Marek Kluza (director) RTS Symphony Orchestra, Ronald Zollmann (conductor) 10.15am ± New Releases: Baroque Instrumental 6:05 AM The Fiery Genius 2:22 AM Noskowski, Zygmunt (1846-1909) CAILO: Sonata per violino e basso continuo; Sonata a tre violini Berezovsky, Maxim (1745-1777) The Pearls of Moniuszko - 15 Songs for orchestra e organo; Sonata a due violini e cembalo Ne otverzhy mene vo vremia starosti (©Do not forsake me in my Polish Radio Symphony Orchestra, Lukasz Borowicz (conductor) FIORENZA: Concerto di violini -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Little Rock, Arkansas
Society for American Music Thirty-Ninth Annual Conference Hosted by University of Arkansas at Little Rock Peabody Hotel 6–10 March 2013 Little Rock, Arkansas Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the Fpioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests. -
Usc Thornton Oriana Women's Choir and Apollo Men's Chorus
UNIVERSITY OF SOUTHERN CALIFORNIA THORNTON SCHOOL OF MUSIC USC THORNTON ORIANA WOMEN’S CHOIR AND APOLLO MEN’S CHORUS FRIDAY | OCTOBER 28, 2016 | 8:00PM NEWMAN RECITAL HALL ORIANA WOMEN’S CHOIR IRENE APANOVITCH conductor MICHAEL DAWSON co-conductor ASHLEY RAMSEY co-conductor HANBO MA accompanist APOLLO MEN’S CHORUS ERNEST H. HARRISON conductor SCOTT RIEKER co-conductor DA’JON JAMES co-conductor LUIS REYES accompanist PROGRAM ORIANA WOMEN’S CHOIR PABLO CASALS Eucaristica Ashley Ramsey, conductor CHARLES IVES At the River Irene Apanovitch, conductor RANDALL THOMPSON “A Girl’s Garden” from Frostiana Irene Apanovitch, conductor MICHAEL MCGLYNN The White Rose Michael Dawson, conductor GIDEON KLEIN Bachuri Le’an Tisa Ashley Ramsey, conductor Katharine LaMattina, soloist EUGENE SUCHON Bodaj by vás čerti vzali Michael Dawson, conductor MICHAEL MCGLYNN, arr. Song for Jerusalem Michael Dawson, conductor Sunmi Shin, soloist Kathy Tu, soloist Clare Wallmark, soloist SRUL IRVING GLICK “Psalm 23” from Psalm Trilogy Irene Apanovitch, conductor OSCAR PETERSON Hymn to Freedom Irene Apanovitch, conductor APOLLO MEN’S CHORUS MICHAEL COX Praise him! Ernest H. Harrison, conductor MXOLISI MATYILA Bawo Thixo Somnadla Mxolisi Matyila Ernest H. Harrison, conductor AARON COPLAND Simple Gifts Scott Rieker, conductor ROBERT SHAW & Blow the Man Down Scott Rieker, conductor ALICE PARKER Da’Jon James, soloist Daniel Newman-Lessler, soloist David Massatt, soloist ROBERT SHAW & Vive L’Amour Da’Jon James, conductor ALICE PARKER Stephan Pellisier, soloist Ivan Tsung, soloist Luke Can Lant, soloist JOHN FARMER Fair Phyllis Scott Rieker, conductor AARON COPLAND The Dodger Ernest H. Harrison, conductor Chung Ming Zen, soloist Daniel Newman-Lessler, soloist Stephan Pellissier, soloist PAUL BASLER Sing to the Lord Ernest H. -
Bio / Press Quotes
BIO Over the past 18 years the trad Quebec group Genticorum has become a fxture on the international world, trad, folk and Celtic music circuit! "he band#s six albums met with critical acclaim in Canada, the $nited %tates and &urope, assuring the band a brilliant future. 'nown for its energy and its stage presence, Genticorum has given more than 800 concerts in more than 15 countries. *irmly rooted in the soil of their native land, the energetic and original traditional +power trio# also incorporates the dynamism of today#s North -merican and &uropean folk cultures in their music! "hey weave precise and intricate fddle, .ute and accordion work, gorgeous vocal harmonies, energetic foot percussion and guitar accompaniment into a big and /ubilant musical feast! "heir distinctive sound, sense of humour and stage presence makes them a supreme crowd pleaser! DISCOGRAPHY 0003 2e Galarneau 0005 3alins 4laisirs 0008 2a 5ibournoise 0011 Nagez 7ameurs 0013 &nregistré 2ive 0018 -vant l9orage PRESS QUOTES :Genticorum have a rightful place amongst the new generation of internationally recogni6ed Quebequois 5ands. 5eautifully presented recording<!! harmonising brilliantly!= THE LIVING TRADITION :*or a three piece, Genticorum makes a very full and glorious noise, both instrumentally and vocally< "his is a band that#s going to go places!> SING OUT MAGAZINE :"he record exhibits incredible depth and /oie de vivre, a hallmark of the group since their frst release ?!!!@ it#s all wonderful stuff and Nagez 7ameurs demonstrates, yet again, why Genticorum are -
National Conference Performing Choirs
National Conference Performing Choirs 20152015 ACDA FestivalFestival ChoirChoir UniversityUniversity ofof Utah A Cappella Choir Thursday 8:00 pm - 9:45 pm Abravanel Hall (Blue Track) Friday 8:00 pm - 9:45 pm Abravanel Hall (Gold Track) The 2015 ACDA Festival Choir includes the Utah Sym- phony Chorus, Utah Chamber Artists, the University of Utah Chamber Choir, and the University of Utah A Cappella Choir conducted by Barlow Bradford. The Utah Symphony is con- ducted by Thierry Fischer. Founded in 1962, the A Cappella Choir offers singers the opportunity to perform works for larger choirs and to fi ne- tune the art of choral singing through exposure to music from Utah Chamber Artists the Renaissance through the twenty-fi rst century. Choir mem- bers hone musicianship skills such as rhythm, sight-reading, and the understanding of complex scores. They develop an understanding of the intricacies of vocal production, includ- ing pitch, and how to blend individual voices together into a unifi ed, beautiful sound. In recent years, the A Cappella Choir has become a standard of excellence in student singing in the State of Utah. Last fall, they sang Mozart’s Trinity Mass with the Utah Symphony and the Utah Symphony Chorus under the direction of Thierry Fischer. This renewed a tradition of collaboration between the choirs of the University of Utah and the Utah Symphony, and their outstanding performance resulted in invitations for return engagements in 2015. Utah Chamber Artists was established in 1991 by Barlow University of Utah Chamber Choir Bradford and James Lee Sorenson. The ensemble comprises forty singers and forty players who create a balance and so- nority rarely found in a combined choir and orchestra. -
Recital VIII
2011 DE XVII Ciclo de Lied UNIO J DE 20 Recital VIII 10 TEMPORADA 11 Recital VIII XVII Ciclo de Lied NA N CY FABIOLA HERRERA , mezzosoprano RUBÉ N FER N Á N DEZ -AGUIRRE , piano Lunes 20 de Junio, a las 20:00 horas » S UDO N « : IE R E S RECITAL VIII Coproducido por Miembro de: CATÁLOGO GE N ERAL DE PUBLICACIO N ES OF ICIALES http://publicaciones.administracion.es © TEATRO DE LA ZARZUELA JOVELLA N OS , 4 - 28014 MADRID , ES P AÑA OF ICI N AS : LOS MADRAZO , 11 - 28014 MADRID , ES P AÑA TEL . CE N TRALITA : 34 91 524 54 00 FAX : 34 91 523 30 59 http://teatrodelazarzuela.mcu.es DE P ARTA M E N TO DE ABO N OS Y TAQUILLAS : 34 91 524 54 10 FAX : 34 91 524 54 12 Edición del programa: Teatro de La Zarzuela Coordinación editorial y gráfica: Víctor Pagán Coordinación de textos: Gerardo Fernández San Emeterio Diseño gráfico, maquetación y fotografía: Argonauta Diseño Impresión: Imprenta Nacional del Boletín Oficial del Estado D.L: M-25842-201 Nipo: 556-11-014-1 2 PROGRAMA Primera Parte Segunda Parte ISAAC ALBÉ N IZ DARIUS MIL H AUD (1860-1909) (1892-1974) IL E N EST DE L’A M OUR CH A N SO N S DE N ÉGRESSE CH A N SO N DE BARBERI N E 1. Mon histoire 2. Abandonnée 3. Sans feu ni lieu EDUARD TOLDRÀ (1895-1962) SEIS CA N CIO N ES XAVIER MO N SALVATGE (selección) (1912-2002) 2. Madre, unos ojuelos vi CI N CO CA N CIO N ES N EGRAS 3.