Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
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The Banff Centre Have a Long and Distinguished History
ARTS at The Banff Centre have a long and distinguished history. For almost 75 years, The Banff Centre has provided professional career development and lifelong learning for artists and cultural leaders in performing, literary, new media, and visual arts. Work is showcased throughout the year in public concerts, exhibitions, and events, culminating in the Banff Summer Arts Festival. LEADERSHIP DEVELOPMENT at The Banff Centre offers customized and public programs in the corporate, government, Aboriginal arts, and not- for-profit sectors that enable and support fundamental At The Banff Centre I hear of The Banff Centre’s transformation in individuals, organizations, and particular genius every time communities. I discovered the joy I speak to an artist, scientist, MOUNTAIN CULTURE programming at The and the discipline of Banff Centre promotes understanding and appreciation or any individual who has of the world’s mountain places by creating opportunities music. The impact lives had the great fortune to for people to share and find inspiration in mountain with me every day. experiences, ideas, and visions. have been a resident. CONFERENCE SERVICES at The Banff Centre pianist Jon Kimura Parker Alberta visual artist Christopher Cran provides superb meeting and accommodation facilities for organizations from all over the world, featuring over 400 guest rooms, and 60 exceptional meetings spaces, lecture theatres, and auditoriums to accommodate groups from five to 1,000 people. FAST FACTS The Banff Centre Founded: 1933 Location: Banff, Alberta, Canada Annual program participants: 4,000–5,000 Scholarships, support, and financial assistance provided: $3.8 million Original performances, concerts, and exhibitions Inspiring Creativity per year: over 400 The Banff Centre is a catalyst for creativity and a globally respected Audience for the Banff Summer Arts Festival: 34,250 post-secondary educational institution and conference facility. -
Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years. -
1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini. -
Comunicato Stampa
COMUNICATO STAMPA Otello, omaggio a Giuseppe Verdi nel bicentenario della nascita, inaugura la Stagione lirica e di balletto 2013 Giovedì 2 maggio alle 20.30 si alza il sipario sulla Stagione lirica e di balletto 2013 del Teatro Lirico di Cagliari. Una stagione sempre molto attesa dal pubblico che, anche per quest’anno, segna la rinascita e la voglia di proseguire nella diffusione musicale del Teatro Lirico di Cagliari. Sei opere liriche ed un balletto, una produzione in più rispetto all’anno scorso, tutti titoli di grande interesse che, certamente, troveranno il gradimento del pubblico, sia per quelli noti che per quelli ricercati: Otello, Macbeth, L’amico Fritz, I Shardana, Così fan tutte, Pagliacci, Red Giselle. L’inaugurazione è affidata al doveroso omaggio, in occasione del bicentenario della nascita, a Giuseppe Verdi (Roncole di Busseto, Parma, 1813 - Milano, 1901), massimo operista italiano: Otello, dramma lirico in quattro atti, su libretto di Arrigo Boito, dalla tragedia omonima di William Shakespeare, e musica, appunto, di Verdi, va in scena per sei rappresentazioni, dal 2 al 10 maggio, per il XIII Festival di Sant’Efisio del Teatro Lirico di Cagliari. Lo spettacolo inaugurale, un stimolante allestimento dello scorso gennaio della Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari, conta dell’eccezionale regia di Eimuntas Nekrosius, geniale artista lituano, celebre in tutto il mondo dello spettacolo per aver curato importanti allestimenti teatrali e che ritorna a Cagliari dopo l’allestimento di La leggenda della città invisibile di Kitež e della fanciulla Fevronija di Nikolaj Rimskij-Korsakov che inaugurò la Stagione lirica e di balletto 2008, delle scene di Marius Nekrosius, dei costumi di Nadežda Gultiajeva e delle luci di Audrius Jankauskas che sfruttano tutte le potenzialità drammaturgiche dell’opera con pochi elementi scenici e colori assemblati con grande pulizia ed eleganza, oltre a movimenti essenziali, in un gioco di rimandi simbolici. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Symphony Nova Scotia Fonds (MS-5-14)
Dalhousie University Archives Finding Aid - Symphony Nova Scotia fonds (MS-5-14) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/symphony-nova-scotia-fonds Symphony Nova Scotia fonds Table of contents Summary information ...................................................................................................................................... 4 Administrative history / Biographical sketch .................................................................................................. 4 Scope and content ........................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 6 Collection holdings .......................................................................................................................................... 7 Administration and finance records of Symphony Nova Scotia (1984-2003) ............................................. 7 Budgets records of Symphony -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Rottweil Musikfestival Sommersprossen 19.6.- 9.7.2015
Programmheft Schutzgebühr: 1,50 EUR ROTTWEIL MUSIKFESTIVAL SOMMERSPROSSEN 19.6.- 9.7.2015 .. KUNstlerische Leitung: Ingo Goritzki Grusswort.. des kunstlerischen Leiters Liebe Musikfreunde, „Rottweil Musikfestival“, dieser neue Name Im Jugendstilsaal Rottenmünster warten das entspricht schon seit einigen Jahren mehr der Ensemble L‘Estro Armonico um Sergio Azzolini kulturellen Bedeutung, die das Festival nach auf Sie sowie das virtuose Bläser-Triumvirat nunmehr fast 50 Jahren erreicht hat. Der launige Jensen, Pahlmann, Goritzki mit Gunilla Süssmann Untertitel „Sommersprossen“ erinnert an die (Klavier) und das Duo Johannes Goritzki / spannende Zeit der Entwicklung dorthin. Caroline Palmer mit einem hinreißenden Cello-Abend. Zur rechten Zeit kam auch eine wichtige Erwei- terung der Spielstätten. Gleich zweimal werden Und natürlich darf das besondere Flair der hochkarätige Ensembles in der „Alten Spulerei“ Hauser-Werkstatt nicht fehlen, wo Kolja Lessing im Rottweiler Neckartal auftreten: Das ein Rendezvous mit der – auch malenden – weltberühmte Auryn Quartett mit Peter Orth Komponistin Ursula Mamlok veranstalten, mit (Klavier), dessen Primarius Matthias Lingen- ihr sprechen und mit einem exquisiten Ensemble felder dem Festival seit vielen Jahren als viel- Musik von ihr spielen wird. In der Konzertpause seitiger Kammermusiker freundschaftlich können Sie dann eine Reihe ihrer Aquarelle verbunden ist. „Gruppenbild mit Dame“ könnte betrachten. man das zweite Ensemble nennen, das Daniel Ich wünsche Ihnen viel Freude bei Ihren Konzert- Schnyder eigens für seinen Abend zusammen- besuchen. Wohin Sie auch gehen wollen: Sie gerufen hat. Gemeinsam mit diesen auf seine werden immer überrascht sein. Musik spezialisierten Solisten wird er an diesem Abend G. Fr. Händel nicht aus den Augen lassen. Kein Wunder, dass sich der Deutschlandfunk gerade dieses Programm für seine Konzertreihe Grundton D ausgesucht hat. -
Warhol in Winnipeg
k t '^ Red River C*Ilege projectorstaff EDITOR-IN-CHIEF Nisha Tuli [email protected] GUERRILLA GARDENING PG.3 REBEL WITH A TROWEL HEALTH SPORTS & LIFESTYLES EDITOR Andrea Danelak LETTER TO THE EDITOR [email protected] PG. 5 WHAT'S WRONG WITH THE PRINCESS STREET CAMPUS? RRC TO ACQUIRE NEW BUILDING? Chris Webb PG.5 UNION BANK UP FOR GRABS [email protected] JOURNALIST SUBMITS CRAP PG.7 NO MENTION OF GOAT BINGO ARTS & CULTURE EDITOR PLIGHT OF THE HOMELESS Sara Atnikov PG.7 [email protected] HARD LIVES ON THE STREETS WARHOL IN WINNIPEG PG.14 EXHIBIT BRINGS FATHER OF POP ART LAYOUT & DESIGN EDITOR Doug McArthur HERE'S TO BEING UNDRUNK [email protected] PG.22 CAMPAIGN TAKES INITIATIVE Cover Design LAYOUT & DESIGN EDITOR Matt Stevens Chelsea Gowryluk [email protected] Contributing Writers Karen Kornelsen Randi-Leigh Michaniuk Dawn Hinchliffe ADVERTISING CONTACT Sula Johnson Guy Lussier [email protected] Wade Argo Shannah-Lee Vidal Julijana Capone Tania Kohut Jennifer Ryan Tamara Forianski Tim Phelan Jolene Bergen Matt Meisner Red Rkerollege Leigh Enns projector Melody Rogan Sam Karney c/o Red River College Students' Association Darren Cameron P110 -160 Princess Street Winnipeg, MB R3B 1K9 Phone: 204.947.0013 Fax: 204.949.9150 Writers, Photographers, and Illustrators: The Projector Wants You! The Projector is continually searching for new content and new points of view. If you've got something to say, an opinion or interesting story from on or off campus, or illustrations or photos, contact one of our editors with your idea. See your name in print! Contact The Projector today. -
For Immediate Release Wso Appoints Award-Winning
FOR IMMEDIATE RELEASE WSO APPOINTS AWARD-WINNING MAESTRO DANIEL RAISKIN AS NEXT MUSIC DIRECTOR BEGINNING IN THE 2018-2019 SEASON Winnipeg, MB – February 14, 2018 – In a press conference this morning, Terry Sargeant, Chair of the Board of Directors of the Winnipeg Symphony Orchestra (WSO), announced that Russian-born maestro Daniel Raiskin will be the next Music Director of the WSO commencing August 1, 2018. The public’s first opportunity to see Maestro Raiskin in action will be at The Asper Foundation Opening Night Gala on September 17, 2018 and then at concerts throughout the WSO 2018-2019 Season. “The Board believes that Daniel will prove to be an excellent Music Director for the WSO,” says WSO Board Chair Terry Sargeant. “His musicianship is outstanding. His experiences have spanned the globe. He will bring to our stage skills and talent and new ideas that will allow our orchestra to continue to grow in making great music. We look forward to having Daniel Raiskin as a member of the Winnipeg Symphony Orchestra, and of our community.” Daniel Raiskin’s career to date has taken him around the world. Recent guest conducting engagements include orchestras in Düsseldorf, Hong Kong, Athens, Osaka, KwaZulu-Natal, and Mexico City to name a few. He is Principal Guest Conductor of the Orquesta Sinfónica de Tenerife and of the Belgrade Philharmonic Orchestra. Previous positions include Chief Conductor of the Staatsorchester Rheinische Philharmonie in Koblenz and the Arthur Rubinstein Philharmonic Orchestra in Łódz. His long list of recordings have received both critical acclaim and awards, including the Echo Classic Award in 2012 for an album of cello concertos by Korngold, Bloch and Goldschmidt with Julian Steckel on AVI. -
October 8, 1982 Concert Program
NEW MUSIC CONCERTS 1982-83 CONTEMPORARY ENCOUNTERS. CANADIAN MUSIC. GOOD MUSIC. On Sale now from the Canadian Music Centre are: CMC 1 Canadian Electronic Ensemble. Music composed and performed by Grimes, Jaeger, Lake and Montgomery. CMC 0281 Spectra - The Elmer Iseler Singers. Choral music by Ford, Morawetz and Somers. CMC 0382 Sonics - Antonin Kubalek. Piano solo music by Anhalt, Buczynski and Dolin. CMC 0682 Washington Square - The London Symphony Orchestra. Ballet music by Michael Conway Baker. CMC 0582 ‘Private Collection - Philip Candelaria, Mary Lou Fallis, Monica Gaylord. The music of John Weinzweig. CMC 0482 Folia - Available October 1, 1982. Wind quintet music by Cherney, Hambraeus, Sherman and Aitken, performed by the York Winds. In production: Orders accepted now: CMC 0782 2x4- The Purcell String Quartet. Music by Pentland and Somers. CMC 0883 Viola Nouveau - Rivka Golani-Erdesz. Music by Barnes, Joachim, Prévost, Jaeger and Cherney. Write or phone to place orders, or for further information contact: The Canadian Music Centre 1263 Bay Street Toronto, Ontario MSR 2C!1 (416) 961-6601 NEW MUSIC CONCERTS Robert Aitken Artistic Director presents COMPOSERS: HARRY FREEDMAN LUKAS FOSS ALEXINA LOUIE BARBARA PENTLAND GUEST SOLOISTS: ERICA GOODMAN BEVERLEY JOHNSTON MARY MORRISON JOSEPH MACEROLLO October 8, 1982 8:30 P.M. Walter Hall, Edward Johnson Building, University of Toronto EER IONG..R AM REFUGE (1981) ALEXINA LOUIE JOSEPH MACEROLLO, accordion ERICA GOODMAN, harp BEVERLEY JOHNSTON, vibraphone COMMENTA (1981) BARBARA PENTLAND ERICA -
Mccoy Tynerin Ja Joey Calderazzon Pianosoolojen Analysointi Kappaleesta Pursuance
McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Pop/jazzmusiikin koulutusohjelma Muusikon suntautumisvaihtoehto Opinnäytetyö 20.4.2009 Henrik Wirzenius Kulttuurialat TIIVISTELMÄSIVU Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –muusikon suuntautumisvaihtoehto Tekijä Wirzenius Henrik Työn nimi McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Työn ohjaaja/ohjaajat Jukka Väisänen & Mikael Jakobsson Työn laji Aika Numeroidut sivut + liitteiden sivut Opinnäytetyö 20.4.2009 26 + 3 TIIVISTELMÄ Opinnäytetyössäni tutkin ja analysoin pianistien McCoy Tynerin ja Joey Calderazzon improvisoituja pianosooloja John Coltranen kappaleessa Pursuance. McCoy Tynerin soolo on A Love Supreme - levyltä (John Coltrane) ja Joey Calderazzon soolo on Footsteps of Our Fathers -levyltä (Branford Marsalis). Tavoitteena on saada syvempi käsitys pianistien modaalisista soittotyyleistä, sekä tutkia mitä yhtäläisyyksiä ja eroavaisuuksia sooloissa ilmenee. Tutkimusmateriaalina käytän omia transkriptioita kyseisistä sooloista. Vaikka pelkän transkription kautta ei pysty saavuttamaan täydellistä ja kokonaisvaltaista kuvaa tutkittavasta kohteesta, olen kui- tenkin rajoittanut tutkimukseni käsittelemään pelkästään transkriptioiden luomaa nuottikuvaa pystyäk- seni pitämään mahdollisimman objektiivisen ja analyyttisen näkökulman tutkimukseeni. Tutkimuksesta huomaa että yleisellä tasolla Tyner ja Calderazzo käyttävät paljon samanlaisia ilmiöitä ja kuvioita sooloissaan. Molemmat