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Tuba Syllabus / 2003 Edition
74058_TAP_SyllabusCovers_ART_Layout 1 2019-12-10 10:56 AM Page 36 Tuba SYLLABUS / 2003 EDITION SHIN SUGINO SHIN Message from the President The mission of The Royal Conservatory—to develop human potential through leadership in music and the arts—is based on the conviction that music and the arts are humanity’s greatest means to achieve personal growth and social cohesion. Since 1886 The Royal Conservatory has realized this mission by developing a structured system consisting of curriculum and assessment that fosters participation in music making and creative expression by millions of people. We believe that the curriculum at the core of our system is the finest in the world today. In order to ensure the quality, relevance, and effectiveness of our curriculum, we engage in an ongoing process of revitalization, which elicits the input of hundreds of leading teachers. The award-winning publications that support the use of the curriculum offer the widest selection of carefully selected and graded materials at all levels. Certificates and Diplomas from The Royal Conservatory of Music attained through examinations represent the gold standard in music education. The strength of the curriculum and assessment structure is reinforced by the distinguished College of Examiners—a group of outstanding musicians and teachers from Canada, the United States, and abroad who have been chosen for their experience, skill, and professionalism. An acclaimed adjudicator certification program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become an important partner with The Royal Conservatory in helping all people to open critical windows for reflection, to unleash their creativity, and to make deeper connections with others. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015. -
Symphony Nova Scotia Fonds (MS-5-14)
Dalhousie University Archives Finding Aid - Symphony Nova Scotia fonds (MS-5-14) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/symphony-nova-scotia-fonds Symphony Nova Scotia fonds Table of contents Summary information ...................................................................................................................................... 4 Administrative history / Biographical sketch .................................................................................................. 4 Scope and content ........................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 6 Collection holdings .......................................................................................................................................... 7 Administration and finance records of Symphony Nova Scotia (1984-2003) ............................................. 7 Budgets records of Symphony -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
Trumpet Recordings
Recommended Recordings Standard Trumpet Literature page 1 Composer Title Performer(s) Record Title Record Company Arban, Jean-Baptiste Carnival of Venice Marsalis, Wynton/Hunsberger, Donald/Eastman Wind Ensemble Carnaval Sony Classical Arban, Jean-Baptiste Carnival of Venice Schwarz/Gerard/Bolcom, WIlliam Cornet Favourites Nonesuch Arban, Jean-Baptiste Fantasia Brillante Marsalis, Wynton/Hunsberger, Donald/Eastman Wind Ensemble Carnaval Sony Classical Arutunian, Alexander Concerto Harjanne, Jouko/The Guards' Band Trumpet Rhapsody Cryston (Octavia) Arutunian, Alexander Concerto Nakariakov, Sergei/Boreyko, Andrey/Jenaer Philharmonie From Russia With Love Teldec Arutunian, Alexander Concerto Payne, Geoffrey/Hopkins, John/Melbourne Symphony Orchestra Trumpet Concertos ABC Classics Bach, Johann Sebastian Brandenberg Concerto No. 2 Marsalis, Wynton/Leppard, Raymond/English Chamber Orchestra The London Concert Sony Bach, Johann Sebastian Brandenburg Concerto No. 2 André, Maurice/Franz Liszt Chamber Orchestra Trumpet Concertos EMI Classics Bach, Johann Sebastian Brandenburg Concerto No. 2 Vosburgh, George/Roth, Arnie/Czech Philharmonic Chamber Orchestra Trumpeter's Heritage Four Winds Barat, Jacques Edouard Andante & Scherzo Stevens, Thomas/Carno, Zito Thomas Stevens: Trumpet Sonatas Crystal Records Bellstedt, Herman Napoli Marsalis, Wynton/Donald Hunsberger/Eastman Wind Ensemble Carnaval Sony Classical Bennett, Robert Russell Rose Variation Hickman, David/Soderholme, Pauline David Hickman, Trumpet Crystal Records Bernstein, Leonard Rondo for -
Music Collection News
M USIC COLLECTION NEWS Summer, 2012 Greetings musicians! Summer may be more relaxed in Muncie but the Library doesn’t slow down. We remain open our usual hours, and new materials continue to arrive daily. Reference services also continue, so feel free to call or e-mail even if you are off-campus. Your Ball State log-in is all you need to access databases from off- campus. I can send a link to the “answer” if you get stuck! —Amy Edmonds Listening Carrels Naxos Music Library News Two listening carrels now have high quality CD players, so listen- ers can hear CDs NML now streams over one with the best million tracks from over 70,000 CDs! possible audio. New labels include Crystal Records, Erato, We also now offer Y-cables (splitters) that allow Teldec and Warner Classics. Stars of these two listeners to study together at carrels or labels include Nicholas Harnoncourt, Kurt Masur, computers. They can be checked out at the In this issue: Chanticleer, Thomas Hampson, The Chicago Music Collection counter. Adapters and new headphones are also available. Symphony, The Tubadours, The Westwood Wind Quintet, Barbara Bonney, Yizhak Schotten, and the Esterhazy Quartet. New CDs 2 Talent is Overrated: What Really Separates World-Class Perform- New DVDs 2 ers from Everybody Else BF 481 .C625 2010 Hang onto your hats! It turns out that hard work and New on Naxos 2 focused (“deliberate”) practice Music Online are the secrets to musical success! Colvin explains the theories of An- ders Ericsson in a readable and inspiring book New Books 3 meant for the general public but applicable to musicians. -
Contrabassoon
Contrabassoon Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Brenna Sluiter Marketing Operations Manager Karrah Cambry Opera and Special Projects Manager Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Contents: Telephone: Biography Toll-Free 1-866-PRI-RUBI (774-7824) Discography 310-254-7149 / Los Angeles 415-504-3654 / San Francisco CD Reviews Skype: pricerubent | marcparella Press Quotes & Testimonials Repertoire Email: Performance History [email protected] Performance Schedule [email protected] Website: Complete artist information including video, audio http://www.pricerubin.com and interviews are available at www.pricerubin.com Yahoo!Messenger pricerubin Susan Nigro – Biography "CONTRABASSOONIST WITH A CAUSE" What could be more intriguing than the idea of a normal-sized female musician making a solo career on a huge instrument weighing 15 pounds and containing over 18 feet of tubing? Contrabassoon crusader Susan Nigro, a native of the south side of Chicago, has done exactly this - made a name for herself as one of the world's very few soloists on this instrument. Not content merely with orchestral freelance work, the "Contrabassoonist with a Cause" has made it her mission to bring this little-known but important instrument the long overdue attention and respect it deserves. Susan's emphasis is on solo performance with the contrabassoon. Her innumerable recitals and solo appearances have occurred in such places as Salzburg, Montevideo, Rome, and throughout the United States. On many occasions, she has been a featured artist at the annual conferences of the International Double Reed Society, and has also played as a guest artist with the Northern Hills Bassoon Ensemble as well as with the St. -
An Analysis and Stylistic Comparison of Five Works for Unaccompanied Tuba by John Stevens
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 2020 An Analysis and Stylistic Comparison of Five Works for Unaccompanied Tuba by John Stevens Tracy Bedgood Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Commons Recommended Citation Bedgood, Tracy, "An Analysis and Stylistic Comparison of Five Works for Unaccompanied Tuba by John Stevens" (2020). Dissertations. 1770. https://aquila.usm.edu/dissertations/1770 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AN ANALYSIS AND STYLISTIC COMPARISON OF FIVE WORKS FOR UNACCOMPANIED TUBA BY JOHN STEVENS by Tracy Bedgood A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Richard Perry, Committee Chair Dr. Jacquelyn Adams Dr. Benjamin McIlwain Dr. Joseph Brumbeloe Dr. Edward Hafer ____________________ ____________________ ____________________ Dr. Richard Perry Dr. Jay Dean Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School May 2020 COPYRIGHT BY Tracy Bedgood 2020 Published by the Graduate School ABSTRACT In this dissertation, the five unaccompanied works for tuba by John Stevens are examined. The first half of this project is the analysis. The compositions are introduced with their collected background material, which includes the date of composition, programmatic elements (if any), and the circumstances under which the pieces were written. -
A Performer's Guide to the Solo Trombone and Piano
A PERFORMER’S GUIDE TO THE SOLO TROMBONE AND PIANO MUSIC OF ANTHONY PLOG BY DAVID THEODORE DAY THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign - 2015 Urbana, Illinois Doctoral Committee: Associate Professor Elliot Chasanov, Chair and Director of Research Associate Professor Gayle Sherwood Magee Associate Professor Linda R. Moorhouse Associate Professor Reynold Tharp ABSTRACT A PERFORMER’S GUIDE TO THE SOLO TROMBONE AND PIANO MUSIC OF ANTHONY PLOG By David Theodore Day March 2015 This paper examines the trombone and piano works of Anthony Plog, including 3 Miniatures (1994), 4 Themes on Paintings of Goya (2001), Divergent Roads (2014), Initiatives (2014) and Interplay (2014). In it, I provide an analytical overview of each of these five works as well as suggestions for effective performance. I also discuss how Plog’s writing has reached the trombone community, and how each of these pieces can serve on a trombone recital program. I pay particular attention to Interplay for Trombone and Piano, a work I commissioned as part of this doctoral research, which I hope will become a valuable new piece in the trombone repertoire. ii This thesis is dedicated: to Michael, who first made me want to play; to Kelly, who first made me see friends to play with; to Frank and Terry, who made it possible for me to play; and especially to Molly, who encouraged consistent play and, perhaps most importantly, reminded me that it’s good to play. -
Music for Brass Quintet with Orchestral Accompaniment: Commissioned Works, the Annapolis Brass Quintet, and a Survey of Literature for Brass Quintet and Orchestra
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA Stacy L. Simpson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.269 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Simpson, Stacy L., "MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA" (2016). Theses and Dissertations--Music. 67. https://uknowledge.uky.edu/music_etds/67 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.