Records Crystal

Total Page:16

File Type:pdf, Size:1020Kb

Records Crystal ®CRYSTAL RECORDS 2012 COMPACT DISC CATALOG 3DKD@RDRMDVSNSGHRB@S@KNF@QDRGNVMNMSGHRO@FD See inside for these and over 270 other fabulous CDs CD662, page 15 CD769, page 13 CD272, page 12 CD251, page 10 CD823, page 4 CD221, page 19 CD839, page 22 CD949, page 7 CD970, page 7 :D@QRNE3DBNQCHMF&WBDKKDMBD “Hats off to a label that chases the new, the exciting, the overlooked, and the orphaned.” – Music Web Flute pg. 2 Horn pg. 15 Accordion, Harp, Organ, Hovhaness pg. 24 Oboe pg. 3 Trombone pg. 17 Guitar, Percussion pg. 23 Verdehr Trio pg. 6 Clarinet pg. 5 Tuba pg. 17 Woodwind Quintets pg. 10 Reicha Quintets pg. 11 Bassoon pg.7 Violin pg. 20 Brass Quintets pg. 19 Genesis CDs pg. 26 Saxophone pg. 9 Viola pg. 21 Misc. Orchestra pg. 23 Order information, Trumpet pg. 13 Cello & Bass pg. 22 Sousa Band pg. 24 see pg. 27 FREE COMPACT DISC See coupon offer on page 27 Sound Samples and New Releases at www.crystalrecords.com email: [email protected] COMPACT DISCS – Titles shown in red are new to this catalog. CDs are $16.95 each. Orders may be placed by mail, phone, fax, email, or online at www.crystalrecords. com. Order information is on page 27. Phone: 360-834-7022, email: [email protected]. FLUTE and PICCOLO CDS — LEONE BUYSE, FLUTE. Buyse was solo flute with Boston Symphony; now at Rice Univ. “Solid playing, glistening recording” Fanfare. She has six CDs: CD317: The Sky’s the Limit. Barber, Canzone (flute, piano); Dahl, Variations on a Swedish Folk Tune (flute, alto flute); John Cage, Three Pieces for Flute Duet; Martin Amlin, Sonata(flute, piano); Antoniou, Lament for Michele (solo flute); Juli Nunlist, 12 Bagatelles (solo flute); Gregory Tucker, Idle Conversation (two flutes); Vivian Fine, The Flicker (solo flute), and Emily’s Images (flute, piano), with Martin Amlin, piano; Fenwick Smith, flute & alto flute. UPC 009414731722 CD319: RIVIER REVISITED. Chamber Music for Flute by Jean Rivier. Capriccio (woodwind quintet); Ballade (flute & piano); Oiseaux Tendres (solo flute); Affettuoso e Jocando for four flutes; Vocalise (voice & piano); Sonatine (flute & piano); Virevoltes (flute solo); Duo (flute & clarinet); Comme une tendre berceuse (flute & piano). “Ev- erything is loaded with charm.” Fanfare. UPC 009414731920 CD356: TOUR DE FRANCE. Webster Trio (Buyse with Michael Webster, clarinet, & Katherine Collier, piano). Fauré: Dolly Suite & Morceau de concours; Saint-Saëns, Tarantella; Debussy, Petite Pièce & Première Rhapsodie; Syrinx (solo flute); Prélude à l’après-midi d’un faune; Bizet, Jeux d’enfants. “A charming entertainment. “ Fanfare. UPC 009414735621 CD357: WORLD WIDE WEBSTER. Webster Trio (Buyse with Michael Webster, clarinet, & Robert Moeling, Piano). Dvorak, Slavonic Dances; Debussy, Petite Suite; Brahms, Hungarian Dances; Gottschalk, Four Pieces. Superb exciting transcriptions from four-hand piano literature. UPC 009414735720 CD715: DEDICATED TO BARRÈRE. Music composed for the celebrated flutist Georges Barrère, who was principal flutist of the New York Symphony 1905-1928. Composers: Caplet, Woollett, Seitz, Lacroix, Lefort, Gaubert, & Damaré. Lyrical and exciting, these works have found their way into the repertoire of many flutists. with Martin Amlin, Piano. “outstanding and highly recommended” Instrumentalist. UPC 009414771520 CD716: DEDICATED TO BARRÈRE, VOL. 2. Varèse, Density 21.5; Griffes, Poem; Riegger, Suite for flute alone; Roussel, Andante and Scherzo; Gaubert, Sonatine quasi Fantasia, and Invocation; De Lorenzo, Sogno Futur- istico; Kriens, La Nymphe Bocagère; Jacquet, Nocturne for flute and harp; Bauer, Forgotten Modes; Goldman, Two Monochromes. Martin Amlin, piano; Paula Page, harp. “splendid sound” Fanfare. UPC 009414771629 CD314: LOVE LETTERS – David Shostac, Flute. Martin Scot Kosins, Love Letters & Winter Moods; Francois Borne, Fantaisie Brillante (on themes from Bizet’s Carmen); Claude Debussy, The Girl with the Flaxen Hair; Theobold Boehm, Variations Brillantes; Grigoras Dinicu, Hora Staccato. David Shostac is principal flute, Los Angeles Chamber Orchestra and is a prominent Hollywood film musician. He “has an outstandingly fluent technique and a pleasant well-focused tone.” BBC Music Magazine UPC 009414731425 CD316: MUSIC FOR KOTO AND FLUTE. Kazue Kudo, Koto; Kazue Frances Asawa, Flute. Beautiful Japanese music. Tadao Sawai: Hana; Hozan Yamamoto: Ichikotsu; Kozaburo Hirai: Sonata; Michio Miyagi: Izumi and Haru No Umi. “a fascinating program...the music is quite beautiful.” American Record Guide. UPC 009414731623 CD318: BROOKS DE WETTER-SMITH, FLUTE. The 20th Century Romantic Spirit. Philippe Gaubert, Sonata No. 1; Gabriel Pierné, Sonata, op. 36; Verne Reynolds, Sonata; Lukas Foss, 3 American Pieces. with Stephan Seebass, Piano. “significant repertoire performed with rare sympathy and expertise”, Fanfare. UPC 009414731821 CD710: Wind Effusions. Danilo Lozano, Flute; David Muller, Bassoon. Villa-Lobos, Bachianas Brasileiras #6; Schröder, Music for Flute & Bassoon; Gabaye, Sonatine (flute, bassoon); Osborne, Rhapsody for Bassoon; Piazzolla, Etudes Tanguistiques (nos. 3 & 4); Jan Bach, Music for a Low-Budget Epic; Bozza, Sonatine (flute, bas- soon). Lozano, founding mbr. of Hollywood Bowl Orch. Muller, former principal of Mexico City Philharmonic and Westwood Wind Quintet. “Plenty here to enjoy...stylish and lively.” Fanfare. UPC 009414771025. CD711: IN SHADOW, LIGHT. Zart Dombourian-Eby, Piccolo. Martin Amlin, Sonatina Piccola; Ken Benshoof, Spindrift, & In Shadow, Light. With Martin Amlin, piano, Ken Benshoof, piano; Marjorie Kransberg-Talvi, violin; Timothy Hale, viola; Theresa Benshoof, cello. Dombourian-Eby is piccolo player with the Seattle Symphony. Her playing “is nothing short of amazing.” American Record Guide. UPC 009414771124 CD712: “GYPSY WHEEL” – Thomas Robertello, Flute. Borne, Fantaisie Brillante on themes of Bizet’s Carmen; Taffanel, Fantaisie on themes by Weber; Griffes, Poem; David Dzubay, Footprints; Mathew Van Brink, Dal Dosai (Sonata for Flute and Piano); Mischa Zupko, The Seven Deadly Sins. Robertello has played with Pittsburgh Sym., Cleveland Orch., & National Sym. Currently on faculty of Indiana Univ. School of Music. “Robertello is an impressive flutist.” American Record Guide. UPC 009414771223 2 3 CD713: TAKE WING. Lois Bliss Herbine, Piccolo. Persichetti, Parable for Solo Piccolo; Michael Daugherty, High and the Mighty; Daniel Dorff, Sonatine de Giverny; Allen Krantz, Song of Spring; Willard S. Elliot, Fantasy; David Loeb, Preludes for solo piccolo Vol. 4; Stephen Mager, Saltarello (The Falcon); Howard Buss, Night Flight. With Charles Abramovic, Piano; Allen Krantz, Guitar; Sophie Bruno, Harp; Allison Herz, Clarinet. “piccolo enthusiasts will not want to miss this recording.” Flute Talk. UPC 009414771322. CD714: FLUTE AGRÉABLE. April Clayton, Flute. With Philip Lasser, piano and j. Y. Song, piano. Philip Lasser: Sonata for flute and piano; Henri Dutilleux: Sonatine; Jean Francaix: Sonatine; Pierre Sancan: Sonatine; Eugene Bozza: Agrestide. “thoroughly ‘agréable’ listening...stylishness.” Musicweb. UPC 009414771421 CD757: THEODOR BLUMER Woodwind Chamber Music, vol. 3 (see also Woodwind Quintets: CD753 & CD755). John Bailey, flute; Mark Clinton, piano. Ten Waltzes, op. 56; From the Animal Kingdom, op. 57a; From the Plant World, op. 57b. Also Serenade and Theme & Variations op. 34, performed by Moran Woodwind Quin. Theodor Blumer (1881-1964) was director and principal conductor of Dresden Radio Orch and Middle German Radio Orch in Leipzig. “Fine flute playing; [Bailey’s] sound is robust, tech- nique second to none.” American Record Guide. UPC 009414775726. Flute CDs: also see CDs 801 and 809 (Hovhaness), CD321 (Oboe), & Woodwind Quintets. Dawn Weiss, see Weiss Family Woodwinds, CD354, in Woodwind Ensemble listing, pg. 12. OBOE and ENGLISH HORN CDS — JOHN MACK, OBOE. Mack was solo oboe with the Cleveland Orchestra for 36 years. “one of the world’s major virtuosos – sheer class in all depart- ments. Beauty of tone and security of playing are glorious.” San Francisco Chronicle. He has four solo CDs. See also CD870 in this section, page 5. CD323: Mozart, Quartet in F; Loeffler, Deux Rhapsodies for Oboe, Viola, and Piano; Paladilhe, Solo de Concert; Britten, Six Metamorphoses after Ovid. with the Cleveland Orchestra String Quartet and Eunice Podis, piano. “superb per- formances”, Fanfare. UPC 009414732323 CD324: Schumann, Three Romances; Oboe Sonatas by Saint-Saens, Hindemith, and Poulenc; also French contest pieces by Murgier, Berghmans, Planel, & Barraud. w/Eunice Podis, piano. “elegant playing & superb musicianship” Fanfare. UPC 009414732422 CD640: THE PLYMOUTH TRIO: Christina Price, Soprano; John Mack, Oboe; John Herr, Keyboard. Klaus George Roy: Miracles Are Not Ceased; Samuel Adler: The Rocking Horse Winner; J.S. Bach: arias from cantatas 89, 21, & 93; Handel: Three Arias; Mendelssohn: Meine Seele, from Psalm 42; Ferdinando Fortunati: Romance de Galatée, Romance de Bliombéris. “Crystal’s sound is clear and lifelike throughout.” Fanfare. UPC 009414764027 CD641: THE PLYMOUTH TRIO: John Mack, oboe; Christina Price, soprano; John Herr, keyboards w/Robert Perry, cello. J.S. Bach, arias from cantatas 32, 72, and 202; Telemann, arias from cantatas 11, 35, & 72; Wm. Boyce, Blessed is the Man; Adolphe Adam, Le Retour à la Montagne; Richard Cumming, Four Folk Songs; Lewis Jones, Serenade. “Few oboists play better than the Cleveland Orchestra’s John Mack.” Turok’s Choice. UPC 009414764126 MARK WEIGER, OBOE. “first-rate playing” New York Times. “luscious sound...gorgeous playing.” American Record Guide. Weiger was
Recommended publications
  • Download Article
    International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Concertizing Clarinet in the Music of the 20th- 21st Centuries Yu Zhao Department of Musical Upbringing and Education Institute of Music, Theatre and Choreography Herzen State Pedagogical University of Russia Saint-Petersburg, Russia E-mail: [email protected] Abstract—The article deals with stating the problem of a clarinet concert of the 20-21 centuries (one should note in research in ontology of the genre of Clarinet Concert in 20-21 this regard S. E. Artemyev‟s full-featured thesis considering centuries. The author identifies genre variants of long forms the Concerto for clarinet and orchestra of the 18th century). for solo clarinet with orchestra or instrumental ensemble and proposes further steps in making such a research, as well. II. A SHORT GUIDE IN THE HISTORY OF THE CLARINET Keywords—instrumental concert; concertizing; concerto; CONCERT GENRE concert genres; genre diversity Studies in the executive mastership are connected with a research of the evolution of the genres of instrumental music. I. INTRODUCTION The initial period of genesis and development of clarinet concert is investigated widely. Contemporary music in its various genres has become in many aspects a subject of scrupulous studies in musicology. It is known that the most early is the composition of Our research deals with professional problematics of the Antonio Paganelli indicated by the author as Concerto per instrumental concert genre, viewed more narrowly, namely, Clareto (1733). Possibly, it was written for chalumeau, the connected with clarinet performance. instrument-predecessor of the clarinet itself. But, before this time clarinet was used as one of the concertizing instruments The purpose of this article is to identify the situation in the genre of Concerto Grosso, particularly by J.
    [Show full text]
  • Tuba Syllabus / 2003 Edition
    74058_TAP_SyllabusCovers_ART_Layout 1 2019-12-10 10:56 AM Page 36 Tuba SYLLABUS / 2003 EDITION SHIN SUGINO SHIN Message from the President The mission of The Royal Conservatory—to develop human potential through leadership in music and the arts—is based on the conviction that music and the arts are humanity’s greatest means to achieve personal growth and social cohesion. Since 1886 The Royal Conservatory has realized this mission by developing a structured system consisting of curriculum and assessment that fosters participation in music making and creative expression by millions of people. We believe that the curriculum at the core of our system is the finest in the world today. In order to ensure the quality, relevance, and effectiveness of our curriculum, we engage in an ongoing process of revitalization, which elicits the input of hundreds of leading teachers. The award-winning publications that support the use of the curriculum offer the widest selection of carefully selected and graded materials at all levels. Certificates and Diplomas from The Royal Conservatory of Music attained through examinations represent the gold standard in music education. The strength of the curriculum and assessment structure is reinforced by the distinguished College of Examiners—a group of outstanding musicians and teachers from Canada, the United States, and abroad who have been chosen for their experience, skill, and professionalism. An acclaimed adjudicator certification program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become an important partner with The Royal Conservatory in helping all people to open critical windows for reflection, to unleash their creativity, and to make deeper connections with others.
    [Show full text]
  • Music for Contrabass Clarinet
    MUSIC FOR CONTRABASS CLARINET First Edition August 2017 Sarah Watts 2 This catalogue of music written for and featuring contrabass clarinet is the product of a 2016 Teaching Award from the Royal Northern College of Music, UK. This PDF catalogue is freely available on my website - www.sarahkwatts.co.uk. It will be updated on a regular basis and any additions should be emailed to [email protected] My thanks go to RNCM for supporting this project, BK and Jessica Son at Silverstein works for help with designing the cover and Henri Selmer Paris, friends and colleagues for continued help and support with all of my work. Sarah Watts - July 2017 © Sarah Watts 2017 3 contents solo contrabass clarinet ................................................................... p5 contrabass clarinet + 1 ...................................................................... 9 contrabass clarinet + 2 ..................................................................... 11 contrabass clarinet + 3 .....................................................................13 contrabass clarinet + 4 .................................................................... 14 contrabass clarinet + 5 .................................................................... 15 contrabass clarinet + 6 or more contrabass ........................ 16 clarinet + electronics contrabass .............................................. 17 clarinet + orchestra/ensemble ................................................... 18 4 solo contrabass clarinet Andre, Mark Chrysakis, Thanos iv 7
    [Show full text]
  • Heralding a New Enlightenment
    Peculiarities of Clarinet Concertos Form-Building in the Second Half of the 20th Century and the Beginning of the 21st Century Marina Chernaya and Yu Zhao* Abstract: The article deals with clarinet concertos composed in the 20th– 21st centuries. Many different works have been created, either in one or few parts; the longest concert that is mentioned has seven parts (by K. Meyer, 2000). Most of the concertos have 3 parts and the fast-slowly-fast kind of structure connected with the Italian overture; sometimes, the scheme has variants. Our question is: How does the concerto genre function during this period? To answer, we had to search many musical compositions. Sometimes the clarinet is accompanied by orchestra, other times it is surrounded by an ensemble of instruments. More than 100 concertos were found and analyzed. Examples of such concertos were written by C. Nielsen, P. Boulez, J. Adams, C. Debussy, M. Arnold, A. Copland, P. Hindemith, I. Stravinsky, S. Vassilenko, and the attention in the article is focused on them. A special complete analysis is made as regards “Domaines” for clarinet and 21 instruments divided in 6 groups, by Pierre Boulez that had a great role for the concert routine, based on the “aleatoric” principle. The conclusions underline the significant development of the clarinet concerto genre in the 20th -21st centuries, the high diversity of the compositions’ structures, the considerable expressiveness and technicality together with the soloist’s part in the expressive concertizing (as a rule). Further studies suggest the analysis of stylistic and structural peculiarities of the found compositions that are apparently to win their popularity with performers and listeners.
    [Show full text]
  • MUSIC for WIND INSTRUMENTS from the 18Th UNTIL the 21St CENTURY FLORICOR EDITIONS & DEUSS MUSIC DEUSS MUSIC CATALOGUE
    MUSIC FOR WIND INSTRUMENTS FROM THE 18th UNTIL THE 21st CENTURY FLORICOR EDITIONS & DEUSS MUSIC DEUSS MUSIC CATALOGUE Deuss Music & Floricor Editions Repertoire for Wind Instruments Solo – Chamber – Wind Orchestra 2020 INDEX 18th CENTURY ...................................................................................................................................................... 2 19th CENTURY ...................................................................................................................................................... 4 20th AND 21ST CENTURY ....................................................................................................................................... 6 SOLO (WITH ELECTRONICS) ................................................................................................................................. 6 DUOS TRIOS (WITH ELECTRONICS) ...................................................................................................................... 8 CHAMBER MUSIC (4-12 MUSICIANS) ................................................................................................................ 11 CONCERTOS ....................................................................................................................................................... 14 WIND ENSEMBLE/ORCHESTRA/BAND ............................................................................................................... 17 You can order your performance material by sending us an email: [email protected]
    [Show full text]
  • Chief Hadley a Mission to Serve EbiilCrqrob+
    $4 • SEPTEMBER 2009 Chief Hadley A Mission to Serve Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 2009-10 SEASON Tales from the Field with Jeff Corwin OCTOBER 9 | 8 P.M.
    [Show full text]
  • Focus 2020 Pioneering Women Composers of the 20Th Century
    Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers.
    [Show full text]
  • Current Professional Affiliations Are Listed Below Each Player's Name
    Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle
    [Show full text]
  • Brass Chamber Ensembles David Scott, Director Abstract No
    Path of Discovery (2005) Eric Morales (b. 1966) Trumpet Ensemble Katrina Smith and Steve Morics, trumpet and piccolo trumpet Jorge Araujo-Felix, Jake Ferntheil, Matthew Richards, Francisco Razo and Andrew Priester, trumpet Brass Chamber Ensembles David Scott, director Abstract No. 2 Robert Russell Arr. Wiff Rudd Friday, April 7, 2017 - 6 p.m. Trumpet Ensemble Frederick Loewe Performance Hall Jorge Araujo-Felix, Jake Ferntheil, Katrina Smith and Andrew Priester, trumpet Quintet for Brass No.1, Op. 73 (1961) Malcolm Arnold Francisco Razo and Matthew Richards, flugelhorn (1921-2006) Alpha Brass Quintet Back to the Fair (2002) Bill Reichenbach Katrina Smith and Jake Ferntheil, trumpets (b. 1949) Terrence Perrier, horn Julia Broome-Robinson, Jonathan Heruty, Joel Rangel, trombone Michelle Reygoza and Andrew Glendening, trombone Ross Woodzell, tuba Jackson Rice, Todd Thorsen and Joel Rangel, bass trombone Fantasy Ralph Martino Simple Gifts 19th Century Shaker tune (b. 1945) arr. by Eberhard Ramm Tuba Ensemble David Reyes and Andrew Will, euphonium Earle of Oxford’s Marche William Byrd Maggie Eronimous and Ross Woodzell, tuba (1540-1623) arr. by Gary Olson Cinq Miniatures Pour Quatres Cors Jan Kotsier Bravo Brass Quintet 1. Petite March (1911-2006) Matthew Richards and Andrew Priester, trumpet 2. Chant Sentimental Star Wasson, horn 5. Finale Jonathan Heruty, trombone Margaret Eronimous, tuba Frippery No. 14 “Something in Two” Lowell Shaw (b. 1930) Horn Ensemble Gregory Reust, Hannah Vagts, Terrence Perrier, Hannah Henry, Star Wasson and Sam Tragesser, horn Fanfares Liturgiques Henri Tomasi from his London Philharmonic Orchestra days is revealed by his expert i. Annonciation (1901-1971) use of the contrast of tone color and timbre of the brass family in different ii.
    [Show full text]
  • Beethoven, Bagels & Banter
    Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015.
    [Show full text]
  • Connected by Music Dear Friends of the School of Music
    sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends.
    [Show full text]
  • Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
    DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]