June WTTW & WFMT Member Magazine
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Grigori Sokolov
GRIGORI SOKOLOV at the Théâtre des Champs- Elysées - Paris, 2002 A dim light picks out the outlines of the hall. Suddenly a massive shadow appears and moves swiftly over to the keyboard, the only brightly lit surface to stand out from the large coffin- like box in the center of the stage. There follows the vaguest of unsmiling acknowledgments in the general direction of the audience, and then the music begins. Throughout the next two hours this music will keep its listeners enthralled with its extraordinary intensity as the audience senses the formidable physical, pianistic, musical and emotional presence of this most secretive of present- day pianists, Grigory Sokolov. S ecretive, he certainly is. A man of vast culture, cheerful and even mischievous offstage, he seems to be cocooned within his own irrefutable logic. Only his musical thoughts are susceptible of being imparted to the public, thoughts embodied beneath his fingers with the utmost interiority and within the ephemeral and exclusive framework of the concert hall. All other considerations, including those of career and self- promotion, are rejected as external to the music. They are, strictly speaking, irrelevant. The phenomenon of the artist retiring behind his art is both intriguing and salutary. It no doubt accounts partly to the fact that Sokolov is still relatively unknown to the public at large. Yet there are many people who are convinced that, following the deaths of musicians like Arturo Benedetti Michelangeli, Glenn Gould and Sviatoslav Richter, he is now the greatest -
Summer Virtual #Presstourpbs July 28, 29 and 30
Summer Virtual #PressTourPBS July 28, 29 and 30 (Final) Three half days, 1:00 – 5:00 pm ET (10:00 am – 2:00 pm PT) All times Eastern below PBS Registration: To all TCA members and PBS-confirmed press, please register in advance for this virtual event using this link to start: https://zoom.us/webinar/register/WN_2uRcyS-fRN68-kMCgGor2w After registering, you will receive a confirmation email with your unique access link and other details. The same, single link works for all of the PBS sessions. See the email from Phil Piga ([email protected]) for more details or send an email with any questions. Thank you! Tuesday, July 28 1:00–1:55 pm PBS Executive Session & 50TH ANNIVERSARY PANEL As PBS marks its 50th Anniversary – amid a global pandemic, polarized nation and strained economy – the mission of public media has never been more important. • Paula Kerger, PBS President & CEO • Ken Burns • Judy Woodruff • Dr. Henry Louis Gates, Jr. PR contact: Eleanor Hawkins, 205-276-5252; [email protected]; Jeremy Gaines, 703-739-5135; [email protected] 2:15–2:45 pm PBS NEWSHOUR • Judy Woodruff, anchor and managing editor • Amna Nawaz, senior national correspondent and primary substitute anchor • Yamiche Alcindor, White House correspondent • Lisa Desjardins, Capitol Hill correspondent • Sara Just, executive producer PR contact: Sydney Cameron, [email protected]; 954-478-0703 3:00–3:30 pm PBS Election & News Coverage • Robert Costa, WASHINGTON WEEK • Margaret Hoover, FIRING LINE WITH MARGARET HOOVER • Bernardo Ruiz, VOCES “Latino Vote: Dispatches from the -
Chicago Philharmonic Performs Playful Soundtracks to Hilarious Silent Films in the North Shore
Contact: Cassandra Kirkpatrick [email protected] (312) 957-0000 Chicago Philharmonic Performs Playful Soundtracks to Hilarious Silent Films in the North Shore Chicago, IL - (March 11 2019) Following critically acclaimed, sold-out performances with the Joffrey Ballet and English National Ballet, the Chicago Philharmonic returns to the North Shore to present another unforgettable multimedia production combining film and classical music. Featuring fresh new soundtracks by Tom Nazziola, a prolific composer and conductor best known for his work on film, television and musicals, Silent Sherlock will astound and entertain audiences at the North Shore Center for the Performing Arts in Skokie this March. Nazziola will lead the Chicago Philharmonic ensemble in three new film scores to accompany a live screening of movies from the golden age of silent film in the 1920s. Headlining the program is Sherlock Jr., starring perhaps the greatest comedic genius of the 20th century, Buster Keaton. Hilarious hijinks ensue as Keaton attempts to impress his sweetheart, solve a mystery, and save the day. Accompanying spectacular cinematography is a colorful palette of violin, piano, bass, and winds painted with Nazziola’s masterful hand. Silent Sherlock also features the short Sure-Locked Homes with legendary cartoon character Felix the Cat and Fadeaway, at the time a revolutionary blend of animation and live action, with vividly entertaining Koko the Clown. Nazziola’s film scores have been lavishly praised by Rolling Stone: “Nazziola is doing astonishing compositional work with silent films…his contribution indispensable.” Silent Sherlock Films with live music March 24 2019, 4:00pm North Shore Center for the Performing Arts, Skokie Tom Nazziola composer and conductor Featuring the silent films Sherlock Jr. -
The Wedding of Kevin Roon & Simon Yates Saturday, the Third of October
The wedding of Kevin Roon & Simon Yates Saturday, the third of October, two thousand and nine Main Lounge The Dartmouth Club at the Yale Club New York City Introductory Music Natasha Paremski & Richard Dowling, piano Alisdair Hogarth & Malcolm Martineau, piano Welcome David Beatty The Man I Love music by George Gershwin (1898–1937) arranged for piano by Earl Wild (b. 1915) Richard Dowling, piano O Tell Me the Truth About Love W. H. Auden (1907–1973) Catherine Cooper I Could Have Danced All Night from My Fair Lady music by Frederick Loewe (1901–1988) lyrics by Alan Jay Lerner (1918–1986) Elizabeth Yates, soprano Simon Yates, piano Sonnet 116 William Shakespeare (1564–1616) Lilla Grindlay Allemande from the Partita No.4 in D major, BWV 828 Johann Sebastian Bach (1685–1750) Jeremy Denk, piano Prayer of St. Francis of Assisi Eileen Roon from Liebeslieder Op. 52 Johannes Brahms (1833–1897) text by Georg Friedrich Daumer (1800–1875) translations © by Emily Ezust Joyce McCoy, soprano Jennifer Johnston, mezzo-soprano Matthew Plenk, tenor Eric Downs, bass-baritone Alisdair Hogarth & Malcolm Martineau, piano number 8 Wenn so lind dein Auge mir When your eyes so gently und so lieblich schauet, and so fondly gaze on me, jede letzte Trübe flieht, every last sorrow flees welche mich umgrauet. that once had troubled me. Dieser Liebe schöne Glut, This beautiful glow of our love, lass sie nicht verstieben! do not let it die! Nimmer wird, wie ich, Never will another love you so treu dich ein Andrer lieben. as faithfully as I. number 9 Am Donaustrande On the banks of the Danube, da steht ein Haus, there stands a house, da schaut ein rosiges and looking out of it Mädchen aus. -
Report to the Community Fy15
REPORT TO THE COMMUNITY F Y15 INSPIRING A SMARTER WORLD Dear Friends, FY 2015 was a year of challenges and great opportunities, and a turning point in KCTS 9’s 60-year history. I am happy to share that the year has been a success. Your support has allowed us to meet our goal of providing meaningful content that is relevant to our community—on air, online and in person. The media landscape has changed dramatically in recent years, with fundamental changes in the way audiences choose and view content. Today, more than one in three visitors to KCTS9.org use a tablet or mobile device to connect with us. Five years ago, that figure was less than 5 percent. With new tools and technologies, the public has become actively involved in the creation, selection and distribution of content. We live in a world where time-shifted viewing, streaming video, tablets and smartphones have profoundly changed how audiences consume and share content. How does a public media organization stand out when, with today’s technology, everyone is a media company? We met this challenge by launching an initiative to produce innovative digital offerings that broaden the content we provide and the platforms on which we provide it. While staying true to our mission to inspire a smarter world, we shifted to a digital-first strategy. We are committed to creating, commissioning and curating local content with a continued adherence to the public-media beliefs that have defined KCTS 9 for 60 years. In FY 2015, we brought you live public dialogues including political debates and election coverage; a current affairs series that explores in depth stories from across the Northwest; local specials on environmental issues; community events that celebrate our diverse cultures; and educational programming that is free and accessible to all. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
475 Ethics Ordinance List As of April 2018
475 Ethics Ordinance List as of April 2018 CITY OF CHICAGO 475 Ethics Ordinance List of Vendors who have received from City of Chicago payments totaling $10,000 or more in any 12 consecutive months period over the past four reporting years VENDOR NAME VENDOR ADDRESS "D" CONSTRUCTION, INC. 1488 S BROADWAY, COAL CITY, IL 60416 100 CLUB OF CHICAGO 875 N MICHIGAN AVENUE SUITE 1351, CHICAGO, IL 60611 1100 EAST 47TH STREET LLC 32 NORTH DEAN STREET , ENGLEWOOD , NJ 07361 1140 NORTH BRANCH DEVELOPMENT LLC 701 W ERIE ST, CHICAGO, IL 60610 1200 MADISON RACINE LLC 912 WEST LAKE STREET, CHICAGO, IL 60607 1300 ASTOR TOWER P O BOX #661095, CHICAGO, IL 60666 1319 S SPAULDING LLC OR CHICAGO TITLE INSURANCE ACCT#029036254-002, CHICAGO, IL 60601 1325 S. STATE STREET LLC 2000 N RACINE AVE, CHICAGO, IL 60614 1330 W FULTON LLC 1040 W RANDOLPH ST, CHICAGO, IL 60607 1515 N HALSTED LLC 211 N CLINTON ST STE 3S, CHICAGO, IL 60661 1600 E. 53RD STREET LLC 32 NORTH DEAN STREET, ENGLEWOOD, NJ 07631 1625 S. CLARK ST LLC C/O DLA PIPER LLP, 203 N LASALLE ST STE. 1900, CHICAGO, IL 60602 1642 N BESLY LLC 1040 W RANDOLPH ST, CHICAGO, IL 60607 18TH STREET. DEVELOPMENT. CORP. 1839 S CARPENTER ST, CHICAGO, IL 60608 1K FULTON LLC. 1040 WEST RANDOLPH STREET, CHICAGO, IL 60607 2109 S HALSTED LLC 155 N PFINGSTEN RD STE 370, DEERFIELD, IL 60015 2600 IRVING LLC 1728 MAPLE AVE, NORTHBROOK, IL 60062 2715 NMA LLC 3215 WEST FULLERTON PKWY, CHICAGO, IL 60647 2736 W. -
THROUGH LIFE and LOVE Richard Strauss
THROUGH LIFE AND LOVE Richard Strauss Louise Alder soprano Joseph Middleton piano Richard Strauss (1864-1949) THROUGH LIFE AND LOVE Youth: Das Mädchen 1 Nichts 1.40 Motherhood: Mutterschaft 2 Leises Lied 3.13 16 Muttertänderlei 2.27 3 Ständchen 2.42 17 Meinem Kinde 2.52 4 Schlagende Herzen 2.29 5 Heimliche Aufforderung 3.16 Loss: Verlust 18 Die Nacht 3.02 Longing: Sehnsucht 19 Befreit 4.54 6 Sehnsucht 4.27 20 Ruhe, meine Seele! 3.54 7 Waldseligkeit 2.54 8 Ach was Kummer, Qual und Schmerzen 2.04 Release: Befreiung 9 Breit’ über mein Haupt 1.47 21 Zueignung 1.49 Passions: Leidenschaft 22 Weihnachtsgefühl 2.26 10 Wie sollten wir geheim sie halten 1.54 23 Allerseelen 3.22 11 Das Rosenband 3.15 12 Ich schwebe 2.03 Total time 64.48 Partnership: Liebe Louise Alder soprano 13 Nachtgang 3.01 Joseph Middleton piano 14 Einerlei 2.53 15 Rote Rosen 2.19 2 Singing Strauss Coming from a household filled with lush baroque music as a child, I found Strauss a little later in my musical journey and vividly remember how hard I fell in love with a recording of Elisabeth Schwarzkopf singing Vier Letze Lieder, aged about 16. I couldn’t believe from the beginning of the first song it could possibly get any more ecstatic and full of emotion, and yet it did. It was a short step from there to Strauss opera for me, and with the birth of YouTube I sat until the early hours of many a morning in my tiny room at Edinburgh University, listening to, watching and obsessing over Der Rosenkavalier’s final trio and presentation of the rose. -
Zu Opus Klassik
Nominierte in der Kategorie Instrumentalist/in des Jahres Hinrich Alpers Piotr Anderszewski Nicholas Angelich Iveta Apkalna Martha Argerich Martha Argerich Bach: Well-tempered Beethoven / Liszt Clavier Prokofiev Widor & Vierne Beethoven / Grieg Beethoven Avi Avital Sergio Azzolini Sergei Babayan Daniel Barenboim Thomas Bartlett Lisa Batiashvili Art of the Mandolin Kozeluch: Concertos Rachmaninoff Complete Piano Sonatas Shelter City Lights and Symphony / Diabelli Variations Nominierte in der Kategorie Instrumentalist/in des Jahres Katharina Bäuml Nicola Benedetti Kristian Bezuidenhout Eva Bindere Claudio Bohórquez Gábor Boldoczki Earth Music Elgar: Violin Concerto Beethoven: 9. Sinfonie / Tālivaldis Ķeniņš Piazzolla Versailles Chorfantasie Luiza Borac Rudolf Buchbinder Khatia Buniatishvili Gautier Capuçon Renaud Capuçon Bertrand Chamayou Constantin Silvestri Beethoven: Piano Concerto 1 Labyrinth Emotions Elgar: Violin concerto Good Night! Nominierte in der Kategorie Instrumentalist/in des Jahres Seong-Jin Cho Zlata Chochieva Florian Christl Daniel Ciobanu Carlos Cipa Xavier de Maistre The Wanderer (re)creations Episodes Daniel Ciobanu Correlations (on 11 pianos) Serenata Latina Nikola Djoric Magne H. Draagen Friedemann Eichhorn Isang Enders Christian Euler Reinhold Friedrich Echoes of Leipzig in Bach & Piazzolla Say: Complete Violin Vox Humana Viola Solo Blumine Nidaros Cathedral Works Nominierte in der Kategorie Instrumentalist/in des Jahres Reinhold Friedrich Sebastian Fritsch Martin Fröst Thibaut Garcia Brandon Patrick George Alban -
Friday 8 May 2020
Koanga - New Zealand SO/John Hopkins Zealand National Youth Choir/Karen (EX Tartar TRL 020) Grylls (TRUST MMT 2016) 2:00 approx ELGAR: Nursery Suite - New Zealand JOPLIN: Maple Leaf Rag; Magnetic Rag (2) SO/James Judd (Naxos 8.557166) - Elizabeth Hayes (pno) (QUARTZ QTZ 2005) COPLAND: Down a Country Lane - Saint Friday 8 May 2020 BECK: Sinfonia in G minor Op 3/3 - Paul CO/Hugh Wolff (Teldec 77310) Toronto CO/Kevin Mallon (Naxos 5:00 approx 12:00 Music Through the Night 8.570799) BRAHMS: Violin Sonata No 2 in A Op 100 - RAMEAU: The Entrance of Polyhymnia, GAY: Virgins Are Like The Fair Flow'r, from Tasmin Little (vln), Piers Lane (pno) from Les Boréades - Ensemble The Beggar's Opera - Kiri Te Kanawa (sop), (Chandos CHAN 10977) Pygmalion/Raphaël Pichon (Harmonia National Phil/Richard Bonynge (Decca 475 VAUGHAN WILLIAMS: In the Fen Country - Mundi HMM902288) 459) London Festival Orch/Ross Pople (ASV CD DELIUS: Walk to the Paradise Garden - DETT: Eight Bible Vignettes - Denver DCA 779) Symphony Nova Scotia/Georg Tintner Oldham (piano) (New World NW 367) ANONYMOUS: Masque Dances - Alison (CBC Records SMCD 5134) HAN KUN SHA: Shepherd's Song - Melville (recorder), Margaret Gay (cello), CIMAROSA: Concerto in G for two flutes - Shanghai Quartet (Delos DE 3308) Peter Lehman (theorbo), Valerie Weeks Mathieu Dufour (fl), Alex Klein (ob), Czech 3:00 approx (hpschd) (EBS EBS 6016) National SO/Paul Freeman (Cedille CDR TELEMANN: Trumpet Concerto in D - DELIUS arr Fenby: Serenade, from Hassan 90000 080) Niklas Eklund (baroque tpt), - Julian Lloyd Webber -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos.