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Boston Symphony Orchestra Archives
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Musik-Katalog Bassetthorn Bassettklarinette
Musik-Katalog für Bassetthorn (3604 Werke) und Bassettklarinette (189 Werke) von Thomas Graß und Dietrich Demus Stand vom 31.Mai 2020 Ergänzungen und Berichtigungen des Katalogs aus dem Sachbuch: „Das Bassetthorn. Seine Entwicklung und seine Musik“, 2. Aufl. 2004, Hrsg. T. Grass und D. Demus, BOD, ISBN 3-8311-4411-7. [email protected] [email protected] Formatierung und Druckherstellung: Michael Baasner 1 Inhaltsverzeichnis 1. Konzerte mit Solo-Bassetthorn 5 1.1 Solo für ein oder mehrere Bassetthörner und Orchester oder Sinfonisches Blasorchester ........5 1.2 Werke mit Solo-Bassetthorn, weiteren Solo-Instrumenten oder Singstimme und Orchester oder Blasorchester, auch Sinfonie Concertanti .........................................................................13 1.3 Historische Bearbeitungen für Bassetthorn und fälschlich oder fraglich dem Bassetthorn zugeschriebene Solowerke mit Orchester .................................................................................18 2 Kammermusik 19 2.1 Bassetthorn Solo ........................................................................................................................19 Duos 24 2.2 Bassetthorn und Klavier / Cembalo / Orgel / Vibraphon / elektronische Musik / Tape ..............24 2.3 Zwei Bassetthörner ....................................................................................................................34 2.4 Bassetthorn und ein anderes Instrument / Singstimme .............................................................37 2.5 Bassetthorn und Gitarre -
20Th-Century Repertory
Mikrokosmos List 665. - 2 - January 2021 ....20TH-CENTURY REPERTORY 1 Adam, Claus: Vcl Con/ Barber: Die Natali - Kates vcl, cond.Mester 1975 S LOUISVILLE LS 745 A 12 2 Adams, John: Shaker Loops, Phrygian Gates - McCray pno, Ridge SQ, etc 1979 S 1750 ARCH S 1784 A 10 3 Baaren, Kees van: Musica per orchestra; Musica per organo/Brons, Carel: Prisms DONEMUS 72732 A 8 (organ) - Wolff organ, cond.Haitink , (score enclosed) S 4 Badings: Con for Orch/H.Andriessen: Kuhnau Var/Brahms: Sym 4 - Regionaal 2 x REGIONAAL JBTG A 15 Jeugd Orkest, cond.Sevenhuijsen live, 1982, 1984 S 7118401 5 Bax: Sym 3, The Happy Forest - London SO, cond.Downes (UK) (p.1969) S RCA SB 6806 A 8 6 Bernstein, Elmer: Summer and Smoke (sound track) - cond.comp S ENTRACTE ERS 6519 A 8 7 Bernstein, Elmer: The Magnificent Seven - cond.comp S LIBERTY EG 260581 A 8 8 Bernstein, Elmer: To Kill a Mockingbird (film music) - Royal PO, cond.E.Bernstein FILMMUSIC FMC 7 A 25 1976 S 9 Bernstein, Elmer: Walk on the Wild Side (soundtrack) - cond.comp S CHOREO AS 4 A 8 10 Bernstein, Ermler: Paris Swings (soundtrack) S CAPITOL ST 1288 A 8 11 Bolling: The Awakening (soundtrack) S ENTRACTE ERS 6520 A 8 12 Bretan, Nicolae: Ady Lieder - comp.pno & vocal (one song only), L.Konya bar, MHS 3779 A 8 F.Weiss, M.Berkofsky pno S 13 Castelnuovo-Tedesco: The Well-Tempered Guitars - Batendo Guitar Duo (gatefold) 2 x ETCETERA ETC 2009 A 15 (p.1986) S 14 Casterede, Jacques: Suite a danser - Hewitt Orch (light music) 10" DISCOPHILE SD 5 B+ 10 15 Dandara, Liviu: Timpul Suspendat, Affectus, Quadriforium III -
American Viola Society Newsletter No. 17, November 1979
AMERICAN VIOLA SOCIETY (formerly Viola Research Society) American Chapter of the INTERNATIONALE VIOLA FORSCI.IUNGSGESELLSCIIAFT ------------ __-,l-_lll_--II_ ..s-- November NEWSLETTER 17 1979 ----- - -- ----I- "YOU'VE COME A LONG WAY, BABY! " A REPCRT ON TH3 SEVZKTE INTERXATIC'NAL VIOLA CONGRESS PROTJO, UTAH The Seventh International Viola Congress, which took place July 12, 13, and 14 on the canipus of Eriehan; Young University, was a very epecial event on several counts. Sponsored by the American Viola Society and Brieham Youne University, the congress was held in t.he Frenklln S, Harris Fine Arts Center--& superb ccmplex that offered first-class concert halls, lecture roous, and exhibition galleries. Two celebrations, important to violists, took place durine the congress. The first was an anticipatory musics1 and biographical celebration of the 100th birthday of Ernest Bloch (born 1880), manifested by performances of all his worke for viola and a talk on his life and music by Suzanne Bloch, his dsuehter. The second was the 75th birthday of William Primrose. The viclists heard during the three days represented a stunning and consi~tentlyhigh level of performance--so~ethM that has become more and more the norm for viola playing today and synonymous with American strine playing in eeneral. Dr. David Dalton, the hoet chairperson of the congress and a mezber of BYU's ffiusic faculty, did an outstanding Job of oreanizinfr and oversaeing the congress, aided by the university 'a Music Department faculty and staff. No large meetine can be without flaws, but this caneress was one of the smocthest and least-blemished ever witnessed by this writer. -
Finale Transposition Chart, by Makemusic User Forum Member Motet (6/5/2016) Trans
Finale Transposition Chart, by MakeMusic user forum member Motet (6/5/2016) Trans. Sounding Written Inter- Key Usage (Some Common Western Instruments) val Alter C Up 2 octaves Down 2 octaves -14 0 Glockenspiel D¯ Up min. 9th Down min. 9th -8 5 D¯ Piccolo C* Up octave Down octave -7 0 Piccolo, Celesta, Xylophone, Handbells B¯ Up min. 7th Down min. 7th -6 2 B¯ Piccolo Trumpet, Soprillo Sax A Up maj. 6th Down maj. 6th -5 -3 A Piccolo Trumpet A¯ Up min. 6th Down min. 6th -5 4 A¯ Clarinet F Up perf. 4th Down perf. 4th -3 1 F Trumpet E Up maj. 3rd Down maj. 3rd -2 -4 E Trumpet E¯* Up min. 3rd Down min. 3rd -2 3 E¯ Clarinet, E¯ Flute, E¯ Trumpet, Soprano Cornet, Sopranino Sax D Up maj. 2nd Down maj. 2nd -1 -2 D Clarinet, D Trumpet D¯ Up min. 2nd Down min. 2nd -1 5 D¯ Flute C Unison Unison 0 0 Concert pitch, Horn in C alto B Down min. 2nd Up min. 2nd 1 -5 Horn in B (natural) alto, B Trumpet B¯* Down maj. 2nd Up maj. 2nd 1 2 B¯ Clarinet, B¯ Trumpet, Soprano Sax, Horn in B¯ alto, Flugelhorn A* Down min. 3rd Up min. 3rd 2 -3 A Clarinet, Horn in A, Oboe d’Amore A¯ Down maj. 3rd Up maj. 3rd 2 4 Horn in A¯ G* Down perf. 4th Up perf. 4th 3 -1 Horn in G, Alto Flute G¯ Down aug. 4th Up aug. 4th 3 6 Horn in G¯ F# Down dim. -
2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
TOC 0245 CD Booklet.Indd
ADOLF BUSCH AND THE PIANO by Jakob Fichert It’s hardly a secret that Adolf Busch (1891–1952) was one of the greatest violinists of the twentieth century. But only specialists, it seems, are aware that he was also a very fne composer, even though these two artistic identities – performer and composer – were of equal importance to him. In recent years some of his chamber works, his organ music and parts of his symphonic œuvre have been recorded, allowing some appreciation of his stature as a creative fgure. But Busch’s music for solo piano has yet to be discovered – only the Andante espressivo, BoO1 37 22 , has been recorded before now, by Peter Serkin, Busch’s grandson, and that in a private recording, not available commercially. Tis album therefore presents the entirety of Busch’s piano output for the frst time. Busch’s writing for solo piano forms a kind of huge triptych, with the Sonata in C minor, Op. 25, as its central panel; another major work, a Fantasia in C major, BoO 20, was written early in his career; and a later Suite, Op. 60b, dates from the time of his full maturity. Busch also wrote more than a dozen smaller piano pieces, in which he seems to have experimented with various genres in pursuit of the development of his musical language, with four Intermezzi, a Scherzo and other character pieces among them. One can hear the infuence of Brahms, Mendelssohn, Busoni and – especially – Reger, but with familiarity Busch’s style can be heard to be distinctive and personal, displaying a unique and highly expressive world of sound. -
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – Piano Rolls
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – piano rolls An der schönen, blauen Donau – Walzer, op. 314 (Johann Strauss, Jr., 1825-1899) Wiener Philharmoniker, Carlos Kleiber. Musikverein Wien, 1. 1. 1989 1 intro A 1:38 2 A 32 D 0:40 3 B 16 A 0:15 4 B 16 0:15 5 C 16 D 0:15 6 C 16 0:15 7 D 16 Bb 0:17 8 C 16 D 0:15 9 E 16 G 0:15 10 E 16 0:15 11 F 16 0:14 12 F 16 0:13 13 modul. 4 ►F 0:05 14 G 16 0:20 15 G 16 0:18 16 H 16 0:14 17 H 16 0:15 18 10+1 ►A 0:10 19 I 16 0:17 20 I 16 0:16 21 J 16 0:13 22 J 16 0:13 23 16+2 ►D 0:16 24 C 16 0:15 25 16 ►F 0:15 26 G 14 0:17 27 11 ►D 0:10 28 A 0:39 29 A1 16 0:16 30 A2 0:12 31 stretta 0:10 The Entertainer (Scott Joplin) (copyright John Stark & Son, Sedalia, 29. 12. 1902) piano roll Classics of Ragtime 0108 32 intro 4 C 0:06 33 A 16 0:23 34 A 16 0:23 35 B 16 0:23 36 B 16 0:23 37 A 16 0:23 38 C 16 F 0:22 39 C 16 0:22 40 modul. 4 ►C 0:05 41 D 16 0:22 42 D 16 0:23 43 The Crush Collision March (Scott Joplin, 1867/68-1917) 4:09 (J. -
Orpheus Chamber Orchestra with Benita Valente, Soprano Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 3-17-1998 Orpheus Chamber Orchestra with Benita Valente, soprano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Orpheus Chamber Orchestra with Benita Valente, soprano" (1998). Music Department Concert Programs. 683. https://scholarship.richmond.edu/all-music-programs/683 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. March 17, 1998 at 8pm Modlin Center for the Arts Camp Concert Hall Booker Hall of Music Orpheus Chamber Orchestra with Benita Valente, soprano This concert was made possible, in part, by public funds from the National Endowment for the Arts and the New York State Council on the Arts. Benita Valente is represented by Janice Mayer and Associates, Inc. Benita Valente records for ARS Nova, BMG, Dandide, Centaur, Columbia, concerto Digital Classics/Grabacion, CRI, ERATO, Etcetera, Harmonia Mundi, INSYLNC, MusicMasters, MCA Classics, Pantheon, Pro Arte, RCA, SONY Classical, Telarc and Virgin Classics Records. Orpheus records for Deutsche Grammophon and Nonesuch. Orpheus is represented by Frank Salomon Associates. Orpheus Chamber Orchestra with Benita Valente, soprano VIOLIN CELLO Ronnie Bauch Annabelle Hoffman Nicolas Danielson Zvi Plesser Liang Ping How Jonathan Spitz Joanna Jenner ReneeJolles BASS Felicia Moye Gail Kruvand Richard Rood [ Eriko Sato HARPSICHORD Mitchell Stern Dongsok Shin Ad VIOLA Din David Cerutti Din Sarah Clarke Mat Jenny Douglass Ted Nardo Poy Op€ Arti Hm: Piar Orpheus Chamber Orchestra, Inc. -
PERSONAE 2008), Records, (Centaur Variations Goldberg
his unique style which is characterized by constant seemingly self-organized mobility of harmony, motivic motivic harmony, of mobility self-organized seemingly constant by characterized is which style unique his Navona Records is a PARMA Recordings company Recordings PARMA a is Records Navona the whole range of modern composition, only to find his own way after many years of desperate search. In In search. desperate of years many after way own his find to only composition, modern of range whole the North Hampton NH 03862 NH Hampton North www.navonarecords.com/enhancedcontenturl the music of Johann Sebastian Bach for many years. As a student with Ingvar Lidholm he experienced experienced he Lidholm Ingvar with student a As years. many for Bach Sebastian Johann of music the 223 Lafayette Road Lafayette 223 started as a jazz trumpeter and became leader of his own band when he was 12 years old. Then he studied studied he Then old. years 12 was he when band own his of leader became and trumpeter jazz a as started www.navonarecords.com scores, extended liner notes, and more and notes, liner extended scores, Anders Eliasson (1947-2013) was one of the great composers of our time. Born in the Swedish province, he he province, Swedish the in Born time. our of composers great the of one was (1947-2013) Eliasson Anders [email protected] Place this product in your computer to access study study access to computer your in product this Place DISEGNO 2 FOR PIANO FOR 2 DISEGNO (1947-2013) ELIASSON ANDERS BY Ethan Fortin Ethan Manager Marketing Neil Rynston Neil Producer Alex Bourne Alex A&R last. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.