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Boston Symphony Orchestra Archives
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Orpheus Chamber Orchestra with Benita Valente, Soprano Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 3-17-1998 Orpheus Chamber Orchestra with Benita Valente, soprano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Orpheus Chamber Orchestra with Benita Valente, soprano" (1998). Music Department Concert Programs. 683. https://scholarship.richmond.edu/all-music-programs/683 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. March 17, 1998 at 8pm Modlin Center for the Arts Camp Concert Hall Booker Hall of Music Orpheus Chamber Orchestra with Benita Valente, soprano This concert was made possible, in part, by public funds from the National Endowment for the Arts and the New York State Council on the Arts. Benita Valente is represented by Janice Mayer and Associates, Inc. Benita Valente records for ARS Nova, BMG, Dandide, Centaur, Columbia, concerto Digital Classics/Grabacion, CRI, ERATO, Etcetera, Harmonia Mundi, INSYLNC, MusicMasters, MCA Classics, Pantheon, Pro Arte, RCA, SONY Classical, Telarc and Virgin Classics Records. Orpheus records for Deutsche Grammophon and Nonesuch. Orpheus is represented by Frank Salomon Associates. Orpheus Chamber Orchestra with Benita Valente, soprano VIOLIN CELLO Ronnie Bauch Annabelle Hoffman Nicolas Danielson Zvi Plesser Liang Ping How Jonathan Spitz Joanna Jenner ReneeJolles BASS Felicia Moye Gail Kruvand Richard Rood [ Eriko Sato HARPSICHORD Mitchell Stern Dongsok Shin Ad VIOLA Din David Cerutti Din Sarah Clarke Mat Jenny Douglass Ted Nardo Poy Op€ Arti Hm: Piar Orpheus Chamber Orchestra, Inc. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, January 12, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 “The Boston Symphony Chamber Players: For Fifty Years, Champions of Chamber Music,” by Richard Dyer 6 From the Players 10 Today’s Program Notes on the Program 11 Aaron Copland 13 Irving Fine 14 Wolfgang Amadè Mozart 15 Johannes Brahms Artists 16 Boston Symphony Chamber Players 17 Gilbert Kalish 19 The Boston Symphony Chamber Players: A Discography COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 6, 7, 8, and-9 by Tom Kates, except Elizabeth Rowe (page 8) and Richard Svoboda (page 9) by Michael J. Lutch. Boston Symphony Chamber Players photo on page 16 by Michael J. Lutch. -
Collaboration and the Creation of a New Piece Of
COLLABORATION AND THE CREATION OF A NEW PIECE OF MUSIC: AN ANALYSIS OF THE ROLES PLAYED BY COMPOSER, POET, AND SINGER IN WILLIAM BOLCOM’S BRIEFLY IT ENTERS FOR SOPRANO AND PIANO. Rachel Sinnott Bachelor of Music, University of Lethbridge, 2010 A Thesis Submitted to the School of Graduate Studies Of the University of Lethbridge In Partial Fulfillment of the Requirements for the Degree MASTER OF MUSIC Department of Music, Faculty of Fine Arts University of Lethbridge LETHBRIDGE, ALBERTA, CANADA ©Rachel Sinnott, 2012 1 DEDICATION For Barbara Sinnott and Jane Frebold. in ABSTRACT This document looks at American composer William Bolcom’s song cycle Briefly It Enters, from a collaborative standpoint. The cycle was written with soprano Benita Valente in mind and the poetry is taken from the work of American poet Jane Kenyon. Chapter one of the thesis offers a brief history of the practice of writing for specific singers among composers in Europe and the United States. Chapter two provides biographical information about the participants involved in the project. The third chapter narrates a timeline of events leading up to the work’s premiere; chapter four is a musical analysis of the cycle from a singer’s standpoint. Included within chapter four are ideas about the poetry, vocal considerations for Valente, and the effect of Kenyon’s death upon the creation of this work. The fifth chapter provides insight for performers who wish to learn and perform this cycle in the future. IV ACKNOWLEDGEMENTS Special thanks go to Dr. William Bolcom, Benita Valente, Dr. Janet Youngdahl, Dr. Carolyn Herrington, Dr. -
Boston Symphony Orchestra Concert Programs, Season 92, 1972-1973
1 H Shfcfti* Bin wVE S££3Wm si Eh! 0*r HKs& Bp9 *rjtti Kan ^- 1 Btjfe^r ? "T* 1- - 1 ^OtnL *3r hew fe^Sl madUs g 1 JEST-* 1 The Boston Symphony Orchestra presents the one hundred and fifty-eighth PENSION FUND CONCERT ALEXIS WEISSENBERG mm of 19 members the %.:* BOSTON SYMPHONY CHAMBER PLAYERS lllW'ln ii BOSTON SYMPHONY ORCHESTRA ngui^ • SEIJI OZAWA Music Adviser ITTirpilnr .r^n BSem IK and Bflh 4H SEIJI OZAWA Sunday evening February 18 1973 SYMPHONY HALL BOSTON MASSACHUSETTS «£££ y$& ^H » K ws> • *.*u -To'v-' H << «. Kfl Baal 21V, ffflfffll %c* Sunday evening February 18 1973 at 6.30 The first concert in the Cabot-Cahners Room ALEXIS WEISSENBERG piano MEMBERS OF THE BOSTON SYMPHONY CHAMBER PLAYERS RALPH GOMBERG oboe HAROLD WRIGHT clarinet SHERMAN WALT bassoon CHARLES KAVALOSKI horn BEETHOVEN Quintet in E flat for piano and winds op. 16 Grave - allegro ma non troppo Andante cantabile Rondo: allegro ma non troppo Alexis Weissenberg plays the Steinway piano THE BOSTON SYMPHONY CHAMBER PLAYERS RECORD EXCLUSIVELY FOR DEUTSCHE GRAMMOPHON BALDWIN PIANO DEUTSCHE GRAMMOPHON & RCA RECORDS THE BOSTON SYMPHONY PENSION INSTITUTION The Boston Symphony Pension Institution, established in 1903, is the oldest among American symphony orchestras. During the past few years the Pension Institution has paid annually over 400,000 dollars to nearly one hundred pensioners and their widows. Pension Institution income is derived from Pension Fund concerts, from open rehearsals in Sym- phony Hall and at Tanglewood and from radio broadcasts, for which the members of the Orchestra donate their services. Contributions are also made each year by the Boston Symphony Orchestra, Inc. -
View Printable Playbill
the MAGIC Wolfgang Amadeus Mozart FLUTE Seven Hundred Eightieth Program of the 2014-15 Season _______________________ Indiana University Opera Theater presents as its 442nd production The Magic Flute (Die Zauberflöte) Music by Wolfgang Amadeus Mozart Libretto by Emanuel Schikaneder David Effron, Conductor April 10 and 11 Arthur Fagen, Conductor April 17 and 18 Helena Binder, Stage Director C. David Higgins, Set and Costume Designer Marie Barrett, Lighting Designer Walter Huff, Chorus Master Julia Lawson, German Diction Coach Vincent Liotta, Supertitle Translator _________________ Musical Arts Center Friday, April Tenth Saturday, April Eleventh Friday, April Seventeenth Saturday, April Eighteenth Eight O’Clock music.indiana.edu Cast of Characters Friday, April 10 Saturday, April 11 Saturday, April 18 Friday, April 17 Pamina ...................Tabitha Burchett Yuji Bae Tamino. Michael Day Trey Smagur Papageno .................Heeseung Chae Ryan Kieran Papagena .................Gloria Bangiola Simran Afsah Queen of the Night .........Shin-Yeong Noh Emma Donahue Sarastro ..................Rafael Porto Rafael Porto Monostatos ...............Barry Greene Connor Hakes First Lady .................Lesley Friend Mathilda Edge Second Lady ...............Krista Wilhelmsen Emily Baker Third Lady ................Olivia Thompson Meghan Folkerts First Spirit ................Mikaela Schneider Caroline Jamsa Second Spirit ..............Jordan Goodmon Abbey Curzon Third Spirit ...............Anne Chester Joelle Tucker Speaker of the Temple .......Christopher -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing In this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI JANICE HARSANYI; PROFILE OF AN ARTISTATEACHER D.M.A. -
N E W S R E L E a S E
N E W S R E L E A S E CONTACT: Kate Johnston Assistant Director of Public Relations phone: 215.893.3136 e-mail: [email protected] FOR IMMEDIATE RELEASE DATE: April 5, 2010 PHILADELPHIA ORCHESTRA ANNOUNCES WINNERS OF THE 2010 GREENFIELD STUDENT COMPETITION Three young musicians will make their Philadelphia Orchestra debuts during the 2010-11 season Annual Competition carries on tradition of promoting exceptional young talent (Philadelphia , April 5, 2010)—Three young musicians have won the annual Philadelphia Orchestra Albert M. Greenfield Student Competition and will appear as soloists with the Orchestra during the 2010-11 season. Final judging was held in Verizon Hall at The Kimmel Center for the Performing Arts on Monday, March 1, 2010. Students performed during the final round of the Competition before an open audience. The winners of the 2010 Greenfield Competition are Hannah Lam (violin, age 12), who competed in the Children’s Division; Mary Yong (viola, age 21), who competed in the Senior Division; and Jonathan Beyer (baritone, age 28), who competed in the Vocal Division. The winners received monetary awards in addition to their engagements with the Orchestra. Biographies of the winners are attached. “The Alfred M. Greenfield Student Competition has nurtured and showcased new talent for more than 75 years,” said Philadelphia Orchestra President and CEO Allison Vulgamore. “The competition continues to inspire young people to reach for their dreams. The Philadelphia Orchestra is proud that so many of these young artists have gone on to illustrious careers, both in our Orchestra and on stages around the world.” Music Director Leopold Stokowski first initiated The Philadelphia Orchestra’s Student Competition in 1933. -
SHEPHERD SCHOOL GUEST ARTIST SERIES $5 S5, T./, Ii Presents Od
SHEPHERD SCHOOL GUEST ARTIST SERIES $5 S5, t./, Ii presents oD RICHARD GOODE, piano . zn an ALL BEETHOVEN PROGRAM Thursday, April 18, 1985 8:00 p.m. in Hamman Hall PROGRAM LUDWIG VAN BEETHOVEN (1770-1827) Sonata No. 17 in D minor, Opus 31, No. 2 "The Tempest" Largo - Allegro Adagio Allegretto Sonata No. 18 in E-fiat major, Opus 31, No. 3 Allegro Scherzo - Allegro vivace Minuetto - Moderato e grazioso and Trio Presto con fuoco INTERMISSION Sonata No. 28 In A major, Opus 101 Etwas lebhaft und mit der innigsten Empfindung Lebhaft marschmassig Langsam und sehnsuchtzoll - Geschwind, doch nicht zu sehr, und mit Entschlossenheit Sonata No. 31 in A-fiat major, Opus 110 Moderato cantabile, molto expressivo Allegro molto Adagio ma non troppo - Allegro ma non troppo Piano by Steinway Management: Byers, Schwalbe and Associates Photographing and sound recording are prohibited. We further request that audible paging devices not be used during the performance. Paging arrangements may be made with the ushers. BIOGRAPHY Pianist RICHARD GOODE has appeared with the Philadelphia Orchestra, National Symphony, Los Angeles Philhannonic, San Francisco Symphony, the Saint Louis Symphony, the Pittsburgh Symphony Orchestra and the New York Philhannonic. His recent international tours have taken him to major European capitals, the Edinburgh and Spoleto Festivals, the Far East, Australia, Canada,andSouthAmerica. Winnerofthe1982GrammyAwardwithRichardStolzmanfor''Best Chamber Music Performance," Mr. Goode has received acclaim for both his recital and orchestral appearances, as well as his chamber music performances. Called a "musician's musician" early in his career, Richard Goode has more than lived up to that reputation for twenty years. -
Performance History 1980-2018 Year Opera Performances Location
Performance History 1980-2018 Year Opera Performances Location 1980 The Inaugural Season The Seagull 2 Fox Theatre La traviata 2 Fox Theatre Sherrill Milnes Recital 1 Fox Theatre 1980-1981 1980 Opera Gala 1 Symphony Hall Ariadne Auf Naxos 2 Symphony Hall The Consul 2 Symphony Hall 1981-1982 Black Widow 2 Symphony Hall La Cenerentola 2 Symphony Hall 1983 Benita Valente Recital 1 Symphony Hall 1984 Verdi Rarities 1 Academy of Medicine The Medium & Dido and Aeneas 2 Alliance Theatre Grand Opera’s Greatest Hits 2 Alliance Theatre The Barber of Seville 2 Alliance Theatre 1985 Madama Butterfly 2 Alliance Theatre Daughter of the Regiment 2 Alliance Theatre 1986 Lucia di Lammermoor 3 Alliance Theatre The Abduction from the Seraglio 3 Alliance Theatre Tatiana Troyanos in Recital 3 Symphony Hall 1987 Così fan tutte 3 Alliance Theatre La bohème 3 Alliance Theatre Rigoletto 3 Alliance Theatre 1988 Tosca 4 Alliance Theatre The Merry Widow 4 Alliance Theatre Ariadne auf Naxos 4 Alliance Theatre 1989 La traviata 4 Alliance Theatre The Barber of Seville 5 Alliance Theatre Madama Butterfly 3 Symphony Hall 1990 Die Fledermaus 3 Symphony Hall The Marriage of Figaro 3 Symphony Hall Rigoletto 3 Symphony Hall 1991 Tosca 3 Symphony Hall Un ballo in maschera 3 Symphony Hall The Elixir of Love 3 Symphony Hall 1992 Lucia di Lammermoor 3 Symphony Hall Carmen 3 Symphony Hall Albert Herring 3 Symphony Hall Amahl and the Night Visitors 3 Spivey Hall 1993 Macbeth 3 Symphony Hall Don Giovanni 3 Symphony Hall La bohème 3 Symphony Hall Amahl and the Night Visitors 1 Spivey Hall Performance History 1980-2018 Year Opera Performances Location 1994 Mozart Requiem 1 Cathedral of St. -
Curtis Chamber Orchestra
THE DA CAPO FUND iN tHE lIBRARY oF cONGRESS CURTIS CHAMBER ORCHESTRA Saturday, March 7, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. Presented in association with: The Family of Cameron and Jane Baird John J. Medveckis The Curtis Institute of Music The Italian Cultural Institute in Washington & The Embassy of Italy Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Saturday, March 7, 2015 — 8 pm THE DA CAPO FUND iN tHE lIBRARY oF cONGRESS CURTIS CHAMBER ORCHESTRA ROBERT SPANO, cONDUCTOR ROBERTO DÍAZ, vIOLA RACHEL STERRENBERG, sOPRANO • Program SERGEI PROKOFIEV (1891-1953) Classical Symphony, op. 25 (Symphony no. 1 in D major) (1916-1917) Allegro con brio Larghetto Gavotte.