DOCSLIB.ORG

Performance History 1980-2018 Year Opera Performances Location

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Performance History 1980-2018 Year Opera Performances Location Performance History 1980-2018 Year Opera Performances Location 1980 The Inaugural Season The Seagull 2 Fox Theatre La traviata 2 Fox Theatre Sherrill Milnes Recital 1 Fox Theatre 1980-1981 1980 Opera Gala 1 Symphony Hall Ariadne Auf Naxos 2 Symphony Hall The Consul 2 Symphony Hall 1981-1982 Black Widow 2 Symphony Hall La Cenerentola 2 Symphony Hall 1983 Benita Valente Recital 1 Symphony Hall 1984 Verdi Rarities 1 Academy of Medicine The Medium & Dido and Aeneas 2 Alliance Theatre Grand Opera’s Greatest Hits 2 Alliance Theatre The Barber of Seville 2 Alliance Theatre 1985 Madama Butterfly 2 Alliance Theatre Daughter of the Regiment 2 Alliance Theatre 1986 Lucia di Lammermoor 3 Alliance Theatre The Abduction from the Seraglio 3 Alliance Theatre Tatiana Troyanos in Recital 3 Symphony Hall 1987 Così fan tutte 3 Alliance Theatre La bohème 3 Alliance Theatre Rigoletto 3 Alliance Theatre 1988 Tosca 4 Alliance Theatre The Merry Widow 4 Alliance Theatre Ariadne auf Naxos 4 Alliance Theatre 1989 La traviata 4 Alliance Theatre The Barber of Seville 5 Alliance Theatre Madama Butterfly 3 Symphony Hall 1990 Die Fledermaus 3 Symphony Hall The Marriage of Figaro 3 Symphony Hall Rigoletto 3 Symphony Hall 1991 Tosca 3 Symphony Hall Un ballo in maschera 3 Symphony Hall The Elixir of Love 3 Symphony Hall 1992 Lucia di Lammermoor 3 Symphony Hall Carmen 3 Symphony Hall Albert Herring 3 Symphony Hall Amahl and the Night Visitors 3 Spivey Hall 1993 Macbeth 3 Symphony Hall Don Giovanni 3 Symphony Hall La bohème 3 Symphony Hall Amahl and the Night Visitors 1 Spivey Hall Performance History 1980-2018 Year Opera Performances Location 1994 Mozart Requiem 1 Cathedral of St. Philip Turandot 4 Symphony Hall The Pearl Fishers 3 Symphony Hall Norma 3 Symphony Hall Amahl and the Night Visitors 3 Robert Ferst Theatre 1995 Mozart Requiem 1 Cathedral of St. Philip Faust 2 Fox Theatre Aida 2 Fox Theatre Amahl and the Night Visitors 2 Spivey Hall 1996 Mozart Requiem 1 Cathedral of St. Philip Il trovatore 2 Fox Theatre Madama Butterfly 3 Fox Theatre Der Rosenkavalier 2 Fox Theatre Of Thee I Sing 1 Symphony Hall International Opera Gala 1 Symphony Hall 1997 Mozart Requiem 2 Cathedral of St. Philip Nabucco 2 Fox Theatre Tosca 3 Fox Theatre Cavalleria Rusticana & Pagliacci 3 Fox Theatre 1998 Mozart Requiem 1 Cathedral of St. Philip Andrea Chénier 3 Fox Theatre Don Giovanni 3 Fox Theatre Manon 3 Fox Theatre La traviata 3 Fox Theatre 1999 Macbeth 3 Fox Theatre The Capulets and the Montagues 3 Fox Theatre La bohème 4 Fox Theatre Samson and Delilah 3 Fox Theatre 2000 Rigoletto 3 Fox Theatre Così fan tutte 3 Fox Theatre Lucia di Lammermoor 3 Fox Theatre Turandot 3 Fox Theatre 2001 Otello 3 Fox Theatre Un ballo in maschera 3 Fox Theatre Falstaff 3 Fox Theatre Il trovatore 3 Fox Theatre 2002 La Rondine 3 Fox Theatre The Pearl Fishers 3 Fox Theatre The Marriage of Figaro 4 Fox Theatre The Flying Dutchman 4 Fox Theatre 2003 The Magic Flute 4 Fox Theatre Salome 3 Fox Theatre Aida 4 Atlanta Civic Center The Elixir of Love 4 Atlanta Civic Center Performance History 1980-2018 Year Opera Performances Location 2004 Eugene Onegin 3 Atlanta Civic Center Madama Butterfly 3 Atlanta Civic Center 2004-2005 Carmen 3 Atlanta Civic Center Don Giovanni 3 Atlanta Civic Center La bohème 3 Atlanta Civic Center Fidelio 3 Atlanta Civic Center 2005-2006 La traviata 3 Atlanta Civic Center Porgy & Bess 3 Atlanta Civic Center The Abduction from the Seraglio 3 Atlanta Civic Center Tosca 3 Atlanta Civic Center 2006-2007 Carmina Burana/Pagliacci 3 Atlanta Civic Center Barber of Seville 3 Atlanta Civic Center Romeo and Juliette 3 Atlanta Civic Center Spring Gala Concert 1 Atlanta Civic Center 2007-2008 Turandot 4 Cobb Energy Centre Hansel & Gretel 4 Cobb Energy Centre Cold Sassy Tree 4 Cobb Energy Centre The Marriage of Figaro 4 Cobb Energy Centre 2008-2009 Madama Butterfly 4 Cobb Energy Centre Cinderella 4 Cobb Energy Centre Akhnaten 2 Emory Schwartz Center Il trovatore 4 Cobb Energy Centre The Flying Dutchman 4 Cobb Energy Centre 2009-2010 The Elixir of Love 4 Cobb Energy Centre Orfeo & Euridice 4 Cobb Energy Centre Aida 4 Cobb Energy Centre The Magic Flute 4 Cobb Energy Centre 2010-2011 La bohème 4 Cobb Energy Centre Porgy & Bess 4 Cobb Energy Centre Così fan tutte 4 Cobb Energy Centre 2011-2012 Lucia di Lammermoor 4 Cobb Energy Centre The Golden Ticket 4 Cobb Energy Centre Don Giovanni 4 Cobb Energy Centre 2012-2013 Carmen 4 Cobb Energy Centre La traviata 4 Cobb Energy Centre The Italian Girl in Algiers 4 Cobb Energy Centre 2013-2014 Tosca 4 Cobb Energy Centre Faust 4 Cobb Energy Centre The Barber of Seville 4 Cobb Energy Centre Performance History 1980-2018 Year Opera Performances Location 2014-2015 Choral Silver Celebration* 2 Emory Schwartz Center Choral Silver Celebration* 1 KSU Bailey Center Madama Butterfly 4 Cobb Energy Centre Rigoletto 4 Cobb Energy Centre The Marriage of Figaro 4 Cobb Energy Centre Three Decembers* 3 Alliance Theatre 2015-2016 Winter Journey (Winterreise)* 3 Conant Performing Arts Center La bohéme 4 Cobb Energy Centre Soldier Songs* 4 Rialto Center for the Arts The Pirates of Penzance 5 Cobb Energy Centre Romeo and Juliet 4 Cobb Energy Centre 2016-2017 The Abduction from the Seraglio 4 Cobb Energy Centre Silent Night 4 Cobb Energy Centre Maria de Buenos Aires* 5 Le Maison Rouge at Paris on Ponce Don Pasquale 4 Cobb Energy Centre Turandot 4 Cobb Energy Centre The Secret Gardener * 3 The Atlanta Botanical Gardens 2017-2018 The Seven Deadly Sins* 8 Le Maison Rouge at Paris on Ponce The Flying Dutchman 4 Cobb Energy Centre The Daughter of the Regiment 4 Cobb Energy Centre Out of Darkness: Two Remain* 8 The Balzer Theater at Herren’s Carmen 4 Cobb Energy Centre Sweeney Todd 5 Cobb Energy Centre 2018-2019 Charlie Parker’s Yardbird* 8 Le Maison Rouge at Paris on Ponce West Side Story 5 Cobb Energy Centre Dead Man Walking 4 Cobb Energy Centre Eugene Onegin 4 Cobb Energy Centre Maria de Buenos Aires 8 Le Maison Rouge at Paris on Ponce La traviata 4 Cobb Energy Centre *denotes The Atlanta Opera Discoveries Series.
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Boston Symphony Orchestra Archives
    Pftft.. Slower • .. ina• alumna •••• ■■••••■•••=411• 'I 4 mp • • ••• •• Mman•IMMIln. • ■•••••■•■ ••••■••■•••■•••■■ •••• =Mr • NOW". • • =Mir • 11••■••••■••1111••••1•11• ■•111•141•111111 NUM/ 11/MIIMIN MAIMM•MIM / •• la. ••MINM/ ..MIN MI ••`' GAM MI =MO OW GM womall AMMONIUM mm,•••• ■• ".••••• rnio gradually taster 111•^ •IIMI ._./Mat MINNIP MUM OM -AM DINIIMINIMP MAIIIIIMINIMIMM•••••■ •1•1 MM. IMMIMMIIMMIO MM. MIIMMIMMO IMMIN••••••• OPP"' a tempo (lively) 111111.1. -.la a ••••••••■• • •• . • •■•■ 011•1111111MMIMINIAMmIM m••• ■ ■ ■ ■ ■ ■ ■ ■ np. ••••• •••• A •• •• •••• • •• •11 OM MI MI MOM MOMMIll NI . •• maim ININIMIMMIM. ••• s4•4411•1• / a Ma . (1.• • •,41411•1~m MIHM11.11•••• 0 ■• IL • u damns. ••••■••••••••••• ••••• • •-••••,••• .ma• • ...•••■•••••••• mar- ••••• • • •••111111 • 4 . • 11.1111.1111111 Man a 4.M1 ... OM • 1■•••• ■••■=1IN•1•11••11 •IIMMIMIMMINIIIIIIMINIM-1• •••••••••••••••• NOMIM MAIM AMU MIMI MID IIIMIIIIP - IIIIIIMMIDIMIU•MIME V- • . • • 1•■•••■•••• al•IIMIMIIIII••••••••• ••••■••••••••• V M-4111•1111•111•IM • MS MI••••••■ •••• MMUMMIIMINAMMOMIIM •■•• • ••••■•• MINIam•• • • M ■•■•■ ••••••111M4•• IIIMIll. 111111.111. 511111.1111 111 ads MIIMNIM■• ■ • I 1••••••• IMAMS •111.401MMIIIIMI IIMI ■MIIIMMIMIMM • -.MMMMIMI ••• MINIMMOINNIMMIIMMMIIIMUM- ONO WM. Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 16, 18, 21 October 1975 at 8:30 pm 17 October 1975 at 2:00 pm 25 November 1975 at 7:30 pm Symphony Hall, Boston Ninety-fifth season
    [Show full text]
  • Objectivity, Interdisciplinary Methodology, and Shared Authority
    ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Der Rosenkavalier by Richard Strauss
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Octavian and the Composer: Principal Male Roles in Opera Composed for the Female Voice by Richard Strauss Melissa Lynn Garvey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC OCTAVIAN AND THE COMPOSER: PRINCIPAL MALE ROLES IN OPERA COMPOSED FOR THE FEMALE VOICE BY RICHARD STRAUSS By MELISSA LYNN GARVEY A Treatise submitted to the Department of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2010 The members of the committee approve the treatise of Melissa Lynn Garvey defended on April 5, 2010. __________________________________ Douglas Fisher Professor Directing Treatise __________________________________ Seth Beckman University Representative __________________________________ Matthew Lata Committee Member The Graduate School has verified and approved the above-named committee members. ii I’d like to dedicate this treatise to my parents, grandparents, aunt, and siblings, whose unconditional love and support has made me the person I am today. Through every attended recital and performance, and affording me every conceivable opportunity, they have encouraged and motivated me to achieve great things. It is because of them that I have reached this level of educational achievement. Thank you. I am honored to thank my phenomenal husband for always believing in me. You gave me the strength and courage to believe in myself. You are everything I could ever ask for and more. Thank you for helping to make this a reality.
    [Show full text]
  • Raise the Curtain
    JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood.
    [Show full text]
  • Orpheus Chamber Orchestra with Benita Valente, Soprano Department of Music, University of Richmond
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 3-17-1998 Orpheus Chamber Orchestra with Benita Valente, soprano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Orpheus Chamber Orchestra with Benita Valente, soprano" (1998). Music Department Concert Programs. 683. https://scholarship.richmond.edu/all-music-programs/683 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. March 17, 1998 at 8pm Modlin Center for the Arts Camp Concert Hall Booker Hall of Music Orpheus Chamber Orchestra with Benita Valente, soprano This concert was made possible, in part, by public funds from the National Endowment for the Arts and the New York State Council on the Arts. Benita Valente is represented by Janice Mayer and Associates, Inc. Benita Valente records for ARS Nova, BMG, Dandide, Centaur, Columbia, concerto Digital Classics/Grabacion, CRI, ERATO, Etcetera, Harmonia Mundi, INSYLNC, MusicMasters, MCA Classics, Pantheon, Pro Arte, RCA, SONY Classical, Telarc and Virgin Classics Records. Orpheus records for Deutsche Grammophon and Nonesuch. Orpheus is represented by Frank Salomon Associates. Orpheus Chamber Orchestra with Benita Valente, soprano VIOLIN CELLO Ronnie Bauch Annabelle Hoffman Nicolas Danielson Zvi Plesser Liang Ping How Jonathan Spitz Joanna Jenner ReneeJolles BASS Felicia Moye Gail Kruvand Richard Rood [ Eriko Sato HARPSICHORD Mitchell Stern Dongsok Shin Ad VIOLA Din David Cerutti Din Sarah Clarke Mat Jenny Douglass Ted Nardo Poy Op€ Arti Hm: Piar Orpheus Chamber Orchestra, Inc.
    [Show full text]
  • I Am Writing to Ask the Esther B. Kahn Charitable
    To Whom It May Concern: I am writing to ask the Esther B. Kahn Charitable Foundation for a grant of $14,223 to support the launch of a ground-breaking project, Opera Research Online at Boston University. Of the total cost of the project $24,223? we have received a grant of $10,000 from the Boston University Humanities Foundation, and applications to the National Endowment for the Humanities and the Kahn Foundation are pending. Opera Research Online, a new initiative based at Boston University, aims to broaden and educate the audience for opera. For its debut project, it is creating an interactive website focusing on Giacomo Puccini’s “American” opera The Girl of the Golden West (La Fanciulla del West) based on the play by American playwright David Belasco. The launch of this site will coincide with the centennial of the opera’s premiere (December 1910), and a centennial performance at the Metropolitan Opera on December 10, 2010. The site will then continue indefinitely as a vehicle to inform and stimulate dialogue among scholars, educators, students, and the general public. Using previously unknown archival material, interactive features, a virtual museum, iconography, video interviews, video streaming, and links to other sites, the website will be designed to inform and stimulate dialogue among scholars, educators, students, and the general public. In addition, Boston University will have an exhibition in early December 2010 of related materials from the University’s Howard Gotlieb Archival Research Center and host a symposium of specialists and scholars, such as Deborah Burton (Boston University), Carolyn Guzski (Buffalo State University), Harvey Sachs (Curtis Institute), Simonetta Puccini (the composer’s granddaughter) and Walfredo Toscanini (the conductor’s grandson).
    [Show full text]
  • The Worlds of Rigoletto: Verdiâ•Žs Development of the Title Role in Rigoletto
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Worlds of Rigoletto Verdi's Development of the Title Role in Rigoletto Mark D. Walters Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE WORLDS OF RIGOLETTO VERDI’S DEVELOPMENT OF THE TITLE ROLE IN RIGOLETTO By MARK D. WALTERS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Treatise of Mark D. Walters defended on September 25, 2007. Douglas Fisher Professor Directing Treatise Svetla Slaveva-Griffin Outside Committee Member Stanford Olsen Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii I would like to dedicate this treatise to my parents, Dennis and Ruth Ann Walters, who have continually supported me throughout my academic and performing careers. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Professor Douglas Fisher, who guided me through the development of this treatise. As I was working on this project, I found that I needed to raise my levels of score analysis and analytical thinking. Without Professor Fisher’s patience and guidance this would have been very difficult. I would like to convey my appreciation to Professor Stanford Olsen, whose intuitive understanding of musical style at the highest levels and ability to communicate that understanding has been a major factor in elevating my own abilities as a teacher and as a performer.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
    Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, January 12, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 “The Boston Symphony Chamber Players: For Fifty Years, Champions of Chamber Music,” by Richard Dyer 6 From the Players 10 Today’s Program Notes on the Program 11 Aaron Copland 13 Irving Fine 14 Wolfgang Amadè Mozart 15 Johannes Brahms Artists 16 Boston Symphony Chamber Players 17 Gilbert Kalish 19 The Boston Symphony Chamber Players: A Discography COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 6, 7, 8, and-9 by Tom Kates, except Elizabeth Rowe (page 8) and Richard Svoboda (page 9) by Michael J. Lutch. Boston Symphony Chamber Players photo on page 16 by Michael J. Lutch.
    [Show full text]
  • Live Auditions Panel
    2015 Astral National Auditions – Live Auditions Panel David Amado Conductor; Music Director, Delaware Symphony Orchestra Marcantonio Barone Concert Pianist; Faculty, Associate Director, Bryn Mawr Conservatory of Music; Faculty, Swarthmore College; Astral Laureate Igor Begelman Concert Clarinetist; Faculty, Brooklyn College and Sarah Lawrence College; Astral Laureate Jason M. Belz Vice President, Director of Booking and Artist Manager, Kirshbaum Associates, Inc. Natasha Brofsky Cellist, The Peabody Trio; Faculty, The Juilliard School and New England Conservatory Melvin Chen Concert Pianist; Associate Professor of Piano & Deputy Dean, Yale School of Music Gilan Tocco Corn Pianist; Chairman of the Board, Young Concert Artists (Washington, D.C.); Artistic Director & Co-Founder, Shenson Chamber Music Concerts at the National Museum for Women in the Arts Barbara Govatos Artistic Director, Delaware Chamber Music Festival; Violinist, The Philadelphia Orchestra Andrew Hauze Conductor; Pianist; Vocal Coach; Associate in Performance, Swarthmore College; Co-Chair, Program Advancement Committee and Member, Education & Community Engagement Committee, Astral Leslie Johnson Director of Concerts & Artist Services, Astral; Soprano Igal Kesselman Director, Kaufman Center’s Lucy Moses School; Chair, New York Chapter, National Guild for Community Arts Education; Faculty, Lucy Moses School and Special Music School Charles Letourneau Senior Vice President, Global Head of Festivals & Events, IMG Artists Clancy Newman Concert Cellist; Composer; Astral Laureate
    [Show full text]