THE COLBURN SCHOOL PRESENTS ROSEMARY HYLER RITTER Founder/Artistic Director LINDA McALISTER Executive Director “Bright is the ring of words when the right man rings them.” – Robert Lewis Stevenson THE COMPLETE RECITALIST JUNE 3-28, 2012 !e Stern Program for Singers and Pianists has generously been funded by !e Marc and Eva Stern Foundation. We gratefully acknowledge and thank the Stern family! Welcome to SongFest 2012 “Whatever you can do, or dream you can do, you can. Boldness has a genius, magic and power to it.” – Goethe SongFest is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, !e Marc and Eva Stern Foundation, !e Colburn School, !e Sorel Organization, !e Bertha and John Garabedian Charitable Foundation, !e Ann and Gordon Getty Foundation, the Aaron Copland Fund for Music, ArtsWave, and the generosity of many individual contributors. SongFest is a 501(c)3 non profit corporation. All donations 1are 100% tax-deductible to the full extent permitted by law. SongFest 2012 | The Colburn School | Distinguished SongFest Alumni Tomasz Lis Piano One of the most talented In 2006 Mr. Lis has devised a recital series for St. Giles collaborative pianists of Cripplegate Church (Cripplegate Song Festival 2006) situated the young generation in the heart of the City of London to showcase the most Tomasz Lis is very talented young singers from the Guildhall School of Music much in demand as an and Drama. He has studied French song with Malcolm accompanist, soloist and Martineau on the Britten-Pears Young Artist Programme and chamber musician. is the first pianist to be associated with the launch of Felicja Tomasz has performed Blumental Artist Legacy. Since 1998 Mr. Lis has written for in some major concert the major Polish music magazine Ruch Muzyczny. halls in the UK and Following an invitation from Martin Katz, he has abroad including participated in the Songfest Festival in Malibu, California. Wigmore Hall, Barbican He also played a recital to inaugurate the Stotsenberg Recital Centre, St. John’s Series in Malibu with a star soprano Katie van Kooten and Smith Square, LSO St. Luke’s, !e Warehouse and !e the following year with an American soprano Emily Albrink. Chopin Society. He has appeared with great success at the In January 2008 he attended with a great success a winter Cheltenham Music Festival, Chelsea Schubert Festival and residency at the Banff Centre for Arts, Canada. !e same year London Festival of American Music. He has also received he performed at the summer festival at the 75th Anniversary rave reviews for his performances in Poland most notably Gala with clarinettist Chen Halevi and soprano Ms. Tracy with the Polish Radio Chamber Orchestra “Amadeus” Dahl that was subsequently broadcasted by the Canadian conducted by Agnieszka Duczmal and Poznan Philharmonic Broadcasting Corporation. Orchestra with Grzegorz Nowak. Tomasz Lis has been a great advocate for championing His 2010-2011 season has been marked by highly contemporary music by composers such as John Harbison, acclaimed Wigmore Hall debut with an outstanding André Previn, Peter Lieberson, Sven Ingo Koch, Libby Larsen, baritone Jonathan Sells as a result of winning Guildhall Peter Childs, Maciej Zielinski and John Musto. Wigmore Recital Prize. He has embarked on two different Mr. Lis studied with Krystyna Filipowska in Poland, but equally fascinating recording projects. !e American Martin Roscoe at the Royal Academy of Music, London, Album presents three generations of American composers: Ronan O’Hora and Graham Johnson at the Guildhall Aaron Copland, John Harbison and André Previn. In 2008 School of Music and Drama where he received his Master Tomasz gave a European premiere of the Milosz Songs by of Arts degree. He undertook master classes with numerous John Harbison with a rising star soprano Nadine Mortimer- distinguished musicians including Martin Katz, Malcolm Smith at the Second London Festival of American Music. Martineau, Rudolf Jansen, Robert Levin, Alexei Lubimov and !e composer has kindly approved of the recording and the Stephen Hough. project got under way. !e sessions took place at the Henry Wood Hall and the album has been recorded and produced What Tomasz says about SongFest: by Tony Faulkner. !e second recording project began in January 2012 “When Mr Katz has invited me to SongFest I knew my and will include music by Debussy, Chausson, Messiaen and time there will be very special. During my two visits I forged Poulenc with soprano Jessica Leschnikoff and the Sacconi some wonderful musical partnerships, become seriously Quartet. Both albums are due to be released soon. involved in promoting and performing contemporary music Mr. Lis future engagements include recitals at the Arts and met some incredibly inspiring people. SongFest opened Club, Pushkin House, St. John’s Smith Square, South Bank up for me a whole new range of opportunities and ideas Centre, the Polish Embassy as well as Cheltenham and which I am ever so grateful for.” Brighton. His engagements abroad will take him to the United States and Canada. 2 SongFest 2012 | The Colburn School | Distinguished SongFest Alumni Matthew Morris Baritone Baritone Matthew Morris so beautiful you are le# wanting to hear more from him.” has an international In cabaret and recital, Morris has sung with Meow career in opera, concert, Meow at Carnegie Hall’s Berlin in Lights Festival and recital, musical theater with such classical artists as mezzo Stephanie Blythe, and and cabaret music. His collaborative pianists Margo Garrett, Graham Johnson, and repertory ranges from Martin Katz. Morris has been invited to give recitals across musical theater to art song the United States, internationally in Germany and France, to such operatic roles as and most recently as the distinguished alumnus of SongFest Papageno in Mozart’s !e in Los Angeles, CA. In musical theater, Morris has toured Magic Flute, which he the United States as Young Scrooge in the national tour of A performed in the award- Christmas Carol. winning adaptation by Between singing gigs, Morris appeared as a featured the legendary theater dancer in the film version of !e Producers!, in a national and film director Peter Brook, Une Flûte Enchantée. Of ad campaign for Mountain Dew, and on the television show his performance a critic from Le Monde wrote, “Above Law & Order. Morris is also active in arts-based outreach and everything is the great presence, warm baritone voice, and believes strongly in the power of music to bring together a immense humanity of the Papageno of Matthew Morris. community and lend comfort in times of need. In November One would jump at the chance to see him in an opera or a of 2010, responding to the suicides of many LGBTQ youth, musical.” Morris’ success with Une Flûte Enchantée has led Morris produced the benefit concert You Are Not Alone at St. to invitations from several European theaters: including Paul’s Cathedral in New York City and raised over $15,000 an invitation in 2012 to return to France in a double-bill for the Trevor Project, the national suicide prevention hotline of Bernstein’s Trouble in Tahiti and Ravel’s L’Enfant et les for LGBTQ youth. Matthew also performed in the concert, Sortilèges with the !eâtre de Caen. alongside Tony Award-winner Betty Buckley, Lea DeLaria, Recently Morris sang the role of Apollo in Gluck’s Aaron Lazar, John Tartaglia, Ricky Ian Gordon, Jeanine Alceste at the Santa Fe Opera with soprano Christine Brewer Tesori, and many other stars from opera and Broadway. in the title role. Opera News hailed Morris’ performance as Morris earned a Bachelor of Music degree from the “impressive.” In 2011 Morris was a fellow at the Tanglewood Juilliard School and a Master of Music degree from the Bard Music Center where he sang the role of Dionysos in College Conservatory, in a new program created and directed Milhaud’s L’Abandon d’Ariane and !éramène in Milhaud’s by world-renowned soprano Dawn Upshaw. He resides in New La Déliverance de !ésée under the direction of Mark Morris. York City with his fiancé, director and actor Michael Rader. 2011 also marked his debut as a soloist with the American Symphony Orchestra in which he sang Mahler’s Rückert What Matt says about SongFest: Lieder at the Fisher Center, the Boston Symphony Orchestra in which he sang Vaughan William’s Serenade to Music at “!ere is no place like SongFest. What a gi" to the Tanglewood, and the London Symphony Orchestra in which passionate student of song! !e amount of information he sang the role of King Charles in a concert production of covered in a few short weeks is nothing short of staggering. Bernstein’s Candide at the Barbican. Where else can you hear three master classes a day from the Morris enjoys a close relationship with many greatest artists in the field? I am still digesting everything contemporary composers and has premiered works by Mason that I learned in the summer of 2010. I’ll be preparing “En Bates, Lance Horne, Missy Mazzoli, Ben Moore, Ned Rorem, Sourdine” for my recital and refer to my notes from Graham and Mark Zuckerman. Favorite premieres include singing the Johnson’s master class, or I’ll be singing a Wolf song and role of George Gibbs in the first Western US performance of suddenly have an “ah-ha!” moment, shouting “that’s what Ned Rorem’s Our Town at the Aspen Opera !eater Center Martin Katz meant!” !ank you SongFest for everything and creating the role of John in Back in the Day, a new I learned in the summer of 2010 and thank you for the musical by Lance Horne at the Cape Rep !eater in Cape knowledge I continue to gain with each new piece as I slowly Cod, Massachusetts.