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The Inventory of the Alvin Epstein Collection #1717

The Inventory of the Alvin Epstein Collection #1717

The Inventory

of the

Alvin Epstein

Collection

#1717

Howard Gotlieb Archival Research Center Epstein, Alvin #1717 2/17/06 Preliminary Listing

I. Professional Materials. Box 1 A. Files, re: American Repertory Theater, unless noted; may include reviews; scores; scripts; notes; correspondence; printed materials; legal materials; photographs; artwork; audio material. 1. AAlliance for the Development of Theater Arts, Inc.@ [F. 1] 2. AAmerican Repertory Theater.@ [F.1-3] 3. AAspen Musical Festival.@ [F. 4] 4. ABeckett, Samuel.@ [F. 5] 5. AContracts.@ [F. 5-6] 6. AThe Cabinet of Dr. Caligari.@ [F. 7] 7. ACaligula - Yale Repertory Theater.@ [F. 8] 8. ACarnegie Hall.@ 9. ACharlie in the House of Rue,@ includes photographs; slides. 10. AThe Cherry Orchard.@ 11. AClerambard,@ includes printed material; telegram; photographs. [F. 9] 12. AColette,@ includes printed material. [F. 10] 13. AColette Scores.@ [F. 11] 14. ACrossing Niagra,@ includes printed material; telegram. [F. 12] 15. ACrimes and Crimes.@ 16. ADear Liar.@ [F. 13] Box 2 17. ADoctor=s Dilemma.@ [F. 1] 18. ADoing Life,@ includes contract. 19. ADon Juan.@ 20. ADream of the Red Spider.@ [F. 2] 21. ADynamite Tonite,@ includes sub-files: a. AYale Repertory Theater,@ includes 2 contracts, 11/14/06. b. ANew York,@ includes contract, 2/23/67. 22. AHamlet.@ 23. AOn Ne Badine Pas Avec L=Amour (No Trifling With Love),@ includes original sketches. [F. 2-4] 24. AOpera,@ includes printed material. [F. 5] 25. ARevue Material.@ 26. ASolider=s Tale.@ [F. 6] 27. AStory Theater.@ [F. 7] 28. ASalzburg American Seminar.@ 29. ATartuffe,@ includes printed material. [F. 8] 30. ATempest,@ American Repertory Theater and Yale Repertory

Epstein, Alvin (2/17/06) Theater, MS, 200 p.; includes score; photograph. 31. AThree Farces and a Funeral.@ [F. 9] 32. ATheater Design,@ includes negatives; black and white contact sheets; original artwork. [E. 1] 33. ATheatre For Ideas.@ [F. 10] 34. AThree-Penny ,@ includes photograph. 35. AOpening Night, NY,@ includes 1 pin. Box 3 36. AThree-Penny Opera - General,@ includes [F. 1-3] a. 1 plastic dolphin. b. 1 woven star. c. ANS from George Matthew Sumner (Sting), n.d. d. Script with holograph note. e. Original artwork. 37. ATingle Tangle,@ includes 3 audio cassette tapes. [F. 4] a. ATingle Tangle At The Ballroom,@ NYC, 7/27/94. b. Score of ABajazzo.@ [E. 1] 38. AA Touch of the Poet.@ [F. 5] 39. ATuesdays With Morrie,@ includes 2 audio CDs. [F. 6-8, E. 2] 40. AUncle Vanya.@ 41. AThe Value of Name.@ [F. 9] 42. AVictory-Yale Repertory Theater.@ [F. 10] 43. AThe Visitor.@ [F. 11] 44. AWaiting For Godot - NY and TV.@ 45. AWaiting For Godot - American Repertory Theater,@ includes photograph of . [F. 12] Box 4 46. AThe Waltz of the Tornadoes.@ [F. 1] 47. AWhat the Butler Saw.@ 48. AWhat We Did For Love,@ White Barn Theater, August, 1985; includes score. [F. 1-2] 49. AWhen The World Was Green, 1996 Olympics.@ [F. 3] 50. AWhen The World Was Green,@ productions include: [F. 4-8, E. 1] a. NY Public Theater; includes photographs; plaster angel. b. American Repertory Theater, Hasty Pudding. c. , 1998. d. Singapore, n.d. 51. AWizard of Menlo Park,@ 1997; includes audio cassette. 52. ABoston Pops.@ 53. AActors - Active,@ includes photographs. [F. 9] 54. AAhab=s Wife.@ 55. AAndrocles and the Lion.@ [F. 10] 56. AAngry Arts.@ 57. AAntigone.@ [F. 11] 58. AAmerican Repertory Theater Acting Notes.@

Epstein, Alvin (2/17/06) 59. AAmerican Repertory Theater - General.@ [F. 12] 60. AAmerican Repertory Theater Miscellaneous.@ 61. AAt This Hour - Nassau Community College.@ [F. 13] 62. ABaccae,@ includes sub-files: a. Re: American Repertory Theater production; includes memorabilia; script, 48 p. b. Re: Yale Repertory Theater production. Box 5 63. ABeckett Trio Art,@ includes financial material; audio cassette tapes, includes sub-files: [F. 1] a. AEh Joe.@ b. AGhost Sonata.@ c. ANacht und Traüme.@ 64. ABecket Play at Harold Clerman Theatre,@ includes AOhio Impromptu,@ ACatastrophe,@ AWhat Where.@ [F. 2] 65. ABeckett Radio Plays,@ includes AAll That Fall,@ 32 p.; NPR Press Kit; AEh Joe,@ AGhost Trio,@ ANacht und Traüme.@ [F. 3] 66. AAn Evening of Beckett - American Repertory Theatre,@ includes AKrapp=s Last Tape,@ AA Piece of Monologue,@ AOhio Impromptu.@ [F. 4] 67. ABeggar=s Opera,@ ; includes financial material; photograph; script, 72 p. [F. 5] 68. ABlack Snow,@ American Repertory Theater; includes script, 71 p. 69. ABloomsday on Broadway, Symphony Space.@ [F. 6] 70. ABoard of Directors,@ re: Guthrie Theater. 71. ABox Office Reports, 1979-1980,@ re: Guthrie Theater. 72. ABerkshire Theater Festival Workshop,@ Stockbridge and New York; includes photographs; telegram; mustache. 73. ACaptain Jinx of the Horse Marines@; includes score; script, 457 p. [F. 7] 74. ACast Lists.@ [F. 8] 75. ACat and the Fiddle,@ musical score, 179 p. [F. 8-9] 76. AChekhov Short Stories.@ 77. AChristopher C,@ MS, 50 p. 78. AClippings, Pre-1979.@ 79. ACompany Members List.@ [F. 10] 80. ACompany Notes.@ 81. ACorrespondence, 1979-1980.@ 82. ACorrespondence, Personal.@ [F. 11] 83. ADecroux, Etienne.@ [F. 12-13] 84. ADirectors and Actors,@ re: Yale Repertory Theater and Guthrie Theater; includes photograph. [F. 14] 85. ADirectors, Active.@ [F. 15] Box 6 86. ADream of the Red Spider (American Repertory Theater),@ includes

Epstein, Alvin (2/17/06) script, 122 p. [F. 1] 87. AEndgame Cherry Lane,@ includes telegram; MS fragment, pp. 524-577; photographs. [F. 2] 88. AEndgame Harold Clerman Theater,@ includes photographs; telegrams. [F. 3] 89. AEndgame - Harold Clerman Theater=s Trip to Israel,@ 1985. [F. 4] 90. AEnoch Arden,@ includes MS fragment; score. 91. AEnrico IV,@ includes sub-files: a. Re: American Repertory Theater; includes MS, 78 p. [F. 5] b. Re: Harper Theater; includes photographs. [F. 6] c. Re: University at Wisconsin at Milwaukee. [F. 7] 92. ASandy Epstein.@ 93. AFacade (Berkeley Chamber Players),@ includes MS, 30 p. 94. AThe Fall of the City.@ 95. AFan Mail, 1977-1976.@ 96. AFord Foundation.@ 97. AThe Frogs (Yale Repertory Theater).@ [F. 8] 98. AFrom >A= To >Z= (Schubert Theater And Plymouth Theater),@ includes photographs. 99. AThe Gentleman from Boston,@ screenplay, 155 p. [F. 9] 100. AGhosts (American Repertory Theater).@ 101. AGolden Boy (Williamstown Theater Festival).@ [F. 10] 102. AThe Golden Six (York Playhouse),@ includes contract; photographs. 103. AThe Good Woman of Setzuan,@ includes script, 158 p. [F. 11] Box 7 104. AThe Green Bird,@ includes script fragments. [F. 1] 105. AGuthrie Business,@ includes financial material. 106. AHabimah,@ includes photographs. [F. 1-3] 107. AHamlet, American Repertory Theater and Pittsburgh,@ includes script fragments. [F. 4] 108. AHamlet, Pittsburgh,@ includes photographs. [F. 5] 109. AHappy End.@ 110. AHeartbreak House,@ Yale Repertory Theater; includes script, 345 p. [F. 6] 111. AHedda Gabler, American Repertory Theater,@ includes photographs; original artwork; script, 134 p.; reviews. [F. 7] 112. AHenry IV, American Repertory Theater,@ includes script and text fragments. [F. 8] 113. AHenry V, American Repertory Theater,@ includes script, 165 p. 114. AHelena,@ includes musical score. [F. 9] 115. AHepburn, Estelle.@ 116. AHighfield Playhouse,@ 1952; includes photographs. 117. AHouse Arrest,@ American Repertory Theater; includes script, 57 p.

Epstein, Alvin (2/17/06) 118. AI Married You For The Fun Of It,@ Yale Repertory Theater. [F. 10] 119. AThe Importance of Being Earnest,@ Yale Repertory Theater; includes photographs. Box 8 120. AIn the Clap Shack.@ [F. 1] 121. AIn the Jungle of the Cities,@ American Repertory Theater; includes script by , 84 p. 122. AIn Twilight,@ includes: AIn the Ravine,@ script, 47 p.; AIn Twilight: Tales from Chekhov,@ script, approx. 30 p. 123. AInstitute of American Repertory Theater, General.@ [F. 2-3] 124. AInstitute - 1987-1988; 1988-1989.@ [F. 4] 125. AInterviews with Company, Guthrie Theater.@ 126. AIvanov, American Repertory Theater,@ by Anton Chekhov, script, 37 p. 127. AJulius Caesar, Yale Repertory Theater.@ [F. 5] 128. AJumping Mouse,@ includes script by Gary Fagin, approx. 21 p.; audio tape titled: AJumping Mouse.@ [E. 1] 129. AKeep the Home Fires Burning.@ [F. 5] 130. AKing Lear with ,@ includes photographs; ATheater of Orson Welles,@ includes script by Aleksandra Tatomirovic, 16 p. 131. AThe Latent Heterosexual,@ includes telegram. 132. ALysistrata, American Repertory Theater,@ by Aristophanes; translated by , script, 67 p.; musical score, approx. 70 p. [F. 6] 133. ALong Way to Heaven,@ includes script by Eve Friedman, 1985; fragments, 250 p.; includes photographs. [F. 7] 134. ALove, Chekhov,@ includes script by Dominick Jones, 40 p., 1999. 135. AMacbeth,@ includes script, 121 p., Northshore Music Theater, 1993. [F. 8] 136. AMadwoman of Chaillot,@ includes sub-files: [F. 9] a. Re: Neighborhood Playhouse, 2001-2002. b. Re: Boston Summer Theater, 1957; includes photographs. 137. AMan and Superman,@ American Repertory Theater, 1996B1997; includes AMan and Superman,@ by , script, approx. 200 p. [F. 10] 138. AMarat / Sade,@ includes sub-files: a. Re: American Repertory Theater, 2001; includes score by Richard Peaslee, approx. 50 p.; AMarat / Sade,@ by , script, approx. 200 p. [F. 11] b. Re: Williamstown, 1990; includes AMarat / Sade,@ by Peter Weiss, script, approx. 117 p. [F. 12] 139. AMastergate,@ Cambridge, 1989; includes AMastergate: A Congressional Hearing,@ by , 70 p.

Epstein, Alvin (2/17/06) 140. AMary Mary,@ Bucks County Playhouse, 1965; includes actors= contract. [F. 13] 141. AMax, Jerry,@ 1979; includes ABeyond Exhaustion,@ by Jerome Max, script, 48 p. Box 9 142. AMastergate (General),@ Cambridge, 1989; includes AMastergate,@ by Larry Gelbart, script, 2 copies, 74 p. each. [F. 1] 143. AMedia Amok,@ American Repertory Theater, 1992; includes AMedia Amok,@ by Christopher Durang, script, 84 p., 1992. [F. 2] 144. AMemos,@ 15 TLS, 1979. 145. AMerchant of Venice,@ includes sub-files: [F. 3] a. Re: American Repertory Theater, 1998-1999; includes AMerchant of Venice,@ by Shakespeare, MS, 77 p. b. Re: Berkshire Playhouse, 1966; includes original artwork by Wolfgang Roth. 146. AMidsummer Night=s Dream,@ includes sub-files: a. Re: American Repertory Theater, Wilbur Theater, 1980; includes photographs; theater floor plans. b. Re: Yale Repertory theater, October, 1975; includes approx. 35 black and white photographs, 10 color photographs. [E. 1] c. Re: Circle in the Square Production, 1967. d. Re: American Repertory Theater, Loeb Drama Center, 1980. [F. 4] e. Re: Ellenville, NY, 1955; includes contract. [F. 5] 147. AMime-Related Papers.@ 148. AMime Plays.@ 149. AMisalliance Press,@ American Repertory Theater, 1991-1992; includes original artwork. 150. AMiscellaneous.@ [F. 6] 151. AThe Miser,@ includes sub-files: [F. 7] a. Re: American Repertory Theater, Cambridge, 1982; includes script by Molière, translated by Albert Bermel, 1989. b. Re: American Repertory Theater, Ann Arbor Summer Festival, 1989; includes MS by Moliere, translated by Albert Bermel, 1986. c. Re: Charles Play House, 1965. 152. AMiss Julie,@ Phoenix Theater, February 22, 1956. 153. AMoonbirds,@ Court Theater, 1959; include approx. 5 contracts; audio cassettes. [E. 1] 154. AMother Courage.@ 155. AThe National Theater of the Deaf,@ Longacre Theater, 1969. [F. 8]

Epstein, Alvin (2/17/06) 156. ANEH.@ 157. ANever Met Picasso,@ 1997; includes script by Stephen Kiajk, 107 p., 1995. 158. ANobody Dies on Friday,@ by Robert Brustein, 3 copies, 116 p.; includes sub-files: a. Re: American Repertory Theater, 1997-1999. b. Re: Hasty Pudding Theater/Singapore Festival of Arts, 1998. [F. 8-9] 159. ANo Strings,@ tour, 1962; includes photographs; contracts. [F. 10] 160. ANo Trifling With Love,@ includes script by Alfred Musset, translated by AE, approx. 47 p., 1959. Box 10 161. AOde To Napoleon - Schoenberg,@ Jordan Hall, 1999; includes score by Arnold Schoenberg, 67 p., 1944. [F. 1] 162. AOedipus Rex - Stravinsky - Jordan Hall - The Cantata Singers and Ensemble,@ 1996; includes AOedipus Rex@ score by Igor Stravinsky and John Cocteau, translated by e. e. cummings, 86 p. 163. AOld Time,@ Williamstown Theater Festival, 1983; includes approx. 21 black and white prints, including Sigourney Weaver; original artwork. [F. 2] 164. AOnce in a Lifetime,@ American Repertory Theater, 1990-1991; includes script by George F. Kaufman and Moss Hart, approx. 177 p. [F. 3] 165. AThe Oresteia,@ American Repertory Theater, 1995; includes AAgamemnon and the Seven Dwarves,@ by Aeschylus, adapted by Robert Auletta, approx. 86 p., 1994. [F. 4] 166. AThe of Josef D.,@ Ethel Barrymore Theatre, 1964; includes contract; original artwork. [F. 5] 167. AThe Passion of Josef D. - Script and Music,@ includes script by Paddy Chayefsky, score by David Amram, approx. 180 p. 168. APeople Interested In Working With AE.@ [F. 6] 169. APeople Who AE Wants To See.@ 170. AThe Pedestrian in the Air,@ Goodman Memorial Theatre, 1965; includes contract; 4 black and white photographs. 171. APictures in the Hallway,@ Ravinia, 1957; includes contract. 172. APersonal Correspondence.@ 173. APersonnel,@ includes description and history of Guthrie Theater. 174. AThe Philosophers Stone,@ Boston Baroque, 1998; includes script by Emmanuel Schikaneder. 175. AA Place Without Doors,@ 1971; includes script by Marguerite Duras, translated by Barbara Bray, 64 p; contract. [F. 6-8] 176. APlatanov,@ American Repertory Theater, 1988-1989; includes script by Anton Checkov, approx. 190 p. 177. AThe Play of Adam,@ White Barn Theater, 1956. [F. 9]

Epstein, Alvin (2/17/06) 178. APlay Of Daniel,@ New York Pro Musica, Chapel of the Intercession, 1959; includes original artwork; 2 contracts. 179. APoetry Program.@ 180. APostmark Zero,@ Brooks Atkinson Theatre, 1965. 181. APrayers from the Ark,@ television production, 1963; includes approx. 8 black and white photographs. 182. AProduction, Season, 1978-1979.@ [F. 10] 183. APsychoanalysis Changed My Life,@ 2001; includes script by Maggie Burke Snyder, Ellen Norack, 22 p. 184. APokerface,@ The Boston Playwrights= Theatre, Boston University, 1999; includes APokerface - A Short Play,@ by Robert Brustein. Box 11 185. AThe Pretenders,@ includes script by Henrick Ibsen, 4 copies. [F. 1] 186. APurple Dust,@ , 1956-1957; includes contract; original artwork. 187. AThe Raven,@ include script by Carlo Gozzi, translated by Albert Bermel, 46 p., 1986. 188. ARepetoire.@ [F. 2] 189. AResignation from Guthrie,@ includes 2 TLS. 190. AReviews, Miscellaneous.@ 191. ARichard II,@ American Repertory Theater, 2001; includes script by , approx. 101 p. 192. ARichard III,@ American Repertory Theater, 1997; includes script by William Shakespeare, 175 p. [F. 3] 193. ARichard III, U.S. Forces,@ Europe, 1940s; includes 7 black and white photographs; military documents; draft of AE=s reflections on acting. [F. 4] 194. ARight of Way,@ 1979. [F. 5] 195. ARight You Are (If You Think You Are),@ American Repertory Theater, 1987-1988; includes script by Luigi Pirandello, adapted by Robert Brustein, approx. 59 p. 196. ARise and Fall of the City of Mahogany,@ Yale Repertory Theater, 1974. 197. AThe Rivals,@ Yale Repertory Theater, 1969; includes performance reports. 198. ARomanoff and Juliet,@ Shubert Theater, 1957. 199. ARosmersholm, the Mitz,@ E. Newhouse Theatre, 3/11/85. 200. ARudnick, Stefan.@ 201. ASato, Suzanne - Files,@ 1974; includes photographs; sub-files: [F. 6] a. AImmediately.@ b. ARequires Response.@ c. ADoes Not Seem To Require Response.@ 202. AThe School for Scandal - American Repertory Theater,@

Epstein, Alvin (2/17/06) University of Hartford, 1983. [F. 7] 203. AThe School for Scandal - American Repertory Theater,@ 1982-1983; includes props; script by Richard Brinsley Sheridan, approx. 138 p. [F. 7-8] 204. AServant of two Masters,@ American Repertory Theater, 1982; includes script by Carlo Goldoni, approx. 107 p.; original artwork. [F. 9] 205. ASet Design - Miscellaneous.@ [F. 10] 206. AThe Seven Deadly Sins,@ American Repertory Theater, 1971, 1980; includes black and white photograph; score by . [F. 11] 207. AShafman, Arthur-International, Ltd.@ [F. 12] 208. ASilence, Cunning, Exile,@ American Repertory Theater, 1993; includes script by Stewart Greenman, 105 p., 1989. 209. ASix Characters in Search of an Author,@ Joyce Theater, American Repertory Theater, 1988; includes script by Luigi Pirandello, adapted by Robert Brustein. [F. 13] Box 12 210. ASkin of Our Teeth,@ Berkshire Theater Festival, 1966; includes 2 slides. [F. 1] 211. ASlaughter City,@ American Repertory Theater, Newstages, 1995-1996; includes script by Naomi Wallace, approx. 110 p.; memorabilia. 212. AThe Soldier=s Tale,@ International Center of New Haven Benefit Concert, 1988; includes 2 scripts by Michael Flanders and Igor Stravinsky, 35 p. each. 213. AStandard British,@ includes notes on British pronunciation. 214. AThe Story of a Soldier,@ by Igor Stravinsky, translated by Isaiah Sheffer. [F. 2] 215. AStrolling Players,@ includes black and white photographs. 216. ASymphony Space - Selected Shorts: A Celebration of the Short Story,@ 1985. 217. AThe Tell Tale Heart - by Edgar Allen Poe, for Use at Musical Midnight,@ 1986. 218. AThe Tempest,@ Yale Repertory Theater, 1973. 219. ATwelfth Night,@ Cambridge Drama Festival, 1959; includes approx. 30 photographs; contract; script fragment, approx. 6 p. 220. AThe Value of Names,@ Hartford Stage Co., 1984; includes script by Jeffrey Sweet, 66 p. [F. 3] 221. AVeralin-Rimbaud Recital,@ New York Festival of Song, 1990. [F. 4] 222. AVictory,@ Yale Repertory Theater, 1974; includes AM@ by Joseph Conrad, 86 p. 223. AWaiting for Godot,@ John Golden Theatre, 1956; includes

Epstein, Alvin (2/17/06) contracts; black and white photographs. [F. 5] 224. AWall To Wall Richard Rogers,@ Symphony Space, 1985; includes script, ALa, La, La,@ score, 7 p. 225. AWaltz of the Tornados,@ Roundabout Theatre Company, 1985; includes original artwork. 226. AKurt Weill Show,@ Guthrie Theatre, 1978. [F. 6] 227. AKurt Weill At The Ravania Festival,@ includes AThe World of Kurt Weill,@ script by various authors. 228. AWhen We Dead Awaken,@ American Repertory Theatre, 1991; includes script by Henrik Ibsen, 34 p. [F. 7] 229. AWhole Theatre, Benefit Stars, 1986.@ [F. 8] 230. AYale Drama School / Cabaret/Drama / Etc.@ 231. AYale Repertory Theater and Drama School.@ [F. 9] 232. AYale Repertory Theater Reviews.@ 233. AYoung, Gifted, and Black,@ includes black and white photograph. [F. 10] 234. ASet D.@ 235. AZoroastre,@ Box 13 B. Press kits; includes printed materials; professional materials. 1. Re: Alley Theater; includes original theater design. [F. 1] 2. Re: American Repertory Theater, 1999-2000. 3. AInfo,@ Guthrie Theater, 1976-1977. 4. ANext Wave Festival: Performing William Blake=s >Songs of Innocence and Experience=,@ November 7-9, 1986. 5. Re: Studebaker Mime Company, 1981; includes photograph. [F. 2] 6. Re: Pessis, George, 1974; includes curriculum vitae; resume; 10 press releases, 1962-1980. C. Re: workshops. 1. AKing John,@ 2/27/99; includes script fragments, approx. 100 p.; production schedules. 2. AMacbeth,@ Sep.-Oct., 1990; includes script by William Shakespeare, 138 p.; AN; production schedules. 3. AStanislavski Century International Symposium,@ approx. 30 p., Nov. 3-6, 1988. [F. 3] 4. ATwelfth Night,@ 3/17/00; includes script by William Shakespeare, 115 p. D. Re: ANew York State Convention of Communist Party of NY State, June 10-12, 1966,@ includes sub-files: 1. AInformation for Delegates, Alternates, and Visitors.@ 2. AProposed Agenda.@ 3. Re: NY School for Marxist Studies, flyer. 4. AA People=s Tax Program For NYC,@ MS, 4 p. 5. Re: financial material.

Epstein, Alvin (2/17/06) E. Re: AProductions and Theater Companies,@ 1960-1980; includes script fragments; original set design; teaching materials; contact information; production schedule; internal documents; correspondence, notables include: [F. 4-8] 1. University of Minnesota. Memo, re: AThe Soviet Visitors.@ F. Re: AThe Alliance for the Development of Theater Artists,@ 1978-1980; includes internal documents; production schedule; itineraries; script, 24 p.; financial materials; ANS; contact information. [F. 9-12] G. Re: casting, 1960-1990; includes ACasting Charts,@ photographs; resumes; related printed materials; correspondence. [F. 13-15] H. Re: AE military service, 1944-1950; include photograph; pay records. [F. 16] I. 20 schedules re: various theater productions; includes memos. [F. 17] J. Re: APolitics of Communist Party,@ includes news bulletin; list of defendants in Nuremberg Trials. [F. 18] K. AThe Guthrie Theater: A Study to Facilitate Long Range Planning,@ by Anderson and Berdie Assoc., report, 89 p. L. AInterim Faculty Handbook,@ , 53 p., Sep., 1974; includes correspondence re: handbook, 9/3/74. M. ABiographical Encyclopedia and Who=s Who in American Theater,@ re: AE biography, photocopy, 10 p. N. AAE Cardboard Professional Organizational Chart,@ includes holograph notes. O. Notes re: various AE productions, 1960-1990. P. Travel documents, ration cards, AN. Box 14 Q. Miscellaneous holograph notes; includes addresses and phone numbers. [F. 1-2] R. Business cards and ticket stubs, approx. 100 items, 1960-1990. [E. 1] S. 4 address books, 1958. [F. 3, E. 2] T. 43 day planners: 1950, 1956-1958, 1962-1999. [F. 4-6, E. 3-7] U. Unidentified day planner pages. [E. 8]

II. Correspondence. A. General; TLS, ALS, ANS, postcards; may include photographs; legal material; financial material; original artwork. Box 15 1. 1940s - 1950s. [F. 1-7] 2. 1960s. [F. 8-13] Box 16 3. 1970s. [F. 14] Box 17 4. Ibid. [F. 1] 5. 1980s. [F. 2-16] Box 18 6. Ibid, notables include: [F. 1-2] a. Bates, Kathy. ANS re: Broadway performance, 4/8/83. 7. 1990s. [F. 3-10]

Epstein, Alvin (2/17/06) 8. 2000s. [F. 11] Box 18 9. Undated; includes: [F. 12] a. Welles, Orson, AN re: whip in . b. Communist Party of America. TN. c. Carter, Jimmy (President-US) and Rosalynn. TN. d. Schlamme, Martha. 2 ANS. Boxes 18-20 10. Undated. Box 20 B. AYale,@ files, 1975-1977. [F. 2-5] C. Re: Israel; ALS, TLS, postcards, 1952-1955; includes photographs. [F. 6-8]

III. Printed Materials. Boxes 20-27 A. Programs and , 1950s-1990s; includes: 1. AOthello,@ program, Munich, 2/8/41, with Nazi swastika symbol. Boxes 27-29 B. Various newspaper, magazine articles, 1930s-1980s; includes photographs. C. 75 maps; includes biographical; subway; museum and road map; may include holograph notes. [F. 11-14] Box 30 D. Unused postcards, cards. [E. 1-4] Boxes 30-31 E. Various newspapers, magazines, bulletins, 1940s-1980s. Boxes 32-34 F. Various flyers, brochures, 1940s-1990s. Additional printed material is located in the Large Size Material section of this preliminary listing.

IV. Manuscripts. Box 34 A. Stage plays, scripts, TS, unless noted. 1. AAdam, Eve, and Me,@ by Maria Chorafa, 99 p, 1972. [F. 9] 2. AAdam the Creator,@ by Karel and Josef Capek, translated by Dara Rounds, approx. 100 p. 3. AAll Dress Up: A New Musical,@ by Leslie Eberhard and David Levy, 45 p., 1981. [F. 10] 4. AAmazing Grace,@ by Peter Maloney, approx. 60 p., 1976; includes AAreadero Report,@ 11/26/77; ALS from Peter Maloney to AE, 8/22/76. 5. AAnd He Made a Her,@ by Davie Wilson, 40 p., 11/13/61; includes ANS to Davie Wilson from AE. 6. AAngry Arts,@ by Bertolt Brecht, performed by Village Theatre, approx. 10 p., 1/29/67; includes holograph notes. [F. 11] 7. AThe Anniversary,@ by Anton Chekov, approx. 15 p. 8. AThe Apple Tree,@ by Sheldon Harnick and Jerry Bock, approx. 45 p., n.d. 9. AArlecchino,@ by Ferrucio Busoni, approx. 15 p., 5/11/17. 10. AAt the End of Long Island,@ by Richard Lees, approx. 125 p.,

Epstein, Alvin (2/17/06) 1977; includes ANS from Richard Lees, 6/18/79. [F. 12] 11. AThe Bacchae,@ by Euipedes; includes: [F. 13] a. Draft, translated by Philip Vellacott, 33 p. b. Draft, translated by Philip Vellacot, 23 p.; includes holograph notes. c. Draft, translated by Kenneth Cavender, 70 p. 12. AThe Beggar=s Opera,@ by John Gay, 72 p.; includes holograph notes, photocopy, 15 p. [F. 14] 13. ABen Franklin in ,@ by Sidney Michaels, approx. 85 p., 1963. 14. ABenjamin,@ by Jonathan Levy, approx. 5 p.; includes 2 TNS from Jonathan Levy to AE, 8/27/90, 6/13/91. [F. 15] 15. AThe Berserkers,@ by Warren Kliewer, approx. 100 p., 1995. 16. ABeyond Exhaustion,@ by Jerome Max, approx. 48 p., Sep., 1979. 17. ABingo,@ by Edward Bond, performed by , approx. 105 p.; includes holograph notes; printed material; professional material. [F. 16] Box 35 18. ABless Me Father,@ by Girard D. Hottleman, approx. 38 p., 2 copies; includes holograph notes. [F. 1] 19. ABok,@ by Alan Jolis, 73 p., 10/4/81. 20. ABlossoms and Neglect,@ by , approx. 85 p., 1978; revised 3/10/79. 21. AThe Bourgeois Gentleman,@ by Moliere, translated by Michael Feingolo, approx. 105 p., 1972; includes holograph notes. [F. 2] 22. AThe Boys from Syracuse,@ by George Abbott, approx. 121 p.; includes fragments with holograph notes, 5 p; ALS from Charles Mathes, 9/17/80; director=s script, 68 p.; holograph revision, 62 p.; printed revision with holograph notes, 5 p. [F. 3-4] 23. AThe Brementown Musicians,@ 5 p. [F. 4] 24. AThe Brother,@ by Walter Jarell, 16 p. [F. 5] 25. ABrother Alyosha,@ by Victor Rozov, approx. 68 p. (Russian), 1972; includes ALS, TN, synopsis in English. 26. ABuried Child,@ by Sam Shepard, 110 p., 1977; includes autographed notes, photocopy. 27. AThe Burnt Flower Bed,@ by Henry Denken, from stage play by Ugo Betti, approx. 70 p; [F. 6] 28. ABut... It Is Nothing,@ by Maria Chorafa, translated by Constantine Cassolas; includes holograph notes. 29. AA Cabal of Hypocrisy,@ by Moliere, photocopy, approx. 25 p. [F. 7] 30. ACaligula,@ by Albert Camus, TS with holograph notes, approx. 30 p. 31. ACascando,@ by Samuel Beckett; includes TS with holograph notes; ALS, 11/17/87; TLS, 2/9/88.

Epstein, Alvin (2/17/06) 32. AThe Cat and the Fiddle,@ by Jerome Kern and Otto Harbach, approx. 60 p.; includes TS with notes; includes AReader=s Report,@ from Guthrie Theatre. 33. ACharlie the Chicken: An Act in One Act,@ by Jonathan Levy, TS with holograph notes; revised January, 1972. 34. ACheri and the Last of Cheri,@ adapted for stage by and Paul Giovanni, TS, 2 copies, 45 p. each. [F. 8] 35. AChildren of the Sun,@ by Maksim Gorky, translated by Ariadne Nicolaefi, TS with holograph notes, approx. 80 p.; includes ALS to AE, n. d. 36. AMr. Christopher Columbus,@ by Robert Auletta, 38 p. [F. 9] 37. AThe Circle of Chalk,@ by James Laver, 107 p., 1929; translated by Francis Hume, approx. 121 p., 6/7/54. 38. AClerambard,@ by Marcel Aym, American version by Alvin Sapinsley, approx. 85 p.; includes holograph notes; original sketch. 39. AConversation with an Actor,@ by Kostanty Ildefons Galczynski, translated by A.M. Furdyna. [F. 10] 40. AChimes and Crimes,@ by August Strindberg, translated by Evert Spinehorn, approx. 100 p., 1899; includes holograph notes. 41. ACrime and Punishment,@ by Fyodor Dostevsky, Yun Lyubimov and Yuri Karakin; translated by Michael Herm, 60 p.; includes holograph notes. 42. AThe Cuban Thing,@ by Jack Gelber, 1st draft, approx. 90 p., 1/15/68. [F. 11] 43. A>Dentity Crisis,@ by Christopher Durang, 18 p., 1971. 44. ADevotion,@ by Larry Fineberg, Stratford Festival, 4th draft, approx. 75 p., 1978; includes holograph notes. 45. AThe Discovery of the New World by Christopher Columbus,@ by Lope de Vega, translated by Frieda Fligelman, approx. 65 p.; includes TNS from AMichael@ to AE. [F. 12] 46. AThe Doctor as Patient,@ by Harry Epstein, The Daily World, 4 p. 47. ADoes Man Help Man,@ by Bertolt Brecht, translated by Tobov, approx. 15 p.; includes holograph notes; telegram, May 39, 1964. 48. ADomino Courts,@ by William Hauptman, approx. 20 p., 1975; includes TLS, ANS. 49. ADon Juan,@ approx. 60 p. 50. ADragonett,@ by Jonathan Levy, 34 p. [F. 13] 51. ADragons,@ incomplete, approx. 80 p. 52. ADurant,@ by Frederick Seidel, approx. 75 p. 53. AThe Durango Flash,@ by William Hauptman, approx. 110 p.; includes holograph notes; newspaper clipping; AYale Repertory Theater Newsletter@; program. [F. 14] 54. ADynamite Tonite - An Actor=s Opera,@ libretto by Arnold

Epstein, Alvin (2/17/06) Weinstein, approx. 75 p., Mar. 1967; includes 2nd draft, approx. 80 p. [F. 15] 55. AEdith Piaf is Mad,@ approx. 75 p.; includes holograph notes; 2 TLS to AE, 11/26/71; 12/1/71. 56. AThe Eleventh Hour,@ by Lajos Zilahy, approx. 95 p.; includes synopsis. 57. AElixir of Life,@ by Stephen Chalmes, 82 p., 1991; includes TNS from Stephen Chalmes, 1/29/92. 58. AThe Emperor,@ adapted from Luigi Pirandello=s AEnrico IV@ by Eric Bentley; includes synopsis; holograph notes; sketches. Box 36 59. AEndgame,@ by Samuel Beckett, 70 p.; includes holograph notes. [F. 1] 60. AEveryman Absurd,@ by Jan Hartman, approx. 30 p.; 1970; includes ANS, 3/24/70. 61. AAn Exploratory Operation,@ by Jonathan Levy, approx. 35 p.; includes TNS. 62. AThe Explorers,@ by Dallas Murphy, Jr., approx. 90 p. [F. 2] 63. AThe Eye of the Storm,@ by Lyon Phelps, 44 p.; includes holograph notes. 64. AThe Farm,@ by , based on novel by Clarence L. Cooper, Jr., 136 p., 3/5/86. [F. 3] 65. AFefu and her Friends,@ by Maria Ivene Fomes, approx. 29 p., 5/5/77. 66. AThe Fetishist,@ by Michel Tournier, translated by Barbosa Wright, 25 p.; includes holograph notes. 67. AFigaro,@ American Repertory Theatre, 184 p., 1981; includes production notes; professional material, approx. 21 p.; 2nd draft, 101 p.; holograph notes; AAmerican Repertory Theatre Newsletter,@ Apr. 1981. [F. 4-5] 68. AThe Film Society,@ by Jon Robin Baitz, 6th draft, approx. 90 p.; includes holograph notes. [F. 6] 69. AA Fly By and a Pass Over: Play for One Performer,@ by Miki Kellin, 31 p., 1980. 70. AThe Folding Green,@ by Howard Moss, approx. 30 p.; includes TLS, June 24, 1960. [F. 7] 71. ALa Folle de Chaillot,@ by Jean Giraudoux, photocopy for AE by Baird Hastings, 75 p., September, 2001; includes holograph notes. 72. AThe Four Interventions in the Play of Herod,@ by Archbald MacLeish, 8 p., revised 11/21/68; includes holograph notes; revision, 8 p., 12/16/68 . 73. AFour Squares on Black, Composition One,@ by Morton Lichter, 103 p., 9/29/66; includes holograph notes. [F. 8] 74. AThe Frogs,@ 78 p.; includes holograph notes.

Epstein, Alvin (2/17/06) 75. AFrom Laughing at the World to Living in the World,@ 38 p. [F. 9] 76. AFull Circle,@ by Charles L. Mee, 105 p.; includes holograph notes. 77. AGeorge Flux,@ by Arthur Pittman, 33 p. [F. 10] 78. AGhosts,@ by Henrik Ibsen, 61 p.; includes notes. 79. AGimpel, The Fool,@ approx. 18 p.; includes notes. [F. 11] 80. AThe Glorious Ruler - a Comedy with Tragic Relief,@ by Michael Ackerman, approx. 50 p., 1967; includes TLS, 8/9/74. 81. AGod Bless,@ by Jules Feiffer, 70 p. 82. AGoobers,@ by Harvey Jacobs, 30 p., 1995. [F. 12] 83. AGoodby and Good Luck B a Musical Based on the Short Story,@ by Grace Paley, approx. 75 p.; includes ANS, 3/30/88. 84. AGoodnight Sweet Prince,@ by Suzanne Rhodenbaugh, 4 p., June 1966. 85. AThe Goose Girl,@ 6 p. 86. AThe Gospel Witch,@ by Lyon Phelps, 30 p.; includes TNS. 87. AGoqois The Government Inspector,@ adapted by Peter Raby, approx. 80 p.; includes holograph notes, sketches. [F. 13] 88. AThe Great Adventure: Helsinki,@ by ALori,@ approx. 12 p., Dec. 1995; includes ANS to AE from ALori.@ 89. AGreatshot,@ 2 copies, approx. 100 p.; includes holograph notes. [F. 13-14] 90. AThe Great Fugue,@ by Frederic Kimball, approx. 112 p., 9/15/98. [F. 15] 91. AHappy End,@ by Kurt Weill, approx. 180 p., 1972; includes ANS; notes; partial score. [F. 16] Box 37 92. AHeldenplatz,@ by , translated by Michael Feingold, 2nd draft, approx. 100 p., 1991; includes holograph corrections. [F. 1] 93. AHerakles,@ by Euripedes, approx. 60 p. 94. AHothouse,@ by Harold Pinter, approx. 75 p.; 1980. [F. 2] 95. AHow Much?@ by Burt Blechman, approx. 60 p., 1965; includes TLS, 1966. 96. AHow to Make It,@ by David Shepherd, approx. 40 p., 1957; includes holograph notes; newspaper clipping. [F. 3] 97. AThe Idiot B Part One,@ by Fyodor Dostoyevsky, adapted by Joseph Precher, approx. 90 p., 4/21/59. 98. AI, Elizabeth Otis, Being of Sound Mind,@ by Philip Barber, approx. 70 p., revised June 1971; includes holograph notes. [F. 4] 99. AI Married You For The Fun Of It,@ by Natalia Ginzburg, translated by John Hersey, approx. 75 p.; includes holograph notes; original sketches. 100. AIn the Clap Shack,@ by William Styron, approx. 175 p.; includes

Epstein, Alvin (2/17/06) holograph notes. [F. 5] 101. AIvanov,@ by Anton Chekov, approx. 180 p., 1976; includes clippings; printed material; holograph notes. [F. 6] 102. AJohnny Johnson B the Biography of a Common Man,@ approx. 80 p.; includes printed material; contact list. [F. 7] 103. AThe of ,@ by William Shakespeare, approx. 220 p.; includes notes; correspondence; printed material. [F. 8] 104. AK .B a Play for One Actor,@ by Jan Hartman, approx. 35 p.; includes holograph notes. [F. 9] 105. AKeysearchers,@ by Istvan Orkeny, translated by Clara Gyorgyey, 100 p.; includes TN. 106. AKing Charlie,@ by J. L. Selby, approx. 56 p.; includes TLS, Jan. 1971. [F. 10] 107. AKing Lear,@ by William Shakespeare, 138 p.; includes notes. 108. AKing Stag,@ by Carlo Gozzi, 59 p.; includes holograph notes. [F. 11] 109. AThe Labyrinth,@ by Helen and Mark Epstein, 2 p.; includes synopsis; holograph notes. 110. AA Lamed and Tamed Duck,@ 20 p.; includes ANS. 111. AThe Last Chance Saloon,@ by Mark Medoff, approx. 40 p. 112. AThe Latent Heterosexual,@ by Paddy Chayefsky, approx. 70 p.; includes holograph notes; printed material. [F. 12] 113. ALear,@ by Edward Bond, approx. 190 p.; includes holograph notes; professional material. [F. 13] 114. ALet=s Face It,@ by Jack Gelber, approx. 70 p., 1964. [F. 14] 115. AThe Life and Loves of Marilyn Monroe,@ by Jesse Lowen, 33 p., 1982; includes correspondence. 116. ALittle Lizzy,@ by , approx. 30 p.; includes printed material. 117. AA Long Way to Heaven,@ by Eve Friedman, 2 copies, approx. 175 p. each, 1985, 1988; includes holograph notes; correspondence; printed material; professional material; partial score. [F. 15-16] 118. ALoot,@ approx. 70 p.; includes holograph notes; professional material. Box 38 119. ALouvain / 1915,@ by Barbara Field, approx. 74 p., 1977. [F. 1] 120. ALuclenne et Le Boucher,@ by Marcelle Ayne, approx. 130 p. [F. 2] 121. ALytton Strachey Lucubrates de Rerum Sexualium,@ by Albert P. Innaurato, approx. 22 p.; includes TN. 122. AMacbeth - Macbett,@ by Rosette Lamont at CUNY, 27 p. [F. 3] 123. AMacbett,@ by Eugene Ionesco, translated by Charles Marowitz, approx. 110 p.; includes holograph notes. 124. AThe Madwoman of Chaillot,@ 2 copies, approx. 130 p; includes

Epstein, Alvin (2/17/06) holograph notes; text fragments; TS with holograph notes, 7/17/57. [F. 4] 125. AMalone Dies,@ by Samuel Beckett, adaption by Rina Yerushalmi, approx. 30 p., 1979; includes photographs, photocopies. [F. 5] 126. AMarriage,@ by Nikolai Gogol, adpated by Barbara Field, 2 copies, approx. 160 p., 1978; includes holograph notes. 127. AMarriage of Figaro,@ review by Katy Seabrook, 3 p., WNTN Radio, June 6, 1981. [F. 6] 128. AMarx in Soho,@ by Howard Zinn, 40 p.; includes holograph notes. 129. AMary Stewart,@ freely adapted by Fiedrich Von Schiller, translated by Christopher Pearcy and Nicolette Kay, approx. 90 p.; includes holograph notes; ANS, 1983. 130. AThe Master and Margarita - a Stage Adaptation of Mikhail Bulgakov=s Novel,@ by Yuri Lyubimov, approx. 125 p, May 1987; includes holograph notes; printed material; professional material. [F. 7] 131. AMaster Class,@ by Jonathan levy, 15 p.; includes holograph notes. 132. AA Midsummer Night=s Dream,@ by William Shakespeare, approx. 380 p; includes score; professional material; printed material; holograph notes; original set design; newspaper clippings. [F. 8-9] 133. AThe Mirror,@ by , translated by Ruth Schachner Finkel, 100 p., July 1971; includes holograph notes. [F. 10] 134. AThe Miser,@ by Moliere, translated by Peggy Lamson, approx. 90 p., 1965; includes holograph notes. [F. 11] 135. AMonsieur de Moliese,@ by Mikhail Bulgakov, translation by Barbara Field, approx. 85 p.; includes holograph notes. 136. AMourning Pictures,@ by Honor Moore, approx. 62 p., 1975.[F. 12] 137. AA Mouthful of Lava,@ by Eve Friedman, 71 p., 1985; includes holograph notes. 138. AMy Cup Ranneth Over,@ by Robert Patrick, 46 p.; includes holograph notes. 139. ANativity - Modern: A Play in Three Acts,@ by Ireneusz Iredynski, translated by A. M. Furdyna, 55 p.; includes holograph notes. [F. 13] 140. ANero Sings,@ by Tom Figenshu, approx. 100 p., 1979; includes professional material; TLS, May, 1980. 141. AThe Niggerlovers,@ by , approx. 90 p., Aug. 1967. [F. 14] 142. ANo Man=s Land,@ by Harold Pinter, 95 p., 1975. 143. ANostradamus: Prince of Prophecies,@ by Doc Lomparato, approx. 60 p, 1985; includes TLS, May, 1985. [F. 15] 142. ANo Trifling With Love,@ by Alfred de Musset, translated by Alvin

Epstein, Alvin (2/17/06) Epstein, 46 p., 1959; includes newspaper clippings. 143. ANude Descending,@ by Eve Friedman, approx. 90 p., 1981; includes holograph notes; TLS, Feb. 1983. [F. 16] 144. AOedipus at the Holy Place,@ by Robert Montgomery, 51 p., 1981; includes holograph notes; TLS. [F. 17] 145. AOf the Long Silence of Gods,@ by Walter Sorell, 70 p. 146. AOn Summer Days,@ by Roma Greth, approx. 90 p.; includes partial score. 147. AOn the Chimborazo: A Comedy By with Ursula Ehler,@ translated by Peter Sander, approx. 55 p., 1976. [F. 18] 148. AOn the Harmfulness of Tobacco,@ by Ivan Ivanovich Nyuhin, approx. 7 p.; includes holograph notes. 149. AOperation Sidewinder,@ by Sam Shephard, approx. 63 p.; includes holograph notes. 150. AOrchids in the Moonlight,@ by Carlos Fuentes, 83 p. [F. 19] 151. AOrdinary Aspirations,@ by Stephen Grecco, 91 p. Box 39 152. AOuterlife With Jesus,@ by Jiri Karmet, approx. 35 p. [F. 1] 153. AThe Ovens of Anita Orange Juice,@ by Ronald Tavel, approx. 63 p., 1977. 154. APan and Echo,@ by Helen Epstein, 22 p. 155. AA Play of Consciousness,@ by , approx. 60 p.; includes holograph notes. [F. 2] 156. AThe Play of Daniel,@ 49 p. 157. AThe Passion of Josef D.,@ by Paddy Chayefsky, approx. 110 p., June 1963. [F. 3] 158. AThe Patient - A Tragical Farce,@ by Rudolph Binion, approx. 110 p.; includes holograph notes; correspondence, 1988; printed material. [F. 4] 159. AThe Perpetual ,@ by Guy Endore, 7 p.; includes holograph notes. [F. 5] 160. APictures in the Hallway,@ adapted by Paul Shyre, approx. 95 p.; includes professional material; holograph notes. 161. APirates,@ by Amlin Gray, approx. 70 p, 1976. [F. 6] 162. AThe Possessed,@ by Fyodor Dostoyevsky, adapted by Andrzej Wajda, approx. 120 p.; includes holograph notes; original sketches. [F. 7] 163. APostmark Zero,@ approx. 80 p.; includes holograph notes. [F. 8] 164. AThe President@ and AEve of Retirement,@ by Thomas Bernhard, translated by Gitta Honegger, 215 p., 1982. 165. AThe Pretenders,@ by Henrik Ibsen, translated by Michael Feingold, Mar. 1978; includes holograph notes; professional material; maps. [F. 9-10]

Epstein, Alvin (2/17/06) 166. APsychoanalysis and Stanislavski: System,@ by W. M. Jaeger, 22 p. [F. 11] 167. APurple Dust,@ by Sean O=Casey, 90 p.; includes holograph notes; original sketches. 168. AQuestions, Laments, Answers - Songs Scenes, and Poems,@ by Bertolt Brecht; includes printed material. [F. 12] 169. ARagozine or The Second-Best Bed Trick,@ by Michael Feingold, approx. 90 p, 1993; includes ANS, 11/12/93. 170. ARain Snakes,@ by Perolov Enquist, translated by Harry G. Carlson, 56 p., 1981. [F. 13] 171. ARameau=s Nephew,@ by Denis Diderot, 2 versions: [F. 13-14] a. Translated by Michael Feingold, 62 p., 1977. b. Translated by Shelley Berc and Andrei Belgradev, 67 p.; includes fragments; holograph notes; partial score; printed material; professional material; correspondence. 172. AThe Raven,@ 35 p., Feb. 1988. [F. 15] 173. AReagan=s America,@ by Lloyd Demause, approx. 20 p., Sep. 1983. 174. ARight of Way,@ by Richard Lees, approx. 250 p., 1978. [F. 15-16] 175. ARise and Fall of the City of Mahagonny,@ by Bertola Brecht, translated by Michael Feingold, approx. 300 p., Feb. 1974; includes holograph notes; correspondence; professional material; printed material. [F. 17-18] 176. AThe Rivals,@ approx. 100 p.; includes holograph notes; printed material; original set design. [F. 19] 177. ARomanoff and Juliet,@ 9 p.; includes holograph notes. Box 40 178. ARosmershol,@ approx. 85 p.; includes holograph notes. [F. 1] 179. ASalome,@ by Oscar Wilde, approx. 50 p.; includes editor=s notes. 180. AThe Serpent Woman,@ by Carlo Gozzi, translated by Albert Bermel, Ted A. Emery, 72 p. [F. 2] 181. AThe Seven Deadly Sins,@ by Bertolt Brecht, approx. 30 p.; includes ANS by Martha Schlamme; professional material. 182. AShearwater,@ Bill Haupton, 28 p.; includes holograph notes. 183. AShe Sells Sea Shells,@ by Barbara Field, 74 p., 1973. [F. 3] 184. AThe Slave,@ by Mosche Mizrachi and Maxine Fleischman, 132 p., 1980; includes ANS. [F. 4] 185. ASchlemiel the First,@ by Isaac Bashevis Singer, 190 p, 1974; includes holograph notes. [F. 5] 186. ASix Characters in Search of an Author,@ Luigi Pirandello, adapted by Robert Brustein, approx. 80 p.; includes holograph notes. [F. 6] 187. AThe Saposcats,@ approx. 5 p., photocopies; includes holograph notes. 188. AThe Soldier=s Tale,@ by Igor Stravinsky and C. F. Ramuz, translated by Michael Kustow, 21 p., Sep. 1918; includes 2nd

Epstein, Alvin (2/17/06) version, 31 p.; holograph notes. [F. 7] 189. ASoliloquy,@ by Zan Skolnick, 73 p.; includes TLS, 1964, 1966. 190. ASomething Beautiful,@ by Pat Foley Pomerautz, 102 p. [F. 8] 191. ASong for Alvin,@ 1 p. 192. ASongs Without Words,@ by Jonathan Levy, approx. 50 p.; includes TLS, 1990. 193. AStalin,@ by Gaston Salvatore, translated by Jack Garfein, 69 p.; includes TLS, 1992. [F. 9] 194. AThe Steel Egg,@ by Michael Feingold, approx. 30 p, 1992. 195. AStill Life,@ translated by Sanford J. Greenburger, 7 p, photocopied. 196. AThe Story of the Tiger,@ by Dario Fo, translated by Ron Jenkins, approx. 30 p. 197. AStanding on My Knees,@ by John Olive, 84 p., 1978. 198. AThe Sudden End of Anne Cinquefoil,@ by Dick Hepburn, approx. 80 p. [F. 10] 199. ASusanna and the Elders,@ by Donald Moreland, 20 p. 200. ATartuffe,@ by Moliere, approx. 20 p. 201. AThe Tempest,@ by William Shakespeare, approx. 120 p.; includes holograph notes, professional material, ANS, original artwork. [F. 11] 202. AThe Tennis Match,@ by David Sigel, 4 p., 1973. 203. ATexas Dry,@ by John Olive, approx. 90 p., 1976. [F. 12] 204. AThey,@ by Arnold Weinstein, approx. 25 p. 205. AA Think Piece,@ by Jules Feiffer, approx. 40 p., Jan. 1979. 206. AThree Acts of Recognition,@ by , version B, 116 p., 11/4/81. [F. 13] 207. AThree Penny Opera,@ by Bertolt Brecht, adapted by Marc Blietzstein, 4 versions: 50 p., 1937; 40 p., 1951; 60 p., 1989; 136 p., n.d.; includes holograph notes; professional material; ANS; partial score. [F. 14-15] 208. ATeibele and Her Demon,@ by Isaac Bashevis Singer and Eve Friedman, approx. 70 p. [F. 16] 209. ATo an Early Grave,@ by Wallace Markfield, 7 p.; includes holograph notes. 210. ATo Be Young, Gifted, and Black... The World of Lorraine Hansberry,@ by Robert Nemiroff, approx. 100 p., 1967. 211. ATonio Kroger Au Theatre,@ by Thomas Mann, adapted by Harvey Grossmann, 27 p.; includes original artwork. [F. 17] 212. ATraveler Without Luggage,@ by Jean Anouilh, translated by Lucienne Hill, approx. 100 p. 213. ATroilus and Cressida,@ by William Shakespeare, 185 p.; includes printed material; professional material; holograph notes; TLS. [F. 18]

Epstein, Alvin (2/17/06) 214. AThe Training of the Socio-Economic Disadvantaged Person,@ by Seymour Stein, 5 p., 10/24/69. [F. 19] 215. AT-Shirts,@ by Robert Y. Patrick, approx. 50 p.; includes holograph notes. 216. ATwelfth Night,@ by William Shakespeare, approx. 40 p.; includes holograph notes; professional material; TLS, 7/29/99; ALS. Box 41 217. AUnwished-For Unhappiness,@ by Richard Lees, 124 p., 1978. [F. 1] 218. AVincent - A Monodrama,@ by Edna Madway, 48 p.; includes TLS, 1979. 219. AA White Marriage,@ by Tadeusz Rozewicz, translated by E. J. Czerwinski, 2 copies, approx. 180 p., 1975; includes holograph notes; printed material; professional material; ANS. [F. 2] 220. AA Will of His Own,@ by Jean Francois Regnard, translated by Michael Feingold, approx. 70 p., 1990. [F. 3] 221. AThe Winter=s Tale,@ by William Shakespeare; includes holograph notes; professional material. 222. AWomen of Trachis,@ by Sophocles, approx. 30 p. [F. 4] 223. AWoyzeck,@ approx. 40 p.; includes holograph notes; correspondence; professional material. 224. AThe Writer=s Opera,@ by Rosalyn Drexler, approx. 60 p.; includes holograph notes. 225. AZiskin=s Revels,@ by Jonathan Levy, approx. 30 p.; includes holograph notes; professional material. [F. 5] B. Unidentified manuscripts. 1. Fragments, approx. 150 p.; includes 2 scripts (Russian). [F. 5-6] 2. 2 untitled scripts. [F. 6]

V. Musical Scores. A. AThe Beggar=s Opera,@ vocal score composed by John Gay, 3 copies, 315 p.; includes professional material, holograph notes. [F. 7-8] B. AThe Beggar=s Opera,@ full score, approx. 300 p. [F. 8-9] C. AThe Requiem,@ by Kurt Weill, translated by Michael Feingold, approx. 10 p. [F. 9] D. AThe Boys from Syracuse,@ by Richard Rogers and Lorenz Hart, 2 p. E. ABut It Is Nothing,@ by Maria Chorafa, translated by Constantine Cassolas. [F. 10-11] F. ACasino Paradise,@ includes holograph notes. [F. 12] Box 42 G. AChansons du Carneval de Londres,@ by , approx. 50 p.; includes holograph notes, photocopied excerpts. [F. 1] H. ADas Offer Helena,@ by . I. AFrankenstein!!@ by H. K. Gruber, 176 p. [F. 2]

Epstein, Alvin (2/17/06) J. AJohnny Johnson,@ by Paul Green, music by Kurt Weill, 143 p. K. AThe Raven,@ by Paul Schierham, 15 p. [F. 3] L. ARise and Fall of the State Of Mahagonny,@ by Bertolt Brecht, 320 p. [F. 3-4] M. ASeven Deadly Sins,@ 150 p.; includes holograph notes. [F. 5] N. AA Survivor from Warsaw,@ by Arnold Schoenberg, 75 p.; includes holograph notes. [F. 6] O. AWar Show,@ 40 p., 1972; includes holograph notes. P. Unidentified title, music by Leonard Bernstein, Marc Blitzstein, 120 p. [F. 7] Q. Unidentified title, lyrics by W. R. Espy, music by Dick Hyman, 75 p.[F. 8]

VI. Notebooks. A. A2nd Visit To Cuba,@ 80 p., 1978. [F. 9] B. AAmuser En Instruisant,@ 60 p., n. d. C. ABeckett Ariast Duets,@ 47 p., n. d. D. AMolloy: Samuel Beckett Version for Reading by John Calden,@ 80 p., n.d. E. 5 untitled, 1950-1977.

VII. Legal Materials. A. Various items, including insurance agreements, passport, contracts, military materials, driver=s license, related correspondence. [F. 10] B. Contracts. 1. Actors Equity Association Contract for Postmark Zero, October, 1965. 2. Actors Equity Association Contract for Yale Repertory Theatre, September, 1975. 3. Actors Equity Association Contract for America=s Story Theatre, April 3, 1969. C. Military transfer requests, Aug. 1944.

VIII. Financial Materials. A. Invoices, receipts, toll tickets, cancelled checks. [F. 11-14]

IX. Medical Records. Box 43 A. Progress notes, discharge notes, emergency room reports, pamphlets re: disease prevention. [F. 1]

X. Juvenilia. A. AE=s primary school writings and original artwork, poetry and artwork by Mark Epstein. [F. 2]

Epstein, Alvin (2/17/06) XI. Personal Memorabilia. A. Production-related. [E. 1] 1. AGenuine Gaderne Swine / The Possessed, October, 1974,@ plastic swine. 2. Eyelash and eyebrow masque. 3. Singed packet of Monaco stamps, 1978; notable: Kelly, Grace (Princess of Monaco). 4. Lithograph of Sunday News carbon re: AWaiting for Godot.@ 5. AMacbeth@ banner. B. Various pins; toy with inlaid photograph of William Gillette, 1895; ASampson Epstein, MD@ plaque. C. Re: AE=s father and family; includes: [F. 3, E. 2] 1. AVets For Peace In Vietnam@ hat. 2. Last will and testament of AGreat Grandfather Johann Heinrich,@ 1806, German. 3. Unidentified genealogical summary or report, 1818, German. 4. Two mortgage documents from the Prussian towns of Dinslaken and Walsburg, 1819, German. D. A3 Penny Opera,@ handmade ceramic tile. An additional item of personal memorabilia is located in the Large Size Material section of this preliminary listing.

XII. Photographs. A. Black and white portraits of AE; includes duplicates, 35 professional prints. [F. 4, E. 3] B. Production-related, identified. [F. 5, E. 5-6] 1. ABacchae,@ Yale Repertory Theatre; includes AE. 2. ABeckett,@ Guthrie, 1973. 3. AThe Beckett Festival of Radio Plays,@ Apr. 1989. 4. AThe Beggar=s Opera,@ Guthrie, 1978. 5. ABonjour, La, Bonjour,@ Guthrie, 1978. 6. AThe Chalk Circle,@ American Repertory Theatre; includes AE. 7. AA Christmas Carol,@ Guthrie Theatre, 1978. 8. ADynamite,@ 3 prints. 9. AEndgame,@ Guthrie Theatre. 10. AEveryman,@ Salzburg, Feb. 1946; includes Paul Hartmann. 11. AThe Glass Menagerie,@ Guthrie Theatre. 12. AInstitute Graduation,@ 1988. 13. AI Want To Know The Negro,@ Yale Repertory Theatre; includes Esteban Vega, AE. 14. Print with inscription ATo With affection, Juan Carolos.@ 15. Guthrie Theatre, 4 prints, 10/29/78.

Epstein, Alvin (2/17/06) 16. AHamlet,@ Guthrie Theatre, 1978; includes Randall Duk, 17. AThe Living Corpse,@ Habinah, 2 prints, Jan. 1954. 18. Carole Lombard at Paramount Pictures, 1936. 19. AMacbeth,@ Yale Repertory Theatre; includes Carmen de Lavallade, Eugene Troobnick, AE. 20. Marcel Marceau Company, 1 color, 1 black and white print; includes Marcel Marceau, AE. 21. AThe Merchant of Venice,@ Guthrie Theatre, 1973. 22. AMetamorphoses,@ Yale Repertory Theatre, 1 print; includes James Buick, Barbara Damaschek, Carmen De Lavallade, AE. 23. ALa La La,@ from ANo Strings,@ Symphony Space, 1986; includes Yvonne Constant, AE. 24. AOhio Impromptu,@ Mark Taper Forum, 1 color print, Mar. 1984; includes David Warrilow and AE. 25. AOthello,@ 3 prints; includes Kathryn Posin Company, AE. 26. AThe Rivals,@ 2 prints, Guthrie Theatre, 1979. 27. AThe Seven Deadly Sins.@ 28. AThe Three Sisters,@ Guthrie Theatre, 1963. 29. AUncle Vanya,@ 3 prints; includes AE. 30. AWaiting for Godot,@ 39 prints of AE. 31. AWaiting for Godot,@ print of ASlave.@ C. Production-related prints, unidentified; includes duplicates, negatives, photocopies, slide, 49 total. [F. 6] D. Re: art and architecture, black and white prints. [F. 7] E. Personal, approx. 25 color, 25 black and white prints; includes negatives. [F. 8-9] Additional photographs are located in the Large Size Material section of this preliminary listing.

XIV. Audio Materials. A. Cassette tapes, identified by date. 1. Jan. 25, 1969, AMartha Schlamme Accompanied by Ronald Clairmont, Yale Cabaret, Cassette 1, Side A.@ 2. Jan. 25, 1969, AMartha Schlamme Accompanied by Ronald Clairmont, Yale Cabaret, Cassete 1, Side B.@ 3. Jan. 25, 1969, AMartha Schlamme and Alvin Epstein Accompanied by Ronald Clairmont; Songs Of Kurt Weill, Yale Cabaret, Cassette 2, Side A.@ 4. Oct. 10, 1975, AMartha Schlamme - Cabaret Show, Steven Blier - Pianist, #1.@ 5. Oct. 10, 1975, AMartha Schlamme - Cabaret Show, Steven Blier - Pianist, #2.@ 6. Oct. 17, 1975, AAlvin Epstein and Martha Schlamme, >The World

Epstein, Alvin (2/17/06) of Kurt Weill,= Yale Cabaret, Sten Blier - Pianist, #2.@ 7. Oct. 18, 1975, AAlvin Epstein and Martha Schlamme, >The World of Kurt Weill,= Yale Cabaret, Bill Westney - Pianist, #2. B. Cassette tapes, identified by title. 1. ASchlamme and Freeman: Israeli Folk .@ 2. AStanley Tarrentino - Trying To Make It Real; Cassette 2, Side B; Cassette 3, Side A.@ 3. AAll Dressed Up,@ by Ebechard and Levy, 1981. 4. ACollette,@ by Tom Jones and Harvey Schmidt, 1974. 5. ADas Opfer Helena.@ 6. ADragons.@ 7. AEinstein Music.@ 8. AFrankenstein.@ 9. AJohnny Johnson.@ 10. AK39: July 1 Version.@ 11. ANaked People,@ by Paul Dick. 12. ANero Sings,@ by Tom Figemsha, 2 copies. 13. APain and Sorrow: You Can Say I Miss Him,@ by Sheldon Harnick. 14. APirate Jenny Sings,@ includes ALS, track list. 15. ASongs From an >Almanac of Words at Play=,@ by W.R. Espy and Dick Hyman, 1979. . C. AN, TN re: audio / video, 4 p., 11/30/86. D. Ten reel-to-reel tapes, 1/2" format. 1. Reel 1, AIsraeli Folk Songs, German Folk Songs, Favorite Yiddish Songs.@ 2. Reel 2, AChansons de Noël, Martha Schlamme Sings Jewish Folk Songs.@ 3. Reel 3, AMartha Schlamme at Town Hall, Martha Schlamme in Concert.@ 4. Reel 4, AFolk Festival at Newport - Side 1; >The World Of Kurt Weill In Song;= >Kissin=s No Sin=.@ 5. Reel 5, AA Kurt Weill Cabaeret - Schlamme and Holt; >The World of Kurt Weill=.@ 6. Reel 5, ASide 2 of >The World of Kurt Weill=; M. Schlamme and A. Epstein: >A Kurt Weill Cabaret=.@ 7. Reel 7, ASchlamme and Epstein Sing Benksin and Blitzkin.@ 8. Reel 8, AMartha Schlamme in Concert.@ 9. Reel 9, AFolk Songs of Many Lands and Raisins and Almonds.@ 10. Final Reel 1, AMartha Schlamme Rough Cut Final # 1, Take 1-37, Produced by Linda Halpern, Engineered by S. Somtomenna.@ 11. Final Reel 2, AMartha Schlamme Rough Cut Final #2, Takes 38-, Produced by Linda Halpern, Engineered by S. Somtomenna.@ 12. Dub of Reel 1, ASchlamme.@

Epstein, Alvin (2/17/06)

XV. Film and Video. Box 44 A. VHS tapes. 1. AAE / MS Songs of Kurt Weill, AE / MS Dick Cavett, 1980 Minnesota Public TV, 1979.@ 2. AEh Joe; Ghost Trio (Zero Church Street) Alvin Epstein @. Scanlan, Dir. 9/19/95.@ 3. AKurt Weill - Minn. Public TV >79 @ 28 mins., Dick Cavett >80 @ 29 mins.@ B. 35mm film reel, AG.A.F. >Mime:= 30 sec, NBC.@

XVI. Oversize Material. A. Printed material Package 1 1. Calendar, Teatro Espaol, 1988, Cuba, 1978. 2. Proof, biography of AE; includes photograph of AE. 3. HISTORY OF THEATRE, book cover. 4. AA Christmas Carol,@ Guthrie Theater, poster. 5. ABlack and Beautiful,@ by Elton Fax, sketches. 6. Various theater posters; includes multiple copies. 7. Deutsche Vekekrs-Nachrichter, newspaper clipping, 8/5/39. 8. Posters. Packages 2-3 a. Approx. 50 American Repertory Theater posters, 1980-1997; may include multiple copies; includes AWaiting for Godot@ poster signed and inscribed by AE. Packages 3-4 b. 17 Yale Repertory Theater posters, 1969-1984. c. 2 Guthrie Theatre posters, 1979, n.d. Packages 5-7 d. 18 performance posters for various companies, 1960-1997; includes: AMartha Schlamme and Alvin Epstein: Songs by Kurt Weill,@ signed and inscribed by AE. 9. AGreat Ladies of the Theater,@ calendar, 1967. 10. Posters. a. Yale Law School film society; productions include AThe Thin Man@ and ALibeled Lady.@ Packages 8-10 b. Miscellaneous; includes protest and political action posters re: Vietnam War, 1960s-1970s. Package 8 B. Personal memorabilia; Petition intended for President Nixon, to end Vietnam War. C. Photographs. Package 11 1. Large black and white director=s portrait of AE. 2. Various prints re:

Epstein, Alvin (2/17/06) a. ABoy Meets Girl,@ Gurthrie Theatre, 1978, black and white print; includes William H. Macy. b. AA Kurt Weill Cabaret,@ Guthrie Theare, 5 black and white prints; includes Martha Schlamme, AE. c. AMartha Schlamme In Concert,@ ASurprise, Surprise,@ includes print of Martha Schlamme. d. Marlene Dietrich, black and white print. e. AOld Times,@ Williamstown Theatre Festival, 6 black and white prints/production stills of Sigourney Weaver, Dianne West, Edward Herrmann. 3. Large black and white production prints of AGood Woman of Setzuan,@ American Repertory Theater, 1987; AMedia Amok,@ by Christopher Duuang, Berkshire Theatre Festival, 1965-1966. D. Artwork. 1. Identified. Packages 11-12 a. Large holiday card to AE from Guthrie Theatre from AE. b. Handmade ASeven Deadly Sins@ poster. c. Watercolor signed AStein, 1968.@ d. Figure painting by Claude Marks, 1959. e. Watercolor and pencil work signed AJulio, 1981.@ f. Color print of AThe Ballroom@ by Marion Pinto. g. ADrawings to the Song of Songs@ by Felice Pazners, 7 prints. h. AGood By Do,@ ink on napkin drawing. i. AThe Details of Chaos,@ pencil drawing. j. Ink on paper drawing signed AKaffe Bl.@ k. Ink on posterboard inscribed AAlvin - All the magic charms are with you tonight - Kaffe,@ for the opening of AA To Z,@ Apr. 20, 1960. l. 2 pencil drawing of ASandy,@ one of cat, signed AMark, Dec. 26, 1970.@ m. Mountain scene, mixed media, inscribed AWith love and many thanks for giving us Enrico,@ signed ASuzanne, 1964.@ n. Ink on posterboard drawing signed AR, 70.@ o. AThe Prospecto,@ by John Peter Small, ink on paper drawing. p. Ink on paper drawing of dog, by John Peter Small. q. AThunderbird,@ hand-colored. r. Pencil portrait of AE, singed, AME.@ s. AFool - Alvin, 1955,@ mixed media work, inscribed, AHeartfelt wishes for tonight from one fool to another.@ t. AFool Alias Alvin, King Lear, Habimah,@ painting, Spring 1955.

Epstein, Alvin (2/17/06) u. AAlvin,@ ink drawings on paper. v. Pencil drawing of dog inscribed ATo Alvin from your niece Molly. With Love. My Drawing of Yanik,@ w. Painting of AInspector General,@ Yale Repertory Theater. x. AHenry David Thoreau,@ print of sketch, signed ATecha.@ y. AAlvin Epstein as Henry David Thoreau,@ pencil drawing, signed ATecha, 67.@ 2. Unidentified; includes pastel, pencil, watercolor, and ink works of various sizes. 3. Set designs; includes ADido and Aeneas,@ ADie Fledermaus@ and AMachiavelli=s Madragola@ prints; also includes unidentified pencil drawings.

Epstein, Alvin (2/17/06) Epstein, Alvin #1717 3/2/07 Preliminary Listing

Added to Box 44

I. Printed Materials. A. AA Kvetch de Coeur From the Abyss of Middle Age,@ by Ben Brantley, article re: AE, , 3/2/07. [F. 1]

Epstein, Alvin (03/02/07) Epstein, Alvin #1717 5/1/14 Preliminary Listing

I. Printed Materials. Box 45 A. Files. 1. “NY Times JFK Funeral,” 1969; notables include: [F. 1] a. Original newspaper covering John F. Kennedy’s funeral. 2. “Printed Matter – Books,” 1991-96. [F. 2-3] 3. Untitled re: American Repertory Theatre, 1995-99. [F. 4-5] 4. Untitled re: “Write Me in the Sand,” 1997. [F. 6] B. General. 1. ----Music, magazine, August 1995. [F. 7] 2. 1 catalog, n.d. 3. 1 newspaper clipping, 1/6/2002.

II. Correspondence. A. Files; includes TLS; TL; ALS; ANS; AN; postcards; may include photographs; financial materials; printed materials; memorabilia; professional materials; legal materials. 1. “Indian Rd. Apt.,” 1984-89; includes subfile: [F. 8] a. “Apt. Coop Papers & Notes.” 2. “Mail from Kaffe,” 1960-63. [F. 9] 3. “Neupert,” 1947-54. [F. 10] B. General, re: letters from Vos, Erik; includes TLS, 1997. [F. 11]

III. Professional Materials. A. File; includes printed materials. 1. “NY Festival of Song,” 1996-99. [F. 12]

IV. Legal Materials. A. Files; may include manuscripts; financial materials; correspondence; printed materials; professional materials. 1. “Braverman,” 1986-98; includes subfiles: [F. 13] a. “Frost & Berenholtz & Sharron.” b. “Estate Anita Braverman.” c. “Frost & Berenholtz $5,000.00 Fee.” d. “Braverman Current Stock Material & Old, Bounced Check.” e. “Rejected First Attempt & Check #606 Un-deposited.” f. Untitled re: Braverman Estate. g. “A. Braverman Filing Instructions/Inventory/Death Certificates/Copy of Authorization of Letter of Administration/Arthur Braverman Death Notice.” Epstein, Alvin (5/1/14) Page 1 of 3

2. “Damien & Simla Shelton,” 1995. [F. 14]

V. Memorabilia. A. Files; may include professional materials; printed materials; legal materials; financial materials; correspondence. 1. “Animals,” 1967-95; includes subfiles. [F. 15] a. “Yashka.” b. “Animals: Memorabilia.” c. “Jack’s Angell Memorial I.D. Card & 5 Bits of Hair.” d. “Dog Training.” 2. “Star in Scorpius named Alvin Epstein,” 1981. [F. 16] B. General. 1. Wallet, n.d. [Env. 1] 2. 1 Israeli stamp, n.d.

VI. Diaries and Journals. A. 1 daily planner, “David Sigel’s Book,” 1964. [F. 17]

VII. Artwork. A. Untitled file re: Kasse Fassett, “Impressions of the Coast,” n.d. [F. 18]

VIII. Audio Materials. Box 46 A. Reel-to-reels. 1. 7” Reels. [Loose] a. “Abduction 1,” n.d. b. “Abduction 2,” n.d. c. “Bach, Concerto for 3 Harpsichords, No. 1 in D Minor, No. 2 in C Major, Concerto for 4 Harpsichords in A Minor,” 1956. d. “Beethoven, Guiomar Novaes/Piano,” 1951. e. “Chopin, Etudes Op. 10, Etudes Op. 25,” 1956. f. “Colette, Act I, Musical Cues # 1 thru 36,” n.d. g. “Colette, Act II, Musical Cues, #37 thru 58,” n.d. h. “De Falla, Nights in the Gardens of Spain,” 1954. i. “Die Meistersinger I,” n.d. j. “Die Meistersinger II,” n.d. k. “Die Meistersinger III,” n.d. l. “Dinner Party & Poetry Reading,” n.d. m. “Festival of Carols and Orchestral Music,” n.d. n. “The Hebrew Language,” 1955. o. “Mime Numbers,” n.d. p. “Mozart Canons & Elizabethan Airs,” 1961. q. “Musical Offering – Arabella,” n.d. r. “Rehearsal Tape – For Whatever May Come Up,” n.d. s. “Robert Edmond Jones – Towards a New Theatre,” n.d. t. “Rosenkavalier, Act I,” n.d. Epstein, Alvin (5/1/14) Page 2 of 3

u. “Rosenkavalier, Act II,” n.d. v. “Rosenkavalier Act III,” n.d. w. “Sounds of Animals,” 1954. x. “Stuyvesant String Quartet – Mozart, Quartet in D Major, K. 499, Quartet in D Major, K. 575,” n.d. y. “Stuyvesant String Quartet – Paganini, Quartet in E; Boccherini, Quintet No. 1 in D for Guitar & Strings,” n.d. z. “Stuyvesant String Quartet – Ravel, Quartet in F, Debussy, Quartet in G Minor,” n.d. aa. “Turandot,” n.d. bb. “World of Theatre,” 1966. cc. “Zauberflote 1,” n.d. dd. “Zauberflote 2,” n.d. ee. 6 Untitled Reels, n.d. Box 47 2. 5” Reels. a. “Classical Sampler,” n.d. [Loose] b. “Excerpts from Burns Night, The Satire Society (Edinburgh),” n.d. c. “Flamento Guitar Played by Mano Escudero,” n.d. d. “Music Demonstrator,” n.d. e. 7 Untitled Reels, n.d.

IX. Film and Video. A. Video Cassettes. 1. “Dido en Aeneas,” n.d.

Epstein, Alvin (5/1/14) Page 3 of 3

Epstein, Alvin #1717 5/7/15, 5/27/15 Preliminary Listing

I. Printed Material (See also Series XII for Oversized Materials). A. Files. Box 48 1. “9/11 N. Y. Times, Sept. 13, 2001 & N. Y. Times, March 12, 2002.” [F. 1] 2. “Adriana Lecouvreur Libretto, etc.,” 1989. [F. 2] 3. “Alvin Epstein Italian Folk Tales #1,” n.d.; includes correspondence. 4. “AE Individual Events,” 1999- 2008; includes memorabilia; professional materials; financial materials; photographs; correspondence; manuscripts; subfiles: [F. 3-5] a. “AE Individual Events,” 1960-1990. b. “AE Individual Events,” 1990-1999; includes subfile: i. “Theatre Library Association Awards 5/29/98,” 1998. c. “Alvin Epstein,” 1976, n.d. d. “April 17, 2000 Theatre Kurt Weill’s Leading Ladies and Gentlemen,” 2000. e. “A.R.T. pA.R.T.y 2000, Programs & ‘Tripolar’ Script (Chris Durang) 5/5/00,” 2000. f. “Beckett/ Berlin/ 2000,” 1999-2000. g. “pARTy 2001, Gala on the Grass,” 06/04/01. h. “Writers Conference 2004 Readings,” 2004; includes correspondence. i. Re: Buglisi/ Foreman Dance, 2002-2003. 5. “All That Fall: Kaliyuga Arts,” 2005; includes correspondence. [F. 6] 6. “Awards,” 1994-2001; includes professional materials; memorabilia; photographs; financial materials; correspondence; subfiles: [F. 7-9] a. “Berkshire Theatre Festival,” 1966-1996. b. “Brandeis,” 1966-1996. c. “Eliot Norton Prize-Programs & Letter,” 1996. d. “Obie Lifetime Achievement Award,” 2006-2007. e. “Torch of Hope, Nov. 7, ’94,” 1994-1996. 7. “BAM,” 2008; includes memorabilia; correspondence; professional materials. [F. 10] 8. “The Boston Conservatory,” 2001; includes correspondence. 9. “Books,” 1988-1999; includes financial materials; professional materials; manuscripts; correspondence; subfile: [F. 11] a. “Books- Dad’s Yiddish & Russian, Donations to Yale, etc.,” 1988-1989.

Epstein, Alvin (5/7/15, 5/27/15) Page 1 of 21

10. “The Bridge Project,” 2009-2010; includes correspondence, professional materials; photographs; notable: [F. 12-13] a. Mendez, Sam. 11. “The Cherry Orchard,” 2005; includes subfile: [F. 14-15] a. “The Atlantic Theater Company,” 2005; includes photographs, manuscripts, professional materials, correspondence. 12. “From Marshall Izen,” 2006; includes audio materials. [F. 16] 13. “Interviews and Feature Articles,” 1956-2005; includes correspondence; subfiles: [F. 17-18] a. “Addressing Ageism- Back Stage Article,” 10/21/2001. b. “AE Interviewed by Jonathan Kalb,” 1986; includes correspondence. 14. “King Le,” 10/4/2005-12/30/2005; includes correspondence; photographs; electronic media; professional materials; subfile: [F. 19-20] a. Re: “King Lear,” 2005. Box 49 15. “King Lear,” 2005-2007; includes correspondence; professional materials; photographs; subfiles: [F. 1-2] a. “Actors’ Shakespeare Project,” 2005. b. “Actors’ Shakespeare Project,” 2005-2006. c. “King Lear,” 2005. d. “King Lear,” 2006-2007. e. “Lear Notes,” n.d. f. “Lear Scenes,” n.d. 16. “Kiss Me Kate Vocal Score,” n.d. [F. 3] 17. “La Fin Du Jour,” 2003-2004. [F. 4] 18. “‘Lady in the Dark’ – Vocal Score,” n.d. [F. 5] 19. “ Theater Directors Lab July 12-31, 2004,” summer 2004; includes professional materials, correspondence. 20. “MacDuffie Dreisamsts 27 D-79098 Feibruig,” 1992-1998; includes correspondence. [F. 6] 21. “Mark Taper Forum ‘I’m a Stranger Here Myself’ Dec. 4, 2000”; includes personal memorabilia; correspondence. 22. “The Market Theater,” 6/19/2001-7/5/2001, n.d.; includes correspondence; professional materials; subfiles: [F. 7] a. “Market Theater June 2001,” 6/8/2001. b. “Alvin Reminder,” n.d. 23. “Michael Feinstein, Weill Recital Hall,” February 2001; includes correspondence; financial materials. [F. 8] 24. “Mitch Albom’s ‘Tuesdays with Morrie’,” 2002-2003. [F. 9] 25. “Music – Old Keys, Before Transposition,” n.d. 26. “Newspaper Clippings (Non-“Morrie”),” 2001-2003; includes correspondence. [F. 10] 27. “Only a Kingdom,” 1990-2006; includes professional materials; correspondence; audio materials; subfile: [F. 11]

Epstein, Alvin (5/7/15, 5/27/15) Page 2 of 21

a. “Only a Kingdom,” 1937-2006, n.d. b. Re: audio recordings, 1998-2006. [Env. 1] 28. “ Article,” February 2012; includes subfile: [F. 12] a. “Alvin Epstein.” 29. “Programs,” 2000-2003. [F. 13-15] 30. “Richmond Shepard Mime,” 2005; includes RS’ autograph. [F. 16] 31. “Riverdale – Yonkers – Ethical Culture Society,” 2000-2001; includes correspondence; professional materials. 32. “SD+O – Market Theater – April 2002,” 3/22/2002-8/18/2002; includes correspondence. 33. “Songs Degenerate & Otherwise,” 2002-2005; includes professional materials; manuscripts. [F. 17-18] 34. “Stella Adler Studio of Acting,” 2007-2008; includes correspondence. [F. 19] Box 50 35. “Stonington Opera House,” 1990-2001; includes correspondence; subfile: [F. 1] a. “Vineyard Playhouse Programs + Press Release, Mon. August 28,” 8/25/2000-8/28/2000, n.d. 36. “‘The Tempest,’” April 2010. [F. 2] 37. “‘The Tempest’ ASP February 12-April 13, 2008”; includes correspondence. 38. “UK 2010 The Bridge Project, As You Like It, ‘The Tempest,’” 2010-2011; includes medical records; financial materials; correspondence; personal memorabilia; subfile: [F. 3-5] a. Re: medical information, 5/29/2010-8/12/2010. 39. “Weill File”; includes subfiles: [F. 6] a. “Shafman Debt,” n.d.; includes financial materials. b. Re: Songs Degenerate and Otherwise,” 2001-2003; includes correspondence; photographs. 40. Re: Actors’ Shakespeare Project, 3/13/2008-4/13/2008, n.d. [F. 7] 41. Re: Beckett Plays, Act Without Words, 10/22/1988, n.d.; includes correspondence. 42. Re: early script of “Six Characters” with notes, 1979 43. Re: “The ,” 2004-2005; includes correspondence; photographs. [F. 8] 44. Re: “Hamlet”/“The Matchmaker,” 8/7/2008-8/17/2008, n.d.; includes professional materials. [F. 9] 45. Re: Ibsen Society of America, 1984-1985. 46. Re: “Nikolai and the Others,” 2013; includes correspondence. [F. 10-11] 47. Re: programs from early productions, 1942-2002; includes photographs; professional materials; correspondence; artwork; legal materials; manuscripts; personal memorabilia; notebooks; financial materials; subfiles: [F. 12-17] a. Re: ballet programs, 1950-1966.

Epstein, Alvin (5/7/15, 5/27/15) Page 3 of 21

b. “Audition Trip – March 3-21, 1974: Tell, Telkoff,” 1974; includes professional materials. c. “Egypt,” 1985; includes legal materials. d. Re: Insurance policies, 1984; includes legal materials, financial materials. e. Re: Arturo Toscanini, 1938-1987; includes correspondence. f. “AE – Stage Set Pastel from @ 1945-50,” n.d.; includes artwork. g. “Drawings of Dad + Negative,” n.d.; includes photographs, artwork. Box 51 48. Re: Paris souvenir postcards, blank, n.d. [F. 1] 49. Re: reviews of Yale Repertory Theatre’s performance of “Richard II” by William Shakespeare, 2007. 50. Re: stain removal hints, 1992; includes manuscripts. 51. Re: “Tuesdays with Morrie,” 2003; includes correspondence. [F. 2-3] 52. Re: talent agencies and networking, 2000-2004; includes correspondence, professional materials, manuscripts. [F. 4] 53. Re: “The Tempest,” 2009. B. Booklets, 1949-2012, n.d. [F. 5-7] C. Brochures, 1974-2010, n.d. [F. 8] D. Blank postcards, n.d. [F. 9] E. Bookmarks, n.d. F. Invitation re: new exhibition, “Portrait Photographs by George Platt Lynes,” at the Harvard Theatre Collection, 1/8/2003-2/28/2003. G. Maps, 1986-2004. H. Newsletters, 1983-2008. I. Pamphlets, 2002-2010, n.d. [F. 10] J. Photocopies, n.d. K. Play scripts, 1961-2012. [F. 11] L. Programs, 1985-2013, n.d.; includes correspondence. [F. 12-17] M. Music scores. 1. “A Little While,” advance artist copy, 1994. [F. 18] 2. “John Adams in Amsterdam: A Song for Abigail,” 2005. 3. Kurt Weill, “Happy End,” Universal Edition, 1958. 4. Schirmer’s Library Vol. 161, “Czerny: The School of Velocity,” Op. 299, complete, 1893. [F. 19] 5. Symphony #66 by Joseph Haydn, 1967. 6. Untitled photocopy of song sung by “Jack,” n.d. 7. Fragments, 1960-1961. Box 52 N. Magazine clippings, 2004-2007. [F. 1] O. Newspaper clippings, 1998-2010, n.d. P. Flyers, 2004-2009; includes professional materials; correspondence. [F. 2] Q. Internet printouts, 6/26/2005-1/29/2013 R. Book fragment, “24 Favorite One-Act Plays,” edited by Bennett Cerf and Van H. Cartmell, p. 1-65, 1958.

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S. Magazines, 1956-2011.

II. Manuscripts. A. Files. 1. “2 ‘Morrie’ Scripts, Not the Final Version,” 2002, n.d.; includes printed material; correspondence; manuscripts. [F. 3] 2. “Almost Everything Must Go,” 2003; includes audio materials. [F. 4] 3. “Casa Mañana,” 1995; includes audio materials; photographs; printed material. [F. 5] 4. “Donald Moreland Tandy + the 3 B’s,” 1987; includes photographs; correspondence; printed material. [F. 6] 5. “Howard Zilber Scripts,” 2003-2006; includes printed material; correspondence. [F. 7] 6. “The Key of G,” 2004; includes printed material. [F. 8] 7. “Mark Epstein Chapters,” n.d. 8. “The Mock Doctor,” 2004; includes photographs. 9. “‘Nikolai and the Others,’ Lincoln Center Theater, Alvin Epstein,” 2013; includes printed material; professional materials; subfiles: [F. 9-10] a. Re: “Nikolai and the Others” script, n.d. 10. “Tasting Memories,” 2004; includes professional materials; correspondence. [F. 11] 11. “Triumph, Tragedy and Triumph,” n.d. 12. “Samson Agonistes,” 2003; includes correspondence; printed material; professional materials. [F. 12] 13. “St. Louis of Long Beach,” n.d. 14. “‘Skylock,’” 2007; includes correspondence; printed material. [F. 13] 15. Re: The Alvin Project, 1975-2012; includes printed material; correspondence; subfiles: [F. 14] a. Re: Topics for the Alvin Project, 6/23/2012-6/24/2012. b. Re: AE/Jonathan Fried Project, n.d. 16. Re: A Capella, 2012; includes correspondence. [F. 15] 17. Re: Carmen de Lavallade, 2007; includes correspondence. 18. Re: Const. A. Schultz Autobiographical essay, 1998-2010; includes correspondence; printed material. 19. Re: Frederick Feirstein works, 1963-2008; includes correspondence. 20. Re: “La Fin du Jour,” 2012, n.d.; includes correspondence; memorabilia; subfile: [F. 16] a. “La Fin du Jour,” n.d. Box 53 21. Re: “Larger Than Life,” musical by Herschel Garfein and Robert Aldridge, 1997, n.d.; includes audio materials; correspondence. [F. 1] 22. Re: Plan for video program and description of reel contents, n.d.

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23. Re: “Tuesdays with Morrie,” 2002; includes correspondence; professional materials. 24. Re: various notes, n.d.; includes professional materials; printed material; correspondence. 25. Re: various notes, n.d. 26. Re: handwritten notes and photocopies of handwritten notes, ca. 1/2/1940, n.d. B. Stage plays. 1. “End of Day” by AE and Catherine Wolf, TS, 50 p., 2010. [F. 2] 2. Plays by others (arranged alphabetically by last name). a. “Sin,” adapted by Mark Altman, TS with holograph notes, 2 drafts, approx. 73 p. each, n.d.; includes printed material. [F. 3] b. “Dinner with the Family,” by Jean Anouilh, translated by Edward Owen Marsh, TS, approx. 60 p., n.d. [F. 4] c. “The Last Analysis,” by Saul Bellow, approx. 100 p., 1965. d. “The Imported Bridegroom,” by Pamela Berger, TS, 55 p., 2/3/2004; includes correspondence; electronic media. [F. 5] e. “Heldenplotz,” by Thomas Bernhard, translated by Michael Feingold, TS, approx. 150 p., 1998; includes correspondence. f. “Conspiracy of Memory,” by Stephen Bogart, TS with holograph notes, 107 p., 2003; includes correspondence. [F. 6] g. “The Beast,” by Tom Breidenback, TS, 25 p., 7/9/2005. h. “The Common Face,” by Kenneth Brown, TS, 66 p., 1992. i. “Shelter,” by Jordan Buck, TS, 2012; includes correspondence; professional materials. j. “Isle of Slaves,” by Carlet de Chamblain de Morivaux, translated by Michael Feingold, TS, 35 p., 1988; includes correspondence. [F. 7] k. “The Lyric Suite,” by Frank Corsavo, TS, 1996, n.d.; includes correspondence. l. “Write Me in the Sand,” by Inez Dullemen, translated by Anthony Ackerman, TS with holograph notes, 100 p., 1989. [F. 8] m. “Bacchae,” by Euripides, translated by Kenneth Cavander, TS with holograph notes, approx. 100 p., n.d. n. “Ragozine,” by Michael Feingold, TS, approx. 100 p., 1995. [F. 9] o. “The Office,” by Maria Irene Fornes, TS, approx. 110 p., 1966. p. “Whaddeya Got, Kid?” by Barbara Fried, TS with holograph notes, 19 p., 2003. [F. 10] q. “Sodom and Gomorrah,” by Jean Giraudoux, TS, 70 p., 1999.

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r. “The Inspector-General,” by Nicolay Gogol, translated by Thomas Seltzer, TS, approx. 100 p., 7/27/2001. s. “Tuesdays with Morrie,” by Jeffrey Hatcher and Mitch Albom, TS with holograph notes, 3 drafts, approx. 60 p. each, 10/5/2002-11/19/2002. [F. 11] t. “Man Overboard,” by Jay Hoffman, TS with holograph notes, 124 p., n.d. [F. 12] u. “The Magician,” by Alexander Francis Horn, TS, 148 p., n.d. [F. 13] v. “Columbus,” by Riad Ismat, TS, 110 p., 1989. [F. 14] u. “Parrots: A Comedy of Escape,” Harvey Jacobs, TS, 122 p., 1993; includes correspondence. [F. 15] w. “Seven Lessons,” by Brigitte Jaques, translated by Albert Bermel, photocopies of printed TS, approx. 40 p., 8/13/1997; includes correspondence. x. “Volpone,” by Ben Johnson, TS with holograph notes, 64 p., 2012; includes printed material; correspondence; medical records. [F. 16] y. “The Good Depths of Nowhere,” by Mark Katzman, TS, 78 p., 2004; includes correspondence. [F. 17] z. “Poet,” by Deborah Kearney, poems by Peter Viereck, TS, 125 p., 1999; includes correspondence. aa. “The Great Fugue,” by Frederic Kimball, TS with holograph notes, 112 p., 1998-2005; includes correspondence; printed material. [F. 18] ab. “Mrs. Leo Tolstoy,” by Sergei Kokovkin, translated by Betsy Halick, TS, 51 p., 2003; includes correspondence. ac. “The Final Solution,” by Wim Van Leer, TS, 93 p., 1964. [F. 19] ad. “Ziskin’s Revels,” by Jonathan Levy, TS, 42 p., 1968. Box 54 ae. “Old Timers’ Sexual Symphony,” by Morton Lichter, TS, 68 p., n.d. [F. 1] af. “Das Kalkwerk,” by Krystian Lupa, TS with holograph notes, approx. 70 p., n.d. ag. “Stolen Sweets,” by Robert J. Mailloux, TS, 64 p., 2004. [F. 2] ah. “The Dispute,” by Jeanne-Pierre Carlet de Chamblain de Marivaux, TS with holograph notes, 33 p., 1985. ai. “The Exhaustion of Our Sons’ Love,” by Jerome Max, TS, 89 p., 1996. aj. “The Exhaustion of Our Sons’ Love,” by Jerome Max, TS, approx. 80 p., 1996; includes correspondence. [F. 3] ak. “A Summer Evening in Des Moines,” by Charles L. Mee, TS with holograph notes, 105 p., n.d. al. “You Can’t Think of Everything,” by Alfred de Musset, translated by Michael Feingold, TS, approx. 100 p., 1987.

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[F. 4] am. “Beyond Belief,” by Jack Neary, TS with holograph notes, 96 p., 2003. an. “The Occurrence, or Orange Blossom Special,” by Maggie Paley, TS, 30 p., 2003; includes correspondence. [F. 5] ao. “Orange Blossom Special,” by Maggie Paley, TS, 30 p., 2003; includes correspondence. ap. “Innocence: A Discourse on the Literary Imagination,” by Harvey Perr, TS, 14 p., n.d. aq. “Right You Are (If You Think You Are),” by Luigi Pirandello, adapted by Robert Brustein, TS with holograph notes, 60 p., n.d. ar. “Dear Miss Elena,” by Lyudmila Razumovskaya, photocopies of printed TS, approx. 50 p., 1980. [F. 6] as. “Vladimir Square,” by Lyudmila Razumovskaya, TS, approx. 100 p., 2001. at. “‘We Are Such Stuff…’ A Play of Reminiscence,” by Jerome Ross, TS with holograph notes, 48 p., 2003. au. “Unique Hearts,” by Rick Ruscoll, TS, 82 p., 2000; includes correspondence. [F. 7] av. “Simon Says,” by Mat Schaffer, TS, 100 p., 2007; includes printed material. [F. 8] aw. “Johnny Ride a Pony,” by J.L. Selby, TS, 105 p., n.d. ax. “Teibele and Her Demon,” #3 by Isaac Bashevis Singer and Eve Friedman, TS, 95 p., n.d. [F. 9] ay. “Barbarosa,” by Tom Sleigh, TS, 72 p., n.d.; includes printed materials, correspondence. az. “Summer’s Lease,” by Susan Strasberg and Terry Kingsley-Smith, TS, 130 p., 2006; includes correspondence. [F. 10] ba. “Appasionata,” by Ian Strasfogel, TS with holograph notes, approx. 125 p., September 2007; includes printed materials, correspondence. bb. “Der Voyeur,” (German script) by George Tabori, TS with holograph notes, 75 p., n.d. [F. 11] bc. “Flight Into Egypt,” by George Tabori, TS, approx. 130 p., n.d. bd. “Bodily Function,” by Roland Tec, TS, 77 p., 1999. be. “Bodily Function,” by Roland Tec, TS, 73 p., 2000 (2 copies). [F. 12] bf. “Bodily Function,” by Roland Tec, TS, TS with holograph notes, 2 drafts, 90 p. each, 2001. [F. 13] bg. “King,” by Michel Vinaver, translated by Gideon Lester, TS, 105 p., n.d. [F. 14] bh. “Chelsea Hotel,” by Arnold Weinstein, TS with holograph notes, 87 p., n.d.

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bi. “They or the Messages (A Mystical Farce),” by Arnold Weinstein, TS wit holograph notes, 63 p., n.d. [F. 15] bj. “Very Very Large Little Girl,” by Laurie Williams, TS, 64 p., 2003; includes correspondence. bk. “Saul,” by Howard Zilber, TS, approx. 83 p., 1997 (2 copies); includes correspondence. [F. 16] 3. Plays by unidentified authors. a. “24 Evenings of Wit and Wisdom,” TS with holograph notes, 37 p., n.d. [F. 17] b. “The Apollo of Bellac,” TS, 17 p., n.d. C. Screenplays. 1. “The Farm,” by Jack Garfein, TS, 116 p., 1987; includes correspondence. [F. 18] 2. “The Personal Effects of Anne Solomon,” by Roland Tec, TS, 64 p., 2005-2008; includes correspondence; printed material. 3. “Red State Project: An American Quilt in Film,” by Roland Tec, TS, 12 p., 2005-2006; includes printed material. Box 55 D. Memoirs. 1. “Harry and Sonia, Sonia and Harry,” by Mary Hahesy, TS and holograph (photocopy), 160 p., 4/9/1993-4/11/1993; includes correspondence. [F. 1] E. Librettos. 1. “Raoul,” by Michael Kunze and Gershon Kingsley, TS, 135 p., n.d. [F. 2] 2. “A General Opera,” by and Arnold Weinstein, TS, musical score, approx. 150 p., total, 1977. 3. “Cassiopeia,” TS, 58 p., 2002; includes correspondence; printed material. F. Novel Drafts. 1. THE RAPE OF EUROPA, Rudolph Binion, TS, approx. 100 p., n.d.; includes correspondence. [F. 3] G. Screenplay proposal, “Partners in Crime,” by Pat Foley Pomerantz, TS, 51 p., 1993. H. Teleplay, “One Life to Live,” author unidentified, TS with holograph notes (photocopies), 4 p., 9/29/2003. [F. 4] I. Thesis, “Directing ‘Endgame’: Samuel Beckett’s Response to Three American Productions,” by Natka Bianchini, TS, 105 p., 2004; includes correspondence. J. Unidentified draft fragments, TS, TS with holograph notes, approx. 45 p., 7/13/2007, n.d.; includes correspondence. K. Notes, holograph, approx. 15 p., 5/1/2002, n.d.; includes professional materials; correspondence. L. Various song lyrics and jokes, holograph, 3 p., n.d. M. Outline, “Who’s Your ,” by the Wooster Group, TS, 3 p., 2006 (2 copies).

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N. Lecture, re: “Networks and Greek History,” by Roddy Malkin, TS with holograph notes, 10 p., 2005; includes printed material.

III. Professional Materials. A. Files; may include printed material; correspondence. 1. “2004 Lotte Lenya Competition,” 2004. [F. 5] 2. “2007 Directors Lab – Ann Cattaneo,” 2007. 3. “Alvin Epstein,” 2011-2013; includes manuscripts; memorabilia; subfile: [F. 6] a. “Cherry Orchard Contact Sheet, Etc.,” 10/13/2011- 10/17/2011; includes correspondence. 4. “Bios,” 1967-2008, n.d.; includes manuscripts; subfiles: [F. 7] a. “Assorted Bios,” 1983, n.d. b. “Who’s Who,” 1967-1983, n.d. 5. “Booking Material + List of Names,” 1971-2004; includes manuscripts; subfiles: [F. 8-10] a. Re: “Low Golden,” 1971-2002; includes printed material; correspondence. b. Re: “By Weill” tour, 2004; includes correspondence; printed material. 6. “The Center for Creative Resources,” 2004. [F. 11] 7. “Entartete/Musik Poster + Material + Our Adaptation,” n.d.; includes electronic media. 8. “Everyone (Loose Pages),” 1991-1993; includes research materials. 9. “Gene Frankel Theatre,” 2000. 10. “‘Endgame’ BAM,” 2008; includes notable: [F. 12] a. Turturo, John. 11. “A Kurt Weill Cabaret, MS + AE – Score, Reviews, Programs, etc.,” 1969-1984. [F. 13-14] 12. “Kurt Weill: Songs Degenerate + Otherwise,” n.d.; includes manuscripts. [F. 15] 13. “Melodramas – Babette Hierholzer,” 2004; n.d.; includes audio materials; photographs. [F. 16] 14. “Photo Re Pro-Info,” 2002-2003. [F. 17] 15. “Publicity Material,” n.d. 16. “Publicity Material + Cathy Raud Pix + Bio,” n.d.; includes manuscripts. 17. “SD + O: Expenses,” 2002. 18. “SD + O Promotional Video Notes,” 2002. Box 56 19. “Songs that Love Us,” n.d.; includes subfiles: [F. 1] a. Re: “Songs That Love Us” program choices, n.d.; includes printed material. 20. “Theater for a New Audience ‘Hamlet’ Feb to April 2009”; includes manuscripts; subfiles: [F. 2] a. “TFANA ‘Hamlet,’” 2008-2009; includes medical records.

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b. “TFANA ‘Hamlet’ Reviews, 2009. 21. “‘Tuesdays with Morrie,’” 2002-2006; includes manuscripts; subfile: [F. 3-4] a. “Press Coverage,” 2006. 22. “‘: The Musical,’” 2002-2003; includes memorabilia. [F. 5] 23. “Weill Miscellany,” 1995. 24. Re: “As You Like It” and “The Tempest,” 2009-2010. [F. 6] 25. Re: Contact sheets, 1996-2001. [F. 7] 26. Re: Museum of Fine Arts Houston, 2007. 27. Re: Kurt Weill, 2005; includes photographs. [F. 8] 28. Re: Sheet music, 2007; includes audio materials. 29. Re: Simon and Simone Dimmerstein, 2009-2012; includes photographs. [F. 9] 30. Re: “Songs Degenerate & Otherwise,” 2002; includes electronic media. [F. 10] 31. Re: “Synecdoche, New York,” 2007; includes manuscripts. 32. Re: travel, 1997. B. Biographies, 2006-2011. [F. 11] C. Concert outline, n.d. D. Contact sheets, 1963-2009. E. Draft of curriculum vitae, ca. 2007. F. Itineraries, 2010. G. List of roles, n.d. H. Production notes, n.d. I. Business cards and contact information, n.d. [Env. 1]

IV. Correspondence. A. Files. 1. “Dinnerstein Triptych,” 2010; includes legal materials; manuscripts. [F. 12] 2. “Misc. Cards + Notes,” 2005-2009, n.d.; includes legal materials; photographs. [F. 13-15] 3. “Personal Correspondence,” 2010. [F. 16] 4. “‘Tuesdays with Morrie’ – Hartford Theatre-Works,” 921/2004- 10/20/2004. 5. Re: AE’s time in the military, 1943-1944, n.d.; includes manuscripts. [Note: Originals were severely water damaged before arriving at HGARC. Only photocopies were retained for preservation reasons.] 6. Re: old acquaintances, 2002. 7. Re: Troupe for Theatre research, 2002. B. General, includes, cards, ANS, ALS, AL, TLS, TL; may include printed material; photographs; artwork. 1. 1945-1952. [F. 17] 2. 1964-2003. [F. 18]

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3. 2004-2005. [F. 19] 4. 2006-2013. [F. 20] 5. Undated. [F. 21]

V. Personal Memorabilia. Box 57 A. Tickets, 2010-2013, n.d. [Env. 1] B. Stage passes (3), 2009-2010, n.d. [Env. 2] C. Gramophone record cover and booklet, “Yvette Guilbert,” n.d. [F. 1] D. Hotel souvenirs, n.d. E. Recipes, n.d. F. Silver photo frame, inscribed “Howard Katz March 1, 2007, Roundabout Theatre Company.” [F. 2] G. Awards. 1. Reward of the jade bridge from Yale School of Drama, 4/21/1976; includes photographs. 2. “Alvin Epstein/Lee Strasberg ‘Nobody dies on Friday’ – 1998.” [Loose] 3. “Barbara Barondess Theatre Lab Non-Profit Foundation The Torch of Hope, Alvin Epstein, 1994.” 4. “Jason Robards Award for dedication to the theatre, Alvin Epstein, June 4, 2001, American Repertory Theatre.” H. 2 shot glasses from Classic Stage Company, n.d.

VI. Photographs. A. Files. Box 58 1. “(1) Patti Allison, Winter ’93/’94, Hildy + Son’s birthday Party Dec 24 1993, Miriam Zoher April 1, 1994, Deanna Byck + Cody 1994,” 25 color prints, 7 strips of negatives. [Env. 1] 2. “4 Seymour Bernstein Portraits,” 2 black-and-white contact sheets, 13 black-and-white prints, n.d. [Env. 2] 3. “8x10 Portraits & Negatives,” 5 black-and-white prints, 5 negatives, n.d.; includes financial materials. [Env. 3] 4. “12/89 Alvin Epstein,” 1 black-and-white print, n.d. [Env. 4] 5. “1944 US Army, Texas (+ copies of AE portrait, probably taken in Texas, w/ negative + reprints made in Bamberg, Germany (?),” 13 black-and-white prints, 1 negative; includes printed materials. [Env. 5] 6. “1944 Photos of Sivi + Iftakh’s newborn – Tomer,” 7 color prints. [Env. 6] 7. “1945 Germany + France – Hereford – Aunt Rose + Joan, 1946 Biarritz + Richard III Tour (Photos taken there + received from us there),” 41 black-and-white prints; includes correspondence. [Env. 7] 8. “1950 1) Israel Tour w/ Decroux 2) August in Cannes w/ Blochs,” 86 black-and-white prints; includes printed material. [Env. 8]

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9. “AE Headshot SD + O: AE + BAC,” 38 color prints, 14 black-and- white prints, n.d.; includes duplicates. [Env. 9] 10. “AE, , Merrill Ford, Robert Taylor, Aspen, September 19, 1994,” 20 color prints; includes correspondence. [Env. 10] 11. “Alvin Epstein,” 6 black-and-white prints, ca. 1937-1945; includes subfile: [Env. 11] a. “Negatives of Peekskill,” 6 negatives, n.d. 12. “‘Androdes and the Lion- Hartford Stage’,” 2 color prints, 1985- 1986. [Env. 12] 13. “Annette Miller’s Photos from Singapore,” 7 color prints, ca. 9/21/1993; includes manuscripts. [Env. 13] 14. “April 1996 Strasbourg/ Colmar,” 5 color prints; includes correspondence. [Env. 14] 15. “August 1993 Mark + Helen – Visit: Brookline, Boston, Tanglewood, Lily + Baird, Westport (w/ Sandy), Jack + Michael Rupsys,” 23 color prints, 7 strips of negatives. [Env. 15] 16. “BAC Photos + Publicity,” 5 black-and-white prints, n.d.; includes correspondence; professional materials; printed material. [Env. 16] 17. “Bios + Photos: Alvin Epstein,” 2 color prints, 4 black-and-white prints, May 1977. [Env. 17] 18. “Blechman Portraits & Godot Character Shots,” 2 black-and-white contact sheets, 17 black-and-white prints, 2 negatives, n.d. [Env. 18] 19. “Brook Adams Paintings While We Were Playing ‘The Cherry Orchard’,” 10 color prints, 6/25/2005; includes electronic media. [Env. 19] 20. “Building Garden ’95 Met Museum Performance Mark + Milly ’95?,” 31 color prints, 7 strips of negatives. [Env. 20] 21. “Building garden + Tanglewood, Summer ’95,” 25 color prints, 7 strips of negatives. [Env. 21] 22. “Canada, Seattle, + Venice L.A. Aug/Sept. ’94,” includes subfiles: [Env. 22-28] a. “Malkins Canada Photos Sent to AE,” 54 color prints, n.d. b. “I,” 36 color prints, 11 strips of negatives, Aug.-Oct. 1994. c. “2,” 36 color prints, 11 strips of negatives, October 1994. d. “3,” 38 color prints, 11 strips of negatives, October 1994. e. “4,” 25 color prints, 7 negatives, October 1994, n.d. f. “5,” 50 color prints, 14 strips of negatives, n.d. g. “6,” 37 color prints, 11 strips of negatives, August- September 1994. 23. “Dad at Indian Road + Israel Trip 1985,” 22 color prints, 7 strips of negatives. [Env. 29] 24. “Dad’s Birthday,” 27 color prints, Nov. 1982. [Env. 30]

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25. “Fall (Sept.-Oct.) 1993 Ireland, France, Belgium,” includes subfiles: [Env. 31-38] a. “Hotel in Renvyle, Lahes, Rovadstone, West Port, Rainbow, Irish Coffee, + Tonie in Dub,” 26 color prints, 7 strips of negatives, 10/25/1993. b. “Cliffs of Moher, The Burreu, Waterville, Round Fort, Ferry,” 37 color prints, 10 strips of negatives, 10/25/1993. c. “Amiens, Beavais [sic], Paris, Ireland,” 27 color prints, 7 strips of negatives, 10/25/1993. d. “Amiens, Bruges, Brussels, Antwerp,” 10/25/1993. e. “Antwerp: Museum- Rogier Van der Weyden, Harvey + Ruth + AE,” 25 color prints, 10/25/1993. f. “Soissons, Paris, Bunratty (Last Day in Ireland: Oct. 8),” 37 color prints, 7 strips of negatives, 10/25/1993. g. Untitled re: photos from Israel with Malkin, 45 color prints, n.d.; includes correspondence. h. Untitled re: photos from Felice Malkin, 18 color prints, 9/28/1993- 10/4/1993; includes correspondence. 26. “Dad’s Photos (Assorted),” 19 black-and-white prints, 1944-1960; includes correspondence; memorabilia; printed material. [Env. 39] 27. “Dates? Etc.,” 10 color prints, 5 black-and-white prints, n.d.; includes subfiles: [Env. 40] a. “Arleen McCarthy Being Dramatic,” 10 color prints, n.d. b. “Roberta Recht Alvin,” 1 color print, n.d. c. Re: photos from art exhibit, 9 black-and-white prints, n.d. 28. “Edith Markson Photos- Chez Joe Gifford (March 1988) + in Moscow (197(9?)),” 4 color prints, 3 black-and-white prints; includes correspondence. [Env. 41] 29. “Endgame H. Clurman Th. Photos + Cherry Lane + New Mayfair (Santa Monica),” 1 color print, 20 black-and-white prints, 4 black- and-white contact sheets, 1984; includes correspondence; printed material. [Env. 42] 30. “Hildy’s + Christopher’s Birthday, Bratts in Vermont Xmas ’95,” 25 color prints, 7 strips of negatives, n.d. [Env. 43] 31. “Israel 1985,” 22 color prints, 6 strips of negatives, n.d. [Env. 44] 32. “Joe Precker/ Peterborough NH w/ Sandy/ Patti Allison + Jack Purrettes Canvas, Ice Storm, Fall/ Winter 1994,” 37 color prints, 7 strips of negatives, 1994-1995. [Env. 45] 33. “Kippy Goldfarb,” 3 black-and-white prints, 2 black-and-white contact sheets, ca. 1995-1997, n.d.; includes correspondence; legal materials; subfile: [Env. 46] a. “Mr. Alvin Epstein,” 15 black-and-white prints, n.d.; includes correspondence. 34. “Kippy Goldfarb Photo Proofs,” 1 color print, 3 black-and-white prints, 1 color contact sheet, 3 black-and-white contact sheets, 2

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color printouts, ca. 2001, n.d.; includes financial materials; professional materials; correspondence; subfile: [Env. 47] a. “2 Good B + W’s, 1) BAC + LR, 2) AE + BAC,” 6 color prints, 9 black-and-white prints, n.d. 35. “Kippy Goldfarb Portrait,” 2 black-and-white prints, n.d. [Env. 48] 36. “Kippy Goldfarb Portraits,” 2 black-and-white prints, 2 black-and- white printouts, n.d. [Env. 49] 37. “Luxor + Tel Aviv + Israel Trip w/ Sivi + Iftakh,” 24 color prints, 6 strips of negatives, 1985. [Env. 50] 38. “Malkin’s Photos- Prague + England 1992,” 41 color prints. [Env. 51] 39. “Martha Photos Corsica, David’s (?) Bar Mitzvah, Film or TV Shots, with Her Students, Restaurant w/ Harry Huff,” 14 color prints, 3 black-and-white prints, 1975-1984. [Env. 52] 40. N. Ellison & K. Goldfarb Portrait Negatives,” 2 black-and-white prints, 2 negatives, n.d. [Env. 53] 41. “Nancy Ellison 8x10’s + Negative Removed to Take to NYC 3/7/03,” 2 black-and-white prints, 2 black-and-white printouts; includes financial materials. [Env. 54] 42. “Nancy Ellison Portraits 102,” 2 black-and-white prints, 4 black- and-white printouts, n.d. [Env. 55] 43. “Nancy Ellison Proofs and Negatives,” 2 black-and-white printouts, 5 black-and-white contact sheets, 12 strips of negatives, 33 color slides. [Env. 56] 44. “NY Worlds Fair May 29, 1939,” 34 black-and-white prints, 34 negatives, n.d. [Env. 57] Box 59 45. “Oct ’92-Spring ’93,” 38 color prints, 10 negatives, 12/29/1992, n.d. [Env. 1] 46. “On Trevors [sic] website,” 2 black-and-white contact sheets, ca. 2001, n.d.; includes correspondence. [Env. 2] 47. “Opening Night ‘3 Penny Open’ Staring [sic] Sting, National Theater, Wash. D.C., attended by George H.W./Barbara Bush,” 4 black-and-white prints, n.d.; includes notable: [Env. 3] a. Brown, Georgia. 48. “Photo Don’s child, Don + Marcia Goldstein and ‘child,’” 6 color prints, January-February 1986. [Env. 4] 49. “Photos to Date,” 51 color prints, 1 black-and-white print, 1984- 1995; includes correspondence, subfiles: [Env. 5-10] a. “For Harvey + Ruth,” 7 strips of negatives, n.d. b. “Negatives to Print,” 2 strips of negatives, n.d.; includes manuscripts. c. Re: home, American Repertory Theatre, n.d.; includes manuscripts. d. Re: goodbye party for Lewis, Ann, and Christine, n.d.; includes manuscripts.

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e. “Photos to Print” re: Suisse, Aunts + AE, Worlds Fair, 14 negatives, n.d.; includes manuscripts. f. “The Burren, outside the Castle Hotel Matchmaking Dance, Abbey, Coole Park + Autograph Tree + Garden, Tor Ballylee (Yeats Tower) Castle,” 6 strips of negatives, n.d.; includes manuscripts. g. Re: AE at a house party, 3 color prints, 4/21/1997. h. “Ring of Kerry, the goat, sheep w/ black faces through my bedroom window (B+B Dublin, out my bedroom window at Mrs Muldoon’s Malkins on top deck of bus Dublin Essex Mass., Newburyport w/ Sandy + Jack + Taffy, stone house in Kinsdale, Youghal Visitors Center (Moby Dick Lounge Bar), Trinity College, 6 color prints, 6 strips of negatives, n.d.; includes manuscripts. i. “Ask Baird,” 3 black-and-white prints, May 1950, n.d. j. “Hildy + Keith’s Wedding – Oxford,” 25 color prints, 4 strips of negatives, n.d. k. Re: Maryland Symphony Orchestra, 25 color prints, 1 color portrait, ca. 7/2/1997; includes correspondence. 50. “Sept 1996 England-Wales, Cracow, Auschwitz – Birkenau; includes subfiles: [Env. 11-21] a. Re: England and Wales, 12 color prints, ca. September 1996; includes correspondence. b. “Zohar/Tec, Portman Hotel, London, Oxford, Birthday(s) Party, Globe Theatre, , Claire Van Kampen, Stephanie Roth + Fiancée (?),” 44 color prints, 7 strips of negatives, n.d. c. “Blenheim, Cotswolds,” 13 color prints, 4 strips of negatives, n.d. d. “St. Thomas (A Becket) church, Salisbury, Wilton House,” 25 color prints, 7 strips of negatives, n.d. e. “Conwy Castle, Wales,” 25 color prints, 7 strips of negatives, n.d. f. Re: Caernarfon Castle, Shrewsbury, Auschwitz, 59 color prints, 10 strips of negatives, 8/25/1996. g. Re: Swallow Falls, Beaumaris Castle, 8 color prints, 4 strips of negatives, 9/25/1996. h. “Bath, Tinturn Abbey, River Wye, Foxley (Manseu-Lacy), The Lake (Lower Pentwyn (?) – D. Pryce-Jones),” 25 color prints, 8 strips of negatives, n.d. i. “Bath & Wells Cathedral,” 26 color prints, 8 negatives strips, n.d. j. “Salisbury, Stonehenge,” 25 color prints, 8 strips of negatives. k. Re: Oxford, Salisbury, Wells, 25 color prints, 7 strips of negatives, August 1996.

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51. “Spain,” 101 color prints, 30 strips of negatives, n.d. [Env. 22] 52. “Strasbourg April ’96 + Brookline @ March ’96,” 24 color prints, 8 strips of negatives. [Env. 23] 53. “Strasbourg & Paris, Garfeins April ’96,” 26 color prints, 8 strips of negatives. [Env. 24] 54. “Stonington Maine, Late Summer 1995 & Malkins in Brookline & Taffy & Jack,” 23 color prints, 8 strips of negatives, n.d. [Env. 25] 55. “‘’ (Marcus Blechman),” 17 black-and-white prints mounted on paperboard, n.d. [F. 1] 56. “Wengen (Suisse),” 27 black-and-white prints, 4 strips of negatives, 1948; includes correspondence. [Env. 26] 57. “WWII,” 22 black-and-white prints, 3/31/1946, n.d.; includes manuscripts. [Env. 27] 58. “Xmas 1993” re: Christopher Daniel Girardi, 2 color prints. [Env. 28] 59. Re: Portrait of AE in long-sleeved turtleneck, 2 black-and-white portraits, 2 black-and-white contact sheets, ca. 12/19/1996, n.d.; includes correspondence; printed material. [Env. 29] 60. Re: Bar mitzvah, 3 black-and-white prints (photocopies), n.d. [Env. 30] 61. Re: Bar mitzvah, 2 black-and-white prints, January 1977; includes correspondence. [Env. 31] 62. Re: Bernard, 2 color prints, 2 black-and-white prints, 1945-1946, n.d.; includes printed material; correspondence. [Env. 32] 63. Re: Clown Triptych, 3 color prints, n.d. [Env. 33] 64. Re: Colorado trip, 15 color prints, 1994; includes correspondence. [Env. 34] 65. Re: Epstein headshots, 16 black-and-white portraits, ca. 1966, n.d. [Env. 35] 66. Re: European vacation; includes subfiles: [Env. 36-42] a. “Prague (1st roll),” 29 color prints, 6 strips of negatives, 1992. b. “Prague,” 25 color prints, 6 strips of negatives, 1992. c. “Prague, Warwick Castle, Coventry, Shrewsbury,” 25 color prints, 7 strips of negatives, 1992. d. “Shrewsbury, Chester, lake district,” 25 color prints, 1992. e. “Yorkshire Dales,” 20 color prints, 10/27/1997. f. “Lincoln,” 20 color prints, 10/27/1992. g. “ELY, Cambridge, London,” 39 color prints, 10 strips of negatives, 10/27/1992. 67. Re: Strausbourg; Unterlinden Museum Colmar, France; family and dogs, 18 color prints, January-April 1996. [Env. 43] 68. Re: Liya Minelli and drag queen, 1 color print, 1 black-and-white print, n.d. [Env. 44]

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69. Re: Maverick concerts and headshots, 11 color computer prints, 26 color contact sheets (computer prints), ca. 2005; includes printed material; notables: [Env. 45] a. Cole, Beth Anne. 70. Re: Susman family, 14 color prints, 6 strips of negatives, 1984- 1987; includes correspondence. [Env. 46] 71. Re: Seattle trip, 17 color prints, 2008; includes correspondence. [Env. 47] 72. Re: Vacation, June 1985; includes subfiles: [Env. 48-54] a. “Cairo, Giza, , Sakkara, Crocodilopolus, (Philadelphos-Fayum),” 25 color prints, 5 strips of negatives, 1985. b. “Giza, Abu Simbel,” 23 color prints, 5 strips of negatives, 1985. c. “Abu Simbel, Aswan, Philoe,” 25 color prints, 5 strips of negatives, 1985. d. “Aswan, Boat/Nile, Kom-Ombo,” 25 color prints, 5 strips of negatives, 1985. e. “Edfu, Nile, Esna,” 25 color prints, 5 strips of negatives, 1985. f. “Nile/Locks, Valley of the Kings, Hatshepsut’s Temple,” 25 color prints, 4 strips of negatives, 1985. g. “Temple of Luxor + Karnak,” 24 color prints, 4 strips of negatives, 1985. B. General. 1. 17 color prints, 2 computer printouts, 1965-2007; includes correspondence. [Env. 55] 2. 20 black-and-white prints, 1953-1965, n.d.; includes correspondence; notable: [Env. 56] a. Constant, Yvonne. C. Albums. Box 60 1. “The Tempest,” 2010; includes electronic media; notable: [F. 1] a. Spacey, Kevin.

VII. Legal Materials. A. Files. 1. “Contracts,” 1955-2013; includes professional materials; printed material; correspondence; financial materials; subfiles: [F. 2-4] a. “Bridge Project,” 2009; includes correspondence. b. “Buchwald 3 Year Representation Contracts from Jan. 3, 2006 to [January 3,] 2009”; includes correspondence. c. Re: AE’s contracts with Agency for Performing Arts, Inc., 1985-1986; includes correspondence. 2. Re: Community Church of New York Funeral Society,” 1987; includes printed material; correspondence. [F. 5]

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B. Contracts. 1. Re: interview published in Shakespearean Interview Yearbook 6, 12/19/2005.

VIII. Financial Materials. A. Files. 1. Re: Health insurance, 1/27/2004-6/18/2004; includes legal materials; printed material. 2. Retirement plan, WGBH membership, condominium insurance, pension plan, Amnesty International membership, 1998-2003. 3. Re: Luk Kwok Hotel, 3/27/2010. 4. Re: Equity-League 401 (k) Plan, 2003; includes printed material. 5. Re: Funeral arrangements, 12/13/2007. B. Receipts, 1967-2006.

IX. Medical Records. A. Prescription, 2002.

X. Film and Video. A. VHS tapes. 1. “AE + BAC Odds and Ends – dropped ideas,” n.d. [Loose] 2. “Cathy, Beth-Ann and Al Reel 1,” 2000. 3. “Cathy, Beth-Ann and Al Reel 2,” 2000. 4. “Cathy, Beth-Ann and Al Reel 3,” 2000. 5. “Kurt Weill Cabaret,” 2 tapes, 1979-1980. 6. “Songs Degenerate and Otherwise,” 2 tapes, n.d. B. Reels. 1. “Departure on Mauretania, Washington D.C. (Upside Down + Backwards) Whole Family + Nadra Etc.,” n.d. 2. “Los Angeles 45 – 3 days pass – 44 San Antonio,” n.d. 3. “Minkins, Mosholu Pkwy, Mirok Peekskill, Mark’s Birthday, Camp Delaware,” n.d.; includes manuscripts. 4. “Nadra + Billie Borne, Old San Miguel Mission,” n.d.; includes manuscripts. 5. “Queen Elizabeth 1949, Dampierre – Lily – Baird, Pierrette, Israel 1950, Nimes – Pentecôte – 1951 (end of film – sprocket holes torn – will not project)”; includes manuscripts. 6. “Upside down + backward: Cross country drive – Dad, Sandy, Mark; Dad + Akin – San Antonio ’44”; includes manuscripts. 7. “Upside down parties (not anymore, I hope – AE 8/10/88).” 8. “Mark + Harvey at the Cloisters, n.d.

XI. Audio Materials. A. CD-ROM. 1. “The Frogs – Yale University Swimming Pool,” 1924.

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XII. Artwork. A. 4 paper cutouts of flora and a woman’s face, n.d. [Env. 1] B. 67 drawings (pencil, ink, pastel), n.d. [F. 6] C. 8 paintings, n.d. [F. 7] D. Oversized Artwork. Pkg. 13 1. “Kaffe Drawings, Walter Sketches of Jack ’86, Pressed Orchid, Eric Ray Calligraphy to Sonia,” file, 1960-1986. 2. Drawing of figure in high ceilinged room, pencil on paper, n.d. 3. Drawing of man, pen on paper by Claudia J. Arenas, 1992. 4. “Jack 4/13/86,” sketch of dog, pencil on paper, 1986. 5. “She Drew Maps for Us,” by Mary Hahesy, 1985. 6. Drawing of group of people in living room, pen on paper, signed Kaffe, 1966. 7. Drawing of man’s profile, signed Kaffe, 1960. 8. Drawing of empty living room, signed Kaffe, 1964. Pkg. 14 9. Scrolls and Female Figures, pencil on paper, n.d. 10. Diagram of tonal centers in musical piece, pencil and watercolor, n.d. 11. Line drawing, 2 male nudes, ink on paper, n.d. (3) 12. “Torre III,” pencil on paper, n.d. 13. Portrait of man, color pencil on grey paper, signed Als Kaffe, 1964. 14. Architectural detail, pen and ink on paper, n.d. 15. Garden scene, pencil on paper, n.d. 16. Architectural detail, charcoal on paper, n.d. 17. Architectural detail, pen and ink on paper, n.d. 18. Portrait of man, pencil on cardboard, n.d. 19. Portrait of man with dishes, color pencil on cardboard, n.d. 20. Study of The Last Supper, pencil on paper, n.d. 21. Calendar, pencil and ink on paper, n.d. 22. Blue abstract pattern, bu Ruellette Blaeh, 1973. 23. Woman with red hat, watercolor, n.d. 24. Black and white abstracted buildings, watercolor, n.d. 25. Green and Blue abstracted shapes with humanoid figure, watercolor, n.d. 26. Tapa cloth, n.d.; includes printed materials.

XIII. Oversized Materials. Pkg. 15 A. Printed Material. 1. Posters. a. Bingo: Scenes of Money & Death, n.d. b. Cabaret Evening, n.d. c. The Cherry Orchard, n.d. d. Endgame, 2008. e. Enrico IV, n.d. f. Five Surrealists from the Meril Collections, 1983.

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g. Hysteria, 2008-2009. h. Howard Katz, n.d. i. King Lear, n.d. j. The Marriage of Figaro, n.d. k. Martha Schamme and Alvin Epstein, n.d. l. Martha Schamme and Alvin Epstein, Steve Blier at the Piano, 1980. m. Nikolai and the Others, n.d. n. The Rivals, 1969-1970. o. Samson Agonistes, n.d. p. Tuesdays with Morrie, 2006. q. Tuesdays with Morrie, n.d.

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Epstein, Alvin #1717 9/21/15 Preliminary Listing

I. Correspondence. Box 61 A. “Personal,” 1998; includes: printed material; photographs. [F. 1] 1. “Post-op (Prostate),” 1994. 2. “Birthday card, postcards, letter re: , , and Broadway plays,” 1960-1964. 3. Dr. Harry Epstein – Milly Epstein, n.d., 1997. [F. 2] a. Epstein, Mark. 4. Sandra Epstein, 1990 – 1993. [F. 3-4] B. “Professional,” 1998; includes photographs; printed material. [F. 5] C. General, alphabetical by last name; includes TLS, ANS; printed material. 1. B – C, 1985 – 1997. [F. 6] 2. F – K, 1988 – 1995. [F. 7-8] 3. L – Z, no last name, 1985 – 1997. [F. 9] 4. Cards and postcards, 1985 – 1997. [Env. 1]

II. Printed Materials. A. Guthrie on the River Campaign, November 1987; includes correspondence; photographs. [Loose] B. Newspaper articles and clippings. 1. “Tuesdays with Morrie” reviews, 30 p., 2004, re: AE. [F. 10] 2. Various political, arts clippings and obituaries, 1984 – 2007.[F. 11] C. Magazines. 1. Soviet Theatre, 1975 – 1987. [Loose] a. “Eduard Kochergin,” The Leningrad Gorky Theatre, n.d. Box 62 2. “Lord Alfred’s Lover: A Play in Two Parts,” by Eric Bentley, Canadian Theatre Review, Spring 1978. [Loose] 3. “How Not To Break Into Broadway,” by Miles Kruger, Pantages Theatre: An Arts & Leisure Publication, 1980. 4. Mime Journal, no. 7 and 8, 1978. 5. “Theatre Survey,” The American Journal of Theatre History, May 1974. 6. Yale/Theatre, vol. 3, no. 2, 1971. a. “The Guthrie: An Interview with Alvin Epstein and Michael Feingold,” by Mark Bly and Joel Schechter, Theater (formerly Yale/Theatre), Summer 1979. 7. Theatre Art Journal of the Habimah Circle in Palestine, 1939, 1970. D. Playbills. 1. Playbill Magazine, 1964 – 2003. 2. “Tuesdays with Morrie,” TheaterWorks, 10/24/2004.

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III. Manuscripts. A. “The Rise and Fall of the City of Mahagonny” play by Bertolt Brecht, TS, translated, 68 p., February 1974. [F. 1] B. “The Bear: A Comic Sketch in One Act,” by Anton Chekhov, TS, translated, 1888. [F. 2] C. “Gogol’s Marriage in Minneapolis,” by , TS, translated, 11 p., 1992. 1. “From My American Notes,” by Anatoly Efros, TS, translated, 34 p., 1992. D. “The Absent-Minded Lover,” by Alfred de Musset, TS, translated, 26 p., n.d.; includes: 1. “The Purse,” by Alfred de Musset, TS, translated, 26 p., n.d. E. “How to Paint the Portrait of a Bird,” poem by Jacques Prevert, translated, n.d. F. Yaakov Malkin, Tel-Aviv University; includes correspondence; professional material; printed material; newspaper articles. [F. 3] 1. “The Beliefs of the Secular Jew,” TS, 31 p., n.d. 2. “Judiaism as Culture and the Bible as Literature: A Secular Approach to Judaism, the Bible and God,” draft, TS, 77 p., n.d. G. “Loie Fuller The Great White Lily: A Study of the Contributions of Loie Fuller to the Development of Stage Lighting,” a thesis by Elizabeth Holloway, TS, 304 p., June 1966. [F. 4]

IV. Professional Materials. A. Files A – B, n.d., 1978 – 1999; includes correspondence; printed material; photographs. [F. 5-6] 1. American Repertory Theatre, n.d. 2. Rudolph Binion, 1992 – 1994. 3. , n.d., 1996. 4. Joanna Bratt, 1995 – 1999. 5. Robert Brustein, 1978 – 2000; includes: a. AE to Robert Brustein, ALS, 4/14/1996; re: frustration over 1996 p.A.R.T.y honoring Brustein. b. Robert Brustein to AE, TLS, 4/16/1996; re: response to AE on 1996 p.A.R.T.y letter. c. Robert Brustein to AE, TLS, AN, 1979; re: retirement from Yale Repertory Theatre. B. Files C, n.d., 1985 – 2004; includes correspondence; printed material. [F. 7-9] 1. Circle in the Square Theatre School, 1985 – 2000. 2. The City Congregation for Humanistic Judaism, n.d., 2002. 3. Corcoran, 2002 – 2004. C. Files G – H, 1986 – 2000; includes correspondence; printed materials; newsclippings. [F. 10] 1. Nikolai Gogol, n.d.; re: “Marriage,” a play. 2. Bonnie Brook Gould, 1992 – 1997.

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3. Harvey Grossmann, 1986 – 1998. 4. Nancy Harrow, 1998 – 2000. 5. The H.B. Playwrights Foundation, 1981, 1993. D. Files R – S, 1994 – 1995; includes correspondence; printed material; resume. [F. 11] 1. Elizabeth Cantu Ramirez, 1994 – 1995. 2. Michael and Anthony Schwartzman, 1994 – 1995. Box 63 E. Martha Schlamme, 1985 – 1987; includes office files, correspondence; financial material; photographs; printed material; newspaper clippings. [F. 1-3] F. Teaching material. 1. “Dramaturgy Packets Richard II,” n.d. [F. 4]

V. Personal Files. A. 1977 – 2004; includes “Tuesdays with Morrie” printed material; correspondence. [F. 5] B. Ephemera from books, 1978 – 2009; may include printed material; correspondence; newspaper clippings; bookmarks. [F. 6-9]

VI. Legal Material. A. 1940 – 1985; re: Lester and Rose Season; includes living will; marriage certificate; financial material. [Env. 1]

VII. Notebooks. [Loose] A. 1 onion skin notebook, 1968. B. 1 bound exercise notebook, 1965. C. 4 spiral bound notebooks, n.d., 1961.

VIII. Diaries and Journals. [Loose] A. Telephone and engagements book, n.d. B. 3 bound journals, n.d., 1968.

IX. Memorabilia. A. Custom name stamp. [Env. 2] B. Carmen de Lavallades clay sculpture (broken). [Env. 3]

X. Photographs. Box 64 A. “ART Brunstein opening night pictures,” 17 photos, n.d. [F. 1-3] B. Various performance pictures, 15 photos, n.d., 2011; includes: correspondence and a headshot. [F. 4-5] 1. Mounted various performance pictures, 18 photos, n.d. [Loose]

XI. Oversized Material. Pkg. 16 A. Memorabilia. 1. International Star Registry, May 1981. 2. World War II award, July 2008.

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B. Printed Material. 1. “Porter Oldman Doctor” image, n.d. 2. Arena Goldoni movie poster, n.d. 3. Tuesdays with Morrie posters, 2004; includes signed copy by Jon Tenney. 4. “Endgame” poster, n.d. C. Artwork. 1. Unnamed painting of male face, n.d. 2. Risko print, n.d.; includes thank you note. Pkg. 17 D. Photographs. 1. 13 photographs of AE from various performances, n.d.

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Epstein, Alvin #1717 9/21/15 Addendum

I. Correspondence. Box 65 A. 38 postcards, cards, invitations, and notes, TLS, ALS, TS, 2008 – 2014; includes, photographs, 2 CD-Roms. [F. 1] B. 29 letters, TLS, ALS, TS, 2005 – 2014; includes: photographs, sheet music, printed materials, 2 CD-Roms. [F. 2]

II. Manuscripts. A. Play scripts. 1. “Black Snow,” adapted by Keith Reddin from novel by Mikhail Bulgakov, 12 p., n.d.; includes correspondence, holograph notes. [F. 3] 2. “Julius Caesar,” by William Shakespeare, 67 p., n.d.; includes holograph notes. 3. “The Cherry Orchard,” by Anton Chekhov, new translation by John Christopher Jones, 65 p., n.d.; includes holograph notes. 4. “The Exorcist,” adapted by John Pielmeir from novel by William Peter Blatty, 16 p., n.d.; includes correspondence, professional material. 5. “The End of the Day,” 4 drafts with holograph notes, 325 p., n.d., 2013-2014; includes correspondence, printed material. [F. 4-5] 6. “King Lear,” by William Shakespeare, 103 p., n.d.; includes holograph notes. [F. 6] 7. “Synecdoche, New York,” by Charlie Kaufman, 3 incomplete revisions, approx.. 70 p., March – June 2007. 8. “When That I Was …,” by John Mortimer and Edward Atienza, 36 p., n.d; includes correspondence. B. Drafts. 1. Re: Wyckoff family, no author, 2 drafts, 68 p., September 2010 – October 2010. [F. 7] C. Teleplays. 1. “Lessons Learned,” Law & Order: Special Victims Unit, by Ed Zuckerman and John P. Roche, 10/19/12.

III. Professional Materials. A. Files, articles re: Harry Epstein. 1. “Health Care and Lecture on System for Deaf Children in USSR,” 1982 – 1984; includes memorabilia, printed material, manuscripts. [F. 8] 2. “Health Care in Cuba and Commission Statement,” 1973 – 1976, n.d. [F. 9]

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3. “We are Sourced In,” 1971 – 1983, n.d.; includes memorabilia, holograph notes.[F. 10] B. “Chinese Communist Party,” file January 1979. [F. 11] C. “ELM Shakespeare Co.,” file, July/August 2009; includes printed material, electronic media, holograph notes. [F. 12] D. Public reading of “In the Lower Depths,” by , 99 p., 2012; includes correspondence. [F. 13] E. “Mort Lichter Play,” n.d., 1976; includes printed material. [F. 14] F. “The Papers by Seymour,” 1978; includes correspondence.

IV. Personal Files. A. Re: Breukelen Owners Corp., 2007 – 2011; includes financial materials. [F. 15] B. “Spinal Stenosis,” 2010; includes printed material, professional material, correspondence. C. Re: Screen Actors Guild-American Federation of Television and Radio Artists Employment of Day Performer For Modified Low Budget Theatrical Motion Pictures, 9/4/2013. D. Re: Teacher Recommendation for Sandra Epstein by George Silver, M.D., 9/30/1984. E. Re: Veterans Affairs insurance, 1999 – 2007; includes correspondence, printed material, legal and financial material. F. Re: income tax preparation, 1982 – 1983; includes financial materials, printed materials, correspondence. [F. 16]

V. Printed Materials. A. Playbills and pamphlets. [F. 17] 1. 3 Lincoln Center Playbills, October 2003 – February 2006; includes AE holograph notes and comments. 2. 4 Carnegie Hall Playbill, April 2003 – February 2005; includes AE holograph notes and show ticket. 3. New York Stage & Film Winter Gala program, November 2007; includes correspondence and business cards. 4. “Beckett Shorts,” New York Theatre Workshop, December 2007; includes holograph notes. 5. Emmanuel Church in the City of Boston service pamphlet, November 2007; includes AE holograph notes. 6. Wings Theater program, May n.y.; includes questionnaire. 7. 4 PLAYBILL, July 2003 – January 2004; includes AE holograph notes. 8. 2 BAMbill, June 2003 – February 2006; includes AE holograph notes. B. Programs. 1. 3 Russian Ballet programs, 1958 – 1959, n.d. [Loose] 2. Lincoln Center Festival complete program guide, 2003. 3. USSR Exhibition, New York, 1959.

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C. Booklet. 1. “An American Looks at the Soviet Economy,” by Joseph Budish, n.d. D. News clippings. 1. “Health care and others” file, n.d., 1983. [F. 18] 2. 13 articles re: AE and others, 2004 – 2014, n.d.; includes correspondence. [F. 19]

VI. Memorabilia. A. Ephemera re: AE father and communism, n.d., 1959; includes Yiddish coupons, IWW songbook, IWW membership book, coasters, foreign currency, and correspondence. [Env. 1-2] B. “Sandra Epstein and Abby,” re: pet cat memorial, 1995; includes photographs and pamphlet. [Env. 3] C. Nametags. [Env. 4] 1. World War II memorabilia, October 1943. 2. Boston Jazz Festival Press pass, n.d.

VII. Journals. A. Record Indexed, 1981 – 1982. [Loose]

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