Ukrainian Folk Singing in NYC
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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
CHERES Hailed to Be “The Best Purveyor of Authentic Ukrainian Folk
CHERES Hailed to be “the best purveyor of authentic Ukrainian folk music in the United States” by the former head of the Archive of Folk Culture at the Library of Congress, Cheres brings to life melodies from the Carpathian mountains in Western Ukraine and neighboring Eastern European countries. Since its founding in 1990 by students of the Kyiv State Conservatory in the Ukraine, the ensemble has enthralled North American audiences with their rousing renditions of folk music performed on the cymbalum, violin, woodwinds, accordion, bass, and percussion. Virtuoso musicians join spirited dancers, all donned in traditional Western Ukrainian hand-embroidered garments, to paint a vivid picture of Ukrainian folk art. The musicians, most of whom are from Halychyna in western Ukraine, are united by an artistic vision to preserve their traditions. “Cheres” is actually a little known Ukrainian term for a metal- studded leather belt formerly used as a bulletproof vest during the Middle Ages. Today, the group Cheres has adopted this Medieval protective shield as their name to symbolize the safeguarding of vanishing folk art traditions from the Carpathian mountains. This seasoned ensemble has performed in nightclubs and concerts in New York City; music festivals in the Tri-State area, including Lincoln Center’s Out of Doors Festival in 2006 and Folk Parks in 2000, as well as colleges and universities on the east coast. Cheres has appeared on television on NBC’s Weekend Today show, as well as the Food Network’s Surprise! show. Tracks from their latest CD, Cheres: From the Mountains to the Steppe” have been played on WNYC’s New Sounds program, as well as other stations in the region. -
Chapter IX: Ukrainian Musical Folklore Discography As a Preserving Factor
Art Spiritual Dimensions of Ukrainian Diaspora: Collective Scientific Monograph DOI 10.36074/art-sdoud.2020.chapter-9 Nataliia Fedorniak UKRAINIAN MUSICAL FOLKLORE DISCOGRAPHY AS A PRESERVING FACTOR IN UKRAINIAN DIASPORA NATIONAL SPIRITUAL EXPERIENCE ABSTRACT: The presented material studies one of the important forms of transmission of the musical folklore tradition of Ukrainians in the United States and Canada during the XX – the beginning of the XXI centuries – sound recording, which is a component of the national spiritual experience of emigrants. Founded in the 1920s, the recording industry has been actively developed and has become a form of preservation and promotion of the traditional musical culture of Ukrainians in North America. Sound recordings created an opportunity to determine the features of its main genres, the evolution of forms, that are typical for each historical period of Ukrainians’ sedimentation on the American continent, as well as to understand the specifics of the repertoire, instruments and styles of performance. Leading record companies in the United States have recorded authentic Ukrainian folklore reconstructed on their territory by rural musicians and choirs. Arranged folklore material is represented by choral and bandura recordings, to which are added a large number of records, cassettes, CDs of vocal-instrumental pop groups and soloists, where significantly and stylistically diversely recorded secondary Ukrainian folklore (folklorism). INTRODUCTION. The social and political situation in Ukraine (starting from the XIX century) caused four emigration waves of Ukrainians and led to the emergence of a new cultural phenomenon – the art and folklore of Ukrainian emigration, i.e. diaspora culture. Having found themselves in difficult ambiguous conditions, where there was no favorable living environment, Ukrainian musical folklore began to lose its original identity and underwent assimilation processes. -
FOLK STUDIES 585: Public Folklore Policy and Practice in Washington DC Syllabus & Itinerary Winter 2015, January 9-23 Brent Bjorkman ([email protected])
FOLK STUDIES 585: Public Folklore Policy and Practice in Washington DC Syllabus & Itinerary Winter 2015, January 9-23 Brent Bjorkman ([email protected]) For years, folklorists have made it their lives’ work to help document, present and conserve the traditional arts and cultural heritage of our nation. Even from the earliest days of these passionate pursuits, key figures like Benjamin Botkin, chairman of the Federal Writer’s Project, helped to shape the importance and understanding of these vernacular expressions of culture and “insisted that democracy is strengthened by the valuing of myriad cultural voices” of Americans, not only those of a chosen few. Folklorists have recognized the need to create mechanisms at the national level to foster the growth of their efforts nationwide and to ensure that traditional arts and culture are a national priority. After the turn of the last half of the 20th century these notions to preserve and promote the traditional arts and culture of the country were furthered by the creation of folklife programs within federal cultural entities like the National Endowment for the Arts, the Library of Congress, and the Smithsonian Institution. In this course, we will travel to the nation’s capital to explore the diverse range of work being done in the area of cultural policy as it relates to public folklore documentation, presentation and conservation by the folklife agencies based there. Over this five-day period the class will meet with a variety of cultural policy specialists from The American Folklife Center at the Library of Congress, Smithsonian Center for Folklife and Cultural Heritage, National Endowment for the Arts, and the National Park Service, among others. -
Tragic Hero Analysis on Apollo in Rick Riordan's The
TRAGIC HERO ANALYSIS ON APOLLO IN RICK RIORDAN’S THE TRIALS OF APOLLO: THE HIDDEN ORACLE THESIS BY: KASYFUL GHOMAM REG. NUMBER: A73217114 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES UIN SUNAN AMPEL SURABAYA 2021 TRAGIC HERO ANALYSIS ON APOLLO IN RICK RIORDAN’S THE TRIALS OF APOLLO: THE HIDDEN ORACLE By: Kasyful Ghomam Reg. Number: A73217114 Approved to be examined by the Board of Examiners, English Department, Faculty of Arts and Humanities, UIN Sunan Ampel Surabaya Surabaya, July 18ᵗʰ, 2021 Thesis Advisor Sufi Ikrima Sa’adah M. Hum NUP. 201603318 Acknowledged by: Head of English Department Dr. Wahju Kusumajanti, M. Hum NIP. 197002051999032002 EXAMINER SHEET ii The Board of Examiners are: Examiner 1 Examiner2 Sufi Ikrima Sa’adah M. Hum Dr. Wahju Kusumajanti, M.Hum NUP. 201603318 NIP. 197002051999032002 Examiner 3 Examiner 4 Dr. Abu Fanani, S.s., M.Pd Ramadhina Ulfa Nuristama, M.A. NIP. 196906152007011051 NIP. 199203062020122019 Acknowledged by: The Dean of Faculty of Arts and Humanities UIN Sunan Ampel Surabaya Name NIP iii iv v ABSTRACT Ghomam, K (2021). Tragic Hero Analysis On Apollo In Rick Riordan’s The Trials Of Apollo: The Hidden Oracle. English literature, UIN Sunan Ampel Surabaya. Advisor: Dr. Sufi Ikrima Sa’adah, M.Hum. Keywords: tragic hero, Apollo, myth, catharsis This study aims to analyze the tragic hero shown by Apollo in Rick Riordan’s The Trials of Apollo: The Hidden Oracle. This study focuses on two research questions: How are the characteristics of a tragic hero shown by Apollo, and how did Apollo escape from a tragic hero in The Trails of Apollo: The Hidden Oracle. -
JUNE 2 - 3, 2018 CALGARY UKRAINIAN FESTIVAL Programme Guide
JUNE 2 - 3, 2018 CALGARY UKRAINIAN FESTIVAL programme guide CALGARYUKRAINIANFESTIVAL.CA CALGARY UKRAINIAN FESTIVAL 2018! On behalf of the Board of Directors of the Calgary Ukrainian Festival Foundation I would like to welcome you to the NINTH Annual Calgary Ukrainian Festival! Only one year away from a full decade of Festival activities! The momentum continues this year with an entirely new stage show format with even more performers than last. Have a look around at our collection of Ukrainian vendors from across the country. They bring everything from the latest Ukrainian European fashion trends to collectible “hard to find” Ukrainian artistry. Keep looking around the pavilion and take note of our new bar modeled after an 18th century Ukrainian house with thatch roofing. Imagine what it was like to raise a family in such a simple structure! Sitting at “Baba’s” kitchen table is a treat like nothing else. Enjoying the simplicity and tasteful helpings of traditional hand-made perogies and cabbage rolls. Nothing “store bought” on our Festival food plates. Finally, our Festival After-Hours event returns Saturday evening at 9:00pm. Open to all. Our performers will be out of their stage costumes and back into street clothes. Come spend the evening with those you saw on stage and meet a new friend. This year our live Ukrainian Zabava Band from Edmonton, Steppe, will play everything from the fastest polkas, to the coziest waltz. But don’t leave before 10:30pm because around that time you will witness the infamous Canadian Ukrainian tradition of the “Kolomyka”. The chance for ALL to display the best they have in Ukrainian dance solos. -
An Analysis of Major Characters Characterization in Burgess's A
Chapter II An Analysis of Major Characters Characterization in Burgess’s A Clocwork Orange 2.1 Literature According to A. Teeuw (in Sastra dan Ilmu Sastra: 1987:30) , literature described as everything written; the use of language in written form. Literature is a form of personal expression of human experience, thought, passion, and belief in a form of concrete picture that evokes the fascination with language tools. In more detail, Faruk suggested that initially very broad definition of literature, which includes all kinds of activity results of language or writing. Along with the widespread the habit of reading and writing, the understanding narrows and is defined as any result that is both imaginative language activities, both in the life depicted in them, and in terms of the language used to describe that life. 2.2 Novel Literally novel come from word “Novella” Italian language vocabulary, which in Latin language mean novus or newly. As for definitively novel is story regarding remarkable event or occurence of life of someone is in it met by processing of soul altering someone chance road, its meaning of someone which is narrated in the novel experience of life of problem in details, good in the form of grief, adventure, struggle, 1 which is on finally the figure experience of change of chance which enough base, what experienced of that figure basically represent of top from all distortion live and life which have happened. Equally can be said that by novel represent life life concentration at one time, which is determine toward its perpetrator chance road. -
Bess Lomax Hawes Student Folklore Collection
http://oac.cdlib.org/findaid/ark:/13030/c85d8v11 No online items Guide to the Bess Lomax Hawes Student Folklore Collection Special Collections & Archives University Library California State University, Northridge 18111 Nordhoff Street Northridge, CA 91330-8326 URL: https://library.csun.edu/SCA Contact: https://library.csun.edu/SCA/Contact © Copyright 2020 Special Collections & Archives. All rights reserved. Guide to the Bess Lomax Hawes URB.BLH 1 Student Folklore Collection Contributing Institution: Special Collections & Archives Title: Bess Lomax Hawes Student Folklore Collection Creator: Hawes, Bess Lomax, 1921-2009 Identifier/Call Number: URB.BLH Extent: 10.50 linear feet Date (inclusive): 1959-1975 Abstract: Bess Lomax Hawes is the daughter of famed folklorist John A. Lomax. Ms. Hawes had an active musical career as a singer, instrumentalist and songwriter. Her career as an educator began in 1954 when she became an instructor in guitar, banjo and folk music in the extension division at the University of California, Los Angeles. In 1963, she joined the Anthropology Department at San Fernando Valley State College. The material contained in this collection consists of folkloric data collected between 1958 and 1977 by students enrolled in Anthropology 309: American Folk Music, Anthropology 311: Introduction to Folklore, and various senior seminars at San Fernando Valley State College (now California State University, Northridge). Language of Material: English Biographical Information: Bess Lomax Hawes was born in Austin, Texas in 1921 to Bess Bauman-Brown Lomax and John A. Lomax, famed folklorist and author of Cowboy Songs, American Ballads and Folksongs, Adventures of a Ballad Hunter, and director of the Archive of American Folksong at the Library of Congress. -
The Ukrainian Weekly 1994, No.45
www.ukrweekly.com 1NS1DE: e Washingtonians demonstrate outside CBS offices - page 3. e Reaction to "The Ugly Face of Freedom - pages 6-7. - President Leonid Kuchma concludes visit to Canada - pages 10-13. Published by the Ukrainian National Association inc., a fraternal non-profit association vol. LXII No. 45 THE UKRAINIAN WEEKLY SUNDAY, NOVEMBER 6,1994 75 cents Ukraine wins pledge of Si .2 billion in assistance from G-7 by Christopher Guly Spec tat to The Ukrauva;uan Weekly W?NNiPFC -– A-'though Russia at?empied to lay 'J!';MTI U 'X-1 c! C 7 ач! going Ukraine's way 'ind insist- on 1 :MS a -ч)!е n Ukraine's economic reform, President І.чгжі Kuchma was able to leave Canada with Si.2 bil– i'O'i in nev assistance Ггот the world's largest industri– a'hzed states Highly senior oH'icials representing 14 delegations, including those from Canada, the United States (President Clinton's adviser on the former Soviet Union, Deputy Secretary of State Strobe Talbott, was with the delegation), France, Germany, Great Britain, ltaly, Japan, Russia, Turkmenistan, Ukraine (led by Economy Minister Roman Shpek), as well as the three world financial institutions — the international Monetary Fund, the World Bank and the European Bank for Reconstruction and Development — agreed to the boost for Ukraine. Another S2.2 billion could be forthcoming in the next f"v months as the world's leading economic powers help move Ukraine from a centrally planned economy to a market-driven capitalist system. For G-7 countries, however, the aid package promised Ukraine also appeared to be aimed not at handing Ukraine "charity," as described by Russian Foreign Minister Andiei Kozyrev (a surprise visitor to the confcience), but at entering a partnership with the Kyyiv government on the principle of "help for self- help," as suggested by Canada's Foreign Affairs Minister Andre Oucllcl. -
A Conversation with Jeff Todd Titon
A Conversation with Jeff Todd Titon Interviewed by John Fenn via e-mail January 2003 JF: What's been your involvement with applied ethnomusicology so far? You can speak generally on this, as well as specifically on things like the "public interest" issue of Ethnomusicology, the Society for Ethnomusicology (SEM) Applied Ethnomusicology Section, your teaching, or projects you've done. JTT: I've done different kinds of applied ethnomusicology, much of it in connection with my academic work as a professor and research scholar in folklore and ethnomusicology. As a festival presenter for Old Regular Baptists at the Smithsonian Folklife Festival I've been a musicculture broker. As a member of the Folk Arts Panel of the National Endowment for the Arts I've helped make and implement cultural policy on traditional musics in the USA. As an album producer for blues musicians Lazy Bill Lucas and his friends, for old-time fiddler Clyde Davenport, and for the singing of Old Regular Baptists, among others, I've made field recordings and helped publish well-documented LPs, cassettes, and CDs that benefited those people and their music-cultures. As a grant writer I've gotten communities money and training so that they could record, preserve, and transmit their musical heritage. I've produced concerts and given lectures to the general public designed to promote and celebrate various kinds of community music. One of the courses I teach each semester at Brown is free and aimed at the local community: an old-time string band ensemble that is a gift to anyone who wants to learn and play. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.