Abandonment of the Cities

Total Page:16

File Type:pdf, Size:1020Kb

Abandonment of the Cities ALPHABETICAL LISTING ABC News 20/20 Color, VHS The current method of teaching children to read is not effective. We need to go back to the old method. VHS-1595 Abilene Paradox: The Management Of Agreement With Dr. Jerry B. Harvey 28 min., Color, VHS Sometimes people waste unnecessary time and energy on a project through a simple misunderstanding or miscommunication of their true feelings about the task. Paradoxically, a whole group may decide to do the exact opposite of what each individual member of the group wants to do. In this film a Texas foursome agrees to drive 53 miles to dinner, only to discover on their return that no one had really wanted to go. Through four dramatized studies, Dr. Harvey shows how collective decision-making can lead to "mismanaged agreement," and how it applies to organizations as well as individuals. VHS-1005 Abnormal Behavior- A Mental Hospital 28 min., Color, 1971, VHS Shows the intricacies of running a major mental hospital and the goals of the hospital. Includes doctor/patient interviews with a variety of disturbed men and women, and examines their case histories and prognoses. Filmed at the Gateways Mental Hospital in Glendale, Calif. VHS-1995 Abnormal Psychology 81 min., Color, 1990, VHS Contains eight spontaneous and unrehearsed interviews conducted with clients who are suffering form serious forms of psychopathology (schizophrenia, mood disorders, and the borderline personality disorder) VHS-903 Abyss, The 140 Min., Color, 1989, VHS In this underwater adventure from director James Cameron, a civilian oil rig crew is recruited t conduct a search-and-rescue effort when a nuclear submarine mysteriously sinks. Stars Ed Harris, Mary Elizabeth Mastrantonio and Michael Biehn. PG-13 VHS-3155 Accentuating The Positive 30 Min., Color, VHS This program depicts Hollywood stars going overseas to put on shows for troops in the war zones. Legends like Bob Hope and Marlene Dietrich stage elaborate events for servicemen. In similar fashion, Armed Forces Radio carries American swing music, news and pop culture around the world. Part 8 of the America Goes to War: The Home Front-WWII Series. VHS-2653 Accepting The Challenge: Providing Quality Activity Programming For Older Adults With Memory Loss 26 min., Color, VHS This video is geared towards professionals and volunteers who work with older persons with memory loss. Provides both theoretical information as well as practical activity ideas. Provides new ideas in activity programming. A master thesis by T. Fikushima. VHS-931 Accepts Program 45 min., Color, VHS A complete curriculum designed to give a systematic approach to teaching the social skills necessary for the integration of handicapped children in to less restrictive setting. Gives all of the information needed to prepare elementary school aged children to meet the receiving teaches behavior expectations and to achieve adjustment to non-handicapped peers. VHS-2972 Access To English Language Arts In Multilingual Settings 60 min., Color, VHS Provides an overview of effective instructional strategies for the teaching of English language arts in multilingual settings in grades K-12. From limited English Proficiency Series. VHS-935 Accidents Of Creation 58 min., Color, VHS Explores the wonderful variety of life rooted in the accumulation of tiny errors in DNA. Such mistakes can be deadly, but they also lead to the critical genetic diversity that allows organisms to adapt to changing conditions. Were it not for these mistakes, life would never have advanced beyond its primitive beginnings. From the Secrets of Life Series. VHS-1027 Ace Ventura Pet Detective 87 Min., Color, 1994, VHS He the best ehre is and the only one there is. Pet Detective Ace Ventura is on the case to find the Miami Dolphins’ missing mascot and quarterback Dan Marino. He goes eyeball to eyeball with a man-eating shark, stakes out the Miami Dolphins and woos and wows the lades. Stars Jim Carrey, Sean Young and Courteney Cox. PG-13 VHS-3156 Acid-Base Titration 21 min., Color, 1959, VHS Includes acid-base titration and electrochemical measurements. VHS-2013 Acid Rain: A North American Challenge 16 min., Color, VHS From the maple trees in Quebec to the Statue of Liberty, from lakes in Ontario to farmland in the American Midwest, acid rain is destroying North America's natural and man-made environment. Only cooperative efforts between the U.S. and Canada can combat this insidious form of pollution. This film explores the environmental, economic and health effects of acid rain and reveals what needs to be done to reduce the damage it causes on both sides of the border. VHS-793 Acquiring The Human Language "Playing The Language Game" 55 min., Color, VHS This program shows about how children "acquire" language without seeming to be taught. Part three of Human Language Series. VHS-2008 Across The Frontiers 152 min., color, 1976, VHS & DVD Attenborough summarizes his exploration of tribal ways as seen through tribal arts. He notes the loss of custom and tradition with the inroads of western civilization and a new awakening of ancient tribal culture among many people today from the Tribal Eye Series. VHS-1509 DVD-141 Across The Silence Barrier 60 Min., Color, 1977 VHS Explores the world of the deaf and explains some of the techniques used to help them communicate. Takes a look at various individuals who have triumphed over obstacles presented by their deafness. From the Nova Series. VHS-1509 Act Of War 60 Min., Color, VHS A comprehensive historical documentary, which focuses on the events surrounding the overthrow of the Hawaiian government in 1893 from the point of view of Native Hawaiians. Through the use of archival photographs, government documents, films, political cartoons, and dramatic re-enactments, this film explores a century of colonialism and conquest of a Pacific Island nation by Western missionaries and capitalists. It spans Hawaiian history, from the origins of creation, the coming of the British Navy and the Calvinist missionaries, to the annexation by the United States. VHS-1540 Acting Up 23 Min., Color, VHS Follows the experience, doubts, anger, and triumph of a company of 10 people, all over the age of 60, as they discover, through a series of workshops and rehearsals that they have a great deal to say about the future that is worth sharing with others. VHS-2915 Addicted To Oxycontin: A 48 Hour/MTV News Report 45 Min., Color, DVD Focuses on Troy Swett, a young man who, ashamed of his $300-a-day habit, confessed his addiction and underwent rapid detox at the Waismann Institute. It also reports on 13 year old Shauna Ulman, who after wheat she thought was Ecstasy, died of an overdose. It debates whether Oxycontin is addictive when used as prescribed. And it tracks the rise in theft of Oxycontin from pharmacies and patients DVD-163 Addictions 60 Min., Color, VHS Experiments with persons suffering from addiction to heroin, alcohol, nicotine, food or gambling give unusual insight into the nature of the mind. Viewers learn that the brain has natural receptors for certain kinds of chemicals that are activated in addictive behavior. Scientists also reveal the reasons for the pain of withdrawal. Recent studies on the mind's capacity for chemical dependency reveals a complex and delicate balance within the brain. VHS-840 ADHD: What Do We Know? 37 Min., Color, 1992, VHS Bringing the issues to life through interviews with parents, teachers, and three young people who suffer from ADHD, this program poignantly details the difficulties of living with the disorder and discusses in detail the ways it is manifested, and long-term outcome. VHS-1267 Administering: The Wisc-R 86 Min., Color, 1984, VHS No Annotation. VHS-2971 Advanced Micro skills 30 Min., Color, 1993, VHS By Harold Engen and Marilyn Albert. Presents three critical skills of the micro training program with introductory lectures followed by inappropriate and appropriate counseling demonstrations which enable trainee to see subtle dimensions of skill usage. Vignettes and computer graphics encourage student practice of the skills. The three skills examined are: focusing, reflection of meaning and confrontation and assertion. VHS-989 Advanced Training In Commercial Arbitration 24 Min., Color, VHS Highlights a variety of complex procedural issues encountered in arbitration. VHS-863 Advanced Workshop 75 Min., Color, 1995, VHS When you’ve mastered the Basics offered in Tribal Basics Volume 1; it’s time to move on to the more complicated and challenging advanced workshop. Volume Four of the Tribal Basics Workshop VHS-3134 Advances Dx-7 Programming With Ronnie Lawson 60 Min., Color, VHS This video, aimed at the more experienced programmer, gives you quick editing tips, understanding the DX-7 keyboard level scaling feature, voice initialization, edit recall, programming a split-keyboard sound from scratch, DX-7 performance features such as breath controller, after touch, modulation pedal and many more. VHS-228 Adventure 120 Min., Color, VHS Post-war prosperity continues but beneath its placid surface there is a growing demand for civil rights. Louis Armstrong decides to risk his career by speaking out against southern defiance of the Constitution. Miles Davis, having overcome the narcotics addiction that has destroyed so many other musicians’ careers, signs with Colombia Records, makes a series of legendary albums and becomes an icon for an entire generation of Americans. The gifted clean living trumpeter Clifford Brown, a role model for younger musicians, is killed in a car accident, while Duke Ellington experiences a rebirth of his career after a triumphant appearance at the 1956 Newport Jazz Festival. (Graphic Language-Viewer Discretion Advised) Part 9 of the Jazz Series. VHS-2701 Adventures Series 60 min. ea, Color, VHS See: 1.Neil Armstrong: Reluctant Hero 2.Thor Heyerdahl: Across the Sea of Time 3.Piccards: To The ends Of the Earth 4.Hillary and Tenzing: Climbing To the Roof Of The World.
Recommended publications
  • Donald Mckayle Papers MS.P.023
    http://oac.cdlib.org/findaid/ark:/13030/tf1k400389 No online items Guide to the Donald McKayle Papers MS.P.023 Finding aid prepared by Processed by Laura Clark Brown, machine-readable finding aid created by James Ryan, 1998; edited by Audra Eagle Yun, 2012. Special Collections and Archives, University of California, Irvine Libraries The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine, California, 92623-9557 949-824-3947 [email protected] © 2012 Note Arts and Humanities --Performing Arts--DanceArts and Humanities--Performing Arts --Theater Guide to the Donald McKayle MS.P.023 1 Papers MS.P.023 Title: Donald McKayle papers Identifier/Call Number: MS.P.023 Contributing Institution: Special Collections and Archives, University of California, Irvine Libraries Language of Material: English Physical Description: 19.1 Linear feet(19 document boxes, 5 record cartons, 1 shoe box, 6 flat boxes, and 3 oversized folders) and 12.1 unprocessed linear feet Date (inclusive): 1930-2009 Abstract: Photographs, programs, production notes, music scores, audio and video recordings, costume designs, reviews, and other printed and graphic materials illustrate the eclectic career of world-renowned choreographer and University of California, Irvine Professor of Dance Donald McKayle. Early materials pertain to his youth in Harlem and his performance career in New York City in concert dance, theater and television. The bulk of the collection documents McKayle's career as the choreographer of over fifty concert dance pieces between 1948 and 1998 and as a director or choreographer for theatrical productions both off and on Broadway, including Raisin and Sophisticated Ladies. The materials illustrate the development of individual choreographic pieces, the evolution of McKayle as an artist, and his career as a dance educator.
    [Show full text]
  • Railway Employee Records for Colorado Volume Iii
    RAILWAY EMPLOYEE RECORDS FOR COLORADO VOLUME III By Gerald E. Sherard (2005) When Denver’s Union Station opened in 1881, it saw 88 trains a day during its gold-rush peak. When passenger trains were a popular way to travel, Union Station regularly saw sixty to eighty daily arrivals and departures and as many as a million passengers a year. Many freight trains also passed through the area. In the early 1900s, there were 2.25 million railroad workers in America. After World War II the popularity and frequency of train travel began to wane. The first railroad line to be completed in Colorado was in 1871 and was the Denver and Rio Grande Railroad line between Denver and Colorado Springs. A question we often hear is: “My father used to work for the railroad. How can I get information on Him?” Most railroad historical societies have no records on employees. Most employment records are owned today by the surviving railroad companies and the Railroad Retirement Board. For example, most such records for the Union Pacific Railroad are in storage in Hutchinson, Kansas salt mines, off limits to all but the lawyers. The Union Pacific currently declines to help with former employee genealogy requests. However, if you are looking for railroad employee records for early Colorado railroads, you may have some success. The Colorado Railroad Museum Library currently has 11,368 employee personnel records. These Colorado employee records are primarily for the following railroads which are not longer operating. Atchison, Topeka & Santa Fe Railroad (AT&SF) Atchison, Topeka and Santa Fe Railroad employee records of employment are recorded in a bound ledger book (record number 736) and box numbers 766 and 1287 for the years 1883 through 1939 for the joint line from Denver to Pueblo.
    [Show full text]
  • Annual Report 2018–2019 Artmuseum.Princeton.Edu
    Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb.
    [Show full text]
  • Donald Mckayle's Life in Dance
    ey rn u In Jo Donald f McKayle’s i nite Life in Dance An exhibit in the Muriel Ansley Reynolds Gallery UC Irvine Main Library May - September 1998 Checklist prepared by Laura Clark Brown The UCI Libraries Irvine, California 1998 ey rn u In Jo Donald f i nite McKayle’s Life in Dance Donald McKayle, performer, teacher and choreographer. His dances em- body the deeply-felt passions of a true master. Rooted in the American experience, he has choreographed a body of work imbued with radiant optimism and poignancy. His appreciation of human wit and heroism in the face of pain and loss, and his faith in redemptive powers of love endow his dances with their originality and dramatic power. Donald McKayle has created a repertory of American dance that instructs the heart. -Inscription on Samuel H. Scripps/American Dance Festival Award orld-renowned choreographer and UCI Professor of Dance Donald McKayle received the prestigious Samuel H. Scripps/American Dance Festival WAward, “established to honor the great choreographers who have dedicated their lives and talent to the creation of our modern dance heritage,” in 1992. The “Sammy” was awarded to McKayle for a lifetime of performing, teaching and creating American modern dance, an “infinite journey” of both creativity and teaching. Infinite Journey is the title of a concert dance piece McKayle created in 1991 to honor the life of a former student; the title also befits McKayle’s own life. McKayle began his career in New York City, initially studying dance with the New Dance Group and later dancing professionally for noted choreographers such as Merce Cunningham, Martha Graham, Sophie Maslow, and Anna Sokolow.
    [Show full text]
  • KAWS Media Release
    KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal.
    [Show full text]
  • Art and Politics: a Small History of Art for Social Change Since 1945 Free
    FREE ART AND POLITICS: A SMALL HISTORY OF ART FOR SOCIAL CHANGE SINCE 1945 PDF Claudia Mesch | 224 pages | 15 Oct 2013 | I.B.Tauris & Co Ltd | 9781848851108 | English | London, United Kingdom 15 Influential Political Art Pieces | Widewalls What is political art? Is it different than the art itself and could it be the art beside the politics, as we know the political truth is the ruling mechanism over all aspects of humanity? From its beginnings, art is inseparable from the societies and throughout its history authors always reflected the present moment bringing the artistic truth to the general public. For Plato and Aristotle, mimesis - the act of artistic creation is inseparable from the notion of real world, in which art represents or rather disputes the various models of beauty, truth, and the good within the societal reality. Hence, position of the art sphere is semi- autonomous, as it is independent field of creation freed from the rules, function and norms, but on the other hand, art world is deeply connected and dependent from artistic productionways of curating and display as well as socio-economical conditions and political context. In times of big political changes, many art and cultural workers choose to reflect the context within their artistic practices and consequently to create politically and socially engaged art. Art could be connected to politics in many different ways, and the field of politically engaged art is rather broad and rich than a homogenous term reducible to political propaganda. There are many strategies to reach the state of political engagement in art and it includes the wide scale of artistic interventions from bare gestures to complex conceptual pieces with direct political engagement intended to factual political changes.
    [Show full text]
  • The Creative Arts at Brandeis by Karen Klein
    The Creative Arts at Brandeis by Karen Klein The University’s early, ardent, and exceptional support for the arts may be showing signs of a renaissance. If you drive onto the Brandeis campus humanities, social sciences, and in late March or April, you will see natural sciences. Brandeis’s brightly colored banners along the “significant deviation” was to add a peripheral road. Their white squiggle fourth area to its core: music, theater denotes the Creative Arts Festival, 10 arts, fine arts. The School of Music, days full of drama, comedy, dance, art Drama, and Fine Arts opened in 1949 exhibitions, poetry readings, and with one teacher, Erwin Bodky, a music, organized with blessed musician and an authority on Bach’s persistence by Elaine Wong, associate keyboard works. By 1952, several Leonard dean of arts and sciences. Most of the pioneering faculty had joined the Leonard Bernstein, 1952 work is by students, but some staff and School of Creative Arts, as it came to faculty also participate, as well as a be known, and concentrations were few outside artists: an expert in East available in the three areas. All Asian calligraphy running a workshop, students, however, were required to for example, or performances from take some creative arts and according MOMIX, a professional dance troupe. to Sachar, “we were one of the few The Wish-Water Cycle, brainchild of colleges to include this area in its Robin Dash, visiting scholar/artist in requirements. In most established the Humanities Interdisciplinary universities, the arts were still Program, transforms the Volen Plaza struggling to attain respectability as an into a rainbow of participants’ wishes academic discipline.” floating in bowls of colored water: “I wish poverty was a thing of the past,” But at newly founded Brandeis, the “wooden spoons and close friends for arts were central to its mission.
    [Show full text]
  • Arnold) Glimcher, 2010 Jan
    Oral history interview with Arne (Arnold) Glimcher, 2010 Jan. 6-25 Funding for this interview was provided by the Widgeon Point Charitable Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Arne Glimcher on 2010 January 6- 25. The interview took place at PaceWildenstein in New York, NY, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by the Widgeon Point Charitable Foundation. Arne Glimcher has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES McELHINNEY: This is James McElhinney speaking with Arne Glimcher on Wednesday, January the sixth, at Pace Wildenstein Gallery on— ARNOLD GLIMCHER: 32 East 57th Street. MR. McELHINNEY: 32 East 57th Street in New York City. Hello. MR. GLIMCHER: Hi. MR. McELHINNEY: One of the questions I like to open with is to ask what is your recollection of the first time you were in the presence of a work of art? MR. GLIMCHER: Can't recall it because I grew up with some art on the walls. So my mother had some things, some etchings, Picasso and Chagall. So I don't know.
    [Show full text]
  • The Museum of Modern Art
    The Museum of Modern Art 50th Anniversary NO. 81 *o FOR IMMEDIATE RELEASE ADVANCE FACT SHEET EXHIBITION: PRINTED ART:A VIEW OF TWO DECADES DATES: The Museum of Modern Art, New York February 14-April 1, 1980 DIRECTOR: Riva Castleman, Director of the Department of Prints and Illustrated Books, The Museum of Modern Art CONTENTS: The past two decades have been unprecedented in the production of fine prints and other printed matter by leading artists. The printed image is ubiquitous in contemporary art. The silkscreens of the Pop Artists; the lithographs of the major painters of the 1960's and 1970's; the ephemeral periodicals and booklets of the Conceptualists; the etchings and engravings of the Minimalists, with their precise lines and clear colors; the images of every­ day life seen in the work of the Photo-Realists--all are, in the words of Riva Castleman, "testimony that a great part of the creative activity of this era has been directed toward the widespread communication that prints make possible." This major international survey of work in the different print mediums, a 50th Anniversary year exhibition of The Museum of Modern Art, includes more than 175 contemporary artists from Eastern and Western Europe, North and South America, and Japan. Among the artists represented in the exhibition are Josef Albers, Art & Language, Jennifer Bartlett, Joseph Beuys, Mel Bochner, Daniel Buren, Christo, Chuck Close, Jim Dine, Marcel Duchamp, Helen Frankenthaler, Richard Hamilton, David Hockney, Bryan Hunt, Jasper Johns, Alex Katz, Ellsworth Kelly, Joseph Kosuth, Les Levine, Sol LeWitt, Roy Lichtenstein, Claes Oldenburg, Philip Pearl- stein, Martial Raysse, Robert Rauschenberg, Ad Reinhardt, Ed Ruscha, Robert Ryman, Michael Snow, Soto, Frank Stella, Victor Vasarely, and Andy Warhol.
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • For-Hire Motor Carriers-Unrestricted Property
    For-Hire - Unrestricted Property September 23, 2021 PIN USDOT MC Name DBA Name Phone Street Suite City State Zip 172318 2382342 1ST CALL HOTSHOT SERVICE LLC 1ST CALL HOTSHOT SERVICE LLC (405) 205-1738 Mail: 2410 W MEMORIAL RD STE C533 OKLAHOMA CITY OK 73134 Physical: 406 6TH ST CHEYENNE OK 73628 106139 1129401 2 B TRUCKING LLC 2 B TRUCKING LLC (936) 635-1288 Mail: 1430 N TEMPLE DIBOLL TX 75941 Physical: 214671 3131628 2 K SERVICES LLC 2 K SERVICES LLC (405) 754-0351 Mail: 2305 COUNTY ROAD 1232 BLANCHARD OK 73010 Physical: 142776 587437 2 R TRUCKING LLC 2 R TRUCKING LLC (402) 257-4105 Mail: 1918 ROAD ""P"" GUIDE ROCK NE 68942 Physical: 152966 2089295 2 RIVERS CONVERSIONS LLC 2 RIVERS CONVERSIONS LLC (405) 380-6771 Mail: 3888 N 3726 RD HOLDENVILLE OK 74848 Physical: 227192 3273977 2 VETS TRUCKING LLC 2 VETS TRUCKING LLC (405) 343-3468 Mail: 9516 TATUM LANE OKLAHOMA CITY OK 73165 Physical: 250374 3627024 2A TRANSPORT LLC 2A TRANSPORT LLC (918) 557-4000 Mail: PO BOX 52612 TULSA OK 74152 Physical: 10055 E 590 RD CATOOSA OK 74015 144063 1885218 3 C CATTLE FEEDERS INC 3 C CATTLE FEEDERS INC (405) 947-4990 Mail: PO BOX 14620 OKLAHOMA CITY OK 73113 Physical: PO BOX 144 MILL CREEK OK 74856 193972 2881702 3 CASAS TRUCKING LLC 3 CASAS TRUCKING LLC (405) 850-0223 Mail: 3701 KEITH COURT OKLAHOMA CITY OK 73135 Physical: 3701 KEITH COURT OKLAHOMA CITY OK 73135 251354 3678453 3 FEATHERS LOGISTICS LLC 3 FEATHERS LOGISTICS LLC (918) 991-4528 Mail: 411 N HODGE ST SAPULPA OK 74066 Physical: 134041 1728299 3 LANE TRUCKING LLC 3 LANE TRUCKING LLC Mail: RR1
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]