1993 Next Wave Festival

Total Page:16

File Type:pdf, Size:1020Kb

1993 Next Wave Festival .' 1993 NEXT WAVE FESTIVAL _ PROGRAM NOTES _ STEVE REICH ENSEMBLE Cheryl Bensman Rowe, lyric soprano Marion Beckenstein, lyric soprano James Bassi, tenor Hugo Munday, baritone Bob Becker, Russ Hartenberger, Garry Kvistad, Thad Wheeler, percussion Nurit Tilles, Edmund Niemann, Philip Bush, pianos & keyboards Elizabeth Lim, Todd Reynolds, violin Scott Rawls, viola Jeanne LeBlanc, cello Leslie Scott, Kenneth Dybisz, flutes, oboe, english horn, clarinet & bass clarinet SYNOPSIS In the Bible, Abraham buys a cave from Ephron the Hittite as a burial place for his wife Sarah. The Cave of the Patriarchs, as it has come to be known, became the final resting place not only for Sarah, but for Abraham and their descendants as well. In Jewish mystical sources, the cave is also a passageway back to the Garden of Eden. It is said that Adam and Eve are also buried there. The cave is of great religious significance for Moslems as well. While the Jews are descendants of Abraham and Sarah through their son Isaac, the Moslems trace their lineage to Abraham through his son Ishmael born to Hagar, Sarah's handmaid. Today the cave, located in the largely Arab town of Hebron, in the West Bank, is completely built over and inaccessible. The ancient structures built above it reveal a long history of conflicting claims. One discovers not only the wall Herod erected around 'the cave, but also the remains of a Byzantine church, and finally the: mosque built in the 12th century which has dominated the site ever since. Since 1967 the mosque built above the cave remains under Moslem jurisdiction, while the Israeli army maintains a presence at the site. Though tensions run particularly high, the site remains unique as the only place on earth where Jews and Moslems both worship. The Cave is in three acts. In each act we asked the same basic questions to a different group of people. The basic five questions were: Who for you is Abraham? Who for you is Sarah? Who for you is Hagar? Who for you is Ishmael? Who for you is Isaac? In the first act we asked Israelis, in the sec­ ond we asked Palestinians, and in the third we asked Americans. I _ PROGRAM NOTES _ Act I: West jerusalem/Hebron Act 2: East jerusalem/Hebron May/june 1989 june 1989 and june 1991 (Act I is 64 minutes) (Act II is 40 minutes) Israeli interviewees in order ofappearance: Palestinian interviewees in order ofappearance: EPHRAIM ISAAC Born· in Ethiopia, he has SHEIKH DAHOUD ATALAH The Muqri at AI­ lived in Israel and is currently Director of Aksa mosque, Jerusalem. the Institute of Semitic Studies at Princeton SUAD KARAMAN Poet and editor of The Univeristy. Women~s World in Arabic. She has also BARUCH NACHSHON An artist by profession, taught English. he lives in the Jewish Settlement of Kiryat ARAYDI NAIM Poet and writer from Maghar Arba in Hebron. Village. MAGEN BROSHI Chief Curator, the Shrine of KHALID M. SULEIMAN Journalist from the Book, and D. S. and J. H. Gottesman Hebron. Centre for Biblical Manuscripts. One of the MARIAN MARl Dr. of Education, initiator leading experts on the Dead Sea Scrolls. and director of Early Childhood Education NADINE SHENKAR Writer and Professor of Project for the Arab child in Israel, and Jewish Art at the Bezalel Academy of Art in President of the Galilee Social Research Israel, and scholar and practitioner of Center in Nazareth. Kaballah. ITAF ZIAD English instructor at Ramalah DAVID BEN YOSEF Social worker and resident Women's Training Center. She is also an of the Jewish Settlement of Kiryat Arba in Editor of Gesher, a Palestinian magazine in Hebron. Hebrew. RIVKA GONEN Archaeologist and chief cura­ HAJ MITHKAL NATOUR Served for 15 years tor at the ethnography wing of the Israel as director of Arab Education in East Museum in Jerusalem. Jerusalem. He is also Doctor of Islamic B. MICHAEL Political columnist and satirist studies and author of a book about the laws for the Israeli newspaper Ha-aretz. of the Moslem family in Israel according to MOSHE IDEL Leading scholar and writer on Islamic and Israeli law. Kabbalah and professor of Jewish Thought ALI EL-KHALILI Poet and editor of EI Fajar. at the Hebrew University, Jerusalem. SAMIA KAZMUZ Singer and actress. She is YESHAYAHU LEIBOWITZ A biochemist by pro­ also an educational counselor. fession, he has been, since the early 1940's, DR. ABDUL LATIF BARGHOUTHI Professor of one of the most incisive and controversial Islamic Studies, Bir Zeit University, West Bank. critics of Israeli culture and politics. He JAMIL ABU TORMEH Principal of a secondary lives in Jerusalem. school, East Jerusalem. URIEL SIMON Professor at the Department MUSBAH T AHBOUB From a family which has of Bible at Bar Han University in Israel, and cared for the mosque of Haram el-Khalil in head of the Institute for the History of Hebron for generations. Jewish Bible Research. He is active in the DR. ADEL MANNA Professor of Islamic religious peace movement, Netivot Shalom. Studies at the Hebrew University. GABRIEL BARKAI A prominent archaeologist IMAM T ALAL EID Religious director, Islamic and scholar, specializing in the Iron Age­ Center of New England, and a graduate of the period of the Israelite monarchy (10th AI-Azhar University, School of Islamic century to 6th century B.C.)-and profes­ Science and Law, Cairo, Egypt. He also sor at Tel Aviv University. holds a Master of Theological Studies degree. YAEL LAMM At the time of the interview in from Harvard Divinity School. June 1989, she was a yeshiva student in KHALIL ATAMNA Professor of Islamic studies, Efrat near Jerusalem. Bir Zeit University, West Bank. M. WATAD Journalist and writer. He is also a former member of the Knesset. RIAD OTHMAN A hotel manager. (short pause) I (intermission) _ PROGRAM NOTES_ Act III: New York City/ Austin - April/May 1992 (Act III is 32 minutes) American interviewees in order ofappearance: SUSAN HEWITT Born in England, raised in the ELIZABETH LECOMPTE Born in Toledo, Ohio, in church of England tradition and has now lived 1959, and has lived and worked in New York in America for 15 years. She taught biology at City for 25 years. She is Director of the Yale for one semester, and has taught Hatha Wooster Group. Yoga for 10 years. She is a practicing Tibetan RICHARD SERRA Sculptor who lives and works Buddhist. in N.Y.C. and Cape Breton, Nova Scotia. DENNIS PRAGER KABC Radio commentator in VALERIE STEELE Fashion historian and author of Los Angeles, writer and publisher of Ultimate several books, including Paris Fashion: A Issues, quarterly journal on Judaism and life, Cultural History and Women of Fashion: and Founder and President of the Micah Center Twentieth Century Designers. for Ethical Monotheism. JEFFREY SABALA A student studying mechanical MARION CHIIDRESS-USHER Clergywoman in the engineering at the University of Texas in United Methodist Church and Director of Austin, and co-leader of the Native American Campus Ministry for the United Campus Student Organization. Ministry of Austin. RON HAVERN Graduate of Harvard Divinity JEAN HOUSTON Philosopher, psychologist and School; he teaches philosophy and religion at cultural historian known for her many books New York University and at Marymount exploring myth and transformation. She is Manhattan College while maintaining a private co-director of the Foundation for Mind practice in psychotherapy. Research. FANNIE DEBOSE One of the pioneers of the MARY MACARTHUR GRIFFIN Former execu- Institutional Church of God in Christ in tive director of The Kitchen in N.Y.C. and an Brooklyn and head advisor to the youth depart- arts consultant who lives and works there. ment of the church. LISA ROGERS Graduate of the Episcopal VALERIE BRIDGEMAN DAVIS A minister from Theological Seminary of the Southwest, and is Austin who is studying Hebrew scriptures. program director of Out Youth Austin, a les- ELIZABETH BRUMMET Registrar of the Juilliard bian and gay youth peer support group. School in N.Y.C. KEITH SONNIER Sculptor who lives and works SAUL ROSENBERG Completing his Ph.D. in in N.Y.C. and Europe. He recently completed American Literature at Columbia University, he a kilometer-long installation at the new Munich teaches American Literature, Classical Hebrew airport. and Jewish Education in N.Y.C. DANIEL BERRIGAN In his own words, "Jesuit SHARON DUNN A legal assistant for Scadden priest, author, convicted felon - alleluia!" Arps Associates in N.Y.C., a member of the KERRI LOGSDON Scenic artist, University of choir of the Institutional Church of God in Texas Performing Arts Center. Christ in BrooklYn, N.Y. and performed in the ARTHUR DANTO Johnsonian Professor of choir of The Gospel ofColonus on Broadway. Philosophy at Columbia University, art critic LEROY FISCHER Self-employed heating contrac- for The Nation, and the author of many books tor and a longtime member and deacon of the on philosophy and the visual arts. Institutional Church of God in Christ in FRANCIS E. PETERS Chair of the Near Eastern BrooklYn. Religious Department at New York University; CARL SAGAN Pulitzer prize-winner, professor of among his books is Children of Abraham: Astronomy and Director of the Laboratory for Judaism, Christianity and Islam. Planetary Studies at Cornell University. ANN DRUYAN Secretary of the Federation of CORA NIVENS A longtime member of the American Scientists and co-author of the Institutional Church of God in Christ in Cosmos TV series and Shadows of Forgotten Brooklyn where she is the second of five gener- Ancestors with Carl Sagan. ations active in the church. LYNN LYTTON Lives in Austin and is a personal CECILIA BABCOCK SMITH Assistant rector, St. computer consultant at the University of Texas, David's Episcopal Church, Austin.
Recommended publications
  • KAWS Media Release
    KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal.
    [Show full text]
  • Donor-Advised Fund
    WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST.
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • APR MAY JUN 2020 at 515.271.0336 Or [email protected] JUNE 13 – SEPTEMBER 13, 2020 ANNA K
    APR MAY JUN 2020 DESMOINESARTCENTER.ORG | 1 FROM THE DIRECTOR t’s finally spring and there is a lot of activity with Urban Experience and the artist Jordan at the Art Center in anticipation of warmer, Weber to present art activities for Des Moines’ I sunnier days. I am looking forward to many Juneteenth celebration. These are just a few exciting events. These include a lecture with of the many offerings available for the entire the scholar and newly appointed curator at community at the Art Center. The Metropolitan Museum of Art, Denise Murrell; After many months of listening and a performance of Morton Feldman’s musical deliberating in multiple gatherings of staff, arrangement for Philip Guston in the galleries trustees, and the community, I am pleased to performed near our painting Friend – To M.F., announce the roll out of the Art Center’s new 1978, by Guston; Member Sundae on the front strategic plan. This blueprint will carry the lawn of the Art Center; an exhibition of Justin Art Center through the next three years, utilizing Favela’s artwork as well as a community fiesta three core tenets. They are: 1) evaluate and hosted by the artist and members of his family; enrich the quality of experiences that the and the showing of Jeffrey Wolf’s new film, Bill Art Center provides; 2) reaffirm the Art Center’s Traylor: Chasing Ghosts, to name a few. We will commitment to the community; and 3) optimize also host the Latino Film Festival in mid-April. and enhance internal culture. Two of these are More information will be forthcoming.
    [Show full text]
  • Artists Respond: American Art and the Vietnam War, 1965–1975 March 15–August 18, 2019
    Smithsonian American Art Museum February 11, 2019 Artists Respond: American Art and the Vietnam War, 1965–1975 March 15–August 18, 2019 Artists Respond: A Symposium: March 15, 9am–5:30pm Smithsonian American Art Museum Eighth and F Streets N.W. Washington, D.C. 20004 USA Hours: Monday–Sunday 11:30am– 7pm T +1 202 633 1000 Americanart.si.edu Martha Rosler, Red Stripe Kitchen, from the series "House Beautiful: Bringing the War Home," ca. 1967-72. Photomontage, Art Institute of Chicago, through prior gift of Adeline Yates. © Martha Rosler. Courtesy of the artist and Mitchell-Innes & Nash, New By the late 1960s, the United States was in pitched conflict both in Vietnam, against a foreign power, and at home—between Americans for and against the war, for and against the status quo. Artists Respond: American Art and the Vietnam War, 1965–1975 presents art created amid this turmoil, spanning the period from President Lyndon B. Johnson’s fateful https://www.e-flux.com/announcements/244630/artists-respond-american-art-and-the-vietnam-war-1965-1975/ decision to deploy U.S. ground troops to South Vietnam in 1965 to the fall of Saigon ten years later. The first national museum exhibition to examine the contemporary impact of the Vietnam War on American art, Artists Respond brings together nearly 100 works by 58 of the most visionary and provocative artists of the period. Galvanized by the moral urgency of the Vietnam War, these artists reimagined the goals and uses of art, affecting developments in multiple movements and media: painting, sculpture, printmaking, performance, installation, documentary art, and conceptualism.
    [Show full text]
  • Dick Polich in Art History
    ww 12 DICK POLICH THE CONDUCTOR: DICK POLICH IN ART HISTORY BY DANIEL BELASCO > Louise Bourgeois’ 25 x 35 x 17 foot bronze Fountain at Polich Art Works, in collaboration with Bob Spring and Modern Art Foundry, 1999, Courtesy Dick Polich © Louise Bourgeois Estate / Licensed by VAGA, New York (cat. 40) ww TRANSFORMING METAL INTO ART 13 THE CONDUCTOR: DICK POLICH IN ART HISTORY 14 DICK POLICH Art foundry owner and metallurgist Dick Polich is one of those rare skeleton keys that unlocks the doors of modern and contemporary art. Since opening his first art foundry in the late 1960s, Polich has worked closely with the most significant artists of the late 20th and early 21st centuries. His foundries—Tallix (1970–2006), Polich of Polich’s energy and invention, Art Works (1995–2006), and Polich dedication to craft, and Tallix (2006–present)—have produced entrepreneurial acumen on the renowned artworks like Jeff Koons’ work of artists. As an art fabricator, gleaming stainless steel Rabbit (1986) and Polich remains behind the scenes, Louise Bourgeois’ imposing 30-foot tall his work subsumed into the careers spider Maman (2003), to name just two. of the artists. In recent years, They have also produced major public however, postmodernist artistic monuments, like the Korean War practices have discredited the myth Veterans Memorial in Washington, DC of the artist as solitary creator, and (1995), and the Leonardo da Vinci horse the public is increasingly curious in Milan (1999). His current business, to know how elaborately crafted Polich Tallix, is one of the largest and works of art are made.2 The best-regarded art foundries in the following essay, which corresponds world, a leader in the integration to the exhibition, interweaves a of technological and metallurgical history of Polich’s foundry know-how with the highest quality leadership with analysis of craftsmanship.
    [Show full text]
  • Ellsworth Kelly and Andy Warhol Lead Swann Galleries' November
    FOR IMMEDIATE RELEASE Contact: Alexandra Nelson October 25, 2016 Communications Director 212-254-4710 ext. 19 [email protected] Ellsworth Kelly and Andy Warhol Lead Swann Galleries’ November Contemporary Art Auction New York— On Tuesday, November 15, Swann Galleries will hold an auction of Contemporary Art, featuring works by Chuck Close, Christo, Richard Diebenkorn, Claes Oldenburg and Cy Twombly, among others. Prime works by Pop Art king Andy Warhol include the iconic 1964 screenprint of Elizabeth Taylor, aptly titled Liz, as well as the screenprint Campbell’s Soup I: Green Pea, 1968 ($30,000 to $50,000 and $15,000 to $20,000, respectively). Also available is a sheet of sixty unpeeled Banana Stickers (The Velvet Underground & Nico), 1967, the largest amount of intact stickers related to the landmark collaboration between Warhol and The Velvet Underground ever seen at auction, estimated to sell between $8,000 to $12,000. Abstract Expressionist masters are well represented. An excellent work from Robert Motherwell’s Elegy to the Spanish Republic series titled Lament for Lorca, 1981-82, is estimated at $10,000 to $15,000. Willem de Kooning’s first lithograph with printer Irwin Hollander, Woman at Clearwater Beach, 1971, is also present. According to Hollander, the work was inspired by the artist’s “trip to Japan…the seeing and feeling of calligraphy, sumi brush and Zen”—it is expected to realize $8,000 to $12,000. There is also a run of moody works by Adolph Gottlieb. Bridging print and sculpture is Jean Dubuffet’s Parcours, 1981, an unusual scrolled screenprint on silk.
    [Show full text]
  • Barbara Rose Papers, 1940-1993 (Bulk 1960-1985)
    http://oac.cdlib.org/findaid/ark:/13030/tf9199n9wm Online items available Finding aid for the Barbara Rose papers, 1940-1993 (bulk 1960-1985) Jocelyn Gibbs. Finding aid for the Barbara Rose 930100 1 papers, 1940-1993 (bulk 1960-1985) Descriptive Summary Title: Barbara Rose papers Date (inclusive): 1940-1993 (bulk 1960-1985) Number: 930100 Creator/Collector: Rose, Barbara Physical Description: 11 Linear Feet(40 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The Barbara Rose papers represent a selection from her archive and document her research in post-war and contemporary American art. The bulk of the papers date from 1960 through 1985. Included are sound recordings and videos, most of which are interviews by Rose of American artists active in the 1960s. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Barbara Rose is an American art historian and critic, born in 1938 and educated at Smith College, Barnard College and Columbia University. She is known primarily for her writings on 20th-century American art. She has taught (at Hunter College, the Universtiy of California at San Diego and Irvine, and Sarah Lawrence College), curated exhibitions and made films. Through her marriage to Frank Stella and friendships with many other New York artists, she was a well-positioned observer of the American art world, particularly in the active New York scene of the 1960s and 1970s.
    [Show full text]
  • Global Antipiracy Growing
    ._.434rs pmb 1 i s herS4CCit g sT. T H.T New Ma rke t i n g Dimensions udswEi 08120 91304 4GREENLYM()hT 00 MARtI2 MONTY GREENLY NEWSPAPER C T Y 3740 `LEi `LNG BEACH CA 90807 A Billboard Publication The Radio Programming, Music /Record International Newsweekly June 27, 1981 $3 (U.S.) NATIONAL AD SURVEY Global Antipiracy Growing Many Video Rent Ploys; IFPI Hears Of Korea, Mid East Gov'ts Aid COPENHAGEN-Governments in Korea have long been associated with the pirate and the Middle East are joining the inter- trade. Want A Lifetime Deal? national fight against piracy and other viola- In a related move, the Greek Musicans' to boycott the upcoming By JOHN SIPPEL tions of copyright, a council meeting here of Union has threatened the International Federation of Producers of Athens Festival if the government doesn't take LOS ANGELES -Video software rental The sweetest deal is offered by Two Sea- Phonograms And Videograms was told. action on an antipiracy measure stalled in par- advertising varies from totally ambiguous sons Video Center, a single Cleveland loca- It would be considered a significant advance liament. (See separate story, International to extremely specific and comprehensive, a tion, which ballyhoos "the only place in if official crackdowns on copyright thievery pages.) survey of metropolitan markets indicates. town where you can rent video for $1 per were authorized in those territories, which (Continued on page 63) Proffering the most service, the two week plus deposit." Omni Video Club locations in Las Vegas Miami's Super Gus four outlets claim "world's largest movie exchange club.
    [Show full text]
  • NEA AR.MECH.Rev
    National Endowment for the Arts 2000 ANNUAL REPORT MISSION STATEMENT The National Endowment for the Arts, an in- vestment in America’s living cultural heritage, serves the public good by nurturing human cre- ativity, supporting community spirit, and fos- tering appreciation of the excellence and diver- sity of our nation’s artistic accomplishments. The President The White House Washington, D.C. Dear Mr. President: It is my pleasure to transmit the Annual Report for Fiscal Year 2000 of the National Endowment for the Arts. Over the last 35 years, the National Endowment for the Arts has brought the arts to thousands of communities throughout the nation, awarding more than 115,000 grants in all 50 states and the six U.S. jurisdictions. This year saw the launching of the new Creative Links program, which provides arts instruction for at-risk youth. This program, together with the ArtsREACH community arts development initiative, will be important components of the Challenge America initiative to begin in Fiscal Year 2001. The activities highlighted in this report illustrate the Arts Endowment’s commitment to making high quality art available to all Americans. Bill Ivey Chairman With support from an NEA Heritage & Preserva- tion grant, Newband of Nyack, New York restored and retuned Harry Partch’s Bamboo Marimba II for use in concerts and recordings. Harry Partch is one of America’s most inventive composers, cre- ating his own instruments (such as the Bamboo Marimba) to perform his unique compositions. (Photo by Steve Hockstein) Contents Chairman’s
    [Show full text]
  • Annual Report 1991
    National Gallery of Art 1991 ANNUAL REPORT IB 1991 ANNUAL REPORT 1991 ANNUAL REPORT National Gallery of Art Copyright © 1992. Board of Trustees, National Gallery of Art All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565 Photographs on p. 33, © August Sander Archive; p. 46, © Robert Frank; and p. Ill, © Estate of Walker Evans This publication was produced by the Editors Office, National Gallery of Art Edited by Tarn L. Curry Designed by Susan Lehmann, Washington, D.C. Printed by Schneidereith & Sons, Baltimore, Maryland The type is Bodoni Book, set by BG Composition, Baltimore, Maryland Photo credits: Dean A. Beasom, this page and pp. 19, 20, 23, 25, 26, 29, 31, 33, 42, 46, 69, 71, 73, 78, 92,97, 111, 128 Dennis Brack, Black Star, p. 100 Kathleen Buckalew, pp. 2-3, 50, 75 Richard A. Carafelli, pp. 7, 36, 40, 57, 83, 88, 95 Jacques-Louis David, Thirius de Pautrizel, c. 1795 Philip A. Charles, pp. 8, 17, 37, 41, 48, 55, Gift of Walter H. and Leonore Annenberg, in Honor of the 86, 109 Fiftieth Anniversary of the National Gallery of Art, Jose Naranjo, p. 11 1990.47.2 James Pipkin, cover William D. Wilson, p. 106 ISBN 0-89468-174-5 Pages 2-3: Installation of "animobiles" by Alexander Calder, 1970-1976 Gift of Mrs. Paul Mellon, 1991.7.6-15 Contents President's Preface 6 Administration Director's Report 9 Protection Services 87 Publication Sales 88 Art Programs Gallery Architect 90 Acquisitions 15 Facilities Management 91 Renaissance Paintings
    [Show full text]
  • Chapter One: the Beginnings the Altschul Family Traced Its Origins to the Great Intermarried German-Jewish Clans of Central Euro
    Chapter One: The Beginnings The Altschul family traced its origins to the great intermarried German-Jewish clans of central Europe, a network whose ramifications centered upon Prussia and the Austro-Hungarian empire, and by the mid-nineteenth century stretched across western Europe, Britain, and the United States. The Altschuls took some pride in what seems to have been a heritage of learning and books. Family lore had it that the name Altschul, or “old school,” was derived from the Jewish synagogue in Prague, where one or more of their forebears taught. In later life Frank Altschul traced bearers of the name in Jewish genealogies, and as a printer who himself established a notable small press, discovered with some satisfaction “that at various times in the 17th century no less than ten Altschuls had been printers.” Most of them were based in or around Prague, but some Altschuls worked in the printing trade in Amsterdam, in Cracow in Poland, and in the German city of Frankfort-on-Oder. Altschul’s own researches established that “the name Altschul was first borne by descendants of Provençal refugees who settled in Prague about 1302.” He also tracked down listings in the Universal Jewish Encyclopedia for Moses ben Hanoch Altschul of Prague, a sixteenth-century writer on morality who “was one of the first to create a refined literary style in Judeo-German,” and Emil or Elias Altschul (1812-1865) of Prague, who taught homeopathic medicine at that city’s university from 1848 onward, and wrote a treatise on the subject.1 Frank Altschul’s grandfather, Sigmund Altschul, came from the area around Prague; his grandmother, Elise Heymann, born in 1825, was one of six children of Isaac Heymann of Berlin (b.
    [Show full text]