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Issue 382 Market Analysis: Pittsburgh If Anyone Ever Wondered If Pittsburgh Is a Country Town, CBS Radio’S WDSY (Y108) Offered a Pretty Clear Answer in 2013
February 3, 2014, Issue 382 Market Analysis: Pittsburgh If anyone ever wondered if Pittsburgh is a country town, CBS Radio’s WDSY (Y108) offered a pretty clear answer in 2013. The station saw three consecutive best-ever 6+ shares from May through July (7.9, 8.6 and 9.3) and ranked or tied for No. 1 by that measure from June through September. And though Keymarket’s non-subscribing Country trimulcast WOGI-WOGG-WOGH (Froggy) doesn’t compete directly with WDSY in every county in the metro, it has its own story about shaping area listening. Country Aircheck spoke to WDSY OM/ Mark Anderson PD Mark Anderson and WOGI PD Dave Anthony for a Steel City temp check. Fuse Jocks: Broken Bow’s Dustin Lynch visits backstage at For WDSY, 2013 was history-making. “It marked our first Keith Urban’s Light The Fuse Tour stop Saturday (2/1) in number one ranking in 45 years,” Anderson Nashville with (l-r) the label’s Mary Forest Findley, CMT After says. “It was a thrill. Turning it into a streak MidNite’s Cody Alan, Country Aircheck’s Lon Helton, WSIX’s was sweeter.” Among Persons 25-54, WDSY Tyler Reese, Cumulus’ Charlie Cook and BBR’s John Loba. was No. 3 on the year with an 8.1. It reached as high as No. 2 in that demo with a 9.3 Road To CRS: Talk To Bob in June. “It just validates the strength of the CRS 2014 is less than three weeks away, brand, the position that Y108 occupies in the and Country Aircheck continues to look marketplace and the great work that this team Dave Anthony at the panels you shouldn’t miss. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Song Title Artist Disc
Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M. -
This Is Not a Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations 1-1-2015 This Is Not A Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Moore, Walter Gainor, "This Is Not A Dissertation: (Neo)Neo-Bohemian Connections" (2015). Open Access Dissertations. 1421. https://docs.lib.purdue.edu/open_access_dissertations/1421 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Walter Gainor Moore Entitled THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS For the degree of Doctor of Philosophy Is approved by the final examining committee: Lance A. Duerfahrd Chair Daniel Morris P. Ryan Schneider Rachel L. Einwohner To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Lance A. Duerfahrd Approved by: Aryvon Fouche 9/19/2015 Head of the Departmental Graduate Program Date THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS A Dissertation Submitted to the Faculty of Purdue University by Walter Moore In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2015 Purdue University West Lafayette, Indiana ii ACKNOWLEDGEMENTS I would like to thank Lance, my advisor for this dissertation, for challenging me to do better; to work better—to be a stronger student. -
American Square Dance Vol. 37, No. 8
Single AMERICAN Annual Issue $9.00 $1.00 SQUARE DANCE L AUGUST 1982 NOW THE DANCE OF AMERICA: DANCING- "THE BOSS" by Wog Power enough for 100 squares— twice the power of our previous models, yet small and lightweight for quick, convenient portability. Exceptional Reliability— proven in years of square dance use. A $1,000. Value— but priced at just $635.! • gr S Why the P-400 Is the Finest Professional Sound System Available This 17-pound system, housed in a 14"x14"x5" sewn vinyl carrying is easy to transport and set up, yet will deliver an effortless 120 R.M.S. watts of clear, clean power. Conservative design which lets the equipment "loaf"results In high reliability and long life. Yet this small powerhouse has more useful features than we have ever offered before: VU meter for convenient visual sound level indication Two separate power amplifiers Two separately adjustable microphone channels Optional remote music control 5-gram stylus pressure for extended record life (Others use up to 10!) Internal strobe BUILT-IN music-only monitor power amplifier Tape input and output Convenient control panel Exclusive Clinton Features Only Clinton has a floating pickup/turntable suspension, so that an accidental bump as you reach for a control knob will not cause needle skip. Only Clinton equipment can be operated on an inverter, on high line voltage, or under conditions of output overload without damage. Only Clinton offers a dual speed control— normal and extended range (0-80 r.p.m.) and automatic speed change from 33 to 45 rpm. -
50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T. -
Joe Walsh There Goes the Neighborhood Mp3, Flac, Wma
Joe Walsh There Goes The Neighborhood mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: There Goes The Neighborhood Country: Japan Released: 1981 Style: Classic Rock MP3 version RAR size: 1289 mb FLAC version RAR size: 1962 mb WMA version RAR size: 1157 mb Rating: 4.6 Votes: 124 Other Formats: WAV VOX RA VQF APE MPC TTA Tracklist Hide Credits Things A1 Backing Vocals – Joe Vitale, Timothy B. SchmitBacking Vocals, Bass – George (Chocolate) Perry*Piano, Synthesizer – Joe Walsh Made Your Mind Up A2 Backing Vocals – Joe VitaleBass – George (Chocolate) Perry*Keyboards – Joe Walsh Down On The Farm A3 Bass – George (Chocolate) Perry*Percussion [Jawbone] – Joe WalshTriangle – Russ KunkelViolin – David Lindley Rivers (Of The Hidden Funk) A4 Backing Vocals – Jody BoyerBass – George (Chocolate) Perry*Guitar, Talkbox, Written-By – Don FelderOrgan – Joe WalshTambourine – Joe VitaleTwelve-String Guitar – Bobby Mayo* A Life Of Illusion B1 Organ – Tom StephensonWritten-By, Trumpet, Bass [Guitarone] – Kenny Passarelli Bones B2 Backing Vocals – Jody BoyerBass – George (Chocolate) Perry*Violin, Backing Vocals – David LindleyWritten-By, Piano – Joe Vitale Rockets B3 Backing Vocals – Joe VitaleBass, Percussion – George (Chocolate) Perry*Other [Misc. Noises] – Joe Walsh You Never Know B4 Backing Vocals – Jody BoyerBass – George (Chocolate) Perry*Guitar – Don FelderPercussion – Victor Feldman Companies, etc. Manufactured By – Warner-Pioneer Corporation Phonographic Copyright (p) – Elektra/Asylum Records Recorded At – Santa Barbara Sound Recording -
Joe Walsh Saturday, September 1
FOR IMMEDIATE RELEASE APRIL 17, 2012 RIVER ROCK CASINO RESORT & CLASSIC ROCK 101 PRESENT JOE WALSH SATURDAY, SEPTEMBER 1 Richmond, BC – Best known for his popular guitar licks, musician Joe Walsh has entertained the masses and captivated his peers for more than three decades with such classics as “Funk #49”, “Walk Away”, “Life’s Been Good”, “A Life of Illusion” and “Ordinary Average Guy”. Walsh had played with many bands but it wasn’t until 1969 when he joined the Cleveland based power trio, The James Gang that he got a taste of sweet success. The Gang released four albums in the early 70’s … two of which went gold. Joe then decided to head west to Colorado where he put together the trio, Barnstorm in 1972 and released two albums. Still feeling there was something more for him, Joe released his first solo album in 1974. So What proved Joe a legitimate solo act with a limitless career on the horizon. Then in 1976, he was asked by the Eagles to replace guitarist Bernie Leadon bringing a harder rock sound to the group. At the end of the year, they released their fifth studio album, Hotel California which went gold reaching #1 on the Billboard Charts followed by The Long Run (1979) and Eagles Live (1980) reaching Billboard’s #1 and #6 respectively. At the same time, Joe released two solo albums ...You Can’t Argue With a Sick Mind (1976) and But Seriously Folks (1978) which boasted the notorious hit, “Life’s Been Good”. During the 14-year hiatus of the Eagles, Joe focussed on his solo career releasing several albums including There Goes The Neighborhood (1981), The Confessor (1985) and Ordinary Average Guy (1991). -
U.K. Blank Tape Firms
.., :.':... See giant pull -output -up centerfold 08120 t30 Z49GRE E N L YM O'JT L+G Mt kbt t4O'NTY GREENLY C T Y NEWSPAPER 374) ELM LING BEACH CA «eb07 A Billboard Publication The Radio Programming, Music /Record International Newsweek ly June 13. 1981 $3 (U.S.) New Life For WEA Adopts NAIRD, Indie U.K. Blank Tape Firms CX- Encoded Distribs Agree Unite, Fight Levy Lobby By LEO SACKS CBS System By PETER JONES PHILADELPHIA -A dramatic turnaround By ALAN PENCHANSKY & in the fortunes of the National Assn. of Inde- LONDON -A newly orchestrated cam- He says: "We just cannot accept that the JIM McCULLAUGH pendent Record Distributors and Manufac- paign to fight record company demands for home -taping problem is as bad as the CHICAGO -The WEA labels' adoption of turers, reflecting the growing economic health a sizable levy on blank tape in the U.K. to record companies say. It's not home-taping CBS' CX- encoded disk program has pushed of specialty indie labels and their wholesalers, compensate for home taping, is under way in isolation that is responsible for slumping that noise reduction system farther toward marked the organization's 1981 convention, here following the formation of the Tape record sales. Also to blame are high prices, large scale consumer reality. which convened here last Sunday (30). Manufacturers Group (TMG). poor technical quality and artistic quality. Product on all WEA labels -Atlantic, NAIRD, whose convention in Kansas City The fiery new organization is headed by "But it is time the record companies real- Elektra /Asylum, Nonesuch and Warner Bros. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
1993 Next Wave Festival
.' 1993 NEXT WAVE FESTIVAL _ PROGRAM NOTES _ STEVE REICH ENSEMBLE Cheryl Bensman Rowe, lyric soprano Marion Beckenstein, lyric soprano James Bassi, tenor Hugo Munday, baritone Bob Becker, Russ Hartenberger, Garry Kvistad, Thad Wheeler, percussion Nurit Tilles, Edmund Niemann, Philip Bush, pianos & keyboards Elizabeth Lim, Todd Reynolds, violin Scott Rawls, viola Jeanne LeBlanc, cello Leslie Scott, Kenneth Dybisz, flutes, oboe, english horn, clarinet & bass clarinet SYNOPSIS In the Bible, Abraham buys a cave from Ephron the Hittite as a burial place for his wife Sarah. The Cave of the Patriarchs, as it has come to be known, became the final resting place not only for Sarah, but for Abraham and their descendants as well. In Jewish mystical sources, the cave is also a passageway back to the Garden of Eden. It is said that Adam and Eve are also buried there. The cave is of great religious significance for Moslems as well. While the Jews are descendants of Abraham and Sarah through their son Isaac, the Moslems trace their lineage to Abraham through his son Ishmael born to Hagar, Sarah's handmaid. Today the cave, located in the largely Arab town of Hebron, in the West Bank, is completely built over and inaccessible. The ancient structures built above it reveal a long history of conflicting claims. One discovers not only the wall Herod erected around 'the cave, but also the remains of a Byzantine church, and finally the: mosque built in the 12th century which has dominated the site ever since. Since 1967 the mosque built above the cave remains under Moslem jurisdiction, while the Israeli army maintains a presence at the site. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.