Annual Report 1991

National Gallery of Art 1991 ANNUAL REPORT IB 1991 ANNUAL REPORT

Photographs on p. 33, © August Sander Archive; p. 46, © Robert Frank; and p. Ill, © Estate of Walker Evans

This publication was produced by the Editors Office, National Gallery of Art Edited by Tarn L. Curry

Designed by Susan Lehmann, Washington, D.C. Printed by Schneidereith & Sons, Baltimore, Maryland The type is Bodoni Book, set by BG Composition, Baltimore, Maryland

Photo credits: Dean A. Beasom, this page and pp. 19, 20, 23, 25, 26, 29, 31, 33, 42, 46, 69, 71, 73, 78, 92,97, 111, 128 Dennis Brack, Black Star, p. 100 Kathleen Buckalew, pp. 2-3, 50, 75 Richard A. Carafelli, pp. 7, 36, 40, 57, 83, 88, 95 Jacques-Louis David, Thirius de Pautrizel, c. 1795 Philip A. Charles, pp. 8, 17, 37, 41, 48, 55, Gift of Walter H. and Leonore Annenberg, in Honor of the 86, 109 Fiftieth Anniversary of the National Gallery of Art, Jose Naranjo, p. 11 1990.47.2 James Pipkin, cover William D. Wilson, p. 106

ISBN 0-89468-174-5

Pages 2-3: Installation of "animobiles" by Alexander Calder, 1970-1976 Gift of Mrs. Paul Mellon, 1991.7.6-15 Contents

President's Preface 6 Administration Director's Report 9 Protection Services 87 Publication Sales 88 Art Programs Gallery Architect 90 Acquisitions 15 Facilities Management 91 Renaissance Paintings 34 Resource Acquisition 92 Baroque Paintings 34 Personnel 92 American and British Paintings 36 Office Services 93 Modern Paintings 37 Telecommunications 93 Twentieth-Century Art 38 Audiovisual Services 93 Sculpture and Decorative Arts 40 Old Master Drawings 41 External Affairs Old Master Prints 43 Development 95 Modern Prints and Drawings 44 Corporate Relations 96 Photographs 46 Press and Public Information 98 Exhibitions 47 Special Events 99 Design and Installation 49 Visitor Services 99 Lenders 52 Horticulture 100 Conservation 55 Music at the Gallery 101 Registration and Loans 60 Center for Advanced Study Research on Collections 62 in the Visual Arts 103 Changes of Attribution 63 Loans 65 Staff Activities and Publications 109 Education 70 Financial Report 117 Library 7 8 Photographic Archives 80 Trustees and Staff 129 Slide Library 82 Donors 137 Editors Office 82 Photographic Services 84 Gallery Archives 84 President's Preface

The 1991 fiscal year was a time of memo- motivation of the staff that keep the Na- rable celebration for the National Gallery tional Gallery a vibrant and dynamic as we witnessed an unprecedented out- institution. pouring of generosity on the occasion of As president, I meet on a monthly the institution's fiftieth anniversary. Col- basis with the Gallery's other executive lectors from all across the United States officers in order to remain fully abreast of and Europe committed works of art for the institution's daily operations. Further, the permanent collection in virtually luncheons are held at the time of the reg- every area in which the Gallery collects, ular board committee meetings during filling important needs in our holdings. which the trustees meet, on a rotating In addition to gifts-in-kind, significant basis, with senior staff to hear in detail funds were contributed for art purchase, about their various departments. and under the leadership of Robert H. The board of trustees continues to be Smith, the 50th Anniversary Gift Commit- greatly aided in its work by the assistance tee surpassed its goal of $5 million by and involvement of the Trustees' Council, contributing a total of $6 million for art which was headed this year by John C. acquisition. In all, close to $25 million Whitehead. We are very pleased that Ed- was pledged in support of fiftieth anniver- win L. Cox will succeed him next year as sary programs. Council chairman, and that John White- We also recognize with gratitude the head will continue as chairman of the continuing commitment of funds the Gal- Trustees' Council development lery receives from the federal government committee. to provide for its day-to-day operations. We are pleased to welcome W. Lyons The Gallery has been fortunate to have Brown, Jr., of Louisville, Kentucky, long enjoyed the generous support of The Louisa Duemling of Washington, D C., Andrew W. Mellon Foundation. In honor Teresa Heinz of Washington, D C., and of the Gallery's anniversary, the Founda- Pittsburgh, Pennsylvania, Louise Mellon tion granted $7.5 million to endow three of Amherst, New Hampshire, and Andrea senior positions: a Mellon Senior Curator, Woodner of Washington, D C., as new a Mellon Professor at the Center for Ad- Council members. Arthur Altschul, vanced Study in the Visual Arts, and Ronald Lauder, and Edward Swenson Head of Scientific Research in the con- completed their terms of service this year, servation division. These new positions and we are very appreciative of the time will make a permanent, qualitative differ- and effort they have contributed during ence in the Gallery's ability to care for their tenures as Council members. and interpret its collections. My fellow We celebrate with pride the accom- trustees and I are particularly apprecia- plishments of five decades, but we are tive of the Mellon Foundation's recog- also mindful of our continuing responsi- nition that it is the excellence and bility to plan for the future. During the

6 Jusepe de Ribera, The Martyrdom of Saint year we began a formal process of long- collections for a growing international Bartholomew, 1634 (detail) range planning, which will identify future constituency. Gift of the 50th Anniversary Gift Committee, 1990.137.1 needs and priorities as well as formulate The Gallery's fiftieth anniversary cele- strategies for meeting those challenges. A bration has affirmed the continuing im- key element of our plan will be targeting portance and relevance of a national ways in which the Gallery can be of maxi- gallery in our cultural life. The extraordi- mum service on a national basis. nary level of enthusiasm and involvement The continual growth in the area of demonstrated by individuals, founda- communications technology has not gone tions, and corporations during this anni- unnoticed by the Gallery. We remain at versary year is above all a tribute to the the forefront in the museum world in exceptional vision of the Gallery's foun- bringing new technology, such as digital der, Andrew Mellon. We are grateful to all imaging and videodiscs, into the service those who continue to help sustain his im- of art education. As we sense increasingly portant legacy. that we live in a "global village," the Gal- lery has also expanded its efforts to reach new audiences through a wide variety of outreach programs, including new forms John R. Stevenson of access to the Gallery's programs and President

Director's Report

Since the National Gallery of Art opened Bolero in "Chilperic " from Betsey Gush- its doors to the public fifty years ago, on ing Whitney in honor of John Hay 17 March 1941, there have been over Whitney; Van Gogh's Roses from Pamela 138 million visits to it. In addition, since C. Harriman in memory of the late W. 1952 our extension programs have Averell Harriman; Cezanne's Boy in a reached a cumulative audience of many Red Waistcoat pledged by Paul Mellon; hundreds of millions more, by circulating and other great treasures in many media free films, slides, videodiscs, and cas- discussed more fully in the body of this settes to schools, hospitals, senior citizens report. Distinguished donors included the groups, and local television and radio sta- Gallery's Collectors Committee and nu- tions. Among the most satisfying testi- merous artists. A lavishly illustrated cata- monies to the Gallery's effectiveness are logue, with object entries written by the letters and comment cards that pour virtually every curator on the staff, was in from private citizens, with praise that produced by our editors office under tre- confirms that our dedication to excellence mendous time constraints as gifts contin- does somehow come across. ued to flow in. The fiftieth anniversary year offered Subsequently, we continued to receive special opportunities to recognize the Gal- anniversary gifts, a selection of which will lery's unique history, to launch major new be displayed with other recent acquisi- initiatives, and to continue engaging visi- tions in a second exhibition in May 1992. tors with our collections and exhibitions. Undoubtedly, the Congress' decision to During this celebration the extraordinary lift the tax penalties for giving works of art generosity of the Gallery's friends and do- near the end of our campaign helped in- nors has enriched our collections and spire a cornucopia of donations to the programs immeasurably. Gallery, as well as to other museums Art for the Nation: Gifts in Honor of the around the country, although many of the 50th Anniversary of the National Gallery anniversary gifts were initiated before the of Art exhibited a selection of nearly three tax provisions were modified. Visitors will hundred of the works of art given or be able to enjoy the munificence of these pledged to the Gallery by over 220 do- anniversary-year contributions forever. nors from twenty-two states, the District All of these special gifts realize an im- of Columbia, and five foreign countries. It portant aspect of the vision of the Gal- was generously supported by a grant from lery's founder, Andrew Mellon, who felt, GTE. Among the magnificent works of art as his son Paul said at the inaugural cele- on view were the Gallery's first painting brations fifty years ago, that the Gallery Henri de Toulouse-Lautrec, Marcelle Lender Danc- by Jusepe de Ribera, The Martyrdom of "would become a joint enterprise of the ing the Bolero in "Chilperic1895-1896 (detail) Saint Bartholomew, from the 50th Anni- government on the one hand, and of mag- Gift (Partial and Promised) of Betsey Gushing Whitney in Honor of John Hay Whitney, for the Fiftieth Anniversary of versary Gift Committee; Toulouse- nanimous citizens on the other. ... For it the National Gallery of Art, 1990.127.1 Lautrec's Marcelle Lender Dancing the was my father's hope, and it is [mine and

9 my sister Ailsa's] that the National Gallery proved lighting system transformed the would become not a static but a living in- galleries. Under the leadership of David stitution, growing in usefulness and im- Bull and Sarah Fisher, chairman and portance to artists, scholars and the head of paintings conservation, respec- general public." This year, at a celebra- tively, many works in the collection were tion of the Gallery's anniversary, Paul restored. A vigorous frame repair and re- Mellon was able to say that his father's framing program led by Stephen Wilcox, dream had become a reality. frame conservator, has enhanced these The fiftieth anniversary was also an im- works of art and the paintings within portant year for the Gallery Archives. The them. Important period frames in the Gal- staff of the archives organized an exhibi- lery's considerable inventory were de- tion in celebration of the anniversary of ployed, largely from the Samuel H. Kress the opening of the West Building, consist- Collection, and a number of others were ing of sketches and plans by its architect, purchased. Teams of curators and educa- John Russell Pope, accompanied by a tion staff prepared a new system of labels lively audiovisual program that placed the and laminated gallery information leaflets Gallery in the context of Pope's career. to help interpret the collection. New re- In addition, archives staff interviewed corded collection tours and a new floor prominent participants and observers of plan brochure help direct and enlighten the Gallery's past for permanent record, our visitors. contributing to the development of a Also in support of the diffusion of number of anniversary programs. Direc- knowledge about our collections, the sec- tor emeritus John Walker and honorary ond of the systematic catalogues was pub- trustee Paul Mellon gave the archives im- lished: Spanish Paintings of the Fifteenth portant photographs this year. The ar- through Nineteenth Centuries, by Jon- chives staff and the Gallery note with athan Brown and Richard Mann. Several sadness the passing of two valued partici- other volumes on our permanent collec- pants in these efforts, Elizabeth Foy, for- tion were brought to galley-proof stage merly executive assistant to the director and are expected to appear in the coming for both John Walker and the writer, and year. More than forty scholars on the staff Richard Saito, architectural archivist. and worldwide are at work on this thirty- Other commemorations of the anniver- volume series, which will cover all aspects sary were a book on the history of the Na- of the collections of paintings, sculpture, tional Gallery, written by Philip Kopper and decorative arts. The Gallery is also and published by Harry N. Abrams, Inc.; embarked on publication of a catalogue and a film, Voices in Celebration, created of one of our library's great treasures, the by Aviva Slesin and produced by external Mark J. Millard Collection of architectural affairs officer Joseph Krakora. Both the books, and work is proceeding on cata- film and the book elucidate, not without logues raisonnes devoted to the works of humor, ways in which the Gallery has Mark Rothko and Georgia O'Keeffe. deeply affected the lives of its visitors and In addition to our fiftieth anniversary employees. projects, several special exhibitions oc- The anniversary has been a year of the curring during the year covered by this permanent collection in many ways. The report (October 1990 through September eighteen-month reinstallation of the West 1991) deserve mention here. In collab- Building and twentieth-century galleries, oration with the Comune di Venezia, the involving nearly every curator at the Na- Gallery organized Titian: Prince of tional Gallery, achieved a careful reinter- Painters, the first major exhibition of this pretation of the collection. Conceived by master's work since 1935. Shown first at deputy director Roger Mandle, and coor- the Palazzo Ducale in Venice, the exhibi- dinated by senior curator of paintings tion was a glorious selection of paintings Charles S. Moffett and senior curator of by Titian, whose art, wrote his contempo- design Gaillard Ravenel, the project also rary critic and biographer, Lomazzo, "in encompassed conservation and educa- beauty, surpassed almost Nature herself." tional aspects. Glazed walls and an im- One of the highlights of the installation

10 nique as religious, allegorical, and portrait painter. The curators of the exhibition were Susan Barnes, who had been at the Gallery's Center for Advanced Study in the Visual Arts (CASVA) and is now at the Dallas Museum of Fine Arts, and Arthur K. Wheelock, the Gallery's curator of northern baroque painting. The Gallery also produced two small "focus exhibitions" relating to works in our own collections. "Soap Bubbles" of Jean-Simeon Chardin compared our painting with other versions from the Met- ropolitan Museum of Art in New York and the Los Angeles County Museum of Art, which organized the exhibition. Rem- brandt's Lucretias paired the Gallery's masterpiece from 1664 with that of the Minneapolis Institute of Arts from 1666. A key component of each exhibition was the free brochure that described the history, iconography, conservation, and style of the paintings. On a somewhat larger scale, several years of preparatory work on the quin- centennary exhibition Circa 1492: Art in the Age of Exploration were coming to a head, bringing together nearly six hundred works of art from around the globe. As the fiscal year drew to a close, objects Vincent van Gogh, Roses, 1890 was a recreation of the ceiling of the and curators were descending on the Gal- Gift (Partial and Promised) of W. AvereU Harriman and gcuola Grande di San Giovanni Evan- lery from some thirty-four countries in Pamela C. Harriman, in Honor of the Fiftieth Anniversary Of the National Gallery of Art, 1991.67.1 gelista in Venice, commissioned from preparation for the opening events in the Titian around 1544. This reunited the first twelve days of October. Gallery's painting of Saint John on Work also proceeded over the summer Patmos and the nineteen surrounding on directing to the Gallery the magnifi- panels that depict symbols of the Evan- cent collection of old master drawings gelists, cherubs, faces of women, and gro- brought together by the late Ian Woodner, tesque masks for the first time since the one of America's greatest collectors and ceiling was dismantled in 1812. connoisseurs. The successful negotiations Overlapping with the presentation of were conducted on behalf of the Gallery Titian was the exhibition of a master who largely by our curator of graphic art and particularly admired him, Anthony van senior curator, Andrew Robison. Dyck, the first great monographic gather- Other major acquisitions completed ing of this artist's work in more than a during the fiscal year and not specifically century, comprising 102 paintings and oil related to the anniversary include one of sketches. From the Saint Jerome of 1615, the largest and most important still-life lent by the Collections of the Prince of paintings by the Dutch seventeenth-cen- Liechtenstein, which shows Van Dyck's tury artist Willem Claesz. Heda, Banquet youthful authority, to Thomas Killegrew Piece with Mince Pie, signed and dated and William, Lord Crofts, lent by Her 1635, whose purchase was made possi- Majesty Queen Elizabeth II, painted just ble by the Patrons' Permanent Fund. An- three years before Van Dyck's early death selm Kiefer's Zi.ni Zum, 1990, was this in 1641, it was possible to see the full de- year's gift of the Collectors Committee: a velopment of the artist's virtuoso tech- craggy, monumentally scaled construction

11 of lead, paint, earth, and other natural chairs are Rene de la Rie, head of the materials, it is the first work by this im- conservation division's scientific research, portant German artist to enter the Gal- and Andrew Robison, senior curator. The lery's collections. third chair is designated for the Center Education programs at the Gallery con- for Advanced Study. These endowed tinued to strengthen and diversify, reach- chairs are particularly welcome advance- ing both visitors and targeted audiences ments in our efforts to recognize the im- around the nation through our extension portance of these positions. programs. Several peer reviews were The Andrew W. Mellon Foundation undertaken during the year on aspects gave the Gallery a related grant to of the education programs. To achieve strengthen our ability to bring renowned greater cultural diversity for our audi- scholars to Washington for collection- ences, opportunities in the Gallery's vol- related research and publication. Two unteer programs were advertised widely, immediate benefits were the short-term resulting in a broader range of applicants. residencies of Anthony Radcliffe, of the The National Teacher Institute, now in Victoria and Albert Museum, in the its third year, offered three week-long ses- sculpture department, and of Edgar Pe- sions during the summer for participants ters Bowron, former director of the Fogg from over thirty states, giving them broad Art Museum, in the department of south- and specific curriculum ideas to apply in ern baroque painting. their own classrooms from working with The Gallery's conservation division, our permanent collections. The Renais- committed to the responsible and secure sance was featured this year, and teachers movement of works of art, served as co- spent time with curators and specialists in host of the International Conference on the newly installed Italian Renaissance the Packing and Transportation of Paint- galleries. A special fiftieth anniversary ings, together with the Canadian Con- session provided for teachers from all servation Institute of Communication fifty states, nominated through their state Canada, the Conservation Analytical Lab- superintendents, to attend the training oratory of the Smithsonian Institution, program free, along with their school and the Tate Gallery. Over 350 partici- principals. These teachers and their col- pants from museums and packing firms leagues will be able to draw upon several from all over the world met in London to special children's publications funded by take part in the conference and work- the Vira I. Heinz Endowment. shop. The division produced two related A laser videodisc program on the publications, Art in Transit: Studies in the American collections of the National Gal- Transportation of Paintings and Art in lery was begun, to be distributed free to Transit: Handbook for Packing and Trans- every school system in the United States, porting of Paintings. thanks to the Annenberg Foundation. No aspect of the Gallery is more impor- The collection is being digitally scanned tant than security, and administrator to make possible an impressive new stan- Anne B. Evans with chief of administra- dard of image quality, and to provide a tive operations Darrell Willson and their multi-use visual data bank for future edu- staff worked hard to improve recruitment, cational and scholarly programs. Intense training, and deployment of the Gallery's research developed exciting uses for new large guard force. Also during the anni- technologies in some twenty-two separate versary year, special attention was given initiatives within various Gallery to improvements in the buildings and in- departments. frastructure. A long-range plan for facili- The largest fiftieth anniversary gift for ties improvement, including the removal the enhancement of the Gallery's schol- of asbestos, revamping of our elevators, arly and education programs came from and work on our skylights, was being The Andrew W. Mellon Foundation in the implemented. form of a $7.5 million grant to establish The development effort for the fiftieth three endowed chairs at the Gallery. The anniversary deserves special mention. first occupants of these Andrew Mellon The trustees and the development com-

12 Camilla Pissarro, Landscape at Les Patis, Pontoise, mittee of the Trustees' Council, assisted private partnership that enables the Gal- 1868 (detail) by the 50th Anniversary Gift Committee, lery to function. This healthy and highly Gift (Partial and Promised) of Mr. and Mrs. David Rockefeller, in Honor of the Fiftieth Anniversary of the provided ideas and energy that generated effective symbiotic relationship has his- National Gallery of Art, 1991.101.1 nearly $25 million in gifts and pledges of torically been the key to the Gallery's cash over the course of the campaign, in achievements. It is important to remem- addition to the donations of works of art. ber the sine qua non character of federal Moreover, the thriving Circle of the Na- support, borne out by the financial report tional Gallery of Art this year inspired the at the end of this publication. creation of a new International Corporate The essence of the anniversary cele- Circle, formed to build on the interest bration has been a national effort of ex- abroad in the Gallery's programs; more traordinary dimension. The intelligence than twenty-eight corporations were and dedication of the trustees, staff, and members at the end of the fiscal year. For- volunteers deserve high praise. The tune magazine published The Corporate thrust of their efforts was not lost on any- Patron, a book on the history of sponsor- one who participated in anniversary ship at the Gallery, for the office of corpo- activities: it was a celebration and con- rate relations and venture programs. firmation of the national quality of an in- Through this office's good efforts, eigh- stitution. We can only agree with Paul teen corporations and one foundation Mellon that one hopes—one even dares have given a total of $7 million in support believe—that Andrew Mellon would have of ten exhibitions and related projects in been pleased. fiscal year 1991. In this anniversary year it is particu- J. Carter Brown larly appropriate to recall the public and Director

Art Programs

Acquisitions Guston, Philip, American, 1913-1980 Painters Table, 1973, oil on canvas, 1991.69.1, Gift (Partial and Promised) of Mr. and Mrs. Donald M. Blinken in Memory of Maurice H. Blinken and in Honor of the PAINTINGS Fiftieth Anniversary of the National Gallery of Art

Hartley, Marsden, American, 1877-1943 Avery, Milton, American, 1885-1965 Maine Woods, 1908, oil on canvas, 1991.71.1, Gift of Mountain and Meadow, 1960, oil on canvas, Bernard Brookman 1991.52.1, Gift of Sally Michel Avery, in Honor of the Fiftieth Anniversary of the National Gallery of Art Heda, Willem Claesz., Dutch, 1597-1680 Banquet Piece with Mince Pie, 1635, oil on canvas, Bellini, Jacopo, Italian, c. 1400-1470/1471 1991.87.1, Patrons' Permanent Fund Saint Anthony Abbot and Saint Bernardino of Siena, 1459/1460, tempera on wood, 1990.118.1, Hofmann, Hans, American, 1880-1966 Gift (Partial and Promised) of Anonymous Donor in Honor Staccato in Blue, 1961, oil on canvas, 1990.108.1, of the Fiftieth Anniversary of the National Gallery of Art Gift (Partial and Promised) of Mr. and Mrs. Gilbert H. Kinney, in Honor of the Fiftieth Anniversary of the National Berchem, Nicolaes Pietersz., Dutch, Gallery of Art 1620-1683 View of an Italian Port, c. 1660/1670, oil on Kiefer, Anselm, German, born 1945 canvas, 1990.62.1, Gift (Partial) of Robert H. and Clarice Zim Zum, 1990, oil, crayon, ashes, sand, lead dust, Smith, in Honor of the Fiftieth Anniversary of the National and clay dust on lead and canvas, 1990.82.1, Gift of Gallery of Art the Collectors Committee

Bierstadt, Albert, American, 1830-1902 Krasner, Lee, American, 1908-1984 Lake Lucerne, 1858, oil on canvas, 1990.50.1, Gift of Imperative, 1976, oil, charcoal, and paper on Richard M. Scaife and Margaret R. Battle, in Honor of the canvas, 1991.59.1, Gift of Mr. and Mrs. Eugene Victor Fiftieth Anniversary of the National Gallery of Art Thaw, in Honor of the Fiftieth Anniversary of the National Gallery of Art Durand, Asher Brown, American, 1796-1886 Pastoral Landscape, 1861, oil on canvas, 1991.96.1, Leger, Femand, French, 1881-1955 Gift (Partial and Promised) of The Manoogian Foundation, Two Women, 1922, oil on canvas, 1991.37.1, Gift in Honor of the Fiftieth Anniversary of the National Gallery (Partial and Promised) of Richard S. Zeisler, in Honor of of Art the Fiftieth Anniversary of the National Gallery of Art

Eakins, Thomas, American, 1844-1916 Mitchell, Joan, American, born 1926 Rear Admiral George W. Melville, 1905, oil on Land, 1989, oil on canvas, 1991.6.1, Gift of Lila canvas, 1991.33.1, Gift (Partial and Promised) of Mr. and Acheson Wallace Mrs. H. John Heinz III, in Honor of the Fiftieth Anniver- sary of the National Gallery of Art Monet, Claude, French, 1840-1926 Sainte-Adresse, 1867, oil on canvas, 1990.59.1, Gift The Chaperone, c. 1908, oil on canvas, 1991.34.1, (Partial and Promised) of Catherine Gamble Curran and Gift of John Wilmerding, in Honor of the Fiftieth Anniver- Family, in Honor of the Fiftieth Anniversary of the National sary of the National Gallery of Art Gallery of Art French, 16th Century The Artist's Garden in Argenteuil (A Corner of the Portrait of a Member of the Quaratesi Family, oil on Garden with Dahlias), 1873, oil on canvas, wood, 1991.14.1, Gift (Partial and Promised) of Mrs. 1991.27.1, Partial Gift of Janice H. Levin, in Honor of the Rush Kress in Memory of Her Late Husband Rush Kress Fiftieth Anniversary of the National Gallery of Art and in Honor of the Fiftieth Anniversary of the National Gallery of Art Motherwell, Robert, American, 1915-1991 Personnage, 1945, oil on canvas board, 1991.44.1, Thomas Eakins, Rear Admiral George W. Melville, Giordano, Luca, Italian, 1634-1705 Gift (Partial and Promised) of Aaron I. Fleischman, in 1905 (detail) Diana and Endymion, c. 1675/1680, oil on canvas, Honor of the Fiftieth Anniversary of the National Gallery Gift (Partial and Promised) of Mr. and Mrs. H. John 1991.20.1, Gift of Joseph F. McCrindle in Memory of Mr. of Art Heinz III, in Honor of the Fiftieth Anniversary of the and Mrs. J. Fuller Feder and in Honor of the Fiftieth Anni- National Gallery of Art, 1991.33.1 versary of the National Gallery of Art

15 Ostade, I sack van, Dutch, 1621-1649 Smith, David, American, 1906-1965 Crinkly Worm, 1971 Workmen before an Inn, 1645, oil on wood, Untitled, 1964, enamel on canvas, 1991.56.1, Gift of Red and Yellow Bull with Blue Head, 1971 1991.64.1, Partial Gift of Richard A. and Lee G. Kirstein, Candida and Rebecca Smith, in Honor of the Fiftieth Anni- Blue and Red Bull with Yellow Head, 1971 in Honor of the Fiftieth Anniversary of the National Gallery versary of the National Gallery of Art Black Camel with Blue Head and Red Tongue, 1971 of Art Red Cow with Black Head, 1971 Stella, Frank, American, born 1936 Les Fleches, 1976 Palma il Giovane, Jacopo, Italian, c. 1548-1628 Them Apples, 1958, oil on cardboard and wood, cut, bent, and painted sheet metal, 1991.7.6-15, Gift Lamentation, c. 1620, oil on canvas, 1991.19.1, 1990.132.1, Gift of Lawrence Rubin of Mrs. Paul Mellon, in Honor of the Fiftieth Anniversary of Given in Memory of William E. Suida by Bertina Suida the National Gallery of Art Manning and Robert L. Manning, in Honor of the Fiftieth Still, Clyfford, American, 1904-1980 Untitled, 1951, oil on canvas, 1990.126.2, Gift (Par- Anniversary of the National Gallery of Art Canova, Antonio, Italian, 1757-1822 tial and Promised) of Marcia S. Weisman, in Honor of the Winged Victory, c. 1803/1806, bronze, 1991.125.1, Pippin, Horace, American, 1888-1946 Fiftieth Anniversary of the National Gallery of Art Patrons' Permanent Fund Interior, 1944, oil on canvas, 1991.42.1, Gift of Mr. and Mrs. Meyer R Potamkin, in Honor of the Fiftieth Anni- Thiebaud, Wayne, American, born 1920 Chinard, Joseph, French, 1755-1813 Cakes, 1963, oil on canvas, 1991.1.1, Gift in Honor of versary of the National Gallery of Art A Lady, 1810, terra cotta, 1990.128.1, Gift of Daniel the Fiftieth Anniversary of the National Gallery of Art from Wildenstein, in Honor of the Fiftieth Anniversary of the Na- Pissarro, Camille, French, 1830-1903 the Collectors Committee, the 50th Anniversary Gift Com- tional Gallery of Art Landscape at Les Patis, Pontoise, 1868, oil on mittee, and The Circle, with Additional Support from the canvas, 1991.101.1, Gift (Partial and Promised) of Mr. Abrams Family in Memory of Harry N. Abrams Dalou, Jules, French, 1838-1902 and Mrs. David Rockefeller, in Honor of the Fiftieth Anni- The Espousal (The Passage of the Rhine), 1892, versary of the National Gallery of Art Toulouse-Lautrec, Henri de, French, bronze, 1990.68.2, Gift of Patricia Bauman and John L. 1864-1901 Bryant, Jr., in Honor of Douglas Lewis and in Honor of the Rauschenberg, Robert, American, born 1925 Marcelle Lender Dancing the Bolero in "Chilperic," Fiftieth Anniversary of the National Gallery of Art Altar Peace!ROC! Mexico, 1985, acrylic on canvas 1895-1896, oil on canvas, 1990.127.1, Gift (Partial with aluminum frame plus object of aluminum and and Promised) of Betsey Gushing Whitney in Honor of John Bust of a Young Boy, c. 1879, marble, 1991.2.1, Gift tin Hay Whitney, for the Fiftieth Anniversary of the National of the Iris and B. Gerald Cantor Foundation, in Honor of the Fiftieth Anniversary of the National Gallery of Art Copperhead Grande/ROC I Chile, 1985, acrylic and Gallery of Art tarnishes on copper van Gogh, Vincent, Dutch, 1853-1890 David d Angers, Pierre-Jean, French, Urban/Interior Network!ROC! Venezuela, 1985, Roses, 1890, oil on canvas, 1991.67.1, Gift (Partial 1788-1856 acrylic and collage on plywood panel with objects and Promised) of W. Averell Harriman and Pamela C. Har- Franqois-Pascal-Simon, Baron Gerard, 1838, plas- Wall-Eyed Carp/ROCI Japan, 1987, acrylic and fab- riman, in Honor of the Fiftieth Anniversary of the National ter, 1991.95.1, Gift of The Christian Humann Foundation, ric collage on canvas Gallery of Art in Honor of the Fiftieth Anniversary of the National Gallery Cuban Acre/ROCI Cuba, 1988, acrylic and enamel of Art on galvanized steel Warhol, Andy, American, 1928-1987 Dine, Jim, American, born 1935 Bach's Rocks (Bachs Steine)/ROCI Berlin, 1990, Green Marilyn, 1962, silkscreen on synthetic poly- mer paint on canvas, 1990.139.1, Gift of William C. The Tampa Tool Reliefs, 1974, aluminum reliefs, acrylic and fabric collage on plywood panels Seitz and Irma S. Seitz, in Honor of the Fiftieth Anniversary 1990.45.1-5, Gift of Jim Dine Malaysian Flower Cave/ROCI Malaysia, 1990, of the National Gallery of Art acrylic and fabric on galvanized steel Metamorphosis of a Plant into a Fan, cast aluminum in 5 parts, 1990.130.1-5, Gift of Jim Dine, in Honor of 1991.76.1-3, 5-8, Gift of the Robert Rauschenberg Weber, Max, American, 1881-1961 the Fiftieth Anniversary of the National Gallery of Art Foundation Interior of the Fourth Dimension, 1913, oil on Pegasits/ROCI USA (Wax Fire Works), 1990, acrylic, canvas, 1990.78.1, Gift (Partial and Promised) of Natalie The Gate, Goodbye Vermont, 1985, steel, tools, fire wax, and chair on stainless steel Davis Spingarn in Memory of Her Grandmother, Linda R. wood, 1991.61.1, Gift (Partial and Promised) of Mr. and Miller, and in Honor of the Fiftieth Anniversary of the Na- Narcissus/ROC I USA (Wax Fire Works), 1990, acrylic, Mrs. Donald G. Fisher, in Honor of the Fiftieth Anniversary tional Gallery of Art of the National Gallery of Art enamel, and fire wax on stainless steel Swim/ROCI USA (Wax Fire Works), 1990, acrylic, Weir, Julian Alden, American, 1852-1919 Dubuffet, Jean, French, 1901-1985 fire wax, and variegated brass leaf on stainless steel U.S. Thread Company Mills, Willimantic, Connecti- Site a Vhomme assis, 1969-1984, cast and painted Seminole Host/ROC 1 USA (Wax Fire Works), 1990, cut, c. 1893/1897, oil on canvas, 1990.74.1, Gift polyester resin, 1991.100.1, Gift of Robert M. and Anne acrylic and fire wax on stainless steel (Partial and Promised) of Mr. and Mrs. Raymond J. T. Bass and Arnold and Mildred Glimcher, in Honor of the 1991.76.23-26, Gift of Saff Tech Arts and the Artist Horowitz, in Honor of the Fiftieth Anniversary of the Na- Fiftieth Anniversary of the National Gallery of Art tional Gallery of Art Redon, Odilon, French, 1840-1916 Giacometti, Alberto, Swiss, 1901-1966 Large Vase with Flowers, c. 1912, oil on canvas, No More Play, 1931-1932, marble, wood, bronze, 1990.64.1, Gift (Partial and Promised) of John C. White- 1991.40.1, Gift (Partial and Promised) of Raymond D. head, in Honor of the Fiftieth Anniversary of the National SCULPTURE Nasher, in Honor of the Fiftieth Anniversary of the National Gallery of Art Gallery of Art

Ribera, Jusepe de, Spanish, 1591-1652 Algardi, Alessandro, Italian, 1598-1654 Graves, Nancy, American, born 1940 A Flagellator, 1630s, silver, 1991.124.1, Patrons' Per- The Martyrdom of Saint Bartholomew, 1634, oil on Canoptic Legerdemain, 1990, stainless steel, alumi- manent Fund canvas, 1990.137.1, Gift of the 50th Anniversary Gift num mesh, resin, and paper, 1990.72.5, Gift of Graph- Committee icstudio and the Artist, in Honor of the Fiftieth Anniversary Bartholdi, Frederic-Auguste, French, of the National Gallery of Art Robinson, Theodore, American, 1852-1896 1834-1904 Maquette for "Canoptic Legerdemain," 1990, water- Drawbridge—Long Branch Rail Road, Near Mianus, Allegory of Africa, c. 1863/1865, bronze, 1894, oil on canvas, 1990.70.1, Gift (Partial and Prom- 1991.84.1, Gift of the 50th Anniversary Gift Committee color, graphite, gouache, and gold leaf on cut paper ised) of Mrs. Daniel Fraad in Memory of Her Husband and mounted to foamcore, 1991.75.178, Gift of Graphic- in Honor of the Fiftieth Anniversary of the National Gallery Bologna, Giovanni, Flemish/Italian, 1529-1608 studio and the Artist of Art Christ Crucified, probably before 1588, bronze, 1991.16.1, Gift of Mr. and Mrs. John R. Gaines in Memory Italian, 16th Century, follower of Moderno Ruscha, Edward, American, born 1937 of Clarence F. and Amelia R. Gaines and Gloria Gaines, (1467-1528), known as the Master of the Birth of I Think T11. . . , 1983, oil on canvas, 1990.126.1, and in Honor of the Fiftieth Anniversary of the National Venus Gift (Partial and Promised) of Marcia S. Weisman, in Honor Gallery of Art Standing Leda and the Swan (obverse); Hercules of the Fiftieth Anniversary of the National Gallery of Art and the Nemean Lion (reverse), c. 1520, bronze Calder, Alexander, American, 1898-1976 plaquette, 1990.115.1.a-b. Gift of Ellin Mitchell Works of Seghers, Gerard, Flemish, 1591-1651 Crinkly Taureau, 1970 Art in Honor of Douglas Lewis and in Honor of the Fiftieth Repentant Magdalene, 1625-1630, oil on canvas, La Vache, 1970 Anniversary of the National Gallery of Art 1990.68.1, Gift (Partial and Promised) of Patricia Bauman Deux Angles Droits, 1971 and John L. Bryant, Jr., in Honor of Arthur Wheelock and Horse, 1970 in Honor of the Fiftieth Anniversary of the National Gallery of Art

16 printed enamel, polished alumnium, plywood, silver, lapis lazuli Bamhue/ROCI Japan, 1986-1987, bamboo, neon lights, and brass electrical box, fittings, and cable 1991.75.215-217, Gift of Graphicstudio and the Artist Sino Trolley/ROCI China, 1986, acrylic and fabric collages on fabric laminated paper mounted on aluminum support with objects, 1991.76.4, Gift of the Robert Rauschenberg Foundation

Rickey, George, American, bom 1907 Divided Square Oblique II, 1981, stainless steel, 1991.93.1, Gift of Mr. and Mrs. William A. Nitze, in Honor of the Fiftieth Anniversary of the National Gallery of Art

Schiele, Egon, Austrian, 1890-1918 Self Portrait, c. 1917, bronze, 1991.36.1, Gift of Mr. and Mrs. Leonard Lauder, in Honor of the Fiftieth Anniver- sary of the National Gallery of Art

South German (Nuremberg?), 16th Century Striding Stag, c. 1590/1599, bronze, 1991.18.1, Gift of Asbjorn R. Lunde, in Honor of the Fiftieth Anniversary of the National Gallery of Art

Zadkine, Ossip, French, 1890-1967 Le Jouvenceau, 1961 Torso, 1963 ebony, 1991.53.1-2, Gift (Partial and Promised) of Mr. and Mrs. Nathan L. Halpern, in Honor of the Fiftieth Anni- versary of the National Gallery of Art

Frederic-Auguste Bartholdi, Allegory of Africa, Noguchi, Isamu, American, 1904-1988 Untitled, 1945, painted wood, 1991.45.1, Gift (Partial c. 1863/1865 DRAWINGS Gift of the 50th Anniversary Gift Committee, 1991.84.1 and Promised) of Robert P. and Arlene R. Kogod, in Honor of the Fiftieth Anniversary of the National Gallery of Art Acconci, Vito, American, born 1940 North Italian, 16th or early 17th century Bowl with a Shield of Arms, bronze, 1991.70.1, Gift 51 sketches for Building-Blocks for a Doorway, of Ruth Blumka in Memory of Her Daughter Vicki Blumka, c. 1983/1985, various media, including graphite, and due to the Continued Friendship of Douglas Lewis felt-tip marker, colored pencil, and ballpoint pen on tracing, graph, and wove papers, 1991.75.1-51, Gift Italian, 16th Century, follower of Moderno Oldenburg, Claes, American, born 1929 of Graphicstudio/University of South Florida and the Artist (1467-1528) Soft Drainpipe—Red (Hot) Version, 1967, vinyl, Elvira, Daughter of Gonsalvo de Cordoba, c. 1524, 1990.75.1, Robert and Jane Meyerhoff Collection, Gift in Adam, Robert, British, 1728-1792 bronze medal, 1991.123.1, Mars Foundation Fund Honor of the Fiftieth Anniversary of the National Gallery A Design for Illuminations to Celebrate the Birthday of Art of King George III, 1763, watercolor over graphite Johns, Jasper, American, born 1930 heightened with white, 1990.100.1, Anonymous Gift, in Bread, published 1969, lead relief with laminated, Profiterole, published 1989/1991, painted cast Honor of the Fiftieth Anniversary of the National Gallery bronze, 1990.104.17, Gift of Gemini G.E.L. and the embossed paper, hand-colored in oil of Art Artist, in Honor of the Fiftieth Anniversary of the National High School Days, published 1969, lead relief with Gallery of Art mirror AJdegrever, Heinrich, German, Light Bulb, published 1969, lead relief (sheet lead) Glass Case with Pies (Assorted Pies in a Case), 1962, 1502-1555/1561 1991.74.72-74, Gift of Gemini G.E.L. burlap soaked in plaster, pie tins, paint, glass, and Portrait of a Bearded Man with a Beret, c. 1540, metal case, 1991.54.1, Gift of Leo Castelli, in Honor of colored chalks, 1991.12.1, Gift of Mr. and Mrs. Stephen Kienholz, Edward, American, born 1927 the Fiftieth Anniversary of the National Gallery of Art M. Kellen, in Honor of the Fiftieth Anniversary of the Na- Souvenir License Plate for Sawdy, published 1972, tional Gallery of Art Profile Airflow—Test Mold, Front End, published die-stamped, painted license plate with printed 1972, molded polyurethane relief over 1 -color Arakawa, American, born 1936 sticker, chrome frame, plastic reflectors, and polyes- screenprint on Plexiglas installed in welded alumi- ter resin, 1991.74.134, Gift of Gemini C. E. L. 6 sketches for The Sharing of Nameless, c. 1984/ num frame, 1991.74.181, Gift of Gemini G.E.L. 1986, graphite, 1991.75.52-57, Gift of Graphic- Lichtenstein, Roy, American, born 1923 studio/University of South Florida and the Artist Rauschenberg, Robert, American, born 1925 Study for "Untitled Head II," 1970, aluminum and Fifth-Force, 1985-1986, bronze, acrylic paint, Xe- Balthus, French, born 1908 wood, 1990.104.16, Gift of Gemini G.E.I., and the Ar- rox transfer on silk, thread, shot, 1990.72.7, Gift of tist, in Honor of the Fiftieth Anniversary of the National Nude Girl Stretched Out on a Chair (recto); Figure Graphicstudio and the Artist, in Honor of the Fiftieth Anni- Gallery of Art Studies (verso), 1948, graphite on brown paper; versary of the National Gallery of Art black chalk, 1990.69.1 .a-b, Gift of Frank R. and Jean- Maillol, Aristide, French, 1861-1944 Box Cars, published 1975, handmade paper, bam- nette H. Eyerly, in Honor of the Fiftieth Anniversary of the The Three Nymphs, 1930-1938, lead, 1991.39.1, boo, and fabric National Gallery of Art Gift (Partial and Promised) of Lucille Ellis Simon, in Honor Junction, published 1975, mud and rope of the Fiftieth Anniversary of the National Gallery of Art Bison, Giuseppe Bernardino, Italian, Charter, published 1975, rag-mud, rope, and 1762-1844 bamboo Master of the Passion of Christ, Paduan, Coriolanus before the Women of Rome, late 1780s, Quorum, published 1975, rag-mud, rope, bamboo, c. 1500 pen and brown ink and brown wash over black and mud Saint Jerome in the Wilderness, c. 1500, gilded chalk, 1990.96.1, Gift of Katrin Bellinger, in Honor of the 1991.74.272-275, Gift of Gemini G.E.L. bronze plaquette, 1991.115.1, Gift of Karl Lunde Fiftieth Anniversary of the National Gallery of Art Tibetan Garden Song/ROCI Tibet, 1985-1986, Moore, Henry, British, 1898-1986 cello, chrome-plated washtub, glycerine, Chinese Blake, William, British, 1757-1827 Maquettefor "Atom Piece," 1964, cast bronze, scrollmaker's brush, mirrored Plexiglas The Death of Saint Joseph, 1803, watercolor, graph- 1991.55.1, Gift of Mr. and Mrs. Harry Brooks, in Honor of ite, and charcoal, 1991.25.1, Gift (Partial and Prom- Araucan Mastaba/ROCI Chile, 1985-1986, screen- the Fiftieth Anniversary of the National Gallery of Art ised) of Louisa C. Duemling, in Honor of the Fiftieth Anniversary of the National Gallery of Art

17 Boilly, Louis Leopold, French, 1761-1845 Drawing for Surprising Novel: Chapter Three and Drawing for Shellac on a Hand, 1985/1986, brush The Vaccine, 1806, pen and black ink and wash, unidentified image, 1987/1989, black felt-tip and black ink with white paint on mylar 1991.3.1, Gift of Dora Donner Ide in Memory of William marker, pen and black ink, and graphite on mylar 1991.75.84-85, 91, Gift of Graphicstudio/U niversity of Henry Donner, and in Honor of the Fiftieth Anniversary of Drawing for Surprising Novel: Chapter Four, South Florida and the Artist the National Gallery of Art 1987/1989, black felt-tip marker, pen and black Dowell, John E., Jr., American, born 1941 ink, and graphite on mylar Bol, Hans, Netherlandish, 1534-1593 The to All Wish, 1971, pen and black ink, Drawing for Surprising Novel: Chapter Six, Winter Landscape with Skaters, c. 1584/1586, pen 1990.106.63, Gift of Mrs. Robert A. Hauslohner and brown ink and wash, 1991.15.1, Gift of Robert H. 1987/1989, black felt-tip marker, pen and black and Clarice Smith, in Honor of the Fiftieth Anniversary of ink, and graphite on mylar Ducreux, Joseph, French, 1735-1802 the National Gallery of Art Drawing for Surprising Novel: Chapter Seven, Head of a Gentleman, 1770s, red, black, and white 1987/1989, black felt-tip marker and graphite on chalks with stumping on brown paper, 1991.23.2, Bone, Muirhead, Sir, Scottish, 1876-1953 mylar Gift of John O'Brien in Memory of Genevieve Aymonier and in Honor of the Fiftieth Anniversary of the National Gallery Corpus Christi Procession, Santiago, probably Drawing for Father and Son Song, 1987, colored of Art 1925/1930, black crayon and watercolor over felt-tip markers on mylar graphite 1991.75.66-75, Gift of Graphicstudio/University of South Fragonard, Jean-Honore, French, 1732-1806 Florida and the Artist An Arch of Old Waterloo Bridge, probably A Stand of Cypresses in an Italian Park, c. 1760, 1925/1930, graphite red chalk, 1991.4.1, Patrons' Permanent Fund Claude Lorrain, French, 1600-1682 Pope's Casino, Vatican Gardens, c. 1910/1915, Torione Anticho Fori di Roma, c. 1630/1635, red charcoal Frankenthaler, Helen, American, born 1928 chalk, 1990.138.1, Gift of Jean and Kahlil Gibran Bilboa, probably 1925/1930, charcoal, pen and Untitled, 1983, acrylic, 1990.102.1, Gift of Helen Frankenthaler, in Honor of the Fiftieth Anniversary of the black ink, and brush and black ink with violet-blue Corot, Jean-Baptiste-Camille, French, National Gallery of Art wash 1796-1875 Calm on the Mediterranean, probably 1920/1930, Clump of Trees at Civita Castellana, 1826, pen and Gambara, Lattanzio, Italian, c. 1530-1574 watercolor brown ink and graphite with white heightening on Study for a Prophet, 1567/1573, black chalk with Portico of Saint Peter's, Rome, probably brown paper, 1990.47.1, Gift of Walter H. and Leonore white heightening squared for transfer, 1990.122.1, 1910/1915, graphite, charcoal, and white gouache Annenberg, in Honor of the Fiftieth Anniversary of the Na- Gift of Yvonne tan Bunzl, in Honor of the Fiftieth Anniver- New York at Dusk, c. 1923, charcoal and blue wash tional Gallery of Art sary of the National Gallery of Art 1991.110.1-7, Gift of Mortimer Brandt, in Honor of the Fiftieth Anniversary of the National Gallery of Art David, Jacques-Louis, French, 1748-1825 Catch, Lee, American, 1902-1968 TTiirius de Pautrizel, c. 1795, pen and gray ink, Angel Stone, probably 1960/1970, gouache, Boullogne, Louis de, the Younger, French, brush and gray wash, graphite, and white gouache, 1990.58.21, Gift of Regina Slatkin, Carole and Laura 1654-1733 1990.47.2, Gift of Walter H. and Leonore Annenberg, in Slatkin Male Nude Seated on Rocks, c. 1710, black chalk, Honor of the Fiftieth Anniversary of the National Gallery Gauguin, Paul, French, 1848-1903 heightened with white chalk, on brown paper, of Art 1990.57.2, Gift of Professor William B. O'Neal Reclining Nude (recto), 1894/1895; study for Aita Davis, Stuart, American, 1894-1964 tamari vahine Judith te parari (verso), c. 1894, Buhot, Felix-Hilaire, French, 1847-1898 Abstract Composition, probably 1921, watercolor charcoal, black chalk, and pastel, 1990.77.l.a-b. Gift Fan with Wildflowers and Butterflies against the over graphite, 1991.5.1, Gift of Mr. and Mrs. Frederick (Partial and Promised) of Robert and Mercedes Eichholz, R. Mayer, in Honor of the Fiftieth Anniversary of the Na- Norman Coast, c. 1875, tempera and gouache with in Honor of the Fiftieth Anniversary of the National Gallery tional Gallery of Art gold highlights over graphite on silk, 1991.66.1, Gift of Art of Agnes Mongan, in Honor of the Fiftieth Anniversary of Gay, Winckworth Allan, American, 1821-1910 the National Gallery of Art De Fornaro, Carlo, American, 1872-1949 Caricature of Prince del Drago, c. 1900, brush and Sketchbook of Landscape Drawings, 54 drawings in Burchfield, Charles, American, 1893-1967 black ink over graphite, 1990.131.1, Gift of John graphite, 1990.53.1, Ailsa Mellon Bruce Fund Rail Fence, 1916, watercolor and graphite, O'Brien Gensler, Martin, German, 1811-1881 1991.109.1, Gift of Ira Spanierman, in Honor of the Fiftieth Anniversary of the National Gallery of Art De Kooning, Willem, American, born 1904 The Ruins of Saint Nicolai Church in Hamburg, Woman with a Hat, 1966, oil on paper, 1991.94.1, 1871, watercolor and pen and brown ink, height- Carracci, Annibale, Italian, 1560-1609 Gift (Partial and Promised) of General Dillman Atkinson ened with white, 1990.92.1, Gift of Galerie Arnoldi- Landscape with Figures by an Estuary with Sailing Rash in Memory of Nancy Phillips Batson Rash and in Livie, in Honor of the Fiftieth Anniversary of the National Honor of the Fiftieth Anniversary of the National Gallery Boats, c. 1590/1595, pen and brown ink, Gallery of Art of Art 1991.17.1, Gift (Partial and Promised) of Mr. and Mrs. German, 16th Century David P. Tunick, in Honor of the Fiftieth Anniversary of the Delia Bella, Stefano, Italian, 1610-1664 National Gallery of Art Warrior in Renaissance Armor on a Rearing Horse, Two Men in Masque Costumes, c. 1645, pen and c. 1530/1540, pen and black ink on brown paper, Celmins, Vija, American, born 1939 brown ink, 1991.80.1, Ailsa Mellon Bruce Fund 1990.79.1, Ailsa Mellon Bruce Fund Untitled, 1973, graphite, 1991.58.1, Gift (Partial and Derain, Andre, French, 1880-1954 Promised) of the Grinstein Family, in Honor of the Fiftieth Giacometti, Alberto, Swiss, 1901-1966 Head of a Woman, 1920, charcoal, 1991.35.1, Gift of Anniversary of the National Gallery of Art The Table before the Dormer Window, 1950, graph- Warren and Grace Brandt, in Honor of the Fiftieth Anniver- ite, 1991.48.1, Gift of John D. Herring and Mr. and Mrs. sary of the National Gallery of Art Cherry, Herman, American, born 1909 Paul L. Herring in Memory of Mr. and Mrs. Lawrence Her- ring and in Honor of the Fiftieth Anniversary of the Na- Untitled, probably 1960/1970, 2 collages with col- Devis, Arthur, British, 1712-1787 tional Gallery of Art ored paper and gouache mounted on board, Deer Resting in Albury Park, watercolor over graph- 1990.58.1-2, Gift of Regina Slatkin, Carole and Laura ite, 1991.138.1, Ailsa Mellon Bruce Fund Slatkin Giani, Felice, Italian, 1758-1823 A Coffered Dome with Apollo and Phaeton, c. 1787, Diebenkorn, Richard, American, born 1922 Chia, Sandro, Italian, born 1946 pen and brown ink with gray, blue, and pink washes Still Life: Cigarette Butts and Glasses, 1967, ink, Untitled, c. 1987/1989, black felt-tip marker and over black chalk, 1991.81.1, Ailsa Mellon Bruce Fund conte crayon, charcoal, and ballpoint pen, pen and black ink on mylar 1990.101.1, Gift of Mr. and Mrs. Richard Diebenkorn, in Glier, Mike, American, born 1953 Drawing for Flowers Fight, 1987, black felt-tip Honor of the Fiftieth Anniversary of the National Gallery Untitled, c. 1984/1985, 2 drawings in litho- marker and graphite on mylar of Art graphic crayon with turpentine wash on mylar, Drawings for Surprising Novel: Chapter One and Sur- Dine, Jim, American, born 1935 1991.75.103-104, Gift of Graphicstudio/U niversity of prising Novel: Chapter Five, 1987/1989, black felt- South Florida and the Artist tip marker, pen and black ink, and graphite on Sketch for mural project The Foreign Plowman, mylar c. 1987/1989, ballpoint pen on thin wove paper Drawing for Surprising Novel: Chapter Two, Sketch for folding screen The Foreign Plowman, 1987/1989, black felt-tip marker and graphite on c. 1987/1989, graphite mylar

18 Adriaen van Ostade and Cornells Dusart, Peasants Greuze, Jean-Baptiste, French, 1725-1805 Homer, Winslow, American, 1836-1910 Fighting in a Tavern, c. 1640 The Ungrateful Son, c. 1777, red chalk, 1991.91.1, Blackboard, 1877, watercolor, 1990.60.1, Gift (Partial Gift of Edward William Carter and Hannah Locke Carter, in Gift of Winifred Gordon in Memory of Her Husband, Doug- and Promised) of Jo Ann and Julian Ganz, Jr., in Honor of las Huntly Gordon, and in Honor of the Fiftieth Anniver- the Fiftieth Anniversary of the National Gallery of Art Honor of the Fiftieth Anniversary of the National Gallery of sary of the National Gallery of Art Art, 1990.51.1 Hoppner, John, British, 1758-1810 Grooms, Red, American, born 1937 Miss Frances Beresford, c. 1784/1785, black, red, Chignon, 1981, watercolor and brush and black and white chalks over graphite on pink-washed pa- ink, 1990.106.13, Gift of Mrs. Robert A. Hauslohner per, 1990.109.1, Gift of The Leger Galleries, London, in Gordy, Robert, American, 1933-1986 Honor of the Fiftieth Anniversary of the National Gallery Guercino, Italian, 1591-1666 of Art Drawing for Nude, 1984 Landscape with the Taming of a Horse, 1620/1630, Drawing for Female Head, 1984 pen and brown ink with brown wash, 1990.67.1, Gift Italian, 16th Century graphite on tracing paper, 1991.75.111, 118, Gift of of Mr. and Mrs. Harry Brooks, in Honor of the Fiftieth An- Allegory of Peace, pen and brown ink and wash on Graphicstudio/University of South Florida and the Artist niversary of the National Gallery of Art blue paper, 1990.57.7, Gift of Professor William B. O'Neal Gorky, Arshile, American, 1904-1948 Guttenberg, Carl, German, 1743-1790 Virginia Landscape, 1944, graphite and wax Peter the Great of Russia, graphite with gray wash, Italian, 18th Century crayon, 1991.43.1, Gift (Partial and Promised) of Mrs. 1991.118.2, Gift of John O'Brien Glorification of the Host, c. 1700, pen and iron gall Walter Salant, in Honor of the Fiftieth Anniversary of the ink, 1990.57.1, Gift of Professor William B. O'Neal National Gallery of Art Hamilton, Hugh Douglas, Irish, c. 1739-1808 Frederick North, Later Fifth Earl of Guilford, in John, Gwen, British, 1876-1939 Corny, Anthony Peter, American, born 1950 Rome, late 1780s, pastel on paper mounted to Self-Portrait, probably 1907/1909, black chalk, A House Built on Sand: Homeless in a Land of canvas, 1991.86.1, Gift of the 50th Anniversary Gift 1991.133.1, Gift of Mr. and Mrs. James T. Dyke, in Honor Plenty, 1989, black and white chalk on marble- Committee of the Fiftieth Anniversary of the National Gallery of Art ized paper, with geometric cuts, mounted to paper painted with white gouache and drawn with graph- Harpignies, Henri-Joseph, French, 1819-1916 Johns, Jasper, American, born 1930 ite, 1991.116.38, Gift of Mrs. Robert A. Hauslohner Briare, 1902, watercolor over graphite, 1990.57.3, Untitled (from Untitled 1972), 1975/1976, pastel Gift of Professor William B. O'Neal and graphite on gray paper, 1990.107.1, Gift of Jasper Graphicstudio Workshop Johns, in Honor of the Fiftieth Anniversary of the National Drawing for Jim Dine s Metamorphosis of a Plant Hartley, Marsden, American, 1877-1943 Gallery of Art into a Fan, c. 1974, graphite on graph paper Plums and Pears, 1927, graphite, 1991.35.2, Gift of 2 drawings for Roy Lichtenstein's Brushstroke Chair, Warren and Grace Brandt, in Honor of the Fiftieth Anniver- Kelly, Ellsworth, American, born 1923 c. 1986/1988, graphite and colored pencil on sary of the National Gallery of Art Untitled, probably 1960/1970, collage with colored mylar papers, 1990.58.3, Gift of Regina Slatkin, Carole and Heemskerck, Maerten van, Netherlandish, 2 drawings for Roy Lichtenstein's Brushstroke Otto- Laura Slatkin 1498-1574 man, c. 1986/1988, graphite and colored pencil on The Triumph of Job, 1559, pen and brown ink with mylar traces of chalk, 1990.47.3, Gift of Walter H. and 1991.75.99, 123-126, Gift of Graphicstudio/U niversity of Leonore Annenberg, in Honor of the Fiftieth Anniversary South Florida and the Artist of the National Gallery of Art

19 Lichtenstein, Roy, American, born 1923 Practice Signatures, graphite, 1991.75.122, Gift of Graphicstudio/University of South Florida and the Artist

Marca-Relli, Conrad, American, born 1913 Untitled, probably 1960/1970, collage with burlap and paper mounted to painted paper Untitled, probably 1960/1970, collage with burlap and canvas mounted on gray construction paper 1990.58.5-6, Gift of Regina Slatkin, Carole and Laura Slatkin

Marin, John, American, 1870-1953 Marin Sketchbook, 1951, sketchbook with 29 drawings in various media Marin Sketchbook, 1952, sketchbook with 12 drawings in various media 1991.49.1-2, Gift of Norma B. Marin, in Honor of the Fiftieth Anniversary of the National Gallery of Art Ye Old Dutch Church, Upper Saddle River, New Jersey, c. 1950, graphite on plastic Ye Old Dutch Church, Upper Saddle River, New Jersey, c. 1950, graphite on plastic Ye Old Dutch Church, Upper Saddle River, New Jersey, 1950, graphite on plastic Ye Old Dutch Church, Upper Saddle River, New Jersey, 1951, graphite on plastic Ye Old Dutch Church, Upper Saddle River, New Jersey, 1951, graphite on plastic Prospect Harbor, Maine, 1952, graphite on plastic Machias, Maine, 1952, brush and black ink on plastic Study for Untitled (Mrs. Marin), c. 1953, graphite on plastic New York Skyline, graphite on plastic New York Skyline, 1951, graphite on plastic New York Skyline, 1951, graphite on plastic New York Skyline, 1951, graphite on plastic New York Skyline, 1951, graphite on plastic Seascape with Four Figures, black chalk on plastic Seascape with Four Figures, black chalk on plastic Seascape with Three Figures, graphite on plastic Seascape with Boat, graphite on plastic Seascape with Boat, black chalk on plastic Linear Configuration with Birds, black chalk on plastic Linear Configuration with Birds, black chalk on plastic Sea with Sailing Vessel, graphite on plastic Seascape, oil over black chalk on plastic Female Heads in Profile, graphite on plastic Female Heads in Profile, graphite on plastic Head in Circular Format, graphite on plastic Henri Matisse, The Oriental (L'Asiatique), 1939 Kunst, Pieter Cornelisz., attributed to, Dutch, Figure Playing a Violin, black chalk on plastic Gift of Judith H. and Franklin D. Murphy, in Honor of the c. 1489/1490-c. 1560/1561 Street Scene, graphite on plastic Fiftieth Anniversary of the National Gallery of Art, Landscape with the Baptism of Christ, c. 1530, pen 1991.49.3-30, Gift of Norma B. Marin 1991.68.1 and brown ink, 1991.10.1, Gift of Maida and George Abrams, in Honor of the Fiftieth Anniversary of the Na- Martin, John, British, 1789-1854 tional Gallery of Art View on the River Wye, Looking towards Chepstow, La Farge, John, American, 1835-1910 1844, watereolor, gouache, and touches of oil Klee, Paul, Swiss, 1879-1940 Lesson Study on Jersey Coast, 1881, watereolor and paint(?) over graphite with scraping out, heightened Persische Nachtigallen, 1917, gouache, watereolor, gouache, 1991.78.1, Anonymous Gift, in Honor of the with varnish and/or gum arabic, 1990.87.1, Gift of and pen and black ink over graphite, 1990.59.2, Gift Fiftieth Anniversary of the National Gallery of Art The Circle of the National Gallery of Art, in Honor of the (Partial and Promised) of Catherine Gamble Curran and Fiftieth Anniversary of the National Gallery of Art Family, in Honor of the Fiftieth Anniversary of the National La Rue, Louis-Felix de, French, 1731-1765 Matisse, Henri, French, 1869-1954 Gallery of Art The Prophets Hosea and Jonah (after Raphael), pen The Oriental (L'Asiatique), 1939, charcoal, and black ink and gray wash over graphite, Junger Wald, 1925, pen and black ink and water- 1991.68.1, Gift of Judith H. and Franklin D. Murphy, in 1990.131.2, Gift of John O'Brien color, 1990.136.1, Gift (Partial and Promised) of Lili- Honor of the Fiftieth Anniversary of the National Gallery Charlotte Sarnoff, in Honor of the Fiftieth Anniversary of Lallemand, Jean-Baptiste, French, of Art the National Gallery of Art c. 1710-c. 1803 Nilson, Johannes Gsaias, German, 1721-1788 Griine Pflanzen Blutlaus, 1924, watereolor with pen Figures Seated 'round a Fountain, c. 1755, black Rococo Fountain with Lovers and the Four Elements, and black ink on gessoed cloth, mounted on card- chalk, 1990.57.4, Gift of Professor William B. O'Neal pen and black ink with gray wash, 1990.135.1, Ailsa board, 1991.38.1, Gift of Ruth Carter Stevenson, in Mellon Bruce Fund Honor of the Fiftieth Anniversary of the National Gallery

20 Noguchi, Isamu, American, 1904-1988 Template for Crosshatch and Mutation, 1986, Tengnagel, Jan, Dutch, 1584-1635 Untitled, 1942, collage with graphite on graph pa- acrylic, graphite, and felt-tip marker on mylar Abraham Entertaining the Angels, 1610/1620, pen per mounted on black construction paper, Template for Sister Shrieks, 1987, acrylic and and brown ink with wash over black chalk and 1990.58.7, Gift of Regina Slatkin, Carole and Laura graphite on mylar graphite, 1990.63.1, Gift of Alice Steiner, in Honor of the Slatkin Template for Flowers and Females, 1986, acrylic Fiftieth Anniversary of the National Gallery of Art and graphite on mylar Nolde, Emil, German, 1867-1956 Tiepolo, Giovanni Battista, Italian, 1696-1770 1991.75.165-168, Gift of Graphicstudio/University of Sunflowers, Pink and White Dahlias, and a Blue South Florida and the Artist Bacchus and Ariadne, c. 1744, pen and brown ink Delphinium, c. 1930/1940, watercolor (applied and brown wash over black chalk, 1991.79.1, Gift of recto and verso), 1990.73.1, Gift of Margaret Mellon Rothenstein, William, Sir, British, 1872-1945 Mrs. Rudolf J. Heinemann, in Honor of the Fiftieth Anni- Hitchcock, in Honor of the Fiftieth Anniversary of the Na- Florence Beerbohm, c. 1925, red chalk, 1990.55.1, versary of the National Gallery of Art tional Gallery of Art Gift of Mark Samuels Lasner Three Cherubs and a Beribboned Staff, c. 1750, red and white chalks on blue paper, 1991.130.1, Pepita Ostade, Adriaen van, Dutch, 1610-1685 Ruskin, John, British, 1819-1900 Milmore Memorial Fund and Cornells Dnsart, Dutch, 1660-1704 The Garden of San Miniato near Florence, 1845, Peasants Fighting in a Tavern, c. 1640, pen and watercolor and pen and black ink, heightened with Tiepolo, Giovanni Domenico, Italian, dark brown ink over graphite (by Ostade) and pen white, over graphite, 1991.88.1, Patrons' Permanent 1727-1804 and light brown ink with gray-brown wash (by Fund The Apostles' Creed, in or after 1771, pen and Dusart), 1990.51.1, Gift of Edward William Carter and brown ink and wash over graphite, 1991.92.1, Gift of Schiele, Egon, Austrian, 1890-1918 Hannah Locke Carter, in Honor of the Fiftieth Anniversary Stephen Mazoh & Co., Inc., in Honor of the Fiftieth Anni- of the National Gallery of Art Dancer, 1913, graphite, watercolor, and gouache, versary of the National Gallery of Art 1990.112.1, Gift (Partial and Promised) of Liselotte Mil- Pearlstein, Philip, American, born 1924 lard, in Honor of the Fiftieth Anniversary of the National Titian, Italian, c. 1490-1576 9 drawings for Jerusalem, Temple Mount, 1987, var- Gallery of Art Study of an Eagle, c. 1515, pen and brown ink, ious media, including brush and black ink, graphite, 1991.62.1, Gift of J. Carter Brown, in Honor of the Fiftieth Sheeler, Charles, American, 1883-1965 Anniversary of the National Gallery of Art and colored pencil on mylar Counterpoint, 1949, conte crayon, 1991.47.1, Gift of 4 drawings for View of Rome, 1986, various media, Daniel J. Terra, in Honor of the Fiftieth Anniversary of the Trova, Ernest Tino, American, born 1927 including brush and black ink, pen and black ink, National Gallery of Art Portrait Head, probably 1960/1970, collage with and graphite on mylar colored papers mounted on board, 1990.58.14, Gift Sickert, Walter Richard, British, 1860-1942 10 drawings for Jerusalem, Kidron Valley, of Regina Slatkin, Carole and Laura Slatkin 1987/1989, various media, including brush and The Serpentine, London, c. 1920, pen and black black ink, pen and black ink, and graphite on mylar and brown ink, squared in red ink for transfer, Turpin de Crisse, Henry Roland Lancelot, 1991.75.132-140, 143-146, 155-165, Gift of Graphic- 1990.57.5, Gift of Professor William B. O'Neal French, c. 1754-probably after 1800 studio/University of South Florida and the Artist Signorelli, Luca, Italian, probably 1441-1523 A View through a High Arch in Tivoli, c. 1775/ 1780, black chalk, 1990.99.1, Gift of Galerie CaiUeux, Bust of a Youth Looking Upward (recto); Two Nude Picasso, Pablo, Spanish, 1881-1973 in Honor of the Fiftieth Anniversary of the National Two Men Contemplating a Bust of a Woman's Head, Figures (verso), c. 1500, black chalk on tan paper, Gallery of Art 1931, graphite partially indented with a stylus, 1991.8.1.a-b, The Woodner Family Collection, Gift in Honor of the Fiftieth Six Circus Horses with Riders, 1905, pen and black Vedder, Elihu, American, 1836-1923 Anniversary of the National Gallery of Art ink Study after Old Master, c. 1858, pen and ink 1990.49.1-2, Gift of Walter H. and Leonore Annenberg, Sirani, Giovanni Andrea, Italian, 1610-1670 Study after Domenichino, c. 1858, pen and brown in Honor of the Fiftieth Anniversary of the National Gallery Healing of a Possessed Man, c. 1650, pen and ink of Art brown ink, brown wash, graphite, and white Study after Old Master, c. 1858, pen and brown ink Piranesi, Giovanni Battista, Italian, 1720-1778 gouache, 1991.102.1, Gift of Sydney J. Freed berg, in and watercolor Honor of the Fiftieth Anniversary of the National Gallery Young Man with a Staff, c. 1765, pen and brown Study after Gozzoli, 1858, graphite and colored of Art ink with brown wash, 1991.24.1, Gift of Kate Ganz, in pencil Honor of the Fiftieth Anniversary of the National Gallery Study of Hunter with Dogs, c. 1858, graphite of Art Smith, David, American, 1906-1965 Study of a Girl Reading, c. 1858, graphite Untitled (Virgin Islands), 1933, pen and black ink Study of a Girl's Head, c. 1858, graphite Polidoro da Caravaggio, Italian, c. 1499-proba- over graphite Students in the Latin Quarter, Paris, c. 1858, graph- bly 1543 Untitled (Oct 4 1951), 1951, brush and black ink ite and red colored pencil on green paper A Deathbed Scene (recto); Woman Seated with a and gouache Rome, 1857, graphite Piece of Cloth (verso), c. 1521/1522, red chalk, Untitled (9/3/59), 1959, brush and black ink Tuscany, c. 1858, pen and black ink on blue paper 1991.9.1.a-b, Gift (Partial and Promised) of David E. Rust, Untitled (11-22-58), 1958, brush and black ink The Son and the Donkey, 1863, graphite in Honor of the Fiftieth Anniversary of the National Gallery and egg yolk of Art Son and Donkey, c. 1859, graphite Untitled (September 13, 1958), 1958, black ink with The Parable of the Miller and the Donkey, c. 1859, Preller, Friedrich, German, 1804-1878 egg yolk, white gouache, and graphite graphite Untitled, 1963, enamel spray paint Italian Coastal Landscape with a Thunderstorm, Father and Son, c. 1859, graphite 1828/1831, pen and red-brown ink with red-brown Untitled, 1962, enamel spray paint Father and Son, c. 1859, graphite 1991.56.2-8, Gift of Candida and Rebecca Smith, in and gray washes, heightened with white, over Son and Donkey, c. 1859, graphite Honor of the Fiftieth Anniversary of the National Gallery graphite, 1990.52.1, Ailsa Mellon Bruce Fund of Art Father, Son, and Donkey, c. 1859, graphite Village Scene, c. 1859, graphite Renoir, Auguste, French, 1841-1919 Solis, Virgil, German, 1514-1562 Son and the Donkey, c. 1859, graphite Studies of Trees, 1886, pen and black ink, water- David and Bathsheba, 1540/1550, pen and black Ground Floor Plan for Torre Quatro Venti, c. 1905, color, and graphite, 1990.94.1, Gift of Dr. and Mrs. ink and gray wash, 1991.13.1, Gift of Elmar W. Seibel, George Baer, in Honor of the Fiftieth Anniversary of the Na- pen and ink and colored pencil in Honor of the Fiftieth Anniversary of the National Gallery tional Gallery of Art Orte, c. 1887, watercolor and graphite of Art The Shipwreck, c. 1880, charcoal, watercolor, and Robert, Hubert, French, 1733-1808 Stamos, Theodoros, American, born 1922 gouache on blue paper The Oval Fountain in the Gardens of the Villa Infinity Field, probably 1960/1970, collage with Roman Landscape, c. 1900, colored chalks on d'Este, Tivoli, 1760, red chalk over graphite, colored papers mounted on board green paper 1990.129.1, Gift of Mr. and Mrs. Neil Phillips and Mr. and Sketch of a Fragment from a Wall in Capri, c. 1897, Mrs. Ivan Phillips, in Honor of the Fiftieth Anniversary of Red and Green on Blue Field, probably 1960/1970, graphite on brown paper the National Gallery of Art gouache and graphite on blotting paper 1990.58.12-13, Gift of Regina Slatkin, Carole and Laura Arco Oscuro—Over the Via Fiaminia, c. 1890, Rosenquist, James, American, born 1933 Slatkin graphite Template for The Kabuki Blushes, 1986, acrylic and From the Rubaiyat, c. 1887, graphite graphite on mylar

21 Detail of the Marriage of the Daughter of the Vine, Zingg, Adrian, Swiss, 1734-1816 Avery, Milton, American, 1885-1965 c. 1890, colored pencil Rauenstein Castle Seen from the River's Edge, Laurels Number Four, published 1948, portfolio with Study for the mural Music, c. 1890, charcoal and c. 1800, pen and brown ink and brown wash, 5 dry points, 1990.106.1-5, Gift of Mrs. Robert A. Haus- pastel over graphite on gray paper 1991.126.1, Ailsa Mellon Bruce Fund lohner, in Honor of the Fiftieth Anniversary of the National Gallery of Art Five Heads, c. 1918, pen and ink and watercolor Zox, Larry, American, born 1936 Self-Portrait: Caricatures, c. 1918, charcoal and Head of March, 1951, lithograph on brown-red pa- Untitled, 1965, colored pencil and graphite on pastel per, 1991.72.2, Gift of Harvey S. Shipley Miller graph paper, 1990.58.20, Gift of Regina Slatkin, Carole 1991.105.1-30, Gift of Mr. and Mrs. Paul Borghi, in and Laura Slatkin Flight, 1953, woodcut on japan paper, 1991.116.14, Honor of the Fiftieth Anniversary of the National Gallery Gift of Mrs. Robert A. Hauslohner of Art Zuccarelli, Francesco, Italian, 1702-1788 Balakjian, Mark, British, born 1940 Vicente, Esteban, American, born 1906 Mountain Landscape with Washerwomen and Fisher- man, c. 1760s, gouache, 1990.76.1, Gift of John Mor- Frontier I, 1975, mezzotint and etching in blue- Daytime, probably 1960/1970, collage with colored ton Morris, in Honor of the Fiftieth Anniversary of the black, 1991.116.15, Gift of Mrs. Robert A. Hauslohner papers and colored tissue papers mounted on styro- National Gallery of Art (6am board, 1990.58.15, Gift of Regina Slatkin, Carole Bartsch, Adam von, Austrian, 1757-1821 and Laura Slatkin Goat in a Landscape, 1805, etching, 1991.116.16, Gift of Mrs. Robert A. Hauslohner Walteau, Antoine, French, 1684-1721 PRINTS The March of Silenus, c. 1715/1716, red, black, Baselitz, Georg, German, born 1938 and white chalks on brown paper, 1991.22.1, Gift of Griines Tuch, from the Carnegie Hall Centennial Mr. and Mrs. Paul Shephard Morgan to Honor Margaret Ackroyd, Norman, British, born 1938 Portfolio, 1990, color lithograph (artist's proof], Morgan Grasselli, Curator of Old Master Drawings, and in Wardour in Sunlight, 1985, color monotype 1991.122.1, Gift of Fine Art Ltd. Honor of the Fiftieth Anniversary of the National Gallery Itchenwater, 1978, etching and aquatint of Art Spilling Cloud, 1979, color aquatint Baumgarten, Lothar, German, born 1944 Fish, 1985, color screenprint, 1991.57.26, Gift of Wharf dale in Snow, 1983, photoetching with Weidenmann, Johann Caspar, Swiss, Wolfgang Wittrock, in Honor of the Fiftieth Anniversary of burnishing 1805-1850 the National Gallery of Art Italian Peasant Woman with a Broom, graphite, Landscapes & Figures, published 1973, portfolio 1991.136.1, Ailsa Mellon Bruce Fund with 8 etchings Becker, David, American, born 1937 The Pictish Coast, published 1988, portfolio with 10 In a Dark Time, 1973, etching Weirotter, Franz Edmund, Austrian, 1730-1771 etchings A Foregone Conclusion, 1985, etching Weathered Boulders, c. 1769, red chalk, 1991.65.2, 1990.106.47, 1991.116.1-3, 1991.116.147-164, Gift Monuments, 1979, etching and engraving (trial Gift (Partial and Promised) of Andrew Robison, in Honor of of Mrs. Robert A. Hauslohner the Fiftieth Anniversary of the National Gallery of Art proof] Albers, Josef, American, 1888-1976 Monuments, 1979, etching and engraving [final West, Benjamin, American, 1738-1820 White Line Square XV, published 1966, color state proof II] 1991.116.17-20, Gift of Mrs. Robert A. Hauslohner The Flight into Egypt, c. 1800, pen and brown ink lithograph and wash, heightened with white gouache, White Embossing on Gray XI, published 1974, em- 1990.57.6, Gift of Professor William B. O'Neal Bell, Larry, American, born 1939 bossed line-cut with gray-green background Assembled Relief, published 1988, unique piece Study for The Battle of La Hogue (recto); Study of White Embossing on Gray V, published 1971, em- with vapor drawing and watercolor Moses Striking the Rock and a Procession (verso), bossed line-cut with gray-green background Assembled Relief published 1988, unique piece 1778, pen and brown ink; black chalk, 1991.74.1-3, Gift of Gemini G.E.I.. with abaca fiber 1991.90.1 .a-b, Avalon Fund Anderson, Stanley, British, 1884-1966 Mirage Construction, published 1988, mixed media on hand-cast Watson paper and canvas on mounted Weyer, Hermann, German, active 1607/1621 The Chimera, Notre Dame, 1919, etching, The Holy Family with Saints (recto); Tobias and the 1991.116.4, Gift of Mrs. Robert A. Hauslohner to stretcher 1991.74.4-6, Gift of Gemini G.E.L. and the Artist Angel (verso), c. 1616/1617, pen and black ink and gray wash over black chalk, heightened with white, Antonio da Trento, Italian, c. 1508-in or after 1550 Besnard, Albert, French, 1849-1934 on paper prepared with pink wash; pen and black Too Demanding, 1900, etching ink, 1991.127.1.a-b, Ailsa Mellon Bruce Fund The Martyrdom of Two Saints (after Parmigianino), In the Crowd, 1900, etching c. 1530, chiaroscuro woodcut printed from three Whistler, James McNeill, American, 1834-1903 blocks in three tones of blue, 1990.61.1, Gift of The Accident, 1900, etching Violet [Note?]...The Return of the Fishing Boats, Andrew Robison, in Honor of the Fiftieth Anniversary of The Obstacle, 1900, etching c. 1889/1893 the National Gallery of Art Danger Passed, 1900, etching Beach Scene, c. 1883/1885 The Unknown Woman, 1900, etching and aquatint Arms, John Taylor, American, 1887-1953 Village Shop, Chelsea, c. 1884 Importunate, 1900, etching and aquatint Le penseur de Notre Dame, 1923, etching on blue- Study in Black and Gold (Madge O'Donoghue), The Enigma, 1900, etching and aquatint green paper c. 1885 The Mystery, 1900, etching and aquatint Venetian Mirror, 1935, etching in brown watercolor and gouache, 1991.7.2-5, Gift of Mr. and After the Visit, 1900, etching Mrs. Paul Mellon, in Honor of the Fiftieth Anniversary of Boving, Bucks, 1942, etching Punctual, 1900, etching the National Gallery of Art Une chimere, 1947, etching on blue paper On the Lookout, 1900, etching The Gothic Spirit, 1922, etching with stippling The Haul, 1900, etching Whistler, James McNeill, follower of Guardians of the Spire, 1921, etching on blue paper Musician, 1900, etching Pourville-sur-Mer, watercolor and gouache, Through Wind and Weather, 1922, etching on blue Vertigo, 1900, etching 1991.7.16, Gift of Mr. and Mrs. Paul Mellon paper Which One?, 1900, etching Ugly Devil, 1924, etching with stippling Possession, 1900, etching Woelffer, Emerson, American, born 1914 Sketch, Princeton, 1946, etching Discreet, 1900, etching Blue Island, 1980 Valley of the Savery, 1934, etching The Duel, 1900, etching Blue Island, 1979 Sentinels, 1922, etching on japan paper The Presentation, 1900, etching Orange is Day, 1979 1990.106.48-49, 1991.116.5-13, Gift of Mrs. Robert A. The Orgy; 1900, etching White Rain, 1980 Hauslohner collages with colored papers, 1990.58.16-19, Gift of Charitable, 1900, etching Regina Slatkin, Carole and Laura Slatkin Arp, Jean, French, 1887-1966 Coquette, 1900, etching 11 configurations, published 1945, bound volume The Warning, 1900, etching Youngerman, Jack, American, born 1926 with 11 woodcuts, 1991.72.1, Gift of Harvey S. Shipley Love Consecrated, 1900, etching Totem Blue, 1967, gouache, 1990.58.22, Gift of Miller in memory of Herbert M. and Nannette Rothschild Indifferent, 1900, etching Regina Slatkin, Carole and Laura Slatkin Amorous Conversation, 1913, etching Getting Up, 1913, etching

22 By the Lamp, c. 1926, etching [proof impression of A Pier in England, 1879, etching, drypoint, rou- the first state] lette, salt ground, and aquatint By the Lamp, c. 1926, etching [proof impression of 1990.105.1-6, Helena Gunnarsson Buhot Collection, Gift the first state] (Partial and Promised) in Honor of the Fiftieth Anniversary By the Lamp, c. 1926, etching [proof impression of of the National Gallery of Art the second(?) state] Cameron, David Young, Scottish, 1865-1945 By the Lamp, c. 1926, etching touched with white Tarff, 1931, drypoint [proof impression of the second(?) state] The Wingless Chimera, 1911, etching and drypoint By the Lamp, c. 1926, etching [proof impression The Wingless Chimera, 1910, etching and drypoint from the cut plate] 1991.116.25-27, Gift of Mrs. Robert A. Hauslohner 1990.95.1-33, 1991.28.1-21, Gift of Mr. and Mrs. Daniel Bell, in Honor of the Fiftieth Anniversary of the Castiglione, Giovanni Benedetto, Italian, in or National Gallery of Art before 1609-1664 Small Oriental Head, probably 1645/1650, 2 etch- Blampied, Edmund, British, 1886-1966 ings, an early and a later impression, 1991.135.1-2, Through the Storm, drypoint, 1991.116.21, Gift of Ailsa Mellon Bruce Fund Mrs. Robert A. Hauslohner Catesby, Mark, English, 1679-1749 Boissieu, Jean-Jacques de, French, 1736-1810 The Yellow and Black Pye, 1731/1743, hand-col- Thirteen Studies of Heads, 1770 ored etching, 1991.117.1, Collection of Dr. and Mrs. Seven Studies of Heads, 1793 Benjamin Green etchings, 1990.134.1-2, Ailsa Mellon Bruce Fund Cathelin, Louis-Jacques, French, Boizot, Marie Louise Adelaide, French, 1738/1739-1804 1744-1800 Louis Tocque (after Jean-Marc Nattier) Marie Antoinette (after Louis-Simon Boizot), 1775, Joseph Vernet (after Louis Michel Vanloo), 1770 etching and engraving, 1990.131.3, Gift of John engravings, 1991.23.5, 7, Gift of John O'Brien O'Brien Celmins, Vija, American, born 1939 Bone, Muirhead, Sir, Scottish, 1876-1953 Concentric Bearings, A, published 1983, drypoint, Rainy Night in Rome, 1913 aquatint, and photogravure, 1990.71.2, Gift of Gemini Railway Sheds, Marseilles G.E.L. and the Artist, in Honor of the Fiftieth Anniversary drypoints, 1991.116.22-23, Gift of Mrs. Robert A. of the National Gallery of Art Hauslohner Drypoint—Ocean Surface—2nd State, published Borofsky, Jonathan, American, born 1942 1985, drypoint, 1991.74.12, Gift of Gemini G.E.L. and Berlin Dream with Steel Window Frame at the Artist 2978899, published 1984, lithograph with Her- Chereau, Francois, I, French, 1680-1729 culene, Plexiglas and metal frame, Prismacolor, and Nicholas Boileau (after Hyacinthe Rigaud), engrav- French 16th century, Figure Costumed as Hercules, hand-painting, 1990.71.1, Gift of Gemini G.K.L. and ing and etching, 1991.23.8, Gift of John O'Brien the Artist, in Honor of the Fiftieth Anniversary of the Na- c. 1539 tional Gallery of Art Nicolas de Largillierre (after Nicolas de Largillierre), Ailsa Mellon Bruce Fund, 1990.81.1 1715, engraving, 1991.132.4, Ailsa Mellon Bruce Fund Male Aggression, published 1986, color screenprint Male Aggression, published 1986, color screenprint Chia, Sandro, Italian, born 1946 Flowers at No. 2984212, published 1986, unique Father and Son Song, 1987/1989, woodcut with multicolor screenprint with pastel(?) and gouache frame and plywood assemblage, 1990.72.1, Gift of Dancing Clown at No. 2964782, published 1986, Graphicstudio/University of South Florida and the Artist, in Getting Up, 1913, etching unique multicolored screenprint with hand-painting Honor of the Fiftieth Anniversary of the National Gallery Going to Bed, 1913, etching and collaged foils of Art Going to Bed, 1913, etching Berlin Dream (Closeup) at No. 2947854, published Surprising Novel: Chapter One, 1987/1989 Leda Bathing, 1913, etching 1985, unique multicolor screenprint with hand- Surprising Novel: Chapter Two, 1987/1989 Leda Sleeping, 1913, etching in brown-black painting Surprising Novel: Chapter Three, 1987/1989 The End, 1883, etching touched with red chalk 1991.74.7-11, Gift of Gemini G.E.L. and the Artist Surprising Novel: Chapter Four, 1987/1989 The End, 1883, etching Surprising Novel: Chapter Five, 1987/1989 The Suicide, c. 1886, etching with plate tone Bosnian, Richard, American, born 1944 Surprising Novel: Chapter Six, 1987/1989 The Suicide, c. 1886, etching and aquatint Revenge of the Cat, 1983, sugar-lift etching, Surprising Novel: Chapter Seven, 1987/1989 The Dancer of Tanjore, 1914, etching in brown-red 1991.116.24, Gift of Mrs. Robert A. Hauslohner color heliorelief woodcuts with painted additions in with plate tone Buhot, Felix-Hilaire, French, 1847-1898 acrylic, 1991.75.58-64, Gift of Graphicstudio/U niversity The Dancer of Tanjore, 1914, etching in red-brown of South Florida and the Artist Funeral Procession on the Boulevard de Clichy, with plate tone 1887, photomechanical reproduction, etching, Father and Son Song, 1987/1989, woodcut block, The Dancer of Tanjore, 1914, etching aquatint, roulette, drypoint, lift-ground, softground, 1991.75.65, Gift of Graphicstudio/U niversity of South The Dancer of Tanjore, 1914, etching stop-out, and engraving printed in blue-green and Florida and the Artist Queen Elisabeth of Belgium, 1917, etching in brown-black inks on japan paper brown-black Clemente, Francesco, Italian, born 1952 The Cliff: Saint-Malo Bay, 1886/1890, photo- Queen Elisabeth of Belgium, 1917, etching and Telemone #2, 1981, etching, aquatint, and drypoint mechanical reproduction, etching, drypoint, rou- aquatint in black, softground in silver, on chine colle, lette, spit-bite, aquatint, and burnishing printed in Queen Elisabeth of Belgium, 1917, etching and 1990.106.50, Gift of Mrs. Robert A. Hauslohner brown-black for the central plate and black for the aquatint margin plate Close, Chuck, American, born 1940 Queen Elisabeth of Belgium, 1917, etching and Landing in England, 1879, etching, drypoint, rou- John I, 1986/1991, photogravure, 1991.75.179, Gift aquatint in brown-black lette, and aquatint with graphite additions of Graphicstudio/University of South Florida and the Artist Pope Benedict XV, 1917, etching A Pier in England, 1879, drypoint and roulette Gabriele D'Annunzio, 1917, etching with plate tone Combe, William (author), British, 1741-1823 A Pier in England, 1879, etching, drypoint, rou- A Nude Woman in a Fur Wrap, etching [proof im- The English Dance of Death, vol. 1 (illustrations af- lette, and aquatint pression from an earlier state] ter Thomas Rowlandson), published 1815, bound A Nude Woman in a Fur Wrap, etching [proof im- volume with 38 hand-colored etchings with aquatint pression from a later state] The English Dance of Death, vol. 2 (illustrations af-

23 ter Thomas Rowlandson), published 1816, bound Dambrun, Jean, French, 1741-in or after 1808 The Foreign Plowman, 1987/1989, etching and volume with 36 hand-colored etchings with aquatint A un peuple libre (after Jean Michel Moreau), etch- woodcut with sandpapered highlights and hand- The Dance of Life (illustrations after Thomas Row- ing and engraving, 1990.131.4, Gift of John O'Brien painting in acrylic landson), published 1817, bound volume with 26 Background for The Robe Goes to Town, 1983, color hand-colored etchings with aquatint Dandre-Bardon, Michel-Francois, French, screenprint 1990.123.1-3, Gift of Alexander Vershbow, in Honor of 1700-1783 Yellowheart and a Devil, 1985/1987, aquatint [state the Fiftieth Anniversary of the National Gallery of Art Portrait of the Artists Father (after Jean-Baptiste proof] Vanloo), 1776, etching and engraving, 1991.118.1, Handpainting on the Mandala, 1986, aquatint The Second Tour of Doctor Syntax, in Search of Con- Gift of John O'Brien [separation proof] solation: A Poem, vol. 2 (illustrations after Thomas Handpainting on the Mandala, 1986, color aquatint Rowlandson), published 1820, bound volume with Daret de Cazeneuve, Pierre, French, and power tool drypoint [state proof] 24 hand-colored etchings with aquatint 1604-1678 Handpainting on the Mandala, 1986, color aquatint The Third Tour of Doctor Syntax, in Search of a Wife: Louis XIII, 1643, 2 etchings with engraving [first and second states], 1990.131.5-6, Gift of John O'Brien and power tool drypoint [state proof] A Poem, vol. 3 (illustrations after Thomas Row- Black and White Blossom, 1985/1986, etching, landson), published 1821, bound volume with 26 Daulle, Jean, French, 1703-1763 aquatint, and power tool drypoint with burnishing hand-colored etchings with aquatint Pierre Louis Moreau de Maupertuis (after Robert and gray wash [state proof] The History of Johnny Quae Genus, the Foundling of Tourniers), 1741, engraving, 1991.23.9, Gift of John Black and White Blossom, 1985/1986, etching, the Late Doctor Syntax: A Poem (illustrations after O'Brien aquatint, and power tool drypoint with burnishing Thomas Rowlandson), published 1822, bound vol- [state proof] ume with 24 hand-colored etchings with aquatint Davis, Ronald, American, born 1937 My Nights in Santa Monica, 1985/1987, etching, 1990.124.2-4, Gift of Ann Vershbow, in Honor of the Single Divider, published 1972, color lithograph Fiftieth Anniversary of the National Gallery of Art and screenprint with embossing aquatint, and power tool drypoint with burnishing Dodecagon Cylinder and Cube, published 1974, [state proof] Combe, William (author), British, 1741-1823 color screenprint My Nights in Santa Monica, 1985/1987, color etch- and Thomas Rowlandson, British, 1756-1827 1991.74.19-20, Gift of Gemini G.E.L. ing and aquatint with watercolor [state proof] The Tour of Doctor Syntax in Search of the Pictur- My Nights in Santa Monica, 1985/1987, etching esque: A Poem, vol. 1, published 1812, bound vol- Delafosse, Jean-Baptiste, French, 1721-1775 and aquatint with burnishing [state proof] ume with 31 hand-colored etchings with aquatint, La malheureuse famille Calas (after Carmontelle), in My Nights in Santa Monica, 1985/1987, aquatint 1990.124.1, Gift of Ann Vershbow, in Honor of the Fiftieth or after 1765, engraving, 1991.23.1, Gift of John with burnishing [state proof] O'Brien, in Honor of the Fiftieth Anniversary of the Na- Anniversary of the National Gallery of Art My Nights in Santa Monica, 1985/1987, color etch- tional Gallery of Art ing and aquatint [working trial proof] Corinth, Lovis, German, 1858-1925 Totentanz, published 1922, portfolio with 5 prints, Delaunay, Nicolas, French, 1739-1792 The Mead of Poetry til, 1987/1989, woodcut 1990.111.1-5, Gift in Memory of Sigbert H. Marcy and in Guillaume Thomas Raynal (after Charles-Nicolas The Mead of Poetry ti2, 1987/1989, woodcut Honor of the Fiftieth Anniversary of the National Gallery Cochin II), 1780, engraving, 1990.56.6, Gift of John The Mead of Poetry ti3, 1987/1989, woodcut of Art O'Brien 1991.75.77-83, 86-90, 92-98, 174-176, Gift of Graph- icstudio/U niversity of South Florida and the Artist Cousin, Jean, II, French, c. 1522-c. 1594 Demarne, Jean-Louis, French, 1744-1829 Glyptotek, published 1988, bound volume with 40 Putti Playing in a Fanciful Landscape, etching, A Donkey by a Water Well intaglio prints 1990.46.1, Ailsa Mellon Bruc e Fund Two Cows and a Woman Lying Down The Temple of Flora, published 1984, bound vol- etchings, 1990.134.3-4, Ailsa Mellon Bruce Fund ume with 28 drypoint-engravings Covington, Harrison, American, born 1924 Yellow Arch, 1970, color lithograph, 1991.75.76, Gift Desrochers, Etienne, French, 1668-1741 Details from Nancy's Garden, 1984, drypoint, en- of Graphicstudio/U niversity of South Florida and the Artist Francois Verdier (after Jean Ranc), 1723, engraving, graving, and electric tool work on chine colle 1991.23.6, Gift of John O'Brien 1991.1 14.1, 3, 5, Gift of Jim Dine, in Honor of the Fiftieth Creeley, Robert (author), American, born 1926 Anniversary of the National Gallery of Art and Dine, Jim, American, born 1935 Detmold, Edward Julius, British, 1883-1957 Dowell, John E., Jr., American, born 1941 Mabel: A Story, published 1977, bound volume with Eagle, c. 1905, etching in brown-black, 12 etchings, 1991.1 14.2, Gift of Jim Dine, in Honor of 1991.1 16.31, Gift of Mrs. Robert A. Hauslohner Visual Poems, 1970/1971, portfolio with 8 color the Fiftieth Anniversary of the National Gallery of Art lithographs Diebenkorn, Richard, American, born 1922 Doucement, 1980, color offset lithograph Crutchfield, William, American, born 1932 Trip on the Ground, published 1984, lithograph in Philadelphia Song, 1981, color aquatint with hand- Covered Wagons, published 1967, lithograph with black and gray, 1990.71.3, Gift of Gemini G.E.L. and coloring watercolor the Artist, in Honor of the Fiftieth Anniversary of the Na- Saskia s Dream, 1981, offset lithograph reworked tional Gallery of Art Art & Technology, published 197 1, color photo- with colored pencils offset and screenprint M, published 1985, color lithograph, 1991.74.21, 1990.106.55-62, 1991.116.32-34, Gift of Mrs. Robert Fire Engine, published 1967, lithograph with Gift of Gemini G.E.L. and the Artist A. Hauslohner watercolor Dine, Jim, American, born 1935 Droese, Felix, German, born 1950 Clipper Ship, published 1967, lithograph with Youth and the Maiden, 1987/1988, triptych includ- Glocke, 1982, woodcut on a fragment of commer- watercolor ing woodcut, etching, and drypoint with paint, cially made heart-patterned paper Tawny Owl (State I), published 1967, lithograph 1990.72.2-4, Gift of Graphicstudio/U niversity of South Glocke, 1982, woodcut on the verso of a purple-col- with watercolor Florida and the Artist, in Honor of the Fiftieth Anniversary ored book cover touched with a rectangle of orange Old Jenny, published 1967, lithograph with of the National Gallery of Art Glocke, 1982, woodcut with red rectangle on com- watercolor mercially made paper 1991.74.13-18, Gift of Gemini G.E.L. The Apocalypse: The Revelation of Saint John the Divine, published 1982, bound volume with 29 1991.57.23-25, Gift of Wolfgang Wittrock, in Honor of the Owl Feathers, published 1970, portfolio with 53 woodcuts, 1990.106.6, Gift of Mrs. Robert A. Haus- Fiftieth Anniversary of the National Gallery of Art screenprints, 1991.116.165-217. Gift of Mrs. Robert A. lohner, in Honor of the Fiftieth Anniversary of the National Hauslohner Gallery of Art Duchange, Gaspard, French, 1662-1757 Antoine Coypel and His Son (after Antoine Coypel), Curry, John Steuart, American, 1897-1946 Me in Horn-Rimmed Glasses, 1979, etching, dry- engraving and etching, 1991.23.3, Gift of John O'Brien Ajax, 1932 point, and electric tools, hand-colored with pastel, Elephants, 1936 on red-brown paper, 1991.26.2, Gift of Richard A. Edelinck, Gerard, Flemish, 1640-1707 Coyotes Stealing a Pig, 1927 Simms, in Honor of the Fiftieth Anniversary of the National Martin Desjardins (after Hyacinthe Rigaud), engrav- lithographs, 1991.116.28-30, Gift of Mrs. Robert A. Gallery of Art ing, 1991.89.1, Ailsa Mellon Bruce Fund Hauslohner Red Dancer on the Western Shore, 1987/1989, color etching

24 Fichter, Robert, American, born 1939 Untitled, 1984, softground etching and aquatint Mutant Magic til: Baby Gene Pool Takes the Stage, 1984, color lithograph Pyramid Enigma, 1984, softground etching and aquatint (trial proof) 1991.75.100-102, Gift of Graphicstudio/Uriiversity of South Florida and the Artist

Francis, Sam, American, born 1923 King Corpse, published 1986, color screenprint, 1990.71.4, Gift of Gemini G.E.L. and the Artist, in Honor of the Fiftieth Anniversary of the National Gallery of Art White Bone, published 1971, color lithograph Spun for James Kirsch, published 1972, color screenprint Firewood, published 1974, color screenprint Web, published 1972, color screenprint Coral Lyre Nine, published 1974, color screenprint Ariel's Ring, published 1974, color screenprint Red Again, published 1972, color screenprint Five Coral Screen, published 1974, color screenprint Ting, published 1972, color screenprint Yunan State II, published 1971, color lithograph Lyre Eight, published 1972, color screenprint Yunan State I, published 1971, color lithograph Freshet, published 1972, color screenprint Yunan State III, published 1971, color lithograph Toward Disappearance, published 1974, color screenprint Untitled, published 1986, aquatint in black and gray Untitled, published 1977, color lithograph Meteorite, published 1986, color screenprint Untitled, published 1986, color screenprint 1991.74.22-40, Gift of Gemini G.E.L. and the Artist For the Blue Sons of the Air, 1990, color screenprint, 1991.77.1, Gift of Artists for American Indians, American Indian Heritage Foundation Giovanni Battista Piranesi, Veduta interna della Female Head, 1984, 5 aquatints with burnishing Freeth, Peter, British, born 1938 Villa di Mecenate, 1764 (detail) [artist's proofs ] 1991.75.105-110, 112-117, Gift of Graphicstudio/ Fourmillante Cite, Cite Pleine de Reves Collection of Dr. and Mrs. George Benjamin Green, University of South Florida and the Artist Shoptalk on Parnassus (Le chat de M. Manet ren- 1991.117.4 contre le chien de M. Seurat), 1980 Corny, Anthony Peter, American, born 1950 aquatints, 1991.116.35-36, Gift of Mrs. Robert A. B.M.F.V.V. (Bene Merente Fecit Vivus Vivo), Hauslohner 1980/1981, hand-bound book with 20 lithographs on handmade papers French, 16th Century Goltzius, Hendrik, Dutch, 1558-1617 "Empty Pockets " Means Freedom, 1981, lithograph Figure Costumed as Hercules, c. 1539, etching, Hercules Killing Cacus, 1588, chiaroscuro woodcut on japan paper mounted to blue handmade paper 1990.81.1, Ailsa Mellon Bruce Fund in olive green, black, and pale yellow, 1991.63.1, Gift of Dr. Ruth B. Benedict in Honor of Andrew Robison Magpie Caliper, 1976/1980, color lithograph on Freud, Lucian, British, born 1922 and in Honor of the Fiftieth Anniversary of the National japan paper Head and Shoulders of a Girl, 1990, etching, Gallery of Art If you don t...Bomb Notes, 1981, lithograph on tis- 1991.134.1, Gift of the Collectors Committee sue paper mounted to green handmade paper Goode, Joe, American, born 1937 1990.106.19, 1991.116.37,39,40, Gift of Mrs. Robert A. Frye, Thomas, Irish, 1710-1762 Spoon Upper Middle—Glass Middle Right, published Hauslohner Young Woman Holding a Fan, 1760, mezzotint, 1967 1991.129.1, Ailsa Mellon Bruce Fund Glass and Spoon Lower Left, published 1967 Graham, Robert, American, born 1938 Untitled, published 1975,2 screenprints, German, 16th Century Glass Lower Right—Spoon Upper Left, published 1991.74.41-42, Gift of Gemini G.E.L. Christ on the Cross, c. 1500/1525, woodcut with 1967 gouache and gold leaf, 1990.97.1, Gift of C. G. Glass at Top—Spoon on Bottom, published 1967 Graves, Nancy, American, born 1940 Boerner, in Honor of the Fiftieth Anniversary of the Na- Glass Middle Left—Spoon Middle Right, published Canoptic Prestidigitation, 1990, color lithograph on tional Gallery of Art 1967 chine colle with applied cast paper, 1991.75.177, Gift color lithograph and screenprints, 1991.74.43-47, of Graphicstudio/University of South Florida and the Artist Goldsmith, Oliver (author), British, 1728-1774 Gift of Gemini G.E.L. and Thomas Rowlandson, British, 1756-1827 Grooms, Red, American, born 1937 The Vicar of Wakefield, published 1823, bound vol- Gordy, Robert, American, 1933-1986 Ben Franklin, 1982, color lithograph ume with 24 hand-colored etchings with aquatint, Nude, 1984, 4 color aquatint and dry points with Rodin, 1976, dry point 1990.123.4, Gift of Alexander Vershbow, in Honor of the burnishing [artist's proofs] 1991.116.41-42, Gift of Mrs. Robert A. Hauslohner Fiftieth Anniversary of the National Gallery of Art Nude, 1984, color aquatint with burnishing [artist's proof) Haden, Seymour, British, 1818-1910 Nude, 1984, aquatint and dry point with burnishing The Cabin, 1877 [artist's proof] The Three Cows, 1877 Female Head, 1984, aquatint [artist's proof) dry points, 1991.116.43-44, Gift of Mrs. Robert A. Hauslohner

25 Harcharik, Paul, American, born 1947 Folding Chairs Blue, 1982, color intaglio reworked with colored pencils and graphite, 1991.116.45, Gift of Mrs. Robert A. Hauslohner

Hay ten, Stanley William, British, 1901-1988 Paysages Urbains, published 1930, portfolio with 6 TERPSICHORE prints in drypoint, engraving, and mezzotint, *\dePoeterje. , 1990.106.7-12, Gift of Mrs. Robert A. Hauslohner, in ' jX /&Sifehi 6A Honor of the Fiftieth Anniversary of the National Gallery of Art Falling Figure, 1967, color viscosity print with softground and areas of deep intaglio relief, retouched with white gouache Maternite Ailee, 1948, color viscosity print with softground and areas of deep intaglio relief, retouched with white gouache Tropic of Cancer, 1949, engraving with burnishing 1991.116.46-48, Gift of Mrs. Robert A. Hauslohner

Hecht, Joseph, Polish, 1891-1952 Vicuna, c. 1930, engraving with graphite on blue paper Chasse avec elephantes, 1934, engraving Hog, 1933, engraving in brown Lion Defending Her Prey, 1931, engraving Phenomenon, c. 1923, engraving Tour Eiffel, 1933, engraving 1991.116.49-54, Gift of Mrs. Robert A. Hauslohner

Heckel, Erich, German, 1883-1970 Young Woman, 1913, woodcut on japan paper, 1991.11.2, Gift (Partial and Promised) of Daryl R. Rubenstein and Lee G. Rubenstein, in Honor of the Fiftieth Anniversary of the National Gallery of Art

Heizer, Michael, American, born 1944 Platform #2, published 1982, drypoint in red- brown in 5 sections collaged to a single sheet of paper, 1990.71.5, Gift of Gemini G. E. L. and the Artist, in Honor of the Fiftieth Anniversary of the National Gallery of Art State Edition One, published 1975, screenprint State Edition Two, published 1975, screenprint State Edition Three, published 1975, color screenprint State Edition Four, published 1975, screenprint State Edition Five, published 1975, screenprint State Edition Six, published 1975, screenprint 1991.74.48-53, Gift of Gemini G.E.L.

Hershey, Nona, American, born 1946 Rome, Space, 1977, aquatint, 1991.116.55, Gift of Mrs. Robert A. Hauslohner Page from Samuel van Hoogstraten's Inleyding tot Gregory Thinking of Henry, published 1977, de Hooge Schoole de Schilderkonst, published 1678 lithograph Hinman, Charles, American, born 1932 Gift of Arthur and Charlotte Vershbow, in Honor of the Ann Combing Her Hair, published 1979, lithograph Untitled, color lithograph, 1990.133.1, Gift of Ruth Fiftieth Anniversary of the National Gallery of Art, in black and gray and Don Saff 1991.21.1 1991.74.54-67, Gift of Gemini G.E.L. Hockney, David, British, born 1937 Cold Water about to Hit the Prince, 1969, etching Celia, published 1973, lithograph, 1990.71.6, Gift of and aquatint Gemini G.E.L. and the Artist, in Honor of the Fiftieth An- Reclining Figure, 1975, aquatint niversary of the National Gallery of Art Fourteen poems by C P Cavafy chosen and illustrated Gretchen and the Snurl, 1961, etching and aquatint with twelve etchings by David Hockney, published Smaller Study of Lightning, published 1973, color Swimming Pool, 1978, color lithograph 1967, bound volume with 12 etchings 1990.106.14-15, Gift of Mrs. Robert A. Hauslohner lithograph 1991.116.56-57, 1991.116.218, Gift of Mrs. Robert A. Study of Lightning, published 1973, color Hauslohner The Blue Guitar, published 1977, portfolio with 20 lithograph etchings, 1991.60.1-20, Gift of Mrs. Robert A. Haus- Portrait of Rolf Nelson, published 1973, color litho- Hodgkin, Howard, British, born 1932 lohner, in Honor of the Fiftieth Anniversary of the National Thinking Aloud in the Museum of Modern Art, Gallery of Art graph with red wash Nicholas Wilder, published 1976, lithograph 1979, softground etching on gray paper, 1991.116.58, Gift of Mrs. Robert A. Hauslohner The Master Printer of Los Angeles, published 1973, Billy Wilder, published 1976, color lithograph color lithograph and screenprint Joe McDonald, published 1976, lithograph in black Hoogstraten, Samuel van, Dutch, 1627-1678 Dark Mist, published 1973, lithograph in gray and gray Inleyding tot de Hooge Schoole de Schilderkonst, Slightly Damaged Chair, Malibu, published 1973, Small Head of Gregory, published 1976, lithograph published 1678, bound volume with 20 etchings lithograph Henry Reading Newspaper, published 1977, and engravings, 1991.21.1, Gift of Arthur and Charlotte Chair—38 The Colony, Malibu, published 1973, lithograph Vershbow, in Honor of the Fiftieth Anniversary of the Na- lithograph tional Gallery of Art

26 Hopfer, Hieronymus, German, Katz, Alex, American, born 1927 Lunar Disintegration, 1937 active c. 1520-in or after 1550 Polka Dot Blouse (I-IV), 1979, color screenprint Solar Flare-Up, 1937 Fortitude (after Marcantonio Raimondi), etching, and lithographs, 1991.116.60-63, Gift of Mrs. Robert Mala (Danseuse), 1933 1991.99.1, Ailsa Mellon Bruce Fund A. Hauslohner lithographs, 1991.116.64-68, Gift of Mrs. Robert A. Camp, from the Carnegie Hall Centennial Portfolio, Hauslohner Immendorff, Jorg, German, born 1945 1990, color woodcut [artist's proof], 1991.122.2, Gift consequences, 1983, linocut with painted additions of Fine Art Ltd. Kienholz, Edward, American, born 1927 on offset paper, 1990.121.1, Gift of Joshua P. Smith, in Documentation Book: Five Car Stud and Sawdy, Honor of the Fiftieth Anniversary of the National Gallery Kelly, Ellsworth, American, born 1923 published 1972, binder with photographs, offset re- of Art Red Curve, published 1987, color lithograph, productions, magazine clippings, and printed text, 1990.71.9, Gift of Gemini G.E.L. and the Artist, in Honor 1991.74.133, Gift of Gemini c.E.L. Ingouf, Pierre-Charles, French, 1746-1800 of the Fiftieth Anniversary of the National Gallery of Art Jean George Wille (after Pierre Alexandre Wille), Kirchner, Ernst Ludwig, German, 1880-1938 Black/Brown, published 1972, color lithograph 1771, engraving, 1990.56.8, Gift of John O'Brien Harmonica Player, 1919, color lithograph on blot- Blue/Red-Orange, published 1972, color lithograph ting paper Italian, 16th Century Four Panels, published 1971, color screenprint Mountains, 1920, etching touched with gray ink on Presentation in the Temple, c. 1540, chiaroscuro Yellow/Red Orange, published 1970, color blotting paper woodcut, 1991.11.1, Gift (Partial and Promised) of Daryl lithograph R. Rubenstein and Lee G. Rubenstein, in Honor of the 1990.66.1-2, Ruth and Jacob Kainen Collection Black/White/Black, published 1970, color Fiftieth Anniversary of the National Gallery of Art lithograph The Large Cow Lying Down, 1929, woodcut on blotting paper, 1991.116.69, Gift of Mrs. Robert A. Red-Orange/Yellow/Blue, published 1970, color Johns, Jasper, American, born 1930 Hauslohner Figure 0, 1968/1969, color lithograph lithograph Figure 9, 1968/1969, color lithograph Blue/Yellow/Red, published 1970, color lithograph Kitaj, R. B., British, born 1932 #6 (after "Untitled 1975"), 1976, published 1976, Bandol (State), published 1980, lithograph Boys and Girls 15 color lithographs on Rives newsprint-colored pa- Braunwald (State), published 1980, lithograph Photo-Eye, 1970 per [progressive proofs] Amden (State), published 1980, lithograph W. H. Auden, 1969 1990.71.7-8, 1990.104.1-15, Gift of Gemini G. E. L., in Grand Case (State), published 1980, lithograph screenprints, 1991.116.70-72, Gift of Mrs. Robert A. Honor of the Fiftieth Anniversary of the National Gallery Jacmel (State), published 1980, lithograph Hauslohner of Art Marigot (State), published 1980, lithograph Klauber, Joseph Sebastian, German, Bordrouant (State), published 1980, lithograph Untitled (Coca-Cola and Grid), published 1971, c. 1700-1768 Orange/Green, published 1970, color lithograph color lithograph with varnish and Johann Baptist Klauber, 1712-1787 Blue/Green, published 1970, color lithograph "A/," published 1972, color lithograph Historiae Biblicae Veteris et Novi Testamenti, pub- Black/Green, published 1970, color lithograph Viola, published 1972, color lithograph lished 1748, bound volume with 100 etched illus- Large Black Curve, published 1974, screenprint Untitled (Shit), published 1971, color lithograph trations, 1991.65.1, Gift of Andrew Robison, in Honor of Embossed Alphabet, published 1969, embossing with embossing the Fiftieth Anniversary of the National Gallery of Art from an etched magnesium plate Red Curve (Radius of 8'), published 1975, color Figure 0, published 1968, lithograph in black and lithograph with embossing Kokoschka, Oskar, Austrian, 1886-1980 transparent gray Conques, published 1976, lithograph with Lily Christiansen-Agoston, 1922, lithograph, Figure 2, published 1968, lithograph in black and embossing 1991.116.73, Gift of Mrs. Robert A. Hauslohner transparent gray Germigny, published 1976, lithograph with Kronsnoble, Jeff, American, born 1939 debossing Figure 3, published 1968, lithograph in black and Truck, 1970, color lithograph [workshop proof], 1991.74.93-113, Gift of Gemini c.E.L. transparent brown gray 1991.75.119, Gift of Graphicstudio/University of South Figure 4, published 1968, lithograph in black and Blue Curve, published 1988, color lithograph Florida and the Artist transparent gray Red Curve (State I), published 1988, color Krushenick, Nicholas, American, born 1929 Figure 5, published 1968, lithograph in black and lithograph Red Boiling Springs #2, probably 1960/1970, litho- transparent flat gray Red Curve (State II), published 1988, color graph in black and yellow touched with graphite, Figure 6, published 1968, lithograph in black and lithograph mounted with tape onto red backing paper, transparent gray Blue Curve (State I), published 1988, color 1990.58.4, Gift of Regina Slatkin, Carole and Laura Figure 8, published 1968, lithograph in black and lithograph Slatkin transparent brown gray Blue Curve (State II), published 1988, color Figure 9, published 1968, lithograph in black and lithograph Landeck, Armin, American, 1905-1984 transparent gray Green Curve, published 1988, color lithograph Manhattan Vista, 1934, dry point, 1991.116.74, Gift Figure 3, published 1969, color lithograph Green Curve (State I), published 1988, color of Mrs. Robert A. Hauslohner Figure 4, published 1969, color lithograph lithograph Le Beau, Pierre Adrien, French, Figure 6, published 1969, color lithograph Green Curve (State II), published 1988, color 1748-in or after 1800 Figure 8, published 1969, color lithograph lithograph Charles Goldoni (after Charles-Nicolas Cochin II), in Ale Cans (I), published 1975, color lithograph Untitled (Red), published 1988, color lithograph or after 1787, engraving, 1990.56.1, Gift of John Ale Cans (II), published 1975, color lithograph Untitled (Purple), published 1988, color lithograph O'Brien Ale Cans (IV), published 1975, lithograph Untitled (Purple State I), published 1988, color Untitled (Bookplate for David Grainger Whitney), lithograph Le Prince, Jean-Baptiste, French, 1734-1781 published 1976, lithograph Untitled (Orange), published 1988, color lithograph Les Pecheurs, 1771, etching and aquatint in brown, Zone, published 1972, color lithograph Untitled (Orange State I), published 1988, color 1990.134.5, Ailsa Mellon Bruce Fund 1991.74.68-71, 1991.74.75-92, Gift of Gemini C.E.L. lithograph Legrand, Louis-Auguste-Mathieu, French, Untitled (Gray), published 1988, color lithograph Joyce, James (author), Irish, 1882-1941 1863-1951 Black Curve, published 1988, lithograph and Henri Matisse, French, 1869-1954 Anatomie comparee, le vaisseau du desert, etching Dark Gray Curve, published 1988, color lithograph Ulysses, published 1935, bound volume with 6 soft- and aquatint in brown and black, 1991.116.75, Gift ground etchings, 1991.111.1, Gift of Mrs. H. Duns- Dark Gray Curve (State I), published 1988, color of Mrs. Robert A. Hauslohner combe Colt, in Honor of the Fiftieth Anniversary of the lithograph National Gallery of Art Gray Curve, published 1988, color lithograph Leithauser, Mark Alan, American, born 1950 Yellow Curve, published 1988, color lithograph Birches, 1980 Kainen, Jacob, American, born 1909 1991.74.114-132, Gift of Gemini C.E.L. and the Artist King George, 1978 Night Guard, 1977, color aquatint and softground etchings, 1991.116.76-77, Gift of Mrs. Robert A. etching, 1991.116.59, Gift of Mrs. Robert A. Hauslohner Kent, Rockwell, American, 1882-1971 Hauslohner Solar Fade-Out, 1937 The Walk, 1948, etching and dry point, 1991.120.1, Gift of J. Carter Brown Degravitation, 1937

27 Lemerre, Alphonse (editor), French, 1838-1912 Liipertz, Markus, German, born 1941 Meryon, Charles, French, 1821-1868 Sonnets et Eaux-Fortes, published 1869, bound vol- Zwischenraumgespenster, published 1986, bound College Henri IV, 1863/1864, etching, 1991.116.83, ume with 42 intaglio prints, 1991.26.1, Gift of Richard volume with 10 color lithographs, 1991.121.1, Gift of Gift of Mrs. Robert A. Hauslohner A. Simms, in Honor of the Fiftieth Anniversary of the Na- Robert and Brenda Edelson tional Gallery of Art Miger, Simon Charles, French, 1736-1820 Manet, Edouard, French, 1832-1883 M. David Hume (after Charles-Nicolas Cochin II), Lepere, Auguste, French, 1849-1918 Polichinelle, 1874, lithograph hand-colored with 1764, 2 engravings [first and second states], Au coq des bruyeres (after Daniel Vierge), 1888, gouache and watercolor, 1990.65.1, Gift (Partial and 1990.56.2-3, Gift of John O'Brien wood engraving on tissue paper, 1991.106.1, Gift of Promised) of Malcolm Wiener, in Honor of the Fiftieth An- Mr. and Mrs. Eric Denker in Honor of Jack and Rhea niversary of the National Gallery of Art Milosz, Czeslaw (author), American, born 1911 Denker and in Honor of the Fiftieth Anniversary of the Na- and Dine, Jim, American, born 1935 tional Gallery of Art Mangold, Robert, American, born 1937 Swiat/The World, published 1989, bound volume Pages, published 1989, portfolio with 12 intaglio with one dry point on chine colle, 1991.114.4, Gift of Leslie, Alfred, American, born 1927 prints, 1990.90.1-12, Gift of the Collectors Committee Jim Dine, in Honor of the Fiftieth Anniversary of the Na- Friendship Page, 1988, softground etching and tional Gallery of Art etching in gray [bon a tirer proof] Manley, Bryn, British, born 1939 Sophia's Page, 1985, softground etching in gray A Predestined Meeting, 1969, color lithograph Milton, Peter, American, born 1930 [workshop proof], 1991.75.127, Gift of Graphic- [bon a tirer proof] Victoria's Children, 1967, lift-ground etching and studio/U niversity of South Florida and the Artist 1991.75.120-121, Gift of Graphicstudio/University of engraving South Florida and the Artist April's August, 1975, direct photographic transfer Mansen, Matthias, German, born 1958 and engraving Lichtensiein, Roy, American, born 1923 Studio—Head and Feet, 1987, color woodcut, 1991.57.27, Gift of Wolfgang Wittrock, in Honor of the Botanical Garden, 1963, lift-ground etching Green Face, 1989, lithograph, woodcut, and screen- Fiftieth Anniversary of the National Gallery of Art Brueghelscape #1, 1964, lift-ground etching print with encaustic and waxtype, 1990.72.6, Gift of Brueghelscape #2, 1964, lift-ground etching Graphicstudio/U niversity of South Florida and the Artist, in Clap Hands! Here Comes Charlie, 1965, lift-ground Honor of the Fiftieth Anniversary of the National Gallery Mapplethorpe, Robert, American, 1946-1989 of Art Untitled, photogravure [trial proof], 1991.75.128, etching Gift of Graphicstudio/U niversity of South Florida and the The First Gate, 1974, photosensitive-ground etch- Modern Print, published 1971, color lithograph and Artist ing, engraving, and direct photographic transfer screenprint Free Fall, 1968, lift-ground etching and engraving Haystack #6—State I, published 1969, color Marin, John, American, 1870-1953 The Hill, 1967, lift-ground etching Old House, Rue des Arpents, Rouen, I, 1909, 2 etch- lithograph Mornings withjudd, 1968, lift-ground etching and Haystack #6—State II, published 1969, color ings on japan paper, one with plate tone 1990.80.1-2, Ailsa Mellon Bruce Fund engraving lithograph Mornings withjudd (Second State), 1970, lift- Haystack #6—State III, published 1969, color The Lobster Fisherman, 1948, etching, 1991.116.79, ground etching, hard-ground etching, and lithograph Gift of Mrs. Robert A. Hauslohner engraving Chern IA, published 1970, color screenprint Marini, Marino, Italian, 1901-1980 Parade, 1965, lift-ground etching Peace Through Chemistry IV, published 1970, color LAlbum No. 1, published 1968, portfolio with 12 Parade (Second State), 1967, lift-ground etching lithograph etchings, 1991.116.219-231, Gift of Mrs. Robert A. and aquatint Cathedral #2, published 1969, color lithograph Hauslohner Passage I, 1971, photosensitive-ground etching and Mirror #6, published 1972, color lithograph and engraving screenprint Marolles, Michel de (author), French, Passage III (stateproof), 1972, photosensitive- Mirror #3, published 1972, color linocut and 1600-1681, with Claude Mellan, French, ground etching and engraving screenprint with embossing 1598-1688, and Robert Nanteuil, French, Passage III, 1972, photosensitive-ground etching Cathedral #6, published 1969, color lithograph 1623-1678 and engraving Blonde, published 1978, color lithograph Les Memoires de Michel de Marolles, A bbe de Ville- Passage IV, 1973, photosensitive-ground etching, At the Beach, published 1978, color lithograph loin, published 1656/1657, 2-part work bound in engraving, and direct photographic transfer Figures, published 1978, color lithograph one volume with 4 engravings, 1991.103.1, Gift of Mr. Street Scene, 1965, lift-ground etching and Mermaid, published 1978, color lithograph and Mrs. Pierre Beres in Memory of Lessing Rosenwald and in Honor of the Fiftieth Anniversary of the National engraving 1991.74.135-148, Gift of Gemini G.E.L. Gallery of Art Summer Landscape, 1961, lift-ground and hard- Imperfect Print for B. A.M., published 1988, color ground etching woodcut and screenprint Marples, George, British, 1869-1939 Summer Landscape IV, 1963, lift-ground etching Jackdaws of Chartres, 1917, etching, 1991.116.80, Imperfect Diptych 46 1/4'x 91 3/8', published Summer Landscape V, 1963, lift-ground etching Gift of Mrs. Robert A. Hauslohner 1988, color woodcut, screenprint, and collage Trees and Snow II, 1961, lift-ground etching and en- Imperfect 58' x 92 3/8\ published 1988, color Marsh, Bruce, American, born 1937 graving on chine colle woodcut, screenprint, and collage Untitled, 1970/1971, lithograph [workshop proof], Winterscape VII, 1967, lift-ground etching and Imperfect 67'x 79 7/8', published 1988, color 1991.75.129, Gift of Graphicstudio/U niversity of South aquatint woodcut, screenprint, and collage Florida and the Artist The Couple, 1979, lift-ground etching, photosensi- Imperfect 63 3/8' x 88 7/8', published 1988, color tive-ground etching, and engraving woodcut and screenprint Marsh, Reginald, American, 1898-1954 In the Park, 1979, lift-ground etching, photosensi- Imperfect 57 7/8'x 93 3/4', published 1988, color Bathers in the Hudson, 1941, engraving, tive-ground etching, and engraving woodcut, screenprint, and collage 1991.116.81, Gift of Mrs. Robert A. Hauslohner Sanctuary's Edge, 1981, lift-ground etching Moonscape, published 1985, color lithograph, Master of the Adoration of the Shepherds, Card House, 1975, photosensitive-ground etching, woodcut, and screenprint German, active c. 1520/1540 engraving, and direct photographic transfer 1991.74.149-155, Gift of Gemini G.E.L. and the Artist The Adoration of the Shepherds, probably 1530s, Daylilies, 1975, photosensitive-ground etching, en- Reflections on Expressionist Painting, from the Car- woodcut, 1991.98.1, Ailsa Mellon Bruce Fund graving, and direct photographic transfer negie Hall Centennial Portfolio, 1990, color encaus- The Jolly Corner, published 1971, portfolio with 21 Meckenem, Israhel van, German, c. 1445-1503 tic wax and screenprint ]artist's proof], 1991.122.3, etchings Gift of Fine Art Ltd. Saint George and the Dragon, c. 1465/1470, en- The Jolly Corner, published 1971, suite of 21 graving, 1991.97.1, Gift of the 50th Anniversary Gift Lizars, William Home, Scottish, 1788-1859 Committee etchings 1990.106.16, 1991.116.84-110, 1991.116.232-253, Brown Lark (after John James Audubon), 1991.116.307-327, Gift of Mrs. Robert A. Hauslohner 1827/1830, hand-colored engraving, 1991.117.2, Menpes, Mortimer, British, 1855-1938 Collection of Dr. and Mrs. George Benjamin Green Glenfinnan, color etching, 1991.116.82, Gift of Mrs. Robert A. Hauslohner Mitchell, Joan, American, born 1926 Lumsden, Ernest Stephen, Scottish, 1883-1948 Champs, from the Carnegie Hall Centennial Port- Old Kashmir, 1922, etching, 1991.116.78, Gift of folio, 1990, color lithograph [artist's proof], Mrs. Robert A. Hauslohner 1991.122.4, Gift of Fine Art Ltd.

28 Moreau, Jean Michel, French, 1741-1814 D. Pineau, Sculpteur (after Pierre Paul Merelle), 1770, engraving and etching, 1990.56.7, Gift of John O'Brien

Moreau, Pierre, French, died 1762 The Entrance of a Temple, etching, 1991.132.1, Ailsa Mellon Bruce Fund

Morley, Malcolm, British, born 1931 U-1 '' !'rim/ Rite of Passage, published 1988, color spit-bite and aquatint, 1990.71.10, Gift of Gemini G. E. L. and the Art- ist, in Honor of the Fiftieth Anniversary of the National Gal- '' lery of Art Wind Surfers, published 1987, color lithograph Kite on Gibson Beach, published 1987, color ( lithograph Our Tramp Steamer Hugging the Horizon Off Coco- nut Island /, published 1987, color lithograph Our Tramp Steamer Hugging the Horizon Off Coco- nut Island 11, published 1987, color lithograph Black Rainbow Over Oedipus at Thebes I, published 1988, color lithograph and screenprint r Black Rainbow Over Oedipus at Thebes II, published 1988, color lithograph and screenprint Black Rainbow Over Oedipus at Thebes III, published 1988, color lithograph and screenprint Devon Mare with Foal with Lake Tahoe Above, published 1987, color intaglio Jazz, published 1987, photogravure in black and gray 1991.74.156-164, Gift of Gemini G.E.L. and the Artist

Mortensen, Gordon, American, born 1938 Battleship Butte, 1980, color woodcut, 1991.116.111, Gift of Mrs. Robert A. Hauslohner

Motherwell, Robert, American, 1915-1991 Red Sea II, 1979, color lift-ground etching and aquatint, 1990.106.17, Gift of Mrs. Robert A. Hauslohner Harvest, with Leaf published 1973, color lithograph with collage Harvest, with Orange Stripe, published 1973, color lithograph with collage Harvest, with Blue Shadow, published 1973, color Israhel van Meckenem, Saint George and the Soft Drum Set, published 1972, lithograph lithograph with collage Dragon, c. 1465/1470 Bread Slice in Sunlight #1—King David, published Harvest, with Two White Stripes, published 1973, Gift of the 50th Anniversary Gift Committee, 1991.97.1 1972, color lithograph color lithograph with pochoir and collage Ice Bag, published 1970, color lithograph Pauillac, #4, published 1973, color lithograph with Soft Drum Set—on Chalk Board, published 1972, collage and embossing color screenprint Pauillac, #3, published 1973, color lithograph and Soft Toilet #3—on Chalk Board, published 1972, screenprint with pochoir and collage color screenprint Pauillac, #2, published 1973, color lithograph with Nevelson, Louise, American, 1900-1988 Typewriter Eraser, published 1970, color lithograph pochoir and collage Magic Garden, 1953/1955, hand-colored etching, Arch in the Form of a Screw, for Times Square NYC, 1991.74.165-171, Gift of Gemini G.E.L. engraving, aquatint, and softground [proof] published 1976, lithograph 1991.74.175-180, 182-183, Gift of Gemini G.E.L. Munch, Edvard, Norwegian, 1863-1944 Magic Garden, 1953/1955, etching, engraving, aquatint, and softground in green-black [printed Two Women on the Shore, 1898, color woodcut and Orlik, Emil, German, 1870-1932 1965/1966 at Hollander Graphic] crayon, 1991.31.1, Gift of The Sarah G. Epstein and Max Slevogt, 1917, drypoint and rocker with graph- Lionel C. Epstein Family Collection, in Honor of the Magic Garden, 1953/1955, hand-colored etching, ite and white heightening [working proof], Fiftieth Anniversary of the National Gallery of Art engraving, aquatint, and softground [proof] 1991.131.1, Ailsa Mellon Bruce Fund Girl with the Heart, 1899, color woodcut, 1990.88.1-2, 1990.91.1, Gift of the Collectors Committee 1991.32.1, The Sarah G. Epstein and Lionel C. Epstein Osborne, Elizabeth, American, born 1936 Family Collection, given by their children, David, James, Nitsch, Hermann, Austrian, born 1938 Manchester, 1979, color pochoir, 1991.116.112, Gift Richard, Miles, and Sarah Carianne, in Honor of the The Last Supper, 1983, screenprint on stained of Mrs. Robert A. Hauslohner Fiftieth Anniversary of the National Gallery of Art canvas with painted additions, 1990.121.2, Joshua P. Smith Collection Paladino, Mimmo, Italian, born 1948 Nauman, Bruce, American, born 1941 Dedalus, 1984, color linocut False Passage, published 1981 Nolde, Emil, German, 1867-1956 Alqua De Stagno, 1980, color etching and spit-bite Underground Passage, published 1981 Man with a Pipe (Self-Portrait), 1907, lithograph on Lacrimose, published 1986, portfolio with linocut calendered paper, 1991.128.1, Ailsa Mellon Bruce Underground Passage, published 1981 frontispiece and 12 woodcuts (one with etching) Fund drypoints, 1991.74.172-174, Gift of Gemini G.E.L. 1990.106.18, 1991.116.113, 1991.116.254-266, Gift Oldenburg, Claes. American, born 1929 of Mrs. Robert A. Hauslohner Neel, Alice, American, 1900-1984 Nancy, 1977, lithograph, 1990.89.1, Gift of the Collec- Soft Toilet #1, published 1972, lithograph in black tors Committee and gray

2<) Paolozzi, Eduardo. British, born 1924 Polke, Sigmar, German, born 1941 Mule, published 1974, transfer of offset Inkwells, 1961, screenprint Cologne Beggars I-IV, 1972,4 offset lithographs lithographed and newspaper images on fabric with Untitled, 1971, screenprint Figure with Hand, 1973, offset lithograph on blue collage of paper bags Untitled, 1971, screenprint poster paper with lizard-skin design Plus Fours, published 1974, transfer of offset 1991.116.114-116, Gift of Mrs. Robert A. Hauslohner 1991.57.10-14, Gift of Wolfgang Wittrock, in Honor of the lithographed and newspaper images on fabric Fiftieth Anniversary of the National Gallery of Art Scent, 1974, transfer of offset lithographed and Pappan, George, American, born 1929 newspaper images, collage of paper bags and fabric Untitled, 1969/1970, color lithograph with emboss- Pomodoro, Arnaldo, Italian, born 1926 Snake Eyes, published 1975, handmade paper, ing (workshop proof], 1991.75.130, Gift of Graphic- Untitled, probably 1960/1970, red, white, and bamboo, and fabric studio/U niversity of South Florida and the Artist black gouache printed a la poupee Hard Eight, published 1975, handmade paper, Untitled, probably 1960/1970, gray, white, and Pearlstein, Philip, American, born 1924 bamboo, and fabric black gouache printed a la poupee Jerusalem, Temple Mount, 1987, color woodcut Romances (Pomegranate), published 1977, color Untitled, probably 1960/1970, red gouache [color trial proof] lithograph printed a la poupee View of Rome, 1986, aquatint [working proof] 1991.74.231 -233, 239-271, 276, Gift of Gemini G.E.L. Untitled, probably 1960/1970, red and black View of Rome, 1986, color direct gravure and aqua- gouache printed a la poupee Samarkand Stitches I, 1988, sewn fabric collage tint with roulette work [color trial proof 2 ] 1990.58.8-11, Gift of Regina Slatkin, Carole and Laura with screenprint View of Rome, 1986, color aquatint with roulette Slatkin Samarkand Stitches II, 1988, sewn fabric collage work [color working proof] with screenprint View of Rome, 1986, color aquatint [color working Prevost, Benoit Louis, French, Samarkand Stitches III, 1988, sewn fabric collage proof] 1747-1804 or 1809 with screenprint View of Rome, 1986, color aquatint [color trial Louis XV (after Charles-Nicolas Cochin II), 1765, Samarkand Stitches IV, 1988, sewn fabric collage engraving, 1990.56.4, Gift of John O'Brien proof] with screenprint View of Rome, 1986, color aquatint [color working Price, Kenneth, American, born 1935 Samarkand Stitches V, 1988, sewn fabric collage proof] Texas Turtle Cup, published 1971, color screenprint with screenprint View of Rome, 1986, color direct gravure and aqua- Figurine Cup V, published 1970, color lithograph Samarkand Stitches VI, 1988, sewn fabric collage tint with roulette work [color trial proof 7 ] 1991.74.184-185, Gift of Gemini G.E.L. with screenprint Models with Mirror, 1983/1985, color etching and Samarkand Stitches VII, 1988, sewn fabric collage aquatint [trial proof] Rauschenberg, Robert, American, born 1925 with screenprint 1991.75.131, 1991.75.147-154, Gift of Graphicstudio/ Ringer State, published 1974, lithograph and news- 1991.76.9-15, Gift of Gemini G.E.L. and the Artist University of South Florida and the Artist print transfers, and paper and fabric collage, Soviet/American Array I-VII, 1988, photogravure, 1990.71.11, Gift of Gemini G.E.L. and the Artist, in Nude on Eames Stool, 1977, color lithograph, 1991.76.16-22, Gift of Universal Limited Art Editions and 1991.116.117, Gift of Mrs. Robert A. Hauslohner Honor of the Fiftieth Anniversary of the National Gallery of Art the Artist Penck, A. R., German, born 1939 Post, published 1970, color lithograph Visitation I, 1965, lithograph, 1991.116.124, Gift of Mrs. Robert A. Hauslohner 8 Eifahrungen, published 1981, portfolio with 8 Bait, published 1970, color lithograph woodcuts on handmade paper, 1991.57.15-22, Gift of Earth Tie, published 1969, lithograph Carnegie Hall Print, from the Carnegie Hall Centen- Wolfgang Wittrock, in Honor of the Fiftieth Anniversary of nial Portfolio, 1990, color screenprint [artist's the National Gallery of Art Horn, published 1969, lithograph Ape, published 1970, color lithograph proof], 1991.122.5, Gift of Fine Art Ltd. Picasso, Pablo, Spanish, 1881-1973 Trust Zone, published 1969, color lithograph Ray, Man, American, 1890-1976 Young Woman in a Striped Blouse, 1949, litho- Earth Crust, published 1969, color lithograph Untitled, published 1966, lithograph, 1991.74.186, graph, 1991.46.1, Gift of Mr. and Mrs. Jem Horn, in Spore, published 1970, color lithograph Gift of Gemini G.E.L. Honor of the Fiftieth Anniversary of the National Gallery Test Zone #7, published 1967, lithograph of Art Test Zone #2, published 1967, lithograph Rembrandt van Rijn, Dutch, 1606-1669 LAne, 1941/1942 Test Zone #4, published 1967, lithograph The Return of the Prodigal Son, 1636, etching, LAutriche, 1941/1942 Test Stone #3, published 1967, color lithograph 1991.63.2, Gift of Ruth B. Benedict in Memory of William LeChat, 1941/1942 Still, published 1968, color lithograph S. Benedict and in Honor of the Fiftieth Anniversary of the National Gallery of Art Le Dindon, 1941/1942 Waves, published 1969, lithograph Le Taureau, 1941/1942 Banner, published 1969, color lithograph Richter, Gerhard, German, born 1932 aquatints, 1991.116.118-122, Gift of Mrs. Robert A. Moon Rose, published 1969, lithograph 9 Objekte, published 1969, portfolio with 9 offset Hauslohner Sky Hook, published 1970, lithograph lithographs, 1991.57.1-9, Gift of Wolfgang Wittrock, in Sack, published 1969, color lithograph Honor of the Fiftieth Anniversary of the National Gallery Pinto, Jody, American, born 1942 Shell, published 1969, color lithograph of Art Fingerspan: For Climber's Rock, Fairmount Park, Medallion, published 1969, lithograph 1983, lithograph, 1991.116.123, Gift of Mrs. Robert A. Ridinger, Johann Elias, German, 1698-1767 Marsh, published 1969, color lithograph Hauslohner A Horse, Buffalo, Sheep, and Goat in an Italian Horsefeathers Thirteen—I, published 1972, color Landscape (after Johann Heinrich Roos), etching Piranesi, Francesco, Italian, c. 1758-1810 lithograph, screenprint, pochoir, and collage with and engraving, 1991.116.125, Gift of Mrs. Robert A. The Grotto of Posilipo (after Louis-Jean Desprez), embossing Hauslohner 1791, etching in black and brown-red, 1990.86.1, Horsefeathers Thirteen—II, published 1972, color Ailsa Mellon Bruce Fund lithograph, screenprint, pochoir, and collage with Riggs, Robert, American, 1896-1970 Elephant Act, c. 1935, lithograph, 1991.116.126, Piranesi, Giovanni Battista, Italian, 1720-1778 embossing Gift of Mrs. Robert A. Hauslohner Veduta delle Cascatelle a Tivoli, 1769 Hind, published 1974, handmade paper, pigment, and screenprinted tissue laminated to paper pulp Veduta interna della Villa di Mecenate, 1764 Rivera, Diego, Mexican, 1886-1957 etchings, 1991.117.3-4, Collection of Dr. and Mrs. Vale, published 1974, handmade paper, pigment, Viva Zapata, 1932, lithograph, 1990.106.51, Gift of George Benjamin Green and screenprinted tissue laminated to paper pulp Mrs. Robert A. Hauslohner Roan, published 1974, handmade paper, pigment, Pissarro, Camille, French, 1830-1903 and screenprinted tissue laminated to paper pulp Rivers, Larry, American, born 1923 Baigneuses, gardeuses d'oies, c. 1895, color etching Page 4, published 1974, handmade paper and Sky Music at Carnegie Hall, from the Carnegie Hall Groupe de paysans, c. 1899, chine colle lithograph twine Centennial Portfolio, 1990, color screenprint [art- 1991.29.1, 1991.108.1, Gift of Martin and Liane Atlas, in Page 3, published 1974, handmade paper ist's proof], 1991.122.6, Gift of Fine Art Ltd. Honor of the Fiftieth Anniversary of the National Gallery Page 1, published 1974, handmade paper and rag of Art Rosati, Tony, American, born 1947 White Walk, published 1970, color lithograph Elkins Park View, 1977, aquatint with scraping and Scow, published 1974, handmade paper, pigment, burnishing, 1991.116.127, Gift of Mrs. Robert A. and screenprinted tissue laminated to paper pulp Hauslohner

30 Rosenquist, James, American, born 1933 Welcome to the Water Planet, 1987, aquatint, 1990.72.8, Gift of Graphicstudio and the Artist, in Honor of the Fiftieth Anniversary of the National Gallery of Art Untitled, 1986, monotype in acrylic with lithographed collage additions [bon a tirer proof], 1991.75.169, Gift of Graphicstudio/University of South Florida and the Artist

Rothenherg, Susan, American, born 1945 Boneman, 1986, mezzotint on wood veneer paper, 1990.71.12, Gift of Gemini G.E. L. and the Artist, in Honor of the Fiftieth Anniversary of the National Gallery of Art Head and Bones, 1980, woodcut Monkey in a Tree, 1984, lithograph 1990.106.52-53, Gift of Mrs. Robert A. Hauslohner

Rothenstein, William, Sir, British, 1872-1945 Oxford Characters, published 1896, bound volume with 24 lithographs, 1991.107.1, Gift of Mark Samuels Lasner, in Honor of the Fiftieth Anniversary of the National Gallery of Art

Rouault, Georges, French, 1871-1958 Laquais, 1937, color sugar-lift aquatint Christ de Face, 1938, color sugar-lift aquatint 1990.116.1-2, Gift of Dr. and Mrs. Frederick Mulder in Memory of Daniel Jonathan Mulder and in Honor of the Fiftieth Anniversary of the National Gallery of Art

Ruscha, Edward, American, born 1937 1984, published 1967, lithograph with watercolor, 1991.74.187, Gift of Gemini G.E.L. Now, from the Carnegie Hall Centennial Portfolio, 1990, lithograph [artist's proof], 1991.122.7, Gift of Fine Art Ltd.

Ryder, Thomas, British, 1746-1810 Diderot, engraving, 1990.56.9, Gift of John O'Brien

Schedel, Hartmann (author), German, 1440-1514; with workshops of Michel Wolgemut \ and Wilhelm Pleydenwurff Liber Chronicarum (Nuremberg Chronicle), published 1493, bound volume with 1,809 hand-colored woodcuts, 1991.7.1, Gift of Paul Mellon, in Honor of the Fiftieth Anniversary of the National Gallery of Art

Schmidt, Georg Friedrich, German, 1712-1775 k Antoine Franqois Prevost, 1745, engraving, 1990.56.5, Gift of John O'Brien Self-Portrait, Drawing, 1752, etching and engraving (X 'VAy Self-Portrait with a Cobweb in the Window, 1758, etching 1991.132.2-3, Ailsa Mellon Bruce Fund

Segal, George, American, born 1924 Nude Leaning over Chair, 1978, color screenprint, 1991.116.128, Gift of Mrs. Robert A. Hauslohner Woodcut from A. R. Penck, 8 Eifahrungen, Siqueiros, David Alfaro, Mexican, 1896-1974 published 1981 Dog, lithograph, 1991.116.130, Gift of Mrs. Robert A. Serra, Richard, American, born 1939 Gift of Wolfgang Wittrock, in Honor of the Fiftieth Anniver- Hauslohner Muddy Waters, published 1986, Paintstik screen- sary of the National Gallery of Art, 1991.57.22 print, 1990.71.13, Gift of Gemini G.E.L. and the Artist, Smith, Richard, British, born 1931 in Honor of the Fiftieth Anniversary of the National Gallery Drawing Boards, 1980, color etching and aquatint, of Art 1990.98.1, Gift of Robert L. Brown, in Honor of the Call Me Ishmael, published 1987, lithograph Fiftieth Anniversary of the National Gallery of Art IshmaeVs Edge, published 1987, lithograph Untitled (Evergloom), 1969 Penn. Ship, published 1987, lithograph Untitled (Everglad), 1969 Olson, published 1987, color screenprint and color lithograph printed on both sides of folded pa- Paintstik Paris, published 1985, screenprint with Paintstik per, 1990.133.2-3, Gift of Ruth and Don Saff 1991.74.188-196, Gift of Gemini G.E.L. and the Artist Pasolini, published 1987, screenprint and Paintstik Sonnier, Keith, American, born 1941 Rosa Parks, published 1987, screenprint and Shahn, Ben, American, 1898-1969 Wax-Wan (State), published 1966, color lithograph, Paintstik Levana, published 1966, lithograph, 1991.74.197, 1991.74.198, Gift of Gemini G.E.L. Core, published 1987, screenprint and Paintstik Gift of Gemini G.E.L. "My Curves are not Mad," published 1987, screen- TV Antennae, 1953, screenprint, 1991.116.129, Gift print and Paintstik of Mrs. Robert A. Hauslohner

31 Sovak, Provoslav, Czechoslovakian, born 1926 Furg, published 1975, color offset lithograph and Vico, Enea, Italian, 1523-1567 Big Bend Trail, 1982, etching in blue-black on screenprint Rhinoceros (after Albrecht Diirer), engraving, japan paper 1991.74.199-229, Gift of Gemini G.E.L. 1991.116.141, Gift of Mrs. Robert A. Hauslohner Blue Mountains, hand-colored etching Stinnett, Hester, American, born 1956 Vieillard, Roger, French, born 1907 East Asian Museum, 1978, hand-colored photo- Reservoir, 1984, woodcut on japan paper, Le cheval de la nuit, 1944, engraving etching 1991.116.139, Gift of Mrs. Robert A. Hauslohner Jacob et Vange, 1935, engraving and softground Montezuma Creek, 1979, hand-colored etching etching Piero, 1978, hand-colored photo-etching Stock, Mark, American, born 1951 Musique et danse, 1949, engraving Print Club Interior, 1970, color softground etching Theo Wujcik, c. 1984, lithograph [trial proof] 1991.116.142-144, Gift of Mrs. Robert A. Hauslohner with hand-coloring Don Saff, 1984, lithograph (trial proof] Street Scene, 1958, drypoint and roulette Self Portrait, 1984, lithograph [trial proof] Vorsterman, Lucas, I, Flemish, 1595-1675 Students, 1968, color photo-etching and etching Brenda Woodward, c. 1984, lithograph [trial proof] Gertrude van Veen, engraving, 1991.132.5, Ailsa Mel- Graphisches Tagebuch, published 1969, portfolio 1991.75.170-173, Gift of Graphicstudio/University of lon Bruce Fund with 10 color intaglios South Florida and the Artist Vuillard, Edouard, French, 1868-1940 1991.116.131-138, 267-276, Gift of Mrs. Robert A. Hauslohner Sutherland, Graham, British, 1903-1980 Old Woman at a Stove, 1893, lithograph, A Bestiary and Some Correspondences, 1965/1968, 1990.106.54, Gift of Mrs. Robert A. Hauslohner Stella, Frank, American, bom 1936 portfolio with 25 lithographs, 1990.106.20-46, Gift of Watson, Thomas, British, 1743 or 1748-1781 Irving Blum Memorial Edition, published 1967, Mrs. Robert A. Hauslohner Miss Kitty Dressing (after Joseph Wright), 1781 lithograph in metallic silver on graph paper Tanje, Pieter, Dutch, 1706-1761 Francesco Bartolozzi (after Sir Joshua Reynolds), Casa Comu (First Version), published 1969, litho- Jan Maurits Quinkhard (after Jan Maurits Quin- 1785 mezzotints graph in yellow-gray and metallic silver with gloss khard), 1741, engraving, 1991.89.2, Ailsa Mellon 1990.81.2, 1991.89.3, Ailsa Mellon Bruce Fund varnish Bruce Fund Empress of India II, published 1968, color litho- Welliver, Neil, American, born 1929 graph with varnish Testa, Pietro, Italian, 1612-1650 Loon, 1988, color etching and aquatint, Tetuan III, published 1974, color lithograph and An Allegory in Honor of Innocent X, 1644, etching, 1991.116.145, Gift of Mrs. Robert A. Hauslohner screenprint 1991.83.1, Ailsa Mellon Bruce Fund Union Pacific, published 1970, screenprint in light Whistler, James McNeill, American, 1834-1903 Thiebaud, Wayne, American, born 1920 The Dog on the Kennel, etching, 1991.116.146, Gift gray and lithograph in metallic silver with varnish Suckers (State II), published 1968, color lithograph, of Mrs. Robert A. Hauslohner Six Mile Bottom, published 1970, screenprint in 1991.74.230, Gift of Gemini G.E.L. light gray and lithograph in metallic silver with Wille, Johann Georg, German, 1715-1808 varnish Tiepolo, Giovanni Battista, Italian, 1696-1770 Joseph Parrocel (after Hyacinthe Rigaud), 1744, en- Marquis de Portago, published 1970, screenprint in The Discovery of the Tomb of Punchinello, early graving, 1991.23.4, Gift of John O'Brien light gray and lithograph in metallic silver with 1750s, etching on paper tinted with yellow-green varnish watercolor, 1991.104.1, Gift of Christopher Mendez, in Wunderlich, Paul, German, born 1927 Averroes, published 1970, screenprint in light gray Honor of the Fiftieth Anniversary of the National Gallery The Song of Songs which is Solomon's, published and lithograph in metallic silver of Art 1970, portfolio with 10 color lithographs, 1991.116.297-306, Gift of Mrs. Robert A. Hauslohner Casa Cornu, published 1970, screenprint in light Tissot, James Jacques Joseph, French, gray and lithograph in metallic silver with varnish 1836-1902 Luis Miguel Dominguin, published 1970, screen- Lejouer d'orgue, 1878, drypoint, 1991.116.140, Gift print in light gray and lithograph in metallic silver of Mrs. Robert A. Hauslohner PHOTOGRAPHS with varnish Avicenna, published 1970, screenprint in light gray Toulouse-Lautrec, Henri de, French, Adams, Ansel, American, 1902-1984 and lithograph in metallic silver with varnish 1864-1901 Moro Rock, Sequoia National Park and Sierra Foot- Kingsbury Run, published 1970, screenprint in light Seated Clowness, 1896, color lithograph [bon a tirer hills, c. 1945, gelatin silver print, 1970s, gray and lithograph in metallic silver proof], 1991.30.1, Gift of Mr. and Mrs. Robert L. Rosen- 1991.112.1, Gift of Russ Anderson and Margaret W. Agua Caliente, published 1972, color screenprint wald, in Honor of the Fiftieth Anniversary of the National Gallery of Art Weston, in Honor of the Fiftieth Anniversary of the National York Factory I, published 1971, color screenprint Gallery of Art Untitled (Angriff), published 1971, lithograph Valtat, Louis, French, 1869-1952 Mount Galen Clark, Yosemite Park, 1927, gelatin Palmito Ranch, published 1971, color lithograph A Young Woman with Long Hair, 1899, woodcut, silver (parmelian) print, 1991.112.2, Gift of Margaret Hampton Roads, published 1971, color lithograph 1991.85.1, Ailsa Mellon Bruce Fund W. Weston New Madrid, published 1971, color lithograph Island No. 10, published 1971, color lithograph Various artists Callahan, Harry, American, born 1912 River of Ponds IV, published 1971, color lithograph Le Cabinet des plus beaux Portraits . . . faits par le Eleanor, Chicago, 1949 with gloss varnish fameux Antoine van Dyck (after Sir Anthony van Grasses, Wisconsin, 1959 River of Ponds III, published 1971, color lithograph Dyck), c. 1700, bound volume with 125 etchings Store Front and Reflections, c. 1943 with gloss varnish and engravings constituting Van Dyck's "Iconogra- Eleanor, 1947 phy," 1990.125.1, Gift of Arthur and Charlotte Vershbow, Ouray, published 1970, lithograph in metallic cop- gelatin silver prints, 1990.83.1-3, 1990.84.1, Gift of in Honor of the Fiftieth Anniversary of the National Gallery per and screenprint in off-white with tinted varnish the Collectors Committee of Art Lake City, published 1970, lithograph in metallic Multiple Exposure Trees, Detroit, c. 1942 copper and screenprint in off-white with tinted Vasari, Giorgio (author), Italian, 1511-1574 Multiple Exposure Tree, Detroit, 1956 varnish Vita de'gran Michelagnolo Buonarroti, published Lincoln Park, Chicago, c. 1948 (triptych) Referendum '70, published 1970, color screenprint 1568, bound volume with woodcut illustrations, Maine, 1962 Empress of India I, published 1968, color litho- 1991.13.2, Gift of Elmar W. Seibel, in Honor of the Fiftieth Chicago, Fall, 1958 graph with varnish Anniversary of the National Gallery of Art gelatin silver prints, 1991.139.1-7, Gift of the Collec- Quathlamba II, published 1968, color lithograph tors Committee Vedder, Elihu, American, 1836-1923 with varnish Dawn, 1898, crayon, gouache, gold paint, and Close, Chuck, American, born 1940 Quathlamba I, published 1968, color lithograph graphite over photolithograph Fanny, 1984, Polaroid photograph mounted on with varnish Into the Universe, photolithograph board with masking tape border, squared in ink for Black Adder, published 1968, color lithograph 1991.105.31-32, Gift of Mr. and Mrs. Paul Borghi, in transfer, 1990.48.1, Ailsa Mellon Bruce Fund Itata, published 1968, color lithograph with varnish Honor of the Fiftieth Anniversary of the National Gallery Ifafa I, published 1968, color lithograph with of Art varnish The Passengers, 1958-1966, book dummy (or ma- Parade—Hoboken, New Jersey, 1955 quette for Many Are Called) with 46 reproductions gelatin silver prints, 1991.82.3-5, Anonymous Gift, in of photographs Honor of the Fiftieth Anniversary of the National Gallery Lexington Avenue Local, c. 1965, book dummy (or of Art maquette for Many Are Called) Barcelona, 1952 1991.113.1-2, Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Pablo in Valencia, 1952 Honor of the Fiftieth Anniversary of the National Gallery Valencia, 1952 of Art Bull Fight, Valencia, 1952 Mask (Makonde, Wamuera), 1935 Majorca, Spain, 1950 Eight Scalpels, 1935 Caereu, Wales, 1952 Five Knives, 1935 Caereu, Wales, 1952 Polychrome Double Mask (BaLuba, Belgian Congo), Wales (Ben James), 1952 1935 London, 1951 Head Rest (WaZimba, MaNyema), 1935 gelatin silver prints, 1991.137.1-9, Anonymous Gift in Polychrome Mask, 1935 Honor of the Fiftieth Anniversary of the National Gallery Figure of a Woman (Pahouin, Okak), 1935 of Art Figure of a Young Woman (Pahouin, Border of Span- Model, Lisette, American, 1906-1983 ish Guinea), 1935 Reflections, New York, c. 1955 Figure of a Woman with Hands across Abdomen Man with Pamphlets, 1933/1938 (Pahouin, Okak), 1935 Promenade des Anglais, 1934 Figure of a Young Woman (Pahouin, Border of Span- gelatin silver prints, 1990.119.1-3, Gift of Gerhard ish Guinea), 1935 Sander and Kathleen Ewing, in Honor of the Fiftieth Anni- Detail of a Seat, 1935 versary of the National Gallery of Art Cover of a Receptacle (WaRuanda), 1935 Pearlstein, Philip, American, born 1924 Three Spoons (WaRegga), 1935 Studies for Jerusalem, Temple Mount, 1987, 2 White Mask (Pangwe), 1935 Kodaliths with drawn additions in felt-tip pen and Polychrome Mask (French Congo), 1935 brush and black ink on mylar, 1991.75.141-142, Gift Figure of a Woman (Sibiti?), 1935 of Graphicstudio/U niversity of South Florida and the Artist Figure of a Woman (Laongo), 1935 Figure, 1935 Rauschenberg, Robert, American, born 1925 Figure of a Woman (Sibiti?), 1935 Studies for Chinese Summerhall I, published 1984 Figure (Pahouin), 1935 Studies for Chinese Summerhall IV, published 1984 Bust (Pahouin), 1935 Studies for Chinese Summerhall V, published 1984 Seated Figure (Pahouin), 1935 Studies for Chinese Summerhall III, published 1984 Figure with Clenched Fists (Pahouin), 1935 Studies for Chinese Summerhall II, published 1984 August Sander, The Bricklayer, 1929 Figure Holding a Knife (Pahouin), 1935 Kodak Ektacolor 78F photographs, 1991.74.234- 238, Gift of Gemini G.E.L. and the Artist Gift of Gerhard and Christine Sander, in Honor of the Figure with Clasped Hands (Pahouin), 1935 Fiftieth Anniversary of the National Gallery of Art, Amulet, Figure with Two Masks, and Amulet, Two Study for Chinese Summerhall, 1983, color photo- 1990.120.1 Figures Embracing (WaRegga), 1935 graphs mounted on mylar, 1991.75.180, Gift of Graph- gelatin silver prints, 1991.119.1 -26, Gift of Samuel and icstudio/University of South Florida and the Artist Marilyn Stern Negatives for Chinese Summerhall, c. 1982, 34 photographic negatives, 1991.75.181-214, Gift of Frank, Robert, American, born 1924 Graphicstudio/U niversity of South Florida and the Artist Mute/Blind, 1989/1990, collage of Type C color photographs, video prints, acetate, foil, nails, and Sander, August, German, 1876-1964 board The Bricklayer, 1929, gelatin silver print, 1950s, Untitled, 1952/1990, collage of gelatin silver 1990.120.1, Gift of Gerhard and Christine Sander, in prints, video prints, board, wire, nails, colored pa- Honor of the Fiftieth Anniversary of the National Gallery Emerson, Peter Henry, British, 1856-1936 per, and paint of Art Marsh Leaves, published 1895, bound volume with 1990.103.1-2, Robert Frank Collection, Gift of Isabel and 16 photogravures, 1990.113.1, Gift of Harvey S. Ship- Fernando Garzoni, Switzerland, in Honor of the Fiftieth An- Stieglitz, Alfred, American, 1864-1946 ley Miller and J. Randall Plummer, in Honor of the Fiftieth niversary of the National Gallery of Art Georgia O'Keeffe: A Portrait, 1918, gelatin silver Anniversary of the National Gallery of Art print Paint Rock Post Office, Alabama, 1955, gelatin sil- Georgia O'Keeffe: A Portrait—Hands, 1918, palla- Evans, Walker, American, 1903-1975 ver print, early 1970s, 1991.50.1, Gift of George F. dium print Legionnaire, Bethlehem, 1935 Hemphill and Leonore A. Winters, in Honor of the Fiftieth Anniversary of the National Gallery of Art 1990.117.1-2, Gift of The Georgia O'Keeffe Foundation Subway Portrait, 1938/1941 in Honor of Georgia O'Keeffe and on the Occasion of the Nutt's Folly, 1935 Drug Store—Detroit, 1955, gelatin silver print, Fiftieth Anniversary of the National Gallery of Art Telfair Academy of Arts and Sciences, 1935 1991.51.1, Gift of Christopher and Alexandra Middendorf, Nineteenth-Century Greek House, Cambridge, 1931 in Honor of the Fiftieth Anniversary of the National Gallery Strand, Paul, American, 1890-1976 Nineteenth-Century Greek House, Dedham, 1931 of Art People, Streets of New York, 1916, platinum print, Laundry Drying, Franks House, 1971 Platte River, Tennessee, 1961, gelatin silver print, 1990.85.1, Patrons' Permanent Fund Mount Pleasant, Pennsylvania, 1935 1991.51.2, Gift of the Middendorf Gallery, in Honor of the Cambridge, England, 1911, platinum print, London Street Corner, c. 1958 Fiftieth Anniversary of the National Gallery of Art 1990.93.1, Gift of Aperture Foundation, in Honor of the Gormania, West Virginia, Company Houses, 1935 London, 1951, gelatin silver print, 1991.73.1, Robert Fiftieth Anniversary of the National Gallery of Art Heliker House, Cranberry Island, Maine, 1969 Frank Collection, Gift of Amy and Philip Brookman The Mexican Portfolio, published 1967, portfolio Bridgeport, 1941 with 20 photogravures, 1991.116.277-296, Gift of City of London, 1952 gelatin silver prints, 1990.110.1-12, Gift of Mr. and Mrs. Robert A. Hauslohner Mrs. Harry Lunn, Jr., in Honor of the Fiftieth Anniversary Parking Lot, 1952 of the National Gallery of Art gelatin silver prints, 1991.82.1-2, Gift of The Howard Weston, Edward, American, 1886-1958 Gilman Foundation, in Honor of the Fiftieth Anniversary of Dunes, Oceano, 1936, gelatin silver print, Subway Portrait, 1938/1941, 15 gelatin silver the National Gallery of Art prints, 1990.114.1-15, Gift of Kent and Marcia Mini- 1991.41.1, Gift (Partial and Promised) of Katherine L. chiello, in Honor of the Fiftieth Anniversary of the National London 1951 (Child Swinging), 1951 Meier and Edward J. Lenkin, in Honor of the Fiftieth Anni- Gallery of Art Approaching New York Harbor, 1951 versary of the National Gallery of Art

33 Renaissance Paintings annual meeting of the College Art Asso- ciation, and The Saint Anne Altarpiece by Gerard David and workshop, the subject The National Gallery of Art acquired two of a curatorial colloquy sponsored by Italian Renaissance paintings this year in CASVA and held at the National Gallery honor of its fiftieth anniversary: Jacopo and at the Metropolitan Museum of Art. Bellini's Saint Anthony Abbot and Saint The Saint Anne will be the focus of an ex- Bernardino of Siena, a partial and prom- hibition at the Gallery in 1992. ised gift from an anonymous donor; and Systematic catalogue research cen- Jacopo Palma il Giovane's Lamentation, tered on paintings by Titian and Giovanni given by Bertina Suida Manning and Bellini in the Gallery's collections, and Robert Manning in memory of William E. Italian scholar Miklos Boskovits is collab- Suida, long-time research curator of the orating on preparation of the volume on Kress Collection. Each painting is the first the fifteenth-century Italian paintings. secure work by that artist to enter the col- The manuscript for the German paintings lection and makes a significant contribu- is complete and in production. Heidi tion to the Gallery's superb holdings of Blackburn was the 1991 summer intern. Venetian Renaissance paintings. In addition, Mr. Sheldon H. Solow extended the loan of his Portrait of a Young Man by Baroque Paintings Botticelli, which hangs near Leonardo's Ginevra de' Benci. A number of extremely important ba- The Gallery celebrated the 500th anni- roque paintings were added to the collec- versary of the birth of the great Venetian tions in conjunction with the Gallery's master Titian with the exhibition Titian: fiftieth anniversary. The Martyrdom of Prince of Painters, which premiered in Saint Bartholomew by Jusepe de Ribera Venice earlier in the year. The only major was given by the 50th Anniversary Gift showing of the artist's works ever held in Committee, and Luca Giordano's Diana the United States, the exhibition con- and Endymion was a gift of Joseph F. tained nearly fifty paintings and a recon- McCrindle in memory of Mr. and Mrs. J. struction of Titian's ceiling complex from Fuller Feder. These are the first Nea- the Scuola di San Giovanni Evangelista in politan baroque pictures to enter the Gal- Venice. In connection with the exhibition, lery's collections. The luminous View of the department collaborated with CASVA an Italian Port by the Dutch Italianate on the three-day scholarly symposium Ti- landscape artist Nicolaes Berchem came tian 500 and with the education depart- to the Gallery as a partial gift of Robert ment on the public symposium Titian's H. and Clarice Smith; a major work by Venice. the Haarlem genre painter Isack van Together with the department of design Ostade, Workmen before an Inn, was a and installation, the curators began a partial gift of Richard A. and Lee G. comprehensive reinstallation of the Italian Kirstein; and a striking representation of Renaissance galleries. The new hanging the Repentant Magdalen by the Flemish follows a chronological order and features artist Gerard Seghers was a partial and the return to public view of several major promised gift of Patricia Bauman and Italian works that have been in the con- John L. Bryant, Jr. servation laboratories for a number of The Gallery also acquired a major still- years, including Agnolo Gaddi's Ma- life painting, Willem Claesz. Heda's Ban- donna Enthroned with Saints and Angels quet Piece with Mince Pie, with funds and Perino del Vaga's Nativity. Rein- from the Patrons' Permanent Fund. Not stallation of the northern Renaissance gal- only is this still life the largest known leries has been especially beneficial for work by this important Haarlem artist, the German paintings, now presented in a but all of the nuances of modeling in the more chronological sequence. glasses, pewter, lemon rind, and table- The Annunciation by Jan van Eyck was cloth have been beautifully preserved. the subject of a museum session at the To accommodate these new acquisi-

34 Nicolaes Pietersz. Berchem, View of an Italian Port, tions and in conjunction with the program John Chrysostom by Mattia Preti, Saint c. 1660/1670 (detail) to rehang the entire West Building, the Peter Nolasco Recovering the Image of the Gift (Partial) of Robert H. and Clarice Smith, in Honor of the Fiftieth Anniversary of the National Gallery of Art, Dutch and Flemish collections were rear- Virgin by Francisco Zurbaran, and Por- 1990.62.1 ranged this year. Integral to the reinstalla- trait of a Man in Armor by Anthony van tion of the galleries of seventeenth- and Dyck—are dramatic complements to our eighteenth-century Italian, French, and collection of baroque art. Three paintings Spanish paintings was the return to public remained on loan from Mr. and Mrs. Paul view of El Greco's Madonna and Child Mellon: Balthasar van der Ast's Basket of with Saint Martina and Saint Agnes and Flowers and Basket of Fruit and Jan Boucher's Love Letter, for which major Brueghel the Elder's A Basket of Mixed conservation treatments were completed. Flowers and Vase of Flowers, the latter a Four important baroque paintings have promised gift. In addition, Mr. David E. been lent to the Gallery from June 1991 West loaned Hendrick Ter Brugghen's to June 1992 from the collection of the The Mocking of Christ, also a promised Cincinnati Art Museum. These can- gift. vases—David with the Head of Goliath by The department of northern baroque Bernardo Strozzi, The Pardon of Saint painting organized the first major retro-

35 and the art department of the University of Maryland to sponsor a two-day symposium on Van Dyck. The exhibition Rembrandt's Lucretias brought together the National Gallery's 1664 Lucretia with the 1666 Lucretia from the Minneapolis Institute of Arts for the first time. An exhibition that focused on several versions of Jean-Simeon Char- din's Soap Bubbles, including our own, was organized by Philip Conisbee and the Los Angeles County Museum of Art. Work also continued on the exhibition Guercino: Master Painter of the Baroque, scheduled to open in spring 1992. The systematic catalogue of Spanish paintings, written by Jonathan Brown and Richard G. Mann, was published in March 1991. Research continued for the volumes on seventeenth- and eighteenth- century Italian paintings and on Dutch and Flemish paintings. Summer interns this year were Quint Gregory and Carter Foster. Judith Lyon and Mercedes Trelles served as volunteers.

Horace Pippin, Interior, 1944 spective on Flemish painter Anthony van Gift of Mr. and Mrs. Meyer P. Potamkin, in Honor of the Dyck (1599-1641) in this century. Crit- American and British Fiftieth Anniversary of the National Gallery of Art, 1991.42.1 ically acclaimed by scholars and enthusi- Paintings astically received by the public and the press, the exhibition celebrated the This year marked a significant change for 350th anniversary of Van Dyck's death the department of American paintings, as with about one hundred paintings and oil it assumed responsibility for the Gallery's sketches from all periods of his life, in- British collection as well. cluding portraits as well as religious and Among the many remarkable gifts and mythological subjects. Among the master- promised gifts received in honor of the pieces generously lent for the exhibition fiftieth anniversary, perhaps the most ex- were Rinaldo and Armida from the Balti- traordinary American acquisition was Al- more Museum of Art, the portrait of bert Bierstadt's Lake Lucerne of 1858. Nicolaes Lanier from the Kunsthistor- This pivotal work, a link between Bier- isches Museum in Vienna, and Cupid and stadt's early European paintings and his Psyche from the Royal Collection, Lon- dramatic western landscapes, had been don. The National Gallery's own magnifi- "lost" since 1882. In the spring of 1990 cent collection was represented by no less it was rediscovered in a private collection than ten paintings by Van Dyck, including and acquired for the Gallery through the a number of works that had been recently generosity of Richard M. Scaife and Mar- restored. The most dramatic of these was garet R. Battle. Following treatment in the portrait of Elena Grimaldi. the Gallery's conservation department. In connection with the Van Dyck exhi- Lake Lucerne was returned in March bition, curators worked with the educa- 1991 to public view for the first time in tion division to organize a one-day public over a century. symposium and a seminar for specialists The collections were greatly enriched and graduate students that met in the gal- by two important American impressionist leries. The department also joined CASVA works, Theodore Robinson's Draw-

36 bridge—Long Branch Railroad, Near from research assistant Julie Aronson and Mianus, a partial and promised gift of summer intern Laurette McCarthy. An- Mrs. Daniel Fraad in memory of her hus- other intern, Pilar de Navascues of the band, and J. Alden Weir's U.S. Thread Ministry of Culture, Madrid, came to the Company Mills, Willimantic, Connecticut, Gallery through the Spanish Cultural Ex- a partial and promised gift of Mr. and change Program. Mrs. Raymond Horowitz. The Gallery's Preparations continued for the Na- holdings of works by Thomas Eakins and tional Gallery's showing of Albert Bier- Winslow Homer were enhanced by the stadt: Art & Enterprise, and for exhibi- addition of Eakins' imposing portrait of tions devoted to John Singer Sargent, Rear-Admiral George W. Melville, a partial Winslow Homer, and James McNeill and promised gift of Mr. and Mrs. H. Whistler. John Heinz III, his study of The Chap- erone, a gift of John Wilmerding, and Homer's compelling Blackboard, a partial Modern Paintings and promised gift of Jo Ann and Julian Ganz, Jr. We were fortunate to receive, in Several masterpieces of nineteenth-cen- addition, Horace Pippin's Interior from tury French painting came to the Gallery Mr. and Mrs. Meyer P. Potamkin, the first for its fiftieth anniversary through the ex- work by this renowned African-American traordinary generosity of donors. Van artist to enter the collection. Gogh's Roses, a culminating work of the The reinstallation of the permanent artist's Saint-Remy period and the first collection continued, and three new gal- Van Gogh still life in the collection, was a leries devoted to American naive paint- partial and promised gift from Pamela C. Albert Bierstadt, Lake Lucerne, 1858 (detail) ings were hung in the West Building. Harriman. Catherine Gamble Curran and Gift of Richard M. Scaife and Margaret R. Battle, in Honor of the Fiftieth Anniversary of the National Gallery of Art, Substantial progress was made on the sys- her family made a partial and promised 1990.50.1 tematic catalogue, with contributions gift of Monet's Sainte-Adresse, a superb early landscape painted during the criti- book on the impressionist and post-im- cal summer of 1867. The Artist's Garden pressionist works and a calendar of im- in Argenteuil (A Corner of the Garden with pressionist masterpieces that includes Dahlias) by Monet, painted during the short texts with the illustrations. The de- most prolific phase of his career, was a partment collaborated with the education partial gift to the Gallery from Janice H. division to prepare an Acoustiguide for Levin. The bold Landscape at Les Patis, the nineteenth-century collection and to Pontoise, by Pissarro, a partial and prom- develop new gallery leaflets. ised gift of Mr. and Mrs. David Rocke- Work on future exhibitions of French feller, is one of the artist's most eloquent Still Lifes, 1848-1912, Edouard early works. A visionary floral still life, Vuillard, and Picasso in the 1930s has Large Vase with Flowers, by Redon was a progressed considerably, and the depart- partial and promised gift of John C. ment has initiated plans for a retrospec- Whitehead. Betsey Gushing Whitney tive exhibition of paintings and drawings made a partial and promised gift of Toul- by Adolph Menzel, a nineteenth-century ouse-Lautrec's spirited and expressive German master. Marcelle Lender Dancing the Bolero in Kathryn Galley was an intern in Janu- "Chilpericone of the artist's largest and ary, returned as a summer intern, and most important paintings, to honor her has been retained as a research assistant late husband, the Gallery's long-time for exhibitions. Joshua Prentice also trustee John Hay Whitney. served as a summer intern. The reinstallation of the collection in the West Building has been a continuing project. A significant selection of paint- Twentieth-Century Art ings displaced from main floor galleries by the Van Dyck retrospective appeared This was a remarkable year for important in a special exhibition on the ground acquisitions, made through gift as well as floor. After the Van Dyck closing, the purchase. Of special significance were main floor galleries were refurbished and the twenty-nine paintings, sculptures, and the collection reinstalled. Last year's pre- editioned prints given in whole or in part sentation of French Paintings from the by artist Robert Rauschenberg on the Ailsa Mellon Bruce Bequest and Other Na- occasion of the exhibition here of Rausch- tional Gallery Collections, which closed in enberg Overseas Culture Interchange preparation for the fiftieth anniversary ("ROCl"). This show traveled to Mexico, gift exhibition, was reinstalled in the East Chile, Venezuela, Lhassa, Beijing, Japan, Building in May. Germany, the Soviet Union, Cuba, and Working with conservators and the de- Malaysia between 1984 and 1991 before sign and installation department, curators appearing in Washington. New works did a thorough survey of frames in the were created for each venue that display collection. Gold-leaf frame labels, diffi- materials and impressions related to the cult to maintain, have been replaced with host country, and the artist's magnificent labels that are more legible and improve gift to the Gallery contains at least one the appearance of the frames and paint- work from each country group. Suites of ings. The department also collaborated ROCI photogravures and editioned ob- with conservators in proposing treatments jects were also given to the Gallery by for a number of paintings being studied Gemini G.E.L., Universal Limited Art in conjunction with Lorenz Eitner's prep- Editions, Graphicstudio U.S.F., and Saff aration of the systematic catalogue vol- Tech Arts. This core "Rauschenberg ume on early nineteenth-century French Overseas Culture Interchange Collection" paintings. establishes the Gallery as the only mu- To improve information available to the seum in the world to have a broad survey public concerning the paintings and ar- of Rauschenberg's paintings and artistic tists in the Gallery's collections, the cura- activity from 1985 to 1991. tors worked with the editors office and The large and dramatic Joan Mitchell publications department to produce a painting, Land, is the first work by this

38 stylistic breakthrough of Stella's famous Black Paintings. Bernard Brookman donated an important early Marsden Hart- ley landscape, Maine Woods, executed in thick impasto, that depicts the flickering light, textures, and rich colors of a dense forest. The celebration of the National Gal- lery's fiftieth anniversary also brought gifts and promised gifts that benefited almost every area of the twentieth-century collections. Early twentieth-century Eu- ropean and American vanguard painting concerns are addressed in Max Weber's handsome Interior of the Fourth Dimen- sion, a partial and promised gift of Natalie Davis Spingarn, and in Fernand Leger's beautiful and challenging Two Women, a partial gift from Richard S. Zeisler. Al- berto Giacometti's famous surrealist sculpture No More Play, a partial and promised gift from Raymond D. Nasher, is a work of supreme importance. Other acquisitions of European sculpture include Egon Schiele's Self-Portrait, a gift from Mr. and Mrs. Leonard A. Lauder, Aristide Maillot's The Three Nymphs, a partial and promised gift from Lucille Ellis Simon, and two classic ebony figures, carved in the early 1960s by Ossip Zadkin, a partial and promised gift from Mr. and Mrs. Nathan Halpern. Robert Motherwell's early oil painting, Person- nage, a partial and promised gift from Aaron I. Fleischman, and Isamu Noguchi's untitled painted wood sculpture, a partial and promised gift from Robert R and Arlene R. Kogod, are ma- Fernand Leger, Two Women, 1922 (detail) artist to enter the collection, joining a dis- jor contributions illustrating the develop- Gift (Partial and Promised) of Richard S. Zeisler, in Honor tinguished group of paintings and sculp- ment of postwar American art. of the Fiftieth Anniversary of the National Gallery of Art, 1991.37.1 ture acquired since 1981 through the Having pursued works by Clyfford Still generosity of the Lila Acheson Wallace / for many years, the Gallery was delighted Reader's Digest Fund. The National Gal- to receive its second painting by this artist lery Collectors Committee gave Anselm within two years. Still's bright yellow and Kiefer's haunting mixed-media work, Zim red Untitled, a partial and promised gift Zum, evoking this German artist's inter- of Marcia S. Weisman, is a work of the pretation of kabbalistic stories of creation. first order and joins the Gallery's compa- The Collectors Committee also estab- rable holdings of Mark Rothko, Jackson lished a challenge grant matched by Pollock, Franz Kline, and other American fiftieth anniversary funds for the acquisi- abstract expressionist artists. tion of Wayne Thiebaud's masterpiece, For paintings of the 1960s, Sally Cakes. Michel Avery presented the Gallery with Lawrence Rubin gave the Gallery a its first Milton Avery, Mountain and rare early Frank Stella oil on cardboard, Meadow, a majestic landscape of sweep- Them Apples, painted just before the first ing, luminous forms; Mr. and Mrs. Gilbert

39 H. Kinney made a partial and promised The department selected twenty-four gift of the Gallery's first painting by Hans Mark Rothko paintings for a major new Hofmann, the highly unusual and poetic National Lending Service exhibition, Staccato in Blue; and General Dillman Mark Rothko: The Spirit of Myth, Early Atkinson Rash made a partial and prom- Paintings from the 1930s and 1940s. ised gift of Willem de Kooning's Woman This exhibition, with its interpretive cata- with a Hat, a lush, expressive continua- logue, has traveled to various museums tion of the artist's famous Woman series. and art centers around the United States, An unusual calligraphic painting by presenting fascinating works from the David Smith from the posed nude, Un- Gallery's core collection of Mark Rothko titled, was presented by the family of the paintings, all gifts of the Mark Rothko artist. Mrs. Irma S. Seitz gave Andy War- Foundation. hol's gemlike Green Marilyn. Research continued on two major Three notable sculptures from the upcoming exhibitions and related cata- 1960s were also added to the collection. logues: Ellsworth Kelly: The Years in Claes Oldenburg's Glass Case with Pies, France, 1948-1954, coorganized with a gift of Leo Castelli, is pop art icon of the Galerie nationale du Jeu de Paume, painted burlap and plaster set in a real Paris, for 1992; and paintings by Willem case, which creates an interpretive con- de Kooning for 1994. flict between consumer culture and fine David Anfam continued as principal arts. Another gift from Robert and Jane author of the Rothko catalogue raisonne. Meyerhoff was Oldenburg's provocative Curatorial interns included Maria Jose and witty Soft Drainpipe—Red (Hot) Ver- Moniz Pereira, through the generosity of David Smith, Untitled, 1964 sion. As the first acquisition for the pro- the Calouste Gulbenkian Foundation, Gift of Candida and Rebecca Smith, in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1991.56.1 posed National Sculpture Garden, made Lisbon, and Margarita Moreno de las through the generosity of Robert M. and Heras, through the Joint Spanish-North Anne T. Bass and Arnold and Mildred American Committee for Cultural and Glimcher, the Gallery received the exu- Educational Cooperation, Madrid. De- berant, large Site a I'homme assis by Jean partmental volunteers were Macey Rea- Dubuffet. soner and Colleen Sladkin. Paintings of the 1970s include Philip Guston's haunting and beautiful Painter's Table, a partial and promised gift from Sculpture and Decorative Arts Mr. and Mrs. Donald Blinken, and Lee Krasner's visually active Imperative, a gift Among the marvelous works of art re- from Mr. and Mrs. Eugene Victor Thaw. ceived in honor of the Gallery's fiftieth Paul Mellon gave a delightful group of ten anniversary, the sculpture and decorative bent metal sculptures by Alexander Cal- arts collections were enhanced by gifts of der. Dating from 1970 and 1976, these a bronze by Jules Dalou, The Espousal colorful table works capture all the humor (The Passage of the Rhine), from Patricia and great formal inventiveness for which Bauman and John L. Bryant, Jr.; a rare the artist was famous. two-sided plaquette by a follower of Mod- Representing more recent painting and erno known as the Master of the Birth of sculpture, Mr. and Mrs. William A. Nitze Venus, with a Standing Leda and the donated George Rickey's graceful kinetic Swan on the obverse and Hercules and sculpture Divided Square Oblique //; Mar- the Nemean Lion on the reverse, from cia S. Weisman made a partial and prom- Ellin Mitchell Works of Art; and a bronze ised gift of Edward Ruscha's I think Maquette for "Atom Piece" by Henry I'll . . . , an atmospheric "word picture" Moore from Mr. and Mrs. Harry Brooks. with several confounding associative im- Other acquisitions included generous plications; and Mr. and Mrs. Donald gifts of a North Italian bronze Bowl with a Fisher made a partial and promised gift Shield of Arms from Mrs. Ruth Blumka in of Jim Dine's The Gate, Goodbye Vermont, memory of her daughter Vicki, and a rare a large, complex standing frieze of Paduan gilded bronze plaquette of Saint painted steel, tools, and wood. Jerome in the Wilderness, c. 1500, from

40 Karl Lunde, as well as important pur- Old Master Drawings chases of a fine cast of the medal Elvira, Daughter of Gonsalvo de Cordoba, by a As a result of the celebrations surround- follower of Moderno, a superb silver Fla- ing the Gallery's fiftieth anniversary this gellator of Christ by Alessandro Algardi, year, a splendid array of drawings from a and a bronze Winged Victory by Antonio variety of schools and centuries was Canova, the collection's first work by this added to the collection. The year began major neoclassical sculptor, modeled for in memorable fashion with the anniver- the hand of his colossal marble Napoleon. sary purchase of three superb old master The manuscript for the systematic cata- drawings with funds from Walter H. and logue volume on the Gallery's medieval Leonore Annenberg, including a magnifi- sculpture and decorative arts was com- cent portrait roundel by Jacques-Louis pleted (now in press), and sculpture David, a suave and delicate view made by curators continued research and writing Corot during his first year in Italy (the for the volumes on the Renaissance Gallery's first drawing by him), and a plaquettes and French baroque sculp- fine, beautifully preserved allegorical ture. The department collaborated with composition by Maarten van Heems- design and installation staff and painting kerck. Another purchase, this time made curators on reinstallation of the Italian by the 50th Anniversary Gift Committee, Renaissance galleries on the main floor of was a large, handsome portrait of Fred- the West Building. This was accompanied erick North by the eighteenth-century by the inauguration of a video "Introduc- Irish pastel artist, Hugh Douglas Ham- tion to Sculpture," produced by the au- ilton, another "first" for the collection. diovisual department in cooperation with Among fiftieth anniversary gifts were a the sculpture and education curators. The powerful, double-sided drawing by Luca video was supported by a grant from the Signorelli from the Woodner Family Col- Bauman Foundation in memory of Lionel lection, an important addition to the Gal- R. Bauman and is being shown continu- lery's collection of Italian Renaissance Alessandro Algardi, A Flagellator, 1630s ously in the ground floor sculpture drawings; Titian's rare study of a keen- Patrons' Permanent Fund, 1991.124.1 galleries. eyed eagle, given by Gallery director, The department made dozens of attri- J. Carter Brown; Hans Bol's marvelous bution changes in preparation for pub- Winter Landscape with Skaters, the gift of lication of a summary catalogue of the Robert H. and Clarice Smith; a lively tav- sculpture collection, working closely with ern brawl by Adriaen van Ostade, pur- the department of research on the collec- chased with funds given by Edward and tions. Progress was made on a 1993 exhi- Hannah Carter; a glorious red chalk view bition of Renaissance portrait medals that in the Tivoli gardens by Hubert Robert, will feature numerous pieces from the certainly one of Robert's very best, con- Gallery's holdings and is being coor- tributed by Neil and Ivan Phillips and ganized with the Frick Collection, New their wives; a large, handsome landscape York. Collaborating with Italian Renais- by the Swiss artist Adrian Zingg, pur- sance paintings curators, the department chased with funds donated by the Chris- also planned a self-guided tour and bro- tian Humann Foundation; an outstanding chure of Medici-related objects in the col- genre scene by Louis Leopold Boilly, do- lection to commemorate the 500th nated by Mrs. Dora Donner Ide; and a anniversary in 1992 of the death of dramatic view of the River Wye by the vi- Lorenzo the Magnificent. sionary British artist, John Martin, given Elena Ceccarelli and Paula Warrick by the Circle of the National Gallery of worked as volunteer research assistants, Art. Among other drawings given in and Charles Loose served as a summer honor of the fiftieth by American and intern. European collectors were many more "firsts" for the Gallery, works by P. C. Kunst, Aldegrever, Gambara, Tengnagel, Hoppner, Turpin de Crisse, Bison, and Gensler.

41 purchased for the collection. First and foremost was the stellar red chalk A Stand of Cypresses in an Italian Park by Fragonard, from his best period around 1760, acquired through the Patrons' Permanent Fund. This exquisite drawing not only becomes a centerpiece in the Gallery's choice group of drawings by Fragonard but also adds a masterpiece to the collection as a whole. The purchase of John Ruskin's The Garden of San Miniato near Florence, also through the Patrons' Permanent Fund, brought to the collection an exceptionally rich and beautiful watercolor that combines Ruskin's fas- cination with Italy and Italian architecture and his intense study of nature. Another particularly satisfying acquisition was a charming, fresh study of Three Cherubs and a Beribboned Staff by G. B. Tiepolo, the Gallery's first blue-paper chalk drawing by this great Venetian draftsman, purchased through the Pepita Milmore Memorial Fund. Other acquisitions included an unusual double-sided drawing by the northern mannerist Hermann Weyer, a delicate landscape by Arthur Devis, a delightful study of two men in costume by Stefano della Bella, and a stormy landscape by the nineteenth-century German artist Friedrich Preller, all purchased through the Ailsa Mellon Bruce Fund. The small exhibitions of drawings from the Armand Hammer Collection continued this year with two more presentations. The first centered on genre drawings and included important works by Fragonard, Greuze, Piazzetta, Cassatt, Degas, and Renoir. The Raphael cartoon of the Madonna and Child with Saint John the Baptist was also on view at this time. The second exhibition presented drawings of landscape and architecture Hugh Douglas Hamilton, Frederick North, In addition to fiftieth anniversary gifts, from Diirer to Andrew Wyeth, with key Later Fifth Earl of Guilford, in Rome, late 1780s the Gallery received six drawings from examples by Rembrandt, Boucher, David Gift of the 50th Anniversary Gift Committee, 1991.86.1 longtime friend, Professor William B. Cox, Karl Bodmer, and Van Gogh. O'Neal, including fine examples by The department will be preparing Boullogne, Harpignies, Sickert, and West; small thematic shows selected from the an early red chalk sketch by Claude Lor- permanent collection over the next year rain from new donors Jean and Kahlil as part of a new program in the division Gibran; and fine portrait drawings by of prints, drawings, and photographs. We Ducreux and Guttenberg from steadfast shall also try to build on the momentum supporter, John O'Brien. and enthusiasm generated by the fiftieth Numerous other excellent works were anniversary celebrations to keep improv-

42 ing and expanding the collection of old The Gallery's large holdings of prints master drawings. and watercolors by British eighteenth- Julie Dabbs began a nine-month in- century artist Thomas Rowlandson have ternship with the department this year. now been augmented by eight volumes that represent his greatest achievement as a book illustrator. Four of these are the Old Master Prints gift of Alexander Vershbow, and four of Ann Vershbow. Each volume contains This department collects prints and illus- many hand-colored etchings and aqua- trated books from the inception of print- tints. Arthur and Charlotte Vershbow are making (c. 1400) in Europe through the the donors of another volume of great im- eighteenth century. Among the many portance, Le Cabinet des Plus Beaux Por- important gifts received in honor of the traits . . .faits par le fameux Antoine van Gallery's fiftieth anniversary, one of ex- Dyck, which contains 125 plates, includ- ceptional rarity and special beauty is the ing etchings by the seventeenth-century bound volume of the Nuremberg Chroni- Flemish master Anthony van Dyck as well cle, with text by Hartman Schedel and as engravings after his design. Published 1,809 hand-colored woodcuts, the work in Antwerp in 1700, this volume encom- of Wilhelm Pleydenwurff and Michael passes and extends Van Dyck's cele- Wolgemut and their workshops. It was brated series, the Iconography, portraits printed by the now famous publisher, of military and political leaders, scholars, Anton Koberger, and includes woodcuts artists, and amateurs, many of whom that may be by the young Albrecht Diirer. were contemporaries and friends of Van The book is a gift of Paul Mellon. Another Dyck's. outstanding work from this early period of In addition to fiftieth anniversary gifts, printmaking, a sixteenth-century German other fine prints were acquired. Among woodcut with gold leaf and hand-coloring, these were a variety of works from the es- the gift of C. G. Boerner, depicts Christ on tate of Janet C. Green, a longtime friend the Cross flanked by the Virgin and Saint of the Gallery, which included two impor- John. tant etchings by the eighteenth-century A handsome impression of Israhel van master Giovanni Battista Piranesi. The Meckenem's engraving of Saint George department also purchased several works and the Dragon came from the 50th An- through the Ailsa Mellon Bruce Fund, in- niversary Gift Committee. It is the first ex- cluding a rare etching by an anonymous ample to enter a public collection in French sixteenth-century artist that shows North America and further strengthens a figure costumed as Hercules; and two the Gallery's outstanding representation outstanding British eighteenth-century of Meckenem's prints. Dr. Ruth B. Bene- mezzotints: one by Thomas Frye of a dict gave two major prints: Hendrik Young Woman Holding a Fan, a unique Goltzius' most important chiaroscuro proof and one of only two known proofs woodcut, Hercules Killing Cacus, and an in his work; and the other by Thomas extremely fine impression of Rembrandt's Watson of Miss Kitty Dressing, one of two etching, The Return of the Prodigal Son. known proofs before the published state Two sixteenth-century Italian chiaroscuro of the print. prints added to the collection are related The Gallery's notable holdings of old to the art of Italian mannerist Parmi- master prints received attention in the ex- gianino. One, given by Andrew Robison, hibition Eva/Ave: Woman in Renaissance is Antonio da Trento's The Martyrdom of and Baroque Prints, presenting 150 Two Saints, an especially important Re- prints supplemented by two loans from naissance work represented in the best the Museum of Fine Arts, Boston. The impression known. Another is the Presen- works were shown in thematic groupings, tation in the Temple, by an anonymous among them the Virgin and Saints, Eve, Italian master, the partial and promised and Venus. gift of Daryl R. Rubenstein and Lee C. The staff also began preparing several Rubenstein. small, in-house shows of old master prints

43 gray paper, Untitled (from 'Untitled 1972), both given by the artists. Eight drawings by David Smith dating from 1933 to 1964, gifts of Rebecca and Can- dida Smith, suggest the extraordinary breadth of Smith's work as a draftsman. Norma B. Marin donated two late sketch- books by John Marin and twenty-seven drawings on plastic that the artist used as studies for paintings. Other notable acquisitions included the Gallery's first watercolor by Auguste Re- noir, Studies of Trees, a gift from Dr. and Mrs. George Baer; four glorious watercolors by James McNeill Whistler from Mr. and Mrs. Paul Mellon; three delicate works by Paul Klee—Persische Nachti- gallen, a partial and promised gift from Catherine Gamble Curran and Family, Griine Pflanzen Blutlaus, a gift from Ruth Carter Stevenson, and Junger Wald, a partial and promised gift from Lili-Char- lotte Sarnoff; Egon Schiele's graphite, watercolor, and gouache Dancer, a partial and promised gift from Liselotte Millard; an exuberant watercolor by Emil Nolde, Sunflowers, Pink and White Dahlias, and a Blue Delphinium, from Margaret Mel- Richard Diebenkorn, Still Life: Cigarette Butts and to be displayed in 1992 and later. The lon Hitchcock; two delicate line drawings Glasses, 1967 curators are dedicated to bringing a wide by Pablo Picasso, Two Men Contemplat- Gift of Mr. and Mrs. Richard Diebenkorn, in Honor of the variety of prints to the attention of the ing a Bust of a Woman's Head and Six Fiftieth Anniversary of the National Gallery of Art, 1990.101.1 public and to creating a broader compre- Circus Horses with Riders, both gifts of hension of the role of prints in early mod- Walter H. and Leonore Annenberg; ern European culture and society. Henri Matisse's powerful charcoal, The Ann O'Connell contributed her time Oriental, from Franklin D. and Judith H. and expertise to various department Murphy; Arshile Gorky's poignant Vir- projects. ginia Landscape, a partial and promised gift from Mrs. Walter Salant; our first drawing by Alberto Giacometti, The Table before the Dormer Window, from John Modern Prints and Drawings and Paul Herring; and our first by Bal- thus, Nude Girl Stretched Out on a Chair, The collection of modern prints and from Frank R. and Jeannette H. Eyerly. drawings was enormously enhanced this In the American field, Stuart Davis' Ab- year, especially by the many gifts in stract Composition was donated by Mr. honor of the Gallery's fiftieth anniversary. and Mrs. Frederick R. Mayer; Charles Several splendid drawings were donated Sheeler's richly toned Counterpoint, by by artists and their families. These in- Daniel J. Terra; Charles Burchfield's Rail clude our first sheet by Richard Dieben- Fence, by Ira Spanierman; a choice selec- korn, a beautiful mixed-media Still Life: tion of thirty of Elihu Vedder's drawings Cigarette Butts and Glasses, given by the plus two of his photographic prints, one artist and his wife, as well as Helen reworked with crayon, gouache, graphite, Frankenthaler's flowing acrylic on paper and paint, donated by Mr. and Mrs. Paul with touches of gold. Untitled, and Jasper Borghi; and twenty-two designs for "Mod- Johns' colorful pastel and graphite on ern Masters" tapestries, donated by Re-

44 gina, Carole, and Laura Slatkin, includ- Richter, and woodcuts by Felix Droese, ing diverse abstractions by Ellsworth Matthias Mansen, and A. R. Penck. Kelly, Isamu Noguchi, and Theodores Robert Rauschenberg with Universal Stamos. Limited Art Editions and Gemini G.E.L. Important print acquisitions included donated fifteen of his prints and fabric Mrs. Robert A. Hauslohner's extraordi- collages, all featured in the Gallery's nary donation of some two hundred prints showing of the Rauschenberg Overseas and drawings, portfolios, and illustrated Culture Interchange ("ROCl") exhibition. books, including Milton Avery's mar- Extensive additions were made this velous portfolio of five drypoints, Laurels year to our Gemini G.E.L. and Graphic- Number Four, and Stanley William Hay- studio Archives. Gemini's gifts included ter's portfolio of six prints, Paysages Ur- 293 works by thirty artists, among them a bains, incorporating drypoint, engraving, set of fifteen progressive proofs for Jasper and mezzotint; as well as a lively water- Johns' #6 (after 'Untitled 1975'); a color of a seated woman by Red Grooms. unique prototype for Roy Lichtenstein's A handsome collection of special impres- Untitled Head II; lithographs by Dieben- sions of etchings by Felix Buhot was korn, Johns, and David Hockney; and presented to the Gallery by Helena Gun- works in several media by Lichtenstein, narsson; a large group of etchings by Al- Rauschenberg, Ellsworth Kelly, Sam bert Besnard came from Mr. and Mrs. Francis, Claes Oldenburg, and Frank Daniel Bell; two prints by Camille Pis- Stella. Additions to the Graphicstudio Ar- sarro, a color etching of bathers tending chive comprised a total of 184 drawings geese and a lithograph of a group of peas- and unique proofs by twenty-one artists, ants, was given by Martin and Liane including Lichtenstein, Rauschenberg, Atlas; and Toulouse Lautrec's Seated Sandro Chia, Jim Dine, Nancy Graves, Clowness was donated by Mr. and Mrs. Philip Pearlstein, and James Rosenquist. Robert Rosenwald. The Edvard Munch Dine generously contributed to the collection was supplemented by two addi- Graphicstudio Archive two of his multi- tional prints from The Sarah G. Epstein part sculptures, The Metamorphosis of a and the Lionel C. Epstein Family Collec- Plant into a Fan and The Tampa Tool tion, one the wonderful color woodcut Reliefs. with crayon, Two Women on the Shore, The department has presented two ex- and the other, Girl with the Heart, given hibitions based on these growing archive by the Epstein children. Picasso's litho- collections: one in 1984-1985 focusing graph, Young Woman in a Striped Blouse, on our Gemini G.E.L. Archive, and this in a proof impression, was donated by year Graphicstudio: Contemporary Art Mr. and Mrs. Jem Horn; and Edouard from the Collaborative Workshop at the Manet's proof lithograph, Polichinelle, University of South Florida. The Graph- hand-colored with watercolor and icstudio exhibition included 140 works: gouache, was a partial and promised finished prints and edition sculpture gift of Malcolm Wiener. along with unique proofs and related The collection of German prints was drawings and maquettes. All but three of richly expanded by Lovis Corinth's five the pieces were selected from the Gal- Totentanz etchings, given in memory of lery's Graphicstudio Archive, which in- Sigbert H. Marcy; a proof of Ernst Lud- cludes an example of every publication wig Kirchner's etching, Mountains, the workshop issues as well as important touched with gray ink, as well as his color ancillary materials. lithograph, Harmonica Player, both do- At the time of the Graphicstudio exhibi- nated by Ruth and Jacob Kainen; a hand- tion, the curators worked with the educa- painted linoleum cut by Jorg Immendorff, tion department to sponsor two "Conver- from Joshua P. Smith; and a group of re- sations with Artists," one with Jim Dine cent German prints donated by Wolfgang and one with Nancy Graves and Graphic- Wittrock, including offset lithographs and studio's founding director, Donald Saff. screenprints by Lothar Baumgarten and Dine also gave a group of his illustrated Sigmar Polke, lithographs by Gerhard books to the Gallery, including Glyptotek

45 Photographs

The Gallery is extremely fortunate to have deep holdings of the art of five major American photographers—Alfred Stieglitz, Paul Strand, Ansel Adams, Walker Evans, and Robert Frank—and this year we received numerous gifts that significantly expand our collections of each of these photographers' work. Perhaps the most unexpected was two portraits by Alfred Stieglitz of Georgia O'Keeffe, both made in 1918. One is a small study of the painter taken outside at the Stieglitz family's house in Lake George, New York, and the other is a magnificent palladium print of O'Keeffe's hands as they seem to dance before the photographer's camera. O'Keeffe intended to give the Gallery these two portraits in 1949 when she donated the 1,598 other works in the Stieglitz key set; they were never transferred, however, and were presumed missing. Discovered after her death, the photographs were generously given in 1990 by the Robert Frank, City of London, 1952 (detail) and Temple of Flora. Another fascinating O'Keeffe Foundation, making the key set Gift of The Howard Oilman Foundation, in Honor of the book donated this year was 11 configura- the complete entity O'Keeffe envisioned Fiftieth Anniversary of the National Gallery of Art, 1991.82.1 tions, our first illustrated book by Jean many years ago. Arp, given by Harvey S. Shipley Miller. Other holdings were augmented by The initial purchases made with discre- equally impressive gifts. In honor of the tionary funds from the Collectors' Com- Gallery's fiftieth anniversary, the Aper- mittee included the Gallery's first prints ture Foundation presented the earliest by Robert Mangold, his portfolio Pages; Paul Strand photograph to enter the col- Alice Neel's portrait of her daughter-in- lection, Cambridge, England, a work re- law, Nancy; and our first etchings by markable for its formal complexity and Louise Nevelson, three impressions of daring. The Patrons' Permanent Fund The Magic Garden, two of them unique, enabled us to acquire the only platinum hand-colored pieces. Other purchases in- print in existence of Strand's People, cluded Emil Nolde's early lithograph Man Streets of New York, his striking celebra- with Pipe, a self-portrait. tion of the dynamism of the modern ur- The department is planning two major ban environment. Holdings of Ansel print exhibitions for 1993 and 1994, pre- Adams' work were expanded through senting the work of Helen Frankenthaler gifts made by Margaret W. Weston and and of Roy Lichtenstein. Russ Anderson. Kent and Marcia Mini- Kimberly Bockhaus served as summer chiello, who have previously given the intern for the department, and Rachael Gallery fifty-seven photographs from Arauz joined us as an intern in the fall. Walker Evans' subway series, donated fifteen more from this group. Other major donations of Evans' work were made by Mr. and Mrs. Harry H. Lunn, Jr., the Clive Gray family, Samuel and Marilyn Stern, and an anonymous donor. Dona- tions of Robert Frank's photographs came from the Howard Gilman Foundation,

46 Christopher and Alexandra Middendorf, The departments of prints, drawings, and the Middendorf Gallery, George F. Hemp- photographs received 1,054 visitors to hill and Lenore A. Winters, Philip and work in our two study rooms this year; ac- Amy Brookman, and an anonymous cessioned 1,596 drawings, prints, books, donor. Isabel and Fernando Garzoni, and 160 photographs (four times the friends of Frank's from Switzerland, gave number accessioned in fiscal year 1990); his diptych Untitled and Mute/Blind, a and arranged to lend 90 works to 39 ex- compelling construction consisting of hibitions in this country and abroad. Bar- black and white and color photographs, bara Ward served under the senior video prints, foil, wire, nails, and acetate; curator as the exhibition assistant for the completed in 1990, it is also the most re- fiftieth anniversary. cent work by Frank in the Gallery collection. Exhibitions A number of gifts indicate new direc- tions we would like to explore in collect- The exhibition office oversaw the opening ing. Harvey S. Shipley Miller and J. of fourteen exhibitions at the National Randall Plummer gave the Gallery its first Gallery during the past fiscal year, for photographs by Peter Henry Emerson, which 169 lenders from twenty-one states the influential mentor of Stieglitz and and fifteen countries lent 1,344 works of others, while Katherine L. Meier and Ed- art. The department also worked on an- ward J. Lenkin made a partial and prom- other thirty-nine exhibitions scheduled to ised gift of our first photograph by open in the next five years and adminis- Edward Weston, and Kathleen Ewing and tered the tours of ten traveling exhibi- Gerhard Sander gave our first photo- tions. United States government indem- graphs by Lisette Model. The first work nity was secured for four exhibitions, by a European photographer to enter the enabling a savings of over $1 million in collection, August Sander's The Brick- insurance premiums. layer, a gift of Christine and Gerhard Sander, is one of only four known prints TEMPORARY EXHIBITIONS and a striking example of this great Ger- Twentieth-Century Art: Selections for the man photographer's work. Finally, Tenth Anniversary of the East Building through a discretionary fund established continued from the previous fiscal year to by the Collectors Committee for the pur- 31 December 1990 chase of contemporary prints, drawings, coordinated by Jack Cowart and Nan and photographs, the Gallery acquired Rosenthal four photographs by the preeminent supported by American Express Company American photographer Harry Callahan. Figures and Portraits from the Armand This year the Gallery opened a retro- Hammer Collection spective exhibition of the art of Paul continued from the previous fiscal year to Strand, including 150 photographs from 11 November 1990 Strand's earliest years in New York coordinated by Margaret Morgan Grasselli through his last in the 1970s at his home The Sculpture of Indonesia in Orgeval, France. Widely reviewed, the continued from the previous fiscal year to exhibition has been praised for its cohe- 4 November 1990 sive presentation of the development of coordinated by D. Dodge Thompson and Ann Strand's art. The accompanying cata- B. Robertson logue, published by the National Gallery supported by Mobil Corporation and the Fed- in association with Aperture Foundation, eral Council on the Arts and the Humanities was awarded Photographic Book of the Kazimir Malevich 1878—1935 Year by the Maine Photographic continued from the previous fiscal year to Workshop. 8 November 1990 William Hong and Rachael Arauz coordinated by Maria Prather served as interns in the department this supported by Philip Morris Companies Inc., year. and the Federal Council on the Arts and the Humanities

47 Genre Drawings from the Armand Hammer Collection 18 November 1990-12 May 1991 coordinated by Margaret Morgan Grasselli

Eva/Ave: Woman in Renaissance and Baroque Prints 25 November 1990-28 April 1991 coordinated by H. Diane Russell

Paul Strand 2 December 1990-3 February 1991 coordinated by Sarah Greenough supported by Southwestern Bell Foundation

The Art of Glass: Masterpieces from the Corning Museum 9 December 1990—14 April 1991 coordinated by D. Dodge Thompson and Ann B. Robertson

Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art 17 March 1991-16 June 1991 coordinated by Andrew Robison supported by GTE Corporation 55 Degas Waxes 17 March 1991-16 June 1991 coordinated by Alison Luchs

John Russell Pope and the Building of the National Gallery of Art 17 March 1991-17 July 1991 coordinated by Maygene Daniels

Rauschenberg Overseas Culture Inter- change ("ROC I") 12 May 1991-2 September 1991 coordinated by Jack Cowart

Drawings of Landscape and Architecture Edgar Degas, Woman Washing Her Left Leg, Selected Paintings from Italian Banks: from the Armand Hammer Collection c. 1890, wax Loans Supplementing the National Gal- 19 May 1991-11 November 1991 Promised Gift of Mr. and Mrs. Paul Mellon, in Honor of the lery's Collection Fiftieth Anniversary of the National Gallery of Art continued from the previous fiscal year to coordinated by Margaret Morgan Grasselli 11 November 1990 "Soap Bubbles " of Jean-Simeon coordinated by Diane De Grazia Chardin Titian: Prince of Painters 30 June 1991-2 September 1991 28 October 1990-27 January 1991 coordinated by Diane De Grazia coordinated by David Alan Brown supported by Galileo Industrie Ottiche, and Graphicstudio: Contemporary Art from Silvio Berlusconi Communications, and the the Collaborative Workshop at the Federal Council on the Arts and the University of South Florida Humanities 15 September 1991-5 January 1992 coordinated by Ruth E. Fine Anthony van Dyck 11 November 1990-24 February 1991 Rembrandt's Lucretias coordinated by Arthur K. Wheelock, Jr. 22 September 1991-5 January 1992 supported by the Federal Council on the Arts coordinated by Arthur K. Wheelock, Jr. and the Humanities

48 Design and Installation paintings, both in recognition of their individual power and in order to allow Although fiscal year 1991 called for the anticipated crowds to view the works design and installation of fewer exhibi- comfortably. A number of paintings, such tions than usual, the department focused as The Annunciation and The Flaying of its energies on two major projects that Marsyas, were hung in spacious galleries were the equivalent of multiple exhibi- by themselves. In addition, two of Titian's tions. First, a great deal of time and in- ceiling compositions were recreated. The dustry was devoted to the continuing most ambitious displayed the Gallery's reinstallation of the permanent collection own Saint John the Evangelist on Patmos in the main floor galleries of the West with nineteen of the twenty original sur- Building. Second, the department rounding decorative panels lent by achieved the design and installation of Venice. Working with exhibition curators Circa 1492: Art in the Age of Exploration, and the Gallery's frame conservators, the perhaps the most complex and difficult department designed and fabricated a exhibition ever undertaken with the ex- coffered, Renaissance ceiling typical of ception of The Treasure Houses of Britain those existing in sixteenth-century Venice. in 1985-1986 and possibly Japan: The This architectural ceiling effectively re- Shaping of Daimyo Culture in united the separated works and constitu- 1988-1989. ted one of the highlights of the exhibition. To accomplish the rehanging of the The lighting of the composition from be- permanent collection with as little inter- low came from a specially designed seat- ruption for visitors as possible, the Na- ing unit in the center of the room that tional Gallery decided that—unlike most provided full illumination without a dis- institutions, which literally close their gal- tracting glare. After the exhibition closed, leries down for a year or two to attempt a the new ceiling was reduced in size and major reinstallation—we would close off permanently reinstalled with Titian's small groups of galleries in sequence for Saint John the Evangelist on Patmos in short periods of time to paint, label, and conjunction with the main floor reinstalla- rearrange the rooms. Approximately sev- tion project. enty percent of the work was completed Anthony van Dyck was the largest exhi- by the end of the past fiscal year, and the bition of that artist's paintings in almost final rehanging is scheduled for the com- one hundred years and required twelve ing year. To gain a broader perspective, galleries on the main floor. The height, we invited outside scholars and curators detailing, and natural light in these gal- to critique the work in progress. In addi- leries provided an ideal setting for the tion to new dado labels for each art ob- large-scale paintings. Special baffles were ject, we have added wall signs that constructed for unusually large works, identify the subject of each gallery. Boxes and an intimate gallery was designed designed for the galleries will hold educa- within the exhibition for small-scale oil tional leaflets that offer an art historical sketches. overview for the works exhibited. In preparation for the exhibition of The final arrangement and labeling of The Art of Glass: Masterpieces from the the West Building galleries will be essen- Corning Museum, the department studied tially complete this year, but refinements leading presentations of glass in other will continue. For instance, "cabinet gal- American museums, particularly that in leries" for small seventeenth-century Corning, New York. The National Gallery paintings will be added to the Dutch installation, though simple in appearance, galleries. incorporated a complex series of wall Fourteen exhibitions were installed this cases, free-standing cases, and see- year, and some of the special design fea- through cases, along with architectural tures are mentioned below. For Titian: settings, to give interest and variety to the Prince of Painters, installed in the West presentation. The design and flexibility of Building main floor galleries, a great deal the lighting were of paramount impor- of space was allotted to each of the sixty tance in affecting the color, translucence,

49 or opacity of individual objects. At the entrance to the exhibition, wall texts, dia- grams, and illustrations described the history and techniques of glassmaking. Art for the Nation: Gifts in Honor of the Fiftieth Anniversary of the National Gal- lery of Art was in many ways a unique experience in that the design of the exhibition changed almost daily as the number of gifts increased. By the time of the opening, the space allotted in the East Building had expanded to over three times what had originally been planned. Although the installation was primarily chronological, ranging from the sixteenth century to the present, the scale and nature of the rooms varied greatly to accommodate works of different media. Galleries with paintings, sculpture, and illustrated books alternated with rooms for prints, drawings, books, and sculpture. Each space was detailed with cornice, door surrounds, and chair rails and was painted in colors appropriate to the period of the works exhibited. Seldom has the challenge of creating unity with such diversity been greater. A special installation was designed for ten animal sculptures by Alexander Cal- der given in honor of the anniversary. A multi-tiered island surrounded by a moat of vegetation was constructed on the upper level west terrace to allow the sculptures to be viewed without distracting cases. This scheme seemed to bring the sculptures almost to life, as air currents in the building caused their moveable features to stir unpredictably. The installation of approximately thirty-five wax and plaster sculptures by Edgar Degas in the ground floor northeast gallery of the East Building formed an extraordinary component of the Art for the Nation exhibition. Working with the curator of the collection, the design department divided the works into small, harmonic groups of figures and horses and installed them in cases that allowed

Recreation of the sixteenth-century ceiling of the Scuola Grande di San Giovanni Evangelists in Venice, reuniting the Gallery's Saint John the Evan- gelist on Patmos by Titian (probably 1544, Samuel H. Kress Collection) with surrounding panels loaned from Venice all of the objects to be seen in the round. tional materials. Both exhibitions were in- As the central feature of the installation, stalled in the permanent collection Degas' masterpiece, Little Dancer, Four- galleries near works by the same artists. teen Years Old, was presented in four For Paul Strand, the photographer's versions: the original wax, the original work was installed in the ground floor plaster, the wax study of the figure nude, northeast galleries of the East Building, and the same in bronze. The galleries with an adjunct audiovisual presentation were painted in a subtle green/gray glaze, in the northwest galleries. Eva/Ave: stippled with a velvet-like texture, which Woman in Renaissance and Baroque proved to be the ideal background for set- Prints and two rotations of the Armand ting off the warm vitality in the varied col- Hammer collection were installed in the ors and textures of the wax, clay, and West Building ground floor graphics gal- tinted plaster sculptures. In the openness leries. For Graphicstudio: Contemporary of the installation, the dynamic interac- Art from the Collaborative Workshop at the tion of movement and rest created a University of South Florida, West Building unique experience. ground floor galleries were given simple As a historical and architectural look at moldings and neutral colors to allow the the Gallery's opening fifty years ago, John prints and editioned sculpture to be seen Russell Pope and the Building of the Na- in a contemporary setting. The first room tional Gallery of Art was installed in displayed a photographic montage of ground floor galleries of the West Build- some of the artists at work in the Graphic- ing. After extensive research into archival studio facilities. materials, it was decided to focus the ex- Preparation for the fiscal year 1992 hibition on the original presentation draw- opening of Circa 1492: Art in the Age of ings, developed to determine the design Exploration was the principal undertaking of the building. To provide a context for of the department in the past year. De- these beautiful renderings, the first room signed to fill the entire mezzanine and used photographs and text panels to de- upper level of the East Building, the exhi- scribe the city of Washington before the bition is distinguished by the variety of Gallery's construction, the great museums objects to be presented, including paint- of Europe, as well as the character of the ings, drawings, prints, ceramics, cos- principal patron, Andrew Mellon, and the tumes, sculpture, textiles, manuscripts, architect, John Russell Pope. After two and decorative arts in a similarly wide va- rooms of architectural drawings, the exhi- riety of media. Objects range in size from bition concluded with a montage of pho- a few inches to over thirty feet across and tographs documenting the extraordinary have conservation conditions that necessi- feat of constructing the largest marble tate precisely controlled light levels and building in the world. environmental micro-climates. A vast To preserve the continuity of Rauschen- range of historical and geographic con- berg Overseas Culture Interchange exhibi- texts pose unprecedented challenges for tions held around the world, the ROCI creating settings that will give both unity group, led by artist Robert Rauschen- and diversity to the exhibition. berg, determined the installation in Wash- ington with assistance from appropriate Gallery staff. The large scale and great number of objects necessitated use of the ground floor reception room, concourse lobby, and concourse galleries, as well as the East Building space frame. "Soap Bubbles" of Jean-Simeon Char- din and Rembrandt's Lucretias were small "in-focus" exhibitions presented to highlight works in the Gallery collection by displaying them in the context of related works and supported by extensive educa-

51 Rembrandt's Lucretia of 1664 in the Gallery's Andrew W. Mellon Collection (right) was compared with one of 1666 from the Minneapolis Institute of Arts, The William Hood Dunwoody Fund (page 53). in a small "focus exhibition"

Lenders to Special Exhibitions The Hon. Robert W. and Mrs. Duemling Mrs. Robert B. Eichholz Her Majesty Queen Elizabeth II PRIVATE COLLECTIONS Mr. and Mrs. Donald G. Fisher Richard Fishman Charles Allem Fitzwilliam Museum, Cambridge Jeffrey Atlas Aaron Fleischman Mr. and Mrs. Martin Atlas Mrs. Daniel Fraad David Bakalar Robert Frank Patricia Bauman Mr. and Mrs. Julian Ganz Mr. and Mrs. Robert Bass Gilman Paper Company The Marquess of Bath, Longleat House Mr. and Mrs. Arnold Glimcher Mr. and Mrs. Daniel Bell The Grinstein Family Mr. and Mrs. Donald M. Blinken Helena Gunnarsson British Rail Pension Fund, London Mr. and Mrs. Nathan L. Halpern J. Carter Brown Armand Hammer* John L. Bryant The Armand Hammer Foundation The Viscount Camrose Harari & Johns, Ltd. Chiesa Arcidiaconale, Pieve di Cadore Pamela C. Harriman Chiesa di San Giovanni Elemosinario, Venice Mrs. Rudolf J. Heinemann The Viscount Cowdray Mr.* and Mrs. H. John Heinz III Mrs. Catherine G. Curran Peter C. Daub * deceased

52 Lili-Charlotte Sarnoff Federico Sassoli de Bianchi Graf von Schonborn Herman Shickman Lucille Ellis Simon Mr. and Mrs. Robert H. Smith Natalie Davis Spingarn Ruth Carter Stevenson Galerie zur Stockeregg Mr. and Mrs. Eugene V. Thaw Thyssen-Bornemisza Collection, Lugano Mr. and Mrs. David P. Tunick Mr. and Mrs. Arthur Vershbow Marcia S. Weisman* Weston Gallery Maggie Weston and Russ Anderson John C. Whitehead Mrs. John Hay Whitney Malcolm Wiener Richard S. Zeisler

PUBLIC COLLECTIONS Austria Vienna: Akademie der bildenden Kiinste; Kunsthistorisches Museum, Gemaldegalerie Belgium Antwerp: Koninklijk Museum voor Schone Kunsten; Kunsthistorische Musea Brussels: Musees royaux des beaux-arts de Belgique Dendermonde: Kerkfabriek O.L. Vrouw Brazil Museu de Arte de Sao Paolo Canada Ottawa: National Gallery of Canada Czechoslovakia Kromerfz: Statnf Zamek England City of Bristol Museum and Art Gallery London: Dulwich Picture Gallery; The Iveagh Bequest, Kenwood (English Heritage); Trustees of the National Gallery; National Portrait Gallery; The National Trust, Petworth House Oxford: The Governing Body, Christ Church

Paris: Institute de France—Musee Jacquemart- Andre; Musee du Louvre Matthew Perkins Hoffman Mr. and Mrs. Robert E. Meyerhoff Germany Michael E. Hoffman Mrs. Mark Millard Berlin: Staatliche Museen Preussischer Sarah Warren Hoffman Harvey S. Shipley Miller Kulturbesitz, Gemaldegalerie Mr. and Mrs. Raymond J. Horowitz Raymond D. Nasher Braunschweig: Herzog Anton Ulrich-Museum Lady Juliet de Chair Evelyn S. Nef Mr. and Mrs. Jacob Kainen The Duke of Norfolk Dresden: Staatliche Kunstsammlungen, Mr. and Mrs. Gilbert H. Kinney The Duke of Northumberland Gemaldegalerie, Alte Meister Mr. and Mrs. Richard A. Kirstein Pace/MacGill Gallery Munich: Bayerische Staatsgemaldesammlungen Mr. and Mrs. Robert P. Kogod Page Imageworks, Merrily and Tony Page Italy Mr. and Mrs. Frank Kolodny The Earl of Pembroke Florence: Galleria Palatina, Palazzo Pitti; Galleria Alfred Kren Mr. and Mrs. Ivan Phillips degli Uffizi Mrs. Rush Kress Mr. and Mrs. Neil Phillips Genoa: Galleria di Palazzo Bianco Mr. and Mrs. Leonard Lauder J. Randall Plummer Boris and Sophie Leavitt General Dillman A. Rash Milan: Pinacoteca di Brera Edward Lenkin Robert Rauschenberg Naples: Museo e Gallerie Nazionali di Capodimonte Janice H. Levin Mrs. Thomas Ridgeway Parma: Fondazione Magnani-Rocca Corte di Mr. and Mrs. Roy Lichtenstein Mr. and Mrs. C. David Robinson Mamiano Collections of the Prince of Liechtenstein, Dr. Andrew Robison Rome: Galleria Borghese; Pinacoteca Capitolina Vaduz Castle Mr. and Mrs. David Rockefeller Turin: Galleria Sabauda The Manoogian Foundation Lee G. Rubenstein Katherine Meier David E. Rust Urbino: Galleria Nazionale delle Marche Mr. and Mrs. Paul Mellon The Duke of Rutland The Methuen Collection Mrs. Walter Salant * deceased

53 Venice: Biblioteca Nazionale Marciana; Chiesa di Lenders of Works of Art Philip Guston, Beggar's Joy San Salvado; Palazzo Ducale; Galleria Willem de Kooning, Woman dell'Accademia; Basilica di Santa Maria della Displayed with Gallery Robert Motherwell, Two Figures with Cerulean Blue Salute; Scuola Grande di San Rocco Collections Stripe Vicenza: Museo Civico d'Arte e Storia Susan Rothenburg, Ink Spray Musee du Louvre, Reunion des musees nationaux The Netherlands Roger Arvid Anderson Collection Venetian School, Cupid on a Dolphin The Hague: Koninklijk Kabinet van Schilderijen Florentine School (Circle of Michelangelo), Head of "Mauritshuis"; Rijksdienst Beeldende Kunst Manoogian Collection Christ George Caleb Bingham, Jolly Flatboatmen Rotterdam: Museum Boymans-van Beuningen Sally Michel Avery Collection of Mr. and Mrs. Paul Mellon Scotland Milton Avery, Advancing Sea; Sand Dunes and Balthasar van der Ast, Basket of Flowers; Basket of Edinburgh: The National Galleries of Scotland Yellow Sky; Sea, Sand, Rocks; Sunset Sea Fruit Spain Jean-Christophe Castelli Abraham Bosschaert, Vase of Flowers in a Niche Madrid: Museo del Prado Jasper Johns, Fool's House Jan Brueghel the Elder, A Basket of Mixed Flowers Roy Lichtenstein, George Washington and a Vase of Flowers Switzerland Zurich: Kunsthaus Zurich Cincinnati Art Museum Richard Diebenkom, Ocean Park No. 50; Ocean Mattia Preti, The Pardon of Saint John Park No. 61; Ocean Park No. 87; Ocean Park USSR Bernardo Strozzi, David with the Head of Goliath No. 89 Leningrad: The State Hermitage Museum Anthony van Dyck, Portrait of a Man in Armor Mark Rothko, Blue, Green, and Brown; Red, Black, United States Francisco de Zurbaran, Saint Peter Nolasco White on Yellow; White and Greens in Blue; White and Orange; Yellow and Blue Arizona Recovering the Image of the Virgin Tucson: Center for Creative Photography Helen Frankenthaler National Museum of American Art, Smithsonian Helen Frankenthaler, Mountains and Sea Institution, Gift of John Geilatly California Mazzoni, The Banquet of Cleopatra San Francisco Museum of Modern Art John R. Gaines Gian Lorenzo Bernini, Saint Bibiana National Museum of Health and Medicine of the Armed Santa Monica: The J. Paul Getty Museum Forces Institute of Pathology The Armand Hammer Foundation Connecticut Thomas Eakins, Dr. John H. Brinton Pierre Bonnard, Girl Putting on Her Stocking New Haven: Yale University Art Gallery Morton G. Neumann Family Collection Francois Boucher, Landscape with a Rustic Bridge Alberto Burri, Red Accent Mary Cassatt, Margot Leaning against Reine's Knee; District of Columbia Theo van Doesburg, Contra-Composition Smiling Margot Seated in Ruffled Bonnet United States Commission of Fine Arts; Library of Jean Du buffet, Antonin Artaud aux Houppes; The Paul Cezanne, Mont Sainte-Victoire; Page of Congress Ceremonious One; Leader in a Parade Uniform Studies: The Father of the Artist Illinois Lucio Fontana, Concetto Spaziale Attese Edgar Degas, Laundresses Carrying Linen The Art Institute of Chicago Alberto Giacometti, Observing Head; Seated Woman Albrecht Diirer, Tuft of Cowslips Juan Gris, Banjo with Glasses Maryland Jean-Honore Fragonard, Grandfather's Reprimand; Yves Klein, The Blue Night The Baltimore Museum of Art The Little Preacher Fernand Leger, Man with a Dog; Still Life Paul Gauguin, Breton Sketchbook, No. 16 (selection Massachusetts Roy Lichtenstein, Live Ammo of pages); Landscape at Pont-Aven; Parau No Te Boston: Museum of Fine Arts Rene Magritte, Underground Fire Varau Ino (left) and Tahitian Legend (right) Michigan Francis Picabia, Amorous Parade Jean-Baptiste Greuze, A Tired Woman with Two Detroit Institute of the Arts Pablo Picasso, Compote Dish, Glass Bottle, and Children Pipe; Nude; Young Girl with Left Arm Raised Minnesota Jean-Auguste-Dominique Ingres, Mrs. Charles Robert Ryman, Register The Minneapolis Institute of Arts Badham Gino Severini, The Argentine Tango Missouri Leonardo da Vinci, Sheet of Studies Edouard Manet, Man Wearing a Cloak Collection of Candida and Rebecca Smith, Courtesy of St. Louis: The Saint Louis Art Museum; M. Knoedler & Company, New York Camille Pissarro, Montmorency Road; Pea Harvest Southwestern Bell Corporation David Smith, Aggressive Character; Construction Rembrandt van Rijn, A Beggar Man and Woman; New Mexico with Forged Neck; Gondola II; Lunar Arcs on 1 A Landscape with Farm Buildings among Trees Albuquerque: University Art Museum, University of Leg; Ninety Father ; Ninety Son; Personage from Pierre-Auguste Renoir, Girlhood New Mexico Stove City; Personage of A ugust; Portrait of a Andrea del Sarto, Female Head Painter; Sentinel; Sentinel V; Tank-Totem VI; Santa Fe: Museum of Fine Arts, Museum of New Vincent van Gogh, The Magrot House, Cuesmes; Untitled (December 12); Voltri XVI; Woman Mexico Man Polishing a Boot; Old Man Carrying a Bandit; Zig V New York Bucket; The Zandemennik House White House Collection Corning: The Corning Museum Jean-Antoine Watteau, Couple Seated on a Bank; Young Girl Paul Cezanne, The Forest; House on a Hill; House on New York City: The Metropolitan Museum of Art; the Marne; Still Life with Skull The Museum of Modern Art; Paul Strand Andrew Wyeth, Brandywine Valley Collection David Whitney Archive, Aperture Foundation Collection of Mr. and Mrs. Raymond J. Horowitz Jasper Johns, Harlem Light Robert Henri, Cafe Terrace North Carolina Emile E. Wolf Peter Jay Raleigh: North Carolina Museum of Art Gerbrandt van den Eeckhout, The Levite at Gibeah Gilbert Stuart, John Jay Ohio Erving and Joyce Wolf Collection of Jasper Johns Cincinnati Art Museum Francis A. Silva, Indian Rock, Narragansett Bay Jasper Johns, Between the Clock and the Bed; Field The Cleveland Museum of Art Painting; No; Target Mr. and Mrs. Sidney R. Yates Joan Mitchell, Piano Mechanique Pennsylvania Dr. and Mrs. Arnold D. Kerr The Philadelphia Museum of Art Milton Avery, White Sea Anonymous Botticelli, Portrait of a Young Man Holding a Tennessee Koninklijk Kabinet van Schilderijen "Mauritshuis" Medallion Memphis: Brooks Museum of Art Jan Steen, The Poultry Yard Burgundian or northern French, 15th century, Collection Roris and Sophie Leavitt Texas Heraclius I Jean Arp, Hurlou Dallas: The Southland Corporation Central or northern Italian, 16th century, Madonna William Baziotes, Tropical Houston: The Museum of Fine Arts and Child with Saint John Adolph Gottlieb, Coalescence

54 German or south Netherlandish, 17th century, Conservation Triumph of Wealth Jean Leon Gerome, Bashi Bazouh Arshile Gorky, Grey Painting; Khorkom; The Limit; Portrait of Master Bill The conservation division assisted with a David Hockney, Christopher Isherwood and Don number of major projects this year. All of Bachardy the laboratories participated in the rein- Italian, 16th century, Hercules Jasper Johns, Flag on Orange Field, II stallation of the West Building galleries, Ellsworth Kelly, Black Square with Blue; Red Curve and several members of the staff played a VI; Relief in Blue; Three Gray Panels; White significant role in preparations for the Square Frantisek Kupka, Study for Animated Line; Study fiftieth anniversary exhibition. The divi- for Autour d'un Point [8 drawings]; Study for sion cosponsored the International Con- Organization of Graphic Motifs I ference on the Packing and Transporta- Roy Lichtenstein, Cosmology; Girl with Hair Ribbon; GRRR; Look Mickey; Still Life with Goldfish tion of Paintings, in cooperation with the Bowl; Yellow Brushstroke II Canadian Conservation Institute of Com- Edouard Manet, Jeanne—Le Printemps munication Canada, the Conservation An- Thomas Moran, Green River Cliffs, Wyoming Netherlandish, second half 16th century, Amorous alytical Laboratory of the Smithsonian Couple Institution, and the Tate Gallery. Over Claude Monet, Sainte-Adresse, 1867 (detail) Robert Rauschenberg, Automobile Tire Print; 375 participants from museums and Gift (Partial and Promised) of Catherine Gamble Curran Barge; Black Painting; Blue Eagle; Minutiae; packing firms around the world met in and Family, in Honor of the Fiftieth Anniversary of the White Painting National Gallery of Art, 1990.59.1 Thomas Sully, Queen Victoria London to take part in the conference and workshop, which provided scientific changed the sitter's hairstyle; this restores analysis and suggestions on methods of the subject to an appearance more typical assessment for traveling, cushion design, of the period. Hans Holbein's Portrait of temperature and humidity control, case Edward VI was returned to the crispness construction, shock and vibration control, of its original style, although the soft gray and the mechanical behavior of painting tone of the background, which would once materials. The division produced two have been brilliant blue, results from the publications: Art in Transit: Studies in the chemical discoloration that the pigment Transport of Paintings, the result of four smalt usually undergoes with age. years of research, and Art in Transit: Other very rewarding treatments in- Handbook for Packing and Transporting cluded El Greco's Madonna and Child Paintings, a quick reference on safe with Saint Martina and Saint Agnes, methods for case construction, environ- Francois Boucher's Love Letter, Pieter mental control, and assessment of art Jansz. Saenredam's Cathedral of Saint objects. John at 's-Hertogenbosch, Mary Cassatt's Mother and Child, and the large new ac- PAINTING CONSERVATION quisition by Benjamin West, Expulsion of Adam and Eve from the Garden. Giovanni Celebration of the Gallery's fiftieth anni- Battista Tiepolo's Apotheosis of a Saint, versary and the rehanging of the perma- Thomas Cole's Sunrise in the Catskills, nent collection encouraged the comple- and William Stanley Haseltine's Natural tion of sixteen major treatments. Three Arch at Capri were all completed in time complex projects finished at the end of for the fiftieth anniversary gift exhibition. the year were Agnolo Gaddi's Madonna In addition, the department carried out Enthroned with Saints and Angels, Ger- 125 minor treatments, 193 minor exam- ard David's Saint Anne Altarpiece, and inations, and 133 major examinations. Perino del Vaga's Nativity. The Gaddi al- The major examinations contributed to tarpiece required cleaning and the recon- the technical entries for the systematic struction of architectural elements catalogue and were completed this year surrounding the painted panels. Its ap- for the German, thirteenth- and four- pearance now suggests the shimmering teenth-century Italian, and fifteenth- golden illusion it must have presented in through eighteenth-century French its original placement in a candlelit paintings. church interior. A week-long CASVA- The staff continued to work on improv- sponsored colloquy on the imposing ing infrared examination capabilities: David triptych, cochaired by the conser- specifically the detection, clarity, and vator carrying out the treatment, revealed computerized mosaics of the images. much information on Flemish and specifi- Work by three staff members on three cally David's techniques discovered dur- paintings by Van Dyck contributed to a ing the treatment. The large Perino del technical session in a seminar organized Vaga Nativity, this artist's only known for the Van Dyck exhibition. Mary Bustin, painting in America and a rare panel in her third and final year as Culpeper painting (transferred to fabric years ago) Fellow, researched and wrote a paper on by an artist known for his Genoese fres- fourteenth-century Florentine retable coes, was cleaned and inpainted, bring- construction techniques and on painting ing out the striking mannerist color and varnishing materials for the treatment combinations and the power of the exag- of the Gaddi altarpiece. The two Getty in- gerated forms. terns this year were Tammy Flynn and The cleaning of Giorgione's great Ado- Jane Tillinghast. ration of the Shepherds revealed the delicate touch and luminosity characteristic PAPER CONSERVATION of this master's rare work. Treatment of Frans Hals' Portrait of a Man involved In addition to examinations and treat- the removal of old overpaint, which was ments for the fiftieth anniversary gift exhi- found to hide the original hat and to have bition, the department's focus this year

56 was its new responsibility for the maintenance of accessioned photographs and rare books in the collection. The department sponsored a week-long course for selected Gallery staff, taught by Christo- pher Clarkson, a well-known rare book conservator from West Dean College, En- gland, who discussed storage and proper support for various book structures when on display. This course, the first of its kind at the Gallery, facilitated communication among departments and prepared us for a heavy exhibition schedule featur- ing large numbers of books. To respond to the needs of the Gal- lery's growing photograph collections and an increased schedule of exhibitions and loans of photographic materials, the department added two part-time photograph conservators to the staff this year. They began a condition survey of the 1,700 photographs in the Alfred Stieglitz collection, completing 650 examinations and database entries by the end of the fiscal year. They carried out twenty-two major treatments on Walker Evans and Stieglitz photographs. Paper and photograph conservators have also been monitoring works in a traveling exhibition of photographs by Paul Strand organized by the National Gallery; densitometry readings will enable us to predict the stability of various photographic processes on exhibit. Thirty-five major treatments and 156 minor treatments were completed on prints and drawings in the collection, including the consolidation of a very deteri- orated pencil sketch by John Sloan as well as the treatment of fifteen pencil sketches on cellulose acetate by John Marin, which followed extensive testing to develop procedures for relaxing and flat- tening the rolled plastic sheets. The department also examined 536 prints, drawings, and photographs as incoming or outgoing loans to exhibitions. Major treatments for the fiftieth anniversary ex-

The Gallery's recently restored portrait of Elena Grimaldi by Anthony van Dyck (probably 1623, Widener Collection) appeared in the Van Dyck exhibition and in our new installation of northern baroque paintings

57 hibition included the reduction of 'foxing' Conservators and the Gallery's sculp- on drawings by Annibale Carracci and ture curators examined a newly acquired Alberto Giacometti. bronze, the Winged Victory by Antonio Canova, and by asking a curator in Dallas OBJECT CONSERVATION to examine specific areas of the version at the Dallas Museum of Art, determined The department treated numerous ob- that the Gallery purchase was probably jects and wrote more than 750 condition the artist's trial cast. It is thought that reports related to five special exhibitions three later versions may have been en- during the year: Art for the Nation: Gifts hanced or altered by the founder. in Honor of the 50th Anniversary of the One of the year's major undertakings National Gallery of Art; The Art of Glass: was the reconfiguration of the site for Al- Masterpieces from the Corning Museum; fredo Halegua's America (formerly, Un- Rauschenberg Overseas Culture Inter- titled [Going Up]), a twenty-five-foot high change ("ROCI"); Graphicstudio; and Cor-ten steel sculpture on loan to George Circa 1492: Art in the Age of Exploration. Mason University. During a routine con- In conjunction with the fiftieth anniver- servation inspection, it was discovered sary exhibition, the promised gift of that collecting water was contributing to thirty-one wax sculptures by Edgar Degas corrosion of the base. The artist, Gallery encouraged the expansion of technical re- conservators and curators, and university search already in progress on this aspect engineers and administrators jointly de- of the artist's oeuvre. Object conservators signed a new system to allow adequate had the opportunity to radiograph several drainage and air flow. Another major of the sculptures prior to installation, treatment was completed on the Roman which provides vital insights into Degas' sculpture, Winged Child Carrying a Torch, working methods. The sculptures were dating from around the first century B.C. displayed in environmentally controlled to the first century A.D. The small copper cases created collaboratively by the de- alloy sculpture underwent a lengthy pro- partments of object conservation, engi- cedure to arrest active corrosion. neering, and design and installation. Also The department continues its in-depth for the fiftieth anniversary exhibition, study of the Gallery's collection of "Saint- treatment was completed on a gift of ten Porchaire" ware and plans to present the colorful bent-metal sculptures by Alex- culmination of this research at an interna- ander Calder. Nine of these whimsical tional colloquy devoted to these enigmatic works are "Animobiles," inspired by the French Renaissance ceramics, to be held forms of animals. in spring 1992 under the auspices of A favorite sculpture of visitors to the CASVA. ROC I exhibition required treatment: Up- Technical examination of the Gallery's town Pig Pox, the brightly painted, tie- collection of seventeenth- to nineteenth- saddled, cast-from-life pig gave object century French sculpture continues for conservators new experience in drilling, the systematic catalogue, supported by a pinning, adhering, and inpainting cast Getty Foundation grant. Entries have aluminum. been completed on Clodion, Houdon, The Circa 1492 exhibition required a and Degas bronzes. The Getty intern in number of treatments prior to installation, object conservation this year was Olda including the Santiago Reliquary from Hejtmanek from Prague, Czechoslovakia. Burgos Cathedral, the Repousse Copper Male Profile from the Ohio Historical So- SCIENTIFIC RESEARCH ciety, and a silver gilt Hexagonal Lantern from the Museum of Turkish and Islamic The Andrew W. Mellon Foundation en- Art in Istanbul. Staff members traveled to dowed the position of head of the scien- China, Turkey, Mexico, and Spain to doc- tific research department in March 1991 ument the condition of individual objects in honor of the fiftieth anniversary of the prior to shipping and to ensure their safe National Gallery of Art. The funds also al- handling and packing. low for the support of additional fellow-

58 ships, visiting scientists, or a laboratory (GC/MS) was carried out on a variety of assistant. This endowment emphasizes works, including paints occurring on the significance of the scientific research modern sculpture. Microscopic and addi- efforts of the Gallery and provides a firm tional technical analysis was undertaken foundation for the department's program. on other works of art, including Gerard The National Gallery received a sub- David's Saint Anne Altarpiece, the Span- stantial gift from the Perkin-Elmer Corpo- ish Ciborium, and El Greco's Madonna ration, consisting of a capillary gas chro- and Child with Saint Martina and Saint matograph, a high performance liquid Agnes. Technical examination has begun chromatograph, and a data handling sys- of several paintings by Rembrandt or his tem. This equipment is used to identify followers in the Gallery collection. Techni- organic constituents of works of art and to cal analysis was also performed of murals collect data on organic conservation ma- at the Library of Congress during their terials as they change during accelerated restoration. aging experiments. The department completed research in Several new instruments were pur- collaboration with object conservators on chased, including color measuring equip- the possibility of identifying forgeries by ment and a Fourier-transform infrared studying Renaissance casting practices. spectrometer (FTIR) equipped with a mi- Another study completed in collaboration croscope. The color measuring equip- with Lee-Ann Hayek, mathematician for ment uses fiber optics to facilitate rapid the Smithsonian Institution, developed a measurement of reflection spectra of statistical model to describe over two hun- small areas. Protocols are being devel- dred Italian Renaissance portrait medals oped for the quantification of color in the Gallery's collection using different changes in conservation materials as well alloy groupings, and formulated an ex- as works of art. The FTIR-microscope sys- panded nomenclature. tem allows for the identification of mate- Conservation scientists further devel- rials in very small samples by means of oped procedures for the identification of their infrared spectra. proteinaceous binding media through am- Department scientists continued long- ino acid analysis. This method was used term research projects in addition to ana- to identify the media of several paintings lytical work, responding to requests from undergoing conservation treatment, in- conservation and curatorial departments cluding works by Gaddi, di Bartolo, and occasionally from other institutions. David, Field, and Rothko. Amino acid Robert Rauschenberg's Uptown Pig Pox, 1988, lent Medium identification using FTIR and gas analyses were performed on works for by the artist for the Roci exhibition chromatography / mass spectrometry some other institutions, including Giotto's Crucifix for the Opificio delle Pietre Dure in Florence and Gozzoli's Crucifixion for the Uffizi Gallery in Florence. The possibility of identifying non-proteinaceous materials by analysis of trace amino acids is also being investigated. Research continued on natural and synthetic resin formulations of potential use to conservators. This large project in- volves numerous tests using many different instruments. The department began an investigation of commercially available ultraviolet barrier films and other ultraviolet filters and also collaborated with conservators at the J. Paul Getty Museum to examine the stability of two commercial inpainting materials using accelerated aging techniques. Dr. Christopher Maines, the Culpeper Fellow in the department, studied syn- The department was involved with the thetic resins used as binding media in tours of several exhibitions that appeared conservation, to quantify physical charac- at the Gallery in the previous year. Con- teristics of paints such as adhesion, color servators assisted with the installation and development, and working properties and deinstallation of The Sculpture of Indo- to follow changes in these characteristics nesia at both the Houston Museum of as the paints age. Dr. Narayan Khan- Fine Arts and at the Metropolitan Mu- dekar, while a summer intern supported seum of Art. Similar assistance was pro- by the Kress Foundation, began a study vided for the Drawings of Jasper Johns of the solvent retention by clear coatings exhibition at the Kunstmuseum in Basel, for several resin/solvent systems. the Hayward Gallery in London, and the The department hosted Professor Whitney Museum in New York. James Mayer of Cornell University as one Among the challenges for the matting/ of the speakers in the Andrew W. Mellon framing staff this year were a hundred- Lecture series and joined the painting foot-long photograph in the Graphicstudio conservation department in hosting a visit exhibition, an oversized map in Circa from executives of the BASF Corporation, 1492, and the creation of period settings which supports the department's research for drawings in the fiftieth anniversary ex- by providing expertise and has manufac- hibition. A total of 931 prints and draw- tured a special resin for our evaluation as ings were matted, 1,061 were framed, 82 a conservation material. books were prepared for exhibition, and 150 frames were made. LOANS AND EXHIBITIONS The frame conservation section was busy this year. Conservators gilded and The department contributed to the organ- toned an elaborate architectural ceiling ization and implementation of numerous built by the design and installation de- exhibitions this year, the largest being partment for the Titian exhibition. They Circa 1492. Although conservation efforts also completed 2 major treatments and for the latter have been in progress for 78 minor treatments and constructed 4 three years, preparations intensified over new frames for paintings in the perma- the past twelve months. Many of the nent collection; examined and catalogued works were examined in situ to ensure another 250 frames in the collection; and that they could travel safely to Washing- made routine examinations of frames in ton. If objects required conservation be- the galleries to monitor their condition fore they could be transported, arrange- and recommend treatment. As part of the ments were made to have the work done. reinstallation of the permanent collection, The department collaborated with lenders labels were removed from all frames. The to design specialized packing cases for conservators completed one major treat- the more fragile works of art. Finally, a ment and 125 minor treatments and con- team of conservators was assembled to structed 53 frames for paintings coming examine works both before they were in or going out on loan for temporary packed at the lending institutions and af- exhibitions. ter they were unpacked in Washington and to prepare works for installation in the exhibition galleries. To accomplish Registration and Loans these tasks, the department worked closely with the exhibition office, the de- The past year was an exceptionally busy sign and installation department, and the one for the division of registration and registrar. loans. Rehanging the permanent collec- Other exhibitions demanding special tion has been a major initiative, involving attention from the department included the reinstallation of over a thousand Titian: Prince of Painters; Anthony van works of art on the main floor of the West Dyck; The Art of Glass: Masterpieces from Building. As an outgrowth of this effort, the Corning Museum; The Art of Paul an ambitious project has been under- Strand; and Rauschenberg Overseas Cul- taken to inventory the Gallery's collection ture Interchange.

60 Art in the Age of Exploration, among other exhibitions, and kept track of over three hundred works in Art for the Na- tion: Gifts in Honor of the 50th Anniver- sary of the National Gallery of Art. The office has also been circulating a number of exhibitions organized by the Gallery, including Matisse in Morocco; The Draw- ings of Jasper Johns; Old Master Drawings from the National Gallery of Scotland; The Sculpture of Indonesia; Kazimir Male- vich; and Paul Strand. These exhibitions traveled to a total of thirteen museums within the United States and six museums in foreign countries such as the former Soviet Union, England, Switzerland, and the Netherlands. During the year the registrar's office logged 2,338 outgoing works of art, 1,592 incoming works for exhibition, and 2,433 loans to the Gallery for other purposes. In addition, 478 works from the Gallery's collections were lent to sixty- seven temporary exhibitions at fifty-eight institutions in the United States and thirty-five museums abroad. The National Lending Service (NLS) administered many of these loans, including 418 works lent to twenty-eight exhibitions at forty sites in the United States and abroad, and 248 extended loans to museums, government officials, and United States Em- bassy residences throughout the world. The department of loans processed the loan of 187 works to the Gallery for display with the permanent collection. In its fourth year of circulating exhibitions drawn from the Gallery's collections, the NLS has coordinated nine shows that have traveled to museums around the country. Educational materials were produced to supplement these exhibitions. A brochure on Rothko's career and his work in the Gallery collection was published in conjunction with Mark Jean-Simeon Chardin's Soap Bubbles, c. 1733- of period frames; the task includes photo- Rothko: The Spirit of Myth, Early Paint- 1734, National Gallery of Art, (Gift of Mrs. John W. graphic documentation, the cataloguing ings from the 1930s and 1940s, an exhi- Simpson) appeared in a "focus exhibition" in rela- of pertinent information, and ultimately tion to other versions of the composition from the bition of twenty-four works lent to three Metropolitan Museum of Art, New York, and the Los computerization of the data. museums. Angeles County Museum of Art A full exhibition schedule at the Na- In addition to coordinating the loan of tional Gallery required significant time paintings, sculpture, and decorative arts and attention from the registrar's office. from Gallery collections, the NLS and de- The staff administered loans for Titian: partment of loans this year assumed re- Prince of Painters', Anthony van Dyck; sponsibility for loans from the graphic and the imminent opening of Circa 1492: arts collections. This will streamline the

61 approval process for loans from the Gal- development and will soon be made avail- lery's entire collection. able for use by staff. Gallery representa- During this fiscal year 49 paintings tives are taking part in national and were added to the collections, together international efforts to establish standards with 59 sculptures, and 1,596 works of that will facilitate the electronic exchange graphic art, including drawings, prints, and distribution of information on and books. The Gallery's photographic collections. holdings increased by 160 individual Meanwhile, we are exploring the excit- works. The registrar's office issued one ing potential of high-resolution digital im- hundred copyist permits. age capture. This new technology makes it possible to record an image digitally and issue it in a variety of formats, from slide to transparency, print, videodisc, or Research on Collections CD-ROM, or to bring it up on a computer monitor with its accompanying data. Such The division of research on collections images can be manipulated in a variety of was formed this year, encompassing the ways and can be sent over fiber optic department of curatorial records, to bring lines or by satellite to remote locations in together the Gallery's initiatives in assem- a few instants. The Gallery has retained a bling and making available information consultant, Kim Nielsen, to aid in the in- on its holdings. The division is also re- vestigation of imaging technology and to sponsible for publication of catalogues of lay the groundwork for developing an im- the collection, including the systematic age bank. Such images could then be catalogue series; development of schol- used for creating interactive educational arly aspects of the computerized data- programs, conducting research, planning base; and activities in the area of elec- exhibitions, and carrying out numerous tronic imaging. internal tasks in the museum. The second of the systematic catalogue These endeavors at the frontiers of volumes, Spanish Paintings of the Fif- technology do not supplant the need to teenth through Nineteenth Centuries, writ- maintain extensive paper files of docu- ten by Jonathan Brown and Richard ments on our holdings. The department Mann, was published during the year. of curatorial records continues to benefit Several other volumes are in production from the work of systematic catalogue re- and are expected to appear in the coming searchers to improve its dossiers. Eventu- year. This massive project is now in high ally we hope to be able to store images of gear, with more than forty scholars world- these documents electronically as well so wide at work on what will eventually be a that fragile originals can be spared wear thirty-volume series covering all of the and tear. In the interim, however, files paintings, sculpture, and decorative arts have been barcoded to improve our abil- objects in the collection. In addition, the ity to monitor their circulation within the Gallery is embarked on a catalogue of the building, using an offshoot of the library's Millard collection of architectural books automated book circulation system. The and on a catalogue raisonne of the works files are also made available to outside of Mark Rothko. A summary catalogue of scholars and students, who use this re- sculpture, the first in a quarter century, source extensively. has been prepared and will be published The new division of research on collec- in 1992. tions thus works in a variety of ways to Work continues on compiling prove- address the information explosion, using nance histories, exhibition histories, and new technologies where appropriate to bibliographic and biographical informa- enhance traditional means of gathering tion for the automated database. The new and disseminating information. relational system, which will allow greater flexibility for searching and will capture extensive data about each object, is in

62 Changes of Attribution PAINTINGS

The following changes of attribution are Number and title: Former attribution: Changed to: the result of scholarly research using the 1953.5.44 Anonymous American 19th century The Conant Limner latest art historical investigations and sci- Sophia Burpee Sophia Burpee Conant 1955.11.3 Anonymous American 19th century Redpath entific examinations. It is the policy of the Mounting of the Guard National Gallery of Art to publish these 1952.5.84 Anonymous German 16th century Workshop of Hans Mielich changes regularly. The following changes The Crucifixion of attribution were made and approved 1952.5.85 Anonymous German 16th century Workshop of Hans Mielich Christ in Limbo by the Gallery's board of trustees during 1960.6.2 Francois Boucher Jean-Honore Fragonard the 1991 fiscal year. The following lists Diana and Endymion are arranged in alphabetical order 1953.3.5 Bartholomaeus Bruyn the Elder Attributed to Bartholomaeus Bruyn according to former attribution. Portrait of a Man the Elder 1953.5.35 The Denison Limner The Denison Limner (probably Elizabeth Denison Joseph Steward, 1753-1822) 1980.62.26 The Denison Limner The Denison Limner (probably Captain Elisha Denison Joseph Steward, 1753-1822) 1980.62.27 The Denison Limner The Denison Limner (probably Mrs. Elizabeth Joseph Steward, 1753-1822) Noyes Denison 1980.62.28 The Denison Limner The Denison Limner (probably Miss Denison of Joseph Steward, 1753-1822) Stonington, Connecticut (possibly Mathilda Dennison) 1952.5.71 North Italian 15th century Tyrolean late 15th century Portrait of a Man 1972.73.1 Follower of Michael Pacher Tyrolean early 16th century Saint Alban of Mainz 1972.73.2 Follower of Michael Pacher Tyrolean early 16th century Saint Wolfgang 1972.73.3 Follower of Michael Pacher Tyrolean early 16th century Saint Valentine 1972.73.4 Follower of Michael Pacher Tyrolean early 16th century Saint Alcuin 1942.16.3 Ludger torn Ring, the Elder German Portrait of a Lady 1978.80.11 Attributed to Pieter Vanderlyn American 18th century Boy of the Beehman Family

SCULPTURE

Number and title: Former attribution: Changed to: 1942.11.1 Anonymous Greek, 4th century B.C. Probably Hellenistic, Egypt, Head of a Youth 220/100 B.C. Head of a Youth (Dionysos or a Follower?) 1969.9.1 Hellenistic, 2nd or 1st century B.C Possibly Hellenistic or Roman Torso of Aphrodite school, 200 B.C./150 A.D. 1953.2.1 English, c. 1300 English or Spanish, 1300/1350 The Holy Trinity 1952.5.102 Franco-Portuguese, early 16th Probably French or Belgian, Saint Barbara century 1860/1910 1942.11.2 Middle Rhenish, c. 1450 German or Netherlandish, Pieta 1450/1500 1937.1.132 Probably Roman, c. 1600 Milanese, c. 1580s Venus 1937.1.133 Probably Roman, c. 1600 Probably Milanese, 1580s/1590s Bacchus and a Faun 1942.11.3 Upper Rhenish, c. 1440 Rhenish or South Netherlandish, The Dead Christ Supported c. 1440 by an Angel (the Trinity)

63 DECORATIVE ARTS

Number and title: Former attribution: Changed to: 1942.9.310 Attributed to anonymous Italian, Alfred Andre, 1885/1890 Pendant with a Centaur 16th century, or anonymous Spanish, 16th century 1942.9.290 Attributed to Jean de Court Workshop of Jean de Court Oval Dish with the Birth of Adonis 1942.9.304 Netherlandish, probably Antwerp, Alfred Andre, 1870/1890 Pendant with Europa and c. 1580-1590 the Bull 1942.9.307 Netherlandish, last quarter 16th Alfred Andre, c. 1890 Pendant with a Sphinx century 1942.9.306 North Italian, probably Milanese, Alfred Andre, 1885/1890 Pendant with the Head of c. 1570 Medusa 1961.9.183 North Italian, 15th century Pierre Reymond Plaque with Ganymede 1961.9.184 North Italian, 15th century Pierre Reymond Plaque with Ixion 1942.9.288 Jean Penicaud I Master of the Triptych of Louis XII Pieta with Saint John the Evangelist and Mary- Magdalene 1961.9.186-194 Sienese, c. 1500 North Italian, 1380/1400 Enamel Ornaments Costume Ornaments with Profile Portraits 1942.9.308 South German c. 1580/1590 Alfred Andre, 1885/1890 Jean-Honore Fragonard, A Stand of Cypresses in an Pendant with a Mermaid Italian Park, c. 1760 1942.9.309 South German, last quarter 16th Alfred Andre, 1885/1890 Patrons' Permanent Fund, 1991.4.1 Pendant with a Triton century

64 Loans GUATEMALA Guatemala City, United States Ambassador George Catlin, 5 paintings of Indian life EXTENDED LOANS FROM THE GALLERY'S COLLECTIONS THE NETHERLANDS

The Hague, United States Ambassador All works are part of the National Lending Service George Catlin, Two Sioux Chiefs, A Medicine unless indicated by t Man, and a Woman with a Child; Frederick Carl Frieseke, Memories; Robert Henri, Volendam Street AUSTRALIA Scene; Walt Kuhn, Pumpkins; Thomas Sully, John Canberra, United States Ambassador Quincy Adams Anonymous American 19th century, Indians Cook- ing Maize; George Catlin, 2 paintings of Indian life PARAGUAY

Asuncion, United States Ambassador AUSTRIA George Catlin, 4 paintings of Indian life Vienna, United States Ambassador to the Negotia- tions on Conventional Armed Forces in Europe SWITZERLAND

Thomas Chambers, Storm-Tossed Frigate Geneva, United States Ambassador to the Arms Control and Disarmament Agency BELGIUM Anonymous American 19th century, Brother and Brussels, United States Ambassador Sister; Steamship Erie; George Catlin, 2 paintings of Anonymous American 19th century, Sisters in Black Indian life; attributed to Reuben Rowley, Dr. John Aprons; Leila T. Bauman, U.S. Mail Boat; Joseph Sajford and Family Blackburn, A Military Officer; attributed to James Reid Lambdin, Daniel Webster; Charles Peale Polk, Geneva, United States Ambassador to the United Anna Maria Cumpston (all returned) Nations Mission Anonymous American 19th century, Abraham Lin- Brussels, United States Ambassador to NATO coln; T. Davies, Ship in Full Sail; George Catlin, Gilbert Stuart, George Pollock; Mrs. George Pollock; Falls of the Snake River; Gilbert Stuart, Ann Barry; Thomas Sully, Ann Biddle Hopkinson; Francis Hop- Mary Barry kinson; The Leland Sisters URUGUAY BRUNEI Montevideo, United States Ambassador Bandar Seri Begawan, United States Ambassador George Catlin, 4 paintings of Indian life; Thomas Anonymous American 19th century, Lexington Chambers, The Hudson Valley, Sunset Battle Monument; George Catlin, 3 paintings of In- dian life; Karl Knaths, Marble Mantle VENEZUELA

Caracas, United States Ambassador COLOMBIA Anonymous American 19th century, Interior Scene; Bogota, United States Ambassador Little Miss Wyckojf; Twenty-Two Houses and a Anonymous American 19th century, Miss Ryan; Church; George Catlin, 2 paintings of Indian life George Catlin, 4 paintings of Indian life YUGOSLAVIA CZECHOSLOVAKIA Belgrade, United States Ambassador Prague, United States Ambassador Charles S. Humphreys, Budd Doble Driving Gold- George Catlin, 3 paintings of Indian life smith Maid at Belmont Driving Park

EGYPT UNITED STATES Cairo, United States Ambassador Anonymous American 20th century, Horizon of the ALABAMA New World; George Catlin, 4 paintings of Indian life Birmingham Museum of Art Anders Zorn, Hugo Reisinger ENGLAND

London, United States Ambassador CALIFORNIA Sir William Beechey, General Sir Thomas Picton; Oakland Museum of Art Francis Cotes, Miss Elizabeth Crewe; Jacob Mark Rothko, 2 Untitled paintings Eichholtz, William Clark Frazer; Thomas Gains- borough, William Yelverton Davenport; George Pe- DISTRICT OF COLUMBIA, WASHINGTON ter Alexander Healy, Roxanna Atwater Wentworth; The Architect of the Capitol Michiel van Miereveld, Portrait of a Lady with a Franklin C. Courier, Lincoln and His Son, Tad Ruff; John Singer Sargent, Miss Grace Woodhouse; Blair House Gilbert Stuart, Luke White; Benjamin West, Self- John Singleton Copley, Harrison Gray; Georgia Tim- Portrait ken Fry, Flock of Sheep; Joseph Bartholomew Kidd FRANCE after John James Audubon, Black-Backed Three- Toed Woodpecker; Orchard Oriole; attributed to Paris, Musee du Louvre Benjamin Marshall, Race Horse and Trainer; Fritz Severo da Ravenna, The Christ Child't Muller, Capture of the "Savannah" by the "U.S.S. Paris, United States Ambassador Perry"; Gilbert Stuart, William Hartigan (?); Anonymous American 19th century, Washington at Thomas Wilcocks Sully and Tho.nas Sully, Major Valley Forge; Thomas Eakins, Louis Husson; A. A. Thomas Biddle Lamb, Emancipation Proclamation; John Singer Department of State, Diplomatic Reception Rooms Sargent, Mrs. Joseph Chamberlain; James McNeill George Catlin, 8 paintings of Indian life Whistler, Head of a Girl; Benjamin West, Mrs. Wil- liam Beckford

65 National Museum of American Art, Smithsonian Supreme Court of the United States NORTH CAROLINA Mr. Chief Justice Rehnquist Institution Charlotte, Mint Museum Jacob Eichholtz, James P. Smith (returned) Anonymous American 19th century, Boy and Girl; Larry Poons, Tristan da Cugna (returned); Mark Boy in Blue; Memorial to Nicholas M.S. Catlin; Pink National Museum of American History, Smithsonian Rothko, Untitled (Black and Gray); Georges Roses; anonymous Chinese, Ch'ing Dynasty, Archery Institution Rouault, The Breton Wedding Contest; anonymous unknown nationality 18th cen- Charles Peale Polk, General Washington at tury, Portrait of a Man; George Catlin, 3 paintings of Raleigh, North Carolina Museum of Art Princeton Mark Rothko, Number 8 (returned) Indian life; George Cuitt the Younger, Easby Abbey, National Museum of Health and Medicine of the Near Richmond; Andre Derain, Road in Provence; TEXAS Armed Forces Institute of Pathology Jean-Louis Forain, Behind the Scenes; attributed to C. Gregory Stapko, Dr. John Brinton"\ Sturtevant J. Hamblin, Little Girl with Pet Rabbit; Archer M. Huntington Gallery, University of Texas at National Portrait Gallery, Smithsonian Institution Edward Molyneux, Chapel in Provence; Ammi Mark Rothko, Untitled Gardner Cox, Earl Warren (returned); Chester Phillips, Jane Storm Teller; Thomas Sully, Thomas

Harding, Self-Portrait; Daniel Huntington, Dr. James Alston; Augustus Vincent Tack, Charles Evans VIRGINIA Hall; Henry Theodore Tuckerman; John Wesley Hughes; Frits Thaulow, River Scene; John Toole, Jarvis, Thomas Paine; Gilbert Stuart, Stephen Van Skating Scene; Eugene Laurent Vail, The Flags, Fairfax, George Mason University Alfredo Halegua, America; Lila Katzen, Antecedent Rensselaer (returned); Irving R. Wiles, Miss Julia Saint Mark's, Venice—Fete Day

Marlowe Mr. Justice Kennedy LOANS TO TEMPORARY National Trust for Historic Preservation Anonymous French 19th century, Race Course at EXHIBITIONS Bernard Hailstone, David E. Finley Longchamps; Jean Beraud, Paris, rue du Havre; Dutch 17th century, Flowers in a Classical Vase; The Octagon, The American Institute of Architects Works in the National Lending Service marked* John Femeley, In the Paddock; Henri Moret, The Foundation Gilbert Stuart, William Thornton; Mrs. William Island of Raguenez, Brittany AUSTRIA

Thornton Mr. Justice Marshall Vienna, Osterreichische Galerie Office of Management and Budget, Director Anonymous American 19th century, Leaving the EGON SCHIELE: GEMALDE, STUDIEN, Manor House; Enrique Castro, Untitled; imitator of Raoul Dufy, Regatta at Henley SKIZZEN, 9 October-25 November 1990 Van Gogh, Landscape The Secretary of Agriculture Egon Schiele, Portrait of Doctor Koller Anonymous American 19th century, Bucks County Mme. Justice O Connor George Catlin, 5 paintings of Indian life ENGLAND Farm Outside Doylestown Pennsylvania (returned); Thomas Hart Benton, Trail Riders; follower of Cana- Mr. Justice Souter London, Hayward Gallery letto, The Courtyard, the Doges Palace, with the Pro- Rembrandt Peale, George Washington; Gilbert THE DRAWINGS OF JASPER JOHNS, 29 November cession of the Papal Legate (returned); George Stuart, Captain Joseph Anthony; after Gilbert Stuart, 1990-3 February 1991 Catlin, 4 paintings of Indian life; Lamar Dodd, Win- James Lloyd; William Constable; Augustus Vincent Jasper Johns, Numbers; Untitled (from 'Untitled ter Valley (returned); Amzi Emmons Zeliff, The Tack, Harlan F. Stone 1972'); circulated to the Whitney Museum of Art, New York, Barnyard (returned) 20 February-7 April 1991 Mr. Justice Stevens Anonymous American 19th century, Portland Har- London, Tate Gallery The Secretary of Commerce JOHN CONSTABLE, 13 June-15 September 1991 Pierre Bonnard, Stairs in the Artist's Garden; bor, Maine; George Catlin, Scene from the Lower John Constable, A View of Salisbury Cathedral; Thomas Chambers, New York Harbor with Pilot Mississippi; Eduard Gaertner, City Hall at Torun; Alphonse Legros, Hampstead Heath; Franz Xaver Wivenhoe Park, Essex Boat "George Washington "; Raoul Dufy, Music and Winterhalter, Queen Victoria the Pink Violin; Philip van Kouwenbergh, Flowers in FRANCE a Vase; Leonid, Derrynane Harbor, Ireland The United States Trade Representative Colmar, Musee d'Unterlinden (returned) Anonymous American 19th century, Imaginary Re- gatta of America's Cup Winners; Mounting of the SCHONGAUER, 12 September-1 December 1991 The Secretary of Education Martin Schongauer, Young Woman Wearing a Scarf; Maurice Utrillo, Street at Corte, Corsica Guard; View of Aberdeen, Washington; Thomas Bust of a Monk Assisting at Communion Chambers, Bay of New York, Sunset; Boston Harbor The Secretary of Health and Human Services Paris, Galeries nationales du Grand Palais George Catlin, A Small Crow Village; Andre Derain, The Vice President's House GERIC AU LT, 26 September 1991-6 January 1992 Abandoned House in Provence; Still Life; Leonid, Anonymous American 19th century, Girl with Toy Theodore Gericault, Flayed Horse II; Trumpeters of Faradurro, Portugal; Allen Tucker, Madison Square, Rooster; George Catlin, 3 paintings of Indian life; Napoleon's Imperial Guard Snow Lydia Field Emmet, Olivia; after Jean-Baptiste Greuze, Benjamin Franklin; Charles S. Humphreys, SEURAT, 10 April-10 August 1991 The Secretary of Housing and Urban Development The Trotter Georges Seurat, The Lighthouse at Honfleur; Sea- Anonymous French 19th century, Melon and scape at Port-en-Bessin, Normandy*; Study for "La Lemon; Charles Henry Granger, Muster Day; Walt Preservation Office, The White House Grand Jatte"; Poseuse debout (Armand Hammer Kuhn, Zinnias; George Ropes, Mount Vernon; Anonymous American 18th century, Attack on Collection); circulated to The Metropolitan Museum of Art, Douglas Volk, Abraham Lincoln Bunker's Hill with the Burning of Charles Town; A. Hashagen, Ship "Arkansas" Leaving Havana; John New York, 9 September 1991-12 January 1992 The Secretary of Labor Wesley Jarvis, Commodore John Rogers; John Paris, Musee du Louvre Anonymous American 19th century, Portrait of a Neagle, Colonel Augustus James Pleasonton; John LE TRESOR DE SAINT-DENIS, 12 March-1 July Lady; "We Go for the Union"; Winslow Homer, Sun- Vanderlyn, John Sudam 1991 set; George Benjamin Luks, The Bersaglieri; Mark Anonymous French 12th century, Chalice of the Rothko, Untitled (Subway) The White House George Catlin, 12 paintings of Indian life (one re- Abbot Suger of Saint-Denis The Secretary of Transportation turned); John Frederick Kensett, Landing at Sab- Paris, Musee national d'art moderne, Centre Georges Style of Hendrick van Anthonissen, Ships in the bath Day Point, Lake George; Thomas Sully, Andrew Pompidou Scheldt Estuary; follower of Claude Lorrain, Harbor Jackson; Jean-Baptiste-Camille Corot, The Eel Gath- at Sunset; Hugues Merle, Children Playing in a ANDRE BRETON, LA BEAUT£ CONVULSIVE, erers; Jules Dupre, The Old Oak; Dietz Edzard, Park; Rene Pierre Charles Princeteau, Horses 23 April-26 August 1991 Flowers in a Vase; Three Flowers in a Vase t Arshile Gorky, One Year the Milkweed The Secretary of the Treasury Saint-Paul, Fondation Maeght George Catlin, 7 paintings of Indian life; C. Gregory FLORIDA Stapko, Alexander Hamilton^ (returned) JOAN Mind: RETROSPECTIVE DE L'OEUVRE, St. Petersburg, Museum of Fine Arts 4 July-7 October 1990 Studio of Gerard Terborch II, The Concert Joan Miro, The Farm

66 Sceaux, Musee de I He de France, Chateau de Sceaux Rome, Villa Medici, Academic de France Madrid, Museo Espanol de Arte Contemporaneo LES PEINTRES DE LA SEINE, 30September- HUBERT ROBERT ET FRAGONARD A ROME, EL ESPACIO PRIVADO: CINCO SIGLOS EN 15 December 1991 6 December 1990-24 February 1991 VEINTE PA L ABR AS, 3 October 1990-6 January 1991 Claude Monet, Bridge at Argenteuil on a Gray Day; Jean-Honore Fragonard, Hubert Robert; Gardens of Bartolome Esteban Murillo, Two Women at a Auguste Renoir, Regatta at Argenteuil an Italian Villa; Terrace and Garden of an Italian Window Villa; A Stand of Cypresses in the Garden of an Ital- GERMANY Seville, Museo de Bellas Artes ian Villa; anonymous French 18th century, Park of JUAN VALDES LEAL, 28 February-30 March 1991 Museum Folkwang Essen an Italian Villa Juan Valdes Leal, The Assumption of the Virgin; cir- VINCENT VAN GOGH UND DIE MODERNE, Venice, Palazzo Ducale culated to the Museo del Prado, Madrid, 20 April-30 June 10 August-4 November 1990 TITIAN, 1 June-7 October 1990 1991 Henri Matisse, Still Life Giovanni Bellini, The Feast of the Gods; Titian, Car- Leipzig, Museum der Bildenden Kunste dinal Pietro Bembo; Doge Andrea Gritti; Ranuccio SWITZERLAND MAX BECKMANN: GEMALDE 1905-1950, Farnese; Saint John the Evangelist on Patmos; Venus Kunstmuseum Bern and Bemisches Historisches 20 July-23 September 1990 with a Mirror Museum Max Beckmann, The Argonauts*; Falling Man*; EMBLEMS OF LIBERTY: THE IMAGE OF THE JAPAN circulated to Stadelsches Kunstinstitut und Stadtische Galerie, REPUBLIC IN THE ART OF THE 16TH TO THE Frankfurt, 10 October 1990-13 January 1991 Nagoya City Art Museum 20TH CENTURY, 1 June-15 September 1991 MATISSE RETROSPECTIVE EXHIBITION, Minister, Westfalisches Landesmuseum fur Kunst und Anonymous American 19th century, Liberty*; 24 August-8 December 1991 Kulturgeschichte John Singleton Copley, The Death of the Earl of Henri Matisse, Woman Seated in an Armchair JAN BOECKHORST, 16 September-11 November 1990 Chatham*; Gilbert Stuart, George Washington (Ath- Jan Boeckhorst, The Risen Christ Surrounded by Tokyo, National Museum of Western Art eneum Portrait); James Madison; James Monroe; Saints WILLIAM BLAKE, 18 September-25 November 1990 John Adams; Thomas Jefferson William Blake: The Dance of Albion; Christian with Saarbrucken, Saarland Museum Lugano, Fondazione Thyssen-Bomemisza the Shield of Faith Taking Leave of His Companions HENRI MATISSE: ZEICHNUNGEN UND AMERICAN IMPRESSIONISM: MASTERWORKS FROM PUBLIC AND PRIVATE SKULPTUREN, 12 May-7 July 1991 THE NETHERLANDS Henri Matisse, Young Girl with Long Hair COLLECTIONS IN THE UNITED STATES, The Hague, Koninklijk Kabinet van Schilderijen 22 July-28 October 1990 Staatsgalerie Stuttgart "Mauritshuis" Childe Hassam, Allies Day, May 1917*; John GIUSEPPE MARIA CRESPI, 14 December 1990- GREAT DUTCH PAINTINGS IN AMERICA, Twachtman, Winter Harmony 17 February 1991 28 September 1990-13 January 1991 Lugano, Museo Cantonale d arte Giuseppe Maria Crespi, Lucretia Threatened by Aelbert Cuyp, The Maas at Dordrecht; Pieter de LYON EL FEININGER, 6 September-10 November Tarquin Hooch, The Bedroom; Adriaen van Ostade, The Cot- 1991 Museum Wiesbaden tage Dooryard; Rembrandt van Rijn, A Young Man Lyonel Feininger, Zirchow VII* KUNSTLERINNEN DES 20. J AHRH U NDERTS, Seated at a Table; Jan Steen, The Dancing Couple; 1 September-25 November 1990 Johannes Vermeer, A Lady Writing; circulated to The UNITED STATES Helen Frankenthaler, Wales* Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum, 17 February-12 May 1991 CALIFORNIA GREECE Centraal Museum Utrecht Long Beach Museum of Art Iraklion, Crete, St. Marc Basilica JAN DAVIDSZ. DE HEEM UND SEIN KREIS, ALEXEJJAWLENSKY:FROM APPEARANCE DOMENICOS THEOTOCOPOULOS: 450TH 16 February-14 April 1991 TO ESSENCE, 17 January-17 March 1991 ANNIVERSARY OF HIS BIRTH, 1 September- Jan Davidsz. de Heem, Vase of Flowers; circulated to Alexej von Jawlensky, Murnau 10 October 1990 Herzog Anton-Ulrich-Museum, Brunswick, Germany, 9 May- Los Angeles County Museum of Art El Greco (Domenicos Theotokopoulos), The Holy 7 July 1991 THE FAUVE LANDSCAPE, 7 0ctober-30 December Family with Saint Anne and the Infant Saint John NEW ZEALAND 1990 ITALY Auckland, City Art Gallery Andre Derain, Mountains at Collioure*; View of the Thames*; circulated to The Metropolitan Museum of Art, New Bologna, Museo Civico Archeologico THE ENCHANTED STONE: THE GRAPHIC York, 14 February-5 May 1990, and the Royal Academy of GIOVAN FRANCESCO BARBIERI, ILGUER- WORLDS OF ODILON RE DON, 27 October- Arts, London, 13 June-1 September 1991. View of the Thames CINO (1591-1 666), 6 September-10 November 1991 9 December 1990 exhibited only in Los Angeles and New York. Andre Derain's Guercino, Amnon and Tamar; Joseph and Potiphar's Odilon Redon, Centaure visant les nues; La sulamite Charing Cross Bridge, London, also exhibited in New York Wife; The Angel of the Annunciation; drawings: Am- non and Tamar; Rest on the Flight into Egypt; SCOTLAND MASTERPIECE IN FOCUS: SOAP BUBBLES BY Madonna and Child with Saints Edinburgh, National Gallery of Scotland JEAN-SIMEON CHARDIN, 18 October 1990-

Cento, Pinacoteca Civica di Cento CEZANNE AND POUSSIN: THE CLASSICAL 20 January 1991 IL GUERCINO E LA BOTTEGA, 6September- VISION OF LANDSCAPE, 9 August-21 October 1990 Jean-Simeon Chardin, Soap Bubbles; circulated to The Metropolitan Museum of Art, New York, 19 February-16 June 10 November 1991 Paul Cezanne, Houses in Provence; Mont Sainte- 1991 Guercino, Cardinal Francesco Cennini Victoire Seen Beyond the Wall of Jas de Bouffan Oakland Museum of Art Milan, Palazzo della Permanente Glasgow District Council, The Arches FOLK ROOTS, NEW ROOTS: FOLKLORE IN RUBENS, 10 September-28 October 1990 GLASGOW'S GLASGOW: THE WORDS AND Peter Paul Rubens, Marchese Brigida Spinola Doria THE STONES, 12 April-5 November 1990 AMERICAN LIFE, 18 August-11 November 1990 Robert Salmon, The Ship "Favorite" Maneuvering 4 watercolors from the Index of American Design Milan, Museo Poldi-Pezzoli off Greenock* LEMUSEEIL PRINCIPE: LO STUDIO LODI DELAWARE

BELFIORE A FERRARA, 19 September-1 December SPAIN Wilmington, Delaware Art Museum 1991 Madrid, Centro de Arte Reina Sofia NORTH AMERICAN INDIAN PAINTINGS BY Attributed to Jacopo Bellini, Profile Portrait of a ALBERTO GIACOMETTI: DIBUJO, ESCUL- GEORGE CAT LI N , 7 December 1990-3 February 1991 Boy; Matteo de'Pasti, Guarino da Verona, TURA, PINTURA, 14 November 1990-14 January 1991 50 paintings of Indian life by George Catlin* 1374-1460, Humanist (obverse), Fountain Sur- Alberto Giacometti, The City Square mounted by a Nude Male Figure (reverse); attributed to Cosimo Tura, Saint Francis Receiving the Stigmata

67 DISTRICT OF COLUMBIA, WASHINGTON INDIANA NEW HAMPSHIRE

The Folger Shakespeare Library Indianapolis, The National Art Museum of Sport Hanover, Hood Museum of Art, Dartmouth College CATHEDRALS: FAITH IN STONE, 1 May- SPORT IN ART FROM AMERICAN MUSEUMS, THE AGE OF THE MARVELOUS, 14September- 12 October 1990 12 January-27 April 1991 24 November 1991 Giuseppe Zocchi, View of Florence Cathedral George Bellows, Tennis Tournament; circulated to the Domenico Fetti, The Veil of Veronica; Jan Davidsz. Phoenix Art Museum, 1 June-28 July 1991, and The Corcoran de Heem, Vase of Flowers National Museum of American History, Smithsonian Gallery of Art, Washington, D C., 21 September-8 December Institution Manchester, The Currier Gallery of Art 1991 MEN AND WOMEN DRESSING THE PART, CO ROT TO MONET: THE RISE OF LANDSCAPE

19 September-31 May 1991 IOWA PAINTING IN FRANCE, 1830-1870, 27 January- Ralph Earl, Dr. David Rogers*; Martha Tennet 29 April 1991 Cedar Rapids Art Museum Rogers and Daughter* Eugene Boudin, Coast of Brittany; circulated to the IBM MARK ROTHKO: EARLY WORKS, 1 September National Portrait Gallery, Smithsonian Institution Gallery of Science and Art, New York, 30 July-28 September 1990-3 March 1991 1991 OLD HICKORY: A LIFE SKETCH OF ANDREW 24 paintings by Mark Rothko* JACKSON, 9 November 1990-13 January 1991 NEW YORK ONE-HUNDREDTH BIRTHDAY ANNIVERSARY Thomas Sully, Andrew Jackson*; circulated to the Ten- EXHIBITION, 15 December 1990-31 October 1991 The Brooklyn Museum nessee State Museum, Nashville, 1 March-13 May 1991 Grant Wood, Haying; New Road THE ART OF ALBERT PINKHAM RYDER, GROUP PORTRAIT: THE FIRST AMERICAN 14 September 1990-8 January 1991 KENTUCKY AVANT-GARDE, 10 May-3 November 1991 Albert Pinkham Ryder, Mending the Harness* 10 photographs by Alfred Stieglitz Louisville, The J. B. Speed Art Museum New York, The Jewish Museum The Octagon THE MASK OF COMEDY, THE ART OF THE PAINTING A PLACE IN AMERICA: JEWISH ITALIAN COMMEDIA, 11 September-4 November THE GRAND LOUVRE: ENTERING A NEW ARTISTS IN NEW YORK, 1900-1945, 16 May- CENTURY, 6 February-23 May 1991 1990 29 September 1991 Stefano della Bella, La perspective du Pont Neuf de After Antoine Watteau, The Italian Comedians* Mark Rothko, The Omen of the Eagle*; Street Paris; Jacques Callot, View of the Louvre (copy); Jacques Callot, 13 prints from Balli di Scene* Sfessania Supreme Court of the United States New York, The Metropolitan Museum of Art EXHIBIT COMMEMORATING THE MASSACHUSETTS EUGfcNE DELACROIX (1798-1863): CENTENNIAL OF THE BIRTH OF EARL Cambridge, Harvard University Art Museums PAINTINGS, DRAWINGS, AND PRINTS FROM WARREN, 18 March 1991-18 March 1992 GUERCINO: MASTER DRAFTSMAN: WORKS NORTH AMERICAN COLLECTIONS, 10 April- Gardner Cox, Earl Warren* FROM NORTH AMERICAN COLLECTIONS, 16 June 1991 FLORIDA 16 February-31 March 1991 Eugene Delacroix, Arabs Skirmishing in the Guercino, A Grain Merchant; Landscape with a Mountains Orlando Museum of Art Waterfall; Shepherds Peering into a Chasm; Seated WASHINGTON COLOR: THE FIRST GENERA- TOKENS OF AFFECTION: THE PORTRAIT Nude Boy Seen from Behind; Rest on the Flight into TION PAINTERS, 16 December 1990-10 February MINIATURE IN AMERICA, 20 November 1990- Egypt; circulated to the National Gallery of Canada, Ottawa, 1991 10 February 1991 3 May-16 June 1991; Cleveland Museum of Art, 27 August- Howard Mehring, Sequence* Jacob Eichholtz, James P. Smith*; circulated to the Na- 13 October (the latter two not shown at Cleveland) tional Museum of American Art, Washington, D C., 29 March- HAWAII Springfield, Museum of Fine Arts 16 June 1991, and The Art Institute of Chicago, 21 Septem- BETWEEN THE RIVERS: ITINERANT RIVER ber-19 November 1991 Honolulu, Academy of Arts PAINTERS FROM THE CONNECTICUT TO THE EDVARD MUNCH: MASTER PRINTS FROM WRIGHT OF DERBY, 6September—2 December 1990 HUDSON, 9 September-4 November 1990 THE EPSTEIN FAMILY COLLECTION, Joseph Wright, The Corinthian Maid; Italian Erastus Salisbury Field, Paul Smith Palmer*; Mrs. 12 September-28 October 1990 Landscape Paul Smith Palmer and Her Twins* Edvard Munch, The Kiss; Madonna; Women on the New York, Museum of American Folk Art Shore; Girl with a Heart; circulated to the Los Angeles Waltham, Rose Art Museum FIVE STAR FOLK ART, 13 September—25 November County Museum of Art, 22 November 1990-6 January 1991; THE CONTEMPORARY DRAWING: EXIST- 1990 Center for the Fine Arts, Miami, 19 January-3 March 1991; ENCE, PASSAGE, AND THE DREAM, 16 March- Anonymous American 18th century, Dr. Philemon Indianapolis Museum of Art, 23 March-5 May 1991; Nelson- 28 April 1991 Tracy*; Winthrop Chandler, Captain Samuel Atkins Museum of Art, Kansas City, 26 May-7 July 1991; Jacob El-Hanani, Avoda; Arada Chandler*; Mrs. Samuel Chandler* The High Museum of Art, Atlanta, 17 August-10 November Williamstown, Williams College Museum of Art New York, The Museum of Modern Art 1991 (latter two not shown at Indianapolis and Kansas City) THE ART OF MAURICE BRAZIL AD REINHARDT, 29 May-2 September 1991 ILLINOIS PRENDERGAST, 6 October 1990-27 January 1991 Ad Reinhardt, Black Painting No. 34* ; Untitled Maurice Prendergast, Saint Mark's, Venice; circulated The Art Institute of Chicago HIGH AND LOW: MODERN ART AND POPULAR to the Los Angeles County Museum of Art, 21 February- PAUL STRAND: AN AMERICAN VISION, 26 May- C U LT U R E, 7 October 1990-15 January 1991 22 April 1991; and The Phillips Collection, Washington, D C., 21 July 1991 Juan Gris, Fantomas; Roy Lichtenstein, Look 18 May-25 August 1991 Alfred Stieglitz, Camera Works (vol. 12, nos. 45-49; Mickey; Fantomas circulated to The Art Institute of Chicago, nos. 49, 50); 8 photographs by Paul Strand; circu- MINNESOTA 23 February-12 May 1991, and The Museum of Contemporary lated to the Saint Louis Art Museum, 11 August-6 October Art, Los Angeles, 23 June-15 September 1991 The Minneapolis Institute of Arts 1991 MIRROR OF EMPIRE: DUTCH MARINE ART MATISSE IN MOROCCO: THE PAINTINGS AND Chicago, Terra Museum of American Art OF THE SEVENTEENTH CENTURY, DRAWINGS, 1912-1913, 20 June-4 September 1990 WINSLOW HOMER IN GLOUCESTER, 23 September-31 December 1990 Henri Matisse, Palm Leaf, Tangier; circulated to the 20 0ctober-30 December 1990 Ludolf Bakhuysen, Dutch Ships in a Stormy Sea; State Pushkin Museum of Fine Arts, Moscow, 15 December Winslow Homer, Four Boys on a Beach circulated to The Toledo Museum of Art, 27 January-28 April 1990-15 February 1991 1991, and the Los Angeles County Museum of Art, 30 May- New York, National Academy of Design 1 September 1991 GARI MELCHERS: A RETROSPECTIVE, 11 September-4 November 1990 Gari Melchers, The Sisters*; circulated to The Detroit In- stitute of Arts, 8 December 1990-17 February 1991, and the Virginia Museum of Fine Arts, Richmond, 8 April-2 June 1991

68 umbus Museum of Art, Ohio, 19 December 1990-10 February 1991, and The Corcoran Gallery of Art, Washington, D C., 16 March-12 May 1991

The Mansfield Art Center THE AMERICAN GARDEN, 17 March-14 April 1991 Thomas Chambers, Mount Auburn Cemetery*

PENNSYLVANIA

Harrisburg, The State Museum of Pennsylvania PENNSYLVANIA'S NEW DEAL: JOBS, ART, AND POLITICS, 23 October 1990-21 April 1991 11 watercolors from the Index of American Design

Philadelphia, Pennsylvania Academy of the Fine Arts THOMAS EAKINS REDISCOVERED, 26September 1991-5 April 1992 Thomas Eakins, Study for "Negro Boy Dancing": The Banjo Player*; Study for "Negro Boy Dancing": The Boy*

Philadelphia Museum of Art HENRY OSSAWA TANNER: 1859-1937, 20 January- 14 April 1991 Henry Ossawa Tanner, The Seine*; circulated to The Detroit Institute of Arts, 12 May-4 August 1991, and the High Museum of Art, Atlanta, 17 September-14 November 1991

Scranton, Everhart Museum NORTHEASTERN PENNSYLVANIA IN ART: A CENTURY OF TRADITION, 9September- 14 October 1990 George Inness, The Lackawanna Valley

RHODE ISLAND

Newport Art Museum LOST LANDSCAPES: THE ROMANTIC VISION, 12 July-29 September 1991 William Trost Richards; Paradise, Newport

VIRGINIA

Leesburg, Oatlands 25TH ANNIVERSARY OF THE DONATION OF OATLANDS TO THE NATIONAL TRUST FOR HISTORIC PRESERVATION, 16August 1990- 24 July 1991 Fausta Vittoria Mengarini, David E. Finley

Richmond, Marsh Gallery, University of Richmond ANTONIN MERCIE: SCULPTOR OF THE LEE MONUMENT. THE FRENCH ACADEMIC TRADITION IN AMERICAN PUBLIC SCULPTURE, 10 October-7 November 1990 Marius-Jean-Antonin Mercie, Gloria Victis!

Richmond, Virginia Museum of Fine Arts ROMANCE OF THE TAJ MAHAL, 23 August- 25 November 1990 Anonymous Indian, Imperial Manufactory, Large

Luca Signorelli, Bust of a Youth Looking Upward, NORTH CAROLINA Animal Rug c. 1500 Diggs Gallery, Winston-Salem State University WISCONSIN The Woodner Family Collection, Gift in Honor of the MARK ROTHKO, 22 March-30 June 1991 Milwaukee Art Museum Fiftieth Anniversary of the National Gallery of Art, 26 paintings by Mark Rothko* PAINTERS OF A NEW CENTURY: THE EIGHT, 1991.8.l.a 6 September-3 November 1991 OHIO William Glackens, Family Group* New York, The Pierpont Morgan Library THE DRAWINGS BY ANTHONY VAN DYCK, Cincinnati Art Museum 12 February-21 April 1991 NICOLAS DE STAEL IN AMERICA, 16October- TEMPORARY LOANS TO MUSEUM Anthony van Dyck, The Edge of a Wood; circulated to 31 December 1990 COLLECTIONS The Kimbell Art Museum, Fort Worth, 1 June-11 August 1991 Nicolas de Stael, Ballet

Roslyn, Nassau County Museum of Art The Cleveland Museum of Art PORTUGAL MARK ROTHKO: THE SPIRIT OF MYTH, RECKONING WITH WINSLOW HOMER: HIS EARLY PAINTINGS FROM THE 1930s AND LATE WORKS AND THEIR INFLUENCE, Lisbon, Museu Nacional de Arte Antiga 1940s, 3 August-3 November 1991 19 September-25 November 1990 14 July-31 August 1991 26 paintings by Mark Rothko* Winslow Homer, Right and Left; circulated to the Col- Edouard Manet, Gare Saint-Lazare

69 Education East Buildings and introductory foreign language tours in French, Spanish, Ger- The mission of the education division is to man, and Italian provided by volunteer make the National Gallery's collections docents. Other volunteers offered group and resources on the history of art widely tours by appointment in nine foreign lan- accessible to visitors of all ages and na- guages. In September thirty-four new tionalities, providing art information and adult programs docents joined the exist- educational programs and materials to ing corps of ninety-five. The lecturing millions of people throughout this country staff regularly offered tours of all special and abroad. During the year several re- exhibitions, including Titian: Prince of views and surveys were undertaken to Painters; The Sculpture of Indonesia; An- evaluate the effectiveness of our pro- thony van Dyck; and Art for the Nation: grams and the needs of our visitors. Mu- Gifts in Honor of the 50th Anniversary of seum education colleagues from across the National Gallery of Art. A variety of the nation were invited to evaluate adult traditional thematic tours of the perma- programs and publications, and teachers, nent collections were offered, with several counselors, principals, and education ex- new activities on art appreciation for nov- perts evaluated teacher and school pro- ice visitors. More than 13,000 visitors at- grams. The audiences for six different tended the 423 gallery talks announced types of adult programs were surveyed to in the Gallery's monthly calendar of measure the usefulness of each particular events. In addition, the department pre- activity in relation to audience demo- sented a twenty-four-session slide lecture graphics, and eight surveys of visitors course, "A Survey of Western Art"; a six- were conducted to determine their geo- part survey, "Painting and Sculpture in graphic origins and the types of questions America, 1700-1950"; and a three-ses- they most frequently ask. To achieve sion introduction to printmaking tech- greater cultural diversity in volunteer pro- niques, "How Prints Look." The staff also grams, opportunities at the Gallery were prepared, on request, over five hundred widely publicized, resulting in a broader gallery tours and lectures for groups of range of applicants. Peer reviews of do- adult visitors and VIPs, serving over cent programs resulted in an organiza- 11,000 visitors, most often on tours of tional restructuring, and a committee of current special exhibitions, including The staff and docents worked together to pro- Art of Glass: Masterpieces from the Cor- duce an extensive handbook detailing the ning Museum; Eva/Ave: Woman in Re- history of the program, Gallery policies, naissance and Baroque Prints; Paul and docent by-laws. The information Strand; and Kazimir Malevich. gleaned from these surveys and reviews has been used to restructure existing pro- Academic Programs: The responsibility of grams and to assist the division in its this section is to devise programs for the long-range planning. general public and for college and university students, including the Sunday lec- ADULT PROGRAMS ture program, the Andrew W. Mellon Lectures, and occasional special lectures, Through tours and lectures, academic courses, and seminars. The office also programs, and films, this department oversees several Gallery internships, in- aims to provide intellectual enrichment cluding the summer internships and the for adults. In fiscal year 1991 these pro- new Internships in the Museum Profes- grams served an audience of close to sion for Minorities, supported by the 375,000. Toyota USA Foundation. These provide Tours and Lectures: The primary responsi- students with an opportunity to gain prac- bility of this section is to offer a wide tical museum experience and to study range of daily gallery tours and lectures first-hand a major collection of paintings free of charge to the general public. This and sculpture. During nine-month terms year almost 25,000 visitors attended this year, interns worked in the depart- daily introductory tours of the West and ments of design and installation, educa-

70 Guercino, Landscape with the Taming of a Horse, tion, public information, curatorial were held in conjunction with the Titian, 1620/1630 (detail) photographs, and the deputy director's Van Dyck, Corning Glass, and Strand ex- Gift of Mr. and Mrs. Harry Brooks, in Honor of the Fiftieth office. In collaboration with the Spanish hibitions, and special lecture series were Anniversary of the National Gallery of Art, 1990.67.1 Ministry of Culture, the Gallery initiated a presented for the Titian and Van Dyck program of grants to Spanish museum shows. "Conversations with Artists VI professionals who wished to pursue addi- and VII" this year featured Robert Rau- tional training here. Three interns partici- schenberg and Jim Dine. To celebrate the pated in this first year. Also this year for Gallery's fiftieth anniversary, curators the first time weekly orientation sessions presented a lecture series during the designed to familiarize interns with all as- summer. The 1990 Andrew W. Mellon pects of the Gallery were offered during Lectures in the Fine Arts were given on the academic year as well as the summer. "Gold, Silver, and Bronze: Metal Sculp- Gallery seminars and public symposia ture of the Roman Baroque." Gallery

71 talks for the public by the conservation Milton Sonday, Cooper-Hewitt Museum, "Plain to and curatorial staffs continued this year. Fancy: Historic Woven Silks in Close-up" The graduate lecturing fellowship pro- Joaneath Spicer, The Walters Art Gallery, "Subtle Ladies and Bold Women: Gesture and Presence in gram offered twenty gallery talks by this Van Dyck and Earlier Netherlandish Prints" year's two fellows. In the spring and fall Nigel Thorp, Glasgow University Library, the office organized day-long meetings "Whistler: A New Look at the Black Prince" with Gallery staff for two groups of inter- Simon Thurley, Historic Royal Palaces Agency, national museum professionals visiting on London, "Henry III: Patron of the Arts" a USIA program. Dell Upton, University of California, Berkeley, "Holy Things and Profane: Virginia's Colonial SUNDAY LECTURES Churches" Bernadine Barnes, Wake Forest University, Robert Venturi, architect, Venturi, Scott Brown "Worthy and Unworthy: Women in Renaissance and and Associates, Inc., Philadelphia, "The Ideas Baroque Prints" behind the Design of the Sainsbury Wing of the National Gallery on Trafalgar Square" Patricia Fortini Brown, Princeton University, "Titian: Painter of Princes" John Walsh, J. Paul Getty Museum, "Looking Up: Clouds in Dutch Landscape Paintings" Celeste Brusati, University of Michigan, "Envi- sioning the Eye in 17th-Century Dutch Painting" Rosella Mamoli Zorzi, University of Venice, "That Beastly Venus: Americans Look at Titian" Keith Christiansen, The Metropolitan Museum of Art, "Remaking the Craft of Painting: Masaccio, Donatello, and Brunelleschi" Sunday talks were also given by National David Park Curry, Virginia Museum of Fine Arts, Gallery of Art staff: "Meanwhile . . . Over in the Peacock Room" J. Carter Brown, director, "The National Gallery Georges Didi-Huberman, Ecole des hautes of Art and the Architecture of Museums" etudes en sciences sociales, Paris, "The Present of Diane De Grazia, curator of southern baroque the Face: Toward an Anthropology of Renaissance paintings, "Southern Baroque Painting: New Acqui- Florentine Portraiture" sitions and Continuing Research" Lorenz Eitner, Stanford University, "Gericault at Linda Downs, head of education, "Diego Rivera the National Gallery" and Italy" David Freedberg, Columbia University, "Van Ruth E. Fine, curator of modern prints and draw- Dyck in Italy: New Light on His Friends and ings, "Bigger, Brighter, Bolder: Contemporary Patrons" Prints and Drawings at the National Gallery of Art" Jorge Guillermo, architectural historian, The Margaret Morgan Grasselli, curator of old master Netherlands, "The Development of Domestic Archi- drawings, "Untold Riches: The National Gallery's tecture in the Netherlands" Collection of Old Master Prints and Drawings" William L. Mac Donald, architectural historian Sarah Greenough, curator of photographs, "Paul and critic, Washington, D C., "Classicism Inside Strand and the Search for an American Portrait" and Out: Museums before Modernism" and "The Newest Art for the Nation: The History of Henry Maguire, University of Illinois at Urbana- the Photography Collection at the National Gallery Champaign, "Early Christian Art in House and of Art" Church" Gretchen Hirschauer, assistant curator of Italian James Marrow, Princeton University, "The Rela- Renaissance paintings, "American Medici: The His- tionship between Illusionism and Self-Conscious- tory of the Italian Renaissance Collection at the Na- ness in Northern European Painting: Van Eyck, Van tional Gallery of Art" der Weyden, Durer" Franklin Kelly, curator of American and British John Rupert Martin, Princeton University, Paintings, "Art of the Nation: Nineteenth-Century "Rubens and the Italian Baroque" American Painting" Alfred Moir, University of California, Santa Bar- Douglas Lewis, curator of sculpture and decora- bara, "Portraiture: Princely and Plebeian" tive arts, "A Birthday Bestiary: Gifts of Sculptures and Sculptors' Drawings in Honor of the 50th Anni- Keith Moxey, Columbia University, "High Art/Low versary of the National Gallery of Art" Art: Dominance and Subordination in German Art around 1500" Charles S. Moffett, senior curator of paintings, "Pissarro, Cezanne, Van Gogh, and Lautrec: Four Wendy Nelson-Cave, National Portrait Gallery, Major Gifts" London, "Angelica Kauffmann: The Muse of Painting" Andrew Robison, senior curator, "Art for the Nation" Naomi Rosenblum, Parsons School of Design, "Pathway to Modernism: The Early Work of Paul Jeremy Strick, associate curator of twentieth-cen- Strand" tury art, "The National Gallery and the Art of Our Century" Mary SherrifT, University of North Carolina, Chapel Hill, "Representing Motherhood: Artifice Dennis P. Weller, Mellon assistant curator of and Eroticism in 18th-Century French Painting" northern baroque paintings, "The High Road from the Low Countries: Dutch and Flemish Masterpieces Ellen Smart, San Diego Museum of Art, "Secrets at the National Gallery of Art" of the Moghul Garden"

72 Arthur K. Wheelock, Jr., curator, northern baroque paintings, "Sir Anthony van Dyck: The Artist and His Historical Reputation" Film, Programs: In addition to daily documentary and educational film presentations throughout the year, the Gallery hosted a number of film series, retro- spectives, and area premieres, many of them in conjunction with special exhibitions. For the Malevich exhibition, two film series were presented: "Soviet Cin- ema in Transition," which included ten recent Russian films and discussions with five of the filmmakers, and "The Rus- sians at the Movies: Popular Film of the 1920s," with loans from Soviet archives and the British Film Institute. Two special series were also presented at the time of the Strand exhibition: "Moving Pictures: Films by Photographers," organized by the American Federation of Arts, and "The Photographer's Image in Motion Pictures," organized by the Museum of Modern Art. As part of the National Gal- lery's fiftieth anniversary celebration, a thirty-four film retrospective, "The Studio Film, 1937 to 1941," was organized in association with Douglas Gomery, author of Movie History: A Survey. The series encompassed a broad selection of movie S: styles and genres, with the majority of films lent by the Library of Congress, the UCLA Film and Television Archive, and the Turner Entertainment Co. Daily screenings of Voices in Celebration, a new film on the history and programs of the National Gallery, were also offered. At the time of the Rauschenberg Overseas Culture Interchange ("ROCl"), the Gallery presented a series entitled "Crossing Bor- ders." This program included eighteen recent and classic narrative and documentary films from seven of the countries represented in the show: Japan, China, Cuba, Mexico, Chile, Venezuela, and the former Soviet Union. The Washington premiere of Masahiro Shinoda's The Dancer opened this series. Documen-

Winslow Homer, Blackboard, 1877 Gift (Partial and Promised) of Jo Ann and Julian Ganz, Jr., in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1990.60.1

73 taries by the major directors of das neue An audiovisual program on the architec- Kino, the new wave in German cinema, ture and career of John Russell Pope was were also shown in conjunction with shown continuously during the run of the ROCI. Pope exhibition. The program was trans- Radio Programs-. In conjunction with the ferred to videotape for national distribu- department of education media, this of- tion through the extension programs fice helped prepare thirty-five radio talks section of the education resources and interviews in fiscal year 1991 to ac- department. company the Sunday broadcasts of the EDUCATION MEDIA National Gallery concerts on WGMS-FM, heard by approximately 210,000 This department develops audiovisual listeners. programs for the education division and for the Gallery as a whole. The year's pro-

EXHIBITION PROGRAMS ductions included slide programs and video presentations in connection with ex- The exhibition programs department pro- hibitions, the permanent collection, and vides educational materials to enhance special events. With the support of the Gallery visitors' understanding and ap- Bauman Foundation, production was preciation of works of art in special exhi- completed on an eleven-minute videodisc bitions. To reach a broad public, various program, "Introduction to Sculpture," in- materials are produced, including exhibi- stalled adjacent to the sculpture galleries tion brochures, recorded tours, explana- in the West Building. This videodisc also tory wall texts, and audiovisual programs. contains a fifteen-minute video "cata- The staff also assists in planning exhibi- logue" of sculpture, accessible by com- tion-related programs such as documen- puter, for use in future interactive tary film series, teachers' packets, special applications. The department made an lectures, performances, concerts, and adaptation of the audiovisual program, demonstrations of artistic techniques. In John Russell Pope: Architect of the Na- fiscal year 1991 the department pre- tional Gallery, produced a short orienta- pared educational materials for twelve ex- tion videotape for the publications sales hibitions in addition to extensive planning staff, and videotaped several special for Circa 1492, opening early in fiscal events, including fiftieth anniversary year 1992. Educational brochures were functions and the installation of Robert produced for Titian, Van Dyck, Strand, Rauschenberg's Kite and other works in John Russell Pope and the Building of the the ROCI exhibition. The staff also docu- National Gallery of Art, ROCI, and mented on videotape the conservation of Graphicstudio, as well as for a dance pro- Albert Bierstadt's Lake Lucerne, a new gram, Astral Converted (50"), performed acquisition, and the continued planning in conjunction with ROCI. Two exhibi- and design for a National Sculpture tions for which educational booklets were Garden. produced, "Soap Bubbles" of Jean-Sim- Projects underway this year include a eon Chardin and Rembrandt's Lucretias, video documentary on the Van Dyck exhi- illuminated masterpieces in the Gallery's bition, also supported by the Bauman permanent collections. The brochure for Foundation, a short documentary video Strand is being distributed at the six other on the National Teacher Institute's ongo- museums to which the exhibition is traveling summer sessions, and brief programs ing, and the booklet for Rembrandt's Lu- for in-house use. Video support was pro- cretias is to be used at the Minneapolis vided for Circa 1492, including docu- Institute of Arts as well as at the National mentation of the installation. Gallery. Recorded tours, including musical selections, were produced for Titian EDUCATION PUBLICATIONS and Van Dyck. The department created a special didactic wall display for Coming This department provides editorial sup- Glass, with texts and illustrations on the port to the education division and pro- history and techniques of glassmaking. duces printed materials on the permanent

74 Installation of Robert Rauschenberg's "kite," Sky House /, lent by the artist for the ROC I exhibition

collection for general audiences. In fiscal the new plastic-laminated sheets will pro- year 1991 the department launched a vide succinct information about the works long-term program to produce gallery on view. With the support of Knight guides in English and five other lan- Foundation, the first three prototype guages, which will cover up to ninety-five guides were produced this year, and re- percent of the collection on display. Using search and writing began on an additional large type and illustrations of key works, ten guides. Throughout the year staff re-

75 viewed the inventory of collection high- tion. Program presentations during this light texts on individual works of art and period totaled 244,548; approximately transferred the material to a computer two-thirds were television broadcasts; the database. These texts and docent training remainder represents direct use of pro- texts are being revised and rewritten as a grams through the standard short-term continuing project. and extended loan options. Videocassette distribution remained an important seg- EDUCATION RESOURCES ment of total program use, with over 8,000 screenings of videocassette tides. The department of education resources Again this year a group of nineteen pro- consists of two sections: art information, grams was broadcast as resource pro- and extension programs. The department gramming by the PBS Adult Learning serves Gallery visitors at the art informa- Service for use on college and university tion desks and distributes educational re- campuses and by local PBS stations at sources to communities across America 190 sites across the United States and in and, by television, nationally and abroad. U.S. territories. The Learning Channel Art Information: The staff provided train- continues frequent presentation of exten- ing for 22 new art information volunteers sion programs through satellite broadcast in fiscal year 1991, raising the total num- to over 1,100 stations throughout the ber to 143. Sixty lectures, workshops, in- country. service training sessions, and tours were The department continues to provide presented. The art information volunteers extension programs—mainly films and staffed the Gallery's information desks videocassettes—to U.S. embassies abroad during all public hours, providing an av- through USIA; embassies in such diverse erage of 1,400 hours of service per cities as Bogota, Mexico City, Budapest, month, totaling 15,978 hours during the and Paris used programs during the cur- year. In an average week art information rent year. Thirteen films were transmitted staff and volunteers answered approxi- by USlA's WORLDNET satellite in Spanish mately 7,000 visitors' general questions to U.S. posts in Latin America and in En- and 700 telephone inquiries on the Gal- glish to sites throughout Western Europe, lery's collections and exhibitions. The Africa, the Middle East, and South Asia. professional staff also responded to a The complete inventory of offerings was broad array of telephone and written in- used by Department of Defense schools quiries requiring specialized research. in the Pacific region and by military in- This year a record number of such installations in the United States, Europe, quiries—2,129—were answered, averag- and Asia. Gallery films such as William ing over 170 inquiries per month for Merritt Chase at Shinnecoch and The which research was conducted. Landscapes of Frederic Edwin Church represented the United States in film festivals Extension Programs: This section is in in Antwerp, Belgium; Cork, Ireland; and charge of nationwide distribution of ex- Salerno, Italy. tension programs—color slide packages, Through the support of the Annenberg films, and videocassettes—based on the Foundation, production activity centered Gallery's collections and exhibitions. Ex- on the development of a videodisc com- tension programs are used in schools, li- pendium of images of the Gallery's collec- braries, colleges and universities, civic tions of American paintings, sculpture, organizations, and by public and educa- drawings, watercolors, and prints, based tional television stations and networks on an archive of digital images being de- across the nation. Borrower reports indi- veloped. Videodisc technology permits cate that in fiscal year 1991 extension images and information to be tailored to programs' viewing audience was borrowers' varied educational needs and 86,564,748. Within this number, the objectives. Completion of the disc and public and educational television audi- distribution is projected for fiscal year ence is reported at more than 70 million 1992. in communities in every state in the na- As a member of the Museum Educa-

76 tion Consortium, the Gallery also advised lery's fiftieth anniversary; it brought in the development and production of an together one teacher and one administra- interactive videodisc on impressionism tor from each of the fifty states, seven and post-impressionism, intended for use U.S. territories, Department of Defense in museums and classrooms. dependents schools, and the District of A different form of educational re- Columbia for a special, expense-paid source available from the Gallery in fiscal week in Washington. Teacher programs year 1991 was the teaching packet. In- also continued to offer workshops and intended mainly for classroom use, the service days for hundreds of area educa- packets contain slides, reproductions, tors on subjects relating to exhibitions text, suggestions for activities, and a vari- and the permanent collection. Publica- ety of other reference materials. The first tions for teachers programs included two packages were developed by the de- teaching packets on impressionist, post- partment of teacher and school programs impressionist, Renaissance, and Ameri- in conjunction with the exhibitions can art, supported by the Folger Fund. Matisse in Morocco and Kazimir Male- The packets, which were field-tested and vich. Also offered to borrowers was the reviewed by area classroom teachers, will videocassette Art of Indonesia: Tales from ultimately be distributed by the depart- the Shadow World, produced by the Gal- ment of education resources on a free- lery and the Metropolitan Museum of Art loan basis. To promote art education for in conjunction with our 1990 exhibition children and their families, the depart- of Indonesian sculpture. National Gallery ment produced a family guide to the Cor- of Art: A Treasury of Masterpieces, contain- ning Glass exhibition. Weekend family ing a history of the Gallery and tours of programs, "Shapes of the Future" and the collections, was another new video- "Art Smart: Fine Art Functions," were of- cassette title added to extension program fered on the Malevich exhibition. In co- offerings. operation with "Partners in Education," a Department staff worked cooperatively project of the Smithsonian Institution, the with the editors of Art & Man in reviewing District of Columbia, and the Foxfire the text for each issue of the magazine Foundation, the Gallery offered an in- prior to publication. Individual issues in ternship to one Washington school the 1990-1991 publishing year featured teacher this summer, and through the a variety of artists, among them Vincent Passport Program sponsored by the D.C. van Gogh, Frida Kahlo, and Auguste Cultural Consortium, the department of- Rodin. The subscription level for the year fered an internship for a high school stu- remained stable at 200,000, despite dent from the city's public schools. widespread cutbacks in school budgets. STATISTICAL SUMMARIES TEACHER AND SCHOOL PROGRAMS

The department of teacher and school Programs/ Estimated programs serves teachers, school-age Showings Audience children, and their families through tours, Adult Programs 3,092 373,281 programs, and publications. Approxi- tours, lectures, sympo- mately 130 volunteer docents, trained by sia, films, radio talks Exhibition Programs 23 2,956,774 the professional staff, gave 2,256 tours to brochures, a/v pro- over 40,000 school children this year, grams, recorded and a new school docent class of 18 vol- tours, wall texts unteers began in September. In its third Education Resources 247,100 87,057,961 year, the National Teacher Institute held slide/film/video programs, packets, art three sessions on Renaissance art. The information first session was the scholarship institute, Teacher & School funded by the federal government, the Programs 2,283 42,158 Circle of the National Gallery of Art, and tours, family programs, the William Randolph Hearst Founda- workshops, institutes tion, and developed in honor of the Gal- TOTALS: 252,498 90,430,174

77 Scaindamamimdi Smino.ut.wmuai JFoliu Xtn

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"Map of the World and People from Faraway Library crease of more than 20 percent over last Lands," from Hartmann Schedel's Liber Chron- year, with more books loaned to members icarum (Nuremberg Chronicle), published 1493 Library usage continues to increase, and of the Research Libraries Group. Library Gift of Paul Mellon, in Honor of the Fiftieth Anniversary of orientations were given for local univer- the National Gallery of Art, 1991.7.1 reader services has attempted to meet the needs by expanding the volunteer pro- sities and museums, including American gram to assist in circulation, vertical files, University, Catholic University, Mary and microforms. Vertical files staff suc- Washington College, the Phillips Collec- cessfully integrated all subject folders into tion, and the University of Virginia. Visi- the automated system and established a tors came from every state in the country new file category of biographical informa- as well as from Chile, England, France, tion on museum professionals and art his- Germany, Hungary, Italy, Latvia, Puerto torians. Volunteer Hilde Buis made Rico, and Turkey. Art historians and cur- dissertations on microfilm accessible ators came from the British Museum, through our on-line catalogue. Automa- Canadian Broadcasting Corporation, tion continues to expand as new users Hermitage, Louvre, Musee d'Orsay, and functions are added to the system. Museo de Arte de Ponce, Sorbonne, Uni- Reference inquiries and on-line versity of Amsterdam, University of Bar- searches reflect a healthy use by Gallery celona, University of Basel, University of staff, CASVA fellows, and outside readers. St. Andrew (Scotland), and the Warsaw Interlibrary borrowing showed an in- Royal Castle. Staff from the embassies of

78 Canada, Mexico, and Switzerland also 62 percent of the total. This figure, plac- consulted library materials. ing the Gallery slightly above the mid- The reference section acquired numer- point among the thirty-two libraries ous catalogues of other museum collec- consulted, is consistent with our policy of tions to facilitate the work of curators and giving medium priority to collecting medi- researchers. One important new series, eval material. As a member of the Wash- Musees et monuments de France, in- ington Art Library Resources Committee, cluded seven new titles: on the Bonnat the library submitted five analytical re- Museum, Bayonne; the Grenoble Mu- ports on Gallery holdings in vertical files, seum of Art; the Museum of Fine Arts, expressionism, medieval sculpture, folk Lyons; the Museum of Fine Arts, Nancy; art, and art auction sales. the Museum of Fine Arts, Rouen; the Na- The past year was exceptional in both tional Museum of Modern Art, Paris; and the number and quality of gifts to the li- the Picasso Museum, Antibes. Other no- brary. The most spectacular single item table additions to the reference collection was the gift by Elmar W. Seibel of the were: The Annual Exhibition Record of very rare offprint on Michelangelo from the Art Institute of Chicago, 1888-1950 the 1568 edition of Giorgio Vasari's Vite (Madison, CT, 1990); The Annual Exhibi- de'piu eccellentipittori, scoultori, et tion Record of the National Academy of architetti. Patricia G. and Jonathan S. Design, 1901-1950 (Madison, CT, England gave a beautiful selection of 1990); Joan Blaeu, Blaeu's the Grand sixty-one fine press and illustrated books Atlas of the 17th Century World (New to begin a new collecting program in this York, 1991); Anne Dugast, Dictionnaire important field, and they have promised par noms d'architectes des constructions additional gifts to enhance the collection. . . . (Paris, 1990-); Museo del Prado: Once again Mark Samuels Lasner has inventario general de pinturas (Madrid, added many significant titles to our hold- 1991-); The Oxford Dictionary of Byzan- ings in British art, and Mrs. John A. Pope tium, 3 vols. (New York, 1991); and added to the John A. Pope library on ori- Anna Santagostino, Gli artisti italiani di ental ceramics. The embassy of Switzer- aggi, 3 vols. (Milan, 1987). land very generously gave a large number The cataloguing section undertook two of Swiss publications; Dr. Robert Hardy projects in conjunction with the acquisi- gave an important group of books on tions section to improve on-line access to Eastern European art. We also particu- the library's resources: approximately larly wish to thank Dr. Franklin Murphy, 1,300 brief description records were Ruth Carter Stevenson, Mrs. John Grant, created for the uncatalogued rare books Eleanor Green, Marcia Weisman, and Al- collection; and detailed information on fred Willis, as well as many members of periodicals holdings is now added as part the Gallery staff and CASVA who have of the cataloguing process. given books this year. The Circle of the The library is collaborating with the National Gallery continues to play a criti- J. Paul Getty Center for the History of Art cal role in library acquisitions, recently on a Provenance Index Databases proj- enabling the purchase of an early edition ect. Using auction catalogues provided by of Jacopo Foresti's Nouissime hystoriarum the Getty from several sources, including omnium repercussiones . . . que Supple- the Victoria & Albert Museum and Chris- mentum supplement Chronicarum . . . tie's Library in London, library staff are (Venice, 1503). Notable purchased acqui- contributing to a report in the Getty's In- sitions include: dex of Paintings Sold in the British Isles Girolamo Aleandro, Antiquae tabulae marmoreae during the Nineteenth Century. The Gal- solis effigie, symbolisque exculptae . . . (Rome, lery will receive a copy of all Provenance 1616); Casto-Innocenzio Ansaldi, Casti Inrwcentis Index data. Ansaldi de sacro et publico apud ethicos pictarum labularum cultu (Augustae Taurinorum, 1768); Wil- The library participated in a survey of liam Beurs, Degroote waereld in't kleengeschildert, romanesque sculpture publications for of Schilderagting tafereel van's weerelds schilderyen the Research Library Group. Of the 298 • . . (Amsterdam, 1692); Francesco Bianchini, La titles checked, the Gallery held 185, or istoria universale provata con nwnumenti, e figurate

79 con simboli de gli antichi. . . (Rome, c. 1697); 1770); Louis Savot, Larchitecture francoise des bas- Jean Jacques Boissard, Romanae urbis topographiae timens particuliers . . . avec des figures des nottes de & antiquitatum . . . (Frankfurt, c. 1597-1602); M. Blondel. . . (Paris, 1673); Robert Strange, De- Abraham Bosse, Traicte des manieres de graver en scriptive catalogue of a collection of pictures . . . taille douce sur Vairin. Par le moyen des eaux fortes, remarks on the painters . . . (London, 1769); Giulio & des vernix durs & mols (Paris, c. 1645); Louis Troili, Paradossi perpratticare la prospettiva . . . Bretez, La perspective pratique de Varchitecture, con- (Bologna, 1683); Vermaaklyk buitenleven, of de tenant par lecons une maniere nouvelle . . . (Paris, Zingende en Speelende boerenvreugd. . . (Haarlem, 1751); Door de makelaars: Philippus van den 1716); Andrea Vici, Distribuzione dei premi solen- Schley, Jan de Bosch, Jeronimusz, etc. (Amsterdam, nizata sul Campidoglio li 27 Novembre 1801 1771); Albrecht Diirer, Institutions geometricae A l- dairinsigne Accademia delle belle arti, pittura, bertus Durerus Nurembergensis pictor huius aetatis scultura, ed architettura in S. Luca (Rome, 1806); celeberrimus . . . (Paris, c. 1535); The Ear-wig, or, Zedelyke en stichtelyke gezangen (Amsterdam, An old woman's remarks on the present exhibition 1709); and Martin Zeiller, Handbuch Von allerley ofpictures of the Royal Academy. . . (London, nuetzlichen Erinnerungen anmuetigen und leustigen c. 1781); Encyclopedic contenant une description erbaulichen, denckwuerdigen, und meistentheils abregee des principaux arts et metiers . . . (Paris, Neuen Exempeln oder Beyspielenulm (Ulm, 1655). c. 1774); Filippo Farsetti, Lastesius Natale, gratula- Two library exhibitions were installed, tiones, accedit Epistola de Museo Philippi Farsetti . . . (Padua, 1767); Jean Francois Foppens, Histo- both by Caroline Backlund: Titian, ria episcopatus Silvaeducenis: continens episciporum November 1990-February 1991, and et vicariorum generalium seriem, et capitulorum, A Celebration of Fifty Years of Gifts, abbatiarum et monasteriorum Jundationes . . . March-September 1991. (Brussels, 1721); Giuseppe Ghezzi, Buone arti sem- pre piu gloriose nel campidoglio per la solenne Ac- LIBRARY STATISTICS cademia del disegno nel di 24 Aprile MDCCIV (Rome, 1704); Giuseppe Ghezzi, L'utile nelle belle Total volumes (monographs, 161,538 arti: riconosciuto nel Campidoglio per VAccademia bound serials including auction del disegno solennizata il di 5. maggio 1707. . . catalogues, pamphlets, (Rome, [1707]); Giuseppe Ghezzi, Centesimo microforms) delVanno MDCXCV: celebrato in Roma dalVAca- Titles/volumes acquired with 2,007/2,321 demia de Disegno (Rome, 1696); Giuseppe Ghezzi, federal funds Le pompe dell Accademia del disegno solennemente Tides/volumes acquired with 662/843 celebrate nel Campidoglio il di 25 febraro MDCCII trust funds . . . (Rome, 1702); Pieter Corneliszoon Hooft, P.C. Titles/volumes acquired by gift 1,299/1,332 Hoofts Werken (Amsterdam, c. 1671); Horapollo, Titles/volumes acquired by 570/580 Ori Apollinis Niliaci, de sacris Aegyptorum notis, exchange aegyptiace expressis libri duo, iconibus illustrati, & Added microform titles 51 aucti (Paris, 1574); Gerard de Lairesse, Grondleg- Added vertical file material 7,821 ginge ter teekenkonst: zynde een korte en zekere weg Reference inquiries 20,436 om door middel van de geometrie of meetkunde de Computer-based bibliographic 2,726 teekenkonst volkomen te leeren . . . (Amsterdam, searches (RUN, OCLC, ARTQUEST, 1713); Sebastien Le Clerc, Discours touchant le DIALOG, WILSONLINE) point de veue: dans lequel il est prouve que les choses Outside visitors 2,832 quon voit distinctement, ne sont veues que d'un oeil (Paris, 1679); Sebastien Le Clerc, Nova geometria Titles/volumes catalogued 3,871/5,528 practica super charta et solo (Amsterdam, 1692); Giampietro Locatelli, Descrizione delle statue, PHOTOGRAPHIC ARCHIVES bassirilievi, busti, altri antichi monumenti, e quadri de piu celebri pennelli, che si custodiscono ne Palazzi During the past fiscal year the photo- Campidoglio (Rome, 1775); Giovanni Maggi, Aedi- graphic archives acquired a number of ficiorum et rvinarum Romae ex antiquis atque nineteenth-century albums and books il- hodiernis monimentis . . . (Rome, c. 1649); Wen- ceslas Josephus Mayer, Historico-philosophica de- lustrated with photographs or reproduc- scriptio picturae movae Bibliothecae Fomici tive prints. Among them were three very inductae in Canonia Strahoviensi. . . (Prague, fine privately compiled travel albums c. 1797); M. A. van Nideck, Antiquitez sacrees & from the 1890s showing European and profanes des Romains expliquees: ou discours histor- English architecture, sculpture, painting, iques, mythologiques, & philologiques . . . (La Hague, 1726); Elias Kaspar Reichard, Matthaus and other genre scenes. Another pur- und Veit Konrad Schwarz nach ihren merkwurdigsten chase was a superb nineteenth-century al- . . . (Magdeburg, 1786); Jan van Reigersberch van bum of English cathedrals photographed Cortgene, Dye cronijcke van Zeelandt (Antwerp, by Francis Frith. The department added 1551); Maximilian Henry, marquis de Saint-Simon, to its growing collection of illustrative ma- Histoire de la guerre des Ratavas et des Romains: apres Cesar; Corneille Tacita &c (Amsterdam, terials from the International Expositions

80 1

•' ri!i£J

National Capitol of the U.S., 1865, photographed with three volumes commemorating the photograph of the United States Capitol, according to an act of Congress by G. D. Wakely Exposition Universelle, Paris, in 1889; taken by G. D. Wakely in 1865 at the and two especially interesting volumes for completion of the building, was pur- the Exposition Internationale des Arts chased at auction early in the year. John Decoratifs, Paris, in 1925. Rewald generously gave an important Thanks to the continued generous sup- group of 1,500 photographs and transport of the Samuel H. Kress Foundation parencies of impressionist and post-im- for the ongoing work of the international pressionist art. Corpus Vitrearum, the Gallery received Photographs of the more than five hun- 1,500 photographs produced for the dred pieces of American sculpture in publication of Stained Glass before 1700 Brookgreen Gardens, South Carolina, in American Collections. And after sev- were purchased, as were photographs of eral years' effort, our holdings of photo- all the paintings in the Alte Pinakothek, graphs of architectural drawings were Munich. Our holdings of photographs of hugely augmented with the addition of Spanish painting continued to grow, and 10,000 images from the Gabinetto dei 435 Spanish artists were added to our disegni in the Uffizi, Florence. A unique database, bringing the total number of

81 artist authority files on-line to more than range of the Gallery's collections and pro- 50,000 names. The entire photographic grams. Among the books published were archives database is scheduled to be two volumes in Studies in the History of moved to the main library computer sys- Art, a new volume in the systematic cata- tem in the near future. logue of the collections, special volumes The numbers of scholars and rein honor of the Gallery's fiftieth anniver- searchers using the photographic archives sary—America's National Gallery of Art: increased again this year, with the notable A Gift to the Nation; Art for the Nation: addition of several scholars from eastern Gifts in Honor of the 50th Anniversary of European countries. The archives' the National Gallery of Art; and The Cor- unique collections and broad scope have porate Patron—as well as seven exhibition been of enormous interest to these visi- catalogues. In addition, the editors office tors, and out of these contacts the depart- produced brochures, pamphlets, family ment has begun, and hopes to initiate and teacher guides, invitations, flyers, an- further, small exchanges of visual nouncements, an advertising insert, as material. well as staff newsletters, the Circle Bulle- tin, a Guide to the Microform Collection of SLIDE LIBRARY the National Gallery of Art Library, and the annual report. A significant portion of There were significant changes in the staff time was dedicated to work on two slide library this year: Nicholas Martin major projects: the fiftieth anniversary was named acting slide librarian; and a publications and Circa 1492: Art in the new lending policy went into effect in Jan- Age of Exploration, among the largest and uary 1991, with slides now circulated to most comprehensive publications ever to the public through the Interlibrary Loan appear under the Gallery's imprint. system. The slide library currently has Exhibition-related volumes produced more than 140,000 catalogued slides, di- under the direction of the office include: vided between an area restricted to staff Anthony van Dyck; Paul Strand; Eva/Ave: use and an area accessible to the public. Woman in Renaissance and Baroque During the past fiscal year more than Prints; Art for the Nation; ROCI: Rau- 3,400 slides were catalogued and ap- schenberg Overseas Culture Interchange; proximately 26,500 slides were Graphicstudio: Contemporary Art from the circulated. Collaborative Workshop at the University Major acquisitions this year include a of South Florida; and Circa 1492. In ad- large set of slides of European and Rus- dition, the office produced brochures for sian painting from the twelfth to the eigh- Titian: Prince of Painters; Kazimir Male- teenth centuries in the collections of the vich: 1878-1935; Van Dyck; John Russell Hermitage and the Pushkin museums, Pope and the Building of the National along with a set on Russian art from the Gallery of Art; ROCI; "Soap Bubbles" of Tretyakov Gallery. A complete series of Jean-Simeon Chardin; Rembrandt's Lu- slides on the Index of American Design cretias; Graphicstudio; and Circa 1492. was given by the department of education Press kit folders were produced for Ti- resources. A comprehensive slide set of tian; Malevich; Van Dyck; ROCI; Graph- the Hirshhorn Museum's permanent col- icstudio; and Circa 1492, and object lection was also purchased. In addition, labels and wall texts for all exhibitions. the Embassy of the Federal Republic of In the Studies in the History of Art Germany donated a series of slides on series, books completed include vol. 30, nineteenth-century German romanticism. The Mall in Washington: 1791-1991, and vol. 39, Stained Glass before 1700 in Editors Office American Collections IV, while an additional five volumes are in production. Collaborative efforts involving the editors Sponsored Research in the History of Art office, other Gallery offices, and trade 10 and Center 10 were produced under and academic publishers resulted in pub- the aegis of the Center for Advanced lications that reflect the ever-widening Study in the Visual Arts.

82 Progress has been steady on publica- Abrams, Aperture, Bulfinch, Cambridge tions based upon the Gallery's own collec- University Press, The Feminist Press at tions. In the systematic catalogue series, the City University of New York, Ludion, Spanish Paintings was published, work Marsilio Editori, Prestel Verlag, Thames on British Paintings is nearing comple- and Hudson, the University Press of New tion, and progress continues on the pro- England, and Yale University Press. duction of volumes on American Naive The American Association of Museums Julian Alden Weir, U.S. Thread Company Mills, Paintings, Decorative Arts, and German gave design awards for the ROC I press kit Willimantic, Connecticut, c. 1893/1897 (detail) Paintings. cover and the Paul Strand catalogue, a Gift (Partial and Promised) of Mr. and Mrs. Raymond J. Horowitz, in Honor of the Fiftieth Anniversary of the The office worked with numerous copublication with Aperture. A second National Gallery of Art, 1990.74.1 copublishers and distributors, including computer system was purchased for in-

83 house typesetting and design. Three in- of books, calendars, periodicals, and terns served in the editors office during greeting cards, as well as other institu- the summer: Robyn Lash, Sophia tions, scholars, and individuals. Seidner, and Amy Woods. In fiscal year 1991 photographic services added 25,724 black and white pho- PHOTOGRAPHIC SERVICES tographs and 3,544 color transparencies Photographic services provides color to the files, issued 1,392 permissions for transparencies, slides, and black and reproduction, and lent 5,645 color trans- white photographs to museums, scholars, parencies for reproduction. In addition, institutions, publishers, visitors, and Gal- 1,567 black and white photographs and lery staff; authorizes reproductions of 275 duplicate color slides were sold to works belonging to the National Gallery of the public. The photo lab received 3,163 Art where appropriate; and coordinates requests for photography and produced all requests for work to be performed by 9,603 black and white negatives, 48,403 the photographic laboratory. The depart- black and white prints, 30,217 35mm ment also obtains photographs and trans- slides, 7,392 color transparencies, 3,778 parencies for works of art to be loaned to color negatives, and processed five hun- temporary exhibitions at the Gallery, and dred rolls of color film for other Gallery coordinates the photographic needs of all departments. Gallery departments as well as museums The coordinator of photography serves participating in exhibition tours. as executive secretary to the Gallery's The photographic laboratory continued committee for media projects, which re- to serve other Gallery departments, reviews and oversees all audiovisual proj- ceiving more requests for photography ects involving the Gallery, including the than in any previous year. Several large rapidly changing field of "electronic pub- projects, such as the Graphicstudio cata- lishing" (CD-ROM, digital imaging, and logue, the American paintings videodisc, videodiscs). and the fiftieth-anniversary film, required the use of contract photographers in addition to departmental staff. The photo lab provided film and processing for these Gallery Archives photographers, saving considerable time and expense. A significant part of the de- In celebration of the National Gallery's partment's efforts this year was in support fiftieth anniversary, the Gallery Archives of the Circa 1492 exhibition. The lab pro- organized the exhibition John Russell vided black and white copy photographs. Pope and the Building of the National duplicate color transparencies, and color Gallery of Art. The exhibition explored slides of objects in the exhibition for cura- the design and construction of the Na- tors, catalogue preparation, installation tional Gallery's West Building in its his- and design, and publicity. torical and architectural context and The department meets the demands of featured original drawings from the Gal- quantity and deadlines in part through lery's graphics collection as well as archi- the use of automated processing equip- val photographs. In recognition of their ment. We currently use three black and importance to the Gallery's history, for- white print processors and one color film mer staff members were invited to the processor. This year we replaced the Gallery for a special exhibition preview color film processor and one black and and reception. white processor. The new color processor Prominent observers and participants will accommodate twice as much film per in the Gallery's past were interviewed by hour as the former machine. the oral history program in accordance In addition to serving Gallery depart- with priorities established by the Oral ments, the photo lab responds to requests History Advisory Committee. An impor- from the public. Approximately one pho- tant interview was conducted with direc- tograph request out of five originates out- tor emeritus John Walker, and consulting side the Gallery, coming from publishers oral historian A C. Viebranz collaborated

84 on an interview with architect David scription and archival management Eggers. Among others interviewed were functions and continued work on a John Allen, Elizabeth Benson, Lois Bing- database for noncurrent architectural ham, Per Bjurstrtim, Franklin Eastman, drawings of the West and East Buildings. Joseph English, Max Leason, Lament In addition, the Motion Picture and Moore, Carolyn Wells, and Joan Wil- Sound Recordings Branch of the Library liams. Excerpts of an interview with Rich- of Congress produced a high quality tape ard Bales appeared in the Bulletin of the recording to ensure archival preservation Circle of the National Gallery. Members of phonograph discs of the Gallery's dedi- of the Oral History Advisory Committee cation ceremonies. are Richard Bales, Elizabeth Croog, John Vital records were sent off-site for se- Hand, William Moss, Frances Smyth, and curity storage as part of the Gallery's con- A. C. Viebranz. The committee noted tinuing emergency management program. with sadness the death of longtime Gal- The Gallery Archives also managed a re- lery staff member Elizabeth Foy, who cords center for temporary storage of served on the advisory committee from nonpermanent records. 1989 to 1991. Archival files, photographs, architec- During the year Paul Mellon donated tural drawings, and oral histories were a number of important photographs to used extensively for study of the National the Gallery Archives, including images of Gallery's history and development, espe- the interior of the United States Ambas- cially in preparation for fiftieth anniver- sador's residence in London showing sary projects and publications. Research- Mellon collection paintings on display, an ers also investigated topics ranging from album of photographs of progressive con- biographies of individuals such as Sir struction of the West Building, and an Kenneth Clark, Jacques Maritain, and extensive group of studio portraits of An- Chester Dale to themes of art and space. drew Mellon. Photojournalist Jack Hyams In addition, archival staff gave informa- donated a series of informal photographs tion and assistance concerning museum of gallery scenes, taken during a May archives, archives administration, and 1941 visit. John Walker gave a group of oral history in response to inquiries from portraits and informal snapshots of him- a number of institutions in the United self and his family. Richard Bales aug- States and abroad. mented archival files relating to his Kress Curatorial Fellow Christopher A. composing and conducting career. Sadie Thomas helped organize the exhibition Feldman donated a scrapbook of photo- on John Russell Pope and prepared a graphs and clippings of exhibitions held brief architectural history of the West at the National Gallery in 1965 and Building for publication. Robin Van Fleet 1966. Theodore J. Young and David and Kurt Helfrich provided important as- Eggers loaned documents and photo- sistance for researchers and fiftieth anni- graphs concerning John Russell Pope, versary projects. Maureen Turman, Otto Eggers, and Daniel P. Higgins so that Rachel Garrison, and Anne Hall were copies could be made to supplement ar- interns in the department. chival holdings. Throughout the year archival staff organized and prepared for research use important groups of archival documents, including exhibition files, radio concert intermission talks and concert commen- taries, and East Building shop drawings and building management files. A major project was undertaken to improve preservation and access to historical photographs in the archives. Archival staff also began to implement a computerized system for record group and series level de-

Administration

The National Gallery of Art recorded Protection Services 5,051,590 visits in fiscal year 1991. This represents a 9 percent drop in attendance The office of protection services provides compared with last fiscal year and reflects day-to-day security for the Gallery's art the overall decline in tourism in Washing- collections and for the roughly one thou- ton. Nevertheless, the Rauschenberg sand employees and millions of visitors Overseas Culture Interchange ("ROCI") who come to the Gallery each year. Secu- exhibition had more than 400,000 visits, rity is also provided for a remote ware- and more than 10,000 people attended house facility. the Trisha Brown Dance Company's per- James J. Davis joined the Gallery this formances of Astral Converted (50"), with year as the deputy chief for operations. sets by Robert Rauschenberg and music He assists the chief of the office of protec- by John Cage. The exhibition of the Gal- tion services in the management of the se- lery's fiftieth anniversary gifts, Art for the curity department, including all human, Nation, drew almost 350,000 visits. In financial, and material resources. In ad- addition, nearly 11,000 people saw the dition, he is responsible for implementa- film Voices in Celebration, produced in tion of the security programs, policies, honor of the anniversary. The exhibitions and procedures relating to the day-to-day John Russell Pope and the Building of the operations at the Gallery. National Gallery of Art-, Titian: Prince of As part of a comprehensive program of Painters-, and Anthony van Dych each had security improvements, various aspects of more than 200,000 visits. More than the Gallery's electronic security system 150,000 visits each were recorded for were updated in 1991. Card-activated the exhibitions The Art of Glass: Master- access readers were installed at strategic pieces from the Corning Museum-, Sculp- locations throughout the facility, and ture of Indonesia; and Degas Waxes. existing systems were modified for expan- Finally, Eva/Ave: Woman in Renaissance sion and for interfacing with new technol- and Baroque Prints; Paul Strand; Kazimir ogy. Control systems were also updated Malevich; and a special showing of three for the management of Gallery keys. Ma- versions of Jean-Simeon Chardin's paint- jor work on alarm systems is planned for ing, Soap Bubbles, each drew approxi- fiscal year 1992. mately 100,000 visits. The Gallery has reinstated continuous training for security officers, this year offering four Gallery protection classes and five basic museum security classes attended by 160 officers. New security per- Claes Oldenburg, Glass Case with Pies, 1962 Gift of Leo CasteUi, in Honor of the Fiftieth Anniversary of sonnel attended basic security training the National Gallery of Art, 1991.54.1 prior to being assigned to posts. Training

87 tion of the Gallery's collections. Among the improvements made in 1991 are: 1) stronger personnel access controls for special exhibition areas during installation; 2) more complete background checks of new protection services personnel prior to their being hired; 3) the presence of senior security managers on weekends and holidays to ensure the same level of protection as during the week; 4) creation of the position of "operations sergeant" to coordinate activities between the security office and other Gal- lery offices; 5) stronger liaison between the Gallery and outside law enforcement agencies; and 6) provision of walking es- corts and vehicle transportation to nearby subway, bus stops, and parking lots for employees working after 6:00 in the evening. In addition, management of the Gal- lery's largest division requires considerable attention to personnel policies and mechanisms for evaluating performance. In 1991 several initiatives were undertaken: 1) security managers began developing and improving detailed post orders for each security post; 2) the division in- stituted a system for tracking comment cards to better evaluate the performance of security staff; and 3) policies and procedures governing the promotion review process for protection services personnel were updated. In 1991 the office of protection services initiated an outreach program to offer physical and technical security assistance to smaller museums. As part of this program, the chief of the division and deputy chief for technical services conducted a free security survey of the museums in Stoneybrook, Long Island. Odilon Redon, Large Vase with Flowers, c. 1912 was also given to eighty temporary secu- In honor of the Gallery's fiftieth anni- Gift (Partial and Promised) of John C. Whitehead, in Honor rity aides hired for the summer. Ongoing versary, the protection staff developed of the Fiftieth Anniversary of the National Gallery of Art, 1990.64.1 refresher courses are offered with the commemorative badges, which were goal of improving visitor relations and made available to members of the secu- security efficiency. Additional training rity staff who wished to purchase them. focused on supervisory skills and management for first and second level supervisors as well as on physical security. Two sergeants were certified as first-aid and Publication Sales CPR instructors. The Gallery continually evaluates the The publications sales department offers effectiveness of its protection policies and a broad selection of catalogues, books, practices and strives to improve protec- and reproductions of works of art from

88 John Ruskin, The Garden of San Miniato near the Gallery's collections. The Gallery ex- ROCI, Art for the Nation, Strand, and Florence, 1845 (detail) perienced a very strong year in sales this Malevich. Visitors purchased over Patrons' Permanent Fund, 1991.88.1 year, despite declining attendance. Sales 200,000 catalogues and other books on per visitor in the shops continued to in- art this year. They also purchased more crease, supporting the Gallery's educa- than two million printed reproductions, tional mission and extending the visitor's including postcards, note cards, greeting experience beyond the Gallery's walls. cards, framed and unframed reproduc- Nearly 16 percent of the visitors to the tions, and posters. Although temporary Gallery were served by the publications exhibitions contribute notably to poster sales shops this year, compared with 14 sales, the overall strength of the repro- percent two years ago. Best-selling exhi- ductions program continues to be in the bition catalogues this year were Titian broad presentation of works from the Gal- and Van Dyck. Sales were also strong for lery collections. Both the quantity and

89 quality of our postcard and small repro- Gallery Architect ductions offerings are unsurpassed by any art museum in the world. Over seven The primary purpose of the architect's hundred works of art are reproduced on office is to analyze, plan, design, and de- postcards, and more than four hundred velop the architectural space in which on large and small reproductions. Gallery staff carries out its work. Con- In addition to the permanent sales struction activity has been extensive this shops on the ground floor of the West fiscal year, with the following projects Building and the concourse level between completed or nearing completion: new the East and West Buildings, the depart- silkscreen laboratories and offices, new ment operated temporary sales areas for offices for horticulture (with a floral dis- Bingham, Malevich, Titian, Van Dyck, play design lab) and the conservation Strand, Corning, Art for the Nation, and science lab, an auditorium stage, locker ROCI. These special sales locations offer areas for female guards, restroom facili- visitors convenience, service, and a selec- ties near the West Garden Court; re- tion of focused materials that enhances modeling of offices for the corporate the enjoyment of the works of art. relations staff, deputy treasurer, and in- The Gallery bookstores continue to be ternal auditor; inscription of patrons' recognized as an excellent source of names in the East Building, refurbishing books on all aspects of art and architec- of the West Building founders' room and ture. Book sales contributed almost one- East Building terrace cafe, reupholstering fourth of the total sales for the year. As in of sofas in the West Building galleries, re- the past, income from these activities sup- placement of the cafeteria flooring; cus- ports the sales program and provides tomized storage cabinets for the West funds for the publication of exhibition cat- Building graphic arts department; and alogues and other scholarly works in the special casework projects in offices for history of art. the registrar, auditorium programs, spe- The publications sales department is cial events, development, exhibitions planning an addition to the concourse planning, personnel, and curators of level bookstore in order to expand and American painting, as well as for the consolidate the book selection, enhance stamp machines and a telephone for the the video offering, display postcards in handicapped near the cafeteria. multiple locations, and expand the grow- Design work and construction docu- ing line of educational materials for ments are completed or nearly completed children. for a number of projects that will be un- In addition to its on-site sales activities, der construction in fiscal year 1992, in- the publications sales department actively cluding final inscription of the names of pursues licensing opportunities in the 50th Anniversary Gift Committee mem- commercial marketplace. More than two bers and remodeling of the information hundred different National Gallery of Art room, resource acquisition offices, and products—notecards, posters, greeting education offices. Programming and de- cards, bookmarks, postcards, and puz- sign work is underway to accommodate zles—have been manufactured under the the reorganized office of protection ser- close supervision of Gallery staff for sale vices and to improve the ability of the both at the Gallery and in commercial main loading dock facilities to handle markets worldwide. This licensing pro- shipments of art. gram generates revenue for the publica- The architect's office has contracted a tions fund and also furthers the Gallery's specialist to develop a Gallery-wide pro- educational mission by giving broad ex- gram for computer-aided design and posure to the Gallery's permanent facilities management. The proposed sys- collection. tem will make available a wide range of information through the Gallery's database, including architectural plans and space use; three-dimensional space modeling for planning and design; engi-

90 tablished within the division to improve communication and the quality of service. A steering committee and a work team composed of representatives selected from various offices met regularly and suggested a number of changes that have been implemented. Also this year the safety program was expanded to include coordinators from each department in the Gallery, strengthening efforts to improve fire safety, disposal of hazardous waste, removal of asbestos and PCBs; maintain medical surveillance; and offer training in CPR, first-aid, and specialized safety for individual shops. Thirty-five Gallery employees were certified in CPR. The energy conservation program this year recorded its best gains to date, and face and bypass dampers were installed to further enhance conservation. Plans are in place to install additional variable speed drives and face and bypass dampers, which continue to be excellent investments, and to phase out the CFC refrigerant used in air conditioning and replace it over the next five years with a refrigerant that is more environmentally Jim Dine, The Gate, Goodbye Vermont, 1985 neering data for HVAC systems, plumb- safe. Gift (Partial and Promised) of Mr. and Mrs. Donald G. ing, and electrical utilities; security Facilities management worked closely Fisher, in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1991.61.1 installations; computer, telephone, case- with the design and installation depart- work, furniture, and equipment locations. ment to coordinate the cleaning and Input of original building plans is well un- painting of West Building galleries for the derway and will be followed by recording fiftieth anniversary reinstallation of the of all subsequent plan modifications. Ad- permanent collection. This anniversary ditional workstations are envisioned to al- year the staff set up 114 special events, low other departments to enter their with a special team to oversee efforts, and information on the base building plans. processed more than 10,000 work or- Work with private architectural and de- ders. The division also played a leading sign firms includes a space use study, role in planning and coordinating a num- now expanded to offer a revised master ber of construction projects, including the plan for the entire Gallery complex; de- installations of a new telecommunications sign of the National Sculpture Garden; system, a temporary covering for the West and plans for a new bookstore in the con- Building skylights, and new ultraviolet fil- necting link. A project manager has been ter film for seventh-floor windows in the contracted and negotiations are underway East Building, as well as the remodeling with an architectural firm to replace the of the East Building terrace cafe and re- West Building skylights, roofing, and gal- pairs to the ceiling of the Rotunda. lery laylights. Facilities management centralized its inventory control this year, lowering overall stock levels and improving the avail- Facilities Management ability of materials and supplies. Over the next three years further automation is The facilities management division pur- planned, including the barcoding of ma- sued several major initiatives in 1991. An terials and supplies, the use of scanners employee participation program was es- for record keeping, and implementation

91 for the new telecommunications system for which the Gallery installed all new fiber optic cable and a state-of-the-art telephone system. In addition, the division handled more than 6,500 purchase requests, including 4,000 purchase orders for 2,500 different vendors. The division this year identified capital equipment at the Gallery (equipment valued at more than $5,000) and recorded it in the property management system. The supply office issued an illustrated catalogue of all available items, with full descriptions to facilitate ordering. The division is working to obtain a software package to consolidate its computer systems. Edward Harrison, formerly with the Dover Air Force Base, is the Gallery's new supply officer.

Personnel

The personnel office undertook several initiatives this year to promote diversity among the staff. A position was established for an equal employment opportunity specialist to coordinate Gallery efforts to attract qualified minorities. The office also recruited candidates through employment advertisements in The Afro- American, The City, and The Latino, built a network of contacts in schools with large minority student populations, and organized an information booth for the Blacks in Government annual conference. Recognizing the problems associated with adult illiteracy, the Gallery established a tutoring program and trained sixteen staff members to coach other staff who wish to improve their reading skills. Efforts to publicize this program brought Giovanni Battista Piranesi, Young Man with a Staff, of a computer-aided drafting system for together a number of staff and tutors. c. 1765 day-to-day use by the building mainte- Plans are in place to reorganize and Gift of Kate Ganz, in Honor of the Fiftieth Anniversary of nance and operations staff. update the staff orientation program dur- the National Gallery of Art, 1991.24.1 ing the next fiscal year to provide a complete overview of the Gallery's mission Resource Acquisition and of the responsibilities of each department. To communicate this information, The resource acquisition division, for- we are preparing videos, tours, and dis- merly known as the procurement and cussion meetings. supply office, handled a record number of contracts this fiscal year. Fifty-two contracts were awarded for a total of more than $3.5 million. One of the largest was

92 Office Services Audiovisual Services

Cathy Williams joined the Gallery this The primary responsibility of the audio- year as the chief of the office services di- visual services department is to provide vision, responsible for providing transpor- technical support for the Gallery's films, tation, mail, printing and duplication, and lectures, exhibition-related audiovisual checkroom services for the Gallery. The programs, special events, and press brief- office reviewed all aspects of its opera- ings, with the continuing goal of assuring tion, and steps have been taken both to the highest quality presentations and re- raise the quality of service and to provide cordings possible. The staff keeps pace opportunities for staff development. with changing technologies and has con- A new position was created for an ad- tinued to improve and expand services: ministrative officer to manage the office upgrading the large auditorium motion budget, personnel, and day-to-day opera- picture projectors and screen masking to tions. Policy statements were issued or obtain a 34 percent increase in projected updated on subjects such as issuance of image size for 35mm films; and planning government licenses, internal control of and installing a high definition television vehicle keys and credit cards, and secure system in the East Building's small audi- delivery procedures for rare book pur- torium. The latter is the only facility of its chases and loans to the library. Other ini- kind in Washington, D C., and one of two tiatives include the establishment of a such facilities in the entire United States. maintenance program for Gallery vehi- This year the Gallery also introduced cles, a system for providing long-distance an in-house digital recording capability. driving support for Gallery offices, and The Gallery's Sunday Concerts reached a the computerization of Federal Express national audience when National Public international mail billing and tracking. Radio began to broadcast the depart- An in-service training program was de- ment's digitally mastered recordings on signed for the checkroom clerks to im- "Performance Today." In the spring the prove basic administrative and clerical compact disc of the National Gallery of skills, enabling them to provide tempo- Art's Vocal Arts Ensemble, recorded in rary clerical support to offices in the Gal- 1990, was released internationally. The lery and to prepare for future career department also completed the design opportunities. On-the-job training was and installation of the theater for the edu- also offered in the areas of budgets, ve- cation department's "Introduction to hicle management, and mail services. Sculpture" video and arranged for the transfer of the videotape to laserdisc. In Telecommunications order to expand the availability of CNN, C-Span, and C-Span-II, work continued on the improvement of the master TV sys- The Gallery's new state-of-the-art tele- tem serving the Gallery. Plans include the communications switch was in operation development of a program for area col- on 15 April 1991. A feature of the new lege students who are interested in tech- switch is a voice mail system, which nical aspects of the Gallery's audiovisual serves more than six hundred members work, including motion picture projection of the Gallery staff. The Gallery also and sound recording. added a telecommunications device for the deaf (TDD) system. Plans call for mo- dem pooling, networking, and telecon- ferencing using the enhanced capabilities of this new system.

External Affairs

Development Looking to the future, the Gallery is setting immediate and long-term funding In marking its fiftieth anniversary, the Na- goals to support the activities that will tional Gallery enjoyed extraordinary phil- conserve its permanent collection and anthropic support from private funding make it accessible to larger audiences. sources, receiving nearly $25 million in Seven major grants from private foun- gifts and pledges from individuals, foundations were awarded to support the Gal- dations, and corporations during the five- lery's education initiatives to further the year campaign. Those who gave during public's understanding of art. this fiscal year are listed on pages 137- Funding received from The Annenberg 144 of this report. We are extremely Foundation is enabling the development grateful for the support of all donors. of a high-quality videodisc to present the Development efforts in honor of the Gallery's collection of American painting fiftieth focused particularly on the goal of and sculpture, plus a large selection of building the Gallery's permanent collec- drawings, watercolors, and graphics. tion and enhancing the activities that sup- When the project is completed, 2,500 port it. More than 220 donors from videodiscs will be given to educational in- twenty-two states, the District of Colum- stitutions in fifty states and the District of bia, and five foreign countries gave Columbia. nearly 1,300 paintings, sculptures, and As a lively teaching aid to involve works of graphic art to the Gallery. Ap- younger visitors in the Gallery's collec- proximately 130 of these donors are first- tions, a series of children's books and time donors to the Gallery. Sixty-eight family guides will be created with funds members of the 50th Anniversary Gift from the Vira I. Heinz Endowment. Committee contributed more than $6 mil- These illustrated books will explore cre- lion in funds used by the Gallery to pur- ative ways to view works of art and to do chase four works of art, including the old projects at home. master painting The Martyrdom of Saint To improve self-guiding information for Bartholomew by Jusepe de Ribera. The the public, Knight Foundation has pro- gifts of art are mentioned in the relevant vided support for twenty-one new illus- curatorial sections of this report. In spe- trated, laminated leaflets printed in six cial recognition of the fiftieth, The An- languages for use in the West Building drew W. Mellon Foundation awarded a galleries. grant of $7.5 million to endow three se- Addressing growing national concerns nior positions and associated support ac- about declines in art instruction in tivities related directly to scholarly schools, four foundations have awarded Willem Claesz. Heda, Banquet Piece with Mince Pie, 1635 (detail) projects involving the permanent grants toward the Gallery's teacher en- Patrons' Permanent Fund, 1991.87.1 collection. richment programs. A gift from the Ger-

95 aldine R. Dodge Foundation will support Other projects funded by the Circle in- the first National Conference on Teacher cluded the production of brochures for Programs, in which more than one hun- the exhibitions, "Soap Bubbles" of Jean- dred museum and university art educa- Simeon Chardin and Rembrandt's tion specialists will meet in Washington to Lucretias. discuss the creation of local teacher en- Throughout its fifty-year history, the richment programs. The Bauman Foun- National Gallery of Art has thrived as a dation has provided funds to conduct a partnership between the federal govern- national survey of these programs in mu- ment and the American people. The Gal- seums. The William Randolph Hearst lery continues to rely on support from Foundation awarded a grant to the Gal- individuals, foundations, and corpora- lery's National Teacher Institute, a week- tions, as funds for art acquisition and long summer program including lectures, many special projects come only from pri- gallery tours, curriculum discussions, and vate sources. Much of the philanthropic visits to other museums. The grant also support described above has been se- provided scholarships for two outstanding cured through the efforts of our volunteer educators from each state to attend this board of trustees and trustees' council. year's institute, focusing on European The development office continues to help Renaissance art and history. An anony- implement fundraising strategies recom- mous foundation has provided support mended by the volunteer leadership. for a follow-up teacher resource packet to contain slides, reproductions, and student handouts for classroom use. The Gallery raised $350,000 to com- Corporate Relations and plete the matching portion of the Andrew Venture Programs W. Mellon Foundation's $750,000 challenge grant to support curatorial assis- This office secures corporate support for tance and scholarly research relating to Gallery exhibitions and exhibition-related the permanent collection. The Gallery projects such as films, videos and inter- also continued to raise gifts to match the active videodiscs, education programs, Mellon Foundation's $1 million challenge brochures, catalogues, special events, ad- grant for conservation endowment. Vital vertising, and press materials. It also to preserving the works in the collections, serves as a liaison between the Gallery the conservation department also engages and corporate representatives, including in research, publications, and scholarly chief executive officers and directors of exchange that enlarge the Gallery's con- corporate contributions, communications, tribution to the national and international and public affairs, to ensure that sponsor museum community. relations with the Gallery are mutually Guided by Robert H. Smith and Kath- beneficial. The office has continued to ex- arine Graham, The Circle of the National plore new opportunities for corporate Gallery of Art continued to grow in its supporters, including consortium spon- fifth year (see pages 141-143), bringing sorship and joint ventures. in more than $600,000 and enjoying an Eighteen corporations and one founda- 81 percent membership renewal rate. tion made contributions amounting to The Circle's support of the fiftieth anni- more than $7 million in support of ten ex- versary included the purchase for the hibitions and related films in fiscal year Gallery's permanent collection of the wa- 1991, and another nine corporations pro- tercolor View on the River Wye, Looking vided support for six exhibitions and re- towards Chepstow, by John Martin. Circle lated projects scheduled from October members support a variety of Gallery pro- 1991 through September 1992, totaling grams of consistently high quality that $2,295,000. benefit every visitor. This year the Circle Setting the tone of internationalism members funded one of three internships both for Gallery exhibitions and sponsors at the Gallery for minority students pursu- in 1991, two Italian companies, Galileo ing careers in the museum professions. Industrie Ottiche, S.p.A., of Venice and

96 profiles of fifty major Gallery sponsors and listings of more than three hundred companies that have supported exhibitions and programs during the Gallery's fifty-year history, has been distributed internationally to Gallery patrons, chief executive officers, and corporate contributions and communications directors. Anthony Thorncroft of the London Finan- cial Times described The Corporate Pa- tron as "the most comprehensive and detailed exposition of any gallery's drive for sponsorship. . . . Every picture re- lates to a story." The book was introduced in a special advertising supplement in the May issue of Fortune magazine, which included specially designed advertisements by GTE Corporation, Eastman Kodak, Southwestern Bell Corporation, Mellon Bank, The Mitsui Taiyo Kobe Bank, Ltd., Time Warner, Inc., and Canon, Inc., and Canon U.S.A., Inc. Joining Ameritech, Republic National Bank of New York, and The Mitsui Taiyo Kobe Bank, Ltd., in partnership with The Nomura Securities Co., Ltd., the global consortium of sponsors for the fiscal 1992 exhibition Circa 1492: Art in the Hans Bol, Winter Landscape with Skaters, Silvio Berlusconi Communications of Age of Exploration was completed with c. 1584/1586 Milan, supported the Washington presen- the European support of Banco Exterior Gift of Robert H. and Clarice Smith, in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1991.15.1 tation of Titian: Prince of Painters. South- de Espana (Grupo CBE) and Fiat S.p.A. western Bell Corporation returned to the Additional support for the exhibition and Gallery to sponsor Paul Strand and com- catalogue was provided by The Rock- mitted a gift of sixty-one photographs by efeller Foundation. Sponsor representa- Strand in conjunction with its support of tives were featured speakers at long-lead the exhibition. For its gift, Southwestern press conferences for Circa 1492 in Bell became the first corporate sponsor to Washington and New York. Ameritech join the ranks of foundations and individ- created a national advertising campaign uals whom the trustees recognize as bene- for the exhibition, including major news- factors of the National Gallery. GTE, in its papers, magazines, and journals as well record-breaking seventh sponsorship at as Washington bus stops, Metro stations, the Gallery, supported Art for the Nation: National Airport terminals, and radio Gifts in Honor of the Fiftieth Anniversary spots. of the National Gallery of Art. Philip Canon U.S.A., Inc., and Canon, Inc., Morris Companies Inc., which has sup- generously supported the film Masters of ported five exhibitions at the Gallery, Illusion, created in conjunction with the committed corporate support for the Al- Circa 1492 exhibition. The film will be bert Bierstadt exhibition, and Lufthansa translated into eight languages and pre- German Airlines for Kathe Kollwitz, both sented in special viewings in Washington, in fiscal year 1992. New York, and Los Angeles, and at the In honor of the Gallery's fiftieth anni- American Embassy in Tokyo. Sony Cor- versary, Fortune magazine published a poration made it possible for the film to book documenting the history of corpo- be available in high definition video for- rate sponsorship at the Gallery. The Cor- mat and donated equipment for a state- porate Patron, which includes illustrated of-the-art high definition video theater in

97 the small auditorium of the East Building. in magazines such as Smithsonian and Travel support for the film project was ARTnews. The British Apollo magazine provided by All Nippon Airways. featured the Gallery's Ginevra de' Benci The Gallery was pleased to have its by Leonardo da Vinci on the cover and a fiscal year 1990 and 1991 sponsors as major story on the Gallery's permanent founding members of a new membership collection and history. Foreign newspaper program, the International Corporate coverage extended from Glasgow to Circle (ICC). Corporations are invited to Calcutta. join the ICC with an annual contribution Gallery director J. Carter Brown ap- of $10,000, enabling them to attend peared on NBC's "Nightly News" and events such as the annual black-tie ICC "Today" programs in association with the dinner at the Gallery, previews of Gallery fiftieth anniversary, and CBS news also films, and Gallery functions abroad, and covered the celebration. WRC, Washing- to receive complimentary publications, ton's NBC television station, broadcast a videocassettes, and VIP arrangements for two-part interview with honorary trustee passes and tours of exhibitions. The office Paul Mellon, a Founding Benefactor of has coordinated an international mailing the Gallery, who was also profiled by of 2,500 prospects worldwide. A com- John Russell on the front page of the Sun- plete list of ICC members as of the end of day New York Times Arts and Leisure sec- the fiscal year can be found on page 140 tion. To facilitate even greater broadcast of this report. coverage, the press office produced a During the summer the office wel- video press release, distributed to eight comed two temporary staff members, hundred network affiliates across the Heinrich von Liechtenstein and Marilyn country. Brockway, who assisted with research and Outstanding press response was mailing for the International Corporate achieved as well for Titian: Prince of Circle and distribution for The Corporate Painters. Interest from the Italian press Patron book. was extremely high, resulting in more than a hundred reports on the exhibition. Foreign publications covering the An- thony van Dyck exhibition included such Press and Public Information British and French periodicals as Country Life, Daily Telegraph, and L'Objet d'art. This office actively promotes press cover- The press office later initiated exten- age of events at the National Gallery and sive publicity for the Rauschenberg serves as a liaison between the Gallery Overseas Culture Interchange ("ROCl"). and the media. In fiscal year 1991 these Network television programs such as activities drew unprecedented national CBS's "Sunday Morning" and PBS's and international attention. More than a "MacNeil/Lehrer NewsHour" broadcast thousand major stories and mentions of features on the show, helping to draw the Gallery were published in newspapers greater public attendance than for any and magazines or broadcast by radio and other Gallery exhibition of the year. The television stations around the world. The world premiere performance of the Trisha Washington Post alone ran nearly a hun- Brown Dance Company's Astral Con- dred articles on exhibitions, acquisitions, verted (50"), with sets by Robert Rau- special events, and people at the Gallery. schenberg and music by John Cage, For the fiftieth anniversary celebration opened in conjunction with the ROCl ex- and gift exhibition Art for the Nation, the hibition. It was covered on the front pages press office generated coverage that of Washington arts publications, and the greatly increased public awareness of the Style section of the Washington Post in- history and collections of the nation's art cluded a profile of choreographer Brown gallery. More than two hundred reports and an opening night review of the appeared, including ten articles and an performance. editorial in the Washington Post, four ar- This year the office began to produce a ticles in the New York Times, and stories full-page monthly advertisement of Gal-

98 lery exhibitions and activities for publi- neur for the 2,000th National Gallery Or- cation in the Washington Post, with a chestra concert. readership of 840,000. It is reprinted as The annual meeting of the Collectors a handout for Gallery visitors. The office Committee members (see list on page continued publication of the monthly cal- 140) coincided with a preview of Kazimir endar of events, distributed to 58,000 Malevich. Other important twentieth-cen- households across the country, and a bi- tury art activities included a gala evening monthly staff newsletter. in honor of the Rauschenberg Overseas Looking ahead to the Circa 1492: Art Culture Interchange ("ROCl") and a pre- in the Age of Exploration exhibition, the view of the Graphicstudio exhibition; both information office organized two advance brought a distinguished group of contem- press briefings in Washington, D C., and porary artists to Washington. In conjunc- New York City to present information on tion with ROCl, the Gallery commissioned the progress of the exhibition and to in- the dance Astral Converted (50"), with a troduce corporate and foundation spon- premiere performance on the Mall fol- sors. The New York press luncheon was lowed by a reception in honor of the attended by more than one hundred do- artists. mestic and foreign correspondents and Of particular importance were the din- editors. Expanded media contacts in ners for Titian: Prince of Painters and anticipation of Circa 1492 led to early Anthony van Dyck. Both brought major articles in such publications as Harper's international collectors and lenders to the Bazaar and Panorama (Italy), in addition Gallery, including First Lady Barbara to a twelve-page overview of the Gallery, Bush. Other distinguished visitors during with an introduction by Mrs. James the year included the president of Hun- Baker, in a special color supplement in gary, Mrs. Lech Walesa, and Queen Mar- El Mundo, Spain's leading newspaper. grethe of Denmark, who came to see The The office has planned a three-day Art of Glass: Masterpieces from the Cor- critics' conference at the Gallery for the ning Museum. fall to bring the nation's leading art critics The film Voices in Celebration pre- together for professional discussions. The miered at the Gallery during the anniver- conference is intended to provide a forum sary week and was later the focus of for exchanging ideas about interpreting celebrations for European friends of the art to general audiences and also to intro- Gallery at the American Embassy Resi- duce the Gallery's activities to a broad dence in Paris, and for international range of art writers and critics from friends at the Dag Hammarskold Audi- across the country during a busy season torium at the United Nations. of exhibition openings.

Visitor Services Special Events The focus of this department is to pro- The primary responsibility of the office of mote an enjoyable experience for all who special events is to organize exhibition visit the National Gallery. Of the many openings and Gallery ceremonies. This services provided, the most visible is fa- year the major focus was the celebration cilitating entry into popular exhibitions. of the fiftieth anniversary of the National The staff offers information by telephone, Gallery. During the anniversary week operates a free pass system, ensures the alone there was a birthday celebration for availability of brochures, schedules entry the staff, a black-tie dinner for five hun- for groups, maintains a courtesy pass list, dred in honor of donors to Art for the Na- provides personal assistance to visitors tion, a presentation ceremony for recipi- with special needs, and prevents over- ents of the fiftieth anniversary medal, a crowding in galleries. This service is also preview luncheon in honor of the John provided for films and lectures when Russell Pope exhibition, and a vin d'hon- needed.

99 prise executive officers and department heads of visitors' concerns.

Horticulture

The horticulture department experienced an especially active year, preparing displays not only for events associated with the regular exhibition schedule but for celebrations in honor of the Gallery's fiftieth anniversary. The installation of the Titian exhibition incorporated cypress trees and other plants associated with Venice in this period, and the Van Dych exhibition featured elaborate layered displays of flowering plants at the entrance and throughout the galleries. For the anniversary gift exhibition, Art for the Nation, the department provided an indoor garden in the East Building and other plant displays. The John Russell Pope and ROC1 exhibitions also required plants as part of the installations. A special gift in honor of the Gallery's fiftieth anniversary was the extraordinary Ames-Haskell azalea collection, displayed on this occasion for the pleasure of our visitors. This collection, consisting of one hundred specimen azaleas, was assembled by John Ames of Boston with the assistance of the renowned plant explorer "Chinese Wilson," then was passed on to Trisha Brown Dance Company performing Astral During fiscal year 1991 the depart- Allen C. Haskell, who has given the col- Converted (50") outdoors in front of the West Build- ment assisted with 278,152 visits to the lection to the National Gallery. The azalea ing, with sets by Robert Rauschenberg and music Titian exhibition, distributing free passes display will be presented as an annual by John Cage on weekends and holidays. Monitoring event at the Gallery. was also provided for Van Dych; Art for Another major contribution to the anni- the Nation; and Degas Waxes. The office versary celebrations was the complete handled seating and crowd control for redesign and replanting of the outdoor five outdoor evening performances of the fountain gardens at either side of the Trisha Brown Dance Company's Astral main entrance to the West Building on Converted (50"), attended by 10,268 Madison Drive. These gardens, over- people. The increasing popularity of the grown with azaleas and yew hedges over Sunday evening concerts required the in- the years, were cleared of all plant mate- stitution of a pass system, making tickets rial except for the large specimens. New available as early as Friday morning. layouts were designed to invite visitors to Visitor services compiles, tabulates, linger in the space or to rest on one of the and distributes weekly attendance figures benches installed around the central for the Gallery and special exhibitions. fountains. The planting of perennials and These figures date back to 1941 and are flowering shrubs gives an air of freshness used frequently by many departments. to this entrance to the Gallery. The office recorded 1,600 comment Exterior projects included the renova- cards in 1991, responding as appropri- tion of the lawns around both buildings ate, and prepared monthly reports to ap- and replacement of the rugose rosebeds

100 on the plaza of the West Building with Tom Valentine and John Conway under abelias to provide a more maintenance the artistic direction of George Manos, free landscape with evergreen foliage and and was made possible by funds provided a long flowering period. by the Circle of the National Gallery of Art. The Forty-eighth American Music Fes- Music at the Gallery tival, which ran from 7 April through 12 May, featured jazz concerts by Dizzie Forty Sunday evening concerts were pre- Gillespie and George Shearing, as well as sented in the West Garden Court of the a program of American piano music by National Gallery in fiscal year 1991. James Tocco, whose recital not only re- Concerts were supported by funds be- ceived favorable review at the time but queathed to the Gallery by William was also recalled as "a benchmark of the Nelson Cromwell and F. Lammot Belin, season" in a later Washington Post re- with additional subvention from the Mu- view. Attendance at the festival concerts sic Performance Trust Funds of the Re- was higher than in previous years, as was cording Industry through Local 161-170 attendance in general throughout the of the American Federation of Musicians; season. Due to the popularity of the con- from the Ann and Gordon Getty Founda- certs, free passes were issued at the Gal- tion; and from the Embassy of Canada. lery on the three days prior to each The National Gallery Orchestra per- concert. formed ten concerts under the direction Four commissions were issued to of George Manos, which included the American composers in honor of the Gal- gala concert on 17 March 1991 marking lery's fiftieth anniversary. Works for or- the fiftieth anniversary of the Gallery and chestra were completed by Daniel the 2,000th concert in the series, which Pinkham, Robert Ward, and John La began in 1942. As a further observance Montaine, and were premiered by the of the Gallery's anniversary, the music de- National Gallery Orchestra under Manos' partment invited twenty internationally direction. A work by Richard Bales is prominent artists who had performed at scheduled for completion and perfor- the Gallery early in their careers to return mance in 1992. for an appearance in the 1990-1991 In addition to continued live local season. (The concerts by returning artists broadcast of the concerts on radio station are marked with an asterisk in the list be- WGMS, this year's season was re broad- low.) The Gallery orchestra also got an cast nationally on a regular basis on the early start on 1991 observances of the National Public Radio program "Perfor- 200th anniversary of Mozart's death by mance Today." A color brochure preview- presenting an all-Mozart concert on ing the concerts was printed for the first 3 February, and marked the opening of time this year, and it drew an enthusiastic the exhibition Kazimir Malevich with a response from the public. The music de- concert of Russian orchestral music on partment enjoyed the cooperation of two 14 October. volunteer interns during fiscal 1991. The National Gallery Vocal Arts En- Humphries McGee III, from Episcopal semble, also under Manos, performed High School, and Julie Turaj, from Yale two concerts at the Gallery, as well as a University, worked with the department return engagement at the Rheingau as spring and summer interns, respec- Musik Festival in Wiesbaden and three tively. Music librarian George Gillespie other concerts in Germany. The Vocal completed the cataloguing and storage of Arts Ensemble's first recording, Four the works of Richard Bales, a long-term Centuries of Vocal Music, was released for project that began in 1989. international distribution on the Koch In- The Gallery concerts were the subject ternational label in April, and sales of the of fifteen reviews in various media, fifteen recording have run well ahead of the dis- newspaper photo previews, three feature tributor's expectations. The master re- articles, and a broadcast interview on cording was produced at the Gallery by WETA radio. The National Gallery Vocal

101 FEBRUARY 3 National Gallery Orchestra with Agustin Anievas, pianist* 10 The Juilliard String Quartet* 17 Lillian Kallir, pianist* 24 National Gallery Vocal Arts Ensemble

MARCH 3 Gyorgy Sandor, pianist* 10 Grant Johannesen, pianist* 17 National Gallery Orchestra, with Alessandra Marc, soprano (2,000th concert and 50th Anniversary of the National Gallery) 24 Lee Luvisi, pianist* 31 The Gregg Smith Singers (Easter concert)

Forty-eighth American Music Festival APRIL 7 National Gallery Orchestra 14 James Tocco, pianist 21 George Shearing, pianist, with Joe Williams, vocalist, and Joe Pass, guitarist* 28 An die Musik, piano quintet

MAY 5 Dizzy Gillespie and Jazz Ensemble 12 National Gallery Orchestra

19 The Audubon Quartet* 26 Sidney Harth, violinist*

JUNE 2 The Peabody Trio 9 Leon Bates, pianist* 16 Anne Koscielny, pianist* 23 Menachem Pressler, pianist* Titian, The Concert, c. 1512, Galleria Palatina, Pal- Arts Ensemble's tour of Germany re- 30 National Gallery Orchestra azzo Pitti, from the Titian: Prince of Painters ceived four favorable reviews in German exhibition (detail) newspapers. WORLD PREMIERES A complete listing of the 1990-1991 DANIEL P1NKHAM concert season follows: Symphony No. 4, 4 November 1990 ROBERT WARD OCTOBER By the Way of Memories, 7 April 1991 7 National Gallery Orchestra JOHN LA MONTAINE 14 National Gallery Orchestra Of Age: An Ode, Epode, and Fanfares, 12 May 1991 21 Martina Arroyo, soprano* 28 Shura Cherkassky, pianist* FIRST WASHINGTON NOVEMBER PERFORMANCES 4 National Gallery Orchestra MORTENLAURIDSEN 11 Emmanuel Vardi, violist* Mid-winter Songs, 9 December 1990 18 Daniel Heifetz, violinist HUGO KAUDER 25 Anton Kuerti, pianist* Ten Poems from James Joyce's "Chamber Music," 24 February 1991 DECEMBER EDWARD DIEMENTE 2 National Gallery Orchestra Songs for Winter, 24 February 1991 9 National Gallery Vocal Arts Ensemble BELA BARTOK 16 Oscar Shumsky, violinist* Intermezzo interrotto (arranged by the composer 23 The Maryland Camerata—Christmas concert from his Concerto for Orchestra), 3 March 1991 30 National Gallery Orchestra—New Year concert SHULAMIT RAN JANUARY Excursions for Violin, Cello, and Piano, 2 June 6 Ann Schein, pianist* 1991 13 Zvi Zeitlin, violinist* 20 Michael Ponti, pianist* 27 Alessandra Marc, soprano

102 Center for Advanced Study i• n th-1 e ~\T*V lsua14l Art, s Repor1990199t for th1e Academi c Year

At the founding of the Center in 1979, a scholars from central Europe and the for- four-part program of fellowships, meet- mer Soviet Union. The Center has re- ings, publications, and research was insti- ceived support for scholarly meetings, tuted. In its eleventh year, in addition to programs, and events from various ongoing activities in these four areas, the sources including Hyatt Hotels Corpor- Center continued meetings with the Asso- ation and the Samuel H. Kress ciation of Research Institutes in Art His- Foundation. tory, a union of twelve institutions in Members of the board of advisors North America that support advanced re- serve overlapping appointments, usually search through fellowship and related for three-year terms. In December 1990 programs. Incorporated in spring 1987, Juergen Schulz, Brown University, and ARIAH enables member institutions, as a Linda Seidel, University of Chicago, com- group, to develop and seek funding for pleted their terms. In January 1991 jointly sponsored programs and projects David Rosand, Columbia University, and and to share visiting scholars. The Center Kirk Varnedoe, the Museum of Modern also took part in meetings of the Washing- Art, New York, began their terms. Six ton Collegium for the Humanities, made others continued to serve: Svetlana Al- up of nine research institutions, and this pers, University of California, Berkeley; year sponsored a lecture by Robert Gar- Everett Fahy, the Metropolitan Museum land in a Collegium series entitled, "The of Art; William Loerke, Dumbarton Oaks; World of the Child." Donald Preziosi, University of California, A variety of private sources support the Los Angeles; Jules Prown, Yale Univer- programs of the Center. Senior, predoc- sity; and John Rosenfield, Harvard Uni- toral, and curatorial fellowships are versity. Members of the board also funded by endowments from the Andrew comprise the selection committees that W. Mellon Foundation and the Chester review fellowship applications. Dale bequest, and by Robert H. and The resident community of scholars at Clarice Smith for the Smith predoctoral the Center in 1990-1991 included the fellowship in Northern Renaissance paint- Samuel H. Kress Professor, seven senior ing. The Samuel H. Kress Foundation fellows, ten visiting senior fellows, two provides funds for the Kress Professor, Soros visiting senior research fellows, one for Kress senior fellowships, a Kress post- postdoctoral fellow, and six predoctoral doctoral fellowship, and Kress and Davis fellows. Nonresident scholars included six predoctoral fellowships. The Wyeth En- predoctoral fellows. Research by the dowment and Ittleson Foundation also scholars in residence involved diverse support predoctoral fellowships. The media, including architecture, painting, Soros Foundation provides funds for a graphic arts, metalwork, and photogra- visiting senior research fellowship for phy, originating in cultures ranging from

103 medieval Japan and Islamic Spain to mid- VISITING SENIOR FELLOWS twentieth-century America. Some focused Jaynie Louise Anderson, University of Oxford, on aesthetics, patronage, technical as- Ruskin School of Drawing and Fine Arts, Paul pects of sculpture, or iconographic pro- Mellon Visiting Senior Fellow, summer 1991 grams of stone inscriptions, while others Gorel Cavalli-Bjorkman, Nationalmuseum, Stockholm, Ailsa Mellon Bruce Visiting Senior examined terminology control of art his- Fellow, winter 1991 torical databases. Giuseppe Dardanello, Politecnico di Torino, Ailsa Mellon Bruce Visiting Senior Fellow, fall 1990 SAMUEL H. KRESS PROFESSOR Paula Harper, University of Miami, Coral 1990-1991 Gables, Ailsa Mellon Bruce Visiting Senior Fellow, winter 1991 Per Bjurstrom, educated at the University Erno Marosi, Hungarian Academy of of Uppsala, joined the prints and draw- Sciences, Budapest, Institute of Art History, ings department at the Nationalmuseum, Paul Mellon Visiting Senior Fellow, summer Stockholm, in 1950; he became depart- 1991 ment head in 1968 and director of the Boris Marshak, State Hermitage Museum, museum in 1980. He is now director Leningrad, Paul Mellon Visiting Senior Fellow, spring 1991 emeritus of the National Swedish Arts Annaliese Mayer-Meintschel, Staatliche Museum, a member of the Royal Acad- Kunstsammlungen Dresden, Ailsa Mellon emy of Letters, History, and Antiques and Bruce Visiting Senior Fellow, summer 1991 the Royal Academy of Art, and president Olga Palagia, Athens University, Ailsa Mellon of the International Committee on Mu- Bruce Visiting Senior Fellow, summer 1991 seums of Fine Arts, among other profes- Nigel Robert Thorp, Glasgow University sional affiliations. He has published more Library, Paul Mellon Visiting Senior Fellow, than 250 books and articles on Swedish fall 1990 art and on the prints, drawings, and M. E. Warlick, University of Denver, Paul Mellon Visiting Senior Fellow, fall 1990 paintings of Germany, France, and Italy from the Renaissance to the present. He SOROS VISITING SENIOR RESEARCH has made a major contribution to the un- FELLOWS derstanding of baroque theater and scene Werner Schade, Staatliche Museen zu Berlin, design. While at the Center, Bjurstrom Kupferstichkabinett, Soros Visiting Senior concentrated on two projects, the art of Research Fellow, fall 1990-winter 1991 Louis Jean Desprez and the two-hundred- Vojtech Lahoda, Institute of Art History, year history of the Swedish National- Prague, Soros Visiting Senior Research museum. Fellow, spring-summer 1991

AILSA MELLON BRUCE NATIONAL SENIOR FELLOWS GALLERY OF ART CURATORIAL FELLOW, David Bruce Brownlee, University of 1990-1991 Pennsylvania, Ailsa Mellon Bruce Senior Gail Feigenbaum, curator of academic Fellow, 1990-1991 programs Laura Corti, Scuola Normale Superiore; Villa I Tatti, associate appointment, spring 1991 AILSA MELLON BRUCE NATIONAL Dale Vivienne Kent, University of California, GALLERY OF ART CURATORIAL FELLOW, Riverside, Samuel H. Kress Senior Fellow, 1990-1991 1990-1991 Christopher Thomas, National Gallery Lothar Ledderose, Universitat Heidelberg, Archives Kunsthistorisches Institut, Paul Mellon Senior Fellow, 1990—1991 PREDOCTORALFELLOWS Jane Shelton Livingston, George Mason University, Samuel H. Kress Senior Fellow, Matthew Affron [Yale University], Samuel H. 1990-1991 Kress Fellow, 1990-1992 Gloria Ferrari Pinney, Bryn Mawr College, Barbara Shapiro Comte [Harvard University], Samuel H. Kress Senior Fellow, 1990-1991 Chester Dale Fellow, 1990-1991 John Tagg, State University of New York, Bing- Harold Foss Foster [City University of New hamton, Ailsa Mellon Bruce Senior Fellow, York, Graduate School and University Center], 1990-1991 Paul Mellon Fellow, 1990—1993

104 Isabelle Frank* [Harvard University], Paul Mitchell F. Merling, "Why Raphael Couldn't Mellon Fellow, 1988-1991 Draw: A Lesson in Painting from a Seven- Alessandra Galizzi* [Johns Hopkins teenth-Century Venetian Professor" University], David E. Finley Fellow, 1988- D. Fairchild Ruggles, "The Hispano-Islamic 1991 Garden and the Question of Paradise" Randall C. Griffin* [University of Delaware], Amy Kurlander, "Corot's Souvenir de Morte- Wyeth Fellow, 1989-1991 fontaine: Landscape and the Beholder" Robert Edward Haywood [University of Incontri Michigan], Wyeth Fellow, 1990-1992 Jochen Boberg, Museumspadagogischer Ronda J. Kasl [New York University, Institute Dienst, Berlin, "Museum, Culture, and of Fine Arts], Paul Mellon Fellow, 1989- Communication" 1992 Jaromtr Neumann, Charles University, Amy Kurlander* [Harvard University], Mary Prague, "The Flaying of Marsyas" Davis Fellow, 1989-1991 Juan Bonta, University of Maryland at College Mitchell F. Merling* [Brown University), Park, "American Architects and Texts: A Samuel H. Kress Fellow, 1989-1991 Study of the Names Cited in Architectural Kevin Dean Murphy [Northwestern Literature" University], Mary Davis Fellow, 1990-1992 Nadine M. Orenstein [New York University, Symposia Institute of Fine Arts], David E. Finley Fellow, 1989-1992 TITIAN 500 25-27 October 1990 D. Fairchild Ruggles* [University of Pennsylvania], Ittleson Fellow, 1989-1991 Participants: Jaynie Anderson, University of Oxford, Ruskin School of Drawing and Fine Frederic Schwartz [Columbia University], Chester Dale Fellow, 1990-1991 Arts; David Alan Brown, National Gallery of Art; Patricia Fortini Brown, Princeton Univer- Philip Hotchkiss Walsh [Harvard University], David E. Finley Fellow, 1990-1993 sity; David Bull, National Gallery of Art; Robert Echols, National Gallery of Art; Sydney Ethel Sara Wolper [University of California, Los Angeles], Ittleson Fellow, 1990-1992 J. Freedberg, National Gallery of Art (emeritus); Augusto Gentile, Universita di Roma I, "La Sapienza"; Rona Goffien, Rutgers Univer- MEETINGS sity; Werner L. Gundersheimer, Folger Shake- speare Library; Paul Holberton, Surrey, Colloquia England; Charles Hope, University of London, Per Bjurstrom, "Louis Jean Desprez and His Sicilian Recollections" Warburg Institute; Peter Humfrey, University of Saint Andrews; Douglas Lewis, National Gloria Ferrari Pinney, "Figures of Speech: Gallery of Art; Mauro Lucco, Universita degli The Picture of Aidos" studi di Bologna; Joseph Manca, Rice Univer- Lothar Ledderose, "Mao's Mausoleum" sity; Emanuele Mattaliano, Universita degli Jane Shelton Livingston, "The New York studi di Venezia; Henry A. Millon, Center for School: Photography, 1936-1963" Advanced Study in the Visual Arts; Terisio John Tagg, "A Discourse (with Shape of Rea- Pignatti, Universita degli studi di Venezia and son Missing)" Civici Musei Veneziani; Joyce Plesters, Na- David Bruce Brownlee, "Louis I. Kahn: In the tional Gallery, London (emerita); David Realm of Architecture" Rosand, Columbia University; Pierre Rosen- Dale Vivienne Kent, "Renaissance Florence: berg, Musee du Louvre; Ugo Ruggeri, Univer- The Patron's Oeuvre" sita degli studi di Udine; Giovanna Nepi Scire, Shop Talks Soprintendenza dei beni artistici e storici, Randall C. Griffin, "Remythologizing the In- Venice; Wendy Stedman Sheard, Stony Creek, dustrial Worker: Thomas Anshutz's The Iron- Connecticut; Paolo Spezzani, Soprintendenza workers ' Noontime" dei beni artistici e storici, Venice; Arthur Stein- Isabelle Frank, "Melozzo da Forll and Prob- berg, Massachusetts Institute of Technology; lems in Fifteenth-Century Perspective" Francesco Valcanover, Comitate scientiflco, Alessandra Galizzi, "Problems in the Icon- Mostra di Tiziano, Venice ography of the Immaculate Conception, c. 1500" VAN DYCK 350 8-9 February 1991 Cosponsored with the University of Maryland; sessions 3 and 4 held at the University of *in residence 17 September 1990—31 August Maryland at College Park 1991 Participants: Arnout Balis, Nationaal Centrum

105 6)8*

Curator John Hand examining the Gallery's newly voor de Plastische Kunsten and Rubenianum, MIDDLE ATLANTIC SYMPOSIUM IN THE restored Saint Anne Altarpiece by Gerard David Antwerp; Susan J. Barnes, Dallas Museum of HISTORY OF ART: TWENTY-FIRST ANNUAL (c. 1500/1520, Widener Collection), the subject of Art; Reinhold Baumstark, Sammlungen des SESSIONS, 12-13 April 1991 a curatorial colloquy sponsored by CASVA Fiirsten von Liechtenstein, Vaduz; Piero Boc- Co-sponsored with the Department of Art His- cardo, Civica Galleria di Palazzo Rosso, Ge- tory, University of Maryland at College Park noa; Egbert Haverkamp-Begemann, New York Participants: Donald A. McColl [University of University, Institute of Fine Arts; Michael Virginia], introduced by John Yiannias; Jajfe, Fitzwilliam Museum, Cambridge (emer- Maureen Kupstas [University of Delaware], in- itus); John Martin, Princeton University troduced by Lawrence P. Nees; Andrea Bol- (emeritus); Justus Miiller Hofstede, Rheinische land [University of North Carolina, Chapel Friedrich-Wilhelms-Universitat Bonn; Graham Hill], introduced by Mary Pardo; Alessandra Parry, University of York; Malcolm Rogers, Galizzi [Johns Hopkins University], intro- National Portrait Gallery, London; Joneath duced by Charles Dempsey; Michael Tomer Spicer, Walters Art Gallery, Baltimore; [Pennsylvania State University], introduced by Katlijne Van Der Stighelen, Katholieke Univer- Jeanne Chenault Porter; Debora Rindge [Uni- siteit Leuven; Hans Vlieghe, Katholieke Uni- versity of Maryland], introduced by William versiteit Leuven and Rubenianum, Antwerp; L. Pressly; Paul Scolari [University of Pitts- Amy L. Walsh, California State University, burgh], introduced by Kirk Savage; Jenny Northridge; Arthur K. Wheelock, National Gal- Thompson [George Washington University], in- lery of Art; Jeremy Wood, Oxford Polytechnic troduced by David Bjelajac

106 Lectures the National Gallery's Studies in the His- tory of Art. Twelve symposium volumes Angelica Rudenstine, New York City (moderator), "Malevich," 5 October 1990 have appeared to date: Macedonia and Jean-Claude Marcade, Centre Rationale de la Greece in Late Classical and Early Helle- recherche scientifique, Paris, and Universite nistic Times, vol. 10; El Greco: Italy and de Paris-Sorbonne, "L'image de l'homme et Spain, vol. 13; Claude Lorrain 1600- l'image du monde: le visage dans l'oeuvre de Malevich" 1682, vol. 14; Pictorial Narrative in An- Troels Andersen, Silkeborg Kunstmuseum, tiquity and the Middle Ages, vol. 16; "Malevich: Recent Research, Questions and Raphael before Rome, vol. 17; James Results" McNeill Whistler: A Reexamination, vol. Robert Garland, Colgate University, "Juvenile 19; Retaining the Original: Multiple Delinquency in the Greco-Roman World," Originals, Copies, and Reproductions, 17 December 1990 vol. 20; Italian Medals, vol. 21; Italian Curatorial Colloquy III Plaquettes, vol. 22; The Fashioning and Functioning of the British Country House, SAINT ANNE ALTARPIECE 20-24 May 1991 vol. 25; Winslow Homer, vol. 26; Cultural Colloquy Chairs: Maryan Ainsworth, the Met- Differentiation and Cultural Identity in ropolitan Museum of Art; John Hand, Na- the Visual Arts, vol. 27; The Mall in tional Gallery of Art; and Catherine Metzger, Washington, 1791-1991, vol. 30; The Ar- National Gallery of Art chitectural Historian in America, vol. 35; Participants: Dirk De Vos, Groeningemuseum, and American Art around 1900, vol. 37. Bruges; Molly Faries, Indiana University; Di- Three other symposium volumes are in ane Scillia, Kent State University; J.RJ. van production: Nationalism in the Arts, vol. Asperen de Boer, Rij ksuniversiteit Groningen; 29; Urban Form, and Meaning in South Jean C. Wilson, State University of New York, Asia: The Shaping of Cities from Prehis- Binghamton; Martha Wolff, Art Institute of toric to Precolonial Times, vol. 31; and Chicago New Perspectives in Early Greek Art, vol. 32. And other symposium papers are be- PUBLICATIONS ing prepared for publication: Michel- The Center annually compiles a record of angelo Drawings; Art and Power in the scholarly events and research of the Seventeenth-Century Sweden; The Pas- preceding year. Center 11, published in toral Landscape; The Artist's Workshop; October 1991, contains general informa- Eius Virtutis Studiosi: Classical and Post- tion about the fellowship program, the Classical Studies in Memory of Frank Ed- program of meetings, and the publication ward Brown (1908-1988); and Intellec- and research programs, along with the list tual Life at the Court of Frederick II of the board of advisors and the members Hohenstaufen. The Center is in the proof the Center, and the list of activities for cess of gathering papers from three more 1990-1991. Center 11 also contains symposia: Malevich, Titian 500, and Van summary reports on research conducted Dyck 350. by the resident members of the Center in Another regular publication of the 1990-1991 and by several predoctoral Center is the directory of art history re- fellows from the previous academic year. search projects supported by granting in- Papers presented at symposia spon- stitutions in the United States and abroad: sored by the Center are often gathered Sponsored Research in the History of and published in the symposium series of Art 10 lists awards for 1990-1991.

107

Staff Activities

J. Carter Brown, director, served ex officio the Committee for the Preservation of the on the Federal Council on the Arts and the Treasury Building, on the visiting committee Humanities, and the boards of the National of the Williams College Museum of Art, and Trust for Historic Preservation and the Penn- as chairman of the executive committee of the sylvania Avenue Development Corporation. American Federation of Arts, becoming chair Reappointed by President Bush in 1989, he of the exhibition committee as well. He contin- continued as chairman of the Commission of ued as vice president of the board of the Ster- Fine Arts, and, ex officio in that capacity, on ling and Francine Clark Art Institute and the board of trustees of the John F. Kennedy became a member of the buildings and long- Center for the Performing Arts and as a mem- range planning committee. He chaired a ses- ber of its executive and fine arts accessions sion at the International Conference on the committees. He continued as a member of the Packing and Transportation of Paintings at the President's Committee on the Arts and Hu- National Gallery, London, and gave lectures at manities, as treasurer of the White House His- the Twentieth Century Club in Cleveland and torical Association, on the board of trustees of the Phillips Gallery in Washington. He was a the National Geographic Society, and on the resource for the Washington chapter of the boards of the Winterthur Museum, the Cor- Young Presidents' Organization and for the ning Museum of Glass, the Storm King Art Smithsonian Institution's Council of Informa- Center, the American Federation of Arts, and tion and Education Directors group. the World Monuments Fund. In addition, he Henry A. Millon, dean of CASVA, continued served on the U.S. National Committee for the as vice chairman of the board of trustees of History of Art, and as a member of the advi- the American Academy in Rome, on the advisory board of the Morris and Gwendolyn sory committee of the Getty Art History Infor- Cafritz Foundation, as well as the board of mation Program, on the editorial board of the governors of the John Carter Brown Library Architectural History Foundation, on the U.S. at Brown University. He also continued as a committee overseeing the merger of the U.S.- member of the National Portrait Gallery Com- based Repertoire Internationale de la litera- mission, serving on its acquisitions committee. ture d art and the French Repertoire d'art et In a ceremony at the White House, he re- archeologie, as a delegate to the International ceived the National Medal of Arts, U.S.A. He Committee of the History of Art, and on the was also made one of fifteen honorary fellows architecture advisory group for the Art and of the Royal Academy of Arts, London. Architecture Thesaurus. He also served on Roger Mandle, deputy director, continued to the visiting committee of the Arthur M. Sack- serve on the National Council on the Arts, ap- ler Gallery, on the boards of the Canadian pointed by President Bush, and was a "pro- Centre for Architecture, the Temple Hoyne tector" of the Real Fundacion de Toledo, Buell Center for the Study of American Archi- Wayne Thiebaud, Cakes, 1963 (detail) appointed by His Royal Highness Juan tecture, the Foundation for Documents of Ar- Gift in Honor of the Fiftieth Anniversary of the National Carlos. He continued on the arts advisory chitecture, the National Building Museum, Gallery of Art from the Collectors Committee, the 50th An- committee of the Barnes Foundation, on the and on the history and theory advisory com- niversary Gift Committee, and The Circle, with Additional Support from the Abrams Family in Memory of Harry N. American Association of Museums' task force mittee of the Graduate School of Design, Har- Abrams, 1991.1.1 on museum education, as cultural advisor to vard University. He continued to serve on the

109 review panel for the Gladys Krieble Delmas Karin Alexis, research assistant, CASVA, co- olph Gottlieb Foundation and the award com- Foundation and was visiting professor at Mas- ordinated the Smithsonian Institution art his- mittee for distinguished achievement by a sachusetts Institute of Technology in fall tory series certificate program. She chaired a living sculptor by the International Sculpture 1990. He presented the paper "The Dome of session on "Culture, Identity, and [Nationalism Center. in Scandinavian and Baltic Art and Architec- Michelangelo's Saint Peter's in Rome: The Nicolai Cikovsky, Jr., curator of American Closed Oculus" for a conference at the Archi- ture" at the CAA annual meeting, and lectured and British painting and deputy senior curator tectural Association School of Architecture in on "Frank Lloyd Wright," "The Golden Age of paintings, lectured on "William Merritt London. of Scandinavian Art: Nineteenth- and Twen- Chase" for Sotheby's works of art program tieth-Century Art, Architecture, and Design" Anne B. Evans, administrator, continued as and on "Winslow Homer at Prout's Neck" for and "Understanding the Principles of Paint- a member of the Association of American Mu- a symposium at the National Museum of ing, Sculpture, and Architecture" for the seum Administrators and of the Small Agency American Art. He served on the IRS art advi- Smithsonian Resident Associates, and on Council of Washington D C. She was a mem- sory panel, the Archives of American Art "Nationalism in Swedish Art and Architec- ber of the Interagency Mall Improvement Washington advisory committee, and the edi- ture: Orn to Ostbert" for the school of archi- work group, chairing the task force that rec- torial board of the American Art Journal. tecture, University of Maryland. ommended improvements in vending prac- Maygene Daniels, chief of Gallery Archives, Nancy Anderson, assistant curator, Ameri- tices, and was a panelist at a conference on was elected president of the Academy of Cer- can and British painting, lectured on "Albert efficiency and effectiveness in nonprofit or- tified Archivists, was U.S. representative and Bierstadt: The Uses of Fiction" at the Univer- ganizations sponsored by the public manage- secretary of the International Council on Ar- ment program of the Stanford University sity of Washington, "Bierstadt and Ludlow on chives working group on architectural records School of Business. She gave introductory re- the Overland Trail" at the Brooklyn Museum, and chair of the museum archives publica- marks at the American Institute of Conserva- and "As If Painted in Eldorado: Albert Bier- tions committee of the Society of American tion conference on planning for emergencies. stadt in California" at the M. H. de Young Me- Archivists, and served on the steering commit- morial Museum in San Francisco. Daniel Herrick, treasurer, is trustee emer- tee for the Foundation for Documents of Ar- itus of the Foundation Center, New York. He Caroline Backlund. librarian, was elected chitecture, the Arline Custer Award committee serves on the board of directors for the Ameri- moderator of the museum division of ARLIS/ for the Mid-Atlantic Regional Archives Con- can Council for the Arts and as a member of N A. She continues to serve on the Washington ference, and the advisory committee for the the financial officers group of the Museum Art Library Resources Committee. National Archives and Records Administra- Presidents Conference. He is co-chairman of tion "Archives II." She presented papers at Daphne Barbour, associate object conserva- an AAM task force on accounting policies. He meetings of the AAM, Society of American Ar- tor, spoke on "Edgar Degas' Wax Sculptures: continues as a member of the University of chivists, and Mid-Atlantic Regional Archives A Technical Study" at the CAA annual Virginia President's Council on the Arts, and Conference, and gave lectures to the Colorado meeting. on the board of directors of the New York Life Preservation Alliance and the Modern Ar- Fund and two smaller investment funds that Margaret Baucom, art information special- chives Institute of the National Archives. are subsidiaries of the New York Life Insur- ist, continued on the exhibition installation John Davis, research associate, American ance Company. committee of The Art League in Alexandria, and British painting, completed his disserta- VA, and was elected to the board of directors Philip C. Jessup, Jr., secretary & general tion on "The Holy Land in Nineteenth-Cen- as recording secretary. counsel, chaired a panel on the Cincinnati tury American Art and Culture" for Columbia Contemporary Art Center trial at the annual Barbara Berrie, conservation scientist, was University. He lectured on "The Use of Ruins: American Law Institute-American Bar Asso- co-chair of the poster session for the American Frederic Church's Columnar Identity" at the ciation course on "Legal Problems of Museum Institute of Conservation annual meeting. Metropolitan Museum, and "Frederic Church, Administration," for which he was also on the Joseph E. Brown, chief of resource acquisi- Robert Bain, and the Problem of the Holy planning committee. He continued as a tion, made presentations on federal service Land" at the University of Iowa. He helped trustee of the Asia Society in New York, as contracts to the National Contract Manage- organize the traveling exhibition, "Paintings chairman of the advisory committee of its ment Association, of which he is a member. and Sculpture from the National Academy of Washington Center, as president of the Design." David Bull, chairman of painting conserva- Friends of the Hospital for Sick Children tion, lectured on "The Aging of Paintings" at Diane De Grazia, curator of southern ba- (Toronto), Inc., and as a trustee of the Obor the Aspen Art Museum, and on "The Elusive roque painting, spoke on "Ottavio Farnese Foundation. Image" at the Chrysler Museum, Norfolk. He and His Artists in Parma and Rome" at the was on the advisory committee of the World International Congress of the History of Art Monuments Fund and was a consultant for colloquium in Bologna. She was art historian conservation at the Chrysler Museum. in residence at the American Academy in Rome for two months. Jack Cowart, curator of twentieth-century art, continued on the fine arts committee for E. Rene de la Rie, head of scientific re- the Morris Arboretum of the University of search, presented papers on "Degradation Pennsylvania. He was a panelist on " 'Qual- and Stabilization of Varnishes for Paintings" at ity' in Contemporary Art" for the Smith- an international conference in Lucerne, sonian's office of interdisciplinary studies. He Switzerland, and on "The Stability of Coatings served on the artist grant committee of the Ad- in Conservation" at a symposium in Manches-

110 ter, England. He lectured on "Chemical Com- position of Dammar Resin" for the Mass Spectrometry Discussion Group of the greater Washington area, and on "Research on Var- nishes for Paintings" for the conservation program of the University of Delaware. He chaired a session on modern paint media at the "Saving the Twentieth Century" symposium in Ottawa, Canada. In Manchester and Ottawa he led meetings of a working group on resins for the conservation committee of the International Council of Museums (iCOM).

Lamia Doumato, head of reader services, library, is on the advisory board for the Asso- ciation of Architectural Librarians and is book review editor for its newsletter. She continues to review project applications for NEH and was appointed to the editorial board of Art Refer- ence Services Quarterly.

Robin Dowden, art information systems administrator, spoke at the annual meeting of the Museum Computer Network on prototyping the collection management system. She joined the reconciliation of standards working group of the ICOM International Committee for Doc- umentation and assisted with the Computer Interchange of Museum Information project.

Linda Bank Downs, head of education division, served on the Museum Education Con- Walker Evans, Subway Portrait, 1938/1941 and on the artist-in-residence committee of sortium, the D C. mayor's arts and culture Gift of Kent and Marcia Minichiello, in Honor of the Fiftieth Sidwell Friends School. She reviewed grant Anniversary of the National Gallery of Art, 1990.114.13 transition committee, the task force on plural- applications for NEA and lectured on the Gal- ism for the Cultural Alliance Committee, and lery's Graphicstudio Archive at the Kansas the advisory board of the A AM museum as- City Art Institute. She juried exhibitions for sessment program, for which she carried out the Boston Printmakers and the Capitol Hill two site surveys. She presented a paper at the directed the annual meeting and chaired a Art League and was a guest critic for students symposium on "U.S.A. and Japan Art Mu- session on documentation support. at Rider College, where she also exhibited her seum Operations" in Tokyo, was keynote Gail Feigenbaum, curator of academic pro- own paintings, drawings, and prints. She re- speaker at the Detroit Institute of Arts annual grams, lectured on "The Carracci As Copy- ceived an achievement award from the South- volunteer meeting, and reviewed an NEH ern Graphics Council for "scholarship, critical ists" at the International Congress of the grant proposal. History of Art colloquium in Bologna, and on and curatorial excellence in the print arts." Martin Drake, inventory analyst, publica- "The Origins of Teaching Academies" at the Sarah Fisher, head of painting conservation, tions sales, spoke to the Concept Systems New York Academy of Art. She was awarded was chair of the nominating committee and a computer users group about computerized in- a grant-in-aid by the American Council of member of the internal advisory committee of ventory control. Learned Societies, a summer stipend by NEH, the American Institute of Conservation. and an Ailsa Mellon Bruce curatorial fellow- Janna Eggebeen, coordinator of teacher ship by CASVA in support of research on the workshops and materials, was appointed sec- Shelley Fletcher, head of paper conserva- Carracci. retary of the D C. Art Education Association. tion, presented research on the uses of the Frances Feldman, lecturer, spoke on "The vacuum suction disc for local treatments on Snzannah Fabing, head of research on col- Kress Collection: Art of the 14th-18th Centu- various papers at a meeting of the Scottish So- lections, reviewed grant applications for N E H ries in Europe" and offered a docent training ciety for Conservation and Restoration in and was a surveyor in A AM's museum assess- Glasgow. ment program. She continued on the Art In- session, both at the El Paso Museum of Art. She was a judge for Norfolk's annual spring formation Task Force, helping to develop Eric Garberson, research assistant, southern arts festival. standards for cataloguing works of art on com- baroque paintings, completed his dissertation puter, and on the visiting committee to the Ruth E. Fine, curator of modern prints and on "Monastic Libraries of the Seventeenth Wellesley College Museum, serving also on its drawings, continued on the board of CAA, on and Eighteenth Centuries in South Germany" acquisitions subcommittee. As outgoing presi- the advisory boards of Pyramid Atlantic and for the Johns Hopkins University and taught dent of the Museum Computer Network, she the Philadelphia and Washington Print Clubs, the second half of a survey of Western art as

111 an adjunct lecturer at the George Washington and Manon. Other performances included Thomas Jefferson," "British Country House University. solo recitals at George Mason University and Architecture," and "The Art of Ancient Amer- the Sumner School, two ensemble recitals, ica" at such institutions as the Haggin Mu- Margaret Morgan Grasselli, curator of old and three guest solo appearances with the seum, Stockton, CA; the University of North master drawings, spoke at the annual meeting Mount Vernon College Opera. During the Carolina's Weatherspoon Art Gallery, Greens- of the Print Council of America on the draw- summer she attended the American Institute boro; the Virginia Museum of Art, Richmond; ings of Antoine Watteau. of Musical Studies in Graz, Austria, placing and in Hilton Head, SC, and Durango and Sarah Greenough, curator of photographs, second in the Meistersinger Competition. Boulder, CO. For the Smithsonian Resident lectured on "Robert Frank's Untitled and Associates, he taught a course on "The His- Lorraine Karafel, assistant curator, educa- Mute/Blind" for a symposium at the J. Paul tory of London through Paintings, Prints, and tion exhibition programs, gave a series of Getty Museum. She was an advisor to Garland Drawings" and led tours to the Metropolitan lectures on nineteenth-century European Press for a series of outstanding dissertations Museum and the Chrysler Museum, Norfolk. painting at the Metropolitan Museum. on the history of photography. He lectured on French impressionism at the Susana M. Halpine, biochemist, exhibited Leo J. Kasun, education resource and pro- Fort Worth Lecture Foundation and at the paintings in a solo show in Takoma Park and duction specialist, was the lecturer for a Suburban Club in Baltimore. As an adjunct in group shows at the Circle Gallery in An- Smithsonian National Associate program in faculty member of Goucher College for Con- napolis and Gallery 901 in Washington, D.C. France on "The Impressionists in Paris and tinuing Studies, he taught "History of World Normandy." He continued as treasurer for the Art" and "Modern Art, How Does It Work?" John Hand, curator of northern Renaissance Dupont Circle Conservancy and as treasurer Ann R. Leven, deputy treasurer, served her painting, lectured on "Sixteenth- Century for the Washington chapter of the Victorian final year as chairman of the board of over- Netherlandish Drawings" at the Drawing Soci- Society in America. ety, New York, and at the Philadelphia Mu- seers, Hood Museum and Hopkins Center, at seum of Art. Franklin Kelly, curator of American and Dartmouth College. She continues as a mem- British painting, lectured on "Frederic Edwin ber of the board of directors of the American Phyllis Hecht, designer, taught a course on Church and the American Landscape Tradi- Arts Alliance, the advisory committee of the "Fundamentals of Graphic Design" for tion" at the Center for the Fine Arts in Miami, Reading is Fundamental, and the board of the the Smithsonian's Resident Associates and "Thomas Cole: A Higher Style of Art" for a Center for Foreign Policy Development, conducted a seminar on this topic for the mu- symposium at the Amon Carter Museum, Brown University. She is a director of the Del- seum education program at George Washing- "American Landscapes in the Virginia Mu- aware Group of Funds and four investment ton University. seum: Nineteenth-Century Romanticism and funds sponsored by Aquila Management Amelia Henderson, assistant to the Kress Nationalism" at the Virginia Museum of Art in Corporation. Professor, CASVA, was awarded a Robert H. Richmond, "Reflections on the Frederic Ed- Douglas Lewis, curator of sculpture and Smith Fellowship to pursue research on late win Church Exhibition" at the Olana State decorative arts, was reconfirmed by the post- nineteenth-century Spanish painting. Historic Site in Hudson, New York, and "Al- master general as chairman of the design sub- bert Bierstadt and Frederic Edwin Church: Anne Henderson, senior educator for school committee and vice chairman of the citizens' Friends or Foes?" for a symposium at the programs, was on a National Art Education stamp advisory committee of the U.S. Postal Brooklyn Museum. He taught a graduate sem- Association conference panel "Museum Net- Service. As visiting professor at the University inar on American painting at the University of of Maryland graduate school, he directed two works in North Texas." Maryland and served on the National Museum M.A. theses and taught a seminar on Italian Ginevra Higginson, assistant to the director of American Art's professional appraisal and Renaissance architecture. He led a meeting for special events, was awarded a Japan Foun- evaluation committee. on "Renaissance Bronzes" for the American dation travel grant for two weeks of travel and Elizabeth Kryder-Reid, research assistant, Academy in Rome and participated in the study in Japan. CASVA, completed her dissertation on "Land- Philadelphia Museum of Art symposium on Gretchen Hirschauer, assistant curator, scape as Myth: The Contextual Archaeology of Rodin 150 Years Later. He spoke on local Civil southern Renaissance painting, directed a an Annapolis Landscape" for Brown University. War history in Amite County, Mississippi, and study program in Florence for the Harvard contributed to historic preservation site Roger Lawson, head of cataloguing, library, University Alumni Association. She lectured studies in Natchez. He lectured on "The was chair of the nominating committee for on Titian for the Women's National Demo- Building of Venice" and "The Palladian Villas ARLIS/NA; he gave a paper on "Subject Au- cratic Club. of the Veneto" for Humanities West/Save thorities in a Local System" and was a re- Venice Inc. in San Francisco. He was on the Ann Hoenigswald, painting conservator, par- corder for the Cataloguing of Architectural visiting committee of the Smith College Mu- ticipated in the Malevich workshop at the Met- Drawing Discussion Group at the society's an- seum of Art and the art advisory committees ropolitan Museum in conjunction with the nual meeting. He presented a review of new of the Mount Holyoke College Art Museum Malevich exhibition and presented a paper, journals at the annual meeting of the Associa- and the Lawrenceville School. He continued "Malevich: Surface and Intended Appear- tion of Architectural Librarians and is editor on the boards of the Washington Collegium for ances," at the exhibition-related colloquium. of the newsletter. the Humanities and the Bauman Foundation, Willow Johnson, secretary, sang the role of Philip Leonard, lecturer, taught Smithsonian and as a member of the Friends of the Folger Matilda in Purcell's King Arthur with the National Associates courses on "American Shakespeare Library and the American fel- Washington Opera at the Kennedy Center and Landscape Painting," "French Impression- lowship committee of the Belgian-American sang with the Washington Opera in La Boheme ism," "Modern Art," "The Architecture of Educational Foundation. As a professorial lec-

I 12 turer at Georgetown University, he gave an the International Conference on the Packing Barbara Pralle, conservation technician, alumni college talk on "Cleaning the Sistine and Transportation of Painting in London. used a Smith Fellowship to visit infrared re- Chapel," led a session on "Renaissance Charles Moffett, curator of modern painting search centers in Europe. Medals," and taught a museum seminar on and senior curator of painting, served as a Maria Prather, assistant curator, twentieth- Italian Counter-Reformation and baroque trustee and overseer of Middlebury College. century art, lectured on trends in the Russian painting. He was the sole juror of the annual juried ex- art world at a symposium on Eastern Europe Ysabel Lightner, assistant chief of publica- hibition at the Salina Art Center, KS. at Dickinson College, was a juror for "Images tions sales, chaired the nominating committee Donald Myers, Mellon assistant curator of of American Immigration" for the Immigra- of the Museum Store Association. sculpture, was awarded a Robert H. Smith tion and Naturalization Service, and lectured on post-impressionism to docents at the Balti- Suzanne Quillen Lomax, organic chemist, Fellowship and travel grant to continue re- more Museum of Art. lectured on "Chemistry as Applied to Under- search on Franciscan iconography in Italian standing Works of Art" to the southeastern Renaissance art. Gregg Reynolds, facility manager, helped Pennsylvania section of the American Chemi- Thomas O'Callaghan, assistant slide li- found the International Association of Mu- cal Society. She also presented eleven lectures brarian, was awarded a Robert H. Smith Fel- seum Facility Administrators, incorporated in on "The Application of Chemistry to the Ex- lowship to research Renaissance painting the District of Columbia, and will serve as amination of Works of Art" as part of the soci- techniques by copying details of two Gallery president from 1992 to 1994. The first an- ety's speaker service in the Midwest, the paintings. He exhibited original paintings at nual meeting will be held March 1992 at the Pacific Northwest, and Alaska. the Alex Gallery in Washington, D.C., and one National Gallery. of his etchings was selected for the B.C. Alison Luchs, associate curator of early Eu- Anne Ritchie, oral historian, was president mayor's Bicentennial Art Exhibition. ropean sculpture, continued as vice president of Oral History / Mid-Atlantic Region, chaired of the Dupont Circle Conservancy. Trudi Olivetti, library cataloguer, created a panel on access to oral history at the Society comprehensive indexes for volume 3 of the of American Archivists annual meeting, and Peter Lukehart, Mellon assistant curator, Guide to the Photographic Collections at the served on the endowment committee of the southern baroque paintings, taught an intro- Oral History Association. Smithsonian Institution, to be published by ductory course on critical approaches to the the Smithsonian Archives. Charles M. Ritchie, assistant curator, mod- visual arts at George Mason University. Therese O'Malley, assistant dean, CASVA, ern prints and drawings, was on the review panel for the Congressional Arts Caucus com- Ann MacNary, research assistant, old master continued as a senior fellow in landscape ar- petition for high school students. drawings, organized the exhibition Highlights chitecture at Dumbarton Oaks. She received a of American Art at the Williams College fellowship at the Huntington Library, where Andrew Robison, curator of prints and Museum. she pursued studies in American landscape drawings and senior curator, continued on the Albert Marshall, Mellon Fellow, presented a history and organized an exhibition on "Early international editorial advisory board of Mas- paper, coauthored with Shelley Sturman, on Garden Literature and Designs in America ter Drawings, the board of the Drawing Soci- the facture and conservation of the Gallery's from the Huntington Collections." She chaired ety, and the advisory board of the Washington Calder mobile at a symposium on the degra- a session at the CAA annual meeting on "A Bi- Print Club. dation and conservation of modern materials centennary Approach to Pierre Charles L'En- Nan Rosenthal, curator of twentieth-century in Ottawa. He was elected to the nominating fant's Plan for Washington, D.C." art, lectured on Jasper Johns at the Hayward committee of the Washington Conservation Judy L. Ozone, object conservator, was Gallery, London, and the Whitney Museum of Guild. awarded a Robert H. Smith Fellowship to pur- American Art, New York. She was interlocutor Nicholas Martin, acting slide librarian, sue the technical examination of the carta- of the "Artists' Visions" series at the 92nd accompanied a Smithsonian study tour to pesta relief, Madonna and Child, by Jacopo Street YMHA in New York, interviewing Hans France and exhibited a collage at the Greater Sansovino. Haacke, Roy Lichtenstein, Eric Fishl, April Reston Arts Center, VA. Margaret Parsons, curator of film programs, Gornik, and Elyn Zimmerman. She was a juror for the Art for Public Spaces program of Ross M. Merrill, chief of conservation, con- was on the media arts panel for the Maryland State Arts Council, was a juror for the Council the U.S. Holocaust Memorial Museum. tinued as vice chairman of the National Insti- on International Nontheatrical Events and the tute for Conservation, chair of its long-range H. Diane Russell, curator of old master Rosebud Awards Competition for D.C. film- planning committee, and liaison for the Save prints, was adjunct professor of art history at makers, and continued on the advisory board Outdoor Sculpture project, as well as on the American University and taught baroque of Interact, the Georgetown theater company, American Institute of Conservation's advisory painting in the spring term. She was a juror of and in the Washington chapter of the Victorian council. He is on the board of the Inter- the David Lloyd Kreeger Award in art history Society in America. museum Conservation Association and a for Georgetown University. member of its long-range planning committee. Ruth R. Perlin, head of education re- John Russell Sale, lecturer, delivered the He reviewed grant applications for N E H, was a sources, was appointed chair of the externally Theodore Parker Ferris lecture at Emmanuel conservation consultant for the Roanoke Art produced nonprint materials committee and is Episcopal Church, Baltimore. Museum and Live Oak Gardens and Museum, a member of the professional materials com- received a Robert H. Smith Fellowship to mittee of the National Art Education Associa- Wilford W. Scott, lecturer and coordinator study Albert Bierstadt, and gave a paper on tion. She was a surveyor in AAM's museum of adult program docents, spoke on "Ameri- "The Problems of Packing and Shipping" at assessment program. can Landscape Painting" to docents at the

113 Corcoran Gallery and on "History and Land- the "Curatorial Economics" panel for the CAA tion issues for the consortium of Washington scape in American Painting" to docents at the annual meeting, and on the "Coorganizing area universities. He lectured on "Sir An- Baltimore Museum. He gave a series of lec- Museum Exhibitions" for the A AM annual thony van Dyck: The Artist and His Historical tures on Italian art aboard the cruise ship Car- meeting. Reputation" for a symposium at the Smith- sonian Institution, "Behind the Scenes of the lacosta, lectured on "Reflections of Ancient Michael Swicklik, associate painting conser- Greece in America" for the Prince George's Van Dyck Exhibition" for the National Mu- vator, presented a lecture on "Underpainting Community College, and taught a Georgetown seum of American Art, and "Vermeer's Saint in Lab Paintings by Edwin Church" at the University alumni college on the Rauschen- Praxedis" at the Wawel Castle in Cracow, Po- American Institute for Conservation annual berg Overseas Culture Interchange. He con- land. He was a respondent to a lecture on meeting. tinued as the vice-chairman of the Annapolis "The Rise of Dutch Painting During the Planning and Zoning Commission. Victoria Toye, assistant to curator of film Twelve Years Truce" by H. Perry Chapman at programs, served as the audiovisual coordina- the Woodrow Wilson Center for International Frank Schiavone, senior offset press operator for the CAA annual meeting. Studies. tor, completed an associate degree in electronic technology. Neal Turtell, executive librarian, is vice pres- William James Williams, education editor, ident of the board of Pyramid Atlantic. He Marianna Shreve Simpson, associate dean, gave lectures on "Ships and Shells: Marine served on the art and architecture program of Motifs in Western Civilization" for the Wash- CASVA, gave a paper on "Narrative and Meta- the Research Libraries Group, the North ington Antiques Show, "The Kress Collection: phor in the Illustration of Persian Manu- American art libraries resources committee of scripts" at the Library of Congress, a talk on Gifts to a Nation" for the El Paso Museum of the Art Libraries Association, and the Wash- the heritage of Islam to the docents at the Wal- Art, and "Colonial and Federal Painting: Eu- ington Art Libraries Resources Committee. ters Art Gallery in Baltimore, and talks on the ropean Style, American Symbolism" for the history and culture of medieval Baghdad to a Kathleen Walsh-Piper, head of teacher and Alexandria Antiques Forum. faculty seminar at the Park School and to the school programs, spoke on "How Museums Darrell R. Willson, deputy administrator, Art Seminar Group, also in Baltimore. She Work with Teachers" at New York University's was appointed chairman of the AAM's security spoke about her work at a meeting of the Center for Research on Arts Education and at standing professional committee. He contin- Women in Museums Network, Smithsonian In- the Georgia Art Educators Association. She ued as chairman of the training committee of stitution, organized the exhibition The Art of was a reviewer for NEA challenge grants, the International Committee on Museum Se- Painting a Story: Narrative Images from Iran chaired a National Art Education Association curity and on the advisory committee for the at the Arthur M. Sackler Gallery, and com- panel on "Peer Review: An Ongoing Planning Manassas Museum. He also served on the pleted her term as chair of the art history pro- Process for Docent Programs," and attended a board for Museum, Library, and Cultural gram for the 1991 meeting of the CAA. Pennsylvania department of education meet- Properties of the American Society for Indus- ing on National Gallery teacher programs and trial Security, and participated in the Smith- Frances P. Smyth, editor-in-chief, served as the Kennedy Center's Cultural Consortium. sonian's National Security Conference. a panelist for publication grants for the NEH. Mary Wasserman, assistant slide librarian, Christopher With, coordinating curator of Julie Springer, coordinator of the National was elected president of the Thomas Circle art information, lectured on early twentieth- Teacher Institute, attended a workshop on art Singers. century European painting for the Smith- and creative writing at the Columbia Museum R. Keith Webb, chief of publications sales, is sonian Resident Associates program. He led of Art, SC, where she delivered the keynote regional secretary and exposition chairperson tours of the Sigmar Polke exhibition at the address "Words about Art: Images and of the Museum Store Association and spoke Hirshhorn Museum and Sculpture Garden, Language." on budgeting at the association's national one for the staff of the German embassy. He Jeremy Strick, associate curator, twentieth- meeting. She addressed the Philadelphia Cul- spoke on contemporary German art for the century art, lectured on "Mark Rothko: The tural Arts Alliance and the International Asso- Art Seminar Group in Baltimore and gave a Early Work" at the Diggs Gallery, Winston- ciation of Sports Museums and Halls of Fame presentation on the relationships between op- Salem State University, and participated in a about how museum stores operate. eratic themes and the visual arts. symposium on color at the Sawtooth Center Jeffrey Weiss, assistant curator, modern Katie M. Ziglar, education editor, gave two for Visual Art. He was a juror for the "Gallery paintings, gave a lecture on "Marcel Du- lectures on Islamic art and architecture for the '91" exhibition sponsored by Kaw Valley Arts champ, Avant-Gardism, and the Culture Business Council for International Under- & Humanities, and for the "Montgomery of Mystification and Blague" at the CAA standing, American University. County Juried Art Exhibition." annual meeting. He completed his disserta- Deborah Ziska, deputy information officer, Shelley G. Sturman, head of object conser- tion, "The Popular Culture of Modern Art: was a board member and chair of fundraising vation, spoke about problems of outdoor scul- Picasso, Duchamp, and Avant-Gardism, and marketing for Wider Opportunities for ture for the National Institute for Conserva- c. 1909-1917," for the Institute of Fine Women and a board member and secretary tion's annual meeting. She continued as presi- Arts, New York University. for CAPACITAS International. dent of the Washington Conservation Guild Arthur K Wheelock, Jr., curator of north- and was elected fellow of the International In- ern baroque painting, was professor of art his- stitute for Conservation. tory at the University of Maryland, where he Mary E. Suzor, acting chief registrar, partici- taught graduate seminars on Anthony van pated in the Museum Management Institute, Dyck and Rembrandt. He coordinated a sponsored by the Getty Institute. She was on course on painting techniques and conserva-

114 PUBLICATIONS seas Culture Interchange. Exh. cat., National Gallery centives, Social Inducements, and Aesthetic Issues of Art. Washington, 1991. of American Pictorial Photography, 1880-1902." Art for the Nation: Gifts in Honor of the 50th Anni- Daniels, May gene. "On Experiencing an Anniver- In Photography in Nineteenth-Century America. versary of the National Gallery of Art. Exh. cat., Na- sary." Museum Archivist 5, no. 2 (September 1991): Exh. cat., Amon Carter Museum. New York, 1991. tional Gallery of Art. Washington, 1991. Entries by 9-11. Hand, John Oliver. "Saint Jerome in His Study by Nancy K. Anderson, David Anfam, Judith Brodie, Joos van Cleve." Record of the Art Museum, Prince- David Alan Brown, Deborah Chotner, Nicolai Cik- Davis, John. Review of Tropical Renaissance: ton University 49, no. 2 (1990): 3-10. ovsky, Jr., Virginia Tuttle Clayton, Florence E. Co- North American Artists Exploring Latin America, man, Mary Lee Corlett, Jack Cowart, Diane De 1839-1879 by Katherine Emma Manthone. Win- Karafel, Lorraine. "Pierre Alechinsky." In Mod- Grazia, Ruth E. Fine, Margaret Morgan Grasselli, terthur Portfolio 25 (summer/autumn 1990): ern Arts Criticism, edited by Joanne Prosyniuk. De- Sarah Greenough, John Oliver Hand, Gretchen 201-204. troit, 1990. Hirschauer, Gregory Jecmen, Franklin Kelly, Doug- De Grazia, Diane. Bertoia, Mirola, and the Far- Kelly, Franklin. "George Bellows' Shore Housed las Lewis, Alison Luchs, Charles S. Moffett, Donald nese Court. Bologna, 1991. In American Art Around 1900: Lectures in Memory Myers, Carlotta J. Owens, Maria Prather, Charles . "Guercino Decoratore." In Giovanni Fran- of Daniel Fraad, Jr. Studies in the History of Art 37. M. Ritchie, Andrew Robison, Nan Rosenthal, H. Di- cesco Barbieri: II Guercino. Exh. cat., Museo Civico National Gallery of Art, Washington, 1990. ane Russell, Elizabeth Pendleton Streicher, Jeremy Archeologico, Bologna, and Pinacoteca Civica and , coauthor. " 'Art for the Nation': The Na- Strick, Neal Turtell, Barbara Read Ward, Arthur K. Chiesa del Rosario, Cento. Bologna, 1991. tional Gallery Collects." Antiques (March 1991). Wheelock, Jr., and Christopher With. Kupfer, Marcia. "The Lost Mappamundi at de la Rie, E. Rene. "Degradation and Stabiliza- Chalivoy-Milon." Speculum 66(1991): 540-571. Anderson, Nancy, coauthor. Albert Bierstadt: Art tion of Varnishes for Paintings." Preprints to the Thir- Lewis, Douglas. "John James Audubon & Enterprise. Exh. cat., National Gallery of Art. New teenth International Conference on Advances in the (1785-1851): Annotated Chronology of Activity in York, 1991. Stabilization and Degradation of Polymers, p. 129. the Deep South, 1819-1837." The Southern Quar- . " 'The Kiss of Enterprise': The Western Lucerne, Switzerland, 1991. terly: A Journal of the Arts in the South 29, no. 4 Landscape as Symbol and Resource." In America Doumato, Lamia. The Monuments of Philae. Mon- (summer 1991): 63-82. as West: Reinterpreting Images of the Frontier. Exh. tecello, Illinois, 1991. , coauthor. "Checklist of Topographical Draw- cat., National Museum of American Art. Washing- . Review of The Lure of Paris by Barbara N. ings, 1828-1837, of Sites on the Mississippi River ton, 1991. Weinberg. Choice (Septempter 1991): 124. between Vicksburg and New Orleans by the Natu- . "The European Roots of Albert Bierstadt's . Review of American Women Sculptors by ralist Charles-Alexandre Lesueur (1778-1846) in Paintings of the American West." Antiques (January Charlotte Rubinstein. Choice (May 1991): 106. the Museum of Natural History, Le Havre, France." 1991). . Bibliography for Graphicstudio: Contempo- The Southern Quarterly: A Journal of the Arts in the rary Art from the Collaborative Workshop at the Uni- Backlund, Caroline. "The Cutting Edge: New South 29, no. 4 (summer 1991): 83-121. Auction Sources and Computer Projects." Art Docu- versity of South Florida. Exh. cat., National Gallery of Art. Washington, 1991. mention, ARLIS/NA bulletin 9, no. 4 (winter 1990). Mac Nary, Ann. Highlights of American Art: Selec- Dowden, Robin. "Out for a Test Drive: Using a tions from the Permanent Collection. Gallery guide, Brown, David Alan, coauthor. Titian: Prince of Prototype in System Design." Spectra 18, no. 1/2 Williams College Museum. Williamstown, MA, Painters. Exh. cat., National Gallery of Art. Venice, (winter/spring 1990-1991): 3-5. 1991. 1990. . "Leonardo and the Ladies with the Ermine Downs, Linda Bank. Review of The Mexican Mu- Mansbach, Steven. Standing in the Tempest: and the Book." Artibus et Historiae, no. 22 (1990): ralists in the United States by Laurance P. Hurlburt. Painters of the Hungarian Avant-Garde, 1908- 47-61. Archives of American Art Journal 29, no. 1-2 1930. Cambridge, MA, 1991. (1989). Bull, David. Christ Crowned with Thorns, by Gio- Lomax, Suzanne Quillen, coauthor. "An Investi- vanni Bellini. Nationalmuseum, Stockholm, 1991. Fabing, Suzannah. "Facts on File." Museum News gation of the Removability of Naturally Aged Syn- 70, no. 2 (March/April 1991): 56-60. thetic Picture Varnishes." Journal of the American Christensen, Carol, coauthor. "Van Dyck's Paint- Feigenbaum, Gail. "Drawing and Collaboration in Institute for Conservation 1990 29, no.2(1991): ing Techniques, His Writings, and Three Paintings the Carracci Academy." In IL 60: Essays Honoring 182-192. in the National Gallery of Art." In Anthony van Irving Lavin on His Sixtieth Birthday. New York, Luchs, Alison. The Convent of Santa Maria Mad- Dyck. Exh. cat., National Gallery of Art. Washing- 1990. dalena de' Pazzi and Its Works of Art. Florence, ton, 1990. . "The Kiss of Judas by Lodovico Carracci." 1990 [also published in Italian and French]. Cikovsky, Nicolai, Jr. "Winslow Homer: Unfin- Record of The Art Museum, Princeton University 48, Merrill, Ross M., coauthor. Art in Transit: Studies ished Business." In American Art Around 1900: Lec- no. 1 (1989): 3-18. in the Transport of Paintings. National Gallery of tures in Memory of Daniel Fraad, Jr. Studies in the . "The Early History of Lodovico Carracci's Art, Washington, 1991. History of Art 37. National Gallery of Art, Washing- Annunciation Altarpiece." Burlington Magazine , coeditor. Art in Transit: Handbook for Pack- ton, 1990. 132, no. 1050 (September 1990): 616-621. ing and Transporting Paintings. National Gallery of . Winslow Homer Watercolors. Stockton, CT, Fine, Ruth E. coauthor. Graphicstudio: Contempo- Art, Washington, 1991. 1991. rary Art from the Collaborative Workshop at the Uni- , coauthor. " 'Art for the Nation': The Na- O Malley, Therese. "Charles Willson Peale's Bel- versity of South Florida. Exh. cat., National Gallery tional Gallery Collects." Antiques (March 1991). field: Its Place in Garden History." In New Perspec- of Art. Washington, 1991. tives on Charles Willson Peale. Pittsburgh, 1991. Coman, Florence E., coauthor. Joie de Vivre: . Introduction to The Carnegie Hall Centen- . "A Public Museum of Trees: Mid-Nine- French Paintings from the National Gallery of Art. nial Portfolio. St. Louis, 1991. teenth Century Plans for the Mall." In The Mall in Washington, 1991. . "Print Multiples" and "Let's Play House." Washington, 1791-1991. Studies in the History of Corlett, Mary Lee, coauthor. Graphicstudio: Con- In An Industrious Art: Innovation in Pattern and Art 30. National Gallery of Art, Washington, 1991. Print at the Fabric Workshop, edited by Marion temporary Art from the Collaborative Workshop at the . Introduction to Treatise on the Theory and University of South Florida. Exh. cat., National Gal- Boulton Stroud. Philadelphia, 1991. Practice of Landscape Gardening, by Andrew Jack- lery of Art. Washington, 1991. Greenough, Sarah. "'Of Charming Glens, Grace- son Downing [facsimile edition]. Dumbarton Oaks, Cowart, Jack, coauthor. ROCI: Rauschenberg Over- ful Glades, and Frowning Cliffs': The Economic In- Washington, 1991.

115 Ozone, Judy L., coauthor. "Curatorial Care of Ce- Sturman, Shelley G., coauthor. "Curatorial Care ramic, Glass, and Stone Objects." Museum Hand- of Ceramic, Glass, and Stone Objects." Museum book. National Park Service, Washington, 1990. Handbook. National Park Service, Washington, Palmer, Michael, coauthor. "Van Dyck's Painting 1990. Technique, His Writing, and Three Paintings in the Michael Swicklik, coauthor. "Van Dyck's Painting National Gallery of Art." In Anthony van Dyck. Exh. Techniques, His Writings, and Three Paintings in cat., National Gallery of Art. Washington, 1991. the National Gallery of Art." Anthony van Dyck. Exh. cat., National Gallery of Art. Washington, Perlin, Ruth R. "National Gallery of Art Video- 1990. disc: Origins, Development, Expectations." Agri- cultural Libraries Information Notes 16 (November/ Tangires, Helen. "American Lunch Wagons." December 1990): 8-10. Journal of American Culture (summer 1990).

Rosenthal, Nan. "Rickey's Systems of Motion." In Weiss, Jeffrey. "Picasso, Collage, and the Music George Rickey. Exh. cat., Katonah Museum of Art. Hall." In Modern Art and Popular Culture: Readings Katonah, NY, 1991. in High and Low, edited by Kirk Varnedoe and Russell, H. Diane, coauthor. Eva/Ave: Woman in Adam Gopnik. New York, 1990. Renaissance and Baroque Prints. Exh. cat., National Wheelock, Arthur K., Jr., coauthor. Anthony van Gallery of Art. Washington, 1990. Dyck. Exh. cat.. National Gallery of Art. Washing- Simpson, Marianna Shreve. "A Manuscript ton, 1990. Made for the Safavid Prince Bahram Mirza." Bur- , coauthor. Rembrandt's Lucretias. Brochure, lington Magazine 133, no. 1059 (June 1991). National Gallery of Art. Washington, 1991. . Review of Miniature Painting in Ottoman , contributor. Jan Vermeer van Delft: St. Baghdad by Rachel Miltstein. Middle East Studies Praxedis. Cracow, 1991. Association Bulletin 25, no. 1 (July 1991). . "Van Dyck." L'Estampille / UObjet d'art, no. . Review of Kalila wa Dimna, An Allegory of 241 (November 1990): 46-59. the Mongol Court: The Istanbul University Album by Jill Sanchia Cowen. Journal of the American Orien- Williams, William James. "John Russell Pope: tal Society 111, no. 1 (1991). The Building of the National Gallery of Art, Wash- ington." Apollo 133, no. 349 (March 1991): Skalka, Michael R , coauthor. Art in Transit: 166-170. Studies in the Transport of Paintings. National Gal- lery of Art, Washington, 1991. With, Christopher B. "The Sensual Incarnate: Images of Salome in European Art." Washington Springer, Julie. "Twentieth-Century Art: Issues of Opera Magazine (October, 1990): 8-12. Representation. Art Education 43, no. 3 (May 1990): 25-28; 37-39. Ziglar, Katie M. "Refugees from a War Zone: A Streicher, Elizabeth P., coauthor. Joie de Vivre: Review of the Al-Sabah Collection of Islamic Art at French Paintings from the National Gallery of Art. the Walters Museum of Art, Baltimore." Hali 13, Washington, 1991. no. 3 (June 1991): 125-126.

Alberto Giacometti, No More Play, 1931-1932 Gift (Partial and Promised) of Raymond D. Nasher, in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1991.40.1

116 Financial Report

Funds needed to operate the National so that the Gallery would be properly Gallery of Art in fiscal year 1991 maintained and works of art exhibited amounted to $59.8 million, of which regularly to the public free of charge. $48.5 million was appropriated to the Since the Gallery opened to the public, Gallery by Congress. The remaining federal funds have supported major oper- $11.3 million represented primarily pri- ations of the Gallery, including curatorial vate funds in the form of income from en- and education departments, security, dowment and grants from corporations maintenance, and day-to-day functions. and foundations to support special exhibi- At the same time, all purchases of works tions and other gallery programs. The of art have been made with private funds. sources of funding 1991 operations are Construction of the East Building was pri- summarized below: vately financed. Despite major uncertainties prior to the ($ millions) % of total beginning of the year, the Gallery received a 19 percent increase in its federal Federal funds $48.5 81% appropriation for 1991. This increase, Private funds higher than in previous years, included Income from endowment authorization for twenty additional posi- and other investments 6.7 11 tions to fill important vacancies, among Gifts and grants 4.6 8 them a curator of photography, a conser- Total private funds 11.3 19% vator for contemporary art, a library clerk, a concert supervisor, and a projec- Total operating funds 859.8 100% tionist. Funds were also included to aug- ment existing educational programs, art FEDERAL FUNDS restoration services and supplies, and se- The use of federal funds to operate the curity equipment, and to restore summer Gallery stems from a 1937 Joint Resolu- evening hours. Substantial funding was tion of Congress, which accepted an un- provided for repairs, restoration, and ren- precedented gift that Andrew W. Mellon ovation of both the East and the West made to the people of the United States. Buildings. The age of these buildings— The gift consisted of his art collection, ten and fifty years old, respectively—cou- funds to construct a building (now the pled with heavy traffic seven days a week, West Building), and an endowment fund. poses a growing need for major repairs The Congress pledged the faith of the and renovation. United States to provide funds for the up- keep, administration, and operations (including the protection and care of works of art acquired by the board of trustees)

117 to be a pillar of strength to the exhibition program. We are grateful to GTE for its Exhibitions support of Art for the Nation, South- western Bell for its funding of Paul Operations/maintenance Strand, and the Italian companies, Gal- Conservation ileo Industrie and Silvio Berlusconi Com- Editorial munications, for their contributions to Titian. Research Operating Education Expenses Basic support of exhibition expenses Development ; Fiscal year 1991 Fellowships was covered by appropriated federal funds amounting to $2.9 million. The Equipment/Renovations $59.7 million federal government is also a major factor Music in the international component of the Gal- Security lery's exhibitions through its indemnity program, managed by the Federal Coun- Curatorial cil on the Arts and the Humanities. Un-

Administration der this program, the National Gallery and other museums throughout the country have been relieved of much of the burden of insuring art treasures coming Fiscal 1991 federal expenditures by to the United States from abroad. During functional categories are shown below. the past year, for example, two of the Gal- lery's exhibitions received indemnity cov- ($ millions) % of total erage of $300 million each for works of

Salaries and benefits $29.4 60.69 art coming from Austria, Belgium, Brazil, Utilities 4.5 9.3 Czechoslovakia, England, France, Ger- Special exhibitions 2.9 6.0 many, Holland, Italy, Liechtenstein, Renovation and Spain, and the former Soviet Union. equipment 4.5 9.3 Without the benefit of government indem- Supplies, material, and nity, many, if not most, international exhi- contracted services 5.5 11.3 bitions would not be possible. Other 1.7 3.5 CASVA: The Center for Advanced Total $48.5 100.0% Study in the Visual Arts derived 81 percent of its income from two Andrew W.

PRIVATE FUNDS Mellon Foundation endowments and grants from the Kress Foundation, indi- Unrestricted Funds viduals, and other supporting founda- Unrestricted funds supporting operations tions. Expenses specific to CASVA are consist primarily of the income from the included in the Operating Statement un- Andrew W. Mellon Endowment Fund der the headings "Educational ser- originally established in the early years of vices" ($732,147) and "Fellowships" the Gallery. The income from these funds ($494,917). The remaining 19 percent is used for the compensation of executive used for Center staffing is derived from personnel, payment of professional fees, federally appropriated funds. The Center insurance, fundraising, and other operat- supported thirty-three fellowships in its ing costs not covered by federal funds. 1991 community of scholars in addition Restricted Funds to its meetings, publications, and Special Exhibitions: During 1991 nine research. major and several smaller special exhibi- Conservation: Conservation costs of tions were mounted at a total cost of $2.2 million were primarily (81 percent) $7.9 million. One of the largest was Art funded by federal appropriations. Private for the Nation: Gifts in Honor of the 50th funds of $405,073 supported four fellow- Anniversary of The National Gallery of ships, staff research, and seminars. The Art. The corporate community continues Gallery has separate conservation labora-

118 tones and facilities for paintings, paper, PUBLICATIONS FUNDS objects, and textiles, as well as for scien- Although the Gallery recorded five mil- tific research. lion visits in fiscal year 1991, it was the Research Services and Music: Supple- third consecutive year in which atten- menting federal funds, purchases of dance declined, reflecting decreased books and photographs totaling tourism in Washington generally. This re- $199,222 for the Gallery's library and sulted in lower than expected sales of cat- photographic archives were made with alogues, art books, prints, and posters, private funds designated for those pur- and lower net profits. Publication sales of poses. The Gallery's music department, $9.0 million in 1991 were 13 percent be- which arranges and presents the regular low the prior year, with a major impact on Sunday evening concerts, was largely profits after expenses. The net proceeds funded by private resources at a level of of publications sales, along with income $448,305 in 1991. earned on existing fund balances, were used to finance, through a revolving fund, INVESTMENTS the production of catalogues and other scholarly publications related to the Gal- The investment portfolio of the Gallery lery programs, including the second vol- grew to a market value of approximately ume of the Gallery's systematic catalogue $218 million on 30 September 1991, of the collection. 14 percent higher than the preceding fiscal year. Common and preferred stocks FIFTIETH ANNIVERSARY comprised 37 percent of the entire portfolio compared with 21 percent at the end An outpouring of gifts to the National Gal- of fiscal year 1990. The portfolio is made lery of works of art was the highlight of up of endowment funds and, to a lesser the Gallery's fiftieth anniversary. Over the extent, funds for special purposes desig- course of a five-year campaign, donors nated by the donors. The largest single gave nearly 1,300 magnificent works of portion of endowment funds is the Pa- art for the permanent collections. The trons' Permanent Fund, dedicated to the Gallery, and the nation, benefited from purchase of works of art. Its market value legislation enacted by Congress restoring amounted to $72 million at year end. The the full deductibility of gifts of works of portfolio is supervised by the finance art donated during 1991 and exempting committee of the board of trustees and such gifts from the provisions of the alter- managed by an investment advisory team native minimum tax. Recently the Con- made up of Scudder, Stevens & Clark, gress approved a six-month extension of and First Manhattan Capital Manage- the exemption pending hearings in 1992, ment, both of New York, and Sound when we hope permanent incentives to Shore Management, Inc., of Greenwich, give works of art will be favorably Connecticut. The custodian is the Riggs considered. National Bank of Washington, D C. In addition, donors supported the The early endowment fund established celebration through financial contribu- by Andrew W. Mellon has been supple- tions and pledges amounting to almost mented over the years by endowments $25 million. These funds made it pos- given by the Andrew W. Mellon Founda- sible to conduct ongoing research and tion and Paul Mellon to operate the Cen- scholarship projects, to underwrite inter- ter for Advanced Study in the Visual Arts national exchanges of art, to purchase and to provide for art conservation and several anniversary masterpieces (includ- building funds. During 1991 the Gal- ing Jusepe de Ribera's The Martyrdom of lery's art purchase funds were strength- Saint Bartholomew, from the 50th Anni- ened by a gift of $1 million from the versary Gift Committee), and to mount a Annenberg Foundation. Many other gen- major exhibition of a selection of fiftieth erous individuals also made contributions anniversary gifts of art. for the purchase of works of art, fellowships, and scholarly endeavors.

119 THE CIRCLE OF THE NATIONAL CONCLUSION GALLERY OF ART The treasurer and his staff are respon- The Gallery is fortunate to have the en- sible for general financial management thusiastic support of 350 Circle mem- and policy, overseeing investment man- bers, led by co-chairs Robert H. Smith agement, budgeting, accounting, payroll, and Katharine Graham. From 1987 to insurance, and computer operations. The 1991 individual contributions of Circle office manages the systems and controls members have been used to underwrite a for the security and disposition of funds wide array of important Gallery projects. detailed in the accompanying financial Virtually every Gallery program has statements. During the year Ann R. benefited. Leven, former treasurer and chief fiscal officer of the Smithsonian Institution, No. projects ($ thousands) joined the Gallery in the newly created position of deputy treasurer. Art acquisitions 12 $520 Extraordinary contributions from a Films 12 376 host of donors and supporters of the Gal- Education programs 14 283 lery in this fiftieth anniversary year, cou- Symposia and pled with the generous support of the research 10 219 Administration and Congress, demon- Concerts and music 5 67 strate once again what an effective and Library acquisitions 5 65 dynamic combination was created when Other projects 5 27 Andrew Mellon founded the National Gallery.

Daniel Herrick Treasurer

Coopers &Lybrand

Report of Independent Accountants

To the Board of Trustees of The National Gallery of Art

We have audited the accompanying balance sheet of National Gallery of Art (the "Gallery") as of September 30, 1991, and the related statements of activity of the funds for operations, and changes in fund balances for the year then ended. These financial statements are the responsibility of the Gallery's management. Our responsibility is to express an opinion on these financial statements based on our audit. We previously audited and reported on the financial statements of National Gallery of Art for the year ended September 30, 1990, totals of which are included in the accompanying financial statements for comparative purposes only.

We conducted our audit in accordance with generally accepted auditing standards and generally accepted government auditing standards. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements. An audit also includes assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion.

In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of National Gallery of Art as of September 30, 1991, and the results of its operations for the year then ended in conformity with generally accepted accounting principles.

As discussed in Note 6 to the financial statements, the Gallery adopted the provisions of Statement of Financial Account- ing Standards No. 93 by recognizing depreciation on buildings in 1991.

Washington, D.C. December 20, 1991 BALANCE SHEET, 30 SEPTEMBER 1991 (with comparative totals as of 30 September 1990)

1991 1990

Nonfederal Federal Totals Totals

ASSETS Cash, including amounts on deposit with U.S. Treasury and interest-bearing demand deposits (Note 2) $ 3,234,813 $13,303,554 $ 16,538,367 $ 13,336,435 Receivables (Note 3) 13,492,211 658 13,492,869 9,157,431

Investments (Notes 1 and 4) 218,012,108 — 218,012,108 191,246,898

Publications inventory (Notes 1 and 5) 5,392,683 — 5,392,683 3,218,640 Deferred charges (Note 1) 3,494,957 1,956,831 5,451,788 1,830,634 Fixed assets (Notes 1 and 6) 78,567,991 22,025,359 100,593,350 99,957,300 Total assets $322,194,763 $37,286,402 $359,481,165 $318,747,338

LIABILITIES AND FUND BALANCES Liabilities: Accounts payable, accrued expenses, and undelivered orders (Note 1) $ 4,046,198 $ 8,305,561 $ 12,351,759 $ 8,638,362 Deferred grants and appropriations 11,172,387 1,956,831 13,129,218 5,635,965 Total liabilities 15,218,585 10,262,392 25,480,977 14,274,327

Commitments and contingencies (Note 10)

Fund balances (Note 7): Funds for operations 917,298 917,298 2,531,044

Funds for special purposes 41,491,469 - 41,491,469 41,390,946

Endowment funds 185,999,420 — 185,999,420 155,253,022

Unobligated appropriations — 4,998,651 4,998,651 5,340,699 288,408,187 4,998,651 233,406,838 204,515,711 Capital invested in fixed assets 78,567,991 22,025,359 100,593,350 99,957,300 Total fund balances 306,976,178 27,024,010 334,000,188 304,473,011 Total liabilities and fund balances $322,194,763 $37,286,402 $359,481,165 $318,747,338

The accompanying notes are an integral part of these financial statements.

121 STATEMENT OF ACTIVITY OF THE FUNDS FOR OPERATIONS FOR THE YEAR ENDED 30 SEPTEMBER 1991 (with comparative totals for the year ended 30 September 1990)

1991 1990

Nonfederal Federal Totals Totals

SUPPORT AND REVENUE

U.S. government appropriation utilized (Note 1) } — $48,450,675 $48,450,675 $40,638,810 Return from endowment funds, less $1,258,441 and $1,544,052 for 1991 and 1990, respectively, returned to

principal (Note 1) 3,871,500 - 3,871,500 3,463,108

Grants for special exhibitions 3,032,010 — 3,032,010 4,660,444

Operating funds utilized for special exhibitions 1,638,831 — 1,638,831 1,120,483

Special purpose funds utilized 2,615,305 — 2,615,305 1,405,624 Interest income 145,930 145,930 286,673

Income from cafeteria, recorded tours, and reimbursements 65,783 — 65,783 117,667 Total support and revenue 11,369,359 48,450,675 59,820,034 51,692,809

OPERATING EXPENSES Programs: Curatorial 1,761,408 5,259,743 7,021,151 5,780,835 Conservation 405,073 1,750,622 2,155,695 1,889,260 Special exhibitions 4,956,770 2,928,831 7,885,601 8,526,133

Editorial and photography — 965,877 965,877 951,097 Research services 199,222 2,061,367 2,260,589 2,041,902 Educational services 1,070,140 3,185,987 4,256,127 3,652,636 Fellowships 494,917 494,917 465,760 1 Music 448,305 1 M.HI) ) 613,114 411,486 Total program expenses 9,335,835 16,317,236 25,653,071 23,719,109

Operations, security, and administration: Operations and maintenance 401,273 11,664,736 12,066,009 10,989,931 1

Security — 9,125,692 9,125,692 8,134,818 Administration, fiscal and legal 829,605 6,712,597 7,542,202 6,465,536 Development 717,972 96,600 814,572 568,262 Total operations, security, and administration 1,948,850 27,599,625 29,548,475 26,158,547

Renovation expenditures — 3,837,310 3,837,310 901,005

Equipment expenditures — 696,504 696,504 661,662 Total expenses 11,284,685 48,450,675 59,735,360 51,440,323 Excess of support and revenue over expenses $ 84,674 $ $ 84,674 $ 252,486

122 STATEMENT OF CHANGES IN FUND BALANCES FOR THE YEAR ENDED 30 SEPTEMBER 1991 (with comparative totals for the year ended 30 September 1990)

1991 1990

Nonfederal Federal No-year Funds for No-year special Funds for special Endowment One-year renovation exhibitions operations purposes funds funds funds funds Totals Totals

BALANCES, BEGINNING OF YEAR 2,531,044 $41,390,946 $155,253,022 ' — $3,060,026 $2,280,673 $204,515,711 $208,780,477

Additions: U.S. government appropriation received — — — 41,685,402 3,486,589 4,347,514 49,519,505 41,953,000 U.S. government funds provided for prior years (Note 1) — — — 72,414 — 72,414 — Return from endowment funds restricted to special purposes - 5,092,112 - - — - 5,092,112 4,671,856 Endowment fund income returned to principal (Note 1) 1,258,441 - - — - - 1,258,441 1,544,052

Investment income - 2,323,733 - — — - 2,323,733 2,771,139 Change in investment appreciation

(depreciation) (Note 4) - 2,097,883 22,420,145 — — - 24,518,028 (14,253,561)

Gifts and bequests - 7,676,441 4,001,723 — — - 11,678,164 10,361,719 Excess of support and revenue over expenses 84,674 - - — — - 84,674 252,486

Publications revenue - 9,331,419 - — — - 9,331,419 10,553,696 Total additions 1,343,115 26,521,588 26,421,868 41,757,816 3,486,589 4,347,514 103,878,490 57,854,387

Deductions:

Art purchases - 10,719,929 - — — - 10,719,929 8,868,662

Publications expenses - 9,728,088 - — — - 9,728,088 9,746,229 Fixed asset

expenditures - 351,243 - — — - 351,243 266,787 Special exhibition

funds utilized 1,638,831 - - — — - 1,638,831 1,120,483 Fellowships,

projects, and other - 2,615,305 - — — - 2,615,305 1,405,624 Federal operating expenses obligated — — — 41,684,534 3,837,310 4,412,123 49,933,967 40,707,443 Returned to U.S.

Treasury — — — — 3,925 Total deductions 1,638,831 23,414,565 41,684,534 3,837,310 4,412,123 74,987,363 62,119,153

Transfers—In (out),

net (Note 7) (1,318,030) (3,006,500) 4,324,530 — — — — —

BALANCES, END OF YEAR 917,298 $41,491,469 $185,999,420 * 73,282 $2,709,305 $2,216,064 $233,406,838 $204,515,711

123 Notes to Financial Statements

Note 1. Summary of significant No-year appropriations are retained until cost or market. Cost is determined using accounting policies expended. the retail cost method.

FUND ACCOUNTING—To ensure obser- UNDELIVERED ORDERS—In accordance DEFERRED CHARGES— Deferred charges vance of limitations and restrictions with accounting principles prescribed by represent expenses incurred in connec- placed on the use of resources available the Comptroller General of the United tion with future special exhibitions and to the National Gallery of Art (the Gal- States as set forth in the Policy and Pro- other activities and are recognized in the lery), the accounts of the Gallery are cedures Manual for Guidance of Federal period in which they occur. classified for accounting and reporting Agencies, the obligation basis of account- purposes into separate funds established ing used for federal funds differs in some FIXED ASSETS—The land occupied by according to their nature and purposes. respects from generally accepted ac- the Gallery's buildings was appropriated Separate accounts are maintained for counting principles. Obligations, such as and reserved by the Congress of the each fund; however, in the accompanying purchase orders and contracts, are recog- United States for that purpose. No value financial statements, funds that have simi- nized as expenses and are carried as lia- has been assigned in the accompanying lar characteristics have been combined bilities even though the related goods or financial statements. Buildings are re- into fund groups: services may not have been received. corded at cost and depreciated on a Operating funds, which include unre- Such amounts are included in unde- straight-line basis over the estimated use- stricted and restricted resources, are livered orders and are available until ex- ful life of fifty years. Equipment, furni- those expendable funds that support the pended. Nonfederal funds do not account ture, and computer software are also Gallery's operations. for undelivered orders. recorded at cost and depreciated on a straight-line basis over estimated useful Funds for special purposes include the ART COLLECTION— In conformity with lives ranging from five to twenty-five publications fund, which is used to fi- accounting policies generally followed by years. Upon retirement of fixed assets, nance, in a revolving fund manner, the art museums, the value of art has been the related cost and accumulated depre- production of catalogues, and other schol- excluded from the balance sheet. The ciation are removed from the accounts arly publications directly related to the Gallery acquires its art collections (see Note 6). programs and collections of the Gallery. through purchase or by donation-in-kind. Publications revenue and expenses are Only current year purchases, but not REVENUE RECOGNITION—Grants, gifts, recorded as additions and deductions, re- donations-in-kind, are reflected in the and bequests are recognized as support spectively, in the statement of changes in statement of changes in fund balances. fund balances. Other funds for special and revenue or additions to funds for operations, special purposes, or endowment purposes are primarily restricted to art INVESTMENTS—Investments are carried acquisitions, capital construction, and funds on the accrual basis. Support and at current market value based upon the fellowships. revenue received for future periods is last reported sales price at the end of the deferred. Endowment funds require in perpetuity fiscal year or, in the absence of a reported Contributions received by the Gallery that principal be invested and that only sale, upon the average of the bid and in support of special exhibitions occurring the income be used. Permanent endow- asked prices. Purchases and sales of seat one or more participating museums are ment funds are subject to restriction by curities are reflected on a trade-date recorded as revenue to the Gallery to the donor, grantor, or other outside party. basis. Gain or loss on sales of securities is extent that shared costs are incurred by Funds functioning as endowment are sub- based on average historical value (cost of the Gallery. ject to restriction by the Gallery's board securities if purchased or the fair market Pledges for the purchase of works of of trustees. value at the date of receipt if received art are recorded when collected. Federal funds represent appropriations by donation). Dividends and interest from Congress for the operations of the are recorded on the accrual basis. In UNITED STATES GOVERNMENT FUNDS Gallery. The Gallery receives "one-year" accordance with the policy of stating in- PROVIDED FOR PRIOR YEARS-The Na- appropriations, which, when not obli- vestments at fair value, the net change in tional Defense Authorization Act of 1991 gated or expended, are retained by the unrealized appreciation or depreciation changed the accounting for expired ac- Gallery for a period of five years prior to for the year is reflected in the statement counts. Under this legislation, agencies being returned to the United States Trea- of changes in fund balances (see Note 4). will account for unobligated balances of sury; and "no-year" appropriations, for past and current years. the repair, renovation, and restoration of PUBLICATIONS INVENTORY-Publica- its buildings and for special exhibitions. tions inventory is carried at the lower of

124 OPERATING INCOME FROM ENDOW- Note 2. Cash MENT FUND—Income derived from in- The Gallery invests its excess nonfederal vestments of endowment funds is ac- cash in money market funds, which are counted for as revenue of the appropriate converted into cash as needed to meet the operating fund or, if applicable, as addi- Gallery's obligations. Federal cash of tions to funds for special purposes. It is $13,303,554 is on deposit with the the policy of the board of trustees to limit United States Treasury and represents the amount of dividends and interest appropriated amounts not yet disbursed. available for expenditure in operations in any year and to return unused income to Note 3. Receivables the principal of the appropriate endow- As of 30 September, receivables were composed of the following: ments. In keeping with this policy, the amount of interest and dividends avail- 1991 1990 able for expenditures is equal to 5.5% of Grants and reimbursements $ 6,531,729 $4,332,888 the four-year average market value of the Due from brokers on sales of securities 4,058,135 1,683,799 invested funds. Total income generated Accrued investment income 2,462,491 2,937,565 by endowments for operations was Other 440,514 203,179 $5,129,941 and $5,007,160 for the years ended 30 September 1991 and Total $13,492,869 $9,157,431 1990. Of these amounts, $3,871,500 and $3,463,108 was used for operating purposes and, pursuant to the trustees' Note 4. Investments policy noted above, $1,258,441 and As of 30 September the Gallery's endowment and other special purpose funds were $1,544,052 was returned to principal for invested as follows: these respective years. 1991 1990

ANNUAL LEAVE—The Gallery's em- Cost Market value Cost Market value ployees earn annual leave in accordance Loan to the U.S. with federal law and regulations. The cost Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 of leave is recorded as salaries expense U.S. government only as leave is taken. obligations 87,049,248 90,488,254 93,905,590 93,835,414 Cash equivalents 9,023,886 9,023,886 9,614,275 9,614,275 CONTRIBUTED SERVICES-A substantial Bonds and notes 32,014,753 32,840,459 44,713,932 43,302,153 number of unpaid volunteers have made Common and significant contributions of their time in preferred stocks 69,745,515 80,659,509 42,785,043 39,495,056 the furtherance of the Gallery's programs. Total $202,833,402 $218,012,108 $196,018,840 $191,246,898 The value of this contributed time is not reflected in these statements, since no ob- jective basis is available for determining In 1942 the Gallery, under authority of est income on this loan was $403,438 the value of these services. an Act of Congress, made a $5,000,000 and $409,826 for the years ended permanent loan to the United States 30 September 1991 and 1990, RECLASSIFICATIONS—Certain amounts Treasury. This loan bears interest at 1U% respectively. in the 1990 financial statement have below the average monthly rate for long- The change in investment appreciation been reclassified for comparative term funds paid by the United States (depreciation) for the years ended purposes. Treasury (ranging from 7.625% to 30 September 1991 and 1990 is as 8.625% during fiscal year 1991). Inter- follows:

1991 Net increase (decrease) in market value of investments $19,950,648 $(19,812,216) Realized gain on sale of investments, net 4,567,380 5,558,655 $24,518,028 $(14,253,561)

125 Note 5. Publications inventory As of 30 September inventory consists of the following:

1991 1990 Publications inventory $3,208,847 $2,558,346 Work-in-process 1,834,499 451,365 Other 349,337 208,929 $5,392,683 $3,218,640

Note 6. Fixed assets The Gallery has adopted Statement of against "capital invested in buildings and Financial Accounting Standards No. 93, equipment" and is excluded from the "Recognition of Depreciation by Not-for- statement of activity of the funds for oper- Profit Organizations," which requires the ations and statement of changes in fund recording of depreciation of long-lived balances. Depreciation in the amount of tangible assets. The effect of the retroac- $3,768,428 in 1991 is comprised of tive adoption is to reduce the capital in- $2,458,922 of nonfederal funds and vested in fixed assets fund balance by $1,309,506 of federal funds. S,199,707 as of 1 October 1990. Buildings and equipment consist of the Depreciation is charged directly following as of 30 September:

1991 1990

Nonfederal Federal Total funds Total funds Buildings $122,215,656 $11,288,317 $133,503,973 $133,334,107 Equipment 3,016,969 24,175,811 27,192,780 25,340,713 Construction-in- progress 180,960 2,637,089 2,818,049 443,104 125,413,585 38,101,217 163,514,802 159,117,924 Less accumulated depreciation (46,845,594) (16,075,858) (62,921,452) (59,160,624) Total $ 78,567,991 $22,025,359 $100,593,350 $ 99,957,300

- W V

Jean Dubuffet, Site a Vhomme assis, 1969-1984 Gift of Robert M. and Anne T. Bass and Arnold and Mildred Glimcher, in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1991.100.1

126 Note 7. Nonfederal fund balances Note 10. Commitments and Nonfederal funds include the following as of 30 September: contingencies The Gallery entered into an operating 1991 1990 lease for a warehouse beginning 1 No- Funds for operations S 917,298 ) 2,531,044 vember 1988. The Gallery has the right Funds for special purposes: to cancel this lease upon twelve months' Accumulated income, gifts, grants, and bequests written notice to the lessor as of the end available for: of the initial five years. Future minimum Art purchases 17,874,556 16,502,582 rental commitments under this lease at Capital construction 7,705,054 6,764,236 30 September 1991 are approximately as Publications 13,480,695 15,601,675 follows: 2,431,164 2,522,453 Fellowships and other projects For the year ending Federal Publications Total funds for special purposes 41,491,469 41,390,946 30 September fund fund 1992 $272,000 $116,000 Endowment funds: 1993 280,000 120,000 Endowment funds, the income of which is available for: 1994 23,000 10,000 Total $575,000 $246,000 Restricted purposes 80,224,498 75,503,317 Gallery operations 72,011,859 59,908,563 Funds functioning as endowment funds, the principal and The terms of the lease include addi- income of which are available for: tional rent for operating expenses, real Special purposes 21,478,016 8,961,699 estate taxes, utilities, and maintenance. Unrestricted purposes 12,285,047 10,879,443 Rent expense on the above lease was ; Total endowment funds 185,999,420 155,253,022 approximately $465,000 for the year ended 30 September 1991. Total nonfederal funds $228,408,187 $199,175,012

Interfund transfers—In (out) for the year ended 30 September 1991 included:

Funds for Funds for special Endowment operations purposes funds Board designated transfer $ - $(3,000,000) $3,000,000 Endowment fund income returned to principal (1,258,441) 1,258,441 Other (59,589) (6,500) 66,089 Total transfers among funds $(1,318,030) $(3,006,500) $4,324,530

Note 8. Retirement benefits The Gallery funds all retirement contri- All permanent employees of the Gallery butions on a current basis and accord- hired prior to 1 January 1984, both fed- ingly there are no unfunded retirement eral and nonfederal, participate in the costs. Total pension expense of the Gal- Civil Service Retirement System (CSRS), lery was approximately $2,956,000 and and those hired subsequent to 1 January $2,564,000 for the years ended 30 Sep- 1984 participate in both the Social Secu- tember 1991 and 1990, respectively. rity Retirement System and the new Fed- eral Employees' Retirement System Note 9. Income taxes (FERS), which went into effect 1 January The Gallery is a nonprofit organization 1987. Under FERS, employees have the exempt from federal income taxes under option to make tax-deferred contributions the provisions of §501(c)(3) of the Inter- to a Thrift Savings Plan and in some in- nal Revenue Code and the Dplicable in- stances receive a matching portion from come tax regulations of the District of the Gallery. Columbia.

127

Trustees, Committees, and Officers

Board of Trustees Audit Committee (as of September 1991) Franklin D. Murphy, Chairman Franklin D. Murphy, Chairman Nicholas F. Brady, John R. Stevenson, President The Secretary of the Treasury William H. Rehnquist, John R. Stevenson The Chief Justice of the United States Ruth Carter Stevenson James A. Baker III, Robert H. Smith The Secretary of State Alexander M. Laughlin Nicholas F. Brady, The Secretary of the Treasury Finance Committee Robert McCormick Adams, The Secretary of the Smithsonian Institution John R. Stevenson, Chairman Ruth Carter Stevenson Nicholas F. Brady, The Secretary of the Treasury Robert H. Smith Robert McCormick Adams, Alexander M. Laughlin The Secretary of the Smithsonian Institution Paul Mellon, Honorary Trustee Franklin D. Murphy Ruth Carter Stevenson Robert H. Smith Alexander M. Laughlin

Art and Education Committee John R. Stevenson, Chairman Franklin D. Murphy Ruth Carter Stevenson Robert H. Smith Alexander M. Laughlin J. Carter Brown

James McNeill Whistler, Study in Black and Gold (Madge O'Donoghue), c. 1885 Gift of Mr. and Mrs. Paul Mellon, in Honor of the Fiftieth Anniversary of the National Gallery of Art, 1991.7.5

129 $ Trustees' Council John C. Whitehead, Chairman 1 v' Lois de Menil, Vice Chairman Arthur G. Altschul Perry R. Bass Franklin D. Murphy, Chairman John R. Stevenson, President Robert M. Bass Donald M. Blinken Edward W. Carter Carroll J. Cavanagh James T. Dyke Edward E. Elson Robert F. Erburu Thomas M. Evans John C. Fontaine John R. Gaines Jo Ann Ganz Evelyn D. Haas Gordon Hanes William H. Rehnquist, James A. Baker III, Pamela C. Harriman The Chief Justice of the United States The Secretary of State Lore Heinemann R. L. Ireland III George F. Jewett, Jr. Ruth Kainen Stephen M. Kellen Peter Kimmelman Richard A. Kirstein Leonard A. Lauder Ronald S. Lauder Judith Laughlin Sydney Lewis Richard A. Manoogian

Nicholas F. Brady, Robert McCormick Adams, Frederick C. Mayer The Secretary of the Treasury The Secretary of the Smithsonian Institution Louise Mellon Raymond D. Masher Diana Prince Jill Sackler James S. Smith Benjamin F. Stapleton III Edward F. Swenson, Jr. Dian Woodner Eleanor Wood Prince

Executive Officers John R. Stevenson, President

Ruth Carter Stevenson Robert H. Smith J. Carter Brown, Director Roger Mandle, Deputy Director Alexander M. Laughlin Paul Mellon, Honorary Trustee Henry A. Millon, Dean, Center for Advanced Study in the Visual Arts Anne B. Evans, Administrator Daniel Herrick, Treasurer Philip C. Jessup, Jr., Secretary and General Counsel Joseph J. Krakora, External Affairs Officer

Director Emeritus John Walker Staff (as of February 1992)

OFFICE OF THE Baroque Paintings PRINTS, DRAWINGS, DIRECTOR Curator, Southern Baroque PHOTOGRAPHS, AND Director Diane De Grazia SCULPTURE J. Carter Brown Curator, Northern Baroque Mellon Senior Curator Executive Assistant to the Director Arthur K. Wheelock, Jr. Andrew C. Robison, Jr. Angela M. LoRe Mellon Assistant Curator, Southern Staff Assistant and Office Manager Special Assistant to the Director Peter Lukehart Susanne L. Cook Robert L. Bowen, Jr. Mellon Assistant Curator, Northern Secretary for Exhibitions Secretaries Dennis P. Weller Audrey Hill Beth J. Noreen Research Assistant, Southern Old Master Prints Dorothy M. Tingen Eric Garberson Ann M. Wieman Secretary Curator Internal Auditor Margaret Teare H. Diane Russell Larry L. Lewis Assistant Curators American and British Paintings Auditor Virginia Clayton Orin Wolf Curator and Deputy Senior Gregory D. Jecmen Curator of Paintings Nicolai Cikovsky, Jr. Old Master Drawings Curator Curator OFFICE OF THE Franklin Kelly Margaret Morgan Grasselli DEPUTY DIRECTOR Associate Curator Assistant Curator Deputy Director Nancy Anderson Judith A. Brodie Roger Mandle Assistant Curator Research Assistant Administrative Officer for the Deborah Chotner Ann MacNary Deputy Director Exhibitions Assistant Secretary Carol W. Kelley Charles Brock Victoria Foster Staff Assistant Research Associate Modern Prints and Drawings Lexi Alexander John Davis Secretary Curator Jean Stensland Modern Paintings Ruth E. Fine Associate Research Curator Assistant Curators PAINTINGS AND Elizabeth P. Streicher Carlotta J. Owens TWENTIETH-CENTURY ART Assistant Curators Charles M. Ritchie Florence E. Coman Exhibition Assistant Senior Curator of Paintings and Jeffrey S. Weiss Mary Lee Corlett Curator of Modern Paintings Research Assistant Secretary Charles S. Moffett Kathryn Galley Thomas H. Coolsen Staff Assistant Maria Malius Twentieth-Century Art Photographs Secretary Curators Curator Valerie G. Guffey Jack Cowart Sarah Greenough Renaissance Paintings Nan Rosenthal Exhibition Assistant Associate Curator Julia Thompson Curator, Southern Renaissance Jeremy A. Strick David Alan Brown Assistant Curator Sculpture Curator, Northern Renaissance Maria F. Prather Curator of Sculpture and John Oliver Hand Research Assistant Decorative Arts Assistant Curator, Southern Isabelle Dervaux C. Douglas Lewis Gretchen Hirschauer Secretary for Exhibitions Associate Curator of Early Research Assistant, Southern Sara Kuffler European Sculpture Robert Echols Secretary and Office Manager Alison Luchs Secretary Laura Freeland Mellon Assistant Curator Re nee Thibault Donald Myers Secretary Willow Johnson

131 RESEARCH ON Associate Conservators Secretary for Loan Administration Acquisitions EDITORS OFFICE COLLECTIONS Carol Christensen Deborah L. Miller Head of Acquisitions Editor-in-Chief Michael Swicklik Secretary to the Chief of Head of Department Anna M. Rachwald Frances P. Smyth Associate Conservators for the Exhibition Programs Suzannah J. Fabing Order Processing Assistants Production Manager Systematic Catalogue Nancy E. Stanfield Program Assistant Angela M. Gnanakkan Chris Vogel Catherine Metzger Barclay A. Gessner Mark L. Langston Senior Editor Elizabeth Walmsley DESIGN AND Mary Masters Mary Yakush Conservation Technician INSTALLATION Serials Assistants Editors Curatorial Records and Files Melissa Boring Senior Curator, Chief of Design Bruce B. Hebblethwaite Tam L. Curry Head of Department Gaillard Ravenel Inge F. Newstead Jane Sweeney Nancy H. Yeide Paper Conservation Deputy Chief of Design Acquisitions Technician Editor, CASVA Publications Assistant Conservator and Head of Mark Leithauser Beatrice D. Poindexter Carol Eron Anne L. Halpern Department Head of Lighting Design and Designers Shelley Fletcher Cataloguing and Processing Production Phyllis Hecht Systematic Catalogue—listed with Assistant Conservator Gordon Anson Head of Cataloguing Cynthia Hotvedt curatorial and conservation Yoonjoo Strumfels Office Manager Roger C. Lawson Production Assistant departments Matter/F ramer Sarah Sibbald Cataloguers Kathryn Mayer David Shen Budget Analyst Jane D. Collins Editorial and Production Assistant REGISTRATION AND LOANS Conservation Technician Linda Greatorex Trudi W. Olivetti Ulrike Mills Susan Clay Head of Exhibits Shop Cathy F. Quinn Assistant Editor Office of the Registrar Julia G. Rubenstein Object Conservation Floyd Everly Julie Warnement Acting Chief Registrar Marsha D. Spieth Conservator and Head of Head of Silkscreen Shop Assistant for Project Management Mary Suzor Paula Zech Department Barbara Keyes Maria Tousimis Assistant Registrars Bindery Assistant Shelley Sturman Head of Lighting Shop Secretary Judith Cline Jane E. Higgins Conservator James Spicknall Samantha Williams Michelle Fondas Cataloguing Assistants Judy L. Ozone Carpenters Lauren Mellon Photographic Services Richard Bruce J. Bryan Lane Secretary Associate Conservator Lester Dumont Sharon Millman Chief of Photographic Services Kelly McHugh Daphne Barbour Thomas Holland Richard C. Amt Supervisory Art Services Specialist Associate Conservator for the Reader Services Thomas Piddington Supervisory Photographer John Poliszuk Systematic Catalogue Head of Reader Services Electricians William Wilson Assistant Supervisory Art Services Albert Marshall Lamia Doumato Robert Benoit Coordinator of Photography Specialist Conservation Technician Reference Librarian William Mahan Ira Bartfield Andrew Krieger Julie Unruh Frances P. Lederer Benjamin McKinnie Photographers Lead Art Services Technicians Reference Assistant Scientific Research Department Head of Paint Shop Dean Beasom Johnnie Mizell George (Ted) T. Dalziel, Jr. Richard Carafelli Head of Department Frank Figgins Daniel Shay Interlibrary Loan Assistant Philip Charles, Jr. Rene de la Rie Painters Gary Webber Thomas F.J. McGill, Jr. Lorene Emerson Conservation Scientists Robert Barnett Art Services Technicians Vertical Files Librarian Archives Photographer Barbara Berrie Joseph Richardson Mark Clark Roberta Geier David Applegate Lisha Glinsman Finisher Robert Cwiok Circulation Assistants Museum Specialist Michael Palmer Dennis Bult Ellen Evangeliste Ariadne Y. DuBasky Barbara Bernard Organic Chemist Production Coordinators Lowell Gilbertson Robert M. Gibbons Laboratory Technicians Suzanne Quillan Lomax William Bowser Goven Martinez Margo L. Hyde Susan Amos Biochemist Gifford Eldredge Pierre Richard Catherine Jean Lowen Kristin Hansen Susana Halpine John Olson John Spurlock James Locke Laboratory Assistant Photographer Photographic Archives Museum Technicians Loans and the National Lending Michael Beverly Kathleen Buckalew Curator Margaret Cooley Service Draftspersons Ruth R. Philbrick Loans and Exhibitions Linda Heinrich Sara Sanders-Buell Head of Department Administrator and Cataloguer Conservation Donna Kwederis Secretary Stephanie T. Belt of Decorative Arts Exhibits Aide Desiree M. Miller Assistant Head of Department Jerry M. Mallick Miller Mack Lisa E. Mariam Mervin Richard Cataloguer of English and EDUCATION DIVISION Coordinator of Matting/Framing Silkscreen Production French Art Services Lisa Farrell Head of Education CONSERVATION Richard W. Hutton Hugh Phibbs Paul Glenshaw Cataloguer of Architecture Linda Downs Chief of Conservation Associate Conservator Glenn Perry Andrea R. Gibbs Division Administrator Ross Merrill Michael Pierce Jeff Wilson Cataloguer of Italian Art M argot E. Grier Coordinator of Conservation Ju Yun Matter/F ramer Karen H. Weinberger Staff Assistants Programs Staff Assistants Virginia Ritchie Cataloguer of Twentieth- Mary Hill Michael Skalka Gina Cinquegrana Frame Conservator Century Art C. Carter Schmitt Editorial Assistant Alison Stansbury Stephan Wilcox Meg Melvin Division Receptionist Janice Gruver Maquette Maker Assistant Frame Conservator Cataloguer of Special Projects Marta Horgan Staff Assistant Richard Ford Jane Rodgers Barbara Chabrowe Mary Jo Malarkey Adult Programs Research Associate Circulation Desk Technician Secretaries LIBRARY Karen Tidwell Wendy A. Cole Head of Department Heather Imboden Executive Librarian Secretary Lynn Russell Elizabeth Murphy EXHIBITIONS Neal T. Turtell Debra K. Massey Coordinator of Tours and Lectures Pamela Richardson Secretary Eric Denker Chief of Exhibition Programs Clerk Typist Staff Lecturers Painting Conservation D. Dodge Thompson Carolyn J. Mauler Geneva Rosenboro Clerk Typist Frances Feldman Chairman of Department Exhibition Officers Kate M. Allen Philip Leonard David Bull Cameran G. Castiel SLIDE LIBRARY J. Russell Sale Conservator and Head of Elizabeth Driscoll Pochter Collection Development Acting Head Slide Librarian Coordinator of Adult Program Department Ann Bigley Robertson Librarian Nicolas A. Martin Docents Patricia W. Waters Sarah Fisher Caroline H. Backlund Assistant Slide Librarians Wilford Scott Conservator Office Manager Automation Thomas O'Callaghan, Jr. Curator of Film Programs Heather Reed Ann Hoenigswald Susan Chickering Mary S. Wasserman Margaret Parsons

132 Assistant to Curator of Film Coordinator of National Teacher EEO OFFICE Leaders Utility Systems Operators Programs Institute EEO Officer Paul Cotton Noel Ashton Victoria Toye Julie A. Springer George Martin Geraldine Crawford Lester Barry Curator of Academic Programs Coordinator of Teacher Workshops EEO Specialist Bernessa Drain Nathaniel Bethune Gail Feigenbaum and Materials Rita Cacas James Hardy George Brooks Coordinator of Academic Janna Eggebeen Eva Harrison Larry Brown Programs Coordinator of School Docents FACILITIES MANAGEMENT Housekeepers Walter Coehins Amy McCampbell Mary Ellen Wilson Catherine Brown Roger Dunning Facility Manager Staff Assistant Tour Scheduler Gerald Carthorne Eugene Guthrie Gregg Reynolds Maury Pully Susan LaFiandra Diane Chase James Hamilton Special Projects Coordinator Staff Assistant David Clark Robert Hamilton Danny C. Hamm Education Exhibition Programs Catherine Whitney James Clark Gary Hancock Planners and Estimators Head of Department Raymond Frazier Frank Lim Paul D. Heath Susan Arensberg J. Hallamon James Miller Allan Riggles Assistant Curators Carlene Hardie Harvey Moore CENTER FOR Michael Warrick Lorraine Karafel Brock Hawkins Clifton Mutts ADVANCED STUDY IN Secretary Marcia Kupfer Anthony Hilliard John Ott THE VISUAL ARTS Gwendolyn Harriston Project Coordinator Dorothy Johnson Jesus Pena Clerk Typist Roily Strauss Dean Kevin Kelton Larry Smith Judy Williams Henry A. Millon Angela Lee Presley Rand Media Programs Associate Dean Maintenance Chevele Lewis Shawn Sizemore Production Coordinator of Marianna S. Simpson James Stevens Manager Betty Rufus Audiovisual Programs Acting Associate Dean Alexander Tonic Craig A. MacFarlane Yolanda Simmons Melanie Soich Steven A. Mansbach Angela Sutton Anthony Walker Assistant Dean Carpentry Shop Education Publications John Walker John Wert Therese O'Malley Supervisor Henry Washington Elevator Mechanic Foreman Editors Research Assistants Alvin Adams James Wells Welden Daugherty William J. Williams Karin Alexis Wood Grafter Leaders Jesse White Elevator Mechanic Katie Ziglar Christine Challingsworth Abney Dorson Housekeeping Workers Willie Parker Isabelle Frank David King Education Resources Maurice Anderson Machinists Elizabeth Kryder-Reid Wood Grafters Robert Diehr Head of Department Kenneth Betts Astrit Schmidt-Burkhardt Diane Driscoll Wayne Valentine Ruth R. Perlin Antonio Boomer Project Assistant George McDonald James Wilson Program Assistant George Briggs Sarah Hadley Willard Menson Instrument Mechanics Pamela Chewning Lamont Brown Staff Assistant John Rogers Pamela Comes Eugene Givens Helen Tangires Peter Urban Extension Programs Lewis Dobbs Edward Heffner Assistant to the Program of Special Carpentry Workers Resource Production Specialist Geraldine Drayton William Sutton Meetings Christopher Bauman Leo J. Kasun Isaac Graham Energy Conservation Specialists Cecelia Gallagher Francis Dyson, Jr. Production Coordinator of Brenda Handy Dennis Donaldson Assistant to the Program of Anthony Givens Interactive Technologies Charles Harrison Charles Gillespie Fellowships Donna Mann Paint Shop Carolyn Harvey Deborah Gomez Safety and Health Specialists Supervisor, Booking and Shipping Supervisor Marvin Hill Assistant to the Program of Russell Grice Carol F Lippitt Rhonda McCord Carroll Jamison Regular Meetings Joseph Harchick Lead Audiovisual Shipping Clerk Leader Ruth Johnson Elizabeth Kielpinski Roland Young Vernon Richardson Paul Kelly Planner and Estimator Secretary to the Kress Professor Affiliate Loans System Coordinator Sandra Lancaster Fred Crickenberger and Special Projects Edwin Butler Kendrick Ashton Gail Maxfield Electrical Shop Amelia Henderson Plasterer Lead Booking Clerk Evelyn Scott Electrician Foreman James Thompson Martha H. Aspron Sponsored Research in the Willie Speight Stephen Bradistl Booking & Shipping Clerk Painters History of Art L. Staggs Electrician Leader Thomas Hartswick Cassandra Raspberry R. Stevenson Daniel Smith Project Head Alphonso Holt Program Shipping Technicians Mable Stokes Electricians Claire Sherman Tommy Pope Michael G. Bryant Elsie Thompson Melvin Klugh Program Assistant Lester Smith Jennifer A. Cross Sheila Tyler Electrician Workers Curtis Millay Painting Worker Chuckie L. Harris Margaret Wallace George Britt Joseph Copeland Dion Redman Architectural Drawings Project Diana Wells Willams Carlton Masonry Shop Art Information Project Head Z. Wright David Cole Supervisor Coordinating Curator of Art Vicki Porter Electrician Helper Roland Martin Operations Information Senior Research Associate Leslie Raspberry Masons Secretary Christopher With Sabine Eiche Sheet Metal Shop Michael Proctor Linda Dorsey Supervisory Art Information Sheet Metal Mechanics Joseph Sandleitner Utility Systems Operations Specialist Sterling Fisher Joe Thomas Acting General Foreman Carol Boyes OFFICE OF THE Sidney Griffin William Turner Joseph Barnes Senior Art Information Specialist Mark Teed ADMINISTRATOR Utility Systems Repairer Acting John Cogswell Housekeeping Administrator General Foreman Plumbing Shop Art Information Specialists Supervisors Anne B. Evans Zery C. Mingo Pipefitter Leader Margaret Baucom Charles Boone Deputy Administrator Paul Dale Elisa Patterson James Washington Operating Engineers Shop Darrell Willson Pipefitters Mary Anne Probus Foremen Utility Systems Operating Foremen Assistant to the Administrator Marc Breau James Abraham Juan Delano Andrew McCoy Gregory Evans Teacher and School Programs Mary Battle Conrad Glade Staff Assistants Levern Jacobs Head of Department Phillip Collins Utility Systems Operators Leaders Anne Campion Kathleen Walsh-Piper Willie Cook Frank Bauer Work Control Center Sandra Dean Senior Educator for School Frank Ford Oscar Riley Coordinator Programs Sally Reeves Buddie Spicer Mike Brown Anne Henderson Vernon Richardson Anthony Thomas Linda Hilliard Darrell Waytes Donald Young

133 OFFICE OF PROTECTION Tammy Bennett Steven Brock Jerry Napier Derrick Hairston Architects SERVICES Vander Blount Annette Brown Timothy Nicholson Stanley Harley Mary Ellen Chantry Ronald Brown Chief of Protection Services Samuel Brown Willie Norman Ernest Reynolds Bruce D. Condit Milan Bryant Jay W. Chambers Paul Browner John Norris Edward Russell William H. Cross, Jr. Secretary Otis Butler Wayne Buckner Darrell Oldham Denise M. Lind Carol Palmer Clifton Clark Serbrina Bullock Joyce Palmer ADMINISTRATIVE Interior Design Specialist Edwin Cluster, Jr. Benjamin Burgess Leslie Parks SERVICES Susan Ritterpusch Administration/Special David Caldwell Program Assistant James Collins James Phillips Chief of Office Services George Caldwell Operations Robert Conyers Willie Pugh Cathy Williams Mary E. Johnson Deputy Chief Michael Copeland Michelle Cameron Eldridge Ramsey Administrative Officer Secretary James Canada George S. Martin Edwin Cox Gary Reed Sharlene Mobley Janet E. Maxim Joe Cardwell Staffing Venus Cristwell Robert Rice Secretary Albert Carr, Jr. Ronald J. Lowe John Davis William Richardson Eileen McCabe PERSONNEL Bruce Carter Clerks Ronald Estes Dana Roberson Driver Personnel Officer Jesus Castro Raymond Lee Robert Evans Gary Ross Robert Harris Michael Bloom Willard Catlett Amos Lynch Virtus Evans Kenneth Rowe Mail Clerks Systems Specialists Ellis Caudle Gregory Ford Ronald Sewell Eric Brown Michele Caputo Fire and Safety Francis Goler Luther Clark John Sherrill Felton Byrd Darryl Cherry Walter Colbert Deputy Chief George Hamilton Gregory Shorter Gregory Hill Personnel Specialists Harold Michael Darrell Harley Leslie Copeland Maxine Simmons Grady Williamson, Jr. John O'Neill Junior Harper Occupational Health Specialist Eric Davis Willie Sims Clerk Typist Lucia Pollock Barbara Height Joseph Harchick Lewis Dickens Earl Singleton Christy Allen Terrence Snyder Russell Grice Gus Henderson Dennis Diggs William Smallwood Offset Press Operators Staffing Specialists Peter Henderson, Jr. Secretary Charles Dorsey Andre Smith Patrick Beverly Rick Decuir Anne Rogers Edgar Hopson David Duggins John Smith Frank Schiavone Linda Pettiford Frank Johnson Roby Ellis Milton Sochor, Jr. Operations Wrapper Employee Relations Advisors Yamashita Johnson Neil Floyd Alexander Stephens Evelyn Murray Nancy Gianlorenzo Deputy Chief Nathaniel Jones David Fobbs Reathel Stewart Walter Leach James Davis Willie Joyner Paul Fortune Donnie Sutton Checkroom Staff Assistants Captain of the Guard Dona Linder Carlton Gaines Rr bert Tinsley Supervisor Page Bentzel Nathaniel McLin Stinson Kelly Johnnie Gallop James Townsend Barbara Caldwell Carolyn Jasperson Executive Officer Robert Lewis Antone Gatewood Lee Turk Lead Clerk Typists Staffing Clerk Nathaniel Anderson George Mackie Robert Gayleard David Tyler Dora Barksdale Karen Schwartz Investigation Frank Meyers Emanuel Goddard Raymond Tyndle Kathy Sutton Nurse Enis Pinar Joseph Midgette Burley Harris Eugenio Velazquez Checkroom Attendants Judith Randall Security Clerk Ronald Miles James Harris Juanita Walker Felisia Burgess Joe Lewis Charles Moody Boyd Harrison John Washington Ernestine Coleman RESOURCE ACQUISITION Security Drivers Jasper Morris Tawania Harvey Gregory Watson Paula Gaither James Tasker Chief of Resource Acquisition Dexter Moten Raymond Hawkins Raymond Watson Betty Harper Joshua Mewborn Joseph E. Brown Vincent Parker Smithy Hill Michael Webster Alice Holloman Security Lieutenants Assistant Chief/Procurement Joe Peterson Donna Hinton Linda West Joseph Leftwich Richard Allen Manager Jeroboam Powell David Hodges Michelle West Fransonia Littles Quentin Arnold Carolyn A. Perry Ronald Randall Fred Holmes Sandra West Kim Reed George Boomer Secretary Jerry Reaves Priscilla Hopkins Verda Whitlow Dale Washington John Cantey Veronica F. Nash Darrell Rhoades Herman Howard Celia Whitney Carolyn Windear Milton Cox Contract Specialists Floyd Rhoades Tyrone Howard Ronald Wilkins La Verne Whitted Jerome Edwards Terry Ellis Edward Roberts Gary Jackson Barry Williams Ann Wyder Claudine A. Lewis James Plush Andrew Robinson John Jackson James Williams Jeannette V. Rogue Supervisory Sergeants Thomas Savoy Jesus Jimeniz Lynn Williams TELECOMMUNICATIONS Procurement Clerk Hajji Al-Hadith Calvin Simmons Andre Johnson Rita Williams Telephone Systems Administrator Dianne Allison Franklin Smalls Ivy Johnson Andre Wilson Mamie L. Gordon Ira Bozeman Clerk Typist Willie Barnes Leroy Smith Way man Johnson Derek Wilson Head Telephone Operator Anna M. Taylor Louis Carroll Timothy Smith Felisha Jones Richard Wood Minnie Barbour Systems Coordinators Bernard demons Vernon Smith Kenneth Jones Ralph Wright Operators Jenmarie Dewberry David Hall Gregory Stevenson Ronald Jones Wayne Wright Barbara Coleman Julie A. Foster Armando Hartley Michael Strong Veronica Jones Demetrio Yabes Brenda Daniels Supply Management Officer Maurice Johnson William Thorne Quellan Josey James Yancey Zewdie Simms William Johnson Larry Turner Crystal Kelly Edward L. Harrison, Jr. Alonzo Kennedy Alvester Warren Scott Klocke Technical Services Supply Clerk/Typist Roger Kraft Ronald Webster-Bey Shirley Lee Deputy Chief AUDIOVISUAL SERVICES Barbara Stevens Ricky Manuel Alfred Williams Charles Leggett David Schott Chief of Audiovisual Services Supply Cataloguer Lawrence Marshall Saundra Williams Franklin Lewis Foreman Thomas Valentine Derry Martin Daniel Miller Mark Wilson Tyrone Lewis Angelo Catucci Assistant Data Input Clerk E. R. Johnson Jimmy More-Head Roddie Worthington Marvin Mallard Electronic Mechanic Dorian Breau John Palmer Willie Wright Rodney Mathew Chris Cardwell Recording Engineer Property Manager Willie Parker Gallery Security Officers Valarie Mathis Scott Rasmus John Conway Ted Harper Karen Perry Rukan Ahmed Darin Mattison Nathaniel Stroman Projectionists Property Clerks Anthony Thompson Rodney Alston Alfred McGilberry Locksmiths Jeannie Bernhards Darnell Brandon Kevin Brown Marlene Tucker Altina Bailey Eunice McQueen Robert Brown James Gleeson Andre Drawn Sheila Wright Latina Bailey Margaret Meyers David Ihrig Paavo Hantsoo David Klimazewski Edward Watson Sammy Bardley John Miles William Shaw James Morris George Woodall Juanita Batson Leroy Miller Console Operator Leaders GALLERY ARCHITECT Leon Wyatt Gallery Protection Officers Ludwig Bendar, Jr. Antonio Mitchell Frank Ebb Gallery Architect Supply Store Clerk James Allison, Jr. Trevor Bennett Edward Moon Walter Queen James M. Grupe Irwin Franks Daniel Bailey Jack Bess Jr. Leroy Moreno Console Operators Assistant Gallery Architect Warehouse Operations Manager Gwendolyn Bell Anthony Bledsoe Lisa Murphy Robert Brooks Carl M. Campioli Thomas Briscoe, Jr. William Britton Jimmy Myers Cleven Brown

134 Warehousemen Cashiers General Accounting Martha J. Shears Assistants Samuel Baugh Ethan DeVan Comptroller Albert G. Wagner Amy Ahlberg Melvin Burnett Michael Mullennex Dale C. Rinker Oral Historian Ann Davy-Harbison Michael Little Paul Redmond Systems Accountant Anne G. Ritchie Marney Faesy Jaybee Sumter Dawn Troutman Carol Ann Proietti Sarah Marsten Driver Harold Washburn Supervisory Operating Accountant Tracy Pinion Ron Dudas Merchandise Stock Clerk Kelly LiUer Betsy Welch Terry W. Gibson Operating Accountants OFFICE OF EXTERNAL Molly T. Welsh PUBLICATIONS SALES Special Exhibition Shop Julianne Ehrman AFFAIRS VISITOR SERVICES Chief of Publications Sales Manager Ruth E. Lewis External Affairs Officer R. Keith Webb Stephanie M. Thomas Linda K. Smith Joseph J. Krakora Deputy of Visitor Services Assistant Chief/Merchandising Assistant Manager Accountant Assistant to X AO and Head of Nancy Rice Manager Stephen R. McEvitt Adele Stevens Visitor Services Statistical Information Ysabel L. Lightner Cashier Accounting Technicians Sandra Creighton Specialist Kelly Mayle Roberta Bellofatto Administrative Assistant Jo Ann Purnell Cynthia W. Czubat Senior Exhibition Supervisor Merchandising Merchandise Stock Clerk Lisa Scalzo-Hamm Linda A. Hunt Brenda M. Fogle Frances Winston Graphics Buyer Mail Order Dyann Nelson-Reese DEVELOPMENT Exhibition Supervisors Judy C. Luther Stephanie L. Thorpe Barbara Nails Manager Development Officer Graphics Designer and Buyer Valerie M. Wright Dorothy Wortman Carroll A. Thomas Laura Smith Fisher Noriko Bove Exhibition Aides Mail Order Clerks Assistant Development Officer Book Buyer Payroll Vrej Armenian John Brady Lisa Claudy Charles L. Taylor Payroll/Personnel System Jean Langley Betty J. Brown Senior Development Associate Specialist Denise D. Graves Patricia A. Donovan Retail Systems Joyan F. Rehberger HORTICULTURE Carolyn L. Messineo Development Associates Manager Civilian Pay Technicians Cecil Miller Catherine M. Conger Chief of Horticulture Michael C. Metallo Emma G. Moses Melissa B. McCracken Donald Hand Systems Programmer/Analyst Warehouse Operations Eric Humphrey Program Specialist Assistant Horticulturist Gordon L. Cathey Manager Data Processing Elizabeth A. Hutcheson Dianne Cina Sales Audit Supervisor Scott D. Stephens Membership Coordinator Horticulturist Earlene Bright Warehousemen Assistant Treasurer/Management Information Systems Patricia C. Tobin Deidre Armstrong Sales Audit Dennis Callaghan Staff Assistant Cynthia Burton Philip Krauth Raymond M. Earp Richard C. Snyder Missy Muellich Gardener Foreman Brian Smoot James B. Everett Supervisory Computer Specialist Membership Assistant Milton Vick Inventory Analyst Terrence Smith Henry B. Clark Juliet L. Jones Gardener Leaders Martin J. Drake Marvin M. Walton Computer Systems Analysts Dolorace D. Bowman Program Assistant Ulysses Greatheart Daryl A. Murphy Training Specialist Robin D. Dowden Rita M. Plath James Stewart Accounts Payable and Receivable Stephanie Riley Susan E. Farr Gardeners Michael J. Chapman Michael R. Mauzy Franklin DeFreece Jennifer Sauer Visual Presentation CORPORATE RELATIONS Robert S. Reintges Larry Jacobs Corporate Relations and Venture Manager Jack M. Tucker Edmund Manigault Operations Richard M. Mancini Programs Officer Computer Programmer Analyst Ronald McGill Technician Elizabeth Carbone Perry Manager Susan Y. Hsia Michael Peters Richard J. Lambriola Deputy Corporate Relations Karen L. Boyd Computer Programmer Ronald Terrell Officer Karen D. Canada West Building Shop Office Management Elisa Buono Glazer Manager Computer Operators MUSIC Manager Corporate Relations Administrator Nancy G. Vibert Marquita E. Dewald Assistant to the Director for Music Laura A. Fitzgerald Carole A. Burton Assistant Managers Karen J. Martin George Manos Assistants Corporate Relations Assistants Emily Ennulat John H. McNeil Music Program Assistant Jennifer Friel Susan E. Davis Craig Himmons Juliana Munsing Mary Hamel-Schwulst Mary Ellen Connor Fraser Music Specialist Book Sales Specialist Karen Schwartz Executive Assistant Stephen Ackert Stephen Bjorneboe OFFICE OF Catherine C. Labib Mary J. Powell SECRETARY. Program Assistant Cashiers OFFICE OF THE GENERAL COUNSEL Jeanette Crangle Charles Baity Dawn M. Barclift TREASURER Secretary and General Counsel PRESS AND PUBLIC Diane Butler Treasurer Philip C. Jessup, Jr. INFORMATION Jody Henson Daniel Herrick Deputy Secretary and Deputy Steven Koumanelis Deputy Treasurer General Counsel Press and Public Information Danielle Launais Ann R. Leven Elizabeth A. Croog Officer Kim C. Peacock Assistant to the Treasurer Assistant General Counsel Ruth Kaplan Nancy Robinson Breuer Helen Smith Nancy E. Frey Deputy Information Officer Kathleen Suhmann Assistant Treasurer/Financial Acting Assistant General Counsel Deborah Ziska Bill Wossowski Management Marilyn T. Shaw Publicist Legal Assistant Merchandise Stock Clerks Michael W. Levine Tina Coplan Sarah E. Fontana Robert G. Allen Budget Officer Program Specialists Assistant Secretary Michael D. Bailey William H. Roache Keira Ellis Kathryn K. Bartfield Sheldon B. Edelin Operating Accountant Elizabeth Kimball Secretaries Receptionist Concourse Book Store Nancy Hoffmann Financial Analyst Carol A. Christ Anne Demo Manager Montrue V. Connor Calvin 0. Roebuck Naomi R. Remes Budget Analyst SPECIAL EVENTS Assistant Managers GALLERY ARCHIVES Deborah A. Barclift Jean Krevinas Assistant to the Director for Chief of Gallery Archives Louise Coward Accounting Technician Special Events Maygene F. Daniels Book Sales Specialist Rosa E. Jackson Genevra 0. Higginson Archives Technicians Lawrence J. Hyman Secretary Staff Assistant Laurie E. Meister Deborah M. King Pauline M. Watona

135 VOLUNTEER DOCENTS Renate Kaplan Jo Roland Joy Tallent VOLUNTEER ART Ilse Lewy Jan Adamson Evelyn Katz Myriam Rollert Ida Tracy INFORMATION Susan Lightsey Doris Alexander Carolyn Kelloff Deborah Rucci Mary Wilkinson SPECIALISTS Lyle Lipschultz Marilyn Amerman Ilze King Sheila Ruffine Ellen Horiuchi Williams Claire Ackerman Marty Longan Puchi Angoso Patricia Kraemer Marie Noelle Scaduto-Mendola Jean Wolf Cynthia Adler Dottie MacDonald Carol Kuehl Valerie Appia Mary Schaad Gloria Albrittain Don Markle Barbara Kurtz Hannah Aurbach Helga Schuecktanz Elsie Aranda Geri Markle Jaqueline Landfield Rosalie Baker Sonja Self Marie Aranda Sarah Marsten Jean Langley Susi Baranano Mary Leigh Shepard Mary Anne Arbo Peggy Maughlin Daniele Lantran Jean Barquin Iris Silverman Eleanor Augustine Rebekah McKenna Jo Ann Larsen Jane Barton Joan Silverman Rosalie Baker Virginia McQuoid Christine La Telia Dr. Heinz Bauer Beatriz Slotkoff Edith Ball Emilou Melvin Brigitte Le bedel B. J. Beers Antonia Smiley Valerie Ballard Barbara Mered Anne-Marie Lee Mary Lou Bremner Anne Louise Smith Susana Baranano Florence Meschter Anne Marie Lemaire Ana Maria Brown Marlies Solomon Eleanor Bateman Mari-Eleanor Miller Jeannette Leopold Roberta Buchanan Chris Stakenborg Georgienne Bednar Christine Monsen Marilyn Lindsay Donna Burnett Gabriele Steers Elaine Berson Barbara Moore Doris Loftness Brigit Bush Celia Steingold Janet Boccia Barbara Morris Kay Looney Christine Byers Mary Ann Sures B.J. Bondreau Lynn Murphy Jean Loper Nancy Cammack Karen Telis Joyce Bourke Oscar Naumann Franchia Loren Karen Campbell Gale Templeton Cynthia Brown Terry Neves Ave Maria Lorenzo Pat Cassity Susan Toerge Kay Brown Jean Nida Ana Maria Macchetto Lynette Chambers Nicole Tordjman Laina Bush Darvine Noel Madrid Joanne Chutter Margrit Trauttmansdorff Mario Cader-Frech Ursula Pariser Barbra Mann Mary Anne Clancy Susan Van Nice Marian Carroll Libby Peck Anne Marchais Phyllis Cochran Ginger Vanderver Patricia Casson Fran Pelton Patricia Martin Leslie K. Cohen Joy Vige Joan Chapin Rosetta Penna Rose 11a Matamoros Elizabeth Corbin Joanne Vinyard Betsye Chen Mary Reilly Terry Matan Jeannette Cox Mary Visscher Simone Clarke James Rhee Gisela McBride Dr. Robert D'Annucci Josephine Wang Jean Cohen Annette Rich Rebekah McKenna Elizabeth Daoust Julie Warnement Marlene Conner Judith Rich Ursula McKinney-Guttstadt Dr. Paul Davis Jane Weems Marcia Corey Sara Roberts Virginia McQuoid Vivien DeLima Maria Elena Weissman Linda Cox Carol Robie Betty Mezines Virginia Dillon Anne West Sherry Cross John Rogers Emma Michaels Graciella Dourojeanni William F. Whalen Abby Daniels Chris Rowsome Renee Mikus Robert E. Duncan Sue White Jennifer Darnell Margit Ruben Blanche Miller Alice Ellington Elizabeth Wildhack Liz des Cognets Cherry Sand Caroline Miller Hope Emerling Betty Wilson Teri Des Rosiers Audri Schiller Eleanor Monahan Karen Epelbaum Amparo C. Wing Verda Deutscher Susie Schwarz Richard Monsen Fran Winston Sylviene Le Polles Experton Janet Donaldson Fay Shong Meredith Moore Elizabeth Farrell Dr. Ursula Wolfman Donna Edmondson Carl Shiigaar Robbie Anne Morris Dorothy Wright Sharon Feldman Estelle Eisendrath Diane Soucy Joan Morton Fred S. Yamada Paula G. Ferdinand Janna Evans Linda Stamp Judith M. Newton Allessandra Figliuoli Lois D. Young Barbara Fisher Joan Steigelman Elizabeth Niederman Joan Zeizel Virginia N. Flavin Angelique C. Frazer Grace Stuart Joan Nolan Phyllis M. Freirich Gianna Zucchi Marianne Freudenthal Bonnie Sweet Saka Noma Marianne Freudenthal Marguerite Fry Jeanette Davis Szoradi Nur Nossuli Reserves Beba Gaines Susan Harper Fuller Kay Thomas Mary Catharine O'Connell Karin Akerson Joyce Gamse Agnes Gavin Rita Thurman Giovanna Orzalesi Chrisanne Albers Mary Gibb Nancy Gelman Maria Tousimis Gail H. Ostergaard Ann G. Allen Thomas A. Gilday Elaine Georgilas Grace Tull Cecilia Ouspensky Bunny Baker Betty Ann Gilmore Jean Gerhardt Ward Van Wormer Lily Overton Kathleen Battle Pauline Gilstrap Paul Gettel Debbie Victor Weezie Owen Barbara Eberhardt Irya Gittelson Alicia Golden Fran Walls Patty Owens Deborah File Jonathan W. Gray Marylee Hair Cecile West Sally Pabst Elizabeth Grantham-Friedsam Beth Griffith Mary Hanrahan Eileen Winkelman Anne Padelford Shannon Hobbs Emmie Griggs Betty Hatch Fran Winston Martha Parker Anne James Jodie Guy Marika Herndon J an is Worthington Hedwig Pasolini Carolyn Jasperson Nancy Hafer Gertrud Hodgson Tony Yared Connie Patrick Ida Kemper Florence Hall Becky Holthaus Rubye Youngblood Joy Peabody-Ogden Mary Lou Kenary Ludwine Hall Claire Horowitz Cheryl Zimbelman Annabel Perlik Margaret Kunz Carol Hallene Eileen Hurley Sophie Perrusson Anne Lancaster Elena Schupp Harman Carmen Iribarren Maxie Phillips Anne Lanman Melissa Harris Jane Irvin Miriam Piers Fanny LeNain Nadine Harth David Iverson Kathy Plowman Beth Loixeaux Florence Heller Edie Izenberg Judith Pomeranz Sharon Love-Palumbo Jane Hochberg Miriam Jacobson Anne Prange Virginia Mayo Mimi Hodsoll Barbara Jensen Anastasia Pratt Herlene Nagler Sharon Holtzman Jennifer Wall Jones Rolf Preisendorfer Marjorie 0 Neil Marta Madrid de Horgan Jill Kastle Christine Prichard Linn Ong Sandy Horowitz Kimberly Kendall Maria Amelia Ramaciotti Nicole Polti Marilyn Horwood Nancy Cohen Kotz Nancy Rankin Malkia Roberts Anne Irving Stephen Lake Peggy T. Rice Sarah Rohrer Edie Izenberg Shirley Lavine Rutgera de Rivera Lorrie Sam burg Miriam Jacobson Mary Lawler Isabel Rodriguez Catherine Singleton Marilyn Jenkinson Elinore Lawrence Wynefred Rogerson Nancy Swain Joan Jordano Marion Lebanik

136 Donors

Donors During Fiscal Year 1991 William S. Abell Mr. and Mrs. Daniel Bell Sandro Chia Maida and George Abrams Larry Bell CIGNA Corporation Abrams Family Katrin Bellinger The Circle of the National Gallery Vito Acconci BellSouth of Art John L. Allen Dr. Ruth B. Benedict The Clark Construction Group, Inc./ Alliance of Air National Guard Oded Ben-Haim The George Hyman Construction Flight Surgeons in memory of Felicity R. Benoliel Company/OMNI Construction, Inc. Mrs. Robert Self Mr. and Mrs. Pierre Beres Melvin S. Cohen All Nippon Airways Co., Ltd. Berger Foundation Melissa Coley Alsdorf Foundation Bergman Family Charitable Trust The Collectors Committee of the The Alvord Foundation Suzanne Farver and George J. Berky National Gallery of Art American Security Bank Silvio Berlusconi Communications Mrs. H. Dunscombe Colt Ameritech Foundation Diane and Norman Bernstein Community Foundation of Greater The Trustees of Amherst College Foundation, Inc. Washington, Inc. In memory of Robert Amory, Jr. Binney & Smith, Inc. Coopers & Lybrand Helen Andersen Mr. and Mrs. Donald M. Blinken Harrison Covington Russ Anderson Blue Ridge Arts Partnership Ed Cox Foundation Walter H. and Leonore Annenberg Ruth Blumka Charles C. Coyne The Annenberg Foundation Meyer Bo brow Charles E. Culpeper Foundation, Inc. Anonymous C. G. Boerner Catherine Gamble Curran and Family Anonymous gift to commemorate Mr. and Mrs. Paul Borghi Leo A. Daly Save the Bay of Rhode Island Jonathan Borofsky Ethel & Joseph Danzansky Guy Anselmo, Jr. Mortimer Brandt Foundation, Inc. Aperture Foundation Warren and Grace Brandt Davies Charitable Trust Arakawa John F. Bricker Evelyn Yvonne Davis ARCO Foundation, Inc. The Eli Broad Family Foundation Evelyn Y. Davis Foundation Art Gallery of Ontario Bernard Brookman Marvin and Elsie Dekelboum The Art Seminar Group, Inc. Amy and Philip Brookman Edward D. DeLamater Artists for American Indians, Mr. and Mrs. Harry Brooks The Charles Delmar Foundation American Indian Heritage J. Carter Brown The Gladys Krieble Delmas Foundation Robert L. Brown Foundation Martin and Liane Atlas William Brumfield Mr. and Mrs. Eric Denker Gillian Attfield Yvonne tan Bunzl Mr. and Mrs. Richard Diebenkom Sally Michel Avery Michael J. Bzdak The Dillon Fund Dr. and Mrs. George Baer The Morris and Gwendolyn Cafritz Jim Dine Bardes Fund/lLSCO Foundation DM Foundation Francois Barras Mr. and Mrs. William N. Cafritz Geraldine R. Dodge Foundation The Baruch Fund Canon, Inc. Incorporated BASF Corporation Canon U.S.A., Inc. The Douglass Foundation Robert M. and Anne T. Bass Iris & B. Gerald Cantor Foundation The Driggs Corporation The Batir Foundation, Inc. The Capital Informer, Inc. Louisa C. Duemling Margaret R. Battle Oliver T. Carr, Jr. The Dunlevy Milbank Foundation, Patricia Bauman and John L. Mr. and Mrs. Charles Carroll Carter Inc. Bryant, Jr. Edward William Carter and Hannah James T. Dyke Bauman Family Foundation Locke Carter S. John Eagleton T. A. Beach Corporation Leo Castelli Robert and Brenda Edelson Melvin Becroft Vija Celmins Mrs. Robert Eichholz Mildred Beer Dorothy Jordan Chadwick Fund The Elson Foundation, Inc. Bell Atlantic Charitable Foundation Chatam, Inc. The Charles Engelhard Foundation

137 Patricia England GTE Foundation Ellsworth Kelly Christopher and Alexandra Sarah G. Epstein Guest Services, Inc. The Elbrun and Peter Kimmelman Middendorf Melvyn J. Estrin Gulf States Paper Corporation Foundation, Inc. Middendorf Gallery Ethicon, Inc. Helena Gunnarsson Mr. and Mrs. Gilbert H. Kinney Liselotte Millard Helen Ettlinger Ronald J. Haan Foundation Herbert L. Kinsolving Estate of Mark Millard Paul Eubel Evelyn & Walter Haas, Jr., Fund Richard A. and Lee G. Kirstein Barr C. Miller Kathleen Ewing Miriam and Peter Haas Fund Knight Foundation Edward S. and Joyce I. Miller The Excelsior Fund Evelyn A. J. Hall Charitable Trust Ernest E. Knight Harvey S. Shipley Miller Frank R. and Jeannette H. Eyerly Mr. and Mrs. Nathan L. Halpem Koch International Corp. Russell Miller The William Stamps Farish Fund Jeffrey F. Hamburger Robert P. and Arlene R. Kogod Pepita Milmore Memorial Fund Trust The Fein Foundation Robert Hardy Werner H. and Sara Ann Kramarsky Kent and Marcia Minichiello Robert Fichter Rita A. Harjanne Mrs. Rush Kress Ellin Mitchell Works of Art The 50th Anniversary Gift Committee Pamela C. Harriman Samuel H. Kress Foundation The Mitsui Taiyo Kobe Bank, Ltd. of the National Gallery of Art Charles U. and Janet C. Harris Jeff Kronsnoble MLKA Foundation Fine Art Ltd. The John A. Hartford Foundation, Frances C. Land Mobil Oil Corporation Diana J. Firestone Charitable Trust Inc. Charles Keeling Lassiter Mobil Foundation, Inc. Roger S. Firestone Foundation Mrs. Robert A. Hauslohner Mr. and Mrs. Leonard Lauder Agnes Mongan Anne Fischer Lita Annenberg Hazen Charitable The Lauder Foundation, Leonard and James Starr Moore Memorial Mr. and Mrs. Donald G. Fisher Trust Evelyn Lauder Fund Foundation The Donald & Doris Fisher The Hearst Foundation, Inc. The Lauder Foundation, Ronald S. Jane B. Morgan Philanthropic Fund The Hechinger Foundation Lauder Fund Mr. and Mrs. Paul Shephard Morgan Aaron I. Fleischman Mrs. Rudolf J. Heinemann Alexander M. Laughlin Malcolm Morley The Folger Fund Mr.* and Mrs. H. John Heinz III The Leger Galleries, London The Morningstar Foundation Ford Motor Company Fund Henry J. and Drue Heinz Foundation Leighton-Oare Foundation, Inc. John Morton Morris Forman Distributing Co. of Virginia Vira I. Heinz Endowment Marc E. Leland Foundation Dr. and Mrs. Frederick Mulder Inc. Michael Heizer The James H. and Martha McG Franklin D. and Judith H. Murphy Mrs. Daniel Fraad George F. Hemphill Lemon Foundation Raymond D. Nasher The Rita & Daniel Fraad Foundation, The Henley Group Inc. Edward J. Lenkin and Katherine National Association of Securities Inc. Jean Henry L. Meier Dealers, Inc. Sam Francis John D. Herring Alfred Leslie Evelyn S. Nef Helen Frankenthaler Paul L. Herring Janice H. Levin Neutrogena Corporation The Franklin Mint Foundation for The William and Flora Hewlett The Sydney & Frances Lewis Mrs. R. C. Nicholas III the Arts Foundation Foundation Mr. and Mrs. William A. Nitze Sydney J. Freed berg Margaret Mellon Hitchcock Roy Lichtenstein Edward John Noble Foundation, Inc. Arnold D. Frese Foundation, Inc. Margaret M. Hitchcock Foundation Michelle Smith Liss The Nomura Securities Co., Ltd. Laurel E. Friedman Hobby Foundation LLS Foundation North Harford French Club The Fuller Foundation, Inc. Hoechst Celanese Foundation, Inc. Frances and John L. Loeb Foundation NYNEX Foundation Morton and Norma Lee Funger Mr. and Mrs. Jem Horn Asbjorn R. Lunde John O'Brien Mr. and Mrs. John R. Gaines Janet A. Hooker Charitable Trust Karl Lunde Ralph E. Ogden Foundation, Inc. Galerie Arnoldi-Livie John Jay Hopkins Foundation Mr. and Mrs. Harry Lunn, Jr. The Ohrstrom Foundation Galerie Cailleux Anne Horan John D. Macomber The Georgia O'Keeffe Foundation Galileo Industrie Ottiche, S.p.A. Mr. and Mrs. Raymond J. Horowitz The Magnus Foundation of Mr. and Claes Oldenburg The Jo Ann and Julian Ganz, Jr., The Christian Humann Foundation Mrs. James M. Kline Margaret D. Olsen Foundation Trust Mary S. Humelsine Roger Mandle William B. O'Neal Jo Ann and Julian Ganz, Jr. Torben Huss Nathan Manilow Foundation Open Society Fund, Inc. Kate Ganz Gail R. Hydar Bryn Manley Ourisman Chevrolet Co., Inc. Isabel and Fernando Garzoni Dora Donner Ide Bertina Suida Manning and Robert PaineWebber Foundation Gemini G.E.L. I. A. Ingram Foundation L. Manning George Pappas Ann and Gordon Getty Foundation International Business Machines The Manoogian Foundation Esther R. Parker The J. Paul Getty Trust Corporation Alex and Marie Manoogian Parking Management, Inc. Jean and Kahlil Gibran International Exhibitions Foundation Foundation Frank H. Pearl The Howard Gilman Foundation Mr. and Mrs. R. L. Ireland III Mario Manzelli Philip Pearlstein Michael Glier Meson Foundation, Inc. Robert Mapplethorpe* Pepsico Foundation Arnold and Mildred Glimcher A. Everette James, Jr. Toni G. Marcy Perkin-Elmer Corporation The Horace W. Goldsmith Foundation Janss Foundation Norma B. Marin Persis Corporation Amy N. Behrend Goldstein George F. Jewett, Jr., 1965 Trust The Marks Foundation, Inc. Philip Morris Companies Inc. The Goldstone Fund, Inc. JFM Foundation Mars Foundation Mr. and Mrs. Ivan Phillips The Gordon/Rousmaniere/Roberts Miguel Ruiz Jimenez Bruce Marsh Mr. and Mrs. Neil Phillips Fund Patricia Johanson Boris Marshak and Valentine Adrian Pic Herbert Gordon Jasper Johns Raspopova Pierce Associates, Inc. Winifred Gordon James A. Johnson, Jr. The May Department Stores Company Pizutti Family Foundation Robert Gordy Martha Yvonne Jones Foundation J. Randall Plummer Mrs. John Grant Josten Fund, Inc. Mr. and Mrs. Frederick R. Mayer Abe Pollin Graphicstudio/University of South J. W. Kaempfer, Jr. Stephen Mazoh & Co., Inc. Annemarie H. Pope Florida Ruth and Jacob Kainen Peter McBean Barbara Porterfield Nancy Graves Panayiotis Kalorkoti Joseph F. McCrindle Mr. and Mrs. Meyer P. Potamkin Clive Gray Family Leonard Kapiloff Foundation The Eugene McDermott Foundation Potomac Electric Power Company Eleanor Green Kaufman Americana Foundation Charles L. and Debra H. McLafferty Alan and Louise B. Potter Janet C. Green Mr. and Mrs. Stephen M. Kellen The Andrew W. Mellon Foundation M. C. Powers Monica and Hermen Greenberg Anna-Maria and Stephen Kellen Paul Mellon Prince Charitable Trusts Foundation Foundation R. K. Mellon Family Foundation Pritzker Foundation Randy Griffin Christopher Mendez Reginald Pudlow Grinstein Family * deceased Robert E. and Jane B. Meyerhoff Roy Radner

138 The Raphael Foundation Inc Rudolf and Barbara R. Sobernheim 50th Anniversary Gift Committee Thos. Agnew & Sons, Ltd. General Dillman Atkinson Rash Sony Corporation Mr. and Mrs. Leo A. Daly III (as of 30 September 1991) Ray Foundation Sotheby's Inc. Educational Studies Evelyn A.J. Hall Joan C. Ray Southwestern Bell Corporation Robert H. Smith, Chairman Enid Annenberg Haupt Henry & Anne Reich Family Ira Spanierman Lucy and George F. Jewett, Jr. Alexander M. and Judith W. Laughlin Foundation, Inc. Barbaralee Diamonstein-Spielvogel Evelyn Y. Davis Foundation Arthur G. and Diana Altschul Reproducta Company, Inc. and Carl Spielvogel Gordon and Ann Getty James S. and Laura B. Smith Republic National Bank of New York Natalie Davis Spingarn Hechinger Foundation Richard and Lee Kirstein Reteitalia S.p.A. Benjamin F. Stapleton III The Morris and Gwendolyn Cafritz Melvin S. and Ryna G. Cohen John Rewald The Starr Foundation Foundation Arthur A. and Alison B. Birney Ann Kendall Richards, Inc. Alice Steiner Stephen M. and Anna-Maria Kellen The Richardson Foundation Samuel and Marilyn Stern Herbert and Barbara Gordon The Ridgefield Foundation Ruth Carter Stevenson Michael J. Swerdlow Renah Blair Rietzke Family Mark Stock Albert H. and Shirley Small Foundation, Inc. The Philip and Lynn Straus Norma Lee and Morton Funger The Riggs National Bank of Foundation, Inc. Thelma and Melvin Lenkin Washington, D C. John M. Stull David Bruce Smith Andrew Robison Michael Swerdlow Marvin and Elsie Dekelboum Mr. and Mrs. David Rockefeller Taggart and Jorgensen Gallery Alan and Louise Potter The Rockefeller Foundation Gene Teitelbaum Albert and Ruth Abramson The Rogers Family Trust Daniel J. Terra Fulton and Michelle Liss Felix G. Rohatyn Foundation, Inc. Mr. and Mrs. Eugene Victor Thaw J. W. Kaempfer, Jr. Daniel and Joanna S. Rose Fund, Inc. Thayer Family Fund, Inc. Jan and Howard Hendler Susan and Elihu Rose Foundation, Nigel Thorpe Frederick Henry Prince Trust, 7/9/47 Inc. The Tides Foundation Robert M. and Marion B. Rosenthal James Rosenquist Time Inc. Magazines Mr. and Mrs. B. Francis Saul II Benjamin J. Rosenthal Foundation Times Mirror Miller & Long Companies Rosenthal Companies The Times Mirror Foundation The Williams Stamps Farish Fund Mr. and Mrs. Robert L. Rosenwald Tinicum Enterprises, Inc. Potomac Electric Power Company Susan Rothenberg Toyota Motor Sales, U.S.A., Inc. Mandell J. and Betty Lou Ourisman R & S Associates TRW Foundation Family of Oliver T. Carr, Jr. Lee G. Rubenstein Alice Tully The Riggs National Bank of Lawrence Rubin Mr. and Mrs. David P. Tunick Washington, D C. David E. Rust Universal Limited Art Editions T. A. Beach Corporation Gwendolyn Russell Carlos van Hasselt American Security Bank Ruth and Don Saff Alexander Vershbow Naomi and Nehemiah Cohen Saff Tech Arts Ann Vershbow Signet Bank Mrs. Walter Salant Arthur and Charlotte Vershbow The Driggs Corporation Mark Samuels Lasner Walker & Dunlop Mary and Kingdon Gould, Jr. Gerhard and Christine Sander Susan P. Walker Bell Atlantic Charitable Foundation Lili-Charlotte Sarnoff Marcia S. Weisman* Mr. and Mrs. R. L. Ireland III Richard M. Scaife Lee Weiss The Ahmanson Foundation Ernst Schade Alberto Weissmuller Philip L. Graham Fund Scurlock Foundation Margaret W. Weston ARCO Foundation Elmar W. Seibel John C. Whitehead Peter McBean The Norman and Barbara Seiden The Whitehead Foundation The Washington Post Company Foundation Betsey Gushing Whitney Ruth and Jacob Kainen Irma S. Seitz Oliver Wick The Times Mirror Foundation Richard Serra Malcolm Wiener Albert H. Gordon 1718 Investments Daniel Wildenstein Barbaralee Diamonstein-Spielvogel Robert F. Shapiro and Anna Marie The Dave H. and Reba W. Williams and Carl Spielvogel Shapiro Foundation, Inc. Foundation Charles E. Smith Paul M. and Deane Lee Shatz The Williams Companies, Inc. Peter and Elbrun Kimmelman Charitable Foundation Alfred Willis Lawrence A. and Barbara Fleischman Roger H. Sheldon John Wilmerding Mobil Foundation, Inc. Eve E. Sheppard Lenore A. Winters John and Nancy Whitehead Signet Bank/Virginia Wolfgang Wittrock Edwin L. Cox Richard A. Simms The Woodner Family Collection Jeanne Rowe Mathison Trust Lucille Ellis Simon Eleanora M. Worth Anonymous Regina Slatkin, Carole and Laura Wrightson Ramsing Foundation Inc. Janet Annenberg Hooker Slatkin WWW Foundation Arnold D. Frese Foundation, Inc. Albert H. Small Richard S. Zeisler Buffy and William Cafritz Candida Smith The Clark Construction Group Charles E. Smith Management, Inc. Walker & Dunlop David Bruce Smith Gifts in memory of Margaret Bouton: Charles U. Harris and Janet C. Harris Edward M. Smith in honor of Robert Robert H. and Marjorie McPhillamey Kathrine D. Folger H. Smith Nancy E. Rankin Dorothy Jordan Chadwick Fund Joshua P. Smith Jennifer Saville Louisa C. and Robert W. Duemling Rebecca Smith Sydney and Frances Lewis Robert H. and Clarice Smith Evelyn and Walter A. Haas, Jr. Robert H. Smith Family Foundation Diane and Norman Bernstein The Smithsonian Institution Foundation Virginia L. Snider * deceased

139 International Corporate Circle Collectors Committee Mr. and Mrs. Lee Hills Mrs. Madeleine H. Russell (as of 30 September 1991) (as of 30 September 1991) Florida California Mr. and Mrs. George Hixon Mrs. Louisa Stude Sarofim Anonymous All Nippon Airways Co., Ltd. Texas Texas Ameritech Mrs. James Alsdorf The Honorable Oveta Gulp Hobby Mr. and Mrs. Benno C. Schmidt Illinois Arthur Andersen & Co. Texas New York Banco Exterior de Espana Mr. Robert E. Abrams Mrs. James Stewart Hooker Mr. and Mrs. Rudolph Schulhof New York (Grupo CBE) Florida New York Canon, Inc. Mrs. Anne H. Bass Mr. and Mrs. Raymond J. Horowitz Mr. and Mrs. A1 Shands New York Canon U.S.A., Inc. New York Kentucky Chatam Inc. Mr. and Mrs. Robert M. Bass Mr. and Mrs. R. L. Ireland III Mr. and Mrs. Robert Shapiro Eastman Kodak Company Georgia New York Fannie Mae Foundation Mr. and Mrs. Sid R. Bass The Honorable John N. Irwin II and Mr. William Kelly Simpson Texas Fiat S.p.A. Mrs. Irwin New York Ford Motor Company Mr. and Mrs. Jack Blanton New York Mrs. Carolyn Skelly Texas Fortune Magazine Mr. and Mrs. William Janss New York Mr. and Mrs. Eli Broad Galileo Industrie Ottiche, S.p.A. Idaho Mr. H. Peter Stern and Dr. Margaret California GTE Corporation Mr. and Mrs. George F. Jewett, Jr. Johns Martin Marietta Corporation Ms. Catherine M. Conover California New York District of Columbia Mellon Bank Corporation Mr. and Mrs. George M. Kaufman Mrs. Ruth Carter Stevenson The Mitsui Taiyo Kobe Bank, Ltd. Mr. Edwin L. Cox Virginia Texas Texas Mobil Corporation Mr. and Mrs. Stephen M. Kellen Mr. and Mrs. James M. Vaughn, Jr. The Nomura Securities Co., Ltd. Mr. and Mrs. Ralph A. Davidson New York Texas District of Columbia Paine Webber Mr. and Mrs. Peter Kimmelman Mr. Thomas Walther Philip Morris Companies Inc. Mr. and Mrs. John R. Donnell New York New York Republic National Bank of New York Ohio Mr. and Mrs. Robert P. Kogod Mrs. Paul L. Wattis The Riggs National Bank of The Honorable Robert W. Duemling District of Columbia California and Mrs. Duemling Washington, D C. Mr. and Mrs. Werner H. Kramarsky Ms. Marcia S. Weisman* District of Columbia Salomon Inc. New York California Schlumberger Foundation, Inc. Mr. and Mrs. James A. Elkins, Jr. Mr. and Mrs. Judd Leighton Mr. and Mrs. David K. Welles Texas Southwestern Bell Corporation Indiana Ohio Mr. and Mrs. Edward E. Elson Statoil The Honorable Marc E. Leland and Mr. and Mrs. Keith Wellin Georgia The Washington Post Company Mrs. Leland Texas Mrs. Charles W. Engelhard District of Columbia Mrs. John Hay Whitney New Jersey Mr. Irvin L. Levy New York Mr. and Mrs. Thomas M. Evans Texas Mr. and Mrs. Dave H. Williams New York Mr. and Mrs. Sydney Lewis New York Mr. and Mrs. John D. Firestone Virginia Mr. and Mrs. William Wood Prince District of Columbia Mrs. Eugene McDermott Illinois Mr. and Mrs. Donald G. Fisher Texas Mr. and Mrs. William T. Young California Mr. and Mrs. Edward C. MacEwen Kentucky Mr. and Mrs. James A. Fisher Connecticut Pennsylvania Mr. and Mrs. Lewis Manilow Mr. Aaron Fleischman Illinois District of Columbia Mr. and Mrs. Frederick R. Mayer Mrs. Julius Fleischmann Colorado Ohio Mr. and Mrs. Paul Mellon Mr. and Mrs. Julian Ganz, Jr. Virginia California Mr. and Mrs. Edwin Van R. Milbury Dr. and Mrs. Phillip T. George Pennsylvania Florida Mrs. 0. Ray Moore Mr. and Mrs. Gordon P. Getty Georgia California Mr. Raymond D. Nasher Mr. and Mrs. Carl S. Gewirz Texas Maryland Mr. and Mrs. Sumner Pingree III Mrs. Katharine Graham District of Columbia District of Columbia Mr. and Mrs. Ronald A. Pizzuti Mr. George Gund III Ohio California The Honorable Leon Polsky and Mr. Leo Guthman Mrs. Polsky Illinois New York Mr. and Mrs. Prentis Cobb Hale Mr. and Mrs. Frederick H. Prince California District of Columbia Mr.* and Mrs. Melville W. Hall Mrs. A. N. Pritzker New York Illinois Mr. and Mrs. Frederic Hamilton Mr. and Mrs. Thomas J. Pritzker Colorado Illinois Mr. and Mrs. Joseph H. Hazen General Dillman A. Rash New York Kentucky Mrs. Susan Morse Hilles Mr. and Mrs. Stewart A. Resnick Massachusetts California Mrs. Howard Ross

* deceased New York

140 The Circle of the National Ms. Lisa Jorgenson and Mr. David Mrs. Barbera Thornhill Mr. and Mrs. Herbert A. Goldstone Gallery of Art Doniger District of Columbia New York District of Columbia (as of 30 September 1991) Mr. and Mrs. G. Ware Travelstead Mr. and Mrs. Peter E. Haas Mr. and Mrs. J. Howard Joynt III Connecticut California Co-chairs District of Columbia Mr. and Mrs. Ladislaus Von Hoffman Mr. and Mrs. William M. Hackman Mrs. Katharine Graham Dr. and Mrs. Henri Keyzer-Andre District of Columbia Virginia Florida Mr. Robert H. Smith Mr. and Mrs. Jonathan W. Warner, Sr. Mrs. Elisha Hanson Mr. and Mrs. James M. Kline Alabama District of Columbia District of Columbia Mr.* and Mrs. William B. Willard Sustaining Members The Honorable and Mrs. John W. Mrs. Alvin A. Kraft District of Columbia Hechinger Ms. Gillian Attfield District of Columbia Mrs. Thomas Lyle Williams, Jr. District of Columbia New York Mrs. John A. Logan Georgia Mr. and Mrs. Charles T. Hellmuth, Sr. The Honorable and Mrs. Robert 0. District of Columbia Dr. and Mrs. Edward T. Wilson Maryland Blake, Sr. Dr. Steven Lunzer Maryland Mrs. Thomas Hitchcock, Jr. District of Columbia District of Columbia Mr. and Mrs. Sidney S. Zlotnick New York Mr. and Mrs. David Bonderman The Honorable and Mrs. Leonard H. District of Columbia Mr. and Mrs. S. Roger Horchow District of Columbia Marks Texas Patricia Bauman and John L. District of Columbia The Honorable and Mrs. R. Tenney Bryant, Jr. Supporting Members Mr. Frederick P. Mascioli Johnson District of Columbia District of Columbia Mr. and Mrs. James Adler Maryland Mr. and Mrs. Louis Byron Maryland Mr. and Mrs. Edward J. Mathias Mr. Peter Josten District of Columbia Maryland Mr. M. Bernard Aidinoff New York Mr. and Mrs. Calvin Cafritz New York Mr. and Mrs. David 0. Maxwell Mr. and Mrs. Richard Kaufman District of Columbia District of Columbia Ms. Carolyn Alper District of Columbia Mr. and Mrs. William N. Cafritz District of Columbia Mr. and Mrs. Frederick R. Mayer Mr. and Mrs. William E. Kimberly Maryland Colorado Mr. and Mrs. Robert W. Alvord Virginia Major Gen. (Ret.) and Mrs. Daniel S. District of Columbia Mrs. James R. McAlee Mr. and Mrs. Norman V. Kinsey Campbell Maryland Mrs. Louise Steinman Ansberry Louisiana Maryland Pennsylvania Mr. and Mrs. Raymond L. McGuire Mr. and Mrs. Anthony A. Lapham The Honorable and Mrs. William T. District of Columbia Mrs. Gwendolyn Baptist District of Columbia Coleman, Jr. Maryland Virginia Mr. and Mrs. Paul Mellon Mr. and Mrs. Sydney Lewis Virginia Mr. and Mrs. Huntington T. Block Virginia Mr. and Mrs. Clement E. Conger District of Columbia Virginia Mr. and Mrs. Richard M. Merriman Mrs. Jean C. Lindsey District of Columbia The Honorable and Mrs. Daniel J. Mississippi Mrs. Catherine G. Curran Boorstin Mr. and Mrs. Nicholas Millhouse Mr. and Mrs. John L. Loeb New York District of Columbia New York New York Mr. and Mrs. Roy E. Demmon Mr. and Mrs. George M. Brady, Jr. Dr. and Mrs. Franklin D. Murphy Mrs. Virginia C. Mars California Maryland California Virginia Mr. and Mrs. James T. Dyke Mr. and Mrs. Marc Brodsky The Honorable and Mrs. William A. Mrs. Jack C. Massey Arkansas District of Columbia Nitze II Tennessee Mr. and Mrs. Robert F. Erburu Mr. and Mrs. Harry A. Brooks District of Columbia Mr. and Mrs. Lucio Noto California New York Mrs. Daniel E. O'Sullivan Virginia Mr. and Mrs. Abdul Houda Farouki Mrs. Poe Burling District of Columbia Mrs. Roy Nutt Virginia District of Columbia Commander and Mrs. Lester Edwin Washington Mr. and Mrs. Bernard Fein Mr. and Mrs. Robert C. Cafritz Ogilvy Mr. and Mrs. Donald R. Osborn New York District of Columbia District of Columbia New York Mr. and Mrs. Thomas D. Fingleton The Honorable and Mrs. John E. Mr. and Mrs. Ricard R. Ohrstrom Mrs. Jefferson Patterson Virginia Chapoton Virginia District of Columbia Mr. Walter Fitch III District of Columbia Mr. and Mrs. C. Wesley Peebles Mr. and Mrs. Norman S. Portenoy California Mr. C. Thomas Clagett, Jr. Virginia District of Columbia Mr. and Mrs. George Frampton District of Columbia Mr. and Mrs. Gerald P. Peters III Mr. and Mrs. Meyer P. Potamkin District of Columbia Mrs. Shirley lone Cowell New Mexico Pennsylvania Mr. and Mrs. John T. Gibson Florida Mrs. John A. Pope The Reverend and Mrs. Charles P. District of Columbia Ms. Susan Cullman District of Columbia Price Mr. and Mrs. Michael L. Glassman District of Columbia Mr. and Mrs. Milton Ritzenberg Virginia Maryland The Honorable and Mrs. C. Douglas District of Columbia Mr. and Mrs. Gerald Rafshoon Mr. Albert H. Gordon Dillon Mr. Mark Samuels Lasner District of Columbia New York New York District of Columbia Mr. and Mrs. Rodman C. Rockefeller Mrs. Burton C. Gray Mr. and Mrs. Gaylord Donnelley Mr. and Mrs. Roger Sant New York District of Columbia Illinois District of Columbia Mr. and Mrs. Elihu Rose Mr. and Mrs. Hermen Green berg Mr. and Mrs. Jonathan S. England Mrs. Stanley J. Sarnoff New York District of Columbia District of Columbia Maryland Mr. and Mrs. Derald H. Ruttenberg Mr. and Mrs. Gilbert C. Greenway Mr. and Mrs. Richard England Rear Admiral and Mrs. Tazewell New York District of Columbia District of Columbia Shepard, Jr. Mr. and Mrs. Irwin Schneiderman Mrs. B. Lauriston Hardin, Jr. Mr. and Mrs. William T. Finley, Jr. District of Columbia New York District of Columbia District of Columbia The Honorable and Mrs. Leonard L. Mr. and Mrs. Paul Shatz Mrs. Iola S. Haverstick Mr. and Mrs. Max M. Fisher Silverstein District of Columbia New York Maryland Florida Mr. and Mrs. Stephen F. Sherwin Mr. and Mrs. Randolph A. Hearst Mr. and Mrs. Lee M. Folger Mrs. John Farr Simmons District of Columbia New York District of Columbia District of Columbia Mr. and Mrs. Clyde E. Shorey, Jr. Mr. and Mrs. James Scott Hill Mr. and Mrs. John French III Mr. and Mrs. Richard S. Smith District of Columbia New Jersey Pennsylvania New York Mr. and Mrs. Page Smith Mr. and Mrs. Edward F. Swenson, Jr. Maryland Florida * deceased

141 Mr. and Mrs. Mollis C. Taggart The Honorable and Mrs. Philip W. Mr. and Mrs. Bertram Firestone Mr. Lawrence Kirstein District of Columbia Bonsai Virginia District of Columbia The Honorable and Mrs. Russell E. District of Columbia Mr. and Mrs. James A. Fisher Mrs. Elizabeth L. Klee Train Mr. and Mrs. Montgomery Sears Pennsylvania District of Columbia District of Columbia Bradley The Honorable and William H. G. Dr. and Mrs. Ross C. Kory Mr. and Mrs. Robert Truland District of Columbia FitzGerald Virginia Virginia Mrs. Wiley T. Buchanan, Jr. District of Columbia Mr. and Mrs. W. Loeber Landau Mrs. Robert D. van Roijen District of Columbia Mr. and Mrs. William J. Flather III New York District of Columbia The Honorable and Mrs. Philip W. District of Columbia Mr. and Mrs. Edward W. Lane, Jr. Mrs. Diane Bennett Waxman Buchen Mr. and Mrs. Malcolm Fleschner Florida District of Columbia Virginia Florida Ms. Alice Lawrence Mr. Melvin R. Weaver Mrs. Arthur F. Burns Mr. and Mrs. F. David Fowler New York District of Columbia California Maryland Mrs. Rodney M. Layton Mr. P. Devers Weaver II Mr. and Mrs. Frank P. Butler Mrs. Daniel J. Fraad, Jr. Pennsylvania District of Columbia Virginia New York Dr. and Mrs. LaSalle D. Leffall, Jr. Mrs. Robert M. Weidenhammer Mrs. Charles Pearre Cabell, Sr. Mrs. Stanley Garber District of Columbia Virginia Maryland District of Columbia The Honorable and Mrs. Marc E. The Honorable and Mrs. Caspar Mrs. John Moors Cabot Mr. and Mrs. Darryl Nolan Garrett Leland Weinberger District of Columbia District of Columbia District of Columbia District of Columbia Mr. John Thiers Calkins Dr. and Mrs. Leon Gerber Mr. James H. Lemon, Jr. Mr. and Mrs. David R. Williams, Jr. District of Columbia Maryland District of Columbia Oklahoma Mr. F. Davis Camalier Mr. and Mrs. William T. Gibb Mr. and Mrs. Herbert J. Lerner Mr. and Mrs. Alan F. Wohlstetter District of Columbia Maryland District of Columbia Maryland Mr. and Mrs. Carroll J. Cavanagh Mr. and Mrs. Kenneth R. Giddens Mr. and Mrs. R. Robert Linowes Mr. and Mrs. Frank L. Wright District of Columbia District of Columbia Maryland Virginia The Honorable and Mrs. Robert H. Mrs. Charles C. Glover Ms. Amanda F. MacKenzie Charles District of Columbia District of Columbia District of Columbia Contributing Members Mr. and Mrs. Mackenzie Gordon, Jr. Mr. and Mrs. John D. Macomber Mrs. Harold W. Cheel District of Columbia District of Columbia Mr. and Mrs. Charles F. Adams New Jersey Massachusetts Mr. Bernard Gordon Mr. and Mrs. Frank L. Mansell Mr. and Mrs. Blair Childs District of Columbia New York Mrs. Ann Pendleton Alexander District of Columbia Virginia Mr. and Mrs. Bruce Gottwald Mr. and Mrs. E.A.G. Manton Miss Alice W. Clement Virginia New York Dr. and Mrs. David W. Ailing District of Columbia Maryland Mrs. Gordon Gray The Honorable and Mrs. William Mr. Edwin G. Cobb, Jr. Florida McC. Martin Mr. and Mrs. Samuel Alward Virginia District of Columbia Mr. and Mrs. William H. Greer District of Columbia Mr. Edwin Cohen District of Columbia Mr. and Mrs. Arthur K. Mason Mrs. Edwin Ashcraft New York Districy of Columbia Mr. and Mrs. Henry B. Griswold District of Columbia Mrs. H. Dunscombe Colt Florida Ms. Marcia V. Mayo Mrs. John W. Auchincloss District of Columbia District of Columbia Mr. and Mrs. Corbin Gwaltney Virginia Mr. and Mrs. David F. Condon III Maryland Mrs. John I. B. McCulloch Mr. Richard Brown Baker Virginia New York Mr. and Mrs. Ronald J. Haan New York Mr. and Mrs. Jack Coopersmith District of Columbia The Honorable and Mrs. George C. Mr. Dwight H. Barnes Maryland California The Honorable and Mrs. William R. McGhee Mr. and Mrs. Lloyd E. Cotsen Haley District of Columbia Mr. and Mrs. Jordan Baruch California District of Columbia District of Columbia Mrs. Julian F. McGowin Mr. and Mrs. Earle M. Craig, Jr. Mr. and Mrs. George B. E. Hambleton Alabama Mr. and Mrs. Bahman Batmanghelidj Texas Virginia New Jersey Mr. and Mrs. Chester B. McLaughlin Mr. and Mrs. Allerton Cushman The Honorable and Mrs. Richard M. Florida Mr. and Mrs. Mohammad Arizona Batmanghelidj Helms Mrs. Robert B. Menapace District of Columbia The Honorable and Mrs. Lloyd N. District of Columbia District of Columbia Cutler Mr. and Mrs. Lee Hills The Honorable and Mrs. Charles A. Ms. Claudia Cooley and Mr. L. District of Columbia Graeme Bell III Florida Meyer District of Columbia Mrs. Evelyn Y. Davis Mr. and Mrs. Henry C. Hofheimer II Illinois District of Columbia Mr. and Mrs. Edwin S. Bell Virginia Ms. Julienne M. Michel Texas Mr. and Mrs. Fitz Eugene Dixon, Jr. Mr. John C. Howland New York Pennsylvania Mr. Munir P. Benjenk Virginia Mr. and Mrs. A. Fenner Milton District of Columbia Mr. and Mrs. Donald J. Douglass Mr. and Mrs. R. Bruce Hughes New York The Honorable and Mrs. W. Tapley District of Columbia Mrs. Edward P. Moore Bennett, Jr. Mrs. Jerome W. Eberts Mr. R. Bruce Hunter District of Columbia District of Columbia Florida Virginia Mr. Edward P. Morgan Mr. and Mrs. Irving D. Berger Mrs. Kathleen Bryan Edwards Mr. and Mrs. Allan R. Hurwitz Virginia District of Columbia North Carolina Maryland Mr. and Mrs. Patrick Munroe Mrs. Edwin A. Bergman Mr. and Mrs. Julian Eisenstein Mr. and Mrs. E. Bronson Ingram Maryland Illinois District of Columbia Tennessee Mrs. John U. Nef Mr. Robert Hunt Berry Mr. Warren Elliott and Ms. Polly Mr. and Mrs. Hugh Newell Jacobsen District of Columbia Michigan Griscom District of Columbia The Honorable Paul H. Nitze District of Columbia Mrs. Samuel Biddle Mr. Leonard Kapiloff District of Columbia District of Columbia Mr. and Mrs. Danforth P. Fales Maryland Mr. Gerson Nordlinger, Jr. Maryland Mr. and Mrs. James I. Black III The Honorable and Mrs. Randolph A. District of Columbia New York Mr. and Mrs. Norman Farquhar Kidder Mr. and Mrs. James Ottaway, Jr. District of Columbia Mr. David A. Blanton III District of Columbia New York Missouri Dr. and Mrs. James J. Ferguson, Jr. Mr. and Mrs. David S. Kirkland Mrs. D. Williams Parker Maryland Florida Georgia

142 Mr. and Mrs. Nathan W. Pearson The Honorable and Mrs. Newton I. Benefactors of the National Gallery of Art Pennsylvania Steers, Jr. Mr. and Mrs. C. E. Peck Maryland FOUNDING BENEFACTORS David Edward and Margaret Eustis Maryland Mr. and Mrs. Terence P. Stewart Andrew William Mellon Finley The Honorable and Mrs. Charles H. District of Columbia Samuel Henry Kress Morris and Gwendolyn Cafritz Percy Mr. and Mrs. Philip A. Straus Joseph E. Widener in memory of Katharine Graham District of Columbia New York Peter A. B. Widener The Andrew W. Mellon Foundation Mrs. Malcolm Price Mrs. Raymond F. Tartiere Chester Dale The Woodward Foundation District of Columbia District of Columbia Lessing J. Rosenwald Robert H. and Virginia Pratt Thayer Mr. and Mrs. Thor H. Ramsing Mr. and Mrs. Horton R. Telford Paul Mellon Georgia O'Keeffe Florida California Ailsa Mellon Bruce John and Louise Booth Dr. and Mrs. Coleman Raphael Mrs. Walter N. Thayer Rush Harrison Kress Gemini G.E.L. Maryland New York Grace Vogel Aldworth FOUNDING BENEFACTORS- John Hay Whitney Mr. and Mrs. Donald Rappaport Mrs. Benjamin W. Thoron PRINTS AND DRAWINGS District of Columbia District of Columbia The Kresge Foundation Lessing J. Rosen wald The A. W. Mellon Educational and Mr. and Mrs. Earl C. Ravenal Mr. John Edward Toole W. G. Russell Allen District of Columbia District of Columbia Charitable Trust Joseph E. Widener Dorothea Tanning Ernst Miss Berenice Anne Reed The Honorable and Mrs. Alexander B. Mrs. Walter B. James Maryland Trowbridge Doris Dick Havemeyer R. Horace Gallatin District of Columbia Walter H. and Leonore Annenberg Mr. Steven M. Reich Samuel H. Kress Foundation District of Columbia Mr. and Mrs. Thurston Twigg-Smith David Rockefeller Ruth K. Henschel Hawaii Samuel H. Kress Foundation Mr. and Mrs. Percival Reynolds, Jr. The Woodward Foundation District of Columbia Mr.* and Mrs. Herbert A. Vance John Davis and Olivia Stokes Hatch Robert H. and Clarice Smith Illinois The Mark Rothko Foundation Mr. and Mrs. Donald H. Richardson Georgia O'Keeffe District of Columbia Mr. and Mrs. C. Woods Vest, Jr. Stavros S. Niarchos The Mark Rothko Foundation District of Columbia Dorothy J. and Benjamin B. Smith Mr. and Mrs. Frank E. Richardson III Dorothy J. and Benjamin B. Smith New York Mr. and Mrs. Julius Wadsworth Mrs. Max Beckmann Julia B. Engel District of Columbia Julia B. Engel Mrs. Eugene Henry Rietzke Paul and Bunny Mellon Mr. and Mrs. Mallory Walker Arnold D. Frese Foundation District of Columbia John C. Marin, Jr. District of Columbia Mrs. Charles W. Engelhard Dr.* and Mrs. Samuel W. Robinson The Armand Hammer Foundation Mr. Charles B. Walstrom Richard King Mellon Foundation Ohio Edith G. Rosenwald Virginia Family of Constance B. Mellon Mr. and Mrs. David Rockefeller, Jr. Ruth and Jacob Kainen New York Ms. Virginia S. Warner In memory of Mrs. George R. Brown New York Lila Acheson Wallace The Honorable and Mrs. John D. BENEFACTORS (1941-1991) The Ahmanson Foundation Rockefeller IV Mrs. John Campbell White Frieda Schiff Warburg District of Columbia Maryland Adaline Havemeyer Frelinghuysen Amon G. Carter Foundation John C. and Jaan Whitehead Mr. and Mrs. Felix Rohatyn Ms. Jaan W. Whitehead Duncan Phillips New York District of Columbia Kate Seney Simpson Joe L. and Barbara B. Allbritton Robert M. and Anne T. Bass Mr. and Mrs. Daniel Rose The Honorable and Mrs. Charles S. Harris Whittemore New York Whitehouse Barbara Hutton Hallmark Educational Foundations Virginia The Barra Foundation Mr. and Mrs. James W. Rouse Ralph and Mary Booth Maryland Professor John Wilmerding William Nelson Cromwell Ruth K. Henschel New Jersey Mark J. Millard Dr. and Mrs. Paul S. Russell Benjamin E. and Regine S. Levy Massachusetts Mr. Casey Wondergem Adolph Caspar Miller University of South Florida Michigan Foundation Mrs. Victor Sadd Sam A. and Margaret Lewisohn Virginia Mrs. Robert E. Wood II Therese K. and Herbert N. Straus Jill and Arthur M. Sackler New York John Marin, Jr. Mr. and Mrs. Arnold A. Saltzman William Robertson Coe New York Mr. David Wood ham Horace Havemeyer Robert and Jane Meyerhoff District of Columbia The Armand Hammer Foundation Princess Genevieve Ranieri di San Bernice Chrysler Garbisch Faustino Edgar William Garbisch Edith G. Rosenwald California Syma Aaron Busiel Family Petschek (Aussig) Mr. and Mrs. Rudi E. Scheldt Eugene and Agnes Meyer T. Jefferson Coolidge, Jr. Tennessee Edith Stuyvesant Gerry Mary Hemingway The Honorable and Mrs. James H. Lillian S. Timken Charles E. Culpeper Foundation, Inc. Scheuer Ferdinand Lammot Belin Knight Foundation District of Columbia Adele R. Levy William Stamps Farish Fund Mr. and Mrs. W. H. Shapley Alvan T. Fuller Sydney and Frances Lewis District of Columbia Horace Havemeyer, Jr. The J. Paul Getty Trust Dr. Richard A. Simms Harry Waldron Havemeyer Southwestern Bell Corporation California Josephine Bay and C. Michael Paul Guest Services, Inc. Mr. and Mrs. Sanford Slavin Arthur Sachs Reader's Digest Association Maryland W. Averell Harriman, in memory of Annalee Newman Mrs. Miriam Smith Marie N. Harriman Mrs. John D. Rockefeller 3rd District of Columbia Robert H. and Clarice Smith Rita Schreiber The Honorable and Mrs. Samuel Oscar L. Milmore, in memory of Robert Frank Spencer Pepita Milmore Betsey Gushing Whitney Maryland Angelika Wertheim Frink Leo Castelli Mrs. Frederick M. Stafford Burton G. and Emily Hall Tremaine Pamela C. Harriman New York Herbert N. and Nannette F. Arnold and Mildred Glimcher Mr. and Mrs. Craig R. Stapleton Rothschild Richard A. and Lee G. Kirstein Connecticut David K. E. Bruce Cornelius Van Schaak Roosevelt * deceased Enid Annenberg Haupt

143 PATRONS' PERMANENT FUND Gifts and FOUNDING PATRONS Potomac Electric Power Company John Hay Whitney The George Hyman Construction Walter H. and Leonore Annenberg Company Bequests Paul Mellon Seymour H. Knox Robert H. and Clarice Smith The Ahmanson Foundation Ian Woodner Diane and Norman Bernstein Both the buildings and the collections of Lila Acheson Wallace Kathrine D. Folger the National Gallery of Art are the result Lois and Georges de Menil Janet A. Hooker Stavros S. Niarchos Alcoa Foundation of private generosity. The Board of Mrs. Charles W. Engelhard Annelise and William H. G. Trustees has full power to receive prop- In honor of Beuford and Teden Cole FitzGerald erty, real and personal, for the general The Andrew W. Mellon Foundation The Charles A. Dana Foundation purpose of the National Gallery of Art. Arnold D. Frese Foundation George W. Wyckoff Eugene L. and Marie-Louise Garbaty Averell and Pamela Harriman Offers of gift or bequest of particular Richard King Mellon Foundation In memory of Ella Milbank Foshay property should be discussed in advance Guest Services, Inc. The Times Mirror Foundation Jill and Arthur M. Sackler Family of Constance B. Mellon with the Secretary and General Counsel's Alletta and Peter McBean office for specific important works of art, PATRONS Alexander M. and Judith W. Laughlin John R. Stevenson Charles U. and Janet C. Harris or with the Executive Librarian for books Samuel H. Kress Foundation Reader's Digest Association of art historical importance. Philip L. Graham Fund Laurance S. and Mary Rockefeller Ruth Carter Stevenson GTE Corporation Gifts may also be made by check payable Robert P. and Arlene R. Kogod Dorothy Rodgers, in memory of to the Trustees of the National Gallery of Family of William Larimer Mellon Richard Rodgers Art. Amon G. Carter Foundation Andrew P. and Geraldine Spreckels Mrs. George Angus Garrett Fuller The following form of bequest may be Joe L. and Barbara B. Allbritton John and Susan Gutfreund used: Eugene and Agnes E. Meyer Exxon Corporation Foundation Charles E. Culpeper Foundation, Inc. I bequeath to the Trustees of the National Gordon and Copey Hanes Alice and John B. Rogers Gallery of Art the sum of John C. and Jaan Whitehead Edwin Van R. and Cassandra Mellon IBM Corporation Milbury for the general purposes of the National The Leonard and Evelyn Lauder Henry J. Heinz II Gallery of Art, Washington, District of Fund Robert W. and Louisa C. Duemling Columbia. Walter and Elise Haas Fund Perry R. and Nancy Lee Bass Anne Burnett and Charles Tandy Sydney and Frances Lewis Foundation Edwin L. Cox David Rockefeller George M. and Linda H. Kaufman Thomas M. and Betty B. Evans Edward G. Kaufman and Ann Claire Stephen M. and Anna-Maria Kellen Kaufman Lucille and George F. Jewett, Jr. Gerald J. and Judith Miller All gifts and bequests are deductible, within Hallmark Educational Foundations Frederick R. and Jan Mayer Robert Wood Johnson, Jr., Charitable Mobil Foundation, Inc. the limits prescribed by law, for applicable Trust Ronald S. and Jo Carole Lauder federal tax purposes. The Florence and John Schumann In memory of Mrs. George R. Brown Foundation Brady Foundation Jo Ann and Julian Ganz, Jr. Sarah Scaife Foundation Melvin S. and Ryna G. Cohen Knight Foundation Richard A. and Lee Kirstein Mars Foundation Arthur A. and Alison B. Birney E. I. du Pont de Nemours and Norma Lee and Morton Funger Company William and Eleanor Wood Prince The Barra Foundation B. Francis Saul William Randolph Hearst Foundation The Artery Organization, Inc. George H. and Tessie A. Hurwitz Milton J. and Carroll Petrie Gordon and Ann Getty William Stamps Farish Fund Katharine Graham Family of Oliver T. Carr, Jr. Robert M. and Anne T. Bass The Riggs Bank of Washington, D C. Richard A. and Jane Manoogian