Acquisitions

as of June 30, 2009

African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O. Renard Goltra funds (2009.6). Painting copper alloy: Mrs. Leonard Yaka, Bandundu Province, Florsheim Fund (2009.55–56). Gertrude Abercrombie, Self- Democratic Republic of the Congo, Portrait of My Sister, 1941, oil on Mask (Kholuka or Mbala), late canvas: gift of Powell and Barbara 19th/early 20th cen., wood, raffia American Art Bridges (2009.59). Julio de Diego, fiber, and pigment: gift of Neal Spies and Counter Spies, 1941, Ball (2009.118). Zulu, South oil on Masonite: gift of Powell Ceramics Africa, Ntitzinyanga Qwabe, and Barbara Bridges (2009.60). Pair of Storage-Rack Panels and Design attributed to George Alvan Fisher, The Prairie on Fire, Storage-Rack Panels, 1930s, wood Prentiss Kendrick, decoration 1827, oil on canvas: through prior with burnt wood: restricted gift of attributed to Eva Russell, Grueby acquisition of the George F. Cynthia and Terry E. Perucca and Faience Company, Boston, Harding Fund; restricted gift Marshall Field (2009.2.1–2, 3–5). Mass., Vase, 1903/09, glazed of Jamee J. and Marshall Field; earthenware: restricted gift of Americana Fund (2008.559). Central American the Antiquarian Society; through prior acquisition of the B. F. Early Classic Maya, Petén region, Wood Ferguson Fund; Skinner Sales Guatemala, Vessel with Bird and Artist unknown, Doorframe, Proceeds Fund; Roger and J. Peccary Heads, a.d. 250/450, 1840/50, white pine: Roger and Peter McCormick, and Wesley M. ceramic and pigment: Joanne M. J. Peter McCormick endowments Dixon, Jr., endowments; through and Clarence E. Spanjer, and (2008.554); Oval Box, c. 1850, prior acquisition of the Antiquar- African and Amerindian Curator’s pine, maple, and copper: Delphine ian Society; Goodman, Simeon Discretionary funds; O. Renard G. Schoen Trust, John W. Pluth, B. Williams, Harriet A. Fox, and Goltra and National Docent Sym- and Stanley and Polly Stone Mrs. Wendell Fentress Ott funds; posium endowments; African and endowments; Woman’s Board Highland Park Community As- Amerindian Art Purchase Fund; American Art and Mrs. Richard sociates; Charles R. and Janice

16 Bennett funds (2008.492); Ferrone, manufactured by Covo (2009.514). Roland H. Holst et Letterpress Plate, 1850/1900, srl, Revolution Wine and Water al., The Decorative Arts in the lead over wood; Letterpress Print, Glass (2); Revolution Liqueur Netherlands, 1923–35, 1850/1900, ink on : Roger Glass (2); 2001, glass: gift of periodicals: Frederick W. Renshaw and J. Peter McCormick endow- Felicia Ferrone (2009.20–23). Acquisition Fund (2009.512). ments (2008.556–57). Architecture Garofalo Leary, Richard Hutten, Dombo Cup, Camouflage House, 1991, 2002, injection-molded plastic: mixed-media model (Cornell gift of Abel and Boris Hutten Architecture and box); Camouflage House, 1991, (2009.31). Richard Hutten for Design mixed-media model: gift of Lensvelt B.V., This Chair (2), Douglas Garofalo (2009.125–26). 2004, beech and chrome; This Graphic Thought Facility, Habitat Chair (2), 2004, walnut and (The location of all projects is Catalogues (4), 2001–02; Royal chrome: gift of Hans Lensvelt Chicago and the state is Illinois, College of Art Postgraduate Art (2009.14–17). Helmut Jahn, unless otherwise stated.) and Design Prospectus, Downtown Jebel Ali Sketches (2), Ron Arad, manufactured by Vitra 1999–2000; “Stealing Beauty Dubai, n.d., marker on tracing International AG, Tom Vac Chair, British Design Now” ICA paper: gift of Celia and David 1997, polypropylene and steel: Exhibition Catalogue in Hilliard in honor of Stanley gift of Vitra, Inc. (2009.61). Yves Association with Perrier-Jouet Tigerman and Eva Maddox Béhar, Jawbone Bluetooth Champagne, 1999; Gary Hume (2009.74.1–2). Hella Jongerius, Headset (2), 2008, medical-grade New Art Close-Up 1, 2004; Embroidered Tablecloth, 2000, plastic: gift of Yves Béhar Gavin Turk New Art Close-Up 2, linen, cotton, and porcelain: funds (2009.119–20). Yves Béhar for 2004; Globe Posters (3), provided by the Architecture & Herman Miller, Inc., manufac- 2003–05; Globe Season (5), Design Society (2009.12); tured by Herman Miller, Inc., 2003; Globe Season (5), 2005; Jonsberg Vase, 2005, stoneware Leaf Personal Light, 2006, steel, Habitat Posters (6), 1996–2002; and feldspar porcelain: gift of an aluminum, and plastic: gift of Habitat A/W Catalogue, 2000; anonymous donor (2008.694). Judith Neisser (2008.693). Yves Antoni and Alison Post-It Note Patrick Jouin, One_Shot Stool, Béhar, Bret Recor, and fuseproject, Poster, 1994; Design Museum 2006, polyamide (nylon) and with Nicholas Negroponte et al., Invitations (2), 2004; Design alumide: funds provided by the manufactured by Quanta Museum Posters (2), 2005; Architecture & Design Society Computer, Inc., One Laptop per Design Museum (2), (2008.560). Gustav Klutsis et al., Child (OLPC) XO Laptop, 2007, n.d.; paper: gift of Graphic The Building of Moscow, 1928 medical-grade plastic: gift of Yves Thought Facility (2008.426–60). and 1930, periodicals: The Simeon Béhar/fuseproject (2009.121). Gaetano Di Gregorio, Teapot, B. Williams Fund (2009.504). Yves Béhar et al., Y Water Bottles, 2008, ceramic and neoprene; Marcia Lausen, Christina 2007–08, Eastman’s Eastar Tulipiere, 2008, ceramic: gift of Ramberg Drawings (3), 2000, copolyester: gift of Yves Béhar/ Gaetano Di Gregorio (2009.18– paper; Design for Democracy: fuseproject (2009.124). Hendrik 19). Walter Gropius et al., eds., Ballot and Election Design (3), Petrus Berlage and Piet Zwart, 1 BAUHAUS. Zeitschrift für 2007, offset ink on paper: gift of Dish, Green Molded Glass for Gestaltung, 1926–31, periodicals: Studio/lab (2009.30.1–3, Leerdam Glassworks, 1926, Ada Turnbull Hertle Fund 2009.28.1–3). Marcia Lausen glass: Capital Campaign General (2009.513). Zaha Hadid, (design director), Jack Henrie Acquisitions Endowment manufactured by WMF, Zaha Fisher (designer), Integrated (2009.563); Yellow Pressed-Glass Five-Piece Place Setting, 2007, Practice and the 21st-Century Tea Service for Leerdam Glassworks mirror-polished, cromargan 18/10 Curriculum, Proceedings from the (18), c. 1924; Yellow Pressed- stainless steel: National Docent Cranbrook Conference, June Glass Egg Set for Leerdam Symposium Fund (2009.67.1–5). 28–July 1, 2007 (3), 2007; Glassworks, n.d.; 1 Dish, Yellow Ineke Hans, Black Gold Coffee Transcript in Preparation for Molded Glass for Leerdam Set, 2002, porcelain: funds Cranbrook Program 2007 (3), Glassworks, 1926; glass: provided by the Architecture & 2007; What Must Be Done? Frederick W. Renshaw Acquisition Design Society (2008.657.1–10). Handbook from the Conference Fund (2009.555–57). Rowan and Raoul Hausmann et al., Theo van in Sustainability in Architecture Erwan Bouroullec, manufactured Doesburg, ed., I. K. Bonset et al., and Higher Education, February by Kvadrat, Cloud Tiles, 2009, MÉCANO, 1922–23, periodicals: 27, 2008 (3), 2008; paper: gift of wool, trevira (polyester), rubber, Frederick W. Renshaw Acquisition Studio/lab (2009.24.1–3, and foam: gift of Kvadrat Fund (2009.511). Josef Havlicek 2009.26.1–3, 2009.25.1–3). (2009.73). Charles and Ray and Karel Honzik, MSA 3. Stavby Marcia Lausen (design director), Eames, Leg Splint, c. 1942, a plány/MSA 3. Buildings and Hillary Geller (designer), molded plywood: gift of Ken and Plans, 1931, book: The Highland Transforming Practice, Call for Sara Isaacs (2008.696). Felicia Park Community Associates Proposals 2007, College of

17 Fellows, Latrobe Prize (3), 2007, Model for Perth Amboy High Frederick W. Renshaw Acquisition paper: gift of Studio/lab School, New Jersey; 2004, Fund (2009.515–16). Trek Bicycle (2009.27.1–3). Marcia Lausen Plexiglas; Perth Amboy High Corporation, coasting compo- (design director), Hillary Geller, School, New Jersey, 2004, nents by IDEO for Shimano, Lime Meeyoung Melamed, and Jody blackline on paper; Perth Amboy Bike, 2006, variable media: gift of Work (designers), Report on High School, New Jersey, 2004, Trek Bicycle Corporation Integrated Practice (3), 2005/07, ink and marker on paper: gift of (2009.68). Rudy VanderLans and paper: gift of Studio/lab Perth Amboy Board of Education Zuzana Liko, Émigré Magazine (2009.29.1–3). El Lissitzky and (2009.7–10). ROY, Lindy Roy, (33), 1992–2002, paper and David Arkin, eds., Western Okavango Delta Spa, Botswana DVD: gift of Jeff Wonderland Architecture Today, 1932, book: (6), 1997, durst lambda prints on (2008.695.1–33). Various artists, Ada Turnbull Hertle Fund paper, 2/5 limited edition: Posters, variable dates, variable (2009.506). El Lissitzky and National Docent Symposium media: gift of Victor and Sylvia Aleksandr Brodskii, eds., U.S.S.R. Fund (2009.123.1–6). Stefan Margolin (2009.69). Scott Wilson, Builds the Socialism, 1933, book: Sagmeister with Ralph Ammer, Presto Digital Bracelet, 2002, Ada Turnbull Hertle Fund Being Not Truthful Always stainless steel and nylon; iBelieve, (2009.505). El Lissitzky and Il’ia Works against Me, 2006, 2006, iPod Shuffle, plastic, and Erenburg, eds., Vladimir interactive projection, edition fabric; Fulton Lounge, 2007, Mayakovsky et al., VESHCH 1/10: Celia and David Hilliard stainless steel, walnut, foam, and (Object), 1922, periodical: Ada Fund and funds provided by the upholstery: gift of Scott Wilson Turnbull Hertle Fund (2009.507). Architecture & Design Society (2008.684.1–4, 687, 691). Scott El Lissitzky and Solomon (2008.561). Paul Schuitema et al., Wilson for ACCO/Swingline, Telingater, All-Union Printing Constant van Wessem et al., eds., Swingline Stapler, 1998–99, Trades Exhibition: Guidebook, Filmliga (28), 1927–35, injection-molded clear ABS and 1927, book: Wentworth Greene periodicals: Frederick W. injection-molded PVC: gift of Field Memorial Fund (2009.527). Renshaw Acquisition Fund Scott Wilson (2008.683.1–5). Avram Lothan, Lothan House, (2009.510). A. James Speyer, Scott Wilson for Motorola with 2005, board model: gift of Avram Sketches (21), c. 1950s, graphite Steve Christopher, Motorola Lothan (2009.13). Bruce Mau, on beige wove : gift H680 Bluetooth Headset; ¡GuateAmala! Posters (10), 2006; of Mr. Alexander C. Speyer III Motorola H12 Bluetooth Headset; Laboratorium Catalogues (2), (2009.122.1–21). Vavara 2007, stainless steel and plastic: 2001; NAi Catalogues and Stepanova et al., Aleksandr Vesnin gift of Scott Wilson (2008.681, Printed Materials, 1993; paper: et al., eds., CA–Contemporary 688). Scott Wilson for NIKE in gift of Bruce Mau (2009.62.1–10, Architecture, 1926–30, periodicals: collaboration with Lance 2009.63.1–2, 2009.64). molo, Frederick W. Renshaw Acquisition Armstrong and Jason Martin, Softseating Fanning Stool (2), Fund (2009.503). Ladislav Oregon Series Alti Compass 2006, paper; Softseating Fanning Sutnar, Praga Automobile Watch; Lance Armstrong Race Stool, 2007, polyethylene: gift of Advertisement, c. 1926, lithograph Limited-Edition Watch; 2003, Molo Design, Ltd. (2009.70–72). on ivory ; Build the polymer and polyurethane: gift of MOS, Michael Meredith and Town Building-Block Set, 1943, Scott Wilson (2008.685–86). Scott Hilary Sample, Ordos 100, Lot brightly painted wood blocks: Wilson for NIKE with Stefan 006, Inner Mongolia, China, Frederick W. Renshaw Acquisition Andren, NIKE AMP+ Watch, 2008, digital video, 1/10 limited Fund (2009.559, 2009.553); 2007, polymer and polyurethane: edition: Celia and David Hilliard Drinking Glass Set, 1930–31; gift of Scott Wilson (2008.682). Fund (2009.66). Eliot Noyes, Complete Glass Tea Set, 1931; Scott Wilson for Ooba, licensed to IBM Selectric Typewriter, c. glass: Ada Turnbull Hertle Fund Offi & Company, Nest Bassinet, 1961, mixed media: gift of Victor (2009.561, 554); Porcelain Set 2005, molded plywood with and Sylvia Margolin (2008.680). (White with Red Trim), 1929–32, wood veneer, chrome, cotton, Patterns, Inc., Marcelo Spina and porcelain: Mary Louise Stevenson polyurethane foam, and Tyvek: Georgina Huljich, New Busan Fund (2009.560); Flatware Set, gift of John Wm. Butler, Jr., and Tower, Busan, South Korea (3), 1934, flatware: Edward Johnson John M. VanderLinden 2002, durst lambda prints on Fund (2009.562). Ladislav Sutnar (2008.692); Nest Bassinet, 2005, paper, 2/5 limited edition: and Pavel Janak, eds., A Housing molded plywood with wood purchased with funds provided by Exhibition: Buildings of the Baba veneer, chrome, cotton, Jane S. and Harry J. Hyatt in Colony, 1932, book: Frederick polyurethane foam, and Tyvek: honor of Karen M. Hyatt, W. Renshaw Acquisition Fund gift of Scott Wilson (2008.690). President of the Architecture & (2009.517). Karel Teige, MSA 1. Scott Wilson with Mike Garner Design Society 2006–2008 International Contemporary for Jolt Lighting (now manufac- (2009.65.1–3). John Ronan, Site Architecture, 1929; MSA 2. tured by LightCorp), JUMBO Model for Perth Amboy High Modern Architecture in Task Lamp, 2003, metal and School, New Jersey; Section Czechoslovakia, 1930, book: plastic: gift of Scott Wilson

18 (2008.689). Dan Yeffet for with photomontage, printed in catalog; Kabelfabriek NKF Delft, Materialise, Polyvase, 2006, black and blue offset lithograph, 1933, commercial catalog: Ada epoxy: funds provided by the back to blue card; Advertisement Turnbull Hertle Fund (2009.508– Architecture & Design Society for V.O.N.K. Leiden, n.d., offset 09, 520); “Leer de jeugd (2009.11). Sung Suk Yoo, The lithograph-printed advertisement; samenwerken met de post; geef K-12 Art School for Chicago (10), Announcement for Furniture het boek van PTT,” n.d., poster 2008, digital prints on paper: gift Exhibition at Metz & Co., 1936, on commercially manufactured of Sung Suk Yoo (2008.562). Piet printed announcement; Advertise- white-coated wove paper: Ethel T. Zwart, Veneer Doors Are Flat, ment for Metz & Co. (Sunfirm): Scarborough Fund (2009.528); Stay Flat, 1930, commercial “Meubelstaffen Tapijten “4cm vrij baan voor de post,” catalog; Comite consultatif Meubelen,” n.d., offset lithograph n.d., poster on cream wove card: internationale technique des announcement; “Tapijtknooperij The Simeon B. Williams Fund comunications radioelectriques, het paapje,” n.d., printed (2009.529); NKF Delft Calendar 1929, exhibition catalogue; announcement; Promotional for 1934, 1934, book with Advertisement for “Om-lijst” Brochure for “Haagsch Bureau photomontage illustration: from Bruynzeel’s Schaverij, n.d., Hulp bij inkoop,” 1928, Maurice D. Galleher Endowment flyer with photomontage on promotional brochure; Two (2009.550). Piet Zwart and C. J. off-white wove paper; Radiotele- Postage Stamps, n.d., postage Graadt van Roggen, eds., Film: foondienst, 1930, advertisement stamps; Advertising Insert for Die serie monografieën over on ivory wove paper; Copper NKF Delft (. . . 50000 . . . 13000 filmkunst (10), 1931–33, Wire Still Deliverable out of . . . 50000), 1926, printed periodicals: Frederick W. Renshaw Stocks, 1930, letterpress commercial advertisement on Acquisition Fund (2009.521). commercial flyer; Advertisement ivory wove paper, tipped on for NKF Tin-Coated Copper heavy brown wove paper; Cable, 1924, commercial design Advertising Insert for Nederlan- Asian and Ancient Art flyer with mechanical diagram on sche Kabelfabriek (NKF) Delft verso; Advertisement for (10-25-50.kv Hoogspanningska- Cambodian Bruynzeel lijstwek, c. 1935, bels met papierisolatie), 1925, Sculpture. God Vishnu, Angkor tri-folded offset printed flyer; “Bij printed commercial advertisement period, 11th cen.; Emblem of brand: Wenken ter voorkoming on off-white coated wove paper; the God Shiva (Linga), Angkor en beperking van brandgevaar,” Advertisement for Wij Nu, period, 10th/13th cen.; sandstone: n.d., commercial advertisement Experimenteel Tooneel, Den James W. and Marilynn Alsdorf on cream wove paper; Eindhoven Haag, 1926, printed commercial Collection (2008.697–98). Invite, n.d., printed invitation on advertisement on cream wove ivory wove paper, tipped on paper, tipped on heavy brown Chinese brown wove paper; “Klachten wove paper; Stationery and zijn ons / Welkom,” n.d., printed Envelope for Wij Nu, Experimen- Vessel. Wine Flask (Hu), Western advertisement on ivory wove teel Tooneel, Den Haag, n.d., Zhou dynasty, late 10th/early paper, tipped on gray card; printed stationery and envelope 9th cen. b.c., bronze: gift of Fred Advertising Brochure for (stationery printed on cream Eychaner and Tommy Yang Guo “Witboor Palen,” n.d., commercial wove paper, envelope on tan (2008.702). brochure mounted on gray card; wove paper); Paper: Insulated “Machinezetsel (Monotype)” High-Tension Cables, 1925, Etruscan Advertisement in (from?) printed advertisement (letterpress Vessel. Attributed to the Ivy Leaf “Reklame,” n.d., printed on ivory wove paper, tipped on Group, Belly Amphora, 530/520 advertisement mounted on gray heavy brown wove paper); Voor b.c., terracotta (black-figure card; Exhibition Announcement, blijde dagen: geluktelegrammen, technique): Katherine K. Adler n.d., printed exhibition announce- 1931, color lithograph and offset Memorial Fund (2009.75). ment on ivory wove paper, laid color lithograph; NKF Advertise- down on brown wove paper; ment (The World Is Only a Few Greek “Verzend per luchtpost Minutes Wide), c. 1928, commer- Amserterdam-Batavia 12 dagen,” cial advertisement (proof) on Sculpture. Attributed to the n.d.; “Groote Koninklijke Bazaar, commercially manufactured Demagora Master, Fragment of 1927,” 1927; “Eigen Reclame- cream wove paper with a white a Funerary Monument, 4th cen. Technische AFD,” n.d.; printed coating: Frederick W. Renshaw b.c., marble: Katherine K. Adler advertisements on ivory wove Acquisition Fund (2009.518–19, Memorial, Mr. and Mrs. Walter paper, tipped on brown wove 522–26, 530–49, 551–52, 558); Alexander Classical Endowment, paper; Advertisement for Bruynzeel’s Fabrieken, 1936, Costa A. Pandaleon Greek Art Bruynzeel’s “Deurenfabriek commercial catalog; NKF Memorial, and David P. Earle III Zaandam” (Seven maanden (Nederlandsche Kabelfariek funds (2009.76). Fifty-eight vo- winter!), 1935, advertisement Delft), 1928, book, commercial tives, Geometric Period, 850–early 6th cen. b.c., Thessaly, bronze:

19 gift of Mr. and Mrs. Walter Alex- Prize, Pauline Palmer Prize, ander (2008.563–619). Broadus James Clarke Memo- rial, Norman Wait Harris Prize, Indian Installation William H. Bartels Prize, Joyce Metal. Huqqa Base with Floral Argentine. Victor Grippo, Van Pilsum, Laura T. Magnuson Design, Deccan, c. 19th cen., zinc Analogía I (2da. versión), Acquisition, Ann M. Vielehr Prize, alloy inlaid with gold and silver 1970–77, electric circuits, analog and Ada S. Garrett Prize funds; (bidriware): restricted gift of the voltmeter, potatoes, soil, chair, Flora Mayer Witkowsky Award Asian Art Council (2008.461). cloth, text panel, wood, saw- for American Art; Boles C. and horses, enamel, paint, electrical Hyacinth G. Drechney, and Mr. Indonesian cable, and nylon monofilament: and Mrs. J. F. Brower Prize funds; jointly acquired by The Art The Municipal Art League Prize Sculpture. Head of a Bodhisattva (?), Institute of Chicago, through for Portraiture; Marjorie and Borneo, Kutai Province, 9th/10th prior gift of Adeline Yates; and Louis Susman, Martin B. Cahn cen., sandstone; Akshobhya, the Philadelphia Museum of Art, Prize, and Elisabeth Mathews Central Java, 9th/10th cen., with funds from the Committee funds (2008.481.1–5). Jim Nutt, gold and silver: James W. and on Modern and Contemporary Nose Jam, 1968, acrylic on Marilynn Alsdorf Collection Art (2009.32). Plexiglas; Da Creepy Lady, 1970, (2008.699–700). acrylic on Plexiglas and enamel Painting on wood frame: promised gift of Japanese American. Moira Dryer, Front- the Henry and Gilda Buchbinder Bamboo. Fujinuma Noboru, 22 line, 1991, acrylic on wood, Family Collection (24.2009, baskets, 1979/2007: gift of the iron: estate of Moira Dryer 21.2009). Kay Rosen, The River, artist (2009.77–98). Various (2008.710). Walter Hahn, Aquar- 1989, enamel sign paint on canvas: artists, 11 baskets, 19th/20th ium, 1950, oil on canvas: Jacob gift of Clayton Press and Gregory cen.: gift of Pamela Crutchfield and Bessie Levy Art Encourage- Linn (2008.703). Christopher (2009.99–109). ment, and Walter M. Campana Wool, Trouble, 1989, alkyd and Memorial Prize funds (2008.658). acrylic on aluminum: promised Prints. Hiratsuka Un’ichi, 16 Ellsworth Kelly, Tableau Vert, gift of Frances Dittmer (9.2009). woodblock prints, 1925/84: gift 1952, oil on wood: gift of the of T. David and Cindy Van Zelst, artist (2009.51). Robert Lostutter, German. Magnus Plessen, Krug, Hiratsuka Un’ichi–Van Zelst In the Paradise, It Is Night, 1980, 2005, oil on canvas: promised gift of Family Collection (2008.463–78). acrylic on canvas: gift of Victoria Donald L. Davis in honor of Martha Lautman in memory of Vanna Griffen Davis (Obj. 187751). Sketchbook. Mori Yoshitoshi, and James Lorie (2008.708). Artist’s Sketchbook, 1970/77, ink Jim Lutes, He Would Yell at Italian. Margherita Manzelli, and color on paper: Frederick Me, 1990, oil on linen: N. W. Dopo la fine, 2008, oil on canvas: W. Gookin Memorial Fund Harris Purchase Prize, Edward through prior gift of Adeline Yates (2008.462). and Eleanor DeWitt, Laura Slobe (2009.54). Memorial Prize, Mr. and Mrs. Lycian Frank G. Logan Purchase Prize, Photography Coin. Stater with Portrait of Max V. Kohnstam, William H. American. Vito Acconci, Estima- Mithrapata, Anatolia (present-day Bartles Award, Emilie L. Wild, tions, 1970/87, nine gelatin silver Turkey), 380–370 b.c., silver: William and Bertha Clusmann prints with chalk: Contemporary Katherine K. Adler Memorial Prize, John G. Curtis, Contem- Art Discretionary Fund; gift of Fund (2008.423). porary Art Discretionary, Joseph the Foundation, To-Life, Inc. N. Eisendrath, Martin B. Cahn, (2009.57.1–9). David Hammons, Nepalese Walter M. Campana Memorial Mobile Garden, 1998, chromoge- Sculpture. Four-Armed Dancing Prize, and Ann M. Vielehr Prize nic print: gift of Nancy Lauter God Ganesha with His Rat funds (2009.111). Sylvia Plimack McDougal and Alfred L. Mount, 16th/17th cen., gilt Mangold, In Memory of My McDougal (2008.704). Roni bronze worked in repoussé: James Father, 1976, acrylic on canvas: Horn, Clown Pout-I-, 2002, W. and Marilynn Alsdorf through prior gift of Adeline unique C-print photographic Collection (2008.701). Yates (2009.52). Kerry James drawing, mounted on paper: Marshall, Vignette Suite, 2005– promised gift of Judith Neisser 08, acrylic on Plexiglas: through (Obj. 198760). Joseph Kosuth, prior gift of Adeline Yates; Titled (Art as Idea as Idea), Benjamin Argile Memorial, Cyrus [Value], 1968, digital chro- Hall McCormick, Alfred and mogenic print: promised gift of May Tiefenbronner Memorial, Edward and Betty Harris (Obj. Mr. and Mrs. Frank G. Logan 192133). Christopher Williams,

20 The Golden Eagle Cinema, ding mold, porcelain, lightbulb, English. Made by John Spilman, 2000, gelatin silver print; Punta glass prism, and die-cast metal The Whitfield Cup, London, Hicacos, Varadero, Cuba, 2000, doll: promised gift of the Henry 1590, silver gilt and ostrich egg: chromogenic print: gift of Nancy and Gilda Buchbinder Family Mary Swissler Oldberg Memorial Lauter McDougal and Alfred L. Collection (Obj. 119004). Fund (2009.113). Side Chair, McDougal (2008.705–06). 1802/10, ebony and beech, German. Ulrich Rückriem, with upholstered leather seat: German. Thomas Struth, The Untitled, 1987, granite blue de Robert Allen Purchase, Mary Felsenfeld/Gold Family, vire: gift of Donald Young and Waller Langhorne Memorial, and Philadelphia, 2007, chromoge- Shirley Weese Young (2008.673). John and Neville Bryan funds nic print, mounted on Plexiglas: (2009.127). Lucie Rie, Ceramic Contemporary Art Discretionary Video and Film Bowl, 1952, ceramic: European Fund; through prior gift of Mrs. Israeli. Elad Lassry, Untitled Decorative Arts General Fund Gordon McCormick (2009.110). (Agon), 2007, Super 16mm color (2009.33). film, silent, 13:27 loop; Zebra Ukranian. Boris Mikhailov, Case and Woman, 2007, Super 16mm French. Carafe, c. 1870, non-lead History, 1997, seven chromogenic film, silent, 5:21 loop: Wilson L. glass: gift of Barbara and David prints: gift of the artist and Galerie Mead, Contemporary Art Morowitz, in Honor of Richard Barbara Weiss (2008.483–89). Discretionary, and The Orbit Marcus (2009.128). Made by funds (2008.659–60). Escalier de Cristal, Wall Clock, Sculpture , c. 1880, bronze, gilt bronze, American. John Chamberlain, Norwegian. A K Dolven, and cloisonné enamel: Mary Untitled, 1966, urethane foam Amazon, 2005, 16mm color Waller Langhorne Memorial, and cord: gift of Susan and Lewis film, silent, 1:34 loop: Claire and Harriet A. Fox, and Mr. and Mrs. Manilow (2008.707). Sherrie Gordon Prussian Fund for Con- E. B. Smith, Jr., funds (2008.491). Levine, Steer Skull, Horned, temporary Art (2008.482). Pierre-Adrian Dalpayrat, Tall 2002, cast bronze: promised gift Flambe-Glaze Vase; Shell-Form of Judith Neisser (Obj. 198435). Inkwell with Red-Green Glaze; Matthew Monahan, Alchemy of European Decorative Small Green-Mauve Vase with Pain, 1972, foam, wax, pigment, Arts Pinched Neck; Large Green- metal leaf, paper, glass, and drywall: Mauve Vase with Pinched Neck; gift of Society for Contemporary c. 1900, stoneware: gift of John Art (2008.490). Robert Overby, Bohemian. Biedermeier Beaker H. Bryan (2007.551–54). Concrete Screen Door, 1970, with View of the Bank of concrete and steel: estate of Robert Pennsylvania, possibly Bohemia, Overby (2008.709). Richard c. 1830, molded glass with en- Rezac, Veil, 1987, cast iron and graved decoration: restricted gift Medieval through dyed silk: Pauline Palmer Purchase of Charles C. Haffner III, Mr. and Modern European Prize Fund; through prior gift of Mrs. Henry Buchbinder Fund, Mrs. Gordon McCormick, Mary Julius and Augusta N. Rosenwald Painting and Sculpture and Leigh Block, and Robert Rice Collection of Glass Fund, and Jenkins Prize funds; Robert and Harry and Maribel G. Blum Fund American. Man Ray, Gift Marlene Baumgarten Endow- (2008.665). (Cadeau), 1963 (1921 original ment; through prior gift of Claire now lost), flatiron and 14 iron and Albert Arenberg (2008.662); Danish. Designed by Hans J. tacks: through prior gift of Mrs. Curtain, 1997, cast bronze in Wegner, Pair of Chinese Chairs, Gilbert W. Chapman (2009.129). 12 parts: through prior bequest Copenhagen, 1944, stained of Florence S. McCormick; Ann cherry with jute webbing and Dutch. Pieter Gerritsz. van M. Vielehr Prize Fund; Oscar L. loose fabric cushioning: gift of Roestraeten, Still Life with Gerber Memorial Endowment John H. Bryan (2008.620.1–2); Ostrich-Egg Cup and the (2008.663); Untitled (04-05), Folding Chair, Copenhagen, Whitfield Heirlooms, c. 1670, oil 2004, birch, nickel-plated cast designed 1949 (made c. 1956), on canvas: European Decorative bronze, and aluminum: prior gift oak with Spanish cane: gift of Stig Arts Fund (2009.114). of Margerita S. Ritman; Joseph Johan Fogland (2008.621). N. Eisendrath Fund (2008.661); English. Emily Mary Osborn, Untitled (08-05), 2008, painted Dutch. Pieter Gerritsz. van Mrs. Sturgis and Children, 1855, cherrywood and aluminum: Roestraeten, Still Life with Ostrich- oil on canvas: bequest of Robert P. Pauline Palmer Purchase Fund Egg Cup and the Whitfield Heir- Coale (2008.622). (2008.664). H. C. Westermann, looms, c. 1670, oil on canvas: White for Purity, 1959, wood, European Decorative Arts Fund French. The Master of the Very paint, Hydrostone, antique pud- (2009.114). Small Hours of Anne of Brittany

21 22 Ellsworth Kelly (American, born 1923). Tableau Vert, 1952. Oil on wood; 74.3 x 99.7 cm. Gift of the artist (2009.51).

Hans Thoma (German, 1839–1924). Apollo and Marsyas, 1888. Oil on board; 101 x 73.5 cm. Through prior gift of Henry Morgen, Ann G. Morgen, Meyer Wasser, and Ruth G. Wasser (2008.555).

Design attributed to George Prentiss Kendrick (American, 1850–1919), decoration attributed to Eva Russell (American, active c. 1905). Grueby Faience Company, Boston, Massachusetts. Vase, 1903/09. Glazed earthenware; 37.5 x 20.3 x 20.3 cm. Restricted gift of the Antiquarian Society; through prior acquisition of the B. F. Ferguson Fund; Roger and J. Peter McCormick, and Wesley M. Dixon, Jr., endowments; through prior acquisition of the Antiquarian Society; Goodman, Simeon B. Williams, Harriet A. Fox, and Mrs. Wendell Fentress Ott funds; Highland Park Community Associates; Charles R. and Janice Feldstein Endowment Fund for Decorative Arts (2008.558).

Made by John Spilman (English, born Bavaria, died 1626). The Whitfield Cup, 1590. , London. Silver gilt and ostrich egg; h. 32 cm (with cover). The Mary Swissler Oldberg Memorial Fund (2009.113).

Designed by Saul Steinberg (American, born Romania, 1914–1999), produced by Patterson Fabrics. Panel En- titled “Horses,” 1949/52. New York, New York. Cotton, plain weave; screen printed; 316.9 x 95.9 cm. Elizabeth F. Cheney Foundation Fund (2009.204).

23 24 Théodore Rousseau (French, 1812–1867). View of Salève, near Geneva, 1834. Oil on paper, mounted to canvas; 39 x 62 cm. Through prior gift of Henry Morgen, Ann G. Morgen, Meyer Wasser, and Ruth G. Wasser (2008.399).

Victor Grippo (Argentine, 1936–2002). Analogía I (2da. versión), 1970–77. Electric circuits, analog voltmeter, potatoes, soil, chair, cloth, text panel, wood, sawhorses, enamel, paint, electrical cable, and nylon monofilament; variable dimen- sions. Jointly acquired by The , through prior gift of Adeline Yates; and the Philadelphia Museum of Art, with funds from the Committee on Modern and Contemporary Art (2009.32).

Attributed to the Ivy Leaf Group. Belly Amphora, 530/520 b.c. Etruscan. Terracotta, black-figure technique; 39 x 28.6 x 23.5 cm. Katherine K. Adler Memorial Fund (2009.75).

François Boucher (French, 1703–1770). Academic Study of a Reclining Male Nude, c. 1750. Black chalk, with stumping, and touches of red chalk, heightened with white chalk, on cream , laid down on cream laid paper; 356 x 448 mm. Regenstein Endowment Fund (2009.42).

25 26 MOS (founded 2003), Michael Meredith (American, born Congo. Wood, raffia fiber, and pigment; h. 45.7 cm. Gift of 1971), and Hilary Sample (American, born 1971). Ordos 100, Neal Ball (2009.118). Lot 006, Inner Mongolia, China, 2008. Digital video, 1/10 Designed by Yves Béhar (Swiss, born 1967), Bret Recor limited edition. Celia and David Hilliard Fund (2009.66). (American, born 1974), and fuseproject, with Nicholas Thomas Struth (German, born 1954). The Felsenfeld/Gold Negroponte, Rebecca Allen, Mary Lou Jepsen, Mark Foster, Family, Philadelphia, 2007. Chromogenic print, mounted on Michail Bletsas, V. Michael Bove, One Laptop per Child, Plexiglas; 140.2 x 179 cm. Contemporary Art Discretion- Jacques Gagné, Gecko Design, Colin Bulthaup, Squid Labs, ary Fund; through prior gift of Mrs. Gordon McCormick John Hutchinson, and Freeplay Energy Plc., manufactured (2009.110). by Quanta Computer, Inc. (founded 1988). One Laptop per Child (OLPC) XO Laptop, 2007. Medical-grade plastic; Mask (Kholuka or Mbala), late 19th/early 20th century. 24.2 x 22.8 x 3.2 cm. Gift of Yves Béhar/fuseproject (2009.121). Yaka; Bandundu Province, Democratic Republic of the

27 Side Chair, 1802/10. England. Ebony and beech, with upholstered leather seat; 87 x 64 x 72 cm. Robert Allen Purchase, Mary Waller Langhorne Memorial, and John and Neville Bryan funds (2009.127).

Man Ray (American, 1890–1976). Gift (Cadeau), 1963 (1921 original now lost). Flatiron and 14 iron tacks; 15.8 x 9 x 9 cm. Through prior gift of Mrs. Gilbert W. Chapman (2009.129).

God Vishnu, Angkor period, 11th century. Cambodia. Sandstone; 65.1 x 25.4 x 11.5 cm. James W. and Marilynn Alsdorf Collection (2008.697).

Alvan Fisher (American, 1792–1863). The Prairie on Fire, 1827. Oil on canvas; 61 x 83.8 cm. Through prior acquisition of the George F. Harding Fund; restricted gift of Jamee J. and Marshall Field; Americana Fund (2008.559).

Joel Sternfeld (American, born 1944). Alpha Farm, Deadwood, Oregon, 2004. Chromogenic print; 27.9 x 43.2 cm. Gift of Ralph and Nancy Segall (2008.742).

28 29 30 Panel Depicting “The Bombardment of Algiers,” c. 1816. 220 x 330 x 150 mm. George F. Harding Deaccessions Fund; England. Cotton, plain weave; roller printed; glazed and cal- restricted gift of Mr. and Mrs. William Vance; Amanda S. enderized; 221 x 58.1 cm. Louise A. Lutz Estate (2009.203). Johnson and Marion J. Livingston Fund (2009.49).

Made by Escalier de Cristal. Wall Clock, c. 1880. , Josef Sudek (Czech, 1896–1976). Ladislav Sutnar China Paris. Bronze, gilt bronze, and cloisonné enamel; 94 x 40.6 x (Hostess Set), c. 1930. Gelatin silver print; 16.3 x 23 cm. 22.9 cm. Mary Waller Langhorne Memorial, Harriet A. Fox, Ethel T. Scarborough Fund (2009.499). and Mr. and Mrs. E. B. Smith, Jr., funds (2008.491). Concho Belt, 1880/95. Navajo; Northern Arizona or New The Master of the Very Small Hours of Anne of Brittany Mexico, United States. Silver and leather; l. 101.6 cm. Auxil- (Master of the Unicorn Hunt) (French, active 1480–1510), iary Board of the Art Institute of Chicago (2009.572). box by an unknown maker (French, active 15th century). The Nativity, in Coffer, c. 1490. Woodcut, hand-colored with brush, stencil, and watercolor, on ivory laid paper, mounted on the inside cover of a coffer, constructed of wood, iron, leather, horsehair, and linen; woodcut: 164 x 321 mm; box:

31 (Master of the Unicorn Hunt), Little Sisters of the Poor, Good Ross Ice Shelf, Antarctica, Dec. 6, box by an unknown maker, The Mother, Louisville, Kentucky, 1999, chromogenic print: gift of Nativity, in Coffer, c. 1490, 1959, gelatin silver print: gift of Stuart Klipper in honor of David woodcut, hand-colored with Paul Clark (2008.773). Suzette Travis (2008.406). Dorothea brush, stencil, and watercolor, Bross, Blue White and Red Lange, Migrant Mother, Nipoma, mounted on the inside cover of with Wheel, 2007, inkjet print: California, 1936 (printed later), a coffer, constructed of wood, Photography Purchase Fund photogravure: bequest of Michael iron, leather, horsehair, and linen: (2008.403). Liz Deschenes, Hori- Cohen (2008.421). Matthew George F. Harding Deaccessions zontal/Vertical Photograph #1, Monahan, Untitled (Self-Portrait), Fund; restricted gift of Mr. and 2009, gelatin silver photogram: 2007, chromogenic print from Mrs. William Vance; Amanda S. restricted gift of Robin and Sandy digital file: gift of Terry R. Myers Johnson and Marion J. Livingston Stuart (2009.131). Philip-Lorca (2008.417). Dave Muller, A For- Fund (2009.49). Théodore diCorcia, Ike Cole, 38 Years est, 2004, acrylic on white wove Rousseau, View of Salève, near Old, Los Angeles, California, paper: gift of Terry R. Myers Geneva, 1834, oil on paper, $25, 1990/92; Havana, 1999; (2008.416). Toby Old, Orange mounted to canvas: through prior chromogenic prints: Photography County Fair, Middletown, NY, gift of Henry Morgen, Ann G. Gala Endowment (2008.401– 1991; Jacob’s Pillow, Inside/Out, Morgen, Meyer Wasser, and Ruth 02). Michael Disfarmer, 10 Jazz Students, Becket, MA, 2007; G. Wasser (2008.399). gelatin silver prints, 1920/45: World Series, Yankees vs. Marlins gift of Donald and Alison Weiss at Yankee Stadium, Bronx, NY, German. Hans Thoma, Apollo (2008.774–83). Sam Durant, 2003, gelatin silver prints: gift and Marsyas, 1888, oil on board: Altamont Raceway, 2003, chro- of Toby Old in honor of David through prior gift of Henry mogenic print from digital file: Travis (2008.410–12). Catherine Morgen, Ann G. Morgen, Meyer gift of Terry R. Myers (2008.415). Opie, Untitled, 1997, inkjet print: Wasser, and Ruth G. Wasser Terry Evans, Jim at Fent’s Prairie, gift of Terry R. Myers (2008.414). (2008.555). Salina, Kansas, 1978 (printed Monique Prieto, Untitled, 2002, 2007), inkjet print: gift of Terry inkjet print: gift of Terry R. Myers Italian. Giovanni Domenico Evans in honor of David Travis (2008.419). Fazal Sheikh, Abshiro Ferretti da Imola, Sketch for a (2008.408). Tim Hawkinson, Aden Mohammed, Women’s Ceiling Fresco, c. 1740, oil on Bird Box, 2006, chromoge- Leader, Somali Refugee Camp, canvas: bequest of the Edward nic print from digital file: gift Dagahaley, Kenya, 2000, carbon and Inge Maser Collection in hon- of Terry R. Myers (2008.418). print: gift of Fazal Sheikh in hon- or of Eloise Martin (2008.425). David Hilliard, Andreu, 1997, or of David Travis (2008.407). Orazio Mochi, Saccomazzone chromogenic prints (triptych): Alec Soth, Lenny, Minneapolis, Players, c. 1621, bronze: gift of Photography Associates Fund Minnesota, 2002, chromogenic the Edward A. and Inge Maser (2008.424.1–3). Peter Hujar, print: gift of Dan Solomon and Collection (2009.130). Cindy Lubar as Queen Victoria, Weinstein Gallery in honor of 1974, gelatin silver print: gift of David Travis (2008.405); Stephen Koch (2009.41); Nude Untitled, 26, Bogota, 2003; Photography Blowing Spit Bubble, 1980; Girl Helena, Arkansas, 2002; chro- in My Hallway; 1976, gelatin mogenic prints: gift of Marilyn American. Robert Adams, Un- silver prints: Photography As- and Larry Fields (2008.784–85). titled, 1985, gelatin silver print: sociates Fund (2009.115, 117); Joel Sternfeld, 45 chromogenic gift of Frish Brandt (2008.787). Triumph, 1976, gelatin silver prints, 1993/2005: gift of Ralph Thomas Frederick Arndt, print: Photographic Society Fund and Nancy Segall (2008.728–72). Farmyard with Yard Light, near (2009.116). Martin Kersels, UPI (United Press International), Hazelton, North Dakota, 1981, Untitled, 1999, chromoge- Mug Shot of Sirhan Sirhan, 1968, gelatin silver print: gift of Thomas nic print from digital file: gift gelatin silver print and note: Frederick Arndt in honor of of Terry R. Myers (2008.420). Arnold Crane Fund (2009.132). David Travis (2008.409). Amelia Justin Kimball, Cumberland, Jay Wolke, 10 digital archival Bergner, Study of Leaves, 1877, Rhode Island, 1997; Deep Hole, inkjet prints, 1982/85 (printed gum dichromate photogram: New Hampshire, 2002; East 2004): gift of Ralph and Nancy Photography Associates Fund Greenwich, Rhode Island, 1998; Segall (2008.718–27). Lucia (2009.36). Margaret Bourke- Five Mile Pond, Massachusetts, Woods, Lone Tree, Webster White, Workman on Top of 1997; Greenfield, Massachusetts, County, Nebraska, 1972; Shad- Thomas Alva Edison’s Tower, 1997; Mohawk Trail, Massachu- ows on an Adobe Wall, Santuario Menlo Park, NJ, c. 1938, gelatin setts, 1997; chromogenic prints: de Chimayo, New Mexico, 1971; silver print: gift of Jeanne and gift of Jeanne and Richard S. Lacock Abbey, Window in First Richard S. Press (2008.717). Press (2008.711–16). Stuart Paper Negative by Fox Talbot, Stern Bramson, Stocking the Klipper, “Helo” Pilot’s Footprints Wiltshire, England, 1980; gelatin Pantry, Home of the Elderly at Remote Weather Station Site, silver prints: gift of Lucia Woods

32 Lindley in honor of David Travis Matthew S. Witkovsky (2009.37); of the Arts, 1923–24; New Left, (2008.493–95); 16 gelatin silver Shepherdess Leaning against a 1927–28; periodicals: Gladys N. prints, 1969/87: gift of Lucia Tree, with Two Sheep, late 1870s, Anderson Fund (2009.485–86). Woods Lindley (2008.496–511). albumen print: restricted gift of Varvara Stepanova and John Elizabeth and Thomas Keim; Heartfield, Abroad, 1930, book: Czech. Zdenek Rossman, Lettering Barbara and Lawrence Spitz Fund Frederick W. Renshaw Acqusition and Photography in Advertising, (2009.38); Male Peasant with Fund (2009.481). 1938, book with photogravures: Wheelbarrow, late 1870s, albumen Samuel P. Avery Fund (2009.489). print: Ernest Kahn Endowment Josef Sudek, Ladislav Sutnar (2009.39); Female Peasant Riding Prints and Drawings China (Hostess Set), c. 1930, Donkey, late 1870s, albumen gelatin silver print: Ethel T. print: Arnold Crane and Mrs. Books Wendell Fentress Ott funds Scarborough Fund (2009.499); Louis Anquetin et al., preface (2009.40). Ladislav Sutnar China (With written by Octave Mirbeau, Black Rim), 1932, gelatin silver published by Paul Brenet and German. John Heartfield, print: Laura T. Magnuson Acqui- Félix Thureau, Hommage des Untitled Photomontage (Lenin sition Fund (2009.494); Ladislav artistes à Picquart, 1899, book over Moscow); Illustration for Sutnar China (Coffee and Dinner containing 12 lithographs: Stanley U.S.S.R. in Construction, 1932, Set); Ladislav Sutnar China (Cof- Field Fund (2008.519.1–12). gelatin silver print: Director’s fee Set); c. 1930, gelatin silver Alek’sandr Bazhbeuk-Melik’yan et Fund (2009.497); The Good prints; Photography in Advertis- al., written by Aleksandr Soldier Svejk. Adventures of the ing and Neubert’s Heliogravure, Chachikov et al., To Sofia Good Soldier Svejk in Russian 1933, book with photomontage: Georgievna Mel’nikova: Fantastic Prison, 1936, books: Gladys N. Edward Johnson Fund (2009.498, Tavern, Tbilisi, 1919, book Anderson Fund (2009.502). John 500, 492). Ladislav Sutnar, Cover containing halftone reproductive Heartfield and Willi Munzenberg, Photograph for Panorama, No. prints, line blocks (relief print), A.I.Z. (Arbeiter Illustrierte 4, 1930, gelatin silver print: and letterpress: Marjorie and Zeitung), 1929–34, periodicals: Wentworth Greene Field Memo- Frank Brookes Hubachek Wirt D. Walker Trust (2009.488). rial Fund (2009.493); Zijeme, Memorial Fund (2009.257). Various artists, Film und Foto, 1931–33, periodicals: Laura T. David Burlyuk, prints after 1929, exhibition catalogue: Magnuson Acquisition Fund Alexandra Exter and Nina Gladys N. Anderson Fund (2009.495). Ladislav Sutnar and Vasileva, written by Benedikt (2009.487). Josef Sudek, Sutnar’s 1935 New Livshits, The Wolves’ Sun: Second Year’s Announcement, 1930s, gel- Book of Verse, 1914, book Korean. Nikki S. Lee, The atin silver print photogram: Di- containing four color linocuts, Hip Hop Project (36), 2001, rector’s Fund (2009.496). Vojtech one halftone reproductive print, chromogenic print: Photography Tittelbach, Koruna (Crown), and one color halftone reproduc- Associates Fund (2008.404); Part 1929–30, periodicals: Gladys tive print: Mary and Leigh Block 6, 2002, chromogenic print: gift N. Anderson Fund (2009.491). Endowment Fund (2009.236). of Leslie Tonkonow (2008.413). Various artists, DISK (The Disc), David Burlyuk and Vladimir 1923–25, periodicals: Gladys N. Burlyuk, Futurists: Velimir Japanese. Yasumasa Morimura, Anderson Fund (2009.490). Vladimirovich Khlebnikov, 1914, M Holding a Cigarette; M book containing eight lithographs: Wearing a Military Cap 2; 1997, English. Saul Fletcher, Untitled Elizabeth Gott Templeton instant color photographs: #136 (Tom/Me); Untitled #131 Endowment Fund (2009.247); restricted gift of Bradford L. (Black Suit); Untitled #128 Vladimir Mayakovsky: A Tragedy, Ballast and David Hallett Hill (Painting Red Flower); 2000; 1914, book containing seven (2009.34–35). Untitled #150 (Book File), 2002; linocuts: Joseph T. Ryerson Untitled #154 (Window Frame), Endowment and William H. Russian. El Lissitzky, Union 2003; chromogenic prints: gift of Tuthill Endowment funds of Soviet Socialist Republics: Dean Valentine and Amy Adelson (2009.237). David Burlyuk and Catalogue of the Soviet Pavilion (2008.788–92). Garry Fabian Vladimir Burlyuk, written by at the International Pressa Exhi- Miller, Red Fish, Lowfield Farm, Vasily Kamensky, Tango with bition, Cologne, 1928, book; The 1988, silver dye-bleach print: gift Cows, 1914, book containing Industry of Socialism, 1935, book of Frish Brandt (2008.786). three lithographs and letterpress: with photomontage; The U.S.S.R. Mary and Leigh Block Endow- in Construction, 1930–35, peri- French. Giraudon’s Artist, ment Fund (2009.238). David odicals: Frederick W. Renshaw Woman Standing with Basket Burlyuk and Vladimir Burlyuk, Acquisition Fund (2009.482–84). on Ground, late 1870s, albumen prints after Alexandra Exter, Aleksandr Rodchenko and print: restricted gift of Anstiss and written by David Burlyuk et al., Vladimir Mayakovsky, Left Front Ronald Krueck in honor of The Milk of Mares: A Collec-

33 tion—Drawings, Verse, Prose, Kazimir Malevich, and Vladimir (2009.293). Mikhail Larionov, 1914, book containing two Mayakovsky, written by Velimir written by Aleksei Kruchenykh, watercolor drawings, eight Khlebnikov, Selected Verse, Old-Fashioned Love, 1912, book lithographs, and two halftone 1907–1914, 1915, book containing lithographs and prints: Print and Drawing Fund containing 11 lithographs, lithographed text: Mary and Leigh (2009.242). David Burlyuk and lithographed text, and a halftone Block Endowment Fund Kazimir Malevich, written by reproductive print: The Simeon B. (2009.235); Half-Alive, 1913, Velimir Khlebnikov, Roar!: Williams Fund (2009.261). handmade book containing 17 Gauntlets of 1908–1914, 1914, Oktakar Fuchs, written by lithographs and lithographed text: book containing two halftone Konstantin Biebl, Rupture, 1925, Wallace and Louise Landau, and reproductive prints and two book containing color linocut: Henry M. Huxley funds linocuts: Gladys N. Anderson S. DeWitt Clough Fund (2009.260). (2009.233); Pomade, 1913, Fund (2009.262). David Burlyuk Natal’ya Goncharova, written by handmade book containing 12 and Ol’ga Rozanova, written by Velimir Khlebnikov and Aleksei lithographs: Mary and Leigh Aleksei Kruchenykh, The Poetry Kruchenykh, A Game in Hell: A Block Endowment Fund of V. Mayakovsky: An Inquiry, Poem, 1912, book containing 15 (2009.234). Kazimir Malevich, 1914, book containing lithographs: Barbara and From Cubism and Futurism to photolithograph: Robert M. Lawrence Spitz Fund (2009.265). Suprematism, 1916, book Chase Endowment Fund Natal’ya Goncharova and containing two halftone (2009.239). David Burlyuk et al., Mikhail Larionov, written by reproductive prints: Gladys N. A Slap in the Face of Public Taste: Aleksei Kruchenykh, Anchorites; Anderson Fund (2009.268). Verse, Artistic Prose, Essays, Anchoress: Two Poems, 1913, Kazimir Malevich, written by 1912, book containing color book containing 16 lithographs Yelena Guro, Velimir Khlebnikov, letterpress: Gladys N. Anderson and lithographed text: Mr. and and Aleksei Kruchenykh, Threesome, Fund (2009.243). David Burlyuk Mrs. Richard J. Franke 1913, book containing four et al., written by David Burlyuk et Endowment, and Helen Davis halftone reproductive prints: al., Missal of the Three: Baily Endowment funds Suzanne Lord Folds Acquisition Collection of Verse and (2009.241). Natal’ya Goncharova Fund (2009.263). Kazimir Drawings, 1913, book containing et al., written by Velimir Malevich and Ol’ga Rozanova, 15 lithographs: Ralph Weil Fund Khlebnikov and Aleksei written by Velimir Khlebnikov in memory of Sam Carini Kruchenykh, Worldbackward, and Aleksei Kruchenykh, The (2009.254). David Burlyuk et al., 1912, handmade book containing Word as Such, 1913, book written by David Burlyuk et al., A lithographs and lithographed containing two lithographs: Trap for Judges, 1913, book text, with collaged cover: Gladys N. Anderson Fund containing 15 lithographs: Director’s, Ada Turnbull Hertle, (2009.267); A Game in Hell: A William McCallin McKee and Gladys N. Anderson funds Poem, 1914, book containing 26 Memorial, Prints and Drawings (2009.251). Natal’ya Goncharova lithographs and lithographed text: Purchase, and Barbara and et al., written by Aleksei Director’s Fund (2009.266). Lawrence Spitz funds (2009.240). Kruchenykh, Explodity, 1913, Kazimir Malevich and Ol’ga Vladimir Burlyuk, written by book containing lithographs and Rozanova, written by Aleksei David Burlyuk, Nikolai Burlyuk, lithographed text: Ada Turnbull Kruchenykh, Let’s Grumble, and Velimir Khlebnikov, The Hertle Fund (2009.275). Naum 1913, book containing three Bung, A Collection: Drawings, Granovsky, written by Il’ya lithographs and one halftone Verse, 1913, book containing Zdanevich, Le-Dantiu as a reproductive print: Mr. and Mrs. lithographs, one with additions in Beacon, 1923, book containing William W. McKittrick brush and watercolor: Elizabeth letterpress text, with collaged Endowment Fund (2009.264). Gott Templeton Endowment cover: Ada Turnbull Hertle Fund Aleksandr Rodchenko, written by Fund (2009.248). Vladimir (2009.245). Gustav Klucis, Velimir Khlebnikov, Aleksei Burlyuk, written by David written by Aleksei Kruchenykh, Kruchenykh, and Grigory Burlyuk et al., A Trap for Judges, with contributions by David Petnikov, Transrationalists, 1922, 1910, book containing nine Burlyuk et al., Kruchenykh book containing linocut; lithographs: Edward E. Ayer Fund Lives!: A Collection of Essays, Transrationalists, 1921–22, book in Memory of Charles L. 1925, book containing three with collaged cover: Ada Turnbull Hutchinson (2009.244). Vasily lithographs: Ralph Weil Fund in Hertle Fund (2009.269–70). Ol’ga Chekrygin, Vladimir Mayakovsky, memory of Sam Carini Rozanova, written by Roman and Lev Zhegin, written by (2009.250). Gustav Klucis and Jakobson and Aleksei Kruchenykh, Vladimir Mayakovsky, Me!, Valentina Kulagina, Lenin’s Transrational Boog, 1916, book 1913, book containing lithographs Language: Eleven Devices of containing nine color linocuts and and lithographed text: Everett D. Lenin’s Speech, 1925, book collage, with collaged cover: Graff and Muriel Newman funds containing three lithographs: Frederick W. Renshaw Acquisition (2009.276). Pavel Filonov, Edward Johnson Fund Fund (2009.271). Ol’ga

34 Rozanova, written by Aleksei Stenn, Jr. (2008.232); Brancusi, and black crayon: gift of Walter Kruchenykh, The Devil and the n.d., oil over graphite, with scrap- Hahn (2009.48). Arturo Herrera, Poets, 1913, book containing ing: gift of the artist (2008.223). Untitled, 1998, 10 collages of lithograph: through prior bequest Mel Bochner, Untitled (Study commercially prepared and of Vera Berdich (2009.252); A for a 9-Part Progression), 1966, mixed media: gift of Susan and Duck’s Nest of Bad Words, 1913, black fiber-tipped pen: gift of Lew Manilow (2008.812.1–10). book containing 14 lithographs: Suzanne F. Cohen (2008.793); Al Jaffee, Madde Fold-In, 1976, Ada Turnbull Hertle Fund Untitled (“Child’s Play!”: Study brush and gray washes, white (2009.253). Karel Teige, written for a 7-Part Progression), 1966, acrylic paint, and black ink, by Konstantin Biebl, With the pen and black ink: gift of Louisa with pen and black ink, cut and Ship That Brings Tea and Coffee, Stude Sarofim (2009.190). pasted printed text and Letraset 1928, book containing color Alexander Calder, Three on a elements, ruled in blue pencil, letterpress: Irving and June Horse, 1931, pen and black with blue felt-tip pen: gift of Seaman Endowment Fund ink: gift of the Gecht Family Dr. and Mrs. Lewis Kaminester (2009.272); With the Ship That (2008.809). William Conger, (2008.803). Jasper Johns, Jubilee Brings Tea and Coffee, 1928, Study for Broadway, 1985, black over False Start, 1962 and 1994, book containing color letterpress, ballpoint pen, with touches of pastel over lithograph: partial and with collaged cover: Mary Louise white correction fluid: gift of promised gift of Irving Stenn, Jr. Stevenson Fund (2009.298); Mary and John Gedo (2008.224). (2008.816). Stephen Kaltenbach, Rupture, 1928, book containing Jack Davis, Alienators, from Mad Fire on Water—Film Loop or color letterpress, with additions in Magazine, 1987, pen and black Slide Projection on Water, 1967, brush and watercolor: Ada ink, with brush and black and colored crayons with scraping: Turnbull Hertle Fund (2009.273); gray washes, and cut and pasted partial and promised gift of the Rupture, 1928, book containing printed text, with traces of white Stenn Family: The Stenn Drawing color letterpress: Charles U. correction fluid, over graphite, Collection (2008.815). John La Harris Endowed Acquisition ruled in blue pencil, with vellum Farge, A Country Scene, 1848, Fund (2009.274). Il’ya overlays with red felt-tip pen graphite, with smudging, height- Zdanevich, written by Aleksei and Letraset lettering: gift of ened with lead-white gouache: gift Kruchenykh, Milliork, 1919, Dr. and Mrs. Lewis Kaminester of Andrea and Joseph Goldberg book containing letterpress: (2008.804). Adolf Arthur Dehn, (2008.800). Sol LeWitt, The Lo- Maurice D. Galleher Endowment Fight (recto), Study for Fight cation of a Square, Broken Line, (2009.246). Il’ya Zdanevich and (verso), c. 1930, pen and brush Not-Straight Line, Arc, Straight Kirill Zdanevich, written by Igor’ and black ink, and gray wash, Line, Trapezoid and Parallelo- Terent’ev, The Record for with scraping; Night Club Cuties, gram, 1976, graphite and pen and Tenderness: A Life of Il’ia 1947, watercolor, with scraping black ink: partial and promised Zdanevich, 1919, book and pen and black ink; Swingin’, gift of Judith Racht and Irving containing 10 color letterpress 1941, watercolor and black Stenn, Jr. (2008.233). Roy prints: Ada Turnbull Hertle Fund crayon, with scraping: gift of Lichtenstein, Drawing for (2009.294). Kirill Zdanevich, Virginia Dehn (2009.187–89). Mirror with Six Panels, 1971, written by Aleksei Kruchenykh, Carroll Dunham, Untitled, 1982, colored pencil and graphite: Study, Artists: Verse, 1917, book graphite, with traces of stump- Margaret Fisher Endowment Fund containing 19 lithographs and ing and erasing: gift of David (2008.666). Robert Lostutter, lithographed text: Barbara and Nolan (2008.227). Maureen Untitled, c. 1968, watercolor Lawrence Spitz Fund (2009.255). Gallace, Untitled, 1999, pastel: and graphite: Olivia Shaler Swan gift of David and Tia Hoberman Memorial Endowment Fund Drawings (2008.801). Gregory Gillespie, (2009.46). John Marin, Approach- American. William Anastasi, Self-Portrait, 1985, oil and black ing Fog, 1952, watercolor, with Untitled (Subway Drawing), and red pencils, with touches blotting and traces of scraping, 2005, graphite; Untitled (Subway of scraping: Jalane and Richard charcoal, and touches of opaque Drawing), 2006, pen and red Davidson Collection (2008.795). watercolor: Suzanne Searle Dixon ink: gift of Werner H. Kramarsky Robert Gober, September 12; Endowment; Olivia Shaler Swan (2008.395–96). James Bishop, September 12; September 12; Memorial and William H. Tuthill Tree I, n.d., oil over graphite, September 12; September 12; funds (2009.197). Ree Morton, with scraping; Tree II; Tree III; 2005–09, pastel and graphite, Untitled, 1972, graphite with Tree IV; n.d., oil with graphite; over photolithographs: gift of erasing: partial and promised gift Tree V, n.d., oil; Mondrian II, the artist (2009.141–45). Walter of the Stenn Family: The Stenn n.d., oil over graphite: Margaret Hahn, Sketchbook, 1949–50, Drawing Collection (2008.814). Fisher Endowment (2008.215– bound book with sketches in Jim Nutt, Untitled, 2004, graph- 20); Mondrian I, n.d., oil over watercolor, graphite, blue and ite: Margaret Fisher Endowment graphite: partial and promised black ballpoint pen, black fiber- Fund (2008.547). Robert Overby, gift of Judith Racht and Irving tipped pen, oil paint, gouache, B & W Color Rubbing, 1972,

35 black chalk frottage: Illinois Cool- French. François Bonvin, Still wash, over traces of graphite, baugh Memorial Endowment, and Life with a Copper Pot and heightened with white gouache Prints and Drawings Purchase Ladle, 1879, black and red (discolored): bequest of Inge funds (2009.47). Philip Pearlstein, chalk, with traces of incising: Maser (2008.236). Lodovico Nude Sitting on a Chair, 1975, gift of Celia and David Hilliard Cigoli, Study of a Youth for the brush and brown wash: Jalane (2008.624). François Boucher, Loggia of Cupid and Psyche, and Richard Davidson Collec- Academic Study of a Reclining 1611/13, black chalk, heightened tion (2008.794). Richard Rezac, Male Nude, c. 1750, black chalk, with white chalk: Margaret Day Study for Untitled (08-05), 2008, with stumping and touches of Blake Fund (2009.138). Giorgio graphite and colored pencils, red chalk, heightened with white de Chirico, The Pharaoh, 1918, with erasing and traces of red chalk: Regenstein Endowment graphite: gift of the Gecht Family pen: gift of the artist (2008.813). Fund (2009.42). Georges Braque, (2008.808). Felice Giani, The Alexander Ross, Untitled, 2005, Bal (recto), Guitar (verso), 1912, Three Fates, n.d., pen and brown colored pencil and graphite: collage composed of charcoal ink and brush and brown wash, Margaret Fisher Endowment and cut-and-pasted commer- over traces of graphite, heightened Fund (2008.548). , cially printed papers (recto), and with white gouache: bequest of Themis, 1979, collage composed charcoal (verso): gift of the Gecht Inge Maser (2008.237). Guercino, of cut-and-pasted papers, with Family (2008.807). Jean-Baptiste Saint Roch, n.d., pen and brown brush and black ink, metallic Greuze, Portrait of the Artist’s iron-gall ink, with brush and paints, and scraping, over traces Mother, 1775, black, red, and brown wash: bequest of Inge of graphite, and printing in black white chalk, with stumping: gift Maser (2008.234). Rudolf Stingel, ink: gift of Rhona Hoffman of Celia and David Hilliard in Untitled, 2008, oil and enamel, (2008.802). James Wines, High- honor of Suzanne Folds imprinted with tulle, and sprayed Rise of Homes, 1981, pen and McCullagh (2008.623). André metallic enamel: Margaret Fisher black ink, and brush and black Lhote, A Woman Descending Endowment Fund (2009.140). and gray wash, with charcoal: Stairs, 1930/37, gouache over Margaret Fisher Endowment graphite: bequest of Jeanine Spanish. Salvador Dalí, Coitus, Fund (2009.198). Larmoth in memory of her aunt, 1931, pen and black ink, over Beatrice L. Bond (2008.810). graphite: gift of Dorothy Braude Austrian. Fritz Janschka, book Louis Casimir Ladislas Marcoussis, Edinburg to the Harry B. and bound by Monique Lallier, HCE Study for Portrait of Guillaume Bessie K. Braude Memorial und Familie, 1973, watercolor Apollinaire, 1912, graphite, with Collection in memory of Kahlil and pen and brown ink, with black and brown crayon and pen Gibran (2008.231). traces of graphite and colored and black ink: gift of the Gecht pencil: gift of K. Porter Aichele Family (2008.806). Attributed to Prints in honor of Mary and John Gedo Charles Parrocel, Head of a Sol- American. Vera Andrus, Ebb Tide, (2008.228). dier, n.d., red chalk, heightened 1937, lithograph: Mr. and Mrs. T. with white chalk: bequest of Inge Stanton Armour Fund (2008.211). Belgian. Luc Tuymans, Untitled, Maser (2008.235). Theodore Artist unknown, Twice a Patriot!, 2000, watercolor over traces of Rousseau, Footpath in the 1943, color lithograph: Everett D. graphite: gift of Susan and Lew Barbizon, 1864, pen and brown Graff Fund (2008.512). Jack Beal, Manilow (2008.811). and black ink, with watercolor, Frogs and Toad, from Conspir- over graphite: Margaret Day acy, the Artist as Witness, 1971, Czech. Frantisek Kupka, Study Blake Fund (2008.210). Gabriel- lithograph: gift of Edith Fantus for “Around a Point,” 1920/30, Jacques de Saint-Aubin, The DeMar in memory of David A. gouache, with black ink, Promenade on the Boulevard, c. DeMar (2008.796.10); printed watercolor, and colored crayons, 1760, black chalk, with brush by Carl Reisig, Portrait of Harold over graphite: gift of the Gecht and black, brown, and gray wash, Joachim, 1978, color linocut: gift Family (2008.805). Karel Teige, heightened with white gouache: of Barbara and Lawrence Spitz Untitled (Abstract Composition), Regenstein Endowment Fund in honor of Joan and Stanley 1920s, pen and black ink, with (2009.139). Freehling (2008.552). Romare fiber-tipped pen, and brush and Bearden, Mother and Child, from colored inks: Edward E. Ayer German. Christian Rohlfs, Three Conspiracy, the Artist as Witness, Fund in Memory of Charles L. Figures in a Forest, 1912, water- 1971, color lithograph: gift of Hutchinson (2009.295); Untitled color: gift of Mr. and Mrs. Stanley Edith Fantus DeMar in memory (Abstract Composition), 1920s, M. Freehling in honor of John of David A. DeMar (2008.796.7). pen and black ink, with fiber- and Neville Bryan (2008.550). Harry Brodsky, The Ocean, c. tipped pen, and brush and colored 1945, lithograph: Mr. and Mrs. T. inks: Frederick W. Renshaw Italian. Giuseppe Cades, Birth Stanton Armour Fund (2008.212). Acquisition Fund (2009.296). of the Virgin, c. 1784, pen and Alexander Calder, Blue Sun, from brown ink, with pen and brown Conspiracy, the Artist as Witness,

36 1971, color lithograph: gift of Veiled Head II, May 1967, etch- Untitled, from Conspiracy, the Edith Fantus DeMar in memory ing with touches of watercolor; Artist as Witness, 1971, color of David A. DeMar (2008.796.2). Veiled Head IV, 1967, etching screenprint: gift of Edith Fantus Jean Charlot, Flight into , and aquatint; Veiled Head III, DeMar in memory of David A. 1952, color lithograph: gift of Apr. 1967; St. Anthony Park, DeMar (2008.796.13). Ken Price, Velma-Lois Schulz (2009.192). c. 1967; etchings; St. Anthony printed by Richard Ewen with the Adolf Arthur Dehn, All for a Pleasure Park, c. 1967, etching supervision of Ken Tyler, assisted Peice [sic.] of Meat, 1927/28; with hand coloring; Pavillion by Jeff Wasserman, published by printed by George Miller, Central Park, c. 1967, etching; Pavillion Gemini G.E.L, Coffee Shop at Park at Night, 1934; lithographs; Park, c. 1967, etching with hand the Chicago Art Institute, 1971, printed by B. Stefferl, Herr aus coloring; Head Pavillion IV, color screenprint: Mr. and Mrs. T. München, 1926, drypoint; Bar May 1967, etching and aquatint; Stanton Armour Fund (2008.221). Americain, 1928; printed by Untitled (Head Pavillion), Apr. Peter Saul, Shicago Justus, from Edmond Desjobert, Franky and 1967, etching and aquatint, with Conspiracy, the Artist as Wit- Johnny in Paris, 1928; printed hand coloring; Untitled (Head ness, 1971, color lithograph: by Edmond Desjobert, We Speak Pavillion), summer 1968, etch- gift of Edith Fantus DeMar in English, 1927/28; printed by ing; Head Pavillion III, summer memory of David A. DeMar Edmond Desjobert, Rain at Sem- 1968, etching with hand coloring; (2008.796.11). Ben Shahn, This mering, 1936; printed by Dancing Couple V, Dec. 1968; Is Nazi Brutality, 1942, color Lawrence Barrett, The Big-Hearted Country Club Dance, Dec. lithograph: Mr. and Mrs. T. Girls (The Last Veil), 1941; 1968; etchings; Dancing Couple Stanton Armour Fund (2008.213). printed by Lawrence Barrett, Man III, Sept. 1968, color etching; Raphael Soyer, Adolescents, from from Orizaba, 1941; printed by Dancing Couple IV, Sept. 1968; Conspiracy, the Artist as Witness, Lawrence Barrett, Street Scene, Untitled (Dancing Couple), Dec. 1971, color lithograph: gift of Key West (Life at Key West), 1968; Untitled (Dancing Couple), Edith Fantus DeMar in memory 1942; Tomorrow’s Sunrise, 1945; Sept. 1968; etchings: through of David A. DeMar (2008.796.9). lithographs: gift of Virginia Dehn prior bequest of Vera Berdich Frank Stella, Angriff, from (2009.176–86). Leon Golub (2008.526–45). , Conspiracy, the Artist as Witness, and Nancy Spero, They Will Truisms, 1977–79, eight litho- 1971, screenprint: gift of Edith Torture You, My Friend, from graphs: Margaret Fisher Endow- Fantus DeMar in memory of Conspiracy, the Artist as Wit- ment Fund (2008.549). Victoria David A. DeMar (2008.796.5). ness, 1971, color screenprint: Hutson Huntley, Indian Pipes, Sue Williams, Catwoman, 1990, gift of Edith Fantus DeMar in 1946; Cyclamens; Lilies; 1931, screenprint: gift of Terry R. Myers memory of David A. DeMar lithographs: gift of Velma-Lois (2008.230). (2008.796.12). Guerrilla Girls, Schulz (2009.193–95). Donald Do Women Have to Be Naked Judd, Untitled, 1971, electropho- Belgian. Georges Lemmen, Seated to Get into the Met. Museum?, tographic print: gift of Peter Woman Reading, 1905, etching: 1989, color offset lithograph; Freeman (2008.799). Louise Helen Davis Bailey Endowment When and Are No Lawler, Once There Was a Little and Joseph Ryerson Endowment Longer Fashionable, What Will Boy, 1993, blue transfer lettering funds (2008.518). Your Art Collection Be Worth?, on release paper, commercially 1989; Guerrilla Girls’ Pop Quiz, printed paint color sample, and Canadian. Alex Colville, Give Us 1990; offset lithographs; Missing two laser prints: gift of Terry R. the Ships, We’ll Finish the Subs!, in Action, 1990/94, color offset Myers (2008.229). Sol LeWitt, 1941, color lithograph: Stanley lithograph; Did She Risk Her Life Vertical Lines Not Touching Field Fund (2008.214). for Governments That Enslave (Black), from Conspiracy, Women?; Montgomery, Alabama the Artist as Witness, 1971, Chilean. Matta, Untitled, 1955?; 1990/94; Relax Senator lithograph: gift of Edith Fantus 1955–56, color lithograph: gift of Helms, the Art World Is Your DeMar in memory of David A. Edith Fantus DeMar in memory Kind of Place!; The Advantages DeMar (2008.796.8). Robert of David A. DeMar (2008.797). of Being a Woman Artist; 1989; Morris, Observatory, from Guerrilla Girls’ Code of Ethics Conspiracy, the Artist as Witness, Czech. Ladislav Sutnar, VI. for Art Museums, 1985/89; Guer- 1971, lithograph: gift of Edith International Congress for Draw- rilla Girls’ Definition of Hypo- Fantus DeMar in memory of ing and the Applied Arts, 1928, crite, 1990/94; offset lithographs: David A. DeMar (2008.796.6). color lithograph: Samuel P. Avery anonymous gift (2009.146–155). Claes Oldenburg, Striding Figure, Fund (2009.288); Modern Com- Philip Hanson, Veiled , c. from Conspiracy, the Artist as merce Exhibition, Brno, 1929, 1967, etching; Untitled (Veiled Witness, 1971, color screenprint: color offset lithograph: Frederick Head), c. 1967, etching with hand gift of Edith Fantus DeMar in W. Renshaw Acquisition Fund coloring; Untitled (Veiled Head), memory of David A. DeMar (2009.297); III. The Czechoslovak Apr. 1967, etching and aquatint; (2008.796.3). Larry Poons, Workers’ Olympiad, 1934, color

37 offset lithographs: Ada Turnbull Searle from the John G. Searle 1496/97, woodcut: Amanda S. Hertle Fund (2009.287). Family Trust; Everett D. Graff Johnson and Marion J. Livingston Fund (2009.1). Paul Gauguin, Fund (2009.133). Hans Baldung Dutch. Jan Kip, after Leonard printed by Louis Roy, Mahna no Grien, Saint Catherine, 1505–07; Knyff, published by David varua ino (The Devil Speaks), with added monogram of Mortier, 16 plates from Britannia from Noa noa, 1893/94, Albrecht Dürer, Saint Catherine, Illustrata, 1707, etchings with color woodcut with additions 1505–07 (printed c. 1580); engraving: gift of Marjorie in watercolor: gift of Marjorie woodcuts: Amanda S. Johnson Kreilick McNab (2009.157–72). Kreilick McNab (2009.175). and Marion J. Livingston Fund Jan Saenredam, after Hendrik Jean-Louis-André-Théodore (2009.43–44). John Heartfield, Goltzius, Morning; Evening; Mid- Géricault, Swiss Sentry at the The Hand Has Five Fingers, 1928, day; Night; from Four Times of Louvre, 1819, lithograph: offset lithograph: Ada Turnbull Day, n.d., engravings: Amanda S. Print and Drawing, and Joseph Hertle Fund (2009.290); Capital- Johnson and Marion J. Livingston Brooks Fair funds (2008.546). ism Robs You of the Last Piece Fund (2008.514–17). Piet Zwart, Attributed to Jean-Baptiste Le of Bread, 1932, color offset litho- ITF (International Film Festival), Prince, Temple of Augustus, n.d., graph: Hugh Leander and Mary 1928, color offset lithograph: etching: gift of Judith Barter in Trumbull Adams Memorial En- Frederick W. Renshaw Acquisi- memory of her parents, Frederick dowment (2009.285); In the East, tion Fund (2009.282). and Emily Barter (2008.225). The 160 Million March Joyfully into Master of the Very Small Hours the Future; Fight against Hunger English. Edward Finden, after of Anne of Brittany (Master of and War! Elect Thälmann!; n.d., John Simpson, published by the Unicorn Hunt), box by an color offset lithographs: Ada Smith Elder and Company, The unknown maker, The Nativity, in Turnbull Hertle Fund (2009.289, Captive Slave, 1827, engrav- Coffer, c. 1490, woodcut, hand- 292). John Heartfield and Käthe ing: gift of Ben Elwes Fine Art colored with brush, stencil, and Kollwitz, Revolutionary Museum (2008.551). Bridget Riley, Print watercolor, mounted on the inside of the U.S.S.R.: October Letter for Chicago 8, from Conspiracy, cover of a coffer, constructed of Series—German Communist the Artist as Witness, 1971, color wood, iron, leather, horsehair, Party Posters, 1933, 23 color screenprint: gift of Edith Fantus and linen: George F. Harding lithographs: Ada Turnbull Hertle DeMar in memory of David A. Deaccessions Fund; restricted gift Fund (2009.256). Max Klinger, DeMar (2008.796.4). Ellis Silas, of Mr. and Mrs. William Vance; Self-Portrait with Fist to Face, On the Atlantic Front, n.d., color Amanda S. Johnson and Marion 1918, aquatint: gift of Eva-Maria lithograph: Everett D. Graff Fund J. Livingston Fund (2009.49). Worthington in honor of Jay A. (2008.513). Daniel-Charles-Marie Mordant, Clarke (2009.112). Otto Lange, Almanac for L’Art, 1883, etching Ridicule, 1920, color woodcut: French. Artist unknown, Plates with drypoint, aquatint, and Wallace and Louise Landau Fund One and Two; Plates Three and plate tone: gift of Judith Barter in (2009.45). Lothar Osterburg, Four; from L’Ouverture de la memory of her parents, Frederick Bridge over Brooklyn, 2007, pho- campagne des ultras contre la and Emily Barter (2008.226). togravure: restricted gift of Robert XIXe siecle, n.d., etchings with Simon-Francis Ravenet, after Hixon Glore (2008.222). watercolor: gift of Marjorie William Hogarth, Plate Four; Plate Kreilick McNab (2009.173–74). Five; from Marriage à la Mode, Italian. Enrico Baj, Punching Bernard Baron, after William 1745, etchings with engraving: General, 1969, color lithograph: Hogarth, Plate Two, from Mar- Sara R. Shorey Endowed Acquisi- gift of Edith Fantus DeMar in riage à la Mode, 1745, etching tion, and Amanda S. Johnson memory of David A. DeMar with engraving and traces of and Marion J. Livingston funds (2008.798). pen and black ink; Plate Three, (2008.523–24). Gérard Scotin from Marriage à la Mode, 1746, II, after William Hogarth, Plate Japanese. Yoshitomo Nara and etching with engraving: Sara R. One; Plate Six; from Marriage Hiroshi Sugito, Omaha, 2005, Shorey Endowed Acquisition, and à la Mode, 1745, etchings with lithograph: gift of Nancy and Amanda S. Johnson and Marion engraving: Sara R. Shorey En- Robert Mollers (2008.818). J. Livingston funds (2008.521– dowed Acquisition, and Amanda 22). Abraham Bosse, The Noble S. Johnson and Marion J. Latvian. Gustav Klucis, Painter, 1642, engraving with Livingston funds (2008.520, 525). Construction, c. 1921, litho- etching: Amanda S. Johnson graph: Edward E. Ayer Fund in and Marion J. Livingston Fund German. Artist uknown, Memory of Charles L. Hutchinson (2009.196). Honoré-Victorin printed and published by Johann (2009.283); Screen-Platform- Daumier, Landscape Painters at Christian Müller, Kuks Bades, Kiosk for the Fifth Anniversary Work, plate 309 from Souvenirs Bohemia, c. 1725, engraving: be- of the Great October Revolution, d’artistes, 1862, lithograph: gift quest of Inge Maser (2008.238). 1922, color lithograph: Wentworth of Mr. and Mrs. Michael D. Albrecht Dürer, The Men’s Bath, Greene Field Memorial Fund

38 (2009.258); Installation for (2008.422). Pablo Picasso, dered with rayon in stem, long the Fourth Comintern Con- printed by Hidalgo Arnéra, Still- and short, running, and button- gress, 1922, color lithograph: Life with Lunch I; Still-Life with hole stitches; Pillow Cover, 1936, Robert Allerton Purchase Fund Lunch I; Still-Life with Lunch cotton, plain weave; printed; (2009.259); Under the Sign of I; 1962, color linocuts; Still-Life embroidered with cotton (mercer- the Komosoi, 1924, color offset with Lunch I, 1962, linocut, par- ized) in stem and petal stitches lithograph: Wentworth Greene tially laid down on linocut, with and French knots; Panel Intended Field Memorial Fund (2009.249); attached yellow paper element: as a Pillow Cover, 1930, cotton, Postcards Commemorating the Margaret Fisher Endowment plain weave; printed; painted: Russian All-Union Spartakiada, Fund; restricted gift of Thomas gift of Christopher Monkhouse 1928, nine color lithographs: Baron (2009.134–37); Still-Life (2008.633–36); Pillow Cover, c. Frederick W. Renshaw Acquisition with Lunch I, 1962, linocut; 1930, linen, plain weave; embroi- Fund (2009.286). Still-Life with Lunch I, 1962, dered with silk in stem, satin, and color linocut: gift of Dr. Frederick long stitches: gift of Christopher Russian. Valentina Kulagina, after Mulder (2009.191, 2008.553). Monkhouse in honor of Christa C. Gustav Klucis, Dynamic City, Mayer Thurman (2008.637). Panel 1923, lithograph: Edward E. Ayer Intended as a Towel, c. 1930, cot- Fund in Memory of Charles L. ton, plain weave; printed; painted: Hutchinson (2009.284). Anton gift of Christopher Monkhouse Lavinsky, Battleship Potemkin, American (2008.638). Designed by Saul 1925, color offset lithograph: Steinberg, produced by Patterson Souvenir Handkerchief Com- Frederick W. Renshaw Acquisi- Fabrics, Panel Entitled “Horses,” memorating the “Visit of His tion Fund (2009.291). Kazimir New York, N.Y., 1949/52, cot- Royal Highness Prince of Wales Malevich, A pork-butcher came ton, plain weave; screen printed: to America, 1860,” 1860, cotton, around to Lodz and we said Elizabeth F. Cheney Foundation plain weave; copperplate printed: “Good day.” From Lodz to Fund (2009.204). Designed by gift of Christopher Monkhouse neighboring Radom he passed, Virginia Lee Burton for Folly Cove in honor of Barbara Wriston and left behind one sorry ass.; Designers, Placemat Entitled “Gos- (2008.644). Splash Cloth, c. Into wagons of the French, sips,” Gloucester, Mass., c. 1950, 1872, linen, warp-float-faced ‘S’ German corpses were tightly cotton, 3:1 ‘S’ twill weave; block twill weave; embroidered with wrenched; their English brothers printed; edge bound with applied cotton in stem and long and short carried kegs stuffed with Ger- cotton edging: gift of Christopher stitches; edged with wool braid; mans who lost their legs.; c. 1914, Monkhouse (2008.646). Designed applied metal alloy hanging rings: color lithographs: Edward E. and executed by Mariska Karasz, gift of Christopher Monkhouse in Ayer Fund in Memory of Charles Hanging Entitled “Swinging honor of John Vinci (2008.642). L. Hutchinson (2009.280–81). Free,” Brewster, N.Y., c. 1950, Pillow Cover, c. 1920, linen, Vladimir Mayakovsky, A Sultan wool, weft-faced plain weave; plain weave; embroidered with by the port did sit, and smacked appliquéd with wool and metallic silk in satin, chain, and long and his nose into my fist., c. 1914, threads; embroidered with silk, short stitches: gift of Christopher color lithograph: Mary and cotton, rayon, and acrylic in Monkhouse in honor of Neville Leigh Block Endowment Fund cross, stem, long, buttonhole, and F. Bryan (2008.639). Designed (2009.277); You’ll never get to Romanian stitches; laid work and by Lorentz Kleiser, woven after a Paris, Fritz, though you might couching: gift of Thomas S. and cartoon by K. Folstadt, produced through thick and thin. And if Audrey L. Sargeant (2008.647 by Edgewater Tapestry Looms, ). you get to Paris, Fritz, we’ll be in Tapestry Entitled “The Sweet Designed and executed by Lenore Berlin!, c. 1914, color lithograph: Way of Life,” Edgewater, N.J., c. Tawney, Hanging Entitled “Water Highland Park Community 1927, cotton, wool, and silk, slit Birds,” New York, N.Y., c. 1956, Associates (2009.278); For an and double interlocking tapestry cotton, wool, silk, wild silk, entire month the Turks did float, weave: Mrs. Julian Armstrong, Mr. cotton (mercerized), cellulose beneath a crescent moon; but like and Mrs. William W. McKittrick acetate, rayon, and linen, plain the Turks in the city Sinop they Endowment, Alexander Demond, weave with discontinuous wefts; didn’t forsee the flood., c. 1914, Miriam Ewing-Hamill, and Chester cut and knotted warp fringe: gift color lithograph: Wirt D. Walker D. Tripp funds (2009.202). of Toshiko Takaezu (2008.648). Trust (2009.279). Made from a kit produced by Designed for Folly Cover Vogue Needlecraft Co., Inc., for Designers, Placemat, Gloucester, Spanish. Joan Miró, printed by Kresge’s, Pillow Cover, 1928, Mass., c. 1960, cotton, plain Roger Lacourière, published by cotton and linen, plain weave; weave; block-printed; warp and Pierre Loeb and Pierre Matisse, embroidered with silk in long, weft fringe: gift of Christopher Plate Six, from Black and Red stem, satin, and petal stitches and Monkhouse (2008.645). Designed Series, 1938, color etching: French knots; Scarf, 1931, cotton, and executed by Jon Eric Riis, Margaret Fisher Endowment plain weave; printed; embroi- Hanging, Atlanta, Ga., 1983,

39 two panels joined: wool, cotton, Burmese float faced 2:1 ‘S’ twill weave with and probably nylon weft-faced Khamau Chin, Woman’s Tunic, supplementary patterning wefts plain weave with wool-wrapped c. 1900, two loom widths with weft-float faced 2:1 ‘Z’ twill sisal and gold-colored metallized- joined: cotton, warp resist-dyed interlacings and 2:1, 1:1 interlac- polyester-film-wrapped rayon (warp ikat) plain weave with ings of secondary binding warps supplementary wefts; applied discontinuous supplementary and and with areas of warp-float-faced copper alloy ornaments: gift discontinuous complementary 5:1 satin weave; woven on a loom of Georgia-Pacific (2009.231). patterning wefts: The Malott with a Jacquard attachment: Made by Virginia McCracken, Family Foundation in memory restricted gift of James Sanders “Untitled” (Iridescent Basket), of Elizabeth Hubert Malott (2009.207). Santa Barbara, Calif., 1985, plant (2009.201). material, raffia, cellophane (re- Finnish generated cellulose), paper, gold- English Designed by Maija Isola, produced colored metallized-film-wrapped Panel Depicting “The Bombard- by Oy, Panel Entitled rayon, rayon, silver-colored “Ananas” (Pineapple), 1963; Panel metallized-film-wrapped nylon, ment of Algiers,” c. 1816, cotton, plain weave; roller printed; glazed Entitled “Pokeri,” 1967; , monofilament with synthetic stars, cotton, plain weave; screen printed: wicker basket with plaited finish: and calenderized: Louise A. Lutz Estate (2009.203). Dalmatic, gift of Jeff Wonderland (2009.210– gift of Camille J. Cook (2009.225). 11). Designed by Katsuji Wakisaka, Designed and executed by Laura Nottingham, mid-19th cen., wool, plain weave; glazed and produced by Marimekko Oy, Panel Foster Nicholson, Panel Entitled Entitled “Piano,” 1972; Panel “Gray Stones,” New Harmony, calenderized; with wool supple- mentary patterning wefts; applied Entitled “Auer” (Haze), 1976; Ind., 1999, wool, cotton, cotton Helsinki, cotton, plain weave; (mercerized), nylon, and acrylic, woven tape; edged with woven tape with looped weft fringe; ap- screen printed: gift of Jeff warp-faced 2:1 ‘S’ twill weave Wonderland (2009.212–13). with supplementary brocading plied rosettes; lined with cotton, plain weave: gift of Mrs. G. Kay Designed by Fujiwo Ishimoto, wefts: Nicole Williams Contem- produced by Marimekko Oy, porary Fund (2008.628). Robertson (2008.817). Scarf, c. 1875, cotton, extended plain Panel Entitled “Taival” (Journey), Designed and executed by Polly 1983; Panel Entitled “Taivas” Barton, Panel Entitled “Raven’s weave; embroidered with cotton in stem, long and short, and (Sky), 1985; Panel Entitled Ridge,” Santa Fe, N.Mex., 2008, “Taivas” (Sky), 1985; Panel two panels joined: silk, warp, buttonhole stitches; edged with applied cotton, twill weave: Entitled “Kamelia” (Camellia), and weft resist-dyed (double ikat) 1992; Panel Entitled “Koto” and painted (tsumgi) plain weave: gift of Christopher Monkhouse in honor of Ghenete Zelleke (Home), 1993; Panel Entitled Nicole Williams Contemporary “Pika,” 1998; Panel Entitled Textile Fund (2008.630). (2008.643). Pillow Cover, pos- sibly England, c. 1890, cotton, “Pisara,” 2000; Panel Entitled “Loimi,” 2000; Helsinki, cotton, Argentine warp-float faced 4:1 ‘S’ twill weave; embroidered with silk in plain weave; screen printed: gift of Ranquel people, Poncho, c. 1900, stem and long and short stitches; Jeff Wonderland (2009.214–21). two panels joined: wool, warp- painted: gift of Christopher Designed by Kristina Isola, pro- faced plain weave; resist-dyed; Monkhouse in honor of John duced by Marimekko Oy, Panel applied edging: wool, warp-faced H. Bryan (2008.641). Written Entitled “Soliseva”; Panel Entitled plain weave with plied weft by A. R. (Risdale), published by “Soliseva”; 1996, Helsinki, cot- fringe: Belle M. Borland Estate Chapman and Hall Limited, Book ton, plain weave; printed: gift of (2009.200). Entitled “Designs for Church Jeff Wonderland (2009.222–23). Embroidery,” London, 1894: Designed by Robert Segal and Australian restricted gift of Christopher Alicia Rosauer, produced by Designed and executed by Lyn Monkhouse in honor of Christa Marimekko Oy, Panel Entitled Inall, Quilt Entitled “Denim C. Mayer Thurman (2009.209). “Helium,” Helsinki, 2002, cotton, Cubes,” Rivett, Canberra, 1993, Partially Worked Panel Intended plain weave; screen printed: gift of cotton, various twill weaves as a Pillow Cover, possibly Jeff Wonderland (2009.224). and plain weaves, some with England, c. 1910, linen, plain self-patterning warps and wefts; weave; embroidered with rayon French pieced; polyester batting; cotton, in satin and fishbone stitches and Sash, late 18th/early 19th cen., twill weave and plain weave French knots; cut and knotted silk, plain weave with plain lining; pieced; quilted with cotton warp fringe in two rows: gift interlacings of secondary bind- thread in knots; edged with cot- of Christopher Monkhouse ing warps and supplementary ton, twill weaves: gift of Camille (2008.640). Designed by Carona brocading wefts; applied knotted J. Cook (2009.226). Danorfar, produced by Edinburgh silk fringe: Mrs. Samuel Laib Weavers, Panel Entitled “Orongo,” Sale Proceeds Fund (2009.199). Carlisle, 1967/68, cotton, weft- After a design by François Vernay,

40 produced by Tassinari et Chatel, Indonesian Cook (2009.229a–b). Made by Fragment Entitled “Fruits,” 1914, Sarong, probably Java; Sampler, Wojciech Jaskolka, “Text-HM,” silk, satin weave with plain central Java; mid-20th cen., 1995, linen, nylon, paper, plain interlacings of secondary binding cotton, plain weave; resist-dyed weave with discontinuous wefts warps and self-patterning ground (batik); Woman’s Skirt, Bali, and areas of slit tapestry weave; wefts and brocading wefts: Christa mid-20th cen., cotton, weft copper discontinuous supple- C. Mayer Thurman Endowment resist-dyed (weft ikat) plain mentary warps in plain gauze Fund in honor of Christopher weave: gift of Robert D. Rodgers interlacings: gift of Camille J. Monkhouse (2009.208). (2008.654–56). Cook (2009.230).

German Italian Swedish with Saints and the Panel (Probably Used as a Pillow Designed by Viola Gråsten, Coronation of the Virgin, prob- Cover), c. 1600, linen, plain probably produced by Mölnlycke ably Middle Rhine region, c. weave; embroidered with silk Väveri, Panel Entitled “Romans” 1450, linen, wool, and gilt- and floss in double running and wrap- (Romance), c. 1956, cotton, plain silvered-metal-strip-wrapped ping stitches: Textile Purchase weave; screen printed: royalties silk, slit and dovetailed tapestry Account; Barbara Howard from F. Schumacher and Company weave; embroidered with silk in Estate (2008.626). Sampler, 17th (2009.205). Designed by Astrid back and split stitches: Grace R. cen., linen, plain gauze weave; Sampe, produced by Nordiska Smith Textile Fund; restricted gift embroidered with silk floss and Kompaniet. Textilkammare, Panel of the Textile Society of the Art linen in double running, stem, Entitled “Coral Structure,” Floda, Institute of Chicago (2009.50). weaving, and buttonhole stitches; 1960s/70s, cotton, plain weave; applied silk tassels at each corner: screen printed: Textile Purchase Indian Elizabeth Schultz Endowment Account; Textiles Small Gifts Sacred Heirloom Textile (Mawa/ (2008.627). Fund (2009.206).Designed and Ma’a), Gujarat, 14th/15th cen., executed by Helena Hernmarck, cotton, plain weave; block- Japanese Hanging Entitled “Mu 1,” printed resist and mordant dyed; Montreal, Quebec, Can., 1965, Mizugoromo, 18th cen., hemp, wool, linen, and cotton, plain Ceremonial Cloth and Sacred plain weave with areas of spaced Heirloom Textile, Gujarat, pos- weave with supplementary wefts that were displaced by brocading wefts; Design Entitled sibly 15th/16th cen., cotton, plain combing after weaving: James weave; block-printed mordant “Mu 2,” Montreal, Quebec, D. Tigerman Estate (2008.631). Can., 1965, black chalk wash dyed; Ceremonial Skirt Cloth Sarasa, 18th cen., cotton, plain (Dodot), Coromandel Coast, over watercolor with scraping weave; stenciled; mordant-dyed; on machine-made, off-white 17th cen., two panels joined: painted: gift of Thomas Murray cotton, plain weave; hand- wove paper; Study for “Homage in honor of Christa C. Mayer to Louis Sullivan,” Ridgefield, drawn mordant and resist dyed; Thurman’s 40th Anniversary Ceremonial Skirt Cloth (Dodot), Conn., U.S., 1986, wool, cot- at the Art Institute of Chicago ton, and linen, plain weave of Coromandel Coast, late 17th/18th (2008.632). cen., cotton, plain weave; resist discontinuous wefts with supple- mentary brocading wefts; Study and mordant dyed; Heirloom Polish Textile (Sarasa), Gujarat, 18th for “Winter Pond,” Ridgefield, cen., cotton, plain weave; block- Made by Kazimiera Frymark- Conn., U.S., 1996, wool, linen, printed mordant dyed; painted; Blaszczyk,“KFB – 105,” Lódz, and cotton, plain weave with Ceremonial Hanging, Gujarat, 1992, silk, plain weave; applied supplementary brocading wefts; late 17th/early 18th cen., cotton, feathers; card (?) structure; lining: executed by Helena Hernmarck plain weave; mordant dyed; cotton, knit; “KFB – 122,”Lódz, and Molly Wensberg, Study for hand-painted: restricted gift of 1993, cotton and rayon, plain “Chicago Skyline” (“Chicago the Alsdorf Foundation; James weave wrapped around a rigid Winter Mist”), Ridgefield, Conn., and Marilynn Alsdorf Acquisition structure; appliquéd with shells U.S., 1995, wool, linen, cotton, Fund (2008.667–72). Two Frag- and embroidered with nylon in plain weave with supplementary ments, late 17th/early 18th cen., long stitches; edged with rayon brocading wefts: gift of Helena cotton, plain weave; stenciled and cording; lined with a nonwoven Hernmarck (2008.649–53). hand-painted; woven by Rahul material: gift of Camille J. Cook Jain at ASHA, Panel, Delhi, 2007, (2009.227–28). Made by Maria silk, warp float-faced 4:1 satin Teresa Chojnacka, “Ziemia,” weave with two-color supple- Warsaw, 1995, two separate mentary pile warps forming cut pieces: wool, plain weave with velvet: James D. Tigerman Estate self-patterning ground wefts on (2008.625.1–2, 629). a continuous warp around a wood frame: gift of Camille J.

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