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NATIONAL GALLERY

BOARD OF TRUSTEES (as of 30 September 2005)

Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke

Victoria P. Sant A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Carter Stevenson Leonard A. Lauder M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Justice of the Victoria P. Sant President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. Saunders III Administrator H. Small James E. Duff James S. Smith Treasurer Condoleezza Rice John W. Snow Michelle Smith Elizabeth A. Croog Secretary of State Secretary of the Treasury Ruth Carter Stevenson Secretary and General Counsel Luther M. Stovall Joseph J. Krakora External Affairs Officer Roselyne C. Swig Frederick A. Terry Ladislaus von Hoffmann Alice L. Walton Dian Woodner Nina Zolt

Lawrence M. Small Secretary of the Smithsonian Institution OF ART

Washington, D.C. <•

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The Fourth Street Plaza's glass pyramids, designed by I.M. Pei

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PRESIDENT'S FOREWORD

ur appreciation for a great year in 2005 is offered first to those who ultimately give the Gallery its dynamism and strength: its visitors. The many visitors who toured the -Lautrec and Montmartre exhibition—including close to ten thousand on its opening day—represent the best endorsement the Gallery can receive. They are among the millions who visited the Gallery this year and experienced it online. This success would be impossible, of course, without the federal governments ongoing commitment to support the Gallery's operations and maintenance, enabling the Gallery to remain open free of admission charge 363 days a year. My fellow trustees join me in expressing our appreciation to the President and the Congress for their commitment to the Gallery. That commitment has been matched by many generous individuals, foundations, and corporations in their support of the Gallery's privately funded programs this year. The year 2005 saw several changes to the Gallery's Board of Trustees. It is my great pleasure as president to express the board's best wishes to Julian Ganz,Jr., and David O. Maxwell, who retired as general trustees. We greatly appreciate Julian's and David's distinguished service and leadership, and we look forward to their continuing participation in the life of the Gallery. We also extend a warm welcome to their successors, Sharon Percy Rockefeller of Washington, DC., and John Wilmerding of Princeton, New Jersey. Robert F. Erburu of continues as chairman and John C. Fontaine of New City continues as a general trustee. The Chief Justice of the United States, the Secretary of State, the Secretary of the Treasury, and the Secretary of the Smithsonian Institution serve as ex-officio trustees. The Trustees' Council, founded in 1982 as a national advisory body to the Board of Trustees, plays an invaluable role in advancing the Gallery's mission of service to the nation. We were pleased to welcome Gregory W. Fazakerley of Middleburg, Virginia; John Freidenrich of Atherton, California; David M. Rubenstein of Washington, DC; and Alice L. Walton of Mineral Wells, Texas, as new Council members in fiscal year 2005. This was a year of transition in sad ways as well. In October 2004, the Gallery lost one of its dearest friends and most generous benefactors, Jane B. Meyerhoff. She and her husband Bob transformed the Gallery's of modern and contemporary art through their extraordinary gifts. We also mourn the passing of Trustees' Council member Raymond J. Horowitz in September 2005. Ray and his late wife Margaret will long be remembered for their remarkable legacy in strengthening the Gallery's American art collection and related programs. The Board of Trustees is grateful to many corporations and foundations that supported the Gallery's special exhibitions program in 2005. We especially would like to thank Time Warner and the Catherine B. Reynolds Foundation for their respective roles as corporate sponsor and foundation sponsor of the Gallery's acclaimed Toulouse-Lautrec and Montmartre exhibition. We are grateful to Target for its commit- ment in support of the exhibition. Our thanks go as well to the Trellis Fund and the Melvin and Ryna Cohen Family Foundation for making possible several important exhibitions, including All the Mighty World: The Photographs of Roger Fenton, 1852—1860, Andre Kertesz, and Irving Penn: Platinum Prints. We also wish to recognize Art Foundation, Lehman-Smith + McLeish, Merrill Lynch, the Pearl Family Fund of The Community Foundation for the National Capital Region, and Siemens for their gifts to the exhibitions program this year. We also wish to acknowledge several individuals for their support of special exhibitions this year, particularly an anonymous Gallery friend who made possible Monumental from :

NATIONAL GALLtRY OK ART 2005

I I TOULOUSE - LAUTREC and , Nanni di Banco, and Verroahio at Orsanmichele. Trustees' Council member Thomas A. Saunders III The Gallery provides and his wife Jordan sponsored 's Late Religious Portraits and Greg and Candy Fazakerley provided its millions of visitors key support for the Jan de Bray and Pieter Claesz exhibitions. My fellow Trustees and I are appreciative with an enjoyable and to them all for their commitment to the Gallery's exhibitions program. Several major gifts were received that enhance the collection this year. Among the most significant rewarding experience was a major gift from the Glenstone Foundation, founded by Trustees' Council member Mitchell P. with the world's Rales, to acquire 's Color Panels for a Large Wall. This monumental work, together with artistic heritage through 's Ghost, given as a partial and promised gift by the Glenstone Foundation, represent the collection and outstanding additions to the collection. We are deeply grateful for Richard Mellon Scaife's gift of John James 's Osprey and Weakjish, the centerpiece of the exhibition Audubon's Dream special exhibitions. Realized: Selections from "The of America." We were greatly touched to receive an extraordinary gift from Lichtenstein, her sons David and Mitchell, and the Foundation in memory of Jane Meyerhoff. Several programs were enhanced by private gifts in 2005. David Rubenstein made a significant commitment toward The Andrew W. Mellon Foundation's challenge grant to build an endowment for the Gallery's scholarly publications program. We are grateful as well to Julie and Lee Folger and The Lee and Juliet Folger Fund for their ongoing commitment to providing magnificent floral arrangements for the West Building Rotunda, adding immeasurably to our visitors' enjoyment. We also want to thank Sharon P. Rockefeller and the HRH Foundation, and its executive director Helen L. Henderson, for their generous planned gifts this year. The Gallery's modern and contemporary art collection continued to enjoy spectacular growth this year thanks to the ongoing efforts of the Collectors Committee. To date, the Committee has acquired more than three hundred works of art for the collection, including five outstanding works acquired at the Committee's annual meeting in the spring of 2005. These acquisitions include a painted construction by Sol LeWitt, an early work by Marcel Broodthaers, two object by Robert Morris, and a photography and installation piece by . The Committee's ongoing success is a testament to the leadership provided by Doris Fisher and Barney Ebsworth, who stepped down as co-chairs of the Collectors Committee at the 2005 meeting. My fellow trustees and I are enormously grateful to Doris and Barney for their ten years of dedicated and enthusiastic service as co-chairs of this vital group. We look forward to working with their successors, John G. Pappajohn of Des Moines, Iowa, and Roselyne C. Swig of San Francisco, in building on the Committee's remarkable record of accomplishment. The Circle of the , co-chaired by Edward J. Mathias and Mary Jo Kirk, is a national group that provides unrestricted funding for a wide range of important Gallery needs. At the close of the fiscal year, The Circle numbered nearly twelve hundred members nationwide and provided over $3 million in unrestricted revenue. Our heartfelt thanks go to Mary Jo, Ed, and all of our Circle members nationwide for their commitment. Numerous friends also helped secure the Gallery's future through their participation in the Legacy Circle, the planned giving program. In fiscal year 2005 the Gallery received several generous bequests, charitable remainder trusts, charitable gift annuities, and other deferred gifts. We extend our heartfelt appreciation to all who have provided for the Gallery through their testamentary plans. The National Gallery of Art provides its millions of visitors with an enjoyable and rewarding experience with the world's artistic heritage through the collection and special exhibitions. Our success rests on the strong foundation provided by the federal government and private sector. With this foundation in place, my fellow trustees and I look forward to securing the Gallery's long-term goals.

Victoria P. Sant

DIRECTOR'S STATEMENT

he activities of fiscal year 2005 demonstrate a continued dedication to the mission of the National Gallery of Art among its Board of Trustees, staff, and volunteers. During the year, all contributed to the Gallery's commitment to serve the United States in a national role by , exhibiting, preserving, and fostering the understanding of works of art, at the highest possible and scholarly standards. Throughout its sixty-five years, a dynamic partnership of public and private support has made possible the Gallery's achievements and accomplishments. We are grateful to the President and the Congress for the continued crucial support sustaining the nation's art museum. We are also grateful to the individuals, foundations, and corporations that made possible the acquisition of works of art, the care and preservation of the collection, special exhibitions, and educational programming. The Gallery continues to build on its core collection begun by Andrew W. Mellon and the Founding Benefactors. This great public collection would not exist without the generosity of individuals and foundations as well as support from the Collectors Committee. In fiscal year 2005, the Gallery acquired significant works in the areas of European painting, nineteenth-century French painting, modern and contemporary art, and sculpture. The Gallery's holdings of European and American twentieth-century drawings saw extraordinary growth as well. Acquisitions in the area of prints numbered more than two hundred individual sheets, portfolios, and illustrated ranging over five centuries. Several gifts contributed to the collection of twentieth-century and American prints. A number of additions greatly enriched the Gallery's collection of nineteenth- and twentieth-century photographs, and the Library's rare collection grew by more than one hundred volumes. Special exhibitions in fiscal year 2005 presented audiences with a wide range of artists and experiences. One of the most well-received and transformative was Toulouse-Lautrec and Montmartre. The installation was specifically designed to evoke the decadent spirit and glamour of bohemian life in the Parisian district of Montmartre at the turn of the 20th century. Works by Edgar , Edouard Manet, , Edouard Vuillard, Vincent , and Pablo were presented alongside more than 250 works by Lautrec. The year began with Dan Flavin: A Retrospective. Several galleries were designed especially for his installation pieces that explored the art of light. Fellow contemporary artist Ed Ruscha was on hand to address his work during public programs presented in conjunction with the exhibition Cotton Puffs, Q-tips®, and Mirrors: The Drawings of Ed Ruscha, as was Andy Goldsworthy who spoke on the creation of the site-specific sculpture Roof, staged on the ground floor of the East Building over the course of nine weeks. In the West Building, five galleries dedicated to the display of photographs were unveiled. The inaugural exhibition of the renovated photography galleries was All the Mighty World: The Photographs of Roger Fenton, 1852—1860. Other exhibitions followed including Andre Kertesz, a retrospective including some of the most celebrated works in twentieth-century photography, and Irving Penn: Platinum Prints, a presentation of the artist's experiments with platinum prints. Galleries devoted to Dutch and Flemish reopened after two years as part of an ongoing renovation project. In addition, the works of Dutch seventeenth-century artists were highlighted in the exhibitions fan de Bray and the Classical Tradition, Pieter Claesz: Master ofHaarlem , and .

NATIONAL G AI I I RY OF ART 2005 American artists were well represented in the Gallery's special exhibitions, particularly Winslow in the National Gallery of Art and Audubon's Dream Realized: Selections from "" with the superb Osprey and Weakfish as its centerpiece. The most successful and prolific painter of the early American republic, Gilbert Stuart, was the subject of a retrospective, the first in four decades. Works from the Gallery's collection were also featured in an exhibition commemorating the 100th anniversary of the fauve movement in French art with major works of characteristic bold color by Henri , Andre , , and others. Some of the finest works on paper were shown, many for the first time since being acquired by the Gallery within the last five years, and the exhibition featured six centuries of art beginning with an early fifteenth-century German and concluding with one of the finest impressions of Picasso's The Frugal Repast. Representing international and cultural collaborations, the exhibitions Monumental Sculpture from Florence: Ghiberti, Nanni di Banco, and Verrocchio at Orsanmichele and Masterpieces in Miniature: Italian Manuscript Illumination from the f. Paul Getty Museum brought masterpieces of Italian art to Washington audiences. Listening stations in the Masterpieces in Miniature exhibition presented Gregorian chants recorded in two of the illuminated choir books for our visitors. After more than a year of conservation treatment, the iconic seventy-six-foot-long mobile by Alexander was reinstalled in the central court of the East Building. When it returned following repair and repainting to its prominent location, visitors and staff alike delighted in its movement and appearance once again as Calder envisioned it almost thirty years ago. Providing increased educational programming for a local, national, and international audience is an exciting area for the future. In fiscal year 2005, the Gallery's Web site continued to flourish, with over 14.5 million visits, offering images and information on the nation's works of art and special exhibitions to users worldwide. Online offerings such as NGAClassroom and NGAKids continued to reach new and younger audiences. The 25 th anniversary year of the Center for Advanced Study in the Visual Arts was marked by the realization of a longstanding wish to provide housing to its fellows. This year some 4.5 million visitors experienced the collection, special exhibitions, the National Gallery Sculpture Garden, and educational programs. The acquisitions, care for the collection, special exhibitions, and public programs would not be possible without the generous support of many individuals, foundations, and corporations. We are also grateful for the continuing support from the federal government for the vital mission of this great institution through the appropriated funds that ensure the operation and maintenance and the protection and care of the nation's art collection. Similarly, these achievements would not be possible without the dedication of Gallery staff and volunteers. On behalf of the executive officers of the Gallery, I would like to thank them for their efforts that further the Gallery's mission. I join with Gallery President Victoria P. Sant in welcoming new trustees Sharon Percy Rockefeller and John Wilmerding, and thanking Julian Ganz, Jr. and David O. Maxwell for their enthusiastic commitment to the Gallery as they retire from the board.

Earl A. Powell III Ellsworth Kelly's Color Panels for a Large Wall, a 2005 acquisition

n he Gallery actively collects paintings, sculpture, and works of art on paper including photographs, o T Jrom f/ze We ^o pr&smf, ^/rom and the United States. In fiscal year 2005, the

of WwzWwak rke ^w^iYzoM of more ^200 work of arf m of m the Gallery's collections.

AINTINGS The Gallery's primary European painting acquisitions in fiscal n Pyear 2005 were six works from , the , , and . The earliest, by the Italian painter Giovanni Francesco Barbieri H called Guercino, is Self-Portrait before a Painting of "Amor Fedele," 1655, one of a relatively small number of portraits by the artist. Depicted in the act of finishing a painting, the artist is dressed in a brocade coat, palette and brush in hand, as he turns towards the viewer. On the easel behind him sits a painting of Cupid and a greyhound, as well as a stone relief carving representing a serpent z biting its tail; the painting signifies fidelity, the sculpture eternity. This painting was acquired through the Patrons' Permanent Fund. O The Interior of the Oude Kerk, , c. 1660, is one of Emanuel de Witte's most imposing works, not only because of its unusually large scale, but also for the dramatic light streaming across of this type, Schalcken's painting was almost cer- VGUERC1NO the space. Well-conceived figures enliven the tainly intended to be an allegory. Here the theme Self-Portrait before church interior, particularly the two gentlemen is of lost , symbolized by the of flowers, a Painting of who discuss the open tomb in the foreground and the statue of Cupid atop the fountain, and the "Amor Fedele," the mother nursing her child seated at the base of young lovers in the distance. This work was Patrons' Permanent Fund the large column in the foreground at the right. acquired with funds provided by the Lee and The painting was acquired through the Patrons' Juliet Folger Fund. Permanent Fund. Northern Landscape, Spring, c. 1825, the first

Godfried Schalcken's Woman Weaving a Crown painting by Caspar David Friedrich and by any < JOHN JAMES AUDUBON of Flowers, c. 1675/1680, reveals Schalcken's artist of the German Romantic School to enter Osprey and IVcakfish connection to Gerrit Dou and the 'Fine' the Gallery collections, is a perfect example of Gift of Richard M. Scaife painters (Leidsefijnschilders), artists who specialized Friedrich's later work: highly refined, subtle in its in small genre scenes painted with extraordinary light and its beautifully articulated space. It also attention to detail and brilliant touches of color reflects Friedrich's pantheistic attitude to nature. and light. Like many paintings from this time and In this painting of a cold winter's day on a desolate

NATIONAL GALLERY OF ART 2005

(13) > EMANUEL DE W1TTE The Interior of the Aude Kerk, Amsterdam Patrons' Permanent Fund

V GEORGE BRUSH heath land, two tiny figures are dwarfed into magnificent image of an osprey in flight combines An Aztec Sculptor insignificance by the vast expanse of untram- Audubon's sensitive scientific observations of Gift (partial and meled nature. The "Spring" of the tide refers to avian life with his keen sense of dramatic design. promised) of the Ann the first blades of grass pushing through the snow An Aztec Sculptor, 1887, is a stunning American and Tom Barwick in the foreground, suggesting the hope and Indian subject by George de Forest Brush. In Collection rebirth inherent in the drama of nature itself. precision of its mood, color, and composition, An Aztec Sculptor reflects the influence of Brush's teacher, the French academician Jean-Leon Gerome. A partial and promised gift of the Ann and Tom Barwick Family, it is the first work by the artist to enter the collection. Two additional still lifes by English- artists were added to the partial and promised gifts of William and Abigail Gerdts. Samuel Marsden Brookes' Still Life with Fan and Pendant, c. 1865/1875, demonstrates the artist's remarkable skill at replicating the surface of objects, in this instance employing intriguing man-made pieces that suggest a narrative. Edwin Deakin's Grapes This painting was acquired through the Patrons' Against White Wall, 1883, utilizes the subject of Permanent Fund. grapes suspended on a string, a motif to which Several fine American paintings were added he often turned in a startlingly realistic treatment to the collection this year. Osprey and Weakfish, that elicited amazement among viewers. 1829, the gift of Richard M. Scaife, is a rare A significant group of works were acquired in painting in oil by John James Audubon. The the area of modern and contemporary art. Rachel artist/naturalist is best known for his four-volume Whiteread's iconic Ghost, 1990, a negative plaster set The Birds of America and for the watercolors cast of a Victorian townhouse, is an from which its 435 plates were produced. This object of great expressive power, drawing on

NATIONAL GALLERY OF ART 2005

{14} multiple disparate traditions, including the recent partial and promised gift of John and Mary history of tomb architecture and the language of Pappajohn from Oldenburg's famous Store, minimal art. Ellsworth Kelly's magisterial Color provides wry commentary on the state of Panels for a Large Wall, 1978, reconfigured by the cold-war American identity. Richard Tuttle's artist for the East Building ground floor atrium intimate abstracted portrait, Herbert Vogel, 1974, wall, also entered the collection. The acquisition of the Whiteread and the Kelly were made possible through the generosity of The Glenstone Foundation, Mitchell P. Rales, Founder. Chaim Soutine's extraordinary and visceral Piece of Beef 1923, purchased through the Chester Fund, is a remarkable example of the artist's expres- sionist manner. British artist Andy Goldsworthy's site-specific slate sculpture Roof 2004—2005, is comprised of stacked slate, low-profile domes that fill the expanse of the East Building's north side. It was made possible by the Patrons' Permanent Fund. This year, several works were acquired for the Gallery by the Collectors Committee. Sol LeWitt's rare, early, painted construction, Objectivity, 1962, represents essential issues of art and language during the formative years of . Composed of hundreds of shells affixed to a large square panel, Marcel Broodthaers' eccentric Mussel Painting, 1966, relates both visually and philosophically to monochromatic abstract painting and to the tradition of readymade or "object sculpture."Two sculptures from the early 1960s by Robert Morris, Hook and (The Letter), were also Collectors Committee acquisitions. was made a gift by Dorothy and Herbert Vogel. Several major works by entered Ann Hamilton's (lineament-), 1994, and Scripted, the Gallery's collection: the early portrait Nat, 1997, gifts of Heather and Tony Podesta, mark 1971, and Nat (Five Color States), 1971, the five the first sculptural objects by this significant con- photographic color separations used by the artist temporary artist to enter the Gallery's collection. to create the painting, are partial and promised gifts of Anita and Burton Reiner; the more recent CULPTURE The life-size bronze sculpture painting Jasper, 1997—1998, was the generous gift Isoult by Edward McCartan heads the list of Ian and Annette Gumming. Sof sculpture acquisitions this year. This Mel Bochner's Theory of Boundaries, 1969—1970, female nude accompanied by a fawn was originally an early wall drawing that represents the artist's use conceived to stand at the end of a long reflecting of language and diagram to explore the physical pool in the garden of Junius P. Morgan's home at nature of the pictorial field; and Robert Mangold's Glen Cove on . The 1926 bronze was Yellow Wall (Section I + II), 1964, whose rare early acquired with the Patrons' Permanent Fund. works transform the conceit of the cut-out Two other notable sculptures by American architectural fragment into an object that is at artists have also been acquired. Harriet Hosmer's once painting and sculpture. Both works were bronze Clasped Hands of Robert and Elizabeth acquired with the support of The Nancy Lee and Barrett Browning, given in honor of Margaret and Perry Fund. Nature Abhors a Vacuum, 1973, by Raymond Horowitz, is a poignant homage to , one of the most prominent the marital devotion of the two great poets. practitioners of post-war abstraction, was acquired Ecorche: Relief of a Horse (Josephine), c. 1882, by with the Patrons' Permanent Fund combined Thomas Eakins, given by Mr. and Mrs. Stuart with support from Audrey and David Mirvish. P. Feld in honor of John Wilmerding, was made 's l/.S./l Flag, 1960, a generous as a teaching aide for students and enhances the

NATIONAL GALLERY OF ART 2005

{15} didactic dimension of the Gallery's collection. was given by Mark and Lynne Hammerschlag. The Gallery's holdings of works by Auguste Among earlier works, Andrew M. presented and Antoine-Louis Barye were enhanced a rare seventeenth-century century German or with a group of important French bronzes given Netherlandish plaquette symbolizing America. by Mrs. Elizabeth Klee. Continuing the initiative started last year, medals RAW 1N G S Among the more than were again an important part of the acquisitions eighty European drawings added to program. Gallery librarian Ted Dalziel, Jr. donated Dthe collection, the most important was a beautiful and crisply stuck medal featuring a gouache from 1496/1497 by Albrecht Diirer, Victoria, Queen of , on its obverse, and a gift from Dian and Andrea Woodner. Contained the commemoration of the exhibition of in a volume of the Idylls by Theocritus, this excep- 1886 on its reverse. A new of French tionally fine, early work brings the Gallery's V ALBRECHT and German nineteenth- and twentieth-century holdings of Diirer's drawings to ten. Further A Pastoral Landscape medals was added in the sculpture galleries, featur- augmenting the Gallery's collection of early with Shepherds Playing ing artists such as David d'Angers, Jules-Clement German drawings was the gift from an anonymous a Viola and Panpipes Chaplain, and Alexandre Charpentier.An elegant donor of an impressive design for a stained glass Woodner Collection medal by the latter celebrating the art of painting window by Christoph Bockstorfer. Among key eighteenth-century drawings acquired this year was a lively design for a ceiling decoration by Bohemian artist Anton Kern, acquired for the Gallery with funds provided by Diane Allen Nixon, the Ailsa Mellon Fund, and the ©EOKPITOY 0YPEIS H £2 AH Professor William B. O'Neal Fund. A sheet of E1AYAAION PPETON- figure studies by Luis Paret y Alcazar, given by OYPZI5: H ffiSAH- Alexandra Baer and Jason Iahn, was a rare addition Av-n <70 ^.iSveAefta. Hsu ini to the Gallery's collection of Spanish drawings. > I J ivf cumM THvdi, Ivan and Winifred Phillips contributed the funds « » ' IAVTJ 7X4f Tiuy$ualtiih v-oincfnt tovto ytcuAoqtopcc-n mv6

NATIONAL GALLERY OF ART 2005

{16} Thirty-five old master and modern drawings came as the gift of the late Benjamin and Lillian Hertzberg, including examples by Jacopo Ligozzi, Bartholomaeus Spranger, Pier Francesco Mola, and Francois Boucher as well as eight works by Paul Klee spanning nearly three decades. Among the Gallery's purchases this year were a number of German works, including a man- nerist work by Caspar Meneller from 1595, two black chalk landscapes by the seventeenth-century artist Jonas Umbach, a rendering of the mur- derous Feast of Absalom by Vitus Felix Rigl, a charming theater scene by Johann Esaias Nilson, a magical morning landscape by Ernst Ferdinand Oehme, and two sketchbooks by German nineteenth-century artists Traugott Faber and Albert Emil Kirchner. Other purchases of note were a pen drawing by Giovanni Battista Paggi and a red chalk landscape drawing by Nicolaes Pietersz Berchem from the 1660s. A rare and important addition to the Gallery's small collection of Pre-Raphaelite drawings was Gabriel Rossetti's major composition, Desdemona's Death-Song. Acquisitions from the first half of the twentieth century include a vividly-colored pastel, Wooded Landscape, c. 1905, by the French artist Lucien Ott, a gift from Jean-Luc Baroni; two black chalk drawings by the British artist Augustus John, a gift from Janet and David Bruce; and a startling 1920s drawing by the German expres- sionist Otto Dix, made possible by Joan and David Maxwell. The collection of M. C. Escher An area that saw extraordinary growth this drawings was expanded with a gift of twelve year was American twentieth-century drawings. examples from the 1920s to 1954 from Barry and Judy and Leo Zickler donated transfer drawings Desdemona's Death-Song Gigi Fitzmorris. Seven Russian Constructivist for two of John Taylor Arms'Venetian prints from New Century Fund works, including a watercolor and photocollage the 1930s (as well as impressions of the prints). A and Fund by Gustav Klutsis, designs for provisional struc- contribution from Monica and Hermen Greenberg tures by Elena Semenova, and photocollages by enabled the acquisition of a richly worked Solomon Telingater, were acquired from the drawing by John Steuart Curry, Stallion and Merrill C. Berman collection. Jack Fighting, 1943. A gift from Norma B. Marin of one hundred forty-one watercolors and drawings by her father-in-law, John Marin, further enriches All Soviet the Gallery's impressive holdings, making it the Military Railroad most comprehensive collection of works by Marin Patrons' in the world. Permanent Fund The collection of postwar drawings also saw significant growth. Thirteen drawings by Roy Lichtenstein, including Cow Triptych, 1974, and Razzmatazz, 1978, were given by Dorothy Lichtenstein, in memory of Jane B. Meyerhoff. They relate directly to paintings by Lichtenstein promised to the Gallery from the Robert and Jane Meyerhoff collection.

NATIONAL GALLERY OF ART 2005

117) In the area of contemporary works, an extraor- Georg Andreas Wolfgang and a suite of dinary drawing by Robert Morris from his by Friedrich Wilhelm Schwechten, 1826, the Blind Time series was a gift of the Collectors latter purchased from the William B. O'Neal Committee; British artist Andy Goldsworthy fund, give an indication of the scope of this year's gave the Gallery thirty-two drawings related to acquisitions. his sculpture Roof; and Dorothy and Herbert An unusually large proportion of the additions Vogel donated a wall drawing by Sol LeWitt. to the old master print collection came through donations. The collection of nineteenth-century RINTS The most outstanding print French prints, especially etchings and lithographs, acquisition this year is an extraordinary greatly benefited from the bequest of Frank Prarity from the earliest period of Western Trapp and the continuing generosity printing and , a block book of the of Virginia and Ira Jackson. so-called Biblia Pauperum, or "Bible of the Poor," Gifts of twentieth-century prints include a 1460s, made possible through the exceptional proof impression of Jacques Villon's Gaby in a generosity of an anonymous donor. Chaise Longue, 1906, from Andre and Angela A superb impression of Rembrandt van Rijn's Candillier. Thomas G. Klarner continued to etching Abraham Entertaining the Angels, 1656, enrich the Gallery's collection of contemporary complements the recent acquisition of the artists prints with a gift of Ubu Centenaire, 1996, a original copper plate for this print. The etching portfolio of twenty-four prints by South African is printed on a fine japan paper that richly artists. Universal Limited Arts Editions and Jasper enhances the atmospheric effect of the drypoint. Johns donated a lithographic stone for Johns' Jean Morin's Death's , 1645/1650, gener- Flag, 1967, as well as a rare impression of the ously donated by David and Elizabeth Tunick; print, in honor of Jane B. Meyerhoff. The later Johann Friedrich Overbeck's etching of a monk twentieth-century holdings were strengthened in prayer, 1826; and various portfolios, including by a gift of seventy-six prints and three volumes a series of etchings after 's Metamorphoses by by twenty-six artists from Joshua Smith.

NATIONAL GALLERY OF ART 2005

(18) Abraham Entertaining the Angels New Century Fund

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Most outstanding among donations of American Fenton, including Moscow, Domes of Churches in the prints was from Ruth Cole Kainen: a superb gift of Kremlin, 1852, one of the first photographs of thirty-seven prints by twenty-two artists, including Russia seen by the British public, and the exquisite three important lithographs by Stuart Davis— late work Fruit and Flowers, 1860. American pho- Place Pasdeloup, 1929; Composition, 1931; and tographer Timothy O'Sullivan's Iceberg Canyon, Barbershop Chord, 1931—as well as Childe Hassam's River, Looking Above, a view made in 1871 Old Doorway, East Hampton, 's Birds when he served on a geographical expedition to and Sea, and Louis Lozowick's boldly geometric explore and map land west of the 100th meridian, Doorway into Street. was acquired with funds donated by Diana Walker and an anonymous donor. HOTOGRAPHS The Gallery made a The Gallery continued to build its collection of number of significant additions that gready eastern European photography with the important Penrich its holdings of nineteenth- and acquisition of eight photographs by the Russian twentieth-century photographs. The Paul Mellon artist Aleksandr Mikhailovich Rodchenko made Fund enabled the acquisition of works by Roger between 1924 and 1936. Included in this group are

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{19} a collection of antique basso relievos, bustos, statues, and gems..., 1794, depicts Sir Richard Worseley's collection of classical antiquities acquired during his travels to , Greece, Egypt, and Turkey between 1783 and 1788. Charles Gavard's Galeries historiques de Versailles, 1838-1841, is a compre- hensive pictorial and historical record of the art collections at Versailles, featuring more than 1,190 engraved plates. Imperatorskaia Ermitazhaia galerei, 1845-1847, is a rare deluxe edition presenting the Russian Imperial collections in 120 lithographs (including ten in color) with five additional por- traits of the family of Tsar Nicholas I. Several of the paintings depicted were later acquired by Andrew W. Mellon and given to the Gallery. The Bruce fund also supported the purchase of a rare twentieth-century illustrated exhibition catalogue documenting the third and last iteration of the 1913 Armory Show held in , , and . The J. Paul Getty Fund in honor of two portraits of the poet and revolutionary hero D. Murphy supported the acquisition of ten uit and Flowers Vladimir Mayakovsky, several studies of architecture, titles, among which are two rare first editions: Paul Mellon Fund and portraits of young Russians that celebrate the Christoph Murer's XL. emblemata miscella nova, post-revolution society. 1622, and P. Virgilii Maronis quae supersunt in The acquisition of a 1930s photomontage by antiquo codice Vaticano ad priscam imaginum formam, the German artist Marianne Brandt was made 1677, which features fifty-five etchings by Pietro possible by the Pepita Milmore Memorial Fund, Santi Bartoli after the illuminated manuscript the R.K. Mellon Fund, and Thomas Walther. It is known as the Vatican Virgil. This fund also the only photomontage by Brandt in an American enabled the acquisition of an exceptional group museum. Other acquisitions made in anticipation of eighteenth-century titles that comprise an of a major exhibition on central European encyclopedic and extensively illustrated com- photography include fifteen works by Czech pendium on all aspects of classical antiquity. modernist Jaromir Funke as well as eight works The J. Carter Brown Memorial Fund provided by the preeminent Polish documentary and the means to purchase two works of importance pictorialist photographer Jan Buihak. for the study of Rome. The fifteen full-page The R. K. Mellon Family Foundation enabled engravings of De rebus praeclare gestis a Sixto V the Gallery to acquire Dora Maar's unsettling Pon. Max., 1588, by Giovanni Francesco Bordini photograph of a crumpled, garish doll nailed to a commemorate the architectural and ceremonial fence. Aaron and Barbara Levine generously projects promoted by Pope SixtusV. Antiqfuarum] donated a print of Man Rays penetrating portrait statuar[um] urbis Romae records antique sculpture in Igor . the principal collections of late sixteenth-century The Gallery's collection of contemporary and early seventeenth-century Rome, with the photography was greatly enriched with the Borghese collection as the main focus of fifty acquisition of Ray K. Metzker's Car and Street fine engravings. Lamp, a gift of Harvey S. Shipley Miller. The Two rare works were added to the collection Collectors Committee made possible the acqui- thanks to Thomas Klarner. Esequie del divino sition of Lorna Simpsons Untitled (Two Necklines). Michelagnolo Buonarroti, 1564, is one of only eight known extant copies of an eyewitness account of ARE BOOKS AND IMAGES Among Buonarroti's funeral service held in the notable volumes acquired with the Florence on July 14,1564. Manifestation Dada, 1920, Rresources of the David K.E. Bruce designed by Tristan Tzara and featuring drawings Fund are three sumptuously illustrated folio by , announced a 1920 program at collection catalogues. Museum Worsleyanum, or, the Maison de l'ceuvre featuring contributions by

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(20) Tzara and Picabia, G. Ribemont-Dessaignes, Louis of Yorkshire; a group of nineteenth-century albums Aragon, Andre , Paul Eluard, and others. on Spanish architecture; Theophilus Burnand's Artist Ed Ruscha donated autographed copies album of his art collections; and Katherine Metcalf of two of his books: Thirty-Four Parking Lots in Roof's The Life and Times of , Los Angeles, 1967, and Crackers, 1969. illustrated by Mrs. Chase with additional photos The image collections acquired several important of his work and their family Among the photo- rare photographs and albums. Among the most graphs added to the collection are an early view notable are a deluxe-bound, five-volume set of of 's Mount Vernon estate European Grand Tour albums assembled by a "British by an anonymous American and portraits of tourist of estimable taste" and a one-volume Italian by W. & D. Downey, Jean Pougny counterpart of a tour through the Holy Land and by Florence Henri, and Barnett Newman by the Middle East; William Howitt's Ruined Abbeys Newman.

< DE REBUS PRAECLARE GESTIS A S1XTO V PON. MAX. J. Carter Brown Memorial Fund

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n fiscal year 2005, the Gallery presented twenty

I private collections from around the world to millions OF GD&RY X

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H z iscal year 2005 opened with Dan Flavin: architectural elements that match the adjacent A Retrospective, the first comprehensive original detailing; new panels designed to inte- Fretrospective of one of the most innovative grate works of art on marble walls; and enhanced artists of the second half of the 20th century. lighting details. New flooring in the original black o The 44 light installations, 96 drawings, sketches, marble creates a seamless series of galleries. and -constructions illustrated the artist's Gerard ter Borch presented the first ever exhibi- experimentation with light over 35 years. The tion in the United States devoted to the work one architecture of the exhibition space was care- of the finest Dutch seventeenth-century painters. r DAN FLAVIN fully configured for each individual light piece or The remarkably varied selection of paintings A RETROSPECTIVE series in collaboration with the from represented each aspect of the artist's career. Ter Dia Art Foundation. The exhibition included Borch s exquisite miniatures were also displayed, in a untitled (to you, Heiner, with admiration and affection), specially designed case. A Web site feature produced a 120-foot-long installation in green fluorescent for the exhibition featured seventeenth-century light visible from Pennsylvania Avenue that music played on instruments similar to those < Andrea delVerrocchio's added to the architecture of the East Building. depicted in ter Borch's paintings. Christ and Saint Thomas All the Mighty World: The Photographs of Roger Six Centuries of Prints and Drawings: Recent on view in Fenton, 1852—1860 reflected the breadth of Acquisitions presented a selection of drawings, MONUMENTAL this groundbreaking nineteenth-century British watercolors, pastels, prints, and illustrated books SCULPTURE FROM photographer. This survey was the inaugural acquired by the Gallery during the previous five RENAISSANCE exhibition of the Gallery's renovated photography years.The exhibition included works by Albrecht FLORENCE: GHIBERTI. galleries. Renovation of these five galleries ded- Diirer, Rembrandt, Edvard , , NANNI DI BANCO, icated to the display of photographs in the West and Roy Lichtenstein arranged through five VERROCCHIO Building included installation of travertine galleries, beginning with the earliest, a drawing AT ORSANMICHELE

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(23) A REMBRANDT'S made around 1400, and continuing chrono- reproduced. The exhibition examined the full LATE RELIGIOUS logically through the Renaissance and baroque career of the celebrated Hungarian-born pho- PORTRAITS periods to the nineteenth and twentieth centuries. tographer from early photographs of his native To commemorate the 100th anniversary of the Budapest made in the 1910s and early 1920s, to naming of the fauve movement in France, the studies of Paris in the 1920s and 1930s, to the final Gallery presented its superb collection of fauve series of photographs of New York in the 1970s paintings in a special installation. Fauve Painting and 1980s, taken shortly before his death. from the Permanent Collection featured works by Cotton Puffs, Q-tips®, Smoke and Mirrors: The , Andre Derain, Georges Braque, Drawings of Ed Ruscha was the first museum and Maurice deVlaminck, as well as lesser-known retrospective of the drawings of one of America's figures such as Albert Marquet and Kees van most influential contemporary artists and the U.S. Dongen. The crown jewel was Matisse's Open representative to the 2005 Biennale. The Window, Collioure, a central icon of the fauve exhibition featured works highlighting Ruscha's movement and one of Matisse's early masterpieces. genius for the wry and deadpan juxtaposition of Rembrandt's Late Religious Portraits brought words and objects. The title of the exhibition together for the first time Rembrandt van Rijn's derived from a conversation between the exhibition powerful late portraits of religious figures, executed and the artist, in which Ruscha stated, at a time of great personal turmoil. The exhibition "You know, it's just cotton puffs, Q-tips®, smoke offered a unique opportunity to explore one of the and mirrors." Ranging in date from 1959 to most fascinating aspects of the Dutch master's 2002, the featured drawings in the exhibition were artistic career—his brooding and pensive religious made with conventional materials such as graphite images from the late 1650s and early 1660s. The and pastel but also unorthodox ones, including seventeen paintings raised compelling questions gunpowder, vegetable juices, and tobacco stain. about their creation and purpose, as well as their Seventeenth-century Dutch artist Jan de Bray's relationships to each other and to Rembrandt's portrayal of contemporary individuals as historical life and career. Complementing the paintings figures was examined in Jan de Bray and the Classical was a selection of Rembrandt prints from the Tradition. Focused on this foremost Dutch artist's Gallery's collection shown in the adjacent Dutch work in the classical tradition, a style of painting Cabinet galleries. that in Holland fused naturalism with ideals of Andre Kertesz, the first major retrospective of beauty, the exhibition explored the relationships the artist's vintage photographs held in the United between the portrait, the "portrait historic," and States, presented works never before exhibited or the classical tradition in De Bray's oeuvre. At its

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{24} also produced and screened in theaters at the < ANDRE KERTESZ Gallery, on WETA-TV in Washington, WNET-TV in New York, Maryland Public Television, and WTTW-TV in Chicago. Gilbert Stuart, a retrospective celebrating the most successful portraitist of the early American republic, offered an unparalleled opportunity to view the painter's presidential portraits spanning the first five administrations. A highlight of the core was the juxtaposition of two of De Bray's exhibition was the display of thirteen of Stuart's major paintings, Portrait of the Artist's Parents, portraits of George Washington, including his Salomon de Bray and Anna Westerbaen, and celebrated Lansdowne portrait of 1796; the of Antony and . Vaughan likeness in the Gallery's collection; and The explosion in the history of entertainment the unfinished Athenaeum image. In addition to and the cult of celebrity was captured by Henri the Washington portraits, the exhibition included de Toulouse-Lautrec in the Parisian district of John and Abigail Smith Adams, the portrait Montmartre at the turn of the 20th century Dolley Payne Todd Madison from the collection of Toulouse-Lautrec and Montmartre showed more the White , and from the than 240 works, including paintings, drawings, Colonial Williamsburg Foundation. The presen- posters, prints, and sculptures. Zinc silhouettes tation of the exhibition included a recorded tour, from the Chat Noir shadow plays were installed which incorporated period music and illuminating in a specially designed backlit case to mimic the quotes from Stuart and his contemporaries to theatrical effects these objects were meant to help bring to life the era in which Stuart painted. evoke. Works by Edgar Degas, Edouard Manet, Irving Penn: Platinum Prints offered the first Pierre Bonnard, Edouard Vuillard, Vincent van major retrospective examination of this meticulous Gogh, and Pablo Picasso as well as poster artists craftsman's extensive experiments with platinum/ such as Jules Cheret were presented alongside palladium printing. Begun in the early 1960s, these those of Toulouse-Lautrec. The themes of the prints transformed his celebrated photographs into exhibition focused on the many components of independent works of art with remarkably subtle, Montmartre's nightlife, and were dominated by rich tonal ranges and luxurious textures. Spanning Toulouse-Lautrec's celebrated posters and many of most of Penn's innovative career from the 1940s his most striking paintings and drawings of dance to the late 1980s, the Gallery's collection represents halls, cafes-concerts, cabarets, and performers. all of Penn's genres: from fashion photographs The recorded tour for the exhibition included and still lifes, to portraits of some of the twentieth original, archival recordings of songs performed century's most celebrated figures, to ethnographic by cabaret artists Aristide Bruant and Yvette studies of individuals from around the world. Guilbert, whom Lautrec portrayed. A film was In addition to the prints and archival material,

< GILBERT STUART

125} the collection includes seventeen known as that gave even greater tonal variation, and used the Platinum Test Materials that reveal unexpected different inks and papers for varied effects. juxtapositions between fashion and art, Western Pieter Claesz: Master of Still Life featured and non- Western ideals of beauty and adornment, the seventeenth-century Dutch still-life painter's and Penn's personal and commercial work. earliest modest-sized paintings as well as large Asher B. Durand's Kindred Spirits is a master- banquet scenes brimming with sensuous foods piece of American landscape painting depicting and elegant tableware that he painted later in his American artist and poet William career. Included were works by his predecessors Cullen Bryant engulfed by the wilderness of the and contemporaries Osias Beert the Elder, Floris Catskill Mountains of New York. Singly on view van Dijck, Willem Claesz Heda, and Gerret in a prominent gallery space adjacent to the East Willemsz Heda, as well as glass, pewter, and silver Garden Court, the painting is on loan from the objects of the sort found in Claesz's still-life Walton Family Foundation until February 2007. paintings. The actual cup of the Guild of St. Kindred Spirits is regarded as a defining work of the Martin depicted in the monochromatic Still Life School, founded by Cole. with the Covered Cup of the Haarlem Brewer's Guild Exceptional oil paintings, watercolors, drawings, was on display alongside the painting. and prints from the Gallery's extensive holdings Monumental Sculpture from Renaissance Florence: by were included in a survey Ghiberti, Nanni di Banco, and Verrocchio at Orsanmichele spanning the artist's entire career, Winslow Homer celebrated the completion of the twenty-one-year in the National Gallery of Art. The exhibition began restoration of the fourteen exterior monu- with Homer's insightful portrayal of the Civil mental sculptures of Orsanmichele, a renowned War in the oil Home, Sweet Home and concluded fourteenth-century religious and civic center in with his late masterful watercolors including Key Florence, Italy. Featured in the Gallery's exhibition West, Hauling Anchor. The works from the last decade were three monumental masterpieces of Italian of his life are perhaps the most ambitious and Renaissance sculpture by Lorenzo Ghiberti, Nanni complex of his career. Homer's final great painting di Banco, and Andrea del Verrocchio. The exhibi- Right and Left summarizes the creative complexity tion marked the first time that Ghiberti's Saint of his late style with its unconventional point of Matthew, and Nanni di Banco's Quattro Santi view and diverse sources of inspiration, from the Coronati (Four Crowned Martyr Saints) traveled Japanese print to popular hunting imagery. outside Florence, and only the second time that of European Printmaking: Fifteenth-Century Verrocchio's Christ and Saint Thomas traveled to Woodcuts and Their Public was the first major inter- the United States. The installation design suggested national exhibition to be devoted to the earliest the architectural niches of Orsanmichele to evoke images printed on paper in the Western world. The the majestic presentation of the sculptures in exhibition centered on the "single-leaf" woodcut, their original locations. The proportions and a relief print made to circulate on its own rather detailing of the niche architecture for the Quattro than one designed as a book illustration. Since the Santi Coronati was meticulously crafted to recon- majority of early relief prints owe their survival to struct the placement of the four saints in their the practice of pasting woodcuts into books and original relationships to each other. Similarly, the objects of domestic use, many works in the exhi- architectural elements of the Verrocchio niche bition were presented in their original contexts. reflected the important relationship of St. Thomas The Prints of Felix Buhot: Impressions of City to Christ, requiring a delicate installation to allow and Sea presented prints and drawings of the St. Thomas' foot to slightly overhang the pedestal artist's two favorite subjects, urban and seaside as it did in its original location. A simplified design scenes. Buhot became famous for his impressionistic of the niche using its original proportions was renderings of the effects of rain, snow, mist, and fog. designed to fit seamlessly into the West Building Along with Edgar Degas and , architecture of John Russell Pope. Buhot numbers among the most experimental The artistic achievements of Italian manuscript printmakers of the nineteenth century. A true illuminators from the twelfth to the sixteenth printmaker's printmaker, Buhot delighted in all the centuries were explored in Masterpieces in Miniature: technical variables, and regularly combined multiple Italian Manuscript Illumination from the f. Paul Getty processes to produce a single print. He employed the Museum. Featuring volumes, individual leaves, more traditional techniques of etching, drypoint, and miniatures from the Getty's collection of and with several less familiar methods European manuscript illumination and a select

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(26) number of related medals and panel paintings from the Gallery's collection, the exhibition highlighted six cities and regions of Italy that were significant centers for manuscript illumination. The jewel-like colors of the illuminations were enhanced by and fabric colors and special lighting. Listening stations provided Gregorian chants recorded in two of the large choir books, and a video explained the process of creating and illuminating a manuscript. John James Audubon combined his love of JANE. nature with his artistic talent to produce beautiful Avril and lifelike depictions of birds .Audubon's Dream Realized: Selections from "The Birds of America" featured Osprey and Weakfish, an oil painting which Audubon kept in his own collection throughout his life. Fifty of the artist's hand-colored etchings selected from the Gallery's early edition of the publication, "The Birds of America," one of only two known complete sets preserved in their orig- inal, unbound state, were included in the exhibition. The interpretive materials produced to enhance appreciation of special exhibitions—illustrated brochures, wall texts, receded tours, Web features, and documentary films—have an extended reach beyond the Gallery. Exhibition texts and illustrated brochures and booklets are made available to all venues for an exhibition, as are the documentary films. Made possible by the HRH Foundation, the films are subtitled for the hearing impaired and distributed on a free-loan Museum Boijmans Van Beuningen, , basis to libraries, schools, community centers, and and the Stadelsches Kunstinstitut und Stadtisches public television stations across the nation. In Galerie, Frankfurt. Portrait of a Man with an Arrow 2005, films produced for the exhibitions Courtly by was on display at the Museo Art of the Ancient Maya and Toulouse-Lautrec in Thyssen-Bornemisza as part of the exhibition Montmartre received first-place silver awards in Memling's Portraits, which then traveled to the the twenty-sixth Annual Telly Awards in the Groeningemuseum in Bruges. categories of arts and culture. Gallery films were Thirty-five photographs by Robert Frank selected for screening in several , includ- from the Gallery's collection were included in ing the Santa Fe Film , the Montreal Robert Frank: Storylines at the Modern, London, International Festival of Films on Art, and the and at venues in Barcelona and Winterthur. In Harlem International Film Festival. the United States, forty-six of the Gallery's The Gallery also lends works to many special drawings by Richard Tuttle were on loan in the exhibitions hosted by throughout the Tuttle exhibition at the San Francisco Museum world. The loans of 583 works of art from the of . Seven important paintings were Gallery's collection to 201 sites were adminis- included in the Gilbert Stuart exhibition organized tered during fiscal year 2005. Highlights of by the National Portrait Gallery and exhibited at outgoing loans include Turner's Mortlake Terrace the Gallery as well as the Metropolitan Museum and Whistler's Wapping, which were seen in the of Art in New York. And one of the Gallery's exhibition, Turner, Whistler, at the Galeries iconic portraits, The Emperor in His nationales du Grand Palais, Paris, and Tate Study at the Tuileries by David, appeared in Jacques- Britain, London. 's A Lady Louis David: Empire to Exile at the J. Paul Getty Writing was included in Senses and Sins: Dutch Museum, Los Angeles, and the Sterling and Painters of Daily Life in the Seventeenth Century at the Francine Art Institute, Williamstown.

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{27} - = <^g

/ze Gallery's mission of furthering the understanding and appreciation of great works of art is fulfilled O Twith a variety of programs such as tours, lectures, concerts, films, and online offerings designed for its c many dwzmces. n > ublic education initiatives drew audiences Sunday auditorium lectures, long a mainstay of all ages to the Gallery and its Web site, Gallery program, presented talks by exhibition Pwith 21 million people attending lectures curators, scholars, and artists including Andy H and tours and using loan resources, as well as Goldsworthy who spoke about his East Building millions worldwide requesting Web pages of the installation Roof, and Ed Rushca, who discussed site's online teaching portal, children's interactive his exhibition Cotton Puffs, Q-tips®, Smoke and zone, and special commentaries on art and artists. Mirrors: The Drawings of Ed Ruscha. A Public tours, auditorium lectures, family and on Dan Flavin brought together an international children's programs, symposia, and academic group of art historians, and the lectures were community-focused study days and research- published in Flavin: New Light. The year's Works in-progress discussions at the Gallery trained a in Progress series of lunchtime lectures ranged in z contextual lens on art and culture through talks subject from the journals of international Dada to by staff lecturers, visiting scholars, and curators the secret recipes of Venetian renaissance painters. as well as programs incorporating conservation, Study Days gathered experts to discuss exhibi- horticulture, and music. tions including Rembrandt's Late Religious Portraits o Notable for an inventive approach were a and Gerard ter Borch. New academic programs- series of programs related to the Gilbert Stuart Bookcase and Behind the Scenes—brought portraits exhibition featuring gallery readings authors of current books to the Gallery for from eighteenth-century documents, family films readings, book signings, and commentary. and workshops, and a symposium presenting Web site learning initiatives continue to reach breakthrough scholarship on Stuart in the context wider audiences. A dynamic search tool added to of the early American republic. NGAClassroom—the portal for teaching-oriented In addition, a group of talks on the interrela- resources on art—has streamlined access to the tionship of music and art in seventeenth-century Gallery's growing number of online lessons, Holland; an examination of Toulouse-Lautrec's worksheets, activities, and interactives that technical experiments on the occasion of the artist's connect culture and curriculum. Newly added retrospective exhibition; and an initiative related to the Gallery's Web site is an online tool for to the exhibition Palace and Mosque: Islamic Art from requesting school tours and an enhanced tool for the Victoria and Albert Museum, that demonstrated ordering multiple resource materials from the the influence of Islamic art on European works more than 100 packets of slides, book-length of art in the Gallery's collection, were presented. overviews, reproductions, and image disks the Weekend festivals celebrating Islamic art, American Gallery distributes as part of its free education landscapes and portraiture, modern sculpture, and service. A recent evaluation of NGAClassroom Dutch and Italian paintings highlighted special and NGAResources found that users value the exhibitions and Gallery holdings. depth, breadth, and flexibility of the content and

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(29) the range of delivery formats. The highly popular for those interested in becoming curators, scholars, online destination for young children, NGAKids, conservators, educators, and administrators. launched four new interactives and received a Summer and academic year interns—a total of generous grant from the Ruth S. Willoughby twenty-seven students from America and abroad Foundation to support its continuing development. in 2005—supported activities in many areas of Educating and training the next generation of the Gallery while gaining critical skills in musc- art museum visitors and professionals help define ology. Two Foundation fellows from the Gallery's public education program. Special Cambodia and one Lampadia-Vitae Foundation initiatives such as Art Around the Corner—a fellow from Brazil contributed to research on thirteen-part visual literacy program for District upcoming exhibitions and delivered public talks. of Columbia fourth and fifth graders and its ILMS AND CONCERTS The Gallery continued its year-round schedule of Fweekend film series organized in association with film scholars on varied topics relating to exhibitions and the history of film as an art form. In the fall of 2004, an archival program on German director Friedrich Wilhelm Murnau included prints restored by the Academy Film , the Film Museum , the Murnau Stiftung, and Studios. Also in the fall of 2004, a retrospective series on French director and artist Jean-Luc Godard concluded with the local premiere of Notre Musique. In conjunction with the exhibition Palace and Mosque, the series "From the Lands of Abraham" included films from Turkey, Afghanistan, Israel, Iran, and the Palestinian territories. Director Maarten de Kroon introduced two November screenings of related four-part program for Maryland sixth Dutch Light, his influential documentary about 5 The Gallery's Stories graders—help students develop art and museum the unique illumination of the Netherlands. in Art Program awareness at an early age. High attendance was recorded for winter film introduced children to Recognizing the gap in cultural education for series devoted to Agnes Varda and recent restora- Elisabeth Vigee-LeBrun's high school students, the Gallery has launched sec- tions from the Italian film archive in , portrait with a story ondary school programs including a semester-long screenings of selections from the International in the galleries High School Seminar in which teacher-nominated Festival of Film on Art, and the premiere of a participants research and discuss American art and new film on . In association with artists, prepare art journals, explore art museum the exhibition Andre Kertesz, a full day of historical careers, and create culminating studio projects. The footage, experimental short subjects, and narrative High School Summer Institute introduces teens cinema made by Hungarian artists included from the District of Columbia to a variety of art many rare works. In February, Austrian avant- museum careers through behind-the-scenes tours garde director Peter Kubelka added commentary and job shadows, as well as discussions about art on a series of his short experimental works. in the collection and work on a public art project. Several films were shown in conjunction with Teachers are essential to the mission, and the the exhibition Toulouse-Lautrec and Montmartre Gallery's national Teacher Institute, now in its including a restored print of the Jean sixteenth year, brings K-12 educators to the Gallery classic French Can-Can as well as the series from across the country to master cross-curricular "Cabaret and Cafe." Rare screenings of silent applications of emerging technological and French films from the 1920s were accompanied academic tools that frame works of art within by the ensembles Octuor de France and the educational standards. orchestra of Jean Francois Zigel. Three series on Training the next generation of art museum the films of American pioneer Robert Flaherty; professionals takes the form of internships and collector and connoisseur Eric Barnouw, former fellowships that offer on-site work experience chief of the motion picture, broadcasting, and

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(30} recorded sound collections of the Library of the renowned French pianist Philippe Entremont Congress; and "First Nations, First Features," a presented in conjunction with Toulouse-Lautrec series of films by Native rounded out and Montmartre. Complementing the Gilbert Stuart the spring . exhibition were special concert presentations During the summer of 2005, the Gallery for families and children and a program of hosted "From Vault to Screen" with the cooperation eighteenth-century music under the direction of of the Academy Film Archive, American Film guest conductor Stephen Simon, one of four Institute, George House, Library of concerts this fiscal year by the National Gallery Congress, and the UCLA Film and Television Orchestra. The National Gallery Vocal Arts Archive. The annual preservation series included Ensemble, performing for the first time as a chamber new prints of Jean Renoir's The River, Eliz choir, presented several concerts including one Kazan's A Face in the Crowd, George Cukor's The that featured the poetry of William Wordsworth, Women, Alfred Hitchcock's Shadow of a Doubt, recited by Luther M. Stovall, in honor of All William Wyler's Counsellor at Law, and Alfred E. the Mighty World. Pianists Ariana Barkeshli and Green's Baby Face. "Dutch Visions: The Films of Giilsin Onay each presented concerts in honor Jos de Putter and Peter Delpeut" brought these of Palace and Mosque. Los Angeles musicians two young documentary directors and their Bobby Rodriguez and Leila Josefowicz per- work to American audiences for the first time. A formed in conjunction with the Ed Ruscha tribute to French director Jean Vigo concluded exhibition, and the Baltimore Consort presented the 2005 season. seventeenth-century music for Jan de Bray and the Forty concerts were presented in the Gallery's Classical Tradition. sixty-third season of weekly concerts, which Violinist Cyrus Forough and pianist Stephen ran from October 2004 through June 2005. The Ackert presented the world premiere perform- concerts were supported by funds bequeathed to ance of A Woman Flolding a Balance by Alan the Gallery by William Cromwell and F. Fletcher, a work inspired by the painting by Lammot Belin, with additional support from Johannes Vermeer. The season also included the Nell Weidenhammer, the Ann and Gordon first Washington performances of Legende Persane Getty Foundation, the Embassy of Hungary, the by Aminollah Hossein, In Exile by Golnoush Royal Netherlands Embassy, and the Royal Khaleghi, and A la recherche du temps perdu by Norwegian Embassy. Alireza Mashayekhi. Highlights of the season included the Festival Excerpts from thirteen Gallery concerts were of Art Education and Music presented in honor broadcast nationally on National Public Radio's of the Gerard ter Borch exhibition and a recital by "Performance Today" g High school summer institute program participants tour the Gallery's collection of modern art in the East Building.

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{31} ESOURCES FOR SCHOLARLY RESEARCH Collection, much of which was acquired by In fiscal year 2005, the Library acquired Samuel H. Kress and subsequently donated to R6,705 volumes, received 3,456 visitors, the Gallery, was surveyed for addition to the provided 944 orientations, answered 22,561 ref- ARTstor project. erence inquiries, and shared 3,698 volumes with In fiscal year 2005, the Gallery's slide library other institutions through interlibrary loan. loaned 3,535 slides to 129 educators and museum Among the important reference materials professionals across the country. added to the Library's resources are the Index of The Gallery responded to nearly 400 Christian Art, an online database operating under substantive inquiries relating to the history and the auspices of Princeton University, and the architecture of the Gallery and served researchers University of Chicago's ARTFL Project, which from throughout the nation. To assist scholars, a links more than a dozen electronic databases database with detailed information on historical related to French language and literature. photographs in the Rewald Papers was completed The Library concluded the cataloguing of the and made available in the archives research room. individual titles in the Biblioteca Cicognara microfiche Archival holdings were enhanced with signifi- edition. Supported by grants from the Samuel H. cant additions of exhibition installation and Kress Foundation, bibliographic information for historic events photographs. Federal Index of the nearly 5,000 titles comprising Leopoldo American Design project prints and negatives Cicognara's 1821 bibliography on the history of from the 1930s were consolidated in the archives. art and related subjects are now available on-site Oral histories were conducted with Gregory and via , the Library's online catalogue. Stapko, a long-time copyist who began his work The Gallery's library image collection acquired at the Gallery in 1941, and Jane Vieth, who approximately 44,000 photographs, 25,600 slides, worked in the Print Department in the 1940s. 6,000 images in microform, and 31 rare photo- To enhance conservation, nearly 2,500 cubic graphic albums. In addition to Gallery staff, feet of historical records were re-housed in special individuals who have made significant donations archives boxes. A relational database to integrate include Barbara C. Fendrick, William Craft archival management of traditional and digital Brumfield, and Sheldon Grossman. Dumbarton media was developed and implemented, leading Oaks Research Library has given a complete set to enhanced efficiency in archival processes and of G. Tsimas and P. Papahadjidakis' Fresques et superior records control. mosaiques des eglises et monasteres, a 337-volume, The study room for European Prints and 20,000 photograph survey of churches and monas- Drawings welcomed more than 1,000 visitors teries in Greece. Other institutions that generously over the course of the fiscal year. donated material include the Museum of Fine Arts, Houston; Museum of Fine Arts, Boston; Museum of Art; Metropolitan Museum of Art; , Museum and Botanical Gardens; National Gallery in London; and Kunsthistorisches Museum in . The Samuel H. Kress Foundation graciously supported the work of a photograph conservator, who examined and treated forty-eight albums and 182 objects, including many from the John Rewald Cezanne Archive. The Gallery continued its participation in the Andrew W Mellon Foundation's ARTstor project, completing the digitization of the Gallery's Clarence Ward Archive of negatives of French and American architecture taken in the late 1920s and early 1930s. A second digitization project was begun that focuses on the Foto Reali Archive, a survey of private collections of art in Italy in the early twentieth century numbering over 3,500 glass plate negatives.The Contini-Bonacossi

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(32) CENTER FOR ADVANCED STUDY

IN THE VISUAL ARTS

he Center for Advanced Study in the For its twenty-fifth anniversary, the Center Visual Arts, founded in 1979, sponsors sponsored "Dialogues in Art History," a sympo- Tthe study of the visual arts in each of its sium focusing on current issues in different areas four program areas: fellowships, research, publi- of the history of art in which the Center has had cations, and scholarly meetings. This twenty-fifth a significant role in supporting research by both anniversary year of the fellowship program has established and emerging scholars. been marked by the realization in part of a long- Carl Brandon Strehlke, the Center's third standing wish to provide housing for the resident Edmond J. Safra Visiting Professor, led a Robert fellows. The acquisition and furnishing of a group H. Smith Curatorial/Conservation Colloquy of condominiums has been made possible by entitled " Painting and the Robert H. Smith, trustee emeritus of the Gallery, Conservation Laboratory." This Smith Colloquy with further support from the Paul Mellon was designed to give emerging scholars and Bequest and Mr. and Mrs. James S. Smith. The curators first-hand experience of the possibilities first group of nine apartments was made available of scientific investigation, in conjunction with a in September 2005. deeper understanding of conservation practices The resident community of scholars at the and methods. Center in 2004—2005 included individuals working Irene Winter of delivered on topics ranging from ancient Egyptian tomb the fifty-fourth AW Mellon Lectures in the Fine painting to the public monuments of modern Iran, Arts, entitled " 'Great Work': Terms of Aesthetic to the art patronage of Madame de Pompadour Experience in Ancient Mesopotamia." The Wyeth and the production of bronze sculptures by Foundation for American Art will support a Henri Matisse. Among the members of the Center distinguished lecture at the Center every two were scholars from , France, India, Italy, years, to alternate with one-day Wyeth conferences the People's Republic of China, Poland, Russia, dedicated to the presentation of work by younger , and the United States. scholars. This year's biennial Wyeth conference In the program of publications, Nationalism and was devoted to the subject "The Collector of Art French Visual Culture, 1870-1914, volume 68 in in America." the series Studies in the History of Art gathered The Center sponsored, in collaboration with papers from the symposium held in February member institutions, the Washington Collegium 2002. The Dada Seminars, the first from a new series for the Humanities Lecture. Anthony Snodgrass, of Seminar Papers, makes public the outcome of University of Cambridge, spoke on "The Parthenon workshops sponsored by the Center between Divided" at the . His pres- November 2001 and May 2003, and will provide entation was followed by an incontro at the a companion publication to the catalogue for Center. The Center hosted a second incontro on the Gallery's Dada exhibition in 2006. A second "Erasable Tablets," in which Peter Stallybrass of the volume of seminar papers is being prepared in University of Pennsylvania presented his research connection with Associate Dean Peter Lukehart's in conjunction with a viewing of 's research on the Accademia di San Luca in Rome Portrait of a Merchant depicting such a tablet. from c. 1590—1630. The first of three seminars For a full description of the Center's four on the topic was held at the Center in December continuing research projects, members' research 2004, the second seminar was held in Rome in reports, and a complete list of publications, June 2005, and a third will take place in Washington fellowships, and special meetings for 2004—2005, next year, in final preparation for the publication see the Center 25 report, now available online at of new research. www. nga .gov/res ou rces /casva.shtm.

NATIONAL GALLERY OF ART 2005

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"T3 he Gallery's mission to maintain its collections in optimum condition for future generations 7* T regmr# a qf .smf dw expert. M Conservation efforts ensure the integrity of its paintings, ON

HI 7* f the twenty-two major treatments 500 minor examinations were carried out by completed by the painting conservators painting conservators. In addition to the care of Oin fiscal year 2005, several fine portraits the collection and of paintings on loan to the < stand out: Anthony van Dyck's Marchesa Balbi Gallery, painting conservators researched entries and Portrait of a Man, Peter Paul ' Marchesa for upcoming exhibition catalogues, hosted the Brigida Spinola Dona, Jacob Jordaens' Portrait of CASVA/Conservation colloquy "Italian Renaissance a Man, Giovanni 's Portrait of a Venetian Painting and the Conservation Lab," provided Gentleman, Bartolomeo Veneto's Portrait of a expertise, and advised colleagues on technical Gentleman, and Ambrogio de Predis' Bianca Maria documents and examinations. Sforza. Technical analysis of these paintings yielded Throughout several major treatments, object z new discoveries: overpainted for centuries, the conservators encountered a number of extraor- background of the Marchesa Balbi revealed a tower; dinary materials, used both in collection objects had caused the of Bianca Maria Sforza and in treatment. The use of nontraditional to appear a warm brown rather than the original materials and construction called for collaboration O rich green color; and Van Dyck's small oil sketch between conservators, curators, artists, and industry on paper Portrait of a Man had been enlarged by advisors. Conservators devised an innovative paper additions on all sides. treatment to protect the continually expanding Painting conservators also completed treatments and contracting exterior glass wall of the East of Cima da Conegliano's Saint Jerome in the Building's North Terrace as it intersected with Wilderness, Willem Renter's Saint John the Baptist the nine stacked slate domes that comprise Andy Preaching, Gilbert Stuart's Sir , Goldsworthy's site-specific sculpture Roof. Winslow Homer's Dad's Coming!, Paul Cezanne's Thousands of mussel shells amassed on a com- Landscape near Paris and Houses in Provence, Auguste posite wood panel make up Panneau de Moules, Renoir's Head of a Dog, Chaim Soutine's Piece of created in 1966 by Belgian artist Marcel Broodthaers. Beef and 's The Equatorial Jungle. The weak support panel as well as the brittle, Four classic modern paintings underwent treatment: aged adhesives contributed to a continual loss of 's Untitled, 1955, Untitled, 1956, and shells. Major treatment including the consolidation < An ultrasonic dental Untitled: Four Figures in a Plaza, and Hans Hofmann's of the artist-applied resin securing the shells and tool is used to remove Flux. Henri Matisse's La Negresse and Robert the addition of a lightweight yet strong exhibition hard water deposits Motherwell's Reconciliation Elegy were unrolled and handling mount significantly reinforced this from the surface of from storage and remounted for rehanging. delicate work The East Building's iconic Alexander the recent acquisition During fiscal year 2005, forty minor treat- Calder mobile, Untitled, was reinstalled after a Isoult by Edward ments, thirty-three in-depth examinations, and thirteen-month absence following surface treatment McCartan.

NATIONAL GALLERY OF ART 2005

{35} Significant research on two of the Gallery's collections has yielded important new infor- mation. Object conservators and research scientists completed comprehensive examinations of sixty-three wax and bronze sculptures by Edgar Degas, the largest such collection in the world. Conservators are researching the Gallery's extensive Renaissance bronze collection, through collaborations with institutions that have comparable holdings and the utilization of a customized database, in a project that will contribute considerable knowledge of the fabrication techniques and connoisseurship of the period. In objects conservation, 311 major and minor treatments were completed and 467 major and minor examinations were performed. Paper conservators were involved in many projects for exhibitions and loans during the fiscal year, including the examination and treatment of John James Audubon's mammoth hand-colored etchings in preparation for the exhibition Audubon's Dream Realized: Selections from "The Birds of America" and Winslow Homer's watercolors for the exhi- bition Winslow Homer in the National Gallery of Art. Collaboration between paper conservators, curators, and a printmaker in preparation for the A reference grid and major structural repairs that ensure the free exhibition The Prints of Felix Buhot: Impressions of necessary for the movement of the seventy-six-foot-long sculp- City and Sea yielded a better understanding of the treatment of the recently ture. Working closely with the fabricator of the innovative printing methods used by the artist. acquired sculpture mobile for Calder, object conservators applied During the fiscal year paper conservators com- Panneau de Moules newly developed hardfacing materials to highly pleted 348 major and minor treatments and by Marcel Broodthaers worn areas. performed 1,120 condition examinations. was constructed Sculptures created from more traditional materials Photographs by Andre Kertesz, Irving Penn, were treated in preparation for exhibition, including Alfred Stieglitz, and Julia Margaret Antonio 's Naiad, a near life-size reclining were examined and treated in preparation for marble figure, and Pierre-Etienne Monnot's The Gallery exhibitions and loans to other institu- Virgin Mary Swooning over the Dead Body of Christ tions. The exhibition Irving Penn: Platinum Prints at the Foot of the Cross, a deeply carved marble relief. posed interesting questions for conservators and Conservators made detailed examinations of research scientists and prompted a study of each of the eighty-six panels that form Ghost, the susceptibility to fading. full-scale plaster cast of a Victorian parlor by The photograph conservator completed 133 Rachel Whiteread, as it was assembled on the major and minor treatments and performed Mezzanine of the East Building. 972 condition examinations. The photograph Optimal care of the twenty-six outdoor sculptures conservator for the library image collections, in the Sculpture Garden and around the East sponsored by the Samuel H. Kress Foundation, Building challenged conservators to devise ways continued work on the library's albums, prints, and to protect the surfaces and structures from the negatives, performing a total of 298 treatments. wearing effects of outdoor exposure. Conservators Paper and photograph conservators worked continue to assess the long-term performance of closely with the Gallery's textile conservators on an experimental outdoor paint formulated by the two projects. As part of an ongoing Gallery U.S. Army Research Laboratory. The development Preparedness Program for the protection of the of this durable, matte black paint has attracted great collection, emergency supply cabinets were interest in the conservation and museum fields. stocked and distributed throughout the East

NATIONAL GALLERY OF ART 2005

(36) Building. Textile and paper conservators also modern synthetic organic pigments were studied treated an embroidered slipcase and velvet box using FTIR and mass spectrometry. Another for a colored woodcut on vellum from the promising technique, solid phase micro-extraction Rosenwald Collection for the exhibition Origins (SPME)-GCMS, was used to study off-gassing of of European Printmaking. harmful substances by materials used for exhibition During fiscal year 2005, textile conservators or storage. continued to build the Artist Materials Collection X-ray fluorescence spectroscopy (XRF), which with the addition of natural dyestuffs and does not require sampling, was used to study the yarns from the Himalayan Kingdom of Bhutan. pigments in four paintings by Paul Cezanne to Textile conservators examined and began treat- help determine the dates of execution. XRF was ment on two twentieth-century tapestries: further used to determine the alloy composition Coquarlequin by Jean Lure at and Variation sur of early sixteenth-century bronzes, which aided "Aubette" by Jean Arp and completed condition in the establishment of dates and locations of reports on outgoing and incoming loans for the manufacture. A bronze sculpture by Henri Matisse exhibitions Palace and Mosque: Islamic Art from and a palette used by James McNeill Whistler the Victoria and Albert Museum and Origins of were also studied using XRF. European Printmaking. Technical studies of 's Loan and exhibition conservators examined Portrait of a Lady in the Gallery's collection and 1,982 works of art lent to the Gallery's special Portrait of Anthony of Burgundy and Portrait of Laurent exhibitions during fiscal year 2005. Additionally, Froimont at the Musees royaux des Beaux-Arts de these conservators had an ongoing role in The Art Belgique were undertaken to help distinguish of Romare Bearden; The Cubist Paintings of Diego between work executed by van der Weyden's : Memory, Politics, Place; Toulouse-Lautrec workshop and that by the artist. and Montmartre; and All the Mighty World: The Through a collaboration with the National Photographs of Roger Fenton, 1852—1860. The Gallery, London, cross sections and pigment dis- frame conservators completed 230 major and persions were studied to gain insight into the minor treatments and fabricated seven frames for materials and methods used by Sienese masters. paintings in the collection and special exhibitions. Analyses of samples from the Gallery's Joseph of Staff matted 1,870 works of art on paper, prepared Egypt by the Master of the Griselda Legend and fifty-seven books for exhibition or loan, and Claudia Quinta by Neroccio de' Landi were constructed eighteen microclimate cases for undertaken. Cross sections from Pietro Orioli's loans with special requirements. Sulpitia from the Walters Art Musem in Baltimore Gallery research scientists used advanced and Matteo di Giovanni's Tomyris Queen of the scientific methodology to study artists' methods Assegetie from the University Art Museum and materials and to test and develop materials in Bloomington were also included in the study. used in the treatment of works of art. A study of The initial phase of research into the materials Rembrandt's The Mill and an analysis of the and techniques of fifteenth-century painted painting materials of early Netherlandish diptychs woodcuts, in collaboration with paper conservators were conducted to provide technical research for and the Germanisches National Museum, was upcoming Gallery exhibitions. completed in conjunction with the exhibition Using gas chromatography mass spectrometry Origins of European Printmaking. (GCMS), scientists were able to identify a matte Studies on the effectiveness of stabilizing additives grayish coating on the surface of Cezanne's for clear coatings were undertaken. A study of the Houses in Provence as an egg coating, a discovery that yellowing and associated fluorescence of drying enabled the conservator to design an enzymatic oils was begun. A start was made in the building cleaning for its safe removal. Micro attenuated of a library of spectral data using a microspec- total reflection (ATR)--transform infrared trometer of the colorant cochineal carmine, which spectroscopy (FTIR) was used to examine coat- is used to facilitate identification of small samples ings on works by John Marin and photographs of dyes and fluorescent pigments. A trial run was by Alfred Stieglitz, and to successfully identify conducted on the prototype multispectral camera the substrate of an intaglio plate by Felix Buhot system, developed by professor Roy Berns and his as gelatin. staff at the Rochester Institute of Technology in In collaboration with the Tate Gallery in conjunction with the Gallery to generate highly London and the Getty Conservation Institute, accurate color reproductions.

NATIONAL GALLERY OF ART 2005

{37}

TREASURER'S REPORT

continued rally in the stock market led to a third consecutive year of positive returns, providing A the resources for continuing the Gallery's quality programs and initiatives. Our focus on the enhancement of the core programs of collecting, exhibiting, preserving, and educating remains the focus of our commitment financially and programmatically.

nformation Technology continues to play a collection, buildings, and grounds, and providing major role in meeting the ever-increasing art education programs to the public and scholars Idemand to deliver key programs to a broader would not be possible without this support. The range of audiences. With crucial federal funding Gallery's federal support was provided for with in fiscal year 2005, the Gallery continued the the 1937 Joint Resolution of Congress, which process of replacing three of its mission-critical accepted Andrew W. Mellon's unprecedented systems: the Collection Management System, gift to the nation of his art collection, the funds to Financial Management System, and Integrated construct the West Building, and an endowment Security Management System. fund; the Joint Resolution pledged the faith of Our ability to replace these old legacy systems the United States to provide funds for the and change the way in which we deliver key operations and maintenance of the Gallery, so programs in the coming years will help us to that the Gallery would be open to the public further fulfill our national mandate by increasing free of charge 363 days a year. our interaction with the public through greater access to the collection, special exhibitions, and ISCUSSION OF OPERATING RESULTS For educational materials which are available on our fiscal year 2005, the Gallery reported Web site. Dan operating surplus of $10.8 million, The Gallery also continues to invest in its $4.4 million more than the operating surplus in the commitment to the repair and restoration of the prior year. While the Gallery's overall revenues Gallery's two landmark buildings, the National increased over 11.8 percent in 2005, this increase Gallery Sculpture Garden, and the grounds. was largely offset by a 7.4 percent increase in Maintaining the facilities while presenting to operating costs and expenses. The investment the public great works of art is key to our edu- return on our portfolio was positive for the third cational mission. year in a row; this increase was largely responsible We are grateful to the President and to the for the overall increase of the Gallery's net assets Congress for their support and the ongoing for fiscal year 2005. appropriations of federal funds that have allowed Fiscal year 2005 appropriated federal funds the Gallery to flourish over the years. Our mission supported necessary expenditures including in fulfilling our national role of making works of increases in salary costs and fringe benefits of art available to the public, properly caring for the Gallery employees, as well as the utilities, supplies,

NATIONAL GALLERY OF ART 2005

{40} and repair and maintenance expenses for the upturn in the financial markets and gained 14.6 operations and maintenance of the Gallery. Work percent overall in fiscal year 2005. A portion of continued on the comprehensive Master Facilities the total investment return is designated annually Plan, which addresses needed improvements to our to support the ongoing operations while the galleries, public spaces, and infrastructure and remaining gain, $51.8 million in fiscal year 2005, provides for the restoration of both the East and was used to offset realized and unrealized losses West Buildings over a fifteen- to twenty-year that were recorded in prior years. Non-operating period. Federal renovation funds support this support, including gifts and grants designated major capital project, which during fiscal year for special purposes, art acquisitions, and endow- 2005 included completing repairs to the East ment funds increased in 2005 by $8.5 million Building roof and skylights; completion of nearly when compared to the prior year, largely due to all of the final design for Work Area #3; renovation the investment return received in fiscal year 2005. of the security command center; mechanical, Operating expenses of $126.8 million for fiscal electrical, and plumbing systems renovations in the year 2005 were 7.4 percent higher than the West Building; and ongoing repair and restoration previous year, mainly due to increases in salary of both the East and West Buildings. and benefits costs, repairs and maintenance, and As part of the Gallery's mission of serving the utilities. Federal appropriated funds totaling nation, great works of art are borrowed from public $106.4 million were obligated and utilized for the and private collections around the world for special operation, maintenance, security, and renovation exhibitions seen by millions of visitors each year. of the Gallery. The Gallery's special exhibitions program began in fiscal year 2005 with the opening of Dan Flavin: TATEMENT OF FINANCIAL POSITION The A Retrospective and included other major exhi- Gallery's financial position grew stronger bitions such as Gerard ter Borch, Andre Kertesz, Sin fiscal year 2005 with net assets increas- Toulouse-Lautrec and Montmartre, Gilbert Stuart, ing $53.9 million, or 7.3 percent.This was largely and Pie ter Claesz: Master of Haarlem Still Life. due to the continued strong performance of the The federal government, through its indemnity investment portfolio in fiscal year 2005. The program of the Federal Council on the Arts and investment portfolio, which includes funds for the Humanities, is a major factor in the international operations, special purpose funds, and endow- component of the Gallery's special exhibitions ment funds, increased $52.4 million in fiscal year program. In fiscal year 2005, seven exhibitions 2005 to $599.1 million by September 30, 2005. received this Federal indemnity, making it possible The auditor's report and the statements of for the Gallery to present exhibitions of a size financial position, activities, and cash flows for and caliber that simply would not be possible the Gallery for the years ended September 30,2005 without this crucial program. and 2004 are presented on the following pages. The Gallery enjoyed attendance of 4.5 million visitors in fiscal year 2005.

TATEMENT OF ACTIVITIES Fiscal year 2005 operating revenue totaled $137.5 million, San increase of $13.2 million, or 10.6 percent over the previous year. Most of this increase was James E. Duff a result of increased federal support for salaries Treasurer and benefits and utilities.The Gallery's investment portfolio greatly benefited from the continued

NATIONAL GALLERY OF ART 2005

{41} REPORT OF INDEPENDENT AUDITORS

PNCB/VATEMOUSEQOPERS 11

TO THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART

In our opinion, the accompanying statements of financial position and the related statements of activities and cash flows, present fairly, in all material respects, the financial position of the National Gallery of Art (the Gallery) at September 30, 2005, and the changes in its net assets and its cash flows for the year then ended in conformity with accounting principles generally accepted in the United States of America. These financial statements are the responsibility of the Gallery's management; our respon- sibility is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery's 2004 financial statements, and in our report dated November 5, 2004 we expressed an unqualified opinion on those financial statements. We conducted our audit of these statements in accordance with auditing standards generally accepted in the United States of America and Government Auditing Standards issued by the Comptroller General of the United States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion expressed above. In accordance with Government Auditing Standards, we have also issued a report dated November 4, 2005, on our consideration of the Gallery's internal control structure and its compliance with laws and regulations.

Washington, D C. November 4, 2005

NATIONAL GALLERY OF ART 2005

{42} FINANCIAL STATEMENTS

STATEMENTS OF FINANCIAL POSITION September 30, 2005 and 2004

ASSETS 2005 2004 Cash and cash equivalents $ 28,042,529 $ 24,296,585 Accounts receivable, net 1,361,495 1,727,272 Pledges receivable, net 18,433,268 20,542,292 Investments 599,115,850 546,699,534 Trusts held by others 8,186,531 7,452,056 Publications , net 1,951,900 1,526,331 Deferred charges 481,516 824,640

Other assets 1,709,215 - Fixed assets, net 166,364,895 158,012,581 Art collections

Total assets $ 825,647,199 $761,081,291

LIABILITIES AND NET ASSETS

LIABILITIES: Accounts payable and accrued expenses $ 31,836,991 $ 21,079,508 Capital lease obhgation 2,305,351 2,422,025 Total liabilities 34,142,342 23,501,533

NET ASSETS: Unrestricted Designated for collections and art purchases 20,831,934 18,707,846 Designated for special exhibitions 7,125,295 5,930,924 Designated for capital projects 37,330,069 33,001,859 Designated for education and public programs 21,147,184 19,310,975 Designated for other operating purposes 41,807,447 30,250,975 Designated for publications, including systematic catalogues 23,595,412 22,420,491 Designated for fixed assets 164,059,544 155,590,556 Total unrestricted 315,896,885 285,213,626

Temporarily restricted 142,120,775 139,666,904 Permanently restricted 333,487,197 312,699,228 Total net assets 791,504,857 737,579,758 Total liabilities and net assets $ 825,647,199 $761,081,291

The accompanying notes are an integral part of these financial statements.

NATIONAL GALLERY OF ART {43} STATEMENTS OF ACTIVITIES for the years ended September 30,2005 and 2004 with summarized financial information for the year ended September 30,2004

TEMPORARILY PERMANENTLY 2005 2004 OPERATING UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL

SUPPORT AND REVENUE: U.S. Government appropriation $ 87,170,023 $ 2,983,962 $ $ 90,153,985 $ 82,852,327

Gifts and grants 5,755,457 5,257,217 - 11,012,674 11,100,796

Gallery shop sales, net 9,496,682 - - 9,496,682 9,283,398

Investment return designated for operations 14,680,317 10,591,000 - 25,271,317 19,348,281

Royalties and other income 1,598,953 - - 1,598,953 1,756,628

118,701,432 18,832,179 - 137,533,611 124,341,430 Net assets released from restrictions to fund operating expenses 16,242,210 (16,242,210) - - -

Total support and revenue 134,943,642 2,589,969 - 137,533,611 124,341,430

OPERATING EXPENSES:

Program Services:

Collections 36,261,402 - - 36,261,402 33,012,064

Special exhibitions 15,922,926 - - 15,922,926 16,346,803 Education, gallery shops and public programs 38,930,659 - - 38,930,659 36,780,372

Editorial and photography 4,473,917 - - 4,473,917 3,855,815

Total program services 95,588,904 - - 95,588,904 89,995,054

Supporting Services:

General and administrative 27,471,092 - - 27,471,092 24,359,201

Development 3,711,377 - - 3,711,377 3,672,555

Total supporting services 31,182,469 - - 31,182,469 28,031,756

Total expenses 126,771,373 - - 126,771,373 118,026,810 Increase in net assets from operating activities 8,172,269 2,589,969 - 10,762,238 6,314,620

NON-OPERATING

U.S. Government appropriation - 10,945,793 - 10,945,793 11,457,066

Non-operating gifts and grants - 6,576,500 1,301,207 7,877,707 9,771,613

Provision for bad debts - (350,000) - (350,000) (37,500) Changes in value of trusts held by others (177,125) 96,912 716,175 635,962 446,321 Investment return in excess of amount designated for operations 8,769,093 24,221,711 18,770,587 51,761,391 40,785,083 Net assets released from restrictions to fund non-operating expenses 41,627,014 (41,627,014) - - - Change in net assets from non-operating activities before acquisitions of works of art 50,218,982 (136,098) 20,787,969 70,870,853 62,422,583

Acquisitions of works of art (27,707,992) - - (27,707,992) (17,602,285) Increase in net assets 30,683,259 2,453,871 20,787,969 53,925,099 51,134,918 Net assets at beginning of year 285,213,626 139,666,904 312,699,228 737,579,758 686,444,840 Net assets at end of year $315,896,885 $142,120,775 $333,487,197 $ 791,504,857 $ 737,579,758

The accompanying notes are an integral part of these financial statements.

NATIONAL GALLERY OF ART 2005

{44} STATEMENTS OF CASH FLOWS for the years ended September 30, 2005 and 2004

CASH FLOWS FROM OPERATING ACTIVITIES: 2005 2004

Increase in net assets $ 53,925,099 $ 51,134,918

ADJUSTMENTS TO RECONCILE INCREASE IN NET ASSETS TO NET CASH PROVIDED BY (USED IN) OPERATING ACTIVITIES:

Depreciation and amortization 7,830,712 6,821,070 Amortization of discount on pledges receivable (262,578) (294,070)

Provision for bad debts 350,000 37,500 Contributions and net investment income for permanently restricted investments (1,301,207) (5,646,571)

Receipt of donated assets (1,715,000) - U.S. Government appropriations for renovation projects (10,945,793) (11,457,066) Gifts and grants for art acquisitions and capital projects (6,576,500) (4,198,592) Acquisitions of works of art 27,707,992 17,602,285 Realized gains on sale of investments (31,224,751) (24,514,194) Unrealized gains on investments (39,657,991) (29,426,010) Increase in value of trusts held by others (734,475) (535,985) Decrease in accounts receivable, net 365,777 363,363 Decrease (increase) in pledges receivable, net 1,495,014 (511,105) (Increase) decrease in publications inventory, net (425,569) 83,539 Decrease (increase) in deferred charges 343,124 (29,077) Increase in accounts payable and accrued expenses 2,995,068 487,543 Net cash provided by (used in) operating activities 2,168,922 (82,452)

CASH FLOWS FROM INVESTING ACTIVITIES: Purchase of investments (218,990,141) (149,023,201) Proceeds from sale of investments 237,456,567 162,225,320 Acquisitions of works of art (20,662,953) (17,597,748) Purchase of fixed assets (15,465,650) (19,406,168)

Sale of other assets 5,785 - Net cash used in investing activities (17,656,392) (23,801,797)

CASH FLOWS FROM FINANCING ACTIVITIES:

Contributions and net investment income for permanently restricted investments 3,605,614 1,073,695 U.S. Government appropriations for renovation projects 10,945,793 11,457,066 Gifts and grants for art acquisitions and capital projects 4,798,681 4,962,210 Principal payment on capital lease obligation (116,674) (106,439) Net cash provided by financing activities 19,233,414 17,386,532 Net increase (decrease) in cash and cash equivalents 3,745,944 (6,497,717) Cash and cash equivalents, at beginning of year 24,296,585 30,794,302 Cash and cash equivalents, at end of year $ 28,042,529 $ 24,296,585

SUPPLEMENTAL DISCLOSURE OF NON-CASH INFORMATION: Donated investment securities $ 998,542 $ 1,931,228 Receipt of donated assets $ 1,715,000 $ — Fixed asset additions included in accounts payable $ 717,376 $ 452,574 Interest paid on capital lease $ 221,615 $ 231,354

The accompanying notes are an integral part of these financial statements.

NATIONAL GALLERY OF ART

{45} NOTES

1. SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES

GENERAL Unrestricted net assets include "one-year" federal appropriations The National Gallery of Art (the Gallery) receives an annual and all other resources, which are not subject to donor-imposed appropriation to cover its core programs as part of the budget restrictions. One-year federal appropriations which are not approved annually by Congress and signed by the President. obligated or expended are retained by the Gallery in accordance This is supplemented with income from endowments designat- with federal guidelines. At the discretion of the Gallery's Board ed for current operating expenditures as well as gifts and grants ofTrustees, private funds which are not expended for operating designated by the donors for specific programmatic activity. activities may be set aside in designated reserves and earmarked (All monies, related activities and balances from federal sources to cover future program costs or other contingencies. are referred to herein as "federal," while all other monies, Temporarily restricted net assets carry specific donor- related activities and balances are referred to herein as "private.") imposed restrictions on the expenditure or other use of the All identified inter-fund transactions have been eliminated contributed funds. In addition, the Gallery's "no-year" federal from the financial statements. appropriations for special exhibitions, emergency response, and for the repair, renovation and restoration of its buildings are MEASURE OF OPERATIONS classified as temporarily restricted net assets. The Gallery includes in its measure of operations all federal and Temporary restrictions may expire as a result of fulfillment of private support and revenue and expenses that are integral the donor's wishes or the passage of time. Net assets released to its core program services: collections; special exhibitions; from temporarily restricted net assets to unrestricted net assets education, gallery shops and public programs; and editorial and occur when contributions are expended or time restrictions photography. The measure of operations excludes certain non- lapse and are reported as net assets released from restrictions in operating activities such as non-operating gifts and grants, the statement of activities. investment return in excess of amounts designated for operations Permanently restricted net assets have donor-imposed and acquisitions of works of art. restrictions which stipulate that the corpus of the gifts be The Gallery's Board ofTrustees designates only a portion of retained permanently. In some cases, the donor has also perma- the Gallery's cumulative investment return for support of current nently restricted the use of excess income and any realized or operations; the remainder is retained to support operations of unrealized gains attributable to the corpus. future years and offset potential market declines. The amount designated (a portion of which is computed under the spend- CASH AND CASH EQUIVALENTS ing policy) and all interest income earned by investing cash Cash and cash equivalents include interest-bearing demand in excess of daily requirements are used to support current deposits and appropriated amounts remaining on deposit with operations (see Note 5). the U.S.Treasury.The Gallery considers all highly liquid invest- ments with an original maturity of three months or less to be SUMMARIZED FINANCIAL INFORMATION cash equivalents, except where such cash equivalents are held as The financial statements include certain summarized prior- part of a long-term investment strategy (see Notes 2 and 5). year information in total only, but not by net asset class. Such information does not include sufficient detail to constitute a PLEDGES RECEIVABLE presentation in conformity with accounting principles generally Unconditional promises to contribute to the Gallery in the accepted in the United States of America. Accordingly, such future (pledges receivable) are recorded at the present value of information should be read in conjunction with the Gallery's future cash flows, using a risk-free rate of return, after providing financial statements for the year ended September 30, 2004 an allowance for uncollectibility. from which the summarized information was derived. INVESTMENTS NET ASSETS Investments are generally carried at value based upon quoted The Gallery's net assets, support and revenue, expenses, gains market price when available at the end of the fiscal year. and losses are classified based on the existence or absence of Certain investments in limited partnerships are valued by the donor-imposed restrictions. Accordingly, net assets of the general partner. A portion of the limited partnerships are Gallery are classified and reported as follows: invested in non-marketable securities for which there are no

NATIONAL GALLERY OF ART 2005

{46} readily obtainable market values, and the valuation of these ART COLLECTIONS investments may be based on historical cost, appraisals, obtainable The Gallery's art collections focus upon European and American prices for similar assets, or other estimates. Because of the paintings, sculpture and works on paper. In conformity with uncertainty of valuation for the Gallery's investments in limited accounting procedures generally followed by art museums, the partnerships, values for those investments may differ from value of art has been excluded from the statement of financial values that would have been used had a ready market for the position. The Gallery's collections are maintained for public investments existed. Purchases and sales of securities are exhibition, education and research in furtherance of public service, reflected on a trade-date basis. Gain or loss on sales of securities rather than for financial gain. is based on average historical value (cost of securities if The Gallery acquires its art collections through purchase or by purchased or the fair market value at the date of gift if donation-in-kind. Only current year purchases made from received by donation). Dividend and interest income is specifically designated funds, not donations-in-kind, are reflected recorded on the accrual basis. In accordance with the policy of in the statement of activities. The Gallery does not deaccession stating investments at fair value, the net change in unrealized any of its permanent collections. appreciation or depreciation for the year is reflected in the statement of activities (see Note 5). ACCRUED LEAVE Annual leave is accrued as it is earned by employees and is TRUSTS HELD BY OTHERS included in personnel compensation and benefit costs. An The Gallery has been named as beneficiary in several irrevo- unfunded liability as of the date of the financial statements is cable charitable trusts held by third .The Gallery's share recognized for earned but unused annual leave by federal of these trusts is recorded at current fair value. Income employees since this annual leave will be paid from future federal distributions from these trusts are recorded as investment appropriations when the leave is used by employees. The income and changes in the value of these trusts are recorded amount accrued is based upon current pay of the employees. as "changes in the value of trusts held by others" in the statement of activities. EMPLOYEE BENEFITS The Federal Accounting Standards Advisory Board issued PUBLICATIONS INVENTORY Statement of Federal Financial Accounting Standards No. 5 Publications inventory is carried at the lower of cost or market. (SFFAS No. 5), "Accounting for Liabilities of the Federal Cost is determined using the retail cost method. Government," which requires employing agencies to recognize the cost of pensions and other retirement benefits during their DEFERRED CHARGES employees' active years of service. The pension expense recognized Deferred charges represent private expenses incurred in in the Gallery's financial statements is equal to the current service connection with future special exhibitions and other activities cost for the Gallery's employees for the accounting period less and are recognized in the period in which the exhibition or the amount contributed by the employees. The measurement activity occurs. of the pension service cost requires the use of an actuarial cost method and assumptions with factors applied by the Gallery. FIXED ASSETS These factors are supplied by the Office of Personnel The land occupied by the Gallery's buildings was appropriated Management (OPM), the agency that administers the plan. The and reserved by the Congress of the United States for that pur- excess of the recognized pension expense over the amount pose. No value has been assigned in the accompanying financial contributed by the Gallery represents the amount being statements. Buildings are recorded at cost and depreciated on a financed directly through the Civil Service Retirement and straight-line basis over the estimated useful life of fifty years. Disability Fund administered by OPM. This amount is consid- Building improvements, equipment, furniture and computer ered imputed financing by the Gallery. software are also recorded at cost and depreciated on a straight-line All permanent employees of the Gallery, both federal and basis over estimated useful lives ranging from five to twenty-five non-federal, hired subsequent to January 1,1984 participate in years. Upon retirement of fixed assets, the related cost and accu- both the Social Security Retirement System and the Federal mulated depreciation are removed from the accounts (see Note 8). Employees' Retirement System (FERS). Employees hired prior

NATIONAL GALLERY OF ART 2005

{47} to January 1, 1984 had the option of remaining under the Civil includes travel, transportation of items and other services Service Retirement System (CSRS) or electing FERS. All necessary for the display of special exhibitions. Education, employees have the option to make tax-deferred contributions gallery shops and public programs includes the cost of providing to a Thrift Savings Plan and, in some instances, receive a matching a wide array of lectures, tours, films, music, symposia and academic portion from the Gallery. The Gallery funds all retirement programs to the general public, in addition to gallery shop cost contributions on a current basis, and accordingly there are no of goods sold and expenses. Editorial and photography includes unfunded retirement costs (see Note 12). the costs to produce the many publications produced by the SFFAS No. 5 also requires that the Gallery recognize a cur- Gallery. General and administrative includes expenses for executive rent-period expense for the future cost of post-retirement management, financial administration, information systems, health benefits and life insurance for its employees while they are human resources and legal services. Development includes the still working. The Gallery accounts for and reports this expense in expenses associated with individual and corporate gifts and its financial statements in a manner similar to that used for pension grants, annual appeals and other fundraising efforts. expense, with the exception that employees and the Gallery do not make current contributions to fund these future benefits. ESTIMATES The preparation of the financial statements, in conformity with IMPUTED FINANCING SOURCES generally accepted accounting principles, requires management In certain cases, the operating costs of the Gallery are paid out to make estimates and assumptions that affect the reported of funds appropriated to other Federal agencies. As an example, amount of assets and liabilities, disclosure of contingent assets and the law requires certain costs of retirement programs be paid by liabilities, and the reported amounts of support and revenue and OPM and certain legal judgments against the Gallery be paid expenses at the date of the financial statements and during the from the Judgment Fund maintained by Treasury. Costs that are reporting period. Actual results could differ from these estimates. identifiable to the Gallery and directly attributable to the Gallery's operations are paid by these Federal agencies. RECLASSIFICATIONS Certain prior year balances have been reclassified to conform to CONTRIBUTED SERVICES AND DONATED ASSETS current year presentation. The Gallery has volunteers who provide assistance in various departments. Such contributed services do not meet the criteria for recognition of contributed services contained in Statement of 2. CASH AND CASH EQUIVALENTS Financial Accounting Standards No. 116, "Accounting for Contributions Received and Contributions Made," and, accord- As of September 30, 2005 and 2004, cash and cash equivalents ingly, are not reflected in the accompanying financial statements. include federal cash of $25,258,110 and $21,574,900, respectively, Donated assets, which do not become part of the Gallery's art on deposit with the U.S. Treasury representing appropriated collections, are recorded at their fair value at the date of the gift. amounts yet to be disbursed. There are no reconciling items The Gallery does not imply time restrictions for gifts of long-lived between the amounts recorded by the Gallery and on deposit assets. As a result, in the absence of donor-imposed restrictions, with the U.S. Treasury. gifts of long-lived assets are reported as unrestricted revenue.

FUNCTIONAL ALLOCATION OF EXPENSES The cost of providing various programs and other activities has been summarized on a functional basis in the statement of activities. Certain costs including depreciation, utilities, building maintenance, security and other operating costs have been allocated among program and supporting services. Included under the Collections category are the costs of the care and display of the Gallery's collections. Special exhibitions

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{48} 3. ACCOUNTS RECEIVABLE, NET

As of September 30, 2005 and 2004, accounts receivable consisted of the following:

2005 2004 Accrued investment income $ 723,153 $ 603,269 Special exhibition and other program receivables 507,085 786,029 Other 219,013 425,821 Subtotal 1,449,251 1,815,119 Less allowances (87,756) (87,847) Total $ 1,361,495 $ 1,727,272

4. PLEDGES RECEIVABLE, NET

As of September 30, 2005 and 2004, pledges receivable consisted of the following:

2005 2004 Due in one year or less $ 5,896,816 $ 6,140,139 Due between one year and five years 13,022,297 14,767,294 Due in more than five years 300,000 600,000 Subtotal 19,219,113 21,507,433 Less discounts of $635,845 and $665,141 and allowances of $150,000 and $300,000, respectively (785,845) (965,141) Total $ 18.433,268 $ 20,542,292

5. INVESTMENTS

As of September 30, 2005 and 2004, investments consisted of the following:

2005 2004 COST FAIR VALUE COST FAIR VALUE Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Government obligations, cash and money market funds 7,209,363 7,209,363 7,492,476 7,492,476 Common and preferred stocks 132,197,845 162,020,977 125,018,325 150,259,369 Mutual funds (equity & fixed income) 310,021,381 371,774,699 304,414,360 336,790,984 Alternative investments 45,690,737 53,110,811 45,435,840 47,156,705 Total $ 500,119,326 $ 599,115,850 $ 487,361,001 $ 546,699,534

In 1942, the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the U.S. Treasury. This loan bears interest at Va% below the average monthly rate for long-term funds paid by the U.S. Treasury (ranging from 4.0% to 4.5% during fiscal year 2005). Interest income on this loan was $215,503 and $233,038 for the years ended September 30, 2005 and 2004, respectively. Investments in common and preferred stocks and mutual funds consist of the Gallery's ownership interest in externally managed investment funds, which invest in market-traded equity and fixed income securities. Alternative investments, totaling $53,110,811 and $47,156,705 at September 30, 2005 and 2004, respectively, represent the Gallery's ownership interest in externally managed funds organized as limited partnerships which have been valued by the general partners and which are generally subject to certain withdrawal restrictions.

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(49} According to the Gallery's spending policy set by the Board of Trustees, only a portion of the total investment return derived from investments is available to support current operations, while the remainder is reinvested. Under this spending policy, 5% of the average fair value of endowment investments at the end of the previous three-and-one quarter years is available to support operations. The following schedule summarizes the investment return and its classification in the statement of activities:

TEMPORARILY PERMANENTLY 2005 2004 INVESTMENT RETURN DESIGNATED FOR OPERATIONS UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL

Interest on short-term investments $ 581,751 $ $ $ 581,751 $ 396,593 Investment return not designated by spending policy for operations 12,303,566 12,303,566 7,095,688 Investment return designated by spending policy for operations 1,795,000 10,591,000 12,386,000 11,856,000

Total investment return designated for operations $ 14,680,317 $ 10,591,000 $ — $ 25,271,317 $ 19,348,281

INVESTMENT RETURN IN EXCESS OF AMOUNT DESIGNATED FOR OPERATIONS Dividends and interest (net of expenses of $1,535,805 and $1,219,810, respectively) $ 1,433,990 $ 4,104,130 $ 30,095 $ 5,568,215 $ 5,796,567 Net investment appreciation 21,433,669 30,708,581 18,740,492 70,882,742 53,940,204 Total return on long-term investments 22,867,659 34,812,711 18,770,587 76,450,957 59,736,771 Investment return not designated by spending policy for operations (12,303,566) (12,303,566) (7,095,688) Investment return designated by spending policy for operations (1,795,000) (10,591,000) (12,386,000) (11,856,000) Investment return in excess of amount designated for operations $ 8,769,093 $ 24,221,711 $ 18,770,587 $ 51,761,391 $ 40,785,083

6. PUBLICATIONS INVENTORY, NET

As of September 30, 2005 and 2004, net publications inventory consisted of the following:

2005 2004 Retail $1,183,513 $1,111,205 Work-in-process 657,985 244,472 Consignment 484,111 528,066 2,325,609 1,883,743 Less allowance for obsolescence (373,709) (357,412) Total $1,951,900 $1,526,331

7. OTHER ASSETS

During fiscal year 2005, the Gallery received real property and a furniture collection, with an estimated fair value of $1,715,000 at the date of donation. The Gallery has decided to dispose of these assets and is actively marketing them for sale.

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{50} 8. FIXED ASSETS, NET

As of September 30, 2005 and 2004, net fixed assets consisted of the following:

2005 2004 Buildings and improvements $ 248,923,471 $ 239,245,270 Equipment 37,068,761 34,089,982 Construction-in-progress 11,228,319 7,702,273 Equipment under capital lease 2,962,381 2,962,381 300,182,932 283,999,906 Less accumulated depreciation and amortization (133,818,037) (125,987,325) Total $ 166,364,895 $ 158,012,581

Depreciation and amortization expense was $7,830,712 and $6,821,070 for fiscal years 2005 and 2004, respectively.

9. UNEXPENDED APPROPRIATIONS

The Gallery's unexpended federal appropriations as of September 30, 2005 and 2004 are as follows:

NO-YEAR NO-YEAR TOTAL 2005 TOTAL 2004 NO-YEAR SPECIAL EMERGENCY FEDERAL FEDERAL ONE-YEAR RENOVATION EXHIBITION RESPONSE APPROPRIATED APPROPRIATED FUNDS FUNDS FUNDS FUNDS FUNDS FUNDS

BALANCE BEGINNING OF PERIOD: Available $ 3,936 $ 4,542,714 $ 13,706 $ 739 $ 4,561,095 $ 5,321,332

Unavailable 838,798 - - - 838,798 552,106 Total beginning unexpended appropriations 842,734 4,542,714 13,706 739 5,399,893 5,873,438 Unavailable authority returned to U.S. Treasury (201,561) — — — (201,561) (161,479) U.S. Government funds provided for prior years 201,532 — — — 201,532 445,842

Current appropriation received 88,724,038 10,945,793 2.983,962 - 102,653,793 98,223,600

OBLIGATIONS INCURRED:

Art care (27,007,931) - - - (27,007,931) (26,019,364)

Operations and maintenance (19,782,028) - - - (19,782,028) (17,830,906)

Security (18,036,424) - - • (582) (18,037,006) (17,508,777)

General and administrative (19,035,371) - - - (19,035,371) (18,502,125)

Special exhibitions - - (2,981,583) - (2,981,583) (3,041,231)

Renovation and equipment (4,858,525) (14,686,293) - - (19,544,818) (16,079,105) Total obligations incurred (88,720,279) (14,686,293) (2,981,583) (582) (106,388,737) (98,981,508)

NET CHANGE 3,730 (3,740,500) 2,379 (582) (3,734,973) (473,545) Balance end of period: Available 3,759 802,214 16,085 157 822,215 4,561,095

Unavailable 842,705 - - - 842,705 838,798 Total ending unexpended appropriations $ 846,464 $ 802,214 $ 16,085 $ 157 $ 1,664,920 $ 5,399,893

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{51} 10. NET ASSETS RELEASED FROM RESTRICTIONS

Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2005 2004 OPERATING NON-OPERATING OPERATING NON-OPERATING Acquisition of art $ $ 27,507,992 $ $ 16,939,640

Collections 1,393,723 - 1,293,128 -

Special exhibitions 6,257,704 - 6,547,213 -

Education and public programs 4,629,530 - 3,893,430 -

Editorial and photography 51,787 - 45,743 -

Capital projects - 14,119,022 - 17,801,293

Operations 3,909,466 - 4,060,328 - Total $ 16,242,210 $41,627,014 $ 15,839,842 $34,740,933

11. ANALYSIS OF RESTRICTED NET ASSETS

As of September 30, 2005 and 2004, temporarily restricted net assets and the investment income from permanently restricted net assets are restricted to support the following purposes:

2005 2004 TEMPORARILY PERMANENTLY TEMPORARILY PERMANENTLY RESTRICTED RESTRICTED RESTRICTED RESTRICTED Acquisition of art $ 61,596,839 $ 89,232,171 $ 65,468,780 $ 87,036,292 Collections 3,435,285 29,858,639 2,604,444 27,719,274 Special exhibitions 9,490,709 22,241,366 8,277,917 22,093,168 Education and public programs 32,620,895 65,895,619 29,314,037 59,148,823

Editorial and photography 128,970 - 118,257 -

Capital projects 9.765,180 - 10,140,506 — Operations 25,082,897 126,259,402 23,742,963 116,701,671 Total $142,120,775 $333,487,197 $139,666,904 $312,699,228

12. EMPLOYEE BENEFITS

Total pension expense recognized in the Gallery's financial statements was $5,364,307 and $4,729,340 for the years ended September 30, 2005 and 2004, respectively. These amounts do not include pension expense financed by OPM and imputed to the Gallery of $1,681,502 and $1,744,716, respectively. To the extent that Gallery employees are covered by the thrift savings compo- nent of FERS, the Gallery's payments to the plan are recorded as operating expenses. The Gallery's costs associated with the thrift savings component of FERS for the years ended September 30, 2005 and 2004, were $1,568,094 and $1,495,254, respectively. In addition, the Gallery makes matching contributions for all employees who are eligible for current health and life insurance benefits.The Gallery's contributions for active employees are recognized as operating expenses. During fiscal years 2005 and 2004, the Gallery contributed $3,967,431 and $3,657,989, respectively. Using the cost factors supplied by OPM, the Gallery has not recognized as an expense in its financial statements the future cost of post-retirement health benefits and life insurance for its employees.These costs amounted to approximately $4,896,900 and $4,432,900 during fiscal years 2005 and 2004 respectively, and are financed by OPM and imputed to the Gallery.

NATIONAL GALLERY OF ART 2005

{52} The Gallery has a commitment to certain key employees whereby the Gallery will pay those employees a specified amount at a future point in time. The cost of these benefits is accrued over the key employees' future years of service to the Gallery. The cost of these benefits for fiscal year 2005 totals $131,717, and is recognized as an expense in the statement of activities and as a liability included in accounts payable and accrued expenses in the accompanying statement of financial position.

13. INCOME TAXES

The Gallery is a nonprofit organization exempt from federal income taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code.

14. LEASE COMMITMENTS

During fiscal year 2002, the Gallery entered into a capital lease obligation in connection with the installation of equipment. The Gallery has also entered into several operating leases for warehouse and office space, which continue through January 31, 2013. The terms of these operating leases include additional rent for operating expenses, real estate taxes, utilities and maintenance. Future minimum lease payments under these leases for the fiscal years ending September 30 are as follows:

CAPITAL LEASE OPERATING LEASES 2006 $ 338,801 $ 3,409,230 2007 339,327 3,476,725 2008 339,870 3,589,661 2009 340,429 2,971,378 2010 341,004 2,786,755 Thereafter 2,059,118 6,504,312 Total minimum lease payments 3,758,549 $22,738,061 Less amount representing interest (1,453,198) Present value of minimum capital lease payments $ 2,305,351

Rental expense was approximately $3,581,733 and $3,191,537 for the years ended September 30, 2005 and 2004, respectively.

NATIONAL GALLERY OF ART 2005

{53} ACQUIS ITION S

PAINTINGS Friedrich, Caspar David, German, Poelenburch, Cornells van, Dutch, >Leopard, model 1831, bronze, 2005.35.2 1774-1840 1594/1595-1667 > Walking Panther, model 1831, bronze, Audubon, John James, American, >Northern Landscape, Spring, c. 1825, > The Prophet Elijah and the Widow of 2005.35.3, Gift of Elizabeth L. Klee 1785-1851 oil on canvas, 2004.113.1, Patrons' Zarephath, c. 1630, oil on panel, > Tiger Devouring a Gavial of the Ganges, >Osprey and Weakfish, 1829, oil on Permanent Fund 2004.101.2, Gift of Joseph F. McCrindle model 1831, bronze, 2004.166.2, Gift of canvas on hardboard, 2005.32.1, in honor of John Thomas Rowe, Jr. Frank Anderson Trapp Huet, Paul, French, 1803-1869 Gift of Richard M. Scaife > Woodland Stream, c. 1840, oil on Remond, Jean-Charles-Joseph, French, Bottee, Louis-Alexandre, French, Barbieri, Giovanni Francesco, called canvas, 2004.166.23, Gift of Frank 1795-1875 1852-1941 Guercino, Italian, 1591-1666 Anderson Trapp >Ancient Ruins Near Messina, Sicily, >The Damnation of Cain (Cain maudit >Self-Portrait before a Painting of "Amor 1842, oil on paper on canvas, par I'eternel), 1878, bronze, 2004.148.1, Jawlensky, Alexej von, Russian, Fedele", 1655, oil on canvas, 2004.166.32, Gift of Frank Anderson Trapp Anonymous Gift 1864-1941 2005.13.1, Patrons' Permanent Fund >Still Life with Bottles and Fruit, 1900, Reuter, Willem, Flemish, c. 1642-1681 Broodthaers, Marcel, Belgian, 1924-1976 Bertin, Jean-Victor, French, 1767-1842 oil on canvas, 2004.140.38 > Saint John the Baptist Preaching, >Panneau de Moules (Mussel Painting), > Woodland Scene with Nymphs and a >Frosty Day, 1915, oil on paper on c. 1665, oil on canvas, 2004.101.3, 1966, mussel shells, resin, and paint on Herm, c. 1810, oil on canvas, 2004.166.4 cardboard, 2004.140.39 Gift of Joseph F. McCrindle panel, 2005.36.1, Gift of the Collectors >Shepherd with His Flock, c. 1820, >Red Path, St. Prex, 1915, oil on paper Committee Sarazin de Belmont, Louise-Josephine, oil on canvas, 2004.166.3, Gift of Frank on cardboard, 2004.140.40, Gift of French, 1790-1870 Carpeaux, Jean-Baptiste, French, Anderson Trapp Benjamin and Lillian Hertzberg > View of the Castello di San Giuliano, 1827-1875 Brookes, Samuel Marsden, American, Joy ant, Jules-Romain, French, nearTrapani, Sicily, c. 1824/1826, oil on >Bust of a Chinese Man, model c. 1872, 1816-1892 1803-1854 canvas, 2004.166.34 terracotta, 2004.166.7, Gift of Frank >Still Life with Fan and Pendant, > The Church of Santo Trovaso, Venice, > The Roman Theater at Taormina, 1828, Anderson Trapp c. 1865/1875, oil on board, 2004.165.3, c. 1830, oil on paper on canvas, oil on paper on canvas, 2004.166.33, Chaplain, Jules-Clement, French, Gift (Partial and Promised) of William 2004.166.24 Gift of Frank Anderson Trapp 1839-1909 and Abigail Gerdts > The Scuola di San Marco, Venice, c. 1830, Schalcken, Godfried, Dutch, 1643-1706 > Family Values (obverse), French Society oil on paper on canvas, 2004.166.25, Brush, George de Forest, American, > Woman Weaving a Crown of Flowers, for Affordable Housing (reverse), 1891, Gift of Frank Anderson Trapp 1855-1941 c. 1675/1680, oil on panel, 2005.26.1, bronze, 2004.156.2.a-b, Gift of Mark >An Aztec Sculptor, 1887, oil on panel, Kelly, Ellsworth, American, born 1923 The Lee and Juliet Folger Fund and Lynne Hammerschlag 2005.107.1, Gift (Partial and Promised) > Color Panels for a Large Wall, 1978, Soutine, Chaim, Russian, 1893-1943 Charpentier, Alexandre, French, 1856-1909 of the Ann and Tom Barwick oil on canvas, 2005.87.1, Purchased >Piece of Beef 1923, oil on canvas, >A Bather, c. 1890, bronze, 2004.138.1, Family Collection with funds provided and promised by 2004.126.1, Chester Dale Fund Eugene L. and Marie-Louise Garbaty The Glenstone Foundation, Mitchell P Close, Chuck, American, born 1940 Fund Rales, Founder Vuillard, Edouard, French, 1868-1940 >Nat, 1971, acrylic on canvas, >Alexandre-Charles Monod, 1843-1921, >The , c. 1892/1893, oil on 2005.108.1, Gift (Partial and Promised) Landseer, Sir Edwin, British, 1802-1873 Surgeon (obverse) canvas, 2004.140.33, Gift of Benjamin of Anita and Burton Reiner >Lion Defending Its Prey, c. 1840, oil on >Monod Demonstrating a Procedure in and Lillian Hertzberg >Jasper, 1997-1998, oil on canvas, paper on canvas, 2004.166.26, Gift of the Operating Theatre (reverse), c. 1906, 2004.141.1, Gift of Ian and Annette Frank Anderson Trapp Witte, Emanuel de, Dutch, c. 1617- bronze, 2004.156.3.a-b Cumming 1691/1692 >Painting (La peinture) (obverse) Lanoue, Felix-Hippolyte, French, > The Interior of the Oude Kerk, > Intertwined Branches of Laurel and Deakin, Edwin, American, 1838-1923 1812-1872 Amsterdam, c. 1660, oil on canvas, Evergreen (reverse), 1897, bronze, > Grapes Against White Wall, 1883, oil > View of La Cava, c. 1840, oil on canvas, 2004.127.1, Patrons' Permanent Fund 2004.156.4.a-b, Gift of Mark and Lynne on canvas, 2004.165.4, Gift (Partial and 2004.166.27, Gift of Frank Anderson Trapp Hammerschlag Promised) of William and Abigail Gerdts LeWitt, Sol, American, born 1928 SCULPTURE Dalou, Aime-Jules, French, 1838-1902 Fleury, Leon-Frangois-Antoine, French, >Objectivity, 1962, oil on canvas, > The Binder (Le botteleur), model c. 1894, 1804-1858 2005.31.1, Gift of the Collectors Barrias, Louis-Ernest, French, 1841-1905 cast c. 1907/1934, bronze, 2004.166.8 >On the Bay of Naples, c. 1830, oil on Committee > Nature Unveiling Herself before Science, > Portrait Mask of a Man (Probably Etienne paper, 2004.166.15 Mangold, Robert, American, born 1937 model 1895/1899, cast c. 1900, bronze, Caijat), model c. 1891, cast after 1907, >The Tomb of Cecaelia Metella, c. 1830, > Yellow Wall (Section I + II), 1964, 2004.166.1, Gift of Frank Anderson Trapp bronze, 2004.166.9, Gift of Frank oil on canvas, 2004.166.16, Gift of Frank oil and acrylic on plywood and metal, Anderson Trapp Anderson Trapp Bartholomew, Edward S., American, 2004.124.1, The Nancy Lee and Perry 1822-1858 David d'Angers, Pierre-Jean, French, Frankenthaler, Helen, American, Bass Fund >Ruth, Oprah, and Naomi, 1855, marble, 1788-1856 born 1928 Norblin de la Gourdaine, Sebastien- 2004.165.1, Gift (Partial and Promised) > Marshall Jean-Baptiste Kleber, 1753- >Nature Abhors a Vacuum, 1973, acrylic Louis-Guillaume, French, 1796-1884 of William and Abigail Gerdts 1800, French General, 1831, bronze, on canvas, 2004.129.1, Patrons' > Village on the Island of Ischia, c. 1826, 2004.166.10, Gift of Frank Anderson Trapp Permanent Fund and Gift of Audrey Barye, Antoine-Louis, French, 1795-1875 oil on paper on canvas, 2004.166.30, > Uriah P. Levy, 1792-1862, American and David Mirvish, Toronto, Canada >Eagle with Wings Outstretched and Gift of Frank Anderson Trapp Naval Officer, 1833, bronze, 2004.138.2, Open Beak, model date unknown, Eugene L and Marie-Louise Garbaty Fund cast after 1862, bronze, 2005.35.1

NATIONAL GALLERY OF ART 2005

{54} Dupre, Guillaume, French, c. 1574-1642 Maillol, Aristide, French, 1861-1944 Yencesse, Ovide, French, 1869-1947 >Horseman with Peasant, pen and brown > Christine of France, 1606-1663, >Bather with Raised Arms, model >The Greek Mint (Le frappeur grec) ink, 2004.140.4-5, Gift of Benjamin and Duchess of Savoy 1619, Regent 1637- c. 1890/1899, bronze, 2005.116.1, (obverse) Lillian Hertzberg 1648, 1637, gilded bronze with lead Gift of Mrs. Rudolf J. Heinemann > Tetradrachm of Syracuse on an Olive Bockstorfer, Christoph, German, active backing, 2005.96.2, Gift of John O'Brien Branch (reverse), 1920, bronze, Mazzuoli, Giuseppe, Italian, 1644-1725 c. 1513/1553 2004.148.4.a-b, Anonymous Gift Eakins, Thomas, American, 1844-1916 > Charity, 1700, terracotta, 2005.112.2, >The Death of Virginia, c. 1525, pen >Ecorche: Relief of a Horse (Josephine), Gift of Roy and Cecily Langdale Davis and black ink with wash, 2005.50.2, DRAWINGS c. 1882, painted plaster, 2004.145.1, in memory of Elizabeth A. Langdale Anonymous Gift Gift of Mr. and Mrs. Stuart P. Feld, (subject to life estate) Boucher, Frangois, French, 1703-1770 in honor of John Wilmerding Allegrini, Francesco, Italian, ca. 1615- > Worker at a Forge, red and white chalk McCartan, Edward, American, 1879-1947 after 1679 Elkington and Company >Isoult, 1926, bronze, 2004.125.1, > Orlando and the Thieves, pen and on buff paper, 2004.140.6, Gift of > Victoria, 1819-1901, Queen of England Patrons' Permanent Fund brown ink, 2004.140.1, Gift of Benjamin Benjamin and Lillian Hertzberg 1837 (obverse) and Lillian Hertzberg Bridges, Fidelia, American, 1834-1923 > Commemoration of the Liverpool Morris, Robert, American, born 1931 >Pink Roses, 1875, watercolor, Exhibition of 1886 (reverse), 1886, >Hook, 1963, lead box, mirrors, steel Alt, Rudolf von, Attributed to, Austrian, 2004.165.2, Gift (Partial and Promised) bronze, 2004.144.1.a-b, Gift of Ted hook, plaster casts, and acrylic vitrine, 1812-1905 of William and Abigail Gerdts Dalziel, Jr., in honor of his parents, 2005.49.1 >Belvedere Palace, Vienna, watercolor and chalk, 2004.161.2, Gift of John O'Brien Mary Morris Dalziel and George T. > Untitled (The Letter), 1964, painted Castellon, Federico, American, lead, 2005.49.2, Gift of the Collectors Dalziel, Col. USAF, Ret. Appian, Adolphe, French, 1818-1898 1914-1971 Committee >A Great Beech Tree at the Edge of a Wood, >Nude, 1930s, pen and black ink, Falguiere, Jean-Alexandre-Joseph, c. 1840, black and white chalk with gray 2005.99.5, Gift of Ruth Cole Kainen French, 1831-1900 Oldenburg, Claes, American, born 1929 wash on gray paper, 2005.62.1, >Hunting Nymph, model 1884, bronze, >U.S.A. Flag, 1960, muslin, plaster, Castro, Alex, American, born 1943 Gift of Karen B. Cohen in Honor of 2004.166.13, Gift of Frank Anderson Trapp tempera, and wire, 2004.154.1, Gift > Valhalla, 1978, gouache on offset Andrew Robison (Partial and Promised) of John and French 14th Century lithograph, 2005.23.1, Gift of Jane Mary Pappajohn Arms, John Taylor, American, 1887-1953 >Seated Apostle, limestone, Livingston in memory of Anne Truitt > Venetian Filigree (Ca D'Oro Venetia), 2005.112.1, Gift of Roy and Cecily Oudine, Eugene-Andre, French, 1810-1889 Chagall, Marc, Russian, 1887-1985 1931, graphite on tracing paper Langdale Davis in honor of Robert M. >Architecture Holding Statues of >Basket of Mushrooms, brush and black > Venetian Mirror, 1935, graphite on Kulicke (subject to life estate) Personifications of Structure, Form, and ink with gray wash and multicolored tracing paper, 2005.2.1, 2005.117.11, Color (Medal for the Societe centrale gouache, 2004.140.7, Gift of Benjamin French 19th Century Gift (Partial and Promised) of Judy and des architects) (obverse) and Lillian Hertzberg >Mercury, bronze, 2004.166.19, Gift of Leo Zickler >Inscription (reverse), model 1843, Frank Anderson Trapp Austrian 18th Century Corinth, Lovis, German, 1858-1925 French 19th Century, Probably awarded 1911, bronze, 2005.111.1. a-b, > The Martyrdom of Saint Simon (recto); > Woodland Path, , pastel, >Head of a Pharoah, steel, 2004.156.1, Gift of David and Constance Yates in Figure Studies (verso), /1730s, 2005.50.1, Anonymous Gift Gift of Mark and Lynne Hammerschlag memory of Dr. Frank Trapp black chalk, pen and brown ink, and Cosway, Richard, British, 1740/1742-1821 German or Netherlandish 17th Century Pina, Alfredo, Italian, 1883 or 1887-1966 brown wash, 2004.132.1.a-b, Ailsa > Maria Cosway with Her Daughter Louisa, >America, c. 1600/1625, lead alloy, >Richard Wagner, model 1916, bronze, Mellon Bruce Fund c. 1794, graphite and red and black 2004.118.1, Gift of Andrew M. Brown 2004.166.31, Gift of Frank Anderson Trapp Barnet, Will, American, born 1911 chalk with gray and red wash, 2005.56.1, Goldsworthy, Andy, British, born 1956 Ponscarme, Hubert, French, 1827-1903 >The Artist and His Wife Elena Barnet, Joan and David Maxwell Fund >Roof, 2004-2005, Buckingham Virginia >Mlle Foucher de Careil, 1872, bronze, 1986, conte crayon on vellum, Curry, John Steuart, American, slate, 2005.86.1, Patrons' Permanent Fund 2004.148.2, Anonymous Gift 2005.3.1, Gift of The Dorothy and 1897-1946 Herbert Vogel Collection, Dorothy and Gunther, Ignaz, German, Rodin, Auguste, French, 1840-1917 >Stallion and Jack Fighting, 1943, conte Herbert Vogel, Trustees 1725-1775 >Head of , model 1897, bronze, crayon, graphite, pen and black ink, >Male Figure, c. 1760/1770, linden, 2005.35.4 Bazicaluva, Ercole, Italian, c. 1610-1661 and white and red chalk on tracing 2005.112.3, Gift of Roy and Cecily >Head of Mrs. John Peter Russell >Men Playing Boccie in a Village, pen and paper, 2004.133.1, Monica Lind Langdale Davis in honor of Paul Mellon (Marianna Mattioao della Torre), model brown ink over graphite, 2004.140.3, Greenberg Fund (subject to life estate) 1888, bronze, 2005.35.5, Gift of Gift of Benjamin and Lillian Hertzberg Dee, Leo, American, 1930-2004 Elizabeth L. Klee Hamilton, Ann, American, born 1956 Berchem, Nicolaes Pietersz, Dutch, >Lemon, 1971, silverpoint 1620-1683 >(lineament-ball), 1994, unwound book, Roty, Louis-Oscar, French, 1846-1911 >Lemon, 1978, colored pencil on >Northern Landscape Fantasy Evoking glass, and wood, 2005.95.1-2 > The Body of President Sadi illustration board Tivoli, 1660s, red chalk, 2004.139.1, >Scripted, 1997, photo-etched gold Borne to the Pantheon (obverse) >Pamet Hill, Truro, 1988, silverpoint Ailsa Mellon Bruce Fund thimble, silver thimble, and horsehair > France Mourning the President of the > Study for "Lemon", c. 1971, colored in wood and glass box, 2005.95.1, Republic (reverse), 1894, silvered bronze, Bevan, Robert Polhill, British, 1865-1925 pencil and graphite Heather and Tony Podesta Collection, 2004.148.3.a-b, Anonymous Gift >Gate to the Farmhouse, Pont-Aven, >Study for "Lemon", c. 1975, colored Falls Church, Virginia 1890/1894, graphite and charcoal on pencil and graphite Tuttle, Richard, American, born 1941 tan paper, 2005.4.1, Gift of Agnew's Hosmer, Harriet Goodhue, American, >Study for "Lemon", c. 1975, colored >Herbert Vogel, 1974, painted wire, London, in honor of Dr. Andrew Robison 1830-1908 pencil and graphite, 2005.101.1-6, Gift 2004.98.40, The Dorothy and Herbert > Clasped Hands of Robert and Elizabeth of William and Abigail Gerdts Vogel Collection, Gift of Dorothy and Bida, Alexandre, French, 1823-1895 Barrett Browning, model 1853, bronze, > Three Studies of Heads, graphite on Herbert Vogel, Trustees Dehn, Adolf Arthur, American, 2005.41.1, Gift in honor of Margaret blue paper, 2004.166.5, Gift of Frank 1895-1968 Whiteread, Rachel, British, born 1963 and Raymond Horowitz Anderson Trapp >Tabarin, Wien, 1922, pen and black ink >Ghost, 1990, plaster on steel frame, after Le Brun, Charles, French, 1619-1690 Bison, Giuseppe Bernardino, Italian, >Blind Beggar, c. 1926, pen and black ink 2004.121.1, Gift (Partial and Promised) >Entry of Alexander the Great into Babylon, 1762-1844 >Bar American, 1928, pen and black ink of the Glenstone Foundation, Mitchell 18th century, gilded bronze, 2004.166.17, >Capriccio:A Fort Scene, pen and brown >Shop on 14th Street (NYC), 1929, P. Rales, Founder Gift of Frank Anderson Trapp ink and brown wash over graphite pen and black ink

NATIONAL GALLERY OF ART 2005

{55} >Opening, National Gallery of Art, c.1941, Faber, Karl Gottfried Traugott, German, > Still Life of Fruit: Concord Grapes, >Shok, 1938, graphite, pastel and crayon lithographic crayon 1786-1863 Cherries and Green Apple, 1870s, water- >VerhexteTiere, 1922, graphite >Mining, 1937, gouache > Sketchbook with Romantic Castles, Villages, color and gouache, 2004.165.8-9, >Baum- und Architektur-Rhythmen, 1920, >Top Hatted Girls, 1947, gouache and Wooded Cliffs and Panoramas around Gift (Partial and Promised) of William oil and watercolor, 2004.140.11-17, 41, watercolor Dresden, 1837, sketchbook with fifty-five and Abigail Gerdts Gift of Benjamin and Lillian Hertzberg >Pond in Central Park, 1955, gouache graphite drawings, 2005.16.1.a-ccc, Hills, Robert, British, 1769-1844 Klutsis, Gustav, Russian, 1895-1938 and watercolor Ailsa Mellon Bruce Fund > Trees by a Weir, watercolor over >The Female Worker in England, >Haitian Procession, 1956, gouache and Farrer, Henry, American, 1843-1903 graphite, 2005.58.1, Gift of Alexander 1929/1930, photocollage with gouache watercolor, 2005.121.14, 2005.121.3, > Oriental Tea Pots, watercolor, 2004.165.5, M. and Judith W. Laughlin and varnish 2005.121.1, 2005.121.13, 2005.121.9, 2005.121.8, 2005.121.16, 2005.121.11, Gift (Partial and Promised) of William Huet, Paul, French, 1803-1869 >Propaganda Stand (Workers of the World 2005.121.6, Gift of Virginia Dehn and Abigail Gerdts >Flooding in the Forest of the lie Seguin, Unite), 1922, watercolor and gouache 1833, pen and iron gall ink, 2005.62.3, over graphite, 2005.92.2, 3, Patrons' Dehodencq, Edme-Alexis-Alfred, Fay, Joseph, German, 1813-1875 Gift of Karen B. Cohen in Honor of Permanent Fund French, 1822-1882 >A Man Fleeing from a Nun Praying in Andrew Robison >Scene at a Paris Cafe, pen and black a Cemetery, graphite and gray wash, Krieger, Andrew, American, b. 1950 ink with wash, 2004.140.8, Gift of 2005.96.3, Gift of John O'Brien Italian 17th Century >Throne Room Study, 1986, ink and Benjamin and Lillian Hertzberg pencil, 2005.102.4, Anonymous Gift Flemish 16th Century >An Elaborate Altar of Colored Marble Ornamented with Sculptures, 1600s, pen in memory of Al Viebranz Delia Bella, Stefano, Italian, 1610-1664 > Saint John Preaching, 1580s, pen and and brown ink with brown, red, and >Huntsman with a Hound on a Leash, black ink with brown wash, heightened Le Prince, Jean-Baptiste, Attributed to, ochre wash and gouache, 2004.136.1, pen and brown ink, 2004.140.9, Gift of with white gouache, 2005.81.1, French, 1734-1781 William B. O'Neal Fund Benjamin and Lillian Hertzberg Ailsa Mellon Bruce Fund >Man Pulling on His Shoe, black chalk, >Four Horsemen, 1627/30, pen and brown Italian 18th Century 2004.140.18, Gift of Benjamin and French 18th Century ink, 2005.40.1, Gift of Bert Freidus >Three Men Fighting, c. 1700, pen and Lillian Hertzberg > The Temple of Minevra Medica, brown ink over black chalk, 2004.140.2, Detaille, Eugene, French, 19th century watercolor with graphite, 2004.166.18, LeWitt, Sol, American, born 1928 Gift of Benjamin and Lillian Hertzberg >Dragoon Leading a Horse, pen and Gift of Frank Anderson Trapp >Wall Drawing #1146A, 2005, black >A Town Center with a Church, pen and brown ink, 2004.166.11, Gift of Frank > The Ponte Salario with Laundresses pencil, 2005.93.1, Gift of The Dorothy brown ink with gray wash, 2004.151.2, Anderson Trapp (after Hubert Robert), c. 1780, gouache and Herbert Vogel Collection, Gift of Gift of Dr. Louis D. Kaplan and Linda Detta, W. van, Dutch, active 1870s mounted on cardboard, 2005.82.1, Dorothy and Herbert Vogel Lichtenberg Kaplan >Landscape near Strasbourg Looking toward Ivan E. and Winifred Phillips Fund Lichtenstein, Roy, American, 1923-1997 St. Gall, 1879, watercolor, 2005.96.1, Johannot, Tony, French, 1803-1852 French 19th Century >Study for "Fragmented Painting of Gift of John O'Brien >Lepeintre Aine, in the Role of Paillasse, >Circe and Ulysses, black chalk and Lemons and a Melon on a Table", 1973, c. 1831, graphite on tan paper, Deveria, Eugene, Attributed to, French, graphite, 2004.151.1, Gift of Dr. Louis colored pencil and graphite 2004.128.25, Gift of Frank Anderson 1805-1865 D. Kaplan and Linda Lichtenberg Kaplan >Study for left panel of "Cow Triptych Trapp > Woman Seated in a Bower, watercolor, >Rustic Landscape, watercolor with (Cow Going Abstract)", 1974, graphite, 2004.166.12, Gift of Frank Anderson Trapp gouache, 2004.166.20, Gift of Frank John, Augustus, Welsh, 1878-1961 colored pencil, and pasted paper >Semi-Clad Girl Anderson Trapp >Study for center panel of "Cow Triptych Dix, Otto, German, 1891-1969 >T.E. Lawrence, c. 1919, black chalk, (Cow Going Abstract)", 1974, graphite >Standing Nude, 1920s, graphite with Goldsworthy, Andy, British, born 1956 2005.104.3-4, Gift of Janet and and colored pencil stumping, 2005.48.1, Joan and David >Untitled, 2004-2005, thirty-two David Bruce >Study for right panel of "Cow Triptych Maxwell Fund graphite drawings, 2005.100.1-32, John, Gwen, British, 1876-1939 (Cow Going Abstract)", 1974, graphite, Durer, Albrecht, German, 1471-1528 Gift of the Artist > Portrait of a Lady, c. 1910, graphite colored pencil, and pasted paper >A Pastoral Landscape with Shepherds Gonzalez, Teo, Spanish, born 1964 and wash on tan paper, 2005.112.4, >Studies for "Entablature", 1975, Playing a Viola and Panpipes, 1496/1497, >Drawing 34 (1,170 Drops), 2000, acrylic Gift of Roy and Cecily Langdale Davis graphite and colored pencil watercolor and gouache heightened polymer emulsion, graphite, and enamel, in honor of Stephanie Maison (subject >Study for "Girl with Beach Ball III", with pen and black ink and gold, in 2005.42.1, Gift of Keith and Beth Monda to life estate) 1976, graphite and colored pencil Aldus Manutius's first edition of > Study for ": ", 1988, Theocritus' Idylb and other texts Graves, Morris, American, 1910-2001 Kern, Anton, Bohemian, 1710-1747 colored pencil and graphite (Venice, February 1496), 2005.1.1.a, >Sea, Fish and Morning Redness, 1940s, >A Ceiling with Presiding over >Study for "Fragmented Painting of Lemons Woodner Collection gouache, 2004.140.10, Gift of Benjamin Military and Historical Learning, 1740s, and a Melon on a Table", 1973, colored and Lillian Hertzberg watercolor, pen and gray ink over Escher, M.C., Dutch, 1898-1972 pencil and graphite, 2005.22.1-6, 11, traces of black chalk, 2005.80.1, Diane >Alberico, 1936, graphite and black crayon Hayter, Sir George, British, 1792-1871 Allen Nixon, Ailsa Mellon Bruce Fund, 2005.37.1, Gift of Dorothy Lichtenstein >Alberobello, 1936, black crayon and >Two Seated Arabs, 1827, graphite, and Professor William B. O'Neal Fund in memory of Jane B. Meyerhoff graphite 2004.166.21, Gift of Frank Anderson Trapp >Study for "Razzmatazz", 1978, graphite >Baby, 1927, graphite Kirchner, Albert Emil, German, 1813-1885 Hedouin, Edmond, French, 1820-1889 and colored pencil on tracing paper > Calabrese (recto), City with Rocks > Sketchbook with Trees, Lakes, Castles, and >Interior with Dancer, graphite, squared > Study for "Razzmatazz", 1978, (verso), graphite Rustic Buildings, 1876-1878, sketchbook for transfer, 2004.166.22, Gift of Frank graphite and colored pencil >Green Sea, conte crayon and white with eighteen graphite drawings, some Anderson Trapp > Study for "Expressionist Head", 1980, chalk on dark gray paper with brown wash, 2004.153.1.a-r, Ailsa graphite and colored pencil >House, 1954, graphite Hill, John Henry, American, 1839-1922 Mellon Bruce Fund > Study for "Mountain Village", 1985, >Landscape, 1920, pen and black ink > Golden Robin (Northern Oriole), 1866, Klee, Paul, Swiss, 1879-1940 graphite and colored pencil, 2005.22.7- and wash with scraping watercolor >Baroker Kentaur, 1939, gouache 10, Gift of Dorothy Lichtenstein, David > Saint Peter's Seen from the Janiculum >Plum, 1903, watercolor, 2004.165.6-7, >Feuer Clown I, 1921, watercolor and in memory of Hill, Rome, c. 1935, graphite Gift (Partial and Promised) of William >Komischer Reiter, 1921, pen and black ink Jane B. Meyerhoff >Mosque, c. 1927, charcoal and Abigail Gerdts >Ludwigstrasse, 1912, pen and black ink > Study for "Bedroom at Aries", 1992, >Pond, black wash with scraping Hill, John William, American, 1812-1922 with gray wash > Portrait, crayon graphite on architects' vellum, 2005.22.12, >Mit dem Blauen Hauschen, 1925, >Railroad, black wash, 2004.159.1-12, > Still Life of Fruit: Apples, Pears, and Gift of the Roy Lichtenstein Foundation watercolor and graphite Gift of Barry and Gigi Fitzmorris Grapes on Ground, 1874, watercolor in memory of Jane B. Meyerhoff

NATIONAL GALLERY OF ART 2005

{56} Ligozzi, Jacopo, Italian, 1547-1627 Nanteuil, Celestin, French, 1813-1873 Seligmann, Kurt, American, 1900-1962 Zorach, William, American, 1887-1966 >Kneeling Shepherd, pen and brown ink >French Officer, graphite with white >Unconcerned, Ulysses Listens to the Siren's >View of Distant Hills, 1915, watercolor and brown wash, with white gouache, gouache, 2004.166.29, Gift of Frank Song, 1943, pencil and watercolor, on tissue paper, 2005.99.39, Gift of squared for transfer, 2004.140.19, Gift Anderson Trapp 2005.72.1, Helen Porter and James Ruth Cole Kainen of Benjamin and Lillian Hertzberg T. Dyke Fund Nilson, Johann Esaias, German, 1721-1788 Zuccarelli, Francesco, Italian, 1702-1788 Lombard 16th Century > Two Actors Peeking through a Theater Semenova, Elena, Russian, 1898-1986 >Seated Peasant, black chalk, 2004.140.37, >Profile of a Man, pen and brown ink Curtain while Others Prepare the Footlights, >Exhibition Display Unit Gift of Benjamin and Lillian Hertzberg and brown wash on blue paper, pen and gray ink with gray wash, >Exhibition Kiosk with Projection Screen, 2004.140.20, Gift of Benjamin and 2004.157.1, Ailsa Mellon Bruce Fund 1928, watercolor, ink, and graphite, Lillian Hertzberg PRINTS AND Oehme, Ernst Ferdinand, German, 2005.92.4, 5, Patrons' Permanent Fund ILLUSTRATED BOOKS Marin, John, American, 1870-1953 1797-1855 Silvestre, Israel, French, 1621-1691 >141 drawings and watercolors in various > Pines in a Morning Fog, 1830s, >Castle under , pen and black ink, Allard, Carel, Attributed to, Dutch, media, c. 1895-1953, 2005.98.1-141, watercolor over graphite, 2005.15.2, 2004.140.27, Gift of Benjamin and 1648-1709 Gift of Norma B. Marin Ailsa Mellon Bruce Fund Lillian Hertzberg >Louis XIV, mezzotint, 2004.161.1, Marquet, Albert, French, 1875-1947 Ozanne, Nicolas Marie, Attributed to, Gift of John O'Brien Spranger, Bartholomaeus, Flemish, >Figure Studies, brush and black ink, French, 1728-1811 1546-1611 Anet, Claude (pseudonym for Jean 2004.140.21, Gift of Benjamin and > Veiie Et perspective du Chateau de >Figure Studies (after Jacopo ), Schopfer), (author) French, 1868-1931 Lillian Hertzberg Chenonceaux, gouache, 2005.104.5, 1565/1575, red chalk and white >La Fin d'un Monde (Paris, 1925), Gift of Janet and David Bruce Meissonier, Jean-Louis-Ernest, French, gouache on buff paper, 2004.140.28, bound volume with one photomechanical 1815-1891 Ott, Lucien, French, 1870-1927 Gift of Benjamin and Lillian Hertzberg print (after Pierre Bonnard), > The Herald of Murcia and Other > Wooded Landscape, c. 1905, pastel on 2004.162.17, Gift of the Virginia and Ira Tchelitchev, Paul, American, 1898-1957 Studies (recto); blue paper, 2005.106.1, Gift of Jackson Collection >Tete Vin, 1920, colored pencil, 2004.140.29, > Woman with a Tambourine (verso), c.1860, Jean-Luc Baroni, Ltd. Gift of Benjamin and Lillian Hertzberg Angolo del Moro, Battista, Italian, pen and brown ink, 2004.152.1.a-b, Gift Paggi, Giovanni Battista, Italian, 1554-1627 c. 1515-1573 of Athena Tacha and Richard Spear Telingater, Solomon, Russian, 1903-1969 > The Madonna and Child in Glory >Tomb of a Bishop (after Parmigianino), >Seated Cavalryman, graphite, >All-Soviet Military Railroad Adored by Saints, pen and brown ink 1540s, etching, 2005.7.1, Gift of Lesley 2004.166.28, Gift of Frank Anderson Trapp >Central Theater of the Cavalry, 1930, over black chalk on buff paper, Hill and Alan Stone photocollages with gouache on blue Meneller, Caspar, German, 1575-1630 2004.132.2, Ailsa Mellon Bruce Fund paper, 2005.92.6, 7, Patrons' Arms, John Taylor, American, 1887-1953 > Christ as Salvator Mundi, 1595, pen > Venetian Filigree (Ca D'Oro Venetia), Panini, Giovanni Paolo, Circle of, Italian, Permanent Fund and brown ink with gray wash, c. 1692-1765 1931, etching on blue handmade paper 2005.15.1, Ailsa Mellon Bruce Fund Tempesta, Antonio, Italian, 1555-1630 >Arch of Titus, pen and brown ink with > Venetian Mirror, 1935, etching, >A Soldier on Horseback and Other Studies, Menzel, Adolph, German, 1815-1905 brown wash, 2004.140.26, Gift of 2005.2.2, 2005.117.10, Gift (Partial and > Standing Man in Knee Breeches, 1854, Benjamin and Lillian Hertzberg pen and brown ink and red chalk, Promised) of Judy and Leo Zickler black and white chalk with gray wash 2004.140.30, Gift of Benjamin and Paret y Alcazar, Luis, Spanish, 1746-1799 Aveline, Pierre-Alexandre, French, and stumping on brown paper, Lillian Hertzberg >Historical Costumes, 1780, pen and probably 1702-1760 2005.105.3, Gift of C.G. Boerner, LLC black ink, 2005.39.1, Gift of Alexandra lesson, Louis, French, 1841-1867 >La Bonne Aventure, 1738, engraving Mitel I i, Giuseppe Maria, Italian, Baer and Jason lahn >Arab Market, watercolor, 2004.166.35, with etching 1634-1718 Gift of Frank Anderson Trapp >La Fontaine de L'Amour, 1738, Parrocel, Charles, French, 1688-1752 >A Caricature with Ball Players, pen engraving with etching >Cavalry Battle near a River, pen and Umbach, Jonas, German, c. 1624-1693 and brown ink with brown wash, >La Bonne Aventure, 1738, etched proof brown ink with brown wash, 2004.140.24, >A Waterfall between Rocky Cliffs, black 2004.140.22, Gift of Benjamin and >La Fontaine de L'Amour, 1738, etched Gift of Benjamin and Lillian Hertzberg chalk, 2005.73.1 Lillian Hertzberg proof (all after Francois Boucher), > Woodland Pond with a Hunter, black chalk, Peruzzini, Domenico, Italian, 1601-c. 1671 2005.85.1-4, Katharine Shepard Fund Mola, Pier Francesco, Italian, 1612-1666 2005.78.1, Ailsa Mellon Bruce Fund >A Helmeted Soldier, 1660s, pen and > Caricature of a Man, Said to Be Pietro Avery, Milton, American, 1885-1965 brown ink, 2004.140.25, Gift of Utrillo, Maurice, French, 1883-1955 da Cortona, pen and brown ink with >Birds and Sea, 1955, color woodcut Benjamin and Lillian Hertzberg >Alfortville, 1923, gouache, 2004.140.31, brown wash, 2004.140.23, Gift of >Fish, 1952, color woodcut, 2005.99.1-2, Gift of Benjamin and Lillian Hertzberg Benjamin and Lillian Hertzberg Ricci, Marco, Attributed to, Italian, Gift of Ruth Cole Kainen 1676-1729 Vitringa, Wigerus, Dutch, 1657-1721 Montigny, Adrien, French, 16^ century Bailliu, Pieterde, Flemish, 1613-c. 1660 >Park Landscape, gouache, 2005.104.2, >River Landscape with a Ferry Boat, >Le Villaige de Brimeu > Christ on the Mount of Olives (after Sir Gift of Janet and David Bruce pen and black ink with watercolor, >Le Villaige de Monceaulx, c. 1597, Peter Paul Rubens), engraving, 2004.140.32, Gift of Benjamin and gouache and watercolor on vellum, Rigl, Vitus Felix, German, c. 1717-1779 2004.128.32, Gift of Frank Anderson Trapp Lillian Hertzberg 2004.158.1- 2, Gift of Mr. and Mrs. >Absalom Orders the Murder of Amnon Baselitz, Georg, German, born 1938 Albert H. Small at a Feast in His Palace, 1760s, pen and Vuillard, Edouard, French, 1868-1940 >Fear and Teardrop, 1986, drypoint gray ink with gray wash and white >Head of a Bearded Man, 1889, conte crayon Morgenstern, Carl, German, 1811-1893 bound into No. 11 (Zurich and heightening on blue paper, 2005.30.1, > Walking Figure Seen from Behind, >A Clump of Trees by a Rocky Stream in New York, 1986), 2004.155.1, Gift of Ailsa Mellon Bruce Fund the Ramsau, 1832/1833, watercolor and c. 1894, pen and black ink with wash, Joshua P. Smith graphite, 2005.59.1, Gift of Alexander Rossetti, Dante Gabriel, British, 2004.140.34-35, Gift of Benjamin and Bellange, Hippolyte, French, 1800-1860 M. and Judith W. Laughlin 1828-1882 Lillian Hertzberg > Eight Vignettes >Desdemona's Death-Song, 1878/1881, Morris, Robert, American, born 1931 Ziem, Felix, French, 1821-1911 >Five Vignettes black chalk over traces of red chalk on >BlindTime I, 1973, black iron oxide > Bateaux et Gondolas devant la Place >Five Vignettes, 1831 two joined sheets of blue-green paper, and plate oil, 2004.131.1, Gift of the St. Marc, pen and brown ink with wash, > "Les Scelerats!.1830 2005.76.1, New Century Fund and Paul Collectors Committee 2004.140.36, Gift of Benjamin and >Three Vignettes lithographs, 2004.128.2- Mellon Fund Lillian Hertzberg 6, Gift of Frank Anderson Trapp

NATIONAL GALLERY OF ART 2005

{57} Bellel, Jean-Joseph-Frangois, French, Carlone, Carlo Innocenzo, Italian, Daumier, Honore, French, 1808-1879, Dente, Marco, Italian, c. 1493-1527 1816-1898 1686-1775 Paul Gavarni, French, 1804-1866, >Entellus and Dares (after ), >Landscape with Sheep, lithograph, >San Carlo Borromeo Giving Last Charles Philipon, French, 1802-1862 1520s, engraving, 2005.91.1, Pepita 2004.128.7, Gift of Frank Anderson Trapp Communion to Victims of the Plague, >Le Charivari, 1839-1841, bound volume Milmore Memorial Fund etching, 2005.84.1, Ailsa Mellon Bruce with 258 lithographs from Le Charivari; Bertin, Frangois-£douard, French, Deveria, Achille, French, 1800-1857 Fund and Mary Hopkins Gibb Fund twenty-seven by Daumier, eleven by >Jeanne de Bourgogne, lithograph, 1797-1871 Daumier and Philipon, 130 by Gavarni, 2004.128.15, Gift of Frank Anderson Trapp >Vallee de Lanterbrunen, c. 1852, lithograph , Giovanni Benedetto, the remainder unsigned or illegibly on chine colle, 2004.128.8, Gift of Frank Italian, 1609 or before-1664 Dickson, Jane, American, born 1952 signed, 2005.54.1, Ailsa Mellon Anderson Trapp >Madonna and Child, 1650/1655, etching, >YoYo Ride, 1986, carborundum etching Bruce Fund 2005.71.1, Ruth Cole Kainen Fund >YoYo Ride (unique trial proof), 1986, Bonechi, Lorenzo, Italian, born 1955 Dauzats, Adrien, French, 1804-1868 carborundum etching, 2005.61.7-8, >La Casa dell'Angelo, 1984, color etching , Miguel, Mexican, 20th century >Cinco Grabados, 1981, portfolio of five >Mt. Sinai Gift of Joshua P. Smith >Untitled (Walking Man), 1985, etching intaglio prints >Puits du Chateau de , Bretagne and aquatint, 2004.155.2-3, Gift of Dietrich, Christian Wilhelm Ernst, >Prosa de la Calavera, 1981, portfolio of (after Leon Gaucherel), 1846, litho- Joshua P. Smith German, 1712-1774 five monoprints, 2004.155.5.1-5, graphs, 2004.128.11-12, Gift of Frank >The Satyr's Family, etching, 2005.19.1, Bonnard, Pierre, French, 1867-1947 2004.155.6.1-5, Gift of Joshua P. Smith Anderson Trapp Ailsa Mellon Bruce Fund >Announcement of the Birth of Franfoise Charlet, Nicolas-Toussaint, French, David, Giovanni, Italian, 1743-1790 Dillon, Henri-Patrice, French, 1851-1909 Floury, 1932, drypoints (four different 1792-1845 >Landscape with a Satyr Family and >The Mandolin Player, 1893, lithograph, proofs and final state) >LAllocution, 20 juillet, 1830, 1830, Classical Sculpture (after Giovanni 2004.162.24, Gift of the Virginia and Ira >Daphnis et Chloe, 1902, six lithographs lithograph, 2004.128.9, Gift of Frank Benedetto Castiglione), 1775/1776, Jackson Collection >Dingo, 1924, five etchings Anderson Trapp etching, 2005.28.1, Pepita Milmore >La vie de sainte Monique, 1930, two Duez, Ernest-Ange, French, 1843-1896 Memorial Fund etchings (proofs) Chase, Louisa, American, born 1951 >Flowers, 1894, drypoint, 2004.162.25, > Three Birds, 1945-1946, complete set >Squall, 1981, woodcut Davies, Arthur B., American, 1862-1928 Gift of the Virginia and Ira Jackson of six lithographs >Untitled, 1984, complete set of six >Doorway to Illusion, 1919, softground Collection etchings with aquatint > Birth Announcement for Marie-Louise etching with aquatint Durer, Albrecht, German, 1471-1528 >Untitled (Water), 1984, drypoint, Mellerio, 1898, lithograph in red, >Profile, 1919, softground etching with > Willibald Pirckheimer, engraving, aquatint, spitbite, and softground, 2004.162.1-16, 21-22, 42-47, 52, Gift of aquatint 2005.105.1, Gift ofC.G. Boerner, LLC the Virginia and Ira Jackson Collection 2004.155.7-9, Gift of Joshua P. Smith >Torment, 1919-1920, softground etching Engelmann, Gottfried, French, 1788-1839 Chia, Sandro, Italian, born 1946 with aquatint Bonnard, Pierre, French, 1867-1947 and > Classical Landscape >Manuale d'Aprile: No. 2, 1981 > Tragic Figure, 1919-1920, softground Ambroise Vol lard (author), French, >Man and Woman Descending Staircase, >Fresh Face Hot Dog, 1979, etchings, etching with aquatint, 2005.99.6-9, Gift 1867-1939 1819, lithographs, 2004.128.16-17, 2004.155.11, 2005.61.6, Gift of Joshua of Ruth Cole Kainen >Le Pere Ubu / L'Hopital (Paris, 1917), Gift of Frank Anderson Trapp P. Smith bound volume with three lithographs, Davis, Stuart, American, 1894-1964 Fetting, Rainer, German, born 1949 2004.162.20, Gift of the Virginia and Ira Clemente, Francesco, Italian, born 1952 >Barber Shop Chord, 1931, lithograph >Wolf 1984, etching and drypoint, Jackson Collection >Reconciliation, 1986, drypoint bound into >Composition, 1931, lithograph 2004.155.17, Gift of Joshua P. Smith Parkett No. 9 (Zurich and New York, 1986), >Place Pasdeloup, No. 2, 1929, lithograph, , Louis-Marin, French, 1736-1793 Fielding, Thales, British, 1793-1837 2004.155.12, Gift of Joshua P. Smith 2005.99.10-12, Gift of Ruth Cole Kainen >Jupiter and Danae (after Frangois Boucher), > Vue de Ruines, A Tindare (after Comte 1774, pastel manner, 2005.55.1, Gift of Cole, Timothy, American, 1852-1931 Dehn, Adolf Arthur, American, 1895-1968 de Forbin), color aquatint, 2004.166.14, Ivan E. and Winifred Phillips in memory >The Pearl Necklace (after Johannes >Blind Beggar, 1926, drypoint Gift of Frank Anderson Trapp of Neil Phillips Vermeer), 1915, wood engraving on >Paris Lithographs, 1928, complete set Frankenthaler, Helen, American, bom 1928 tissue paper often lithographs Boulanger, Louis-Candide, French, > Tales of Genji II, 1998, color woodcut, >The Pearl Necklace (after Johannes >We Speak English, 1928, lithograph 1806-1867 2005.104.1, Gift of Janet and David Bruce Vermeer), 1915, wood engraving on >Factory, 1929, lithograph >Chasse Infernale, 1835 French 17th century and Melchisdech calendered paper, 2005.102.1-2, Gift of > Cloudy Morning over the Lake, 1931, > Scenes from , 1830s, lithographs, Thevenot (author), French, 1620-1692 Eric Denker in honor of Lynn P. Russell, lithograph on chine colle 2004.128.18-19, Gift of Frank >L'Art de Nager, demontre par figures, Curator of Education >Men Must Dream-The Beasts!, 1945, Anderson Trapp avec des avis pour se baigner utilement Corinth, Lovis, German, 1858-1925 lithograph (Paris, 1696), bound volume with 35 Boutet, Henri, French, 1851-1919 >Entfuhrung, 1894, etching, 2005.25.1, > Selected Tales of Guy de Maupassant, engraved plates, 2004.134.1, William B. >Parisienne, 1893, etching with aquatint Ailsa Mellon Bruce Fund 1945, complete set of twenty lithographs O'Neal Fund and roulette, 2004.162.23, Gift of the > Three Mayan Women, 1961, Cucchi, Enzo, Italian, born 1950 Virginia and Ira Jackson Collection color lithograph Gag, , American, 1893-1946 >Immagine Feroce, 1981, portfolio of five 2005.121.2, 2005.121.10, 2005.121.17, > Spring in the Garden (Spring II), 1927, Bracquemond, Felix, French, 1833-1914 lithographs, 2004.155.13.1-5, Gift of lithograph, 2005.99.14, Gift of Ruth >Boissy d'Anglas presidant la Convention 2005.121.5, 2005.121.4, 2005.121.7, Joshua P. Smith Cole Kainen le ler Prairial An III (after Eugene 2005.121.12,2005.121.15 , Susan, American, born 1942 ), etching, 2004.166.6, Gift of Gift of Virginia Dehn Gericault, Theodore, French, 1791-1824 >Renvers on Two Tracks, 1982, color >Cuirassiers Charging, 1823, lithograph, Frank Anderson Trapp Dehner, Dorothy, American, 1901-1994 woodcut on two sheets, 2005.61.1 .a-b, 2004.128.20, Gift of Frank Anderson Trapp >The Hare (after Albert de Balleroy), >Embryi, etching and aquatint, Gift of Joshua P. Smith c. 1860, etching, 2005.45.1, Ailsa 2005.99.13, Gift of Ruth Cole Kainen Germain, P.F., French, active 18th cen- Mellon Bruce Fund Damisch, Gunter, Austrian, born 1958 tury Delacroix, Eugene, French, 1798-1863 >Untitled, 1987, etching and drypoint > Vue des Ruines d'un des Escaliers de , Michael, American, born 1954 > Brother Martin with Goetz, 1836, on beige paper I'Amphitheatre de Capue (after >Players, 1986, complete set of six lithograph on chine colle >YoYo Ride, 1986, carborundum etching Louis-Jean ), 1781/1786, etch- etchings with aquatint, 2004.155.4.1-6, >Mephisto Appears to Faust, lithograph, (unique trial proof), 2004.155.14, ing, 2004.128.10.b, Gift of Frank Gift of Joshua P. Smith 2005.61.8, Gift of Joshua P. Smith 2004.128.13-14, Gift of Frank Anderson Trapp Anderson Trapp

NATIONAL GALLERY OF ART 2005

{58} Ghendt, Emmanuel Jean Herman, Roger, German, b. 1947 Kelly, Ellsworth, American, born 1923 > Shepherd with a Sack, Driving a Flock, Nepomucene de, French, 1738-1815 >Mask, 1985, woodcut with painted >Orange, 2004, color lithograph, 1763 > Vue de Ruines et de fragments de additions 2005.97.5, Gift of Joan and > Shepherd with His Flock, 1763 Construction antique...de I'ancienne > Van Gogh (Orange), 1983, woodcut David Maxwell > Standing Shepherd, 1760s Capoue (after Claude-Louis Chatelet), in orange, 2005.61.2-3, Gift of > Two Girls Conversing: One Standing Kentridge, William, South African, 1781/1786, etching, 2004.128.10.a, Joshua P. Smith and Spinning, the Other Seated, 1764, born 1955, Robert Hodgins, British, Gift of Frank Anderson Trapp etchings heightened with white Hermann-Paul, French, 1864-1940 born 1920, and Deborah , South gouache on blue paper, 2005.60.1-12, Gheyn III, Jacques de, Dutch, >Milliners, 1894, color lithograph, African, born 1957 Ellwanger/Mescha Collection c. 1596-1641 2004.162.28, Gift of the Virginia and >Ubu Centenaire, 1996, portfolio of >Mars Sleeping, c. 1618, etching, Ira Jackson Collection twenty-four etchings, drypoints, and Lorch, Melchior, Danish, 1526/1527- 2005.12.1, Ailsa Mellon Bruce Fund lithographs plus title page, 2005.64.1- 1583 or after Heyboer, Anton, Dutch, 1924-2005 24, Gift of Thomas G. Klarner >Turkish Town, 1570, two woodcuts, > Untitled, 1968, two etchings with Ghisi, Giorgio, Italian, 1520-1582 2005.65.1-2, Ailsa Mellon Bruce Fund > Three Muses and a Gesturing Putto drypoint, 2004.155.20-21, Gift of Kluge, Gustav, German, born 1947 Lozowick, Louis, American, 1892-1973 (after Francesco Primaticcio), 1560s, Joshua P. Smith > "Steht ein bucklicht Mannlein da...", >Doorway into Street, 1929, lithograph engraving, 2005.45.2, Ailsa Mellon 1955, portfolio of twelve color wood- Huet, Paul, French, 1803-1869 > Granaries to Babylon (Babylon to Omaha, Bruce Fund cuts, 2004.155.25.1-12, > Flooding in the Forest of the He Seguin, Railroad Yards), 1933, lithograph >The Fall of Troy and the Escape of Aeneas Gift of Joshua P. Smith 1833, etching on chine colle, >Steel Valley, 1936, lithograph (after Giovanni Battista Scultori), 2004.128.21, Gift of Frank Anderson Trapp Klutsis, Gustav, Russian, 1895-1938 > Still Life # 1 (Still Life with Guitar), c. 1545, engraving, 2005.75.1, Pepita > Flooding in the Forest of the lie Seguin, >Agit-Prop Stand, 1922, color lithograph, 1929, lithograph, 2005.99.22-24, Gift Milmore Memorial Fund 1833, etching on japan paper, 2005.92.1, Patrons' Permanent Fund of Ruth Cole Kainen Gilkey, Gordon Waverly, American, 2005.62.2, Gift of Karen B. Cohen in Krauss, Johann Ulrich, German, Manzana-Pissarro, Georges, French, 1912-2000 Honor of Andrew Robison 1655-1719 1871-1961 >The Sea, Oregon Coast, 1993, etching >Le Crepuscule, 1829, lithograph, >Historischer Bilder Bibel (Augsburg, >Le Dindon de la farce, 1894, woodcut, and spitbite, 2005.99.15, Gift of Ruth 2005.74.1, Ailsa Mellon Bruce Fund 1698-1705), bound volume with 146 2004.162.29, Gift of the Virginia and Cole Kainen Huquier, Gabriel, French, 1695-1772 etchings and engravings in five parts, Ira Jackson Collection Gotz, Gottfried Bernhard, German, >Uvre de Cartouches (after Francois 2005.53.1, William B. O'Neal Fund Marcus, Paul, American, born 1953 1708-1774 Boucher), complete set of twelve Kuhn, Walt, American, 1877-1949 > The Auction, 1968, woodcut with >Saint Matthew the Evangelist, etching with etchings with engraving, with eleven >Echo, c. 1920, etching drawn additions roulette printed in colors a la poupee, additional etched proofs, 2004.135.1- >Head with Black Hair, c. 1925, > Crossing the Border, c. 1980-1985, 2005.19.2, Ailsa Mellon Bruce Fund 23, Ailsa Mellon Bruce Fund drypoint, 2005.99.19-20, Gift of Ruth woodcut, 2005.61.4, 2004.155.26, Gross-Bettelheim, Jolan, American, Isabey, Jean-Baptiste, French, Cole Kainen Gift of Joshua P. Smith 1900-1972 1767-1855 Lami, Eugene Louis, French, 1800-1890 Marin, John, American, 1870-1953 >City Roofs, 1930s, lithograph > Colossus L'Apenin, Pratolino > Costume de dans la Reine >Sixty-one etchings, 1905-1948, >Untitled (Industrial Landscape), c. 1940, >Galerie laterale d'un temple de Pestum d'Espagne, 1831, lithograph, 2005.98.142-202, Gift of Norma B. Marin drypoint, 2005.99.3-4, Gift of Ruth > Fontaine de Jardin Borghese, 1822, 2004.128.27, Gift of Frank Anderson Trapp Marsh, Reginald, American, 1898-1954 Cole Kainen lithographs, 2004.128.22-24, Gift of >Union Square, 1933, lithograph, Frank Anderson Trapp Le Robert, P, French, active 19th century Guerard, Henri-Charles, French, >Portrait of a Man, 1875, etching on 2005.99.25, Gift of Ruth Cole Kainen 1846-1897 Johannot, Tony, French, 1803-1852 chine colle, 2004.128.28, Gift of Frank Master H.L., German, active 1516/1530 >Rabbits, 1893, woodcut, 2004.162.26, >Lepeintre Aine, 1831, lithograph, Anderson Trapp > Cupid Balancing on a Globe, 1533, Gift of the Virginia and Ira Jackson 2004.128.26, Gift of Frank engraving, 2005.90.1, Ailsa Mellon Collection Anderson Trapp Leys, Henri, Belgian, 1815-1869 Bruce Fund and Ellen von Seggern >Faust and Wagner, 1869, etching, Guilloux, Charles, French, 1866-1946 Johns, Jasper, American, born 1930 Richter and Jan Paul Richter Fund 2004.128.29, Gift of Frank Anderson Trapp >Flood, 1893, color lithograph, >Flag, 1967, lithograph, 2005.94.1, Mazzi, Vincenzo, Italian, active 2004.162.27, Gift of the Virginia and Gift of the Artist and Universal Lichtenstein, Roy, American, 1923-1997 1748-1790 Ira Jackson Collection Limited Art Editions in honor of Jane >As I Opened Fire, 1966, color offset >An Imaginary Prison, etching, B. Meyerhoff lithograph on three sheets, 2004.137.1- Hafftka, Michael, American, born 1953 2005.63.1, Ailsa Mellon Bruce Fund >Ninety artists' proofs, 1966-1968, 3, Gift of John Simmons >Undertones, 1985, complete set of 2005.1-90, Patrons' Permanent Fund Mechau, Jacob Wilhelm, German, four etchings with liftground aquatint •evens, Jan, Dutch, 1607-1674 1745-1808 and color monotype, 2004.155.18.1-4, Jossot, Henri-Gustave, French, 1866- >Ephraim Bonus, etching, 2005.18.1, >Baahanal (after Giulio Carpioni), 1951, Louis Valtat, French, 1869-1952, Ailsa Mellon Bruce Fund Gift of Joshua P. Smith 1770, etching, 2005.20.1, Ailsa Mellon and Various Artists Hart, "Pop", American, 1868-1933 Londonio, Francesco, Italian, 1723-1783 Bruce Fund > Omnibus de Corinthe, (Paris, >Donkey with Her Foal, a Dog, and >The Commuter, 1926, etching Meliand, Jean Rene, French, 1782-1831 1896-1897), five volumes of a quarterly a Peasant Man, 1760s >Jersey Hills, 1923, drypoint and sand- >Rustics Picnicking in Ruins, lithograph, journal with lithographic illustrations, >Interior of a House, 1760s paper with monotype color, 2004.128.30, Gift of Frank Anderson Trapp 2004.162.37, 53-56, Gift of the Virginia 2005.99.16-17, Gift of Ruth Cole Kainen > Peasant Teasing a Sleeping Girl with and Ira Jackson Collection a Twig, 1763 Meyer, Conrad, Swiss, 1618-1689 Hassam, Childe, American, 1859-1935 >The Seven Acts of Mercy, complete Kardon, Dennis, American, born 1950 > Peasant Woman Seated on a Donkey >Old Doorway, East Hampton, etching, set of eight etchings, 2005.29.1-8, >The Conspiracy, 1981, woodcut on with a Peasant Man, 1760s 2005.99.18, Gift of ?uth Cole Kainen Ailsa Mellon Bruce Fund chine colle on wood veneer mounted > Peasant Woman with Baby and Little Girl, Heindorff, Michael, German, born 1949 to paperboard 1760 Monogrammist G.H., French, >Affirmations IV >Death of Marat, 1981, color woodcut > Seated Old Man, 1763 19th century > Affirmations IX on japan paper > Shepherd Pointing out the Direction >La Republique Frarqaise (after Pierre >Affirmations X, 1980, drypoints, >Revolutionary Cleanser, 1983, color to a Shepherdess, 1762 Paul Prud'hon), c. 1848, lithograph on 2004.155.19, 33, 34, Gift of Joshua woodcut on green paper, > Shepherd Speaking to a Peasant Woman, chine colle, 2004.128.41, Gift of Frank P. Smith 2004.155.22-24, Gift of Joshua P. Smith 1760s Anderson Trapp

NATIONAL GALLERY OF ART 2005

{59} Morin, Jean, French, 1600 or Pindell, Howardena, American, bom 1943 Rosaspina, Giuseppe, Italian, 1765-1832 Solien, T.L., American, born 1949 before-1650 > Kyoto: Positive /Negative, 1980, etching > The Entrance of the French into , >The Three Sailors, 1982, color lithograph >Death's Head, 1645/1650, engraving and lithograph on dyed japan paper 15 May 1796 (after Andrea Appiani), with added color, 2004.155.29, Gift of with etching, 2005.46.1, Gift of David with five sheets of laminated Kinwashi 1805/1816, etching, 2004.128.1, Gift of Joshua P. Smith and Elizabeth Tunick paper, 2005.61.5, Gift of Joshua P. Smith Frank Anderson Trapp Storey, David and Gilbert Sorrentino Morley, Malcolm, American, born 1931 Piranesi, Giovanni Battista, Italian, Roussel, Ker Xavier, French, 1867-1944, (author), American, born 1948 >Goats in Shed, 1982, lithograph on 1720-1778 and various artists American, born 1927 handmade paper, 2004.155.27, Gift of >Appartenenze d'antiche terme... >Paphnutius. Comedie de Hrotsvitha >A Beehive Arranged on Humane Principles, Joshua P. Smith >Portici tirati dintorno ad un Foro con (Paris, 1895), bound volume with three 1986, bound volume with four color palazzo regio, etchings, 2004.128.33-34, woodcut illustrations and one lithograph, linocuts by David Storey and text by Munch, Edvard, Norwegian, 1863-1944 Gilbert Sorrentino, 2005.61 9.a-d, Gift of Frank Anderson Trapp 2004.162.38, Gift of the Virginia and Ira >Dr. Max Linde, 1902, drypoint on Gift of Joshua P. Smith Jackson Collection chine colle Pissarro, Lucien, French, 1863-1944 Summers, Carol, American, born 1925 >The Ragman (The Wanderer), 1908-1909, >Children's Dance, 1894, woodcut, Rousselet, Gilles, French, 1610-1686 >Rocky Mountains, 1966, color woodcut, woodcut, 2005.6.1-22, Gift of the 2004.162.31, Gift of the Virginia and Ira >La Retorique 2004.155.31, Gift of Joshua P. Smith Epstein Family Collection Jackson Collection >Le Feu, engravings (both after Gregoire Huret), 2005.45.3-4, Ailsa Tanning, Dorothea, American, bom 1910 Nanteuil, Celestin, French, 1813-1873 Prouve, Victor Emile, French, Mellon Bruce Fund > Untitled (En Chair et en Or), 1973, >Don Quixote, c. 1855, set of twelve 1858-1943 color aquatint, 2005.99.30, Gift of Ruth color lithographs, 2004.128.40, 50-60, >Birds of Prey, 1893, color etching, Rysselberghe, Theodore van, Belgian, Cole Kainen Gift of Frank Anderson Trapp 2004.162.32, Gift of the Virginia and Ira 1862-1926 Jackson Collection >La Libre Esthetique / Catalogue de la Tiepolo, Giovanni Domenico, Italian, Netherlandish 15th Century Quatrieme Exposition a Bruxelles du 25 1727-1804 >Biblia Pauperum (Netherlands, Prud'hon, Pierre Paul, French, 1758-1823 Fevrier au 1 Avril 1897 > The Holy Family Descending a Path near c. 1470), blockbook with forty pages of >The Rape of Europa, etching on chine (, 1897) Shepherds, 1752/1753, etching (working hand-colored woodcut illustrations, colle, 2004.128.35, Gift of Frank >La Libre Esthetique / Catalogue de la proof), 2005.28.3, Pepita Milmore 2005.5.1, Anonymous Gift Anderson Trapp Troisieme Exposition & Bruxelles du 22 Memorial Fund Neureuther, Eugen Napoleon, German, Puvis de Chavannes, Pierre, French, Fbrier au 30 Mars 1896 (Brussels, 1896), , Italian, c. 1490-1576 1806-1882 1824-1898 bound volumes, each with one wood- >Saint Francis Receiving the Stigmata, >Neureuther (Self-Portrait in the Etching > Study of a Woman (Abundance), 1895, cut on the cover, 2004.162.18-19, Gift c. 1530, woodcut, 2005.14.1, Studio), 1839, etching, 2005.20.2, lithograph, 2004.162.33, Gift of the of the Virginia and Ira Jackson Collection Ailsa Mellon Bruce Fund Ailsa Mellon Bruce Fund Virginia and Ira Jackson Collection Sallaert, Anthonis, Flemish, c. 1590-1658 Twachtman, John Henry, American, Nicholson, William, Sir, British, Raffet, Auguste, French, 1804-1860 > Saint John 1853-1902 1872-1949 >Carabinier, lithograph >Saint Luke, woodcuts on blue paper, >Autumn Avondale, c. 1879-1882, etching, > Under the Arch of the Bridge, 1894, color >Croises en Campagne, lithograph 2005.17.1-2, Ailsa Mellon Bruce Fund 2005.99.31, Gift of Ruth Cole Kainen lithograph, 2004.162.30, Gift of the >Les Munitionaires du 28 Juillet, Sandby, Paul, British, 1731-1809 Urban, Albert, American, 1909-1959 Virginia and Ira Jackson Collection c. 1830, lithograph > Views in England and Wales, 1776-1777, >Antiquity, 1944, color screenprint, >M. Pochez, 1853, lithograph on chine Orozco, Jose Clemente, Mexican, bound album of forty-six aquatints in 2005.99.32, Gift of Ruth Cole Kainen colle, 2004.128.36-39, Gift of Frank 1883-1949 five complete sets, 2004.119.1, Paul Anderson Trapp Various Artists >Mujeres II, 1935, lithograph, Mellon Fund > Episode from the Algerian War, 1831, >Artists Coming Together: America 2005.99.26, Gift of Ruth Cole Kainen lithograph, 2005.27.2, Ailsa Mellon Schmidt, Martin Johann, German, Coming Together, complete set of ten Orleans, Due de Nemours, Louis d', Bruce Fund 1718-1801 prints in various media, 2004, 2005.97.1-10, Gift of Joan and David French, 1814-1896 > The Triumph of Bacchus with Dancing Rembrandt van Rijn, Dutch, 1606-1669 Maxwell >Infantryman, 1834, etching on chine Nymphs, 1773, etching, 2005.19.4, >Abraham Entertaining the Angels, 1656, colle, 2004.128.31, Gift of Frank Ailsa Mellon Bruce Fund Various Artists etching and drypoint on japan paper, Anderson Trapp >The Corcoran 2005 Print Portfolio: 2005.69.1, New Century Fund Schrodter, Adolf, German, 1805-1875 Drawn to Representation, bound volume Overbeck, Johann Friedrich, German, >Peter Schlemihl, set of four etchings, Ricci, Marco, Italian, 1676-1729 with twenty-four prints in various media 1789-1869 2005.105.2, Gift of C.G. Boerner, LLC >Capriccio of Antique Ruins with Men >Praying Monk, 1826, etching with by multiple artists, 2005, 2005.102.5-28, Gazing at a Classical Orator, 1720s, Schwabe, Carlos, French, 1866-1926 Gift of Corcoran Gallery of Art in memory drypoint on chine colle, 2005.19.3, Ailsa etching (working proof), 2005.28.2, > The Annunciation, 1893, lithograph, of Donald Vogler Mellon Bruce Fund Pepita Milmore Memorial Fund 2004.162.36, Gift of the Virginia and Ira Varley, Cornelius, British, 1781-1873 Pascin, Jules, French, 1885-1930 Jackson Collection Ricketts, Charles, English, 1866-1931 > Beached Fishing Boats with a Canopy, >Four Women, c. 1922, drypoint, >Deluge, 1894, wood engraving, Schwechten, Friedrich Wilhelm, 1809, etching 2005.99.27, Gift of Ruth Cole Kainen 2004.162.34, Gift of the Virginia and Ira German, 1796-1879 >A Boy Sitting on a Banked , Pencz, Georg, German, c. 1500-1550 Jackson Collection >Der Dom zu Meissen in alien seinen 1809, lithograph >Procris, 1539, engraving, 2005.27.1, Theilen bildlich dargestellt, 1823-1826, >A Covered Fishing Vessel, 1809, lithograph Ridinger, Johann Elias, German, Ailsa Mellon Bruce Fund complete set of twenty-four aquatints >A Covered Rowing Boat, 1809, etching 1698-1767 in sepia with letterpress title, in original >A Covered Vessel Banked with a Boy Peterdi, Gabor, American, 1915-2001 >Betrachtung der Wilden Thiere..., brown wrappers, 2004.130.1-28, Sitting on a Barge, 1809, lithograph on > Vertical Rocks, 1959, etching, engraving, (Augsburg, 1736), bound volume with buff paper William B. O'Neal Fund and aquatint, 2004.155.28, Gift of complete set of forty etchings and title >A Covered Vessel on the River with Two Joshua P. Smith page, 2005.51.1, Ailsa Mellon Bruce Sloan, John, American, 1871-1951 Anglers, 1809, lithograph Picasso, Pablo, Spanish, 1881-1973 Fund and William B. O'Neal Fund > Brunette Head and Shoulders, 1933, >A Rowing Boat Pulled up on the River etching and engraving >Salome, 1905, drypoint, 2005.104.6, Roche, Pierre, French, 1855-1922 Bank, 1809, two etchings >Turning out the Light, 1905, etching, Gift of Janet and David Bruce >Marine Algae, 1893, gypsograph, >A Thames Barge, 1809, etching, 2005.99.28-29, Gift of Ruth Cole Kainen 2004.162.35, Gift of the Virginia and Ira 2005.117.1-9, Gift (Partial and Promised) of Judy and Leo Zickler Jackson Collection

NATIONAL GALLERY OF ART 2005

{60} Venetian 16th century and Theocritus Weber, Max, American, 1881-1961 Johns, Jasper, American, born 1930 Casebere, James, American, born 1953 (author), Greek, c. 305-c. 255 B.C. >The Pewter Cup, 1928, lithograph >Flag, 1967, lithographic stone etched >Arches, 1985, gelatin silver print, >Idylls, 1495, bound volume with one >Repose, 1928, lithograph, 2005.99.35-36, with a drawing in lithographic crayon, 2005.110.1, Anonymous Gift Durer drawing and Venetian 16th centu- Gift of Ruth Cole Kainen 2005.38.1, Gift of the Artist and Cassis, Joan, American, 1952-1996 ry woodcut illustrations, 2005.1.1.b, Universal Limited Art Editions, in Weiditz II, Hans, German, 1500 or >Arabella Thornton, 1985, gelatin silver Woodner Collection honor of Jane B. Meyerhoff before-c. 1536 print mounted on paper Vernet, , French, 1789-1863 > Christ on the Mount of Olives, c. 1522, > Carol in her Mother's Dress, between >Gredin de Sort!..., 1823, lithograph woodcut from two blocks, 2005.14.2, PHOTOGRAPHS 1972 and 1974, gelatin silver print touched with wash [proof] Ailsa Mellon Bruce Fund > Carol in her Mother's Dress, 1972, >Gredin de Sort!..., 1823, lithograph American 19th Century gelatin silver print with watercolor Weiditz II, Hans, German, 1500 or > Soldier's Family Encamped, c. 1818, >Trenton Falls, New York, c. 1870, > Cecil, 1974 before-c. 1536 and Ullrich von Hutten lithograph albumen print from collodion glass >Gussie on a Bed with Flowers, 1987 (author), German, 1488-1523 >Soldier's Family Encamped, c. 1818, negative, 2005.88.1, Anonymous Gift >Jim Brittain, 1987, gelatin silver prints >Outis Nemo (Augsburg, 1518), bound lithograph on brown paper, height- >Jim Brittain, 1987, gelatin silver print volume with one woodcut illustration , Eugene, French, 1857-1927 with watercolor ened with white gouache >Cannes, lie Saint Honorat, n.d., matte on title page, 2005.83.1, William B. >Jim Brittain-The May King, 1987 >La Reconciliation, lithograph albumen print O'Neal Fund >Joan and Samantha, 1973 >Mon Caporalje n'ai pu avons que (a, >Hotel d'Argenson, rue de Grenelle 101, >Lisa, 1974 1823, lithograph with white heightening Weiss, Bartholomews Ignaz, German, 1907-08, albumen print >Ms. Minnie with Flowers, 1985 >Mon Caporalje n'ai pu avons que (a, 1740-1814 >Hotel d'Argenson, rue de Grenelle 101, >Paul, 1973 1823, lithograph, 2004.128.42-45, 47- >Diana, etching, 2005.19.6, Ailsa 1907-08, matte albumen print > Robert Haussman, 1985 49, Gift of Frank Anderson Trapp Mellon Bruce Fund >Poterne des Peupliers, 1913 >Rozella Marie Blackwell, 1985, gelatin > Interior of a Working-Class Man, rue de Vignon, Victor Alfred Paul, French, Wells, James Lesesne, American, silver prints Romainville, 1909-10, albumen prints, 1847-1909 1902-1993 >Samantha, 1973, gelatin silver print 2004.163.1-4, 33, Gift of Mitchell and >The Cow, 1893, color etching, >Icarus, 1968, wood engraving, mounted on paper Nancy Steir 2004.162.39, Gift of the Virginia and 2005.99.37, Gift of Ruth Cole Kainen >Sharon in a , 1974, gelatin Ira Jackson Collection Brandt, Bill, British, born Germany, silver print Whistler, James McNeill, American, 1904-1983 >Untitled (Girl lying on a bed), Villamena, Francesco, Italian, 1834-1903 >Untitled (Nude), c. 1955 between 1972 and 1976, gelatin silver 1566-1624 >Street in Saverne, 1858, etching, >The Reform Club, Pall Mall, 1930s print mounted on gray paper > Saint Jerome, engraving, 2005.7.2, Gift 2005.99.38, Gift of Ruth Cole Kainen >Untitled (Nude), 1955 >Untitled (Girl in a corner), between of Lesley Hill and Alan Stone Willette, Adolphe Leon, French, >Untitled (Nude), c. 1955, gelatin silver 1972 and 1976, gelatin silver print Villon, Jacques, French, 1875-1963 1857-1926 prints, 2004.142.1-4, Gift of Jeffrey >Sheron with Piano, 1972, gelatin silver >La Chasse aux Mouettes, 1904-1906, >Hanging Clown, 1894, lithograph, Hugh Newman print with watercolor, 2004.149.1-19, softground etching and aquatint print- 2004.162.41, Gift of the Virginia and >Park Lane, 1930s Gift of Victoria Cassis in memory of ed in blue-green ink, 2005.24.1, Ailsa Ira Jackson Collection >Untitled (Nude, Campden Hill, London), her daughter Joan Cassis Mellon Bruce Fund 1953, gelatin silver prints, 2004.143.1-2, Winnewisser, Rolf, Swiss, born 1949 , Edward Sheriff, American, >Gaby in a Chaise Longue, drypoint Gift of Charles S. and Elynne B. Zucker >Untitled, 1986, portfolio of five color 1868-1952 (proof), 2005.47.1, Gift of Andre and >Flea Market, Paris, c. 1930 lithographs, 2004.155.32.1-5, Gift of >The North American Indian (Volume Ten), Angela Candillier > "Bottle" Kilns in the Potteries, Stoke- Joshua P. Smith 1914, portfolio of 34 photogravures on-Trent, c. 1937 >Gaby in a Chaise Longue, 1906, drypoint on cream wove paper (incomplete), Wolfgang, Georg Andreas, the Elder, >Untitled (Farmer in Field), n.d. in five proof states, 2005.79.1-5, Paul 2004.163.5.1-34, Gift of Mitchell and German, 1631-1716 >Untitled (Nude), c. 1950, gelatin silver Mellon Fund Nancy Steir > Metamorphoses d'Ovide, 1665, prints, 2004.146.1-4, Gift of Steven E. Vorsterman, Lucas Emil, Flemish, complete set of twenty etchings, and Phyllis Gross de Beaucorps, Gustave, French, 1595-1675 2005.17.3-22, Ailsa Mellon Bruce Fund >Untitled (Nude), c. 1950 1825-1906 >Job Tormented by Demons and Abused >At Charlie Brown's Public House, > Spanish Steps, Rome, c. 1858, waxed Wols, German, 1913-1951 by His Wife (after Sir Peter Paul Limehouse, late 1930s, gelatin silver paper negative, 2005.43.1, Gift of > Great Caterpillar, drypoint, Rubens), prints, 2004.164.1-2, Gift of Simon and Robert and Paula Hershkowitz in 2004.160.1, Anonymous Gift engraving, 2004.128.46, Gift of Frank Bonnie Levin memory of Sam Wagstaff Anderson Trapp Mixed Media Brandt, Marianne, German, 1893-1983 de Caranza, Ernest, French, active 1850s Wachsmuth, Jeremias, German, >Untitled, 1930, photomontage on >Pecheries A Kiretch-Bournou

1711-1771 Krieger, Andrew, American, b. 1950 paper, 2005.21.1, Pepita Milmore (Bosphore, Europe) (Fisheries at Kiretch- > Allegory of Water, etching with engraving > Throne Room Construction, 1986, Memorial Fund, R.K. Mellon Fund, Bournou (Bosphorus, Europe)), 1854, on pink prepared paper, 2005.19.5, salted paper print from waxed paper pencil, pen, ink wash and gouache on and gift of Thomas Walther Ailsa Mellon Bruce Fund negative, 2005.57.1, Anonymous Gift paper with dental floss, fluted card- Bulhak, Jan, Polish, 1876-1950 Wagner, Theo, French, active late board and mat board mounted in >Droga (Road), 1916 Diamond, Hugh Welch, British, 1809- 19th century plywood frame, 2005.102.3, Anonymous >Dzwonnica u Sw. Jerzego (The 1886, or Fenton, Roger, British, >Dream, 1894, lithograph, 2004.162.40, Gift in memory of Al Viebranz Belltower of St. George [Church]), 1916 1819-1869 Gift of the Virginia and Ira Jackson >Gosciniec do Minska, 1916 >Roger Fenton, c. 1855, salted paper Collection Technical Material >Minszczyzna (The Minsk Region), 1916 print from collodion glass negative, >Wobtokach (In the clouds), 1917 2005.52.3, Paul Mellon Fund Walkowitz, Abraham, American, Bonnard, Pierre, French, 1867-1947 >Topole (Poplars), 1916 1880-1965 Fenton, Roger, British, 1819-1869 > Three Birds, 1945-1946, set of 4 >Zabudowania przedmiejskie (Building >East Side Market, 1904, monotype >Moscow, Domes of Churches in the lithographic plates, 2004.162.48-51, in the Suburbs), 1917 > New York of the Future, c. 1910-1920, Kremlin, 1852, salted paper print from Gift of the Virginia and Ira Jackson >Zakret (Bend [in the river]), 1916, lithograph, 2005.99.33-34, Gift of Ruth paper negative Collection gelatin silver prints, 2005.66.1-8, Cole Kainen >Lichfield Cathedral from the North-west, Anonymous Gift 1858

NATIONAL GALLERY OF ART 2005

{61} >Fruit and Flowers, 1860, albumen O'Sullivan, Timothy H., American, born > Frederick Boulevard /116th prints from collodion glass negatives, , 1840-1882 Street, 1989 2005.52.1-2, 4, Paul Mellon Fund > Iceberg Canyon, Colorado River, > 135th Street and Riverside Drive, 1989, >Lieutenant General Sir Colin , Looking Above, 1871, albumen print platinum/palladium prints on light- G.C.B., 1855 from collodion glass negative, weight wove paper, 2004.163.11-32, >Omar Pacha, 1855, salted paper 2005.10.1, Diana Walker Fund and Gift of Mitchell and Nancy Steir prints from collodion glass negatives, Anonymous Gift Weiser, Franz, Austrian, 1892-1970 2005.115.1-2, Gift of Hans P. Kraus, Jr. Penn, Tom, American, born 1952 > Roktor-Rathaus (Peak Gate, City Hall), 1929 Funke, Jaromir, Czechoslovakian, >Irving Penn's Darkroom, 2004, ink jet >Shattenspiel (Shadow play), 1928, gelatin 1896-1945 print, 2005.34.1, Gift of Irving Penn silver prints, 2005.11.1-2, Richard and >Abstract Photo, 1927-29 Judith Smooke Fund Ray, Man, American, 1890-1976 >Spiral, 1924, gelatin silver prints, >Brucke (Bridge), 1930, gelatin silver >Igor Stravinsky, c. 1925, gelatin silver 2005.118.1-2 print, 2005.11.3, Anonymous Gift print, 2005.122.1, Gift of Aaron and > Bridge and River in Kolin, 1922 >Riesenrad (Ferris Wheel), 1929, gelatin Barbara Levine > Still Ufe, 1924 silver print, 2005.11.4, Marvin >Landscape near Kutna Hora (Kuttenberg), Rodchenko, Aleksandr Mikhailovich, Breckinridge Patterson Fund 1939, gelatin silver prints, 2005.119.1-3 Russian, 1891-1956 >From the book Photography Sees the > Columns of the Museum of the Technical Material Surface, 1935 Revolution, 1926 >From the series Reflections, 1930 >Male Pyramid, 1936 Penn, Irving, American, born 1917 >Legs and Crinoline, c. 1926 >Mosselprom Building, 1930 >Five Okapa Warriors Platinum >Nude, 1927 > Pioneer, 1930 >From the series Primeval Forests, 1937-38 >Pioneer with a Bugle, 1930, gelatin Worksheet, February 1977, pen on >From the series Primeval Forests, 1937-38 silver prints mounted on tissue paper paper, 2005.33.1, Gift of Irving Penn

> Staircase in Old Prague, 1922 >Pioneer with a Bugle, 1930, gelatin American 20th Century, Unknown pho- >From the series Time Persists, 1930-33 silver print (contact print) tographers >From the series The Unsated Earth, > Vladimir Mayakovsky, 1924 > Irving Penn at Work in Cuzco, 1948, 1940-44 > Vladimir Mayakovsky, 1924, gelatin gelatin silver print >Urn, c. 1922, gelatin silver prints, silver prints mounted on tissue paper, >Irving Penn's platinum printing laboratory, 2006.1.1-10, Patrons' Permanent Fund 2004.122.1-8, Patrons' Permanent Fund Huntington, N.Y.: Coating Room; Humbert de Molard, Louis-Adolphe, Ross, Don, American, born 1951 Coating Room; Coating Room; Coating Baron, French, 1800-1874 >Reeds, Leffert's Pond, 1998, ink jet Room; Deacidification; Deacidifying >The Bean Sorters, c. 1857, paper print, 2004.150.1, Gift of Gary Bluhm Room; Developing Room and Exposing negative, 2005.57.2, Anonymous Gift Room 2; Enlarging & Plate Making; Ross, Horatio, Captain, Scottish, Exposing Room 1; Exposing Room 2; Kasten, Barbara, American, born 1936 1801-1886 Lab A; Lab B; Materials and Equipment juxtaposition: Site 2, 1988, chromogenic >Dead Stag, 1857, albumen print from Room; Plate Cutting; Plate Making print, 2004.147.1, Marjorie and Leonard collodion glass negative mounted on Room; Plate Making Room, Vernon Collection paper, 2005.67.1, Gift of Diana Walker n.d., 16 silver resin-coated prints, Fund Levinthal, David, American, born 1949 2005.77.1-17, Gift of Irving Penn > Untitled (from Mein Kampj), 1993-94, Simpson, Lorna, American, born 1960 polaroid, 2005.113.1, Gift of Ron Ginsburg >Untitled (Two Necklines), 1989, 2 gelatin silver prints and 11 engraved plastic Maar, Dora, French, 1907-1997 plaques, 2005.44.1, Gift of the >Untitled, c. 1936, gelatin silver print Collectors Committee mounted on brown paperboard, 2005.68.1, Gift of the R. K. Mellon Takagi, Madoka, American, Family Foundation born Japan 1956 > Brooklyn Navy Yard, 1990 Metzker, Ray K., American, born 1931 > Coney Island, 1990 >Car and Street Lamp, 1966, gelatin > Corona Queens, 1990 silver print, printed c. 1980, 2005.89.1, > Ellis Island 15, 1988 Gift of Harvey S. Shipley Miller > Ellis Island 16, 1988 Muybridge, Eadweard, American, born > Ellis Island 21, 1988 England, 1830-1904 > Ellis Island 24, 1988 >Acajutla, 1877 >Ellis Island 31, 1988 >Acapulco, 1877 >Ellis Island 46, 1988 >Plaza and Viceroy's Palace-Antigua de > Ellis Island 50, 1988 Guatemala, 1877 > Ellis Island 53,1988 > Quezaltenango from of >Ellis Island 54,1988 a Volcano, 1877 > Ellis Island 58, 1988 >Ruins of the Church of Santo >Fifth Avenue and 17th Street, 1990 Domingo-Panama, 1877, albumen > Wave Hill, 1989 prints from collodion glass negatives, > North Viewfrom Municipal Building, 1990 2004.163.6-10, Gift of Mitchell and > South View from 72nd Street and Nancy Steir Riverside Drive, 1990 Nixon, Nicholas, American, born 1947 >University Heights, Bronx, 1990 >The Broum Sisters, 2004, gelatin silver > 104th Street/Lexington Avenue, 1990 print, 2005.9.1, Fund for Living > 114th Street/Amsterdam Avenue and Photographers Broadway, 1989

NATIONAL GALLERY OF ART 2005

{62} CHANGES OF ATTRIBUTION

The following changes of attribution are 1983.19.1 SCULPTURE the result of scholarly research utilizing Study of Birds and Monkey the latest art historical investigations and Old: Attributed to Jan van Kessel I 1937.1.131 scientific examinations. It is the policy New: Circle of Jan van Kessel Mercury of the National Gallery of Art to pub- Old: Attributed to Francesco Righetti lish these changes regularly. The 1983.19.2 after Giovanni Bologna, c. 1780/1800 following changes of attribution were Study of Birds and Monkeys New: after Giovanni Bologna, made and approved by the Gallery's Old: Attributed to Jan van Kessel I c. 1780/c. 1850 Board ofTrustees during fiscal year New: Circle of Jan van Kessel 2005. Each list is arranged in alphabeti- 1992.74.1 cal order according to former 1971.56.1 Male Nude Standing in a Fearful Pose attribution. Changes of title and date are Vista from a Grotto Old: Attributed to Niccolo Tribolo included if they were a part of the attri- 01d:Joos de Momper II, c. 1625 New: Follower of Michelangelo bution change. New: David Teniers the Younger, (Possibly Niccolo Tribolo) early 1630s

PAINTINGS 1961.9.32 The Assumption of the Virgin 1970.17.107 Old: Sir Peter Paul Rubens, c. 1626 Saint Martin Dividing His Cloak New: Studio of Sir Peter Paul Rubens, Old: Flemish 17th Century probably mid 1620s (Possibly Jan Boeckhorst) New: Attributed to Jan Boeckhorst 1971.18.1 Deborah Kip, Wife of Sir Balthasar Gerbier, 1979.50.1 and Her Children The Marketplace in Bergen op Zoom Old: Sir Peter Paul Rubens, 1629/1630 Old: Grimmer, 1597 New: Sir Peter Paul Rubens (and possi- New: Attributed to Abel Grimmer, bly Jacob Jordaens), 1629/1630, probably 1590 and 1597 reworked probably mid 1640s

1997.85.l.b 1943.7.9 River Landscape with Villages and Travelers Old: Sir Peter Paul Rubens, Head of (verso) One of the Three Kings, c. 1615 Old: Attributed to Pieter Gysels New: Sir Peter Paul Rubens and New: Follower of Peeter Gysels Studio, Head of One of the Three Kings: Melchior, The Assyrian King, c. 1618 1969.2.1 Old: Jacob Jordaens, Portrait of a Man, 1950.10.1 c. 1624 Mattias de' Medici New: Flemish 17th Century Old: Attributed to Justus Sustermans (Possibly Jan Cossiers), Portrait of a Man New: Studio of Justus Sustermans in a Wide-Brimmed Hat, early 1630s 1960.6.24 1983.19.4 Head of a Woman Concert of Birds Old: Umbrian 15th Century, c. 1500 Old: Attributed to Jan van Kessel I New: Umbrian 16th Century, New: Circle of Jan van Kessel c. 1510/1520

NATIONAL GALLERY OF ART 2005

(63) = ^g

EXHIBITIONS AND LOANS

During the fiscal year, 284 lenders from > Gerard ter Borch Generously supported by Greg and Organized by the National Gallery of Art, twenty-one countries and twenty-eight 7 November 2004 to 30 January 2005 Candy Fazakerley; additional support Washington states loaned 1,684 works of art to Organized by the National Gallery of provided by the Samuel H. Kress Gregory Jecmen, curator fifteen Gallery exhibitions. The Gallery Art, Washington, and the American Foundation >Pieter Claesz: Master of Haarlem Still Life also worked on another thirty-three Federation of Arts, New York >Toulouse-Lautrec and Montmartre 18 September 2005 to 31 December 2005 projects scheduled to open in the next Arthur Wheelock, NGA curator; Kate 20 2005 to 12 June 2005 Organized by the National Gallery of Art, five years and administered the tour of Haw, coordinator at AFA Organized by the National Gallery of Art, Washington, the Frans Museum, nine traveling exhibitions. United States Supported by an indemnity from the Washington, and The Art Institute of Haarlem, and the Kunsthaus Zurich Government Indemnity was secured for Federal Council on the Arts and the Chicago Arthur Wheelock, NGA curator; seven exhibitions that opened in the fiscal Humanities Philip Conisbee and Florence Coman, Pieter Biesboer and Christian Klemm, year, enabling a savings of more than >Six Centuries of Prints and Drawings: NGA curators; Richard Thomson, guest curators $1.8 million in insurance premiums. Recent Acquisitions guest curator Made possible through the generous 14 November 2004 to 5 June 2005 Time Warner Inc., corporate sponsor; support of Greg and Candy >American Masters from to Organized by the National Gallery of Art, The Catherine B. Reynolds Foundation Fazakerley; also supported by an Eakins:The John Wilmerding Collection Washington is the foundation sponsor; also indemnity from the Federal Council on Continued from the previous fiscal Andrew Robison, curator supported by an indemnity from the Arts and the Humanities year to 6 February 2005 the Federal Council on the Arts and >Fauve Painting from the Permanent >Monumental Sculpture from Renaissance Organized by the National Gallery of the Humanities Collection Florence: Ghiberti, Nanni di Banco, and Art, Washington 12 December 2004 to 30 May 2005 > Gilbert Stuart Verrocchio at Orsanmichele >Palace and Mosque: Islamic Art from the Organized by the National Gallery of Art, 27 March 2005 to 31 July 2005 18 September 2005 to 31 December 2005 Victoria and Albert Museum Washington Organized by The Metropolitan Organized by the National Gallery of Continued from the previous fiscal Jeffrey Weiss, curator Museum of Art, New York, and the Art, Washington, and the Opificio year to 6 February 2005 National Portrait Gallery, delle Pietre Dure, Florence, in collabo- >Rembrandt's Religious Etchings Organized by the Victoria and Albert in association with the National ration with the Soprintendenza al 30 January 2005 to 1 May 2005 Museum, London, in association with Gallery of Art, Washington Patrimonio Storico Artistico e Organized by the National Gallery of Art, the National Gallery of Art, Washington Frank Kelly, NGA curator; Etnoantropologico and the Washington Tim Stanley, curator Carrie Rebora Barratt and Ellen Miles, Soprintendenza ai Beni Architettonici Arthur Wheelock, curator Supported by H.R.H. Prince Bandar guest curators e Ambientali di Firenze, Pistoia e Prato bin Sultan, Ambassador of Saudi >Rembrandt's Late Religious Portraits Proudly sponsored by Target as part of Eleonora Luciano, curator Arabia to the United States; and 30 January 2005 to 1 May 2005 its commitment to arts and education; Made possible through the generous Mohammed Jameel, the benefactor of Organized by the National Gallery of Art, exhibition and acquisition of Gilbert support of an anonymous donor; also the Victoria and Albert Museum's Washington, in association with the J. Stuart's Landsdowne portrait made supported by an indemnity from the Jameel Gallery of Islamic Art, which is Paul Getty Museum, Los Angeles. possible by the Donald W. Reynold's Federal Council on the Arts and the dedicated to the memory of Mr. Abdul Arthur Wheelock, curator Foundation as a gift to the Nation Humanities Latif Jameel, the late founder of the Generous support provided by Mr. >Irving Penn: Platinum Prints >Masterpieces in Miniature: Italian Abdul Latif Jameel Group, and his and Mrs. Thomas A. Saunders III 19 June 2005 to 2 October 2005 Manuscript Illumination from the J. Paul wife, Nafisa; also supported by an Supported by an indemnity from the Organized by the National Gallery of Art, Getty Museum indemnity from the Federal Council on Federal Council on the Arts and the Washington 25 September 2005 to 2 January 2006 the Arts and the Humanities Humanities Sarah Greenough, curator Organized by the J. Paul Getty >Dan Flavin: A Retrospective >Andre Kertesz Sponsored by Merrill Lynch; also Museum, Los Angeles 3 October 2004 to 9 January 2005 6 February 2005 to 15 May 2005 supported by the Trellis Fund and Andrew Robison and Susan M. Organized by Dia Art Foundation, Organized by the National Gallery of Art, The Ryna and Melvin Cohen Family Arensberg, NGA curators; Thom Kren, New York, in association with the Washington Foundation guest curator National Gallery of Art, Washington Sarah Greenough, curator >Winslow Homer in the National >Audubon's Dream Realized: Selections Jeffrey Weiss, curator Made possible through the generous Gallery of Art from "The Birds of America" National tour sponsored by Altria support of the Trellis Fund and The 3 July 2005 to 20 February 2006 25 September 2005 to 26 March 2006 Group; Gallery exhibition and accom- Ryna and Melvin Cohen Family Organized by the National Gallery of Art, Organized by the National Gallery of Art, panying catalogue made possible in Foundation Washington Washington part by a grant from the Lannan >Cotton Puffs, Q-tips®, Smoke and Frank Kelly, curator Carlotta Owens, curator Foundation Mirrors: The Drawings of Ed Ruscha Sponsored by Siemens Made possible by General Dynamics >All the Mighty World: The Photographs 13 February 2005 to 30 May 2005 >Origins of European Printmaking: of Roger Fenton, I852-1860 Organized by the Whitney Museum of Fifteenth-Century Woodcuts and 17 October 2004 to 2 January 2005 American Art, New York Their Public LENDERS TO EXHIBITIONS Organized by the National Gallery of Judith Brodie, curator 4 September 2005 to 27 November 2005 Art, Washington, the J.Paul Getty Funded by the Institute of Museum and Organized by the National Gallery of Art, Museum, Los Angeles, and the Library Services by an Act of Congress; Washington, and the Germanisches Private Collections Metropolitan Museum of Art, New York Q-tips® is a registered trademark of Nationalmuseum, Sarah Greenough, curator Chesebrough-Pond's Inc; also supported The American Contemporary Art Peter Parshall, NGA curator; Rainer Made possible at the Gallery through in Washington by The Broad Art Foundation, Inc. Schoch, guest curator the generous support of the Trellis Foundation Air transportation provided by Lufthansa Soizic Audouard, Paris Fund and The Ryna and Melvin Cohen >Jan de Bray and the Classical Tradition Supported by an indemnity from the Family Foundation; also supported Jean-Francois Baroni 13 March 2005 to 14 August 2005 Federal Council on the Arts and the by an indemnity from the Federal Organized by the National Gallery of Art, Humanities Matthias Council on the Arts and the Washington, and the Currier Museum Humanities >The Prints of Felix Buhot: Impressions Buhl Family Foundation of Art, of City and Sea Arthur Wheelock, curator; Mr. Eric Ceputis 4 September 2005 to 20 February 2006 Kurt Sundstrom, guest curator John Cheim

NATIONAL GALLERY OF ART 2005

(64) Mr. Corgan Mr. Thomas McKean BRAZIL Enschede: Twenthe

Jean Crutchfield and Robert Hobbs Mr. and Mrs. Robert L. McNeil, Jr Sao Paulo: Museu de Arte de Sao Paulo Haarlem: Frans Hals Museum Assis Chateaubriand Ms. Karen Daiter Mellon Financial Corporation, Rotterdam: Museum Boijmans Van Beuningen Dana and Rick Dirickson Richard and Ronay Menschel CANADA : Friends of the Mauritshuis Ms. Penelope Dixon Stavros Merjos Foundation; Mauritshuis; Royal Cabinet Montreal: Canadian Centre for Architecture Mr. Pieter C.W.M. Dreesmann Stavros Merjos and Honor Fraser of Paintings Mauritshuis Ottawa: National Gallery of Canada Gail and Richard Elden Byron R. Meyer Toronto: Art Gallery of Ontario Mr. and Mrs. Richard K. Erlich Eileen and Peter Michael RUSSIA

Vahe and Lucie Fattal Mr. David Mixer Moscow: The State Pushkin Museum of Courtesy of M. Feltenstein, a Promised Fine Arts L. C. Monell Gift to The Metropolitan Museum of Art Copenhagen: Ny Carlsberg Glyptotek St. Petersburg: The State Hermitage Bob Monk Mr. and Mrs. Massimo Ferragamo Museum John Luke Montias Sonja Flavin FINLAND Mugrabi Collection Stephen Flavin SPAIN Helsinki: Ateneum Art Museum, Finnish Mr. James X. Mullen Aaron I. Fleischman National Gallery; Sinebrychoff Art Barcelona: Museu Nacional d'Art de His Grace The Duke of Northumberland Museum Catalunya Herrn Dr. Jurgen Oberbeckmann Sitges: Consorcio del Patrimonio de Francey and Dr. Martin L. Gecht Sitges, Museo Cau Ferrat Anthony d'Offay, London FRANCE Francey and Dr. Martin L. Gecht, Promised gift to The Art Institute of Mr. and Mrs. Peter Ponsonby Albi: Musee Toulouse-Lautrec Chicago Carter Pottash lipinal: Musee departemental d'art Miss Susan Glesby ancien et contemporain Goteborg: Goteborgs Konstmuseum Ms. Dorothy Press Mr. and Mrs. Ross Green : Musee des Beaux-Arts de Lyon Mr. and Mrs. John Pritzker Mr. and Mrs. Ronald K. Greenberg Paris: Galerie Beres; Galerie Schmidt;; Mr. and Mrs. Nicholas J. Pritzker Collection of the Grinstein Family Musee d'Orsay; Musee de Montmartre; Basel: Historisches Museum Basel Private collection Musee du ; Musee Carnavalet Koenraad de Groeve Geneva: Petit Palais, Musee d'Art Ms. Haley Rockwell Toulouse: Musee des Augustins Moderne Geneve Mrs. Helena Gunnarsson Baron Guy de Rothschild Winterthur: Museum Briner und Kern Susan Haller Phyllis Rothschild GERMANY Ms. Wendy Handler Zurich: Kunsthaus Zurich Dr. H. O. Ruding Berlin: Staatliche Museen zu Berlin, Mr. and Mrs. Philip and Charlotte Hanes Gemaldegalerie; Staatliche Museen zu Mr. P.W.L. Russell - ENGLAND Ms. Susan Harder Berlin, Kupferstichkabinett Mr. Paul Sack Cambridge: The Earl and Countess of Harewood, and Bremen: Kunsthalle Bremen the Trustees of Harewood House Trust Robert Harshorn Shimshak and Marion Bradford: National Museum of Cologne: ; Wallraf- Photography, Film and Television The Hedges Family Collection Richartz-Museum Sandra and Douglass Smith Bristol: Bristol Museums and Art Gallery Mrs. Teresa Heinz Dresden: Staatliche Kunstsammlungen Mr. Howard Stein The Alex Hillman Family Foundation Dresden Islip: N.G. Stogdon; Nicholas Stogdon Darian and Rick Swig Olga Hirshhorn Luneburg: Ratsbucherei der Stadt Lancashire: Stonyhurst College Luneburg Mr. Holstrom and Ms. Mary Baron Willem van Dedem London: Guildhall Library; ING Bank, : Alte Pinakothek; Bayerische NV, London Branch; National Portrait Beth Kineke J. van Lanschot Staatsbibliothek; Staatliche Graphische Gallery, London; Sotheby's, London; Mr. Edwynn Houk Mr. J.H. van Litsenburg Sammlung Tate; ; The ; Ann and Edward Hudson The British Museum; The Courtauld Arthur E. Vershbow Nuremberg: Germanisches Institute Gallery, Courtauld Institute of Mr. Peter Jay Nationalmuseum; Stadtbibliothek Mr. and Mrs. Herbert Vogel Art; The National Gallery; The National Nuremberg Richard Hampton Jenrette Trust; Victoria and Albert Museum Ladislaus and Beatrix von Hoffmann Stuttgart: Staatsgalerie Stuttgart Sir Elton John Manchester: Manchester City Galleries; Michel and Frangoise Waelchli The John Rylands University Library Mr. and Mrs. Steaven Jones Mr. Matthew Weatherbie HUNGARY Windsor: Her Majesty Queen Elizabeth II Mrs. Betsy Karel Anabeth and John Weil Budapest: Szepmuveszeti Muzeum Hiromi Katayama and Ms. Margaret W. Weston UNITED KINGDOM - IRELAND Karim Khan Professor John Wilmerding Dublin: National Gallery of Ireland Mr. Thomas G. Klarner ITALY Wilson Centre for Photography David M. Koetser Florence: Chiesa e Museo di Adele Yellin Orsanmichele Sarah-Ann and Werner H. Kramarsky UNITED STATES

Dawn and Kevin Longe California Public Collections NETHERLANDS Jean-Paul Loup Los Angeles: Gemini G.E.L.; Los AUSTRIA Amsterdam: Rijksmuseum; Van Gogh Angeles County Museum of Art; The J. Mrs. Anne W. Lowenthal Museum Paul Getty Museum; UCLA at the Vienna: Albertina; Galerie Sanct Lucas; Mr. and Mrs. Donald B. Marron Armand of Art and Gemaldegalerie der Akademie der Deventer: Gemeentemusea Cultural Center Stephanie and Carter McClelland, Bildenden Kunste; Sammlungen des Courtesy James Kelly Contemporary, Fursten von Liechtenstein Santa Fe

NATIONAL GALLERY OF ART 2005

{65} Robert and Jane Meyerhoff Modern San Diego: San Diego Museum of Art; New Hampshire LENDERS OF WORKS DISPLAYED Timken Museum of Art WITH THE NGA COLLECTION Art Foundation Manchester: Currier Museum of Art San Francisco: Fraenkel Gallery; Willem de Kooning , Inc.; The Fine Arts >Spike's Folly II New Jersey Roger Arvid Anderson Museums of San Francisco Roy Lichtenstein New Brunswick: The Jane Voorhees Possibly Germain Pilon > White II San Marino: The Huntington Library, Art Zimmerli Art Museum, Rutgers, > Veiled Mourner with Torch Collections, and Botanical Gardens The State University of New Jersey >Field #2 Princeton: Princeton University Art Connecticut Calder Foundation, New York Museum >Small Campbell's Soup Can, I9( Hartford: Alexander Calder Museum of Art >Aztec Josephine Baker; Red Panel; New York Musee du Louvre, Reunion des Object with Red Ball; 1 Red, 4 Black New Haven: Art Gallery M usees Nationaux, Paris Brooklyn: plus X White;Tom's; Cheval Rouge; Cheval Rouge (maquette);"Tom's Venetian 16th Century Germantown: Clermont State Historic Site District of Columbia (maquette); Untitled >Boy on a Dolphin Washington: ; Glen Head: Barker Welfare Foundation Hirshhorn Museum and Sculpture Glens Falls: The Hyde Collection The Catholic University of America, National Museum of Health and Garden; National Gallery of Art, Library; Oliveira Lima Library Medicine of the Armed Forces, New York: Berry-Hill Galleries, Inc.; National Portrait Gallery, Washington; Institute of Pathology The Corcoran Gallery of Art; The Didier Aaron, Inc.; DIA Center for the Frans Post Kreeger Museum; The Library of Arts; Estate of Andre Kertesz; Leo >Brazilian Landscape, Said to Thomas Eakins Congress; The Phillips Collection; The Castelli Gallery; Solomon R. Be Pernambuco >Dr. John H. Brinton Guggenheim Museum; The American Contemporary Art Foundation, Inc.; -Hewitt National Museum of Patsy Orlofsky The Metropolitan Museum of Art; Design, Smithsonian Institution The ; The New Chicago: Les Enluminures; Stephen Da iter York Public Library; Whitney Museum Giovanni Domenico Tiepolo >Name Painting #1 Gallery; The of American Art >The Immaculate Conception

Evanston: Northwestern University Rochester: Rush Rhees Library John and Kimiko Powers Fioratti Collection Andy Warhol Indiana Giovanni Minello >200 Campbell's Soup Cans >Bust of a Woman Indianapolis: Indianapolis Museum of Art Cincinnati: Cincinnati Art Museum Schroder Collection, London : The Collection of the Artist Kentucky Hans Mielich Toledo: Toledo Museum of Art Helen Frankenthaler >Portrait of a Woman Louisville: The Speed Art Museum >Mountains and Sea Pennsylvania and Rebecca Smith Louisiana Philadelphia: Atwater Kent Museum of Horvitz Collection, Boston David Smith : New Orleans Museum of Art Philadelphia; Museum of American Art Philippe-Laurent Roland >Aggressive Character; Ninety Father; of the Pennsylvania Academy of the >Madame Potain Black- White Forward; Construction Fine Arts; Philadelphia Museum of Art; Maine December II The Philadelphia Society for the Brunswick: Museum Preservation of Landmarks, Powell House Peter A. Jay of Art Smithsonian American Art Museum Gilbert Stuart Rhode Island >John Jay French 13th Century Maryland > Vita Contemplativa; Heraldic Panel; Newport: Redwood Library and Bishop Blessing; Angel Holding a Cross Baltimore: The Baltimore Museum of Athenaeum Collection of the Artist and the Croum of Thorns Art; The Walters Art Gallery Providence: Museum of Art, Rhode Jan Anthonisz. Ravesteyn Island School of Design >Between the Clock and the Bed; Field >Judith Langley Massachusetts Painting; No; Target; Dancers on a Plane

Boston: Baring-Gould, do Legg Mason; Tennessee Sonnabend Collection Boston Public Library; City of Boston; Mrs. George M. Kaufman Memphis: The Dixon Gallery and Gardens Museum of Fine Arts, Boston Jan Lievens > Canyon Cambridge: Fogg Art Museum; >Head of a Man Texas Harvard University Graduate School of Ruth Carter Stevenson Art and Design Austin: Harry Ransom Humanities Manoogian Collection Research Center John Constable Northampton: Museum George Caleb Bingham >Yarmouth Jetty of Art Dallas: Dallas Museum of Art >The Jolly Flatboatmen Williamstown: Sterling and Francine Houston: The Museum of Fine Arts, U.S. Department of the Interior, Clark Art Institute Houston Richard and Jane Manoogian , Saint-Gaudens Worcester: Worcester Art Museum Foundation National Historic Site, Cornish, Vermont New Hampshire Richard Caton Woodville Grafton: Mr. and Mrs. Richard Aggasiz >War News from Mexico Augustus Saint-Gaudens Warren >Study Head of a Black Soldier (6 works); : The Detroit Institute of Arts Preliminary Sketch for Shaw Memorial; The Metropolitan Museum of Art Shaw Memorial; Early Study of the Virginia Missouri Francesco di Giorgio Martini Allegorical Figure for the Shaw Memorial Richmond: Virginia Museum of Fine Arts >The Nativity Kansas City: Hallmark Photographic Collection; The Nelson-Atkins Museum Williamsburg: Colonial Williamsburg of Art Foundation

NATIONAL GALLERY OF ART 2005

{66} United States Naval Academy Museum Jan Miense Molenaer Sir Peter Paul Rubens , Centre de la Vieille Charite >A Lute Player >Young Woman in Profile Jean Joseph Benjamin Constant Right under the Sun - Painting in Isack van Ostade >Favorite of the Emir Circulated to The Metropolitan Provence from Classicism to Modernism >Halt Before the Inn with a Rider Museum of Art, New York, (1750-1920) Approaching 14 January to 3 April 2005 14 May to 21 August 2005 The White House Jacopo Palma il Giovane > and Cupid at the Forge of Vulcan Georges Braque Paul Cezanne Mark Rothko Vienna, Kunstforum Wien >The Port of La Ciotat >The Forest; House on the Marne; House >No. 9 (White and Black on Wine) on a Hill Rene Magritte Paul Cezanne Sir Peter Paul Rubens 6 April to 24 July 2005 >Le Ch&teau Noir >The Holy Family with Infant John; (Montreal only) Erving and Joyce Wolf Landscape with Willows Rene Magritte Salomon van Ruysdael >The Blank Signature* Circulated to Montreal Museum of Elie Nadelman >River Landscape Fine Arts, 22 September 2005 to 8 > Classical Head; Head of a Girl Circulated to Fondation Beyeler, Basel, Pieter Jansz Saenredam January 2006 Francis Augustus Silva 7 August to 27 November 2005 >The Interior of the Saint Peter's >Indian , Narragansett Bay Church in 's-Hertogenbosch Paris, Cinematheque frangaise Frans Snyders Vienna, Kunsthistorisches Museum Walton Family Foundation > Still Life of Fruit (A Swag of Autumnal Renoir-Renoir Bernardo Bellotto - European Vedutas Fruits) 26 September 2005 to 9 January 2006 15 March to 19 June 2005 Hans Straub I >Kindred Spirits Auguste Renoir >Renaissance Silver-Gilt Cup Bernardo Bellotto >Child with Toys - Gabrielle and David Teniers II >The Fortress of Konigstein the Artist's Son, Jean Anonymous >Dice and Skittle Players in a Tavern Courtyard Auguste Renoir Hendrick Avercamp Cy Twombly CANADA > Oarsmen at Chatou > Winter Landscape with Golfer >Orpheus (Thou unending trace); Untitled Bernardo Bellotto, Pima Ottawa, National Gallery of Canada Adriaen van de Velde >The Fortress of Sonnenstein Paris, Galeries nationales du Grand Palais >Figures in a Deer Park Leonardo, Michelangelo and the Nicolaes Pietersz Berchem Willem van de Velde II Renaissance in Florence Turner, Whistler, Monet >An Italianate Landscape with Figures >Ships on a Calm Sea 27 May to 5 September 2005 12 October 2004 to 17 January 2005 Gerrit Adriaensz Berckheyde Philips Wouwerman >A View of St. Bavo's, Haarlem Benvenuto Cellini Joseph Mallord William Turner >Landscape >Satyr >Mortlake Terrace >Portrait of aYoung Man Holding a Medallion Rosso Fiorentino James McNeill Whistler Jan Brueghel, the Elder >Portrait of a Man >Nocturne >A Road with a Ford in a Wood NGA LOANS TO TEMPORARY Jean-Charles Cazin EXHIBITIONS after Andrea del Sarto James McNeill Whistler >The Quarry of Monsieur Pascal >Saint Filippo Benizzi Healing a Beggar >Nocturne near Nauterre The department of loans and the James McNeill Whistler Pieter Claesz National Lending Service administered > Wapping* > Still Life with a Basket of Grapes DENMARK the loans of 583 works of art to 201 sites Aelbert Cuyp Circulated to Tate Britain, London, 10 during fiscal year 2005. This number Copenhagen, Ordrupgaardsamlingen >A Pier in Dordrecht Harbor February to 15 May 2005 includes the loan of 415 works to 122 Dirck van Delen and : Paintings, temporary exhibitions at 159 institutions >Church Interior with Elegant Figures Sculpture, and Ceramics and the extended loan of 163 Gallery Paris, Musee du Louvre Arshile Gorky 30 August to 20 November 2005 works to thirty-eight sites. Five paintings >Portrait of Master Bill Le Sacre de Napoleon Peint par David from Gallery collections were on short- Jan Davidz de Heem 21 October 2004 to 17 January 2005 term loan to the permanent collections >Still Life with Peonies >Still Life with Fruit, Oysters, and Wine of one foreign and three U.S. museums. Louis-Leopold Boilly >The Public in the of the Louvre, >A View in Amsterdam Works in National Lending Service FRANCE Viewing the Painting of the "Sacre" Jan van Huysum marked * >Still Life of Flowers and Fruit Ceret, Musee d'art moderne de Ceret Paris, Musee d'Orsay Willem de Kooning Matisse, Derain - Collioure >Untitled III AUSTRIA 18 June to 2 October 2005 Alfred Stieglitz and His Circle: 1905-1930 Maker's mark of Johnn Karl Bossard Krems-Stein, Kunsthalle Krems 18 October 2004 to 16 January 2005 >Nautilius Cup Andre Derain Maker's mark of Jeremias II. Flicker Renoir: und Frauenbild des >Mountains at Collioure* Paul Cezanne >German Silver-Gilt Double Pineapple Cup Impressionismus (Renoir and the Female >Le Chdteau Noir (Paris only) Maker's mark of Andreas Kauxdorf Image of the Impressionist Epoch) Izpinal, Musee departemental d'art the Elder 3 April to 31 July 2005 ancien et contemporain Arthur > German Parcel-Gilt Silver Beaker Auguste Renoir >Rain and Cover Rembrandt: L'Homme en Costume >Picking Flowers Maker's mark of Andreas Mackensen I. Oriental, Un Pret Exceptionnel de la Georgia O'Keeffe > German Silver-Gilt Christening Cup National Gallery de Washington >First Drawing of the Blue Lines Maker's mark of Johann I. Seutter Vienna, Albertina 29 October 2004 to 30 June 2005 (Paris only) > German Silver-Gilt Shell-Form Peter Paul Rubens (1577-1640): Rembrandt van Rijn and Workshop Alfred Stieglitz Standing Cup The Drawings (Probably Govaert Flinck) >After the Rain Maker's mark of Thomas Stoer d. A. 14 September to 5 December 2004 >Man in Oriental Costume >German Parcel-Gilt Silver Cup and Cover Alfred Stieglitz Edouard Manet Sir Peter Paul Rubens >Charles Demuth Lyon, Musee des Beaux-Arts de Lyon >Spring >Daniel in the Lions' Den Alfred Stieglitz (Vienna only) Piero Manzoni L'Impressionnisme et Naissance du >Francis Picabia >Achrome Sir Peter Paul Rubens Cinema Brice Marden Alfred Stieglitz >Uon 15 April to 18 July 2005 >For Pearl >From My Window at An American Frans van Mieris Sir Peter Paul Rubens Auguste Renoir Place, North >Musical Party on a Terrace >Pan Reclining > Woman with a Cat (Vienna only)

NATIONAL GALLERY OF ART 2005

{67} Alfred Stieglitz Francisco de Edgar Degas Munich, Stadtische Galerie im >From My Window at An American >Therese Louise de Sureda > Woman by a Fireplace Lenbachhaus und Kunstbau Place, Southwest Edgar Degas Retrospective Alfred Stieglitz Berlin, Deutsche Guggenheim Berlin > Woman Reading (Lxseuse) 17 September 2005 to 8 January 2006 >From My Window at the Shelton, North No Limits, Just Edges: Jackson Pollock Sir Franz Marc Alfred Stieglitz Paintings on Paper > Self-Portrait >Siberian Dogs in the Snow * > Georgia O'Keeffe 28 January to 10 April 2005 Jean-Jacques Flipart after Carle Vanloo Alfred Stieglitz Jackson Pollock >A Bear Hunt ITALY >Georgia O'Keeffe >Untitled Jean-Jacques Flipart after Jean Simeon Belluno, Palazzo Crepadona Alfred Stieglitz Circulated to Peggy Guggenheim Chardin >Georgia O'Keeffe and Donald Davidson Collection, Venice, 4 June to 18 >Le Dessinateur (The Draughtsman) A Nord di Venezia. Scultura e Pittura September 2005 nella Vallate Dolomitiche tra Gotico e Alfred Stieglitz Vicomte Ludovic Napoleon Lepic Rinascimento >Georgia O'Keeffe and Donald Davidson >Turbulent Sky* 30 October 2004 to 22 February 2005 Pruning Trees Cologne, Museum Ludwig Charles Francois Adrien Macret after Ludovico Gaci Alfred Stieglitz Edward Jean-Honore Fragonard >Page from a Gradual (recto) >Georgia O'Keeffe - Breasts 9 October 2004 to 9 January 2005 >La fuite a dessein Ludovico Gaci Alfred Stieglitz Charles Francois Adrien Macret and >Saints Peter and Paul >Georgia O'Keeffe - Hands >Cape Cod Evening* Jacques Couche after Jean-Honore Fragonard Alfred Stieglitz Max Beckmann - Fernand Leger. >La fuite a dessein Milan, Pinacoteca di Brera >Georgia O'Keeffe - Hands Suprising Confrontations Workshop of Andrea Mantegna Fra Carnevale: Florentine Art and Alfred Stieglitz 20 May to 28 August 2005 >The Adoration of the Magi (Virgin in Renaissance Culture at the Court of >Georgia O'Keeffe - Hands and Grapes Max Beckmann the Grotto) Urbino Alfred Stieglitz >Falling Man* 12 October 2004 to 10 January 2005 Charles Meryon >The Hay Wagon >Le Pont-au-Change, Paris Fra Carnevale Alfred Stieglitz Essen, Museum Folkwang >The Annunciation >Legs (Elizabeth and Donald Davidson) Cezanne: Aujbruch in die Moderne >Madonna Domenico Veneziano Alfred Stieglitz (Cezanne: The Dawn of Modern Art) >Saint John in the Desert Parmigianino >Long Underwear, 18 September 2004 to 16 January 2005 >The Entombment Follower of Donatello Alfred Stieglitz Paul Cezanne >Madonna and Child within an Arch Giovanni Battista Piranesi >Marsden Hartley >Boy in a Red Waistcoat >The Drawbridge Circulated to The Metropolitan Alfred Stieglitz Paul Cezanne Museum of Art, New York, 31 January Giovanni Battista Piranesi >The Terminal >Houses in Provence to 1 May 2005 >The Drawbridge Paul Strand Paul Cezanne Giovanni Battista Piranesi >Lathe #1, New York >StiU Ufe* Naples, Museo di Capodimonte >Fantastic Port Monument (left plate) Circulated to Museo Nacional Centro Omaggio a Velazquez Giovanni Battista Piranesi de Arte Reina , , 10 Frankfurt, Stadelsches Kunstinstitut 19 March to 19 June 2005 >Fantastic Port Monument (right plate) February to 17 May 2005 Frankfurt am Main Diego Velazquez Giovanni Battista Piranesi The Unfinished Print >The Needlewoman Le Neo-impressionnisme, de Seurat a Klee >The Tomb of Nero 7 October 2004 to 2 January 2005 14 March to 10 July 2005 Giovanni Pietro Possenti Nicolaus Beatrizet after Michelangelo Rome, Complesso del Vittoriano Henri Edmond Cross >Hercules and Antaeus Buonarroti >Coast nearAntibes* Degas, Classico e Moderno >Striding Man Rembrandt van Rijn 1 October 2004 to 7 February 2005 > Christ Crucified between the Two Thieves Felix Bracquemond >Seascape at Port-en-Bessin, Normandy* (The Three Crosses) Edgar Degas >Edmond de Goncourt >The Dance Lesson Le Theatre de VOeuvre, 1893-1900: Felix Bracquemond > Victor , De Face Naissance du Theatre Moderne >Edmond de Goncourt Rome, Palazzo Giustiniani 12 April to 3 July 2005 Jacques Villon Laurent Cars after Antoine Watteau >La Parisienne Canaletto: II Trionfo della Veduta Maurice Dumont >Fetes venitiennes 12 March to 19 June 2005 >Carmosine Jacques Villon Giovanni Benedetto Castiglione >La Parisienne Canaletto Edvard Munch >David with the Head of Goliath >Entrance to the Grand Canal from >Summer Evening (Sommernacht) Jacques Villon Charles-Nicolas Cochin I after Antoine the Molo, Venice >La Parisienne Ker Xavier Roussel Watteau Canaletto >Le Volant >La Mariee de Village (The Village Bride) >The Square of Saint Mark's, Venice Hannover, Sprengel Museum Henri de Toulouse-Lautrec Edgar Degas >La Lepreuse >Mary Cassatt at the Louvre: Andy Warhol. Self-Portraits Urbino, Galleria Nazionale delle Marche The Etruscan Gallery (Au Louvre: 3 October 2004 to 16 January 2005 Pierre-Eugene Vibert Musee des antiques) H Rinascimento a Urbino. Fra >Le Joug Andy Warhol Carnevale e gli Artisti del Palazzo de Edgar Degas > Self-Portrait Izdouard Vuillard Federico [The Renaissance in Urbino: >Mary Cassatt at the Louvre: >The Yellow Curtain Circulated to Scottish National Gallery Fra Carnevale and the Artists of the The Etruscan Gallery (Au Louvre: of Modern Art, , 12 Palazzo Federico) Musee des antiques) February to 2 May 2005 19 July 2005 to 8 January 2006 GERMANY Edgar Degas Fra Carnevale >Mary Cassatt at the Louvre: Berlin, Alte Nationalgalerie >The Annunciation The Paintings Gallery (Au Louvre: Goya - Prophet der Moderne La Peinture) 12 July to 3 October 2005

NATIONAL GALLERY OF ART 2005

{68} Venice, Fondazione Giorgio Cini Gerard ter Borch II Visiones del Quijote: Hogarth, James McNeill Whistler >The Suitor's Visit Dore, Daumier, Picasso, , Matta, >Nocturne: Salute Tiepolo: Ironia e comico Pong, Saura 3 September to 5 December 2004 James McNeill Whistler 7 March to 12 June 2005 Amsterdam, Van Gogh Museum >Old Women Giovanni Domenico Tiepolo Honore Daumier >The Prison Visit Manet and the Sea James McNeill Whistler >Rest in the Country (Sancho Panza) 18 June to 10 October 2004 >The Steamboat, Venice Giovanni Domenico Tiepolo Honore Daumier >Punchinello's Farewell to Venice Eugene Boudin James McNeill Whistler >Don Quixote >Beach Scene at Trouville > Venetian Water-Carrier Circulated to Sala de Exposiciones Venice, Peggy Guggenheim Collection Eugene Boudin Santa Ines, , 29 June to 28 >Festival in the Harbor of Honfleur William Baziotes: Paintings and August 2005 SWITZERLAND Drawings, 1934-1962 The Origins of L': The Basel, Fondation Beyeler 5 September 2004 to 9 January 2005 Bing Empire Madrid, Museo Nacional Centro de Arte Blumenmythos: Von William Baziotes 26 November 2004 to 27 February 2005 Reina Sofia bis (Flower Myth: Vincent >Desert Landscape Edouard Vuillard y la Prensa (1887-1927) van Gogh to Jeff Koons) William Baziotes > Woman in a Striped Dress (Juan Gris and the Press [1887-1927]) 27 February to 22 May 2005 >Iridescent Forms 21 June to 21 September 2005 Circulated to Museum Villa Stuck, Paul Gauguin William Baziotes Munich, 17 March to 31 July 2005 Juan Gris >Still Life with Peonies >Pierrot >Bottles and Bowl Van Gogh Draftsman: The Masterpieces William Baziotes Juan Gris Basel, Kunstmuseum Basel 1 July to 18 September 2005 > Swamp >Fantomas De Kooning. Paintings 1960-1980 Vincent van Gogh William Baziotes Juan Gris after Paul Cezanne 17 September 2005 to 22 January 2006 >The Harvest >Untitled >Harlequin Willem de Kooning > Woman with a Hat The Hague, Gemeentemuseum Den Haag Madrid, Museo Thyssen-Bornemisza JAPAN The Young Van Gogh and The Hague Gauguin and the Origins of Geneva, Musee Rath Nara, Nara Prefectural Museum of Art School 28 September 2004 to 9 January 2005 5 February to 16 May 2005 Richard Wagner. Visions d'Artistes. , A Hymn to Light: Paul Gauguin D'Auguste Renoir aAnselm Kiefer Selected Works from the 1870s and 1890s Vincent van Gogh >Breton Girls Dancing, Pont-Aven 23 September 2005 to 29 January 2006 2 October to 5 December 2004 >Flower Beds in Holland Paul Gauguin, Albert Pinkham Ryder Claude Monet >Self-Portrait Dedicated to Carriere >Siegfried and the Rhine Maidens >Bridge atArgenteuil on a Gray Day Nijmegen, Museum Het Valkhof Edouard Vuillard Claude Monet The Limbourg Brothers: Nijmegen >The Yellow Curtain Lausanne, Fondation de I'Hermitage > Waterloo Bridge, London, at Dusk Masters at the French Court (1400-1416) 28 August to 20 November 2005 Caillebotte: Au Coeur de Claude Monet Die Briike I 'Impressionnisme > Waterloo Bridge, London, at Sunset Netherlandish 14th Century 1 February to 15 May 2005 24 June to 23 October 2005 >The Death of the Virgin Gustave Caillebotte , The National Museum of Workshop of Limbourg Brothers >Head of a Woman Western Art >Saint Christopher Carrying the Ernst Ludwig Kirchner Christ Child Henri Matisse: Process/Variation >Two Nudes (obverse) Zurich, Kunsthaus Zurich 10 September to 12 December 2004 Circulated to Museu Nacional d'Art de Rotterdam, Museum Boijmans Van Monet's Garden Henri Matisse Catalunya, Barcelona, 1 June to 5 Beuningen 29 October 2004 to 13 March 2005 >The Plumed Hat September 2005 Senses and Sins: Dutch Painters of Claude Monet Henri Matisse Daily Life in the Seventeenth Century Memling's Portraits >The Artist's Garden at Vetheuil >Still Life with Sleeping Woman 23 October 2004 to 9 January 2005 14 February to 15 May 2005 Claude Monet Johannes Vermeer Hans Memling >The Artist's Garden inArgenteuil MEXICO >A Lady Writing >Portrait of a Man with an Arrow (A Corner of the Garden with Dahlias)

Mexico City, Museo de Arte Moderno Circulated to Stadelsches Kunstinstitut Circulated to Groeningemuseum, und Stadtische Galerie, Frankfurt, 10 Bruges, 7 June to 4 September 2005 Diego Rivera y el Cubismo. Memoria y UNITED KINGDOM - ENGLAND February to 1 May 2005 Vanguardia Corot. Nature, Emotion, Souvenir London, The National Gallery 22 September 2004 to 30 January 2005 7 June to 11 September 2005 Raphael: From Urbino to Rome Diego Rivera RUSSIA Jean-Baptiste-Camille Corot 20 October 2004 to 16 January 2005 >No. 9, Espagnole St. Petersburg, The State Hermitage >The Island and Bridge of San Raphael Museum Bartolomeo, Rome > The Alba Madonna Mexico City, Museo Nacional de Arte Masterpieces of the World at the El Espejo Simbolista. Europa y Mexico . Raphael's Alba Valencia, Institut Valencia d'Art Modern London, Tate Britain 2 December 2004 to 25 April 2005 Madonna from The National Gallery of Whistler - Music Art, Washington Anthony Caro Elihu Vedder 21 July to 11 September 2005 3 September to 8 October 2004 26 January to 17 April 2005 >Dawn James McNeill Whistler Raphael Anthony Caro >The Bridge >TheAlba Madonna >Prairie NETHERLANDS James McNeill Whistler >Long Venice Amsterdam, Rijksmuseum London, Tate Modern SPAIN James McNeill Whistler Gerard ter Borch Robert Frank: Storylines Barcelona, Exhibition Hall "La Pedrera " >Nocturnal Note: Venice 9 June to 4 September 2005 28 October 2004 to 23 January 2005

NATIONAL GALLERY OF ART 2005

(69) Robert Frank Robert Frank Art and the Oval Office: Presidential Andre Kertesz >Artificial Tulip/Paris >Porte Clignancourt, Paris Selections from the Nation's Museums > Albania 1960-2000" Robert Frank Robert Frank Andre Kertesz 19 November 2004 to 23 January 2005 >Bankers /London >Profile/Venice >Blind Musician, Abony American 19th Century Robert Frank Robert Frank Andre Kertesz >Flowers and Fruit* >Black, White and Things > Table, Mallorca >Budapest American 19th Century Robert Frank Robert Frank Andre Kertesz >Under Full Sail >City of London >Tickertape/ > "Buy," Long Island University John James Audubon Robert Frank Robert Frank Andre Kertesz >Farmyard Fowls* >City of London > Tulip/Paris >Chateau Sainte-Mesme George Catlin Robert Frank Robert Frank Andre Kertesz >Camanchee Chiefs Children >City of London > Welsh Miners >Clock of the Academie Fran^aise and Wigwam* Robert Frank Circulated to Museu d'Art Andre Kertesz George Catlin >Commentary 1-12 Contemporani de Barcelona, 8 > Communications Building, New York >Eagle Dance - Choctaw* (Winterthur only) February to 8 May 2005 and World's Fair Fotostiftung Schweiz, Winterthur, 3 George Catlin Robert Frank Andre Kertesz September to 20 November 2005 >Gathering Wild Rice - Winnebago* >Commentary 25-36 >Dunaharaszti (Winterthur only) George Catlin Andre Kertesz London, Whitechapel Art Gallery >Puncah Chief Surrounded by His Family* Robert Frank >Elizabeth >Commentary 37-48 Faces in the Crowd: The Modern Figure George Catlin Andre Kertesz (Winterthur only) and Avant-Garde >TwoApachee Warriors and a Woman* >Elizabeth and I 3 December 2004 to 6 March 2005 Robert Frank George Catlin Andre Kertesz > Commentary 49-60 Edouard Manet >War Dance of the Saukies* >Esztergom Cathedral (Winterthur only) >Masked Ball at the Opera* John Singer Sargent Andre Kertesz Robert Frank Circulated to Castello di Rivoli, Museo >Mary Crowninshield Endicott >The Fairy Tale >Communion / Valencia d'Arte Contemporanea, , 3 April Chamberlain (Mrs.Joseph Chamberlain)* to 10 July 2005 Andre Kertesz Robert Frank >Goingfor a Walk > Couple/Paris >Andrew Jackson* to Black: Art, Cinema and the Andre Kertesz Robert Frank Racial Imaginary >Jeno Kertesz > Farming 1-12 3 June to 4 September 2005 California (Winterthur only Andre Kertesz Barkley Leonnard Hendricks, Los Angeles, The J. Paul Getty Museum >Jeno Kertesz Robert Frank >Sir Charles, Alias Willy Harris* Cezanne in the Studio: Still Life in > Funeral/Paris Andre Kertesz Circulated to New Art Gallery Walsall, Watercolors >Jeno Kertesz Robert Frank 30 September to 20 November 2005 12 October 2004 to 2 January 2005 >Horse and Cart/Paris Andre Kertesz Paul Cezanne >Jeno Kertesz Robert Frank > Geraniums UNITED KINGDOM - >London Andre Kertesz Edinburgh, Royal Scottish Academy Jacques-Louis David: Empire to Exile >Jeno Kertesz as Icarus Robert Frank Building 1 February to 24 April 2005 >Longchamp Andre Kertesz The Age of Titian: Venetian Renaissance Jacques-Louis David >Lafayette, Munson- Williams-Proctor Robert Frank Art from Scottish Collections >The Emperor Napoleon in His Study at Institute >Medals, New York 5 August to 5 December 2004 the Tuileries Andre Kertesz Robert Frank Jacopo Tintoretto Jacques-Louis David >Uon and Shadow >Men of Air, New York >A Procurator of Saint Mark's >Madame David Andre Kertesz Robert Frank Titian Circulated to Sterling and Francine >Meeting, Budapest >Mississippi River/St. Louis > Vincenzo Cappello Clark Art Institute, Williamstown, 5 Andre Kertesz Robert Frank June to 5 September 2005 Veronese >Nepliget, Budapest >Moving Out >The Martyrdom and Last Communion Roger Fenton Andre Kertesz Robert Frank of Saint Lucy 1 February to 24 April 2005 >New York >My Family/New York City Gauguin's Vision Roger Fenton Andre Kertesz Robert Frank 6 July to 12 October 2005 >The Cloisters, Tintern Abbey >Parliament Building, Budapest >Old Woman /Barcelona Paul Gauguin Circulated to The Metropolitan Andre Kertesz Robert Frank >Breton Girls Dancing, Pont-Aven Museum of Art, New York, 24 May to >Portrait of a Ballet Dancer, Paris > Parade/ Valencia 21 August 2005 and Tate Britain, Paul Gauguin Andre Kertesz Robert Frank London, 21 September 2005 to 2 >A Breton Woman and a Standing Man; >A Red Hussar Leaving >Paris January 2006 Head and Hand of a Monkey (recto) Andre Kertesz Robert Frank Paul Gauguin Rembrandt's Late Religious Portraits, > Self-Portrait >People 13-24 >Four Studies of Breton Women; Shapes 7 June to 28 August 2005 (Winterthur only) Andre Kertesz and Vases (verso) Rembrandt van Rijn (and Workshop?) >Self-Portrait in the Hotel Beaux-Arts Robert Frank Paul Gauguin >The Apostle Paul >People 25-34 Andre Kertesz >Two Breton Women; Landscape (recto) (Winterthur only) >Self-Portrait Jeno Kertesz Los Angeles, Los Angeles County Robert Frank Andre Kertesz Museum of Art >Peru UNITED STATES >Self-Portrait with Ede Papszt Andre Kertesz Robert Frank Arkansas Andre Kertesz 12 June to 5 September 2005 >Place de la Republique >Self-Portait with Erzsebet Salamon Little Rock, The Arkansas Arts Center

NATIONAL GALLERY OF ART 2005

{70} Andre Kertesz Richard Tuttle Richard Tuttle Washington, National Museum of > Skywriting >Dorothy's Favorite >Stacked Color with Wavy and Straight Side African Art

Andre Kertesz Richard Tuttle Richard Tuttle Treasures >Sleeping Boy >Dorothy's Soldiers >3rd Rope Piece 17 November 2004 to 15 August 2005

Andre Kertesz Richard Tuttle Richard Tuttle Nigerian, Court of Benin >Street Scene, Budapest >Drawing Developed from Travel-Sketches >3 Lines Beginning at a Point & >Fowl Made in Turkey Intersecting in 2 Different Ways Andre Kertesz >Under the Eiffel Tower Richard Tuttle Richard Tuttle Washington, National Museum of >Drawing with One Line >11 Blue and Pale Blue (Dallas) American History Andre Kertesz >Washington Square Richard Tuttle Richard Tuttle The Price of Freedom >Finding the Center Point #6 >2; Brown Bar #1 1 October 2004 to 30 September 2007 Andre Kertesz >Young Man on Stairs Richard Tuttle Richard Tuttle Charles Peale Polk >Finding the Center Point #7 >2; Brown Bar #2 > General Washington at Princeton* Circulated to International Center of Photography, New York, 16 September Richard Tuttle Richard Tuttle to 27 November 2005 >Finding the Center Point #8 >2;Broum Bar #3 Washington, The Phillips Collection

Richard Tuttle Richard Tuttle Calder, Miro Master of Landscape: Jacob van >Finding the Center Point #9 >2;Brown Bar #4 9 October 2004 to 23 January 2005 Ruisdael 26 June to 18 September 2005 Richard Tuttle Richard Tuttle Alexander Calder >4th Summer Wood Piece >2;Brown Bar #5 >Finny Fish Jacob van Ruisdael >Forest Scene Richard Tuttle Richard Tuttle Alexander Calder >French Hotel Drawing >Two Dips Plus X >Little Spider

Los Angeles, The Museum of Richard Tuttle Richard Tuttle Modgliani: Beyond the Myth Contemporary Art, Los Angeles > Green Diamond with Pencil Line >Two Triangles Intersecting 19 February to 29 May 2005 Visual Music: Synaesthesia in Art and Richard Tuttle Richard Tuttle Amedeo Modigliani Music Since 1900 > Green Transfer > Walking >Head of a Woman 13 February to 22 May 2005 Richard Tuttle Frantisek Kupka >Herbert Vogel Connecticut Washington, Arthur M. Sackler Gallery >Organization of Graphic Motifs II Richard Tuttle , Bruce Museum of Arts and Iraq and China: Ceramics, Trade, and Alfred Stieglitz >India 9 Science Innovation >Equivalent, Set C2, No. 1 Richard Tuttle Drawn by the Brush: Oil Sketches by 4 December 2004 to 17 July 2005 Alfred Stieglitz >India 17 Peter Paul Rubens Deruta 16th Century >Equivalent, Set C2, No. 2 2 October 2004 to 30 January 2005 Richard Tuttle >Large dish with running plant border; Alfred Stieglitz >India 26 Sir Peter Paul Rubens in the center, horsemen fighting >Equivalent, Set C2, No. 3 >Decius Mus Addressing the Legions Richard Tuttle Alfred Stieglitz > Monkey's Recovery for a Darkened Sir Peter Paul Rubens >Equivalent, Set C2, No. 4 Room (Bluebird) >The Meeting of Abraham and Melchizedek St. Petersburg, Museum of Fine Arts, St. (Cincinnati only) Alfred Stieglitz Richard Tuttle Petersburg, Florida >Equivalent, Set C2, No. 5 >Monument 1 Circulated to Cincinnati Art Museum, Monet's London: Artists' Reflections on 14 June to 11 September 2005 Alfred Stieglitz Richard Tuttle the Thames, 1859-1914 >Songs of the Sky > Night 16 January to 17 April 2005 American Impressionism: The Beauty Alfred Stieglitz Richard Tuttle of Work Andre Derain >Songs of the Sky >1 Blue and White (Dallas) 24 September 2005 to 8 January 2006 > View of the Thames*

Circulated to Hirshhorn Museum and Richard Tuttle Julian Weir Claude Monet Sculpture Garden, Washington, 23 >One Room Drawing #1 >U.S. Thread Company Mills, > Waterloo Bridge, London, at Sunset June to 11 September 2005 Willimantic, Connecticut Richard Tuttle Camille Pissarro >One Room Drawing #3 >Charing Cross Bridge, London San Francisco, San Francisco Museum District of Columbia Richard Tuttle Circulated to Brooklyn Museum, 4 of Modern Art >One Room Drawing #8 Washington, Hirshhorn Museum and June to 4 September 2005 and The Roy Lichtenstein—All About Art Sculpture Garden Baltimore Museum of Art, 21 Richard Tuttle 23 October 2004 to 22 February 2005 September to 31 December 2005 > Onion Sketch Treatise : Master Sculptor Roy Lichtenstein 10 February to 8 May 2005 Richard Tuttle >Look Mickey Illinois >On the Way to New York Isamu Noguchi >Untitled Chicago, The Art Institute of Chicago The Art of Richard Tuttle Richard Tuttle 2 July to 16 October 2005 >Preliminary Drawing for Schematic Toulouse-Lautrec and Montmarte Drawing #3 Included in Dallas Washington, National Building Museum 16 July to 10 October 2005 Richard Tuttle Show Catalogue >Acropolis Tools of the Imagination Edouard Manet Richard Tuttle 3 March to 10 October 2005 >Plum Brandy Richard Tuttle >Rising Colors Along Frontal Diagonal >Black & Gray with Diagonal John Russell Pope Henri de Toulouse-Lautrec with Downward Slant >Central Lobby: Ground Floor, Scheme "D" >A la Bastille ( Wenz) Richard Tuttle Richard Tuttle >Black and White around Center Point John Russell Pope and Otto R. Eggers Henri de Toulouse-Lautrec >Spiral Notebook Drawing 1 > Preliminary Study: Central Gallery for >Carmen Gaudin Richard Tuttle Richard Tuttle the Exhibition of Sculpture >Broken Line Drawing Henri de Toulouse-Lautrec >Stacked Color Drawing with Arch of John Russell Pope and Otto R. Eggers >Fashionable People at Les Ambassadeurs Richard Tuttle Egg Shaped Form Painted >Preliminary Study: Rotunda (Aux Ambassadeurs: Gens Chic) >Day

NATIONAL GALLERY OF ART 2005

{71} Henri de Toulouse-Lautrec Georgia O'Keeffe Follower of Master of the Golden Bull >Marcelle Lender Dancing the Bolero in > Winter Road I >Landing at Sabbath Day Point* >David'in Prayer "Chilperic" (Ann Arbor, Fresno, Indianapolis, and Follower of Master of the Golden Bull Chattanooga only) Henri de Toulouse-Lautrec Katonah, Katonah Museum of Art >The Flagellation >Miss Lo'ie Circulated to Fresno Metropolitan Prints—1948-1993 Follower of Master of the Golden Bull Museum of Art, History and Science, Henri de Toulouse-Lautrec 25 July to 3 October 2004 >Isaac Blessing Jacob 20 October 2004 to 3 January 2005; >Miss Loie Fuller Eiteljorg Museum of American Indians Richard Diebenkorn Workshop of Master of the Gerona Henri de Toulouse-Lautrec and Western Art, Indianapolis, 17 >L.A. Landscape Martyrology >Seated Woman from Behind - Study for January to 3 April 2005; Hunter >The Trinity Richard Diebenkorn "Au Moulin Rouge" Museum of American Art, >Nude Chattanooga, 17 April to 19 June New York, Mitchell-lnnes & Nash 2005; and Boise Art Museum, 30 June Richard Diebenkorn Maryland to 19 September 2005 >Reclining Figure II Roy Lichtenstein Baltimore, The Baltimore Museum of Art 19 September to 12 November 2005 Richard Diebenkorn Exhibition "Work Ethic" Detroit, The Detroit Institute of Arts >Seascape Roy Lichtenstein 12 October 2003 to 2 January 2005 >Study for "Girl with Beach Ball III" Gerard ter Borch Richard Diebenkorn Robert Barry, 27 February to 22 May 2005 >Sleeping Girl Roy Lichtenstein >Closed Gallery > Study for "Razzmatazz" Gerard ter Borch Richard Diebenkorn >The Suitor's Visit . >Small Red Roy Lichtenstein Massachusetts > Study for "Razzmatazz"

Salem, Peabody Museum New York, Kate Ganz USA, Ltd. New York, The Museum of Modern Art American Fancy: Exurberance in the Minneapolis, Frederick R. Weisman Art 25 Years, 52 Drawings: A 25th Arts, 1790-1840 Museum Anniversary Exhibition Pioneering Modern Painting: Cezanne 14 July to 31 October 2004 20 January to 5 February 2005 and Pissarro 1865-1885 West!: and the Artists of 24 June to 12 September 2005 American 19th Century Venice Beach, 1962-1978 Giovanni Battista Piranesi >Martha Eliza Stevens Edgar Paschall * 14 May to 30 September 2005 > Young Man with a Staff Paul Cezanne >The Artist's Father American 19th Century, Vija Celmins >The Sargent Family* >Untitled New York, The Metropolitan Museum of Art New York, National Academy of Design Circulated to Maryland Historical Society, Baltimore, 3 December 2004 Missouri Gilbert Stuart USA to 20 March 2005 18 October 2004 to 16 January 2005 17 February to 8 May 2005 St. Louis, The Pulitzer Foundation for the Arts Gilbert Stuart Arshile Gorky Williamstown, Williams College >Abigail Smith Adams (Mrs. ) > One Year the Milkweed Brancusi and Serra in Dialogue Museum of Art 5 February to 24 September 2005 Gilbert Stuart Mark Rothko Moving Pictures: The Un-Easy >Catherine Brass Yates (Mrs. Richard Yates) >Untitled Constantin Brancusi Relationship Between Early Film and (New York only) >Agnes E. Meyer Gilbert Stuart American Art >George Washington (Vaughan portrait) Circulated to Art Museum, 5 16 July to 11 December 2005 June to 25 September 2005 New Hampshire Gilbert Stuart George Bellows >John Adams >A Knockout Manchester, Currier Museum of Art New York, New York Historical Society Gilbert Stuart George Bellows Jan de Bray and the Classical Tradition >John Bill Ricketts* Tom Paine: Patriot and Paradox >New York 12 November 2004 to 21 February 2005 18 January to 29 May 2005 Gilbert Stuart John Singer Sargent Dirk de Bray >Richard Yates* John Wesley Jarvis >Grand Canal, Venice >Solomon de Bray >Thomas Paine* Gilbert Stuart Jan de Bray >Sir Joshua Reynolds Worcester, Worcester Art Museum >Portrait of the Artist's Parents, Salomon New York, Whitney Museum of de Bray and Anna Westerbaen Gilbert Stuart Hope and Healing, Painting in Italy in American Art >The Skater (Portrait of William Grant) a Time of Plague, 1500-1800 Sir Peter Paul Rubens The Art of Romare Bearden 3 April to 25 September 2005 >Tiberius and Agrippina Max Ernst: A Retrospective 14 October 2004 to 9 January 2005 Circulated to The Speed Art Museum, 7 April to 10 July 2005 Romare Bearden >The Martyrdom of Saint Gennaro Louisville, 6 September to 4 Max Ernst >Prelude to Troy (No. 2) December 2005 Marcantonio Raimondi after Raphael >A Moment of Calm Romare Bearden >The Plague >The Street (Composition for Richard New Mexico Matisse, His Art and His Textiles: The Wright) Fabric of Dreams Michigan Albuquerque, The Albuquerque Museum 20 June to 25 September 2005 Romare Bearden Ann Arbor, E Alma de Espaiia (The Soul of Spain) >Tomorrow I May Be Far Away Henri Matisse Museum of Art 17 April to 31 July 2005 > Oceania, the Sea Circulated to High Museum of Art, Georgia O'Keeffe: Vision of the Juan van der Hamen y Leon , 5 February to 24 April 2005 Henri Matisse SUBLIME >Still Life with Sweets and Pottery > Oceania, the Sky 10 July to 3 October 2004 New York, Wildenstein & Co., Inc. Georgia O'Keeffe New York Prague, The Crown of Bohemia (1347- Antoine Vollon (1833-1900), (A >Sky Above White Clouds I 1437) Glens Falls, The Hyde Collection Painter's Painter' (Fresno, Indianapolis, Chattanooga, and 19 September 2005 to 3 January 2006 27 October 2004 to 7 January 2005 Boise only) Painting Lake George, 1774-1900 Attributed to Joshua Master 6 June to 11 September 2005 Antoine Vollon >Death of the Virgin >Mound of Butter John William Casilear Bohemian 15th Century >View on Lake George* >Christ and the Virgin Enthroned

NATIONAL GALLERY OF ART 2005

{72} Poughkeepsie, The Frances Lehman Benvenuto Cellini Houston, The Men/7 Collection ITALY Loeb Art Center, Vassar College >A lessandro de' Medici, 1510-1537, The Surreal Calder Florence, Casa Buonarroti 1st Duke of Florence 1532 (obverse) Time and Transformation in Dutch 30 September 2005 to 8 January 2006 after Michelangelo Buonarroti, Seventeenth Century Art Pontormo Alexander Calder >Damned Soul ** 19 April to 15 June 2005 >Monsignor della Casa >Movement in Space Ludolf Backhuysen Domenico di Polo di Angelo de' Vetri Alexander Calder >Ships in Distress off a Rocky Coast >Alessandro I de' Medici, 1510-1537, UNITED KINGDOM - ENGLAND 1st Duke of Florence 1532 (obverse) >Ruby-Eyed Aelbert Cuyp London, United States Embassy >Herdsmen Tending Cattle Edvard Munch's ''in Context Residence Virginia 24 September to 31 December 2005 Gerard Dou Sir William Beechey Lynchburg, Ma/er Museum of Art, >The Hermit Edvard Munch >Lieutenant- General Sir Thomas Picton Randolph-Macon Woman's College >Female Nude Circulated to The John and Mable Francis Cotes Heart of the Matter: Recent Work by Ringling Museum of Art, Sarasota, 20 Edvard Munch >Mrs. Thomas Home Elizabeth Murray August to 30 October 2005 >The Vampire (Vampyr) 10 September to 9 December 2005 Thomas > William Yelverton Davenport Ohio Pittsburgh, Carnegie Museum of Art Elizabeth Murray >Careless Love Michiel van Miereveld Cincinnati, Taft Museum of Art Carnegie International >Portrait of a Lady with a Ruff 9 October 2004 to 20 March 2005 An Impressionist Eye: Painting and Washington Sculpture from the Philip and Janice London, Levin Foundation >Untitled Seattle, Seattle Art Museum Sir 10 June to 28 August 2005 Spain in the Age of Exploration, >Francis Charles Seymour-Conway, Pittsburgh, Senator John Heinz Claude Monet 1492-1819 3rd Marquess of Hertford >The Artist's Garden inArgenteuil Pittsburgh Regional History Center 16 October 2004 to 2 January 2005 (A Corner of the Garden with Dahlias) Clash of Empires: The British, French Giovanni Battista Tiepolo and Indian War: 1754-1763 > Wealth and Benefits of the Spanish UNITED STATES 1 May 2005 to 15 April 2006 Cleveland, The Cleveland Museum of Art Monarchy under Charles III Art from the Court of Burgundy: The , Birmingham Museum of Art Patronage of Dukes Philip the Bold and >John Philip de Haas* John the Fearless Veronese EXTENDED LOANS FROM THE >Saint Jerome in the Wilderness** 24 October 2004 to 9 January 2005 Rhode Island NGA COLLECTION Zorn French 15th Century (setting western Providence, Museum of Art, Rhode >Hugo Reisinger European late 19th Century) Island School of Design >Morse with the Trinity All works are part of the National Edgar Degas: Six Friends at Dieppe Lending Service unless indicated by** 16 September 2005 to 15 January 2006 Montgomery, Montgomery Museum of Columbus, Columbus Museum of Art Fine Arts Edgar Degas Mark Rothko Renoir's Women >Three Studies of Ludovic Halevy Standing BELGIUM 23 September 2005 to 15 January 2006 >Untitled Edgar Degas Brussels, United States Embassy >Virginie being Admired while the Marquis Auguste Renoir Residence, North Atlantic Treaty Cavalcanti Looks On California >Madame Henriot Organization Oakland, Oakland Museum Auguste Renoir Gilbert Stuart Texas >Maternity: Madame Renoir and Son > Catherine Yates Pollock (Mrs. George Mark Rothko Dallas, Dallas Museum of Art Pollock) >Untitled Oberlin, Allen Memorial Art Museum, Robert Smithson Gilbert Stuart Oberlin College 14 January to 3 April 2005 > George Pollock District of Columbia The Splendor of Ruins in French Robert Smithson Thomas Sully The Library of Congress Landscape Painting, 1640-1800 > Granite Crystal >Ann Biddle Hopkinson 19 March to 19 June 2005 Carl Milles Robert Smithson Thomas Sully >Head of Orpheus Sebastien Bourdon >Moodna Quadrants >Francis Hopkinson >The Finding of Moses Robert Smithson Thomas Sully National Museum of African Art Hubert Robert >Mud Flow (F-14) >The Leland Sisters >The Old Bridge Nigerian, Court of Benin Robert Smithson >Fowl** >Mud Flow (1000 Tons ofYellow Mud) >The Muses Urania and Calliope FRANCE Circulated to Whitney Museum of (Oberlin only) National Museum of American History American Art, New York, 23 June to 16 Paris, Musee du Louvre Circulated to The Museum of Fine Arts, October 2005 Charles Peale Polk Severo da Ravenna Houston, 15 July to 15 October 2005 > General Washington at Princeton >The Christ Child** Fort Worth, Kimbell Art Museum for Pennsylvania Stubbs & The Horse IRELAND Philadelphia, Philadelphia Museum of Art 14 November 2004 to 6 February 2005 Bernard Hailstone Dublin, United States Embassy >David E. Finley Pontormo, Bronzino, and the Medici: George Stubbs The Transformation of the Renaissance >Captain Samuel Sharpe Pocklington Residence with His Wife, Pleasance, and possibly Portrait Gilbert Stuart Curator of the United States Senate His Sister, Frances 20 November 2004 to 13 February 2005 > Counsellor John Dunn Franklin C. Courier Circulated to The Walters Art Museum, Giovanni Cavino >Lincoln and His Son, Tad** Baltimore, 13 March to 29 May 2005 >Lorenzino de' Medici, 1514-1547, and The National Gallery, London, 29 Son of Pierfrancesco II (obverse) June to 25 September 2005

NATIONAL GALLERY OF ART 2005

{73} Office of the Vice President of the George Catlin Allen Tucker United States >Three Mandan Warriors Armed for War >Bizarre >Lake Albano, Sunset

American 18th Century George Catlin Allen Tucker Robert Salmon >Attack on Bunker's Hill, with the >Three Navaho Indians >Madison Square, Snow >The Ship "Favorite" Maneuvering Off Burning of Charles Toum Greenock George Catlin American 19th Century >Three Young Chinook Men Secretary of Energy Edward > Imaginary Regatta of America's Cup > George Washington George Catlin American 20th Century Winners >Two Unidentified North American Indians > View of Aberdeen, Washington Lydia Field Emmet United States Trade Representative George Catlin George Catlin > Olivia > View of the Lower >A K'nisteneux Warrior and Family Thomas Chambers A. Hashagen >Felucca off Gibraltar (returned) Thomas Chambers George Catlin >Ship "Arkansas" Leaving Havana >Boston Harbor >Three Shoshonee Warriors Armed for War J.G. Tanner, John Wesley Jarvis >Engagement between the "Monitor" and Thomas Chambers, George Catlin >Commodore John Rodgers the "Merrimac" (returned) >New York Harbor with Pilot Boat >Two Ojibbeway Warriors and a Woman Walt Kuhn "George Washington" American 19th Century George Catlin >Green Apples and Scoop >Spring on the Range >7wo Weeah Warriors and a Woman John Neagle >The Basin Deauville** Thomas Chambers >Colonel Augustus James Pleasonton >Storm-Tossed Frigate Henri Matisse Administrator of the Environmental John Vanderlyn > Still Life with Pineapple Protection Agency T. Da vies >John Sudam Mark Rothko Joseph Bartholomew Kidd after John >Ship in Full Sail Alexander Helwig Wyant >The Party James Audubon Mark Rothko >Peaceful Valley >Black-Backed Three-Toed Woodpecker Mark Rothko >Untitled >\Jntitled Joseph Bartholomew Kidd after John The White House James Audubon Secretary of Transportation > Orchard Oriole American 19th Century Secretary of Agriculture Circle of Jacob Adriaensz. Bellevois >Abraham Lincoln Auguste Renoir American 19th Century >Dutch Ships in a Lively Breeze >Landscape between Storms American 19th Century >Farmhouse in Mahantango Valley Follower of Claude Lorrain >Indians Cooking Maize (returned) Douglas Volk >Harbor at Sunset >Abraham Lincoln American 19th Century American 19th Century L.M. Cooke >Stylized Landscape >Leaving the Manor House (returned) >Salute to General Washington in Secretary of Housing and Urban George Catlin A.A. Lamb New York Harbor Development >An Aged Minatarree Chief and His Family >Emancipation Proclamation (returned) Hugues Merle American 19th Century George Catlin American 19th Century >Children Playing in a Park >The End of the Hunt (returned) >Antelope Shooting - Assinneboine >Bucks County Farm Outside Rene Pierre Charles Princeteau Doylestoum, Pennsylvania American 19th Century George Catlin >Horses >The Start of the Hunt (returned) >Battle between the Jiccarilla Apachees Georgia Timken Fry and Camanchees >Flock of Sheep American 19th Century Secretary of the Treasury >Twenty-two Houses and a Church George Catlin Henri-Joseph Harpignies (returned) Andre Derain >Buffalo Chase >Landscape >Abandoned House in Provence American 20th Century George Catlin Walt Kuhn >After the in Warren, Henri Moret >Camanchee Chief, His Wife, and a Warrior >Pumpkins Pennsylvania (returned) >The Island of Raguenez, Brittany George Catlin J.G. Tanner Thomas Chambers Mark Rothko >Camanchee Chief with Three Warriors >Engagement between the "Monitor" >Bay of New York, Sunset (returned) >Untitled (returned) and the "Merrimac" George Catlin American 19th Century Maurice Utrillo >Distinguished Crow Indians > Washington at >The Pont Saint-Michel, Paris Secretary of Defense George Catlin Joan Miro James McNeill Whistler >Excavating a Canoe - Nayas Indians George Catlin >Shooting Star >Alice Butt >Fort Union George Catlin Mark Rothko >A Flathead Chief with His Family George Catlin >Untitled (man and two women in a Supreme Court of the United States >Prairie Dog Village George Catlin pastoral setting) Chief Justice Rehnquist >Four Dogrib Indians Georges Rouault Secretary of Education George Cuitt, the Younger George Catlin >The Breton Wedding >Easby Abbey, near Richmond >Making Flint Arrowheads - Apachees American 19th Century > Washington at Valley Forge (returned) Thomas Sully George Catlin Attorney General of the United States >Thomas Alston > Ojibbeway Indians Mark Rothko Winslow Homer >Untitled (returned) Eugene Lawrence Vail George Catlin >Sunset (returned) >The Flags, Saint Mark's, Venice - Fete Day >An Ojibbeway Village of Skin Tents Mark Rothko Adam Pynacker >Untitled (returned) George Catlin > Wooded Landscape with Travelers Justice Ginsburg >Osage Chief with Two Warriors Lydia Field Emmet (returned) >Harriet Lancashire White and Her Children Mark Rothko George Catlin Thomas Chambers >The Omen >An Osage Indian Pursuing a Camanchee A.M. Randall >Lake George and the Village of Caldwell >Basket of Fruit with Mark Rothko George Catlin Thomas Chambers >Paumee Indians Approaching Buffalo Thomas Sully >Packet Ship Passing Castle Williams, >Untitled >The Vanderkemp Children New York Harbor George Catlin >A Small Cheyenne Village

NATIONAL GALLERY OF ART 2005

{74} Justice Kennedy Pennsylvania

Jean Beraud Doylestown, James A. Michener Art >Paris, rue du Havre Museum

Dutch 17th Century American 19th Century > Flowers in a Classical Vase > Profile Portrait of a Man**

Walt Kuhn American 19th Century >Zinnias > Profile Portrait of a Lady**

Joseph Goodhue Justice O'Connor >Girl with Kitten

George Catlin Edward Hicks >AJter the Buffalo Chase - Sioux >The Landing of Columbus

George Catlin >An Apachee Village Virginia

George Catlin Fairfax, George Mason University >Buffalo Chase, Sioux Indians, Alfredo Halegua Upper Missouri >America

George Catlin Lila Pell Katzen >A Crow Village and the Salmon >Antecedent River Mountains

George Catlin >Two Blackfoot Warriors and a Woman TEMPORARY LOANS TO MUSEUM COLLECTIONS Justice Scalia

Gilbert Stuart GERMANY > George Washington Frankfurt, Stadelsches Kunstinstitut und Thomas Sully Stadtische Galerie >Henry Pratt 12 May 2003 to 15 December 2004 Augustus Vincent Tack Rembrandt van Rijn > Charles Hughes >A Young Man Seated at a Table (possibly Govaert Flinck) Justice Souter Rembrandt van Rijn and Workshop Rembrandt Peale (Probably Govaert Flinck) > George Washington >Man in Oriental Costume

Gilbert Stuart >Captain Joseph Anthony UNITED STATES after Gilbert Stuart District of Columbia >James Lloyd Washington, The Kreeger Museum after Gilbert Stuart 20 March to 10 October 2005 > William Constable Edgar Degas Augustus Vincent Tack > Woman Ironing >Harlan F. Stone

New York Justice Stevens Glens Falls, The Hyde Collection American 19th Century 30 January to 28 August 2005 >Portland Harbor, Maine Rembrandt van Rijn George Catlin >Saskia van Uylenburgh, the Wife of the >Scene from the Lower Mississippi Artist Alphonse Legros >Hampstead Heath Texas C. Gregory Stapko after John Constable Austin, Lyndon Barnes Johnson Museum >A View of Salisbury Cathedral** 4 April 2004 to 22 January 2005 Maurice Utrillo Diego Rivera >Street at Corte, Corsica >Montserrat Franz Xaver Winterhalter > Queen Victoria

Maryland

Hagerstown, Washington County Museum of Fine Arts

Frederick Kemmelmeyer >First Landing of Christopher Columbus

NATIONAL GALLERY OF ART 2005

{75} AS lA

PUBLICATIONS

EXHIBITION CATALOGUES AWARDS >Asher B. Durand's "Kindred Spirits": > . "Landscape in Provence" brochure (Review of Landscape in Provence Jrom > Gerard ter Borch >American Masters from Bingham to Eakins: > The Prints of Felix Buhot: Impressions Classicism to Modernism, Centre de la Arthur K. Wheelock Jr. et al. (240 pages, The John Wilmerding Collection of City and Sea: special feature Vieille Charite, Marseille). The 80 color, 80 b/w, hardcover and soft- Association of American University Burlington Magazine, vol. 147 > Origins of European Printmaking: cover editions; hardcover published in Presses/2005 Book, Jacket and (September 2005): 632-634. Fifteenth-Century Woodcuts and Their association with ). Journal Show Public, selected highlights •Corlett, Mary Lee. "Romare Bearden: Both editions copublished with >Andre Kertesz Falling Star." In Collection Highlights: American Federation of Arts. >Monumental Sculpture from Renaissance Association of American University Telfair Museum of Art. Edited by Hollis Florence: Ghiberti, Nanni di Banco, >Rembrandt's Late Religious Portraits Presses/2005 Book, Jacket and Koons McCullough. 246-247. Telfair and Verrocchio at Orsanmichele: Arthur K. Wheelock Jr. et al. (152 Journal Show Museum of Art, Savannah, Georgia, 2005. exhibition brochure pages, 35 color, 53 b/w, hardcover American Association of Museums/ •Cropper, Elizabeth. "Pontormo and edition only; published in association 2005 Publications Design Competition >Pieter Claesz: Master of Haarlem Still Bronzino: A Double Portrait." with the University of Chicago Press) Life: selected highlights >Drawings of Jim Dine In Pontormo, Bronzino, and the Medici: >Audubon's Dream Realized: Selections >Andre Kertesz Association of American University The Transformation of the Renaissance from "The Birds of America": selected Sarah Greenough et al. (316 pages, Presses/2005 Book, Jacket and Portrait. Edited by Carl Brandon highlights 4 color, 112 tritones, 135 duotones, Journal Show Strehlke. 1-34. Exh. cat., Philadelphia hardcover and softcover editions; >Masterpieces in Miniature: Italian Museum of Art, 2004. >National Gallery of Art: Master Paintings hardcover published in association Manuscript Illumination Jrom the J. Paul Jrom the Collection > . "Agnolo Bronzino (1503-1572), with Princeton University Press) Getty Museum: special feature Association of American University Pygmalion and Galatea." In Leonardo da >Toulouse-Lautrec and Montmartre Presses/2005 Book, Jacket and Vinci, Michelangelo and the Renaissance Permanent Collection Features Richard Thomson et al. (308 pages, Journal Show in Florence. Edited by David Franklin. 370 color, 17 b/w, hardcover and American Association of Museums/ >Pastels of the Eighteenth Century: 234-237. Exh. cat., National Gallery of softcover editions; hardcover pub- 2005 Publications Design Competition Recent Acquisitions: selected highlights Canada, Ottawa, 2005. lished in association with Princeton >Toulouse-Lautrec and Montmartre >Fauve Painting in the Permanent •Doumato, Lamia. Review of Susan Soros University Press) American Association of Museums/ Collection: selected highlights and Stefanie Walker, eds., Castellani >Irving Penn: Platinum Prints 2005 Publications Design Competition, >Andy Goldsworthy: Roof Installation: and Italian Archeological Jewelry. Choice Sarah Greenough (200 pages, 20 Frances Smyth-Ravenel Prize for panoramas of the work in progress (May 2005): 51-52. color, 87 tritones, 5 duotones, hard- Excellence in Publication Design >Rembrandt's Religious Etchings: > . Review of Diana Scarisbrick, cover edition only; published in >NGA Kids Family Activities Calendar selected highlights Historic Rings. Choice (April 2005): 36. association with Yale University Press) American Association of Museums/ >Roy Lichtenstein: A New Gift of > . "Looking East and West." > Origins of European Printmaking: 2005 Publications Design Competition Drawings: selected highlights Fifteenth-Century Woodcuts and Review of Helen C. Evans, Byzantium, Their Public > Winslow Homer in the National Faith and Power. Art Documentation 23, Peter Parshall et al. (372 pages, 177 WEB SITE AND Gallery of Art. special feature no. 2 (Fall 2004): 52-53. color, 53 b/w, hardcover edition only; WEB PUBLICATIONS >Alexander Calder mobile: > . Review of Robert Lee Morris, published in association with Yale reinstallation views Robert Lee Morris. Choice (February 14,445,970 visits to wunv.nga.gov in fiscal University Press). Simultaneously 2005): 205. >Modern Portraits in Photography: published in German. year 2005 (daily average: 39,578) selected highlights > . Review of Fritz Folk, Schmuck >Dada Exhibition Features >Sculpture Garden: summer and Jewellery, 1840-1940: Highlights of Leah Dickerman et al. (536 pages, 403 Schmuckmuseum Pforzheim. Choice >Dan Flavin: A Retrospective: special winter plantings color, 217 b/w, hardcover and softcov- (September 2005): 47-48. er editions; hardcover published in feature > Fine, Ruth E. "Expanding the association with Distributed Art >All the Mighty World: The Photographs STAFF PUBLICATIONS Publishers, Inc.) of Roger Fenton, 1852-1860: Mainstream: Romare Bearden Revisited." Proceedings of the American special feature >Acker, Emma. "The Maverick Collector: Philosophical Society 149, no. 1 (March >Gerard ter Borch: selected highlights; The Method in the Madness of Peggy STUDIES IN THE HISTORY 2005): 40-55. Ter Borch and music Guggenheim." Collections: A Journal OF ART AND OTHER CASVA for Museums and Archives Professionals > .John Walker, Works on Paper, PUBLICATIONS >Rembrandt's Late Religious Portraits: 1, no. 1 (Fall 2004): 81-100. 1990-2004. Exh. cat., Portland special feature; selected highlights Museum of Art, Portland, Maine, 2005. >Nationalism and French Visual Culture, >Andre Kertesz: selected highlights •Brown, David Alan and Jane Van 1870-1914 Nimmen. Raphael and the Beautiful •Greenough, Sarah, with Gordon Edited by June Hargrove and Neil >Cotton Puffs, Q-Tips®, Smoke and Banker: The Story of the Bindo Altoviti Baldwin and Malcolm Daniel. All the McWilliam (336 pages, 17 color, 144 Mirrors: The Drawings of Ed Ruscha: Portrait. New Haven and London, 2005. Mighty World: The Photographs of Roger b/w; distributed by Yale University Press) selected highlights Fenton, 1852-1860. New York: The > . Review of Peter Humfrey, ed., >Jan de Bray and the Classical Tradition: Metropolitan Museum of Art, 2004. >The Dada Seminars The Cambridge Companion to Giovanni exhibition brochure Edited by Leah Dickerman with Bellini. The Burlington Magazine, vol. •Hagood, John. Review of Ron Burnett, Matthew S. Witkovsky (320 pages, 136 > Toulouse-Lautrec and Montmartre: CXLVII January 2005): 48. Visual Thinking. Art Documentation 23, b/w, hardcover and softcover editions; special feature no. 2 (Fall 2004): 57-5. •Conisbee, Philip. "Watercolours by both editions copublished by >Gilbert Stuart: special feature Cezanne" (Review of Cezanne in the > . Review of Hal , Distributed Art Publishers, Inc.) >Irving Penn: Platinum Prints: selected Studio. Still Life in Watercolor, J. Paul Prosthetic Gods. Art Documentation 24, >Center 25 (Annual report) highlights Getty Museum, Los Angeles). The no. 1 (Spring 2005): 54. Burlington Magazine, vol. 147 (January 2005): 69-70.

NATIONAL GALLERY OF ART 2005

{76} •Hand, John Oliver. Joos van Cleve: •Lukehart, Peter M. "The Potamkin • . "Dis-Orientation: Rothko's The Complete Paintings. New Haven Legacy at College." In Inverted Canvases." In Tom Crow, ed., and London: Yale University Press, 2004. American Originals: Vivian O. and Meyer Seeing Rothko. The Getty Research P Potamkin, Collectors of American Art. Institute, 2005. • . Review of Lioba Schollmeyer, 115-117. Philadelphia: Pennsylvania Jan Joest: Ein Beitrag zur Kunstgeschichte •Wheelock, Arthur K., Jr. Van Dyck entry. Academy of Fine Arts, 2004. des Reinlandes urn 1500, Verlag fur In L'Eth di Rubens, Piero Boccardo, Regionalgeschichte, Bielefeld, 2004. •O'Malley, Therese. An Architectural Palazzo Ducale, Exh. cat., , 2004. In Historians of Netherlandish Art History of Old First Reformed Church: • . "Accidents and Disasters in Review of Books (Fall 2005). 275th Anniversary Commemoration. Dutch Ruins." In Time and Philadelphia: First Reformed •Herrick, Jason. "Louis Robert de Transformation in Dutch Seventeenth Church, 2003. Saint Victor's Letters to Aignan-Thomas Century Art. Edited by Susan Kuretsky. Desfriches: Collecting in Normandy • . Glasshouses: The Architecture of 73-82. Frances Lehman Loeb Art Before and After the Revolution and its Light and Air. Exh. cat., New York Center, Vassar College, 2005. Links with the Parisian Art Market." In Botanical Gardens, 2005. • . "Color Symbolism in Collections et marche de I'art en France •Penny, Nicholas. National Gallery Seventeenth-Century Dutch Painting." 1789-1848. 131-146. Sous la direc- catalogues: the Sixteenth Century Italian In The Learned Eye: Regarding Art, tion de Monica Preti-Hamard et Paintings. Vol. I. Paintings from Bergamo, Theory, and the Artist's Reputation: Philippe Senechal; Presses Universitaires Brescia and . National Gallery, Essays for Ernst van de Wetering. Edited de Rennes et Institut national d'his- London. New Haven and London: by Marieke van den Doel et al. 99- toire de I'art, Paris, 2005. Yale University Press, 2004. 110. Amsterdam, 2005. •Jones, Kimberly A. "Art and Regional • . Art of the Renaisance Bronze: • . Review of Rudiger Klessmann, Identity: Jean-Paul Laurens and the the Robert H. Smith Collection. With Die flamischen Gemalde des 17. und 18. of the Capitole of Toulouse," Anthony Radcliffe and others. Philip Jahrhunderts, Herzog Anton Ulrich- Studies in the vol. XII, Wilson, London, 2004. Museum Braunschweig. Historians of no. 2 (Spring-Summer 2005): 96-128. Netherlandish Art. Fall 2005. • . "Raphael and the Early •Kennel, Sarah. "Fantasies of the Street: Victorians." In Raphael:from Urbino •Witkovsky, Matthew S. "Editorial." Emigre Photography in Interwar to Rome. Exh. cat., National Gallery, History of Photography 29, no. 3, special Paris." History of Photography 29, no. 3 London, 2004. issue: "Modern Photography in (Autumn 2005): 287-300. Central Europe," Edited by Matthew • . "At the Royal Scottish Academy", • . "Le Sacre du Printemps: S. Witkovsky (Autumn 2005): 213-216 London Review of Books, 21 October Primitivism, Popular Dance, and 2004: 34. • . "Jaromir Funke's Abstract Photo Modernism in Paris," series, 1927-1929: History in the French Studies 43, no 3 (Fall 2005). • . "European bronzes: New York", Making," ibid., 228-239 The Burlington Magazine (December •La France, Robert G. "Francesco 2004): 845-846. • . "Chronologie." In Dada. d'Ubertino , called Bachiacca, Edited by Laurent Lebon. 218-259. Portrait of a Woman with a Music Book." • . "Virtue and Beauty", Renaissance Exh. cat., Musee national d'art modeme, In Leonardo , Michelangelo and Studies, XIX, 2005, no. 2: 243-245. Paris, 2005. the Renaissance in Florence. Edited by • . "Leonard Baskin and Sculpture." David Franklin. 92-94, 248-255, cat. no. Introduction to the catalogue of the 15, 86-88. Exh. cat., National Gallery Baskin exhibition at Salander-O'Reilly of Canada, Ottawa, 2005. Galleries, New York, 2005. • . "Francesco d'Ubertino Verdi •Robison, Andrew. "Giovanni Battista detto Bachiacca." In Perugino a Piranesi: Antico Oratore Romano." In Firenze: qualita e fortuna di uno stile. Guisseppe Pavanello, ed., I Disegni Edited by Rosanna Caterina Proto del Professore, , 2005. Pisani. 90-93, cat. 13-14. Exh. cat., Cenacolo di Fuligno, Florence, 2005. •Sprague, Abbie N. "The British Tempera Revival," Joseph Southall • . "A Source for Goya's Disparate (1861-1944): Sixty Works from the Volante." The Print Quarterly, vol. XX, Fortunoff Collection, Exh. cat., The Fine no. 3 (2003): 249-254. Art Society, London, March 2005: 22-34. • . "Bachiacca's Formula for •Springer, Julie. "Every Picture Tells Success." In The Art Market in Italy, a Story," Teaching with Digital Images, 15th-17th Centuries / II mercato del- International Society for Technology I'arte in Italia, sea. XV-XVII. Edited by in Education, 2005: 49-62. Marcello Fantoni, Louisa C. Matthew and Sara F. Matthews-Grieco. 237-252. • . "A World United through Art," Modena, 2003. School Arts (May/June 2005): 43-44.

•Leca, . "An Art Book and its • . "Digital Storytelling at the Viewers: The 'Recueil Crozat' and the National Gallery of Art" (conference Uses of Reproductive Engraving," proceedings). Museums and the Web, Eighteenth-Century Studies, vol. XXXVIII, Arlington, VA, March 2004: 123-130. no. 4 (Summer 2005): 623-649. •Tangires, Helen. "Adolf Cluss and •Luchs, Alison. English translation Public Market Reform." In Adolf Cluss, (assisted by Marta Horgan and Architect: From Germany to Washington. Nicholas Penny) of Jose Roda Pena, Edited by Alan Lessoff and Christof "A 'St John of the Cross' attributed Mauch. 156-167. New York and to Francisco Antonio Gijdn: a recent Oxford: Berghahn Books, 2005. acquisition at the National Gallery of •Weiss, Jeffrey. "9 Minutes 45 Seconds." Art, Washington," The Burlington In Collecting the New: Museums and Magazine, vol. CXLVII (May 2005): Contemporary Art. Princeton University pp. 304-309. Press, 2005.

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{77} STAFF LIST

Staff as of 30 September 2005 Office Manager Andrew W. Mellon Curatorial Fellow Andrew W. Mellon Curatorial Fellow Carol Koelemay Benedict Leca Karen Serres OFFICE OF THE DIRECTOR Office Assistant Graduate Curatorial Interns, Renaissance Paintings Abby Bysshe Academic Year Director Curator and Head of Italian Paintings Fabio Barry Earl A. Powell III Maquette Production David Alan Brown C.D. Dickerson Deborah Clark-Kirkpatrick Chief of Staff & Executive Assistant Curator, Northern Renaissance Volunteer Angela M. LoRe Photographer John Oliver Hand Debra Pincus Robert Shelley Staff Assistants Assistant Curator, Italian Renaissance Dianne D. Stephens Head of Graphics Hirschauer MODERN AND CONTEMPORARY ART Debra S. Tatman Barbara Keyes Assistant Internal Auditor Graphic Design/Silkscreen Production Curator and Head of Department Elizabeth Concha Larry L. Lewis Lisa Farrell Jeffrey Weiss Glenn Perry Volunteer Research Assistant Auditor Associate Curator Jeffrey Wilson Daniela Cini Orin Wolf Leah Dickerman Stefan Wood Northern Baroque Paintings Assistant Curator Head of Exhibits Shop EXHIBITIONS Molly Donovan Randy Payne Curator and Head of Department Arthur K. Wheelock Jr. Research Associate Chief of Exhibitions Exhibits Shop Specialists Jennifer Roberts D. Dodge Thompson Melvin Brown Assistant Richard Bruce Molli Kuenstner Assistants Exhibition Officers Lester Dumont Marcie Hocking Jennifer F. Cipriano Volunteer Research Assistant Paul Heath Lindsay Macdonald Naomi R. Remes Sohee Kim Miller Mack Ann B. Robertson Graduate Curatorial Interns, Andrew Watt Volunteers Academic Year Assistants for Exhibition Administration Anke van Wagenberg Head of Lighting Shop Amanda Hockensmith Jennifer Overton Anneke Wertheim Robert Johnson Sabine Kriebel Jennifer E. Rich Tamara Wilson Lighting Shop Staff Summer Interns AMERICAN AND BRITISH PAINTINGS Robert Maria Carolina Carrasco-Nevdatchine Assistant to the Chief of Exhibitions Jennifer Sudul Wendy Battaglino Head of Paint Shop Senior Curator and Head of Dennis Bult Department Volunteer Research Assistant Exhibition Programs Franklin Kelly Ann Wagner Painters/Finishers Head of Department Curator Susan MacMillan Arensberg Ramon Bonilla Nancy K. Anderson PRINTS AND DRAWINGS Joseph Richardson Assistant Curators Assistant Curators Andrew W. Mellon Senior Curator of Margaret Doyle Summer Intern Charles Brock Prints and Drawings Lynn Matheny Eric Meier Deborah Chotner Andrew Robison Video & Film Productions Assistant Office Manager Carroll Moore OFFICE OF THE DEPUTY Abbie N. Sprague DIRECTOR Susanne L. Cook Research Assistant Intern in the Museum Profession, Staff Assistant Elizabeth Laitman Academic Year Deputy Director and Chief Curator Julia Morel I i Emma Acker Staff Assistant Alan Shestack Elisa D'Angelo Summer Intern Old Master Prints Administrator for Policy and Programs Kate Kooistra Summer Intern Elizabeth Pochter Curator and Head of Department Shravan Vidyarthi Volunteer Peter Parshall Administrative Assistants Merl Moore Nancy Deiss Associate Curator DESIGN AND INSTALLATION Amie House Virginia Grace Tuttle SCULPTURE AND DECORATIVE ARTS Assistant Curator Senior Curator and Chief of Design EUROPEAN PAINTINGS Gregory Jecmen Mark Leithauser Senior Curator and Head of Department Deputy Chief and Head of Senior Curator of European Paintings Nicholas Penny Old Master Drawings Exhibition Production and Head of French Paintings Gordon Anson Philip Conisbee Curator of Early European Sculpture Curator and Head of Department Alison Luchs Margaret Morgan Grasselli Architects/Design Coordinators Associate Curator, French Paintings Jame Anderson Kimberly A. Jones Assistant Curator Assistant Curator Kirk Eleonora Luciano Stacey Sell Assistant Curator, French Paintings Production Coordinators Florence E. Coman Assistant Summer Intern William Bowser Timothy Chapin Sarah Assistant John Olson Virginia Sweet Dupuy Nathan Peek

NATIONAL GALLERY OF ART 2005

{78} Modern Prints and Drawings Associate Registrar for Exhibitions Academic Programs FILM PROGRAMS Melissa Stegeman Curator and Head of Department Head of Department Head of Department Judith Brodie Assistant Registrars for Collections Faya Causey Margaret Parsons Theresa Beall Assistant Curators Administrator Lehua Fisher Assistant Curator Carlotta Owens Ana Maria Zavala Victoria Toye Charles Ritchie Staff Assistant Program Assistant for Internships Michelle Matuszak Summer Intern Assistant Jennifer Wagelie Lauren Gayle Kroiz Amy Johnston Art Services Manager Daniel B. Shay Education Publications and Resources PUBLISHING OFFICE PHOTOGRAPHS Supervisory Museum Specialist Head of Publications and Resources Gary L. Webber and Deputy Head of Division of Editor In Chief Curator and Head of Department Education Senior Art Services Specialists Judy Metro Sarah Greenough Barbara Moore James Clark Production Manager Assistant Curators Robert Cwiok Program Specialist Chris Vogel Sarah Kennel Andrew Krieger Amy Lewis Diane Waggoner Johnnie Mizell Design Manager Senior Publications Manager Matthew Witkovsky Margaret Bauer Art Services Specialists Donna Mann Assistants Douglas Jackson Web Site Manager Senior Writer Sara Cooling Dan Randall Phyllis Hecht Carla Brenner Brooke Lampley Pierre Richard Acting Manager of the David Smith Education Resources Supervisor Graduate Curatorial Intern, Systematic Catalogue Leo J. Kasun Academic year Art Services Technician Gail Spilsbury Sabine Kriebel Goven J. Martinez Program Developer and Senior Editor Production Specialist Intern in the Museum Profession, Karen Sagstetter Loans and the National Lending Service Rachel K. Academic year Managing Editor of CASVA Cameron Shaw Head of Department Supervisory Shipping Technician, Publications Stephanie T. Belt Extension Programs Summer Intern Cynthia Ware Roland Young Karen Hellman Loan Officer Editors Alicia B. Thomas Media Scheduling Coordinator Ulrike Mills Martha H. Aspron SPECIAL PROJECTS IN MODERN ART Assistant Julie Warnement Holly Garner Affiliate Loan Coordinator Designer Curator and Head of Department Frances Duhart Wendy Schleicher Ruth E. Fine EDUCATION Program Shipping Technician Web Site Designers Research Associates Michael G. Bryant Guillermo Saenz Mary Lee Corlett Head of Division Dan Trachtman Laili Nasr Lynn Pearson Russell Teacher, School, and Family Programs Web Site Production Research Assistant Program Assistant Head of Department Suzanne Sarraf Renee Maurer Carol Bridges Heidi Hinish Permissions Coordinator, Print Media Interns in the Museum Profession, Coordinator of Teacher Programs Adult Programs Sara Sanders-Buell Academic year Julie A. Springer Jobyl Boone Head of Department Budget Coordinator Coordinator of School Docent Program Marcie Hocking Wilford Scott Linda Mosley Elisa Patterson Summer Intern Lecturers Production Assistant School Docent Educator Jeffreen Hayes Eric Denker Rio DeNaro Elizabeth Diament David Gariff Production Editor Philip Leonard Coordinator of CURATORIAL RECORDS AND FILES Mariah Shay J. Russell Sale Art Around the Corner Program Sally Shelburne Paige Simpson Editorial Assistants Head of Department Amanda Mister Sparrow Nancy H. Yeide Lecturer and Adult Program Coordinator of Family and Caroline Weaver Docent Coordinator Youth Programs Associate Diane Arkin Nathalie Ryan Staff Assistant Anne L. Halpern Eva nth i a Mantzavinos Adult Programs Tour Scheduler, School Tour Scheduler and Intern in the Museum Profession, Docent Liaison Program Assistant Summer Intern Academic year C. Arlette Raspberry Jennifer Cross Caroline Halayko Clarissa Fostel Coordinator of Art Information Art Around the Corner DIVISION OF IMAGING AND Christopher With Program Assistants REGISTRATION AND LOANS/OFFICE VISUAL SERVICES Jennifer Reklis OF THE REGISTRAR Senior Art Information Specialist Rachel Goldberg John Cogswell Chief of Division of Imaging and Chief Registrar Teacher Programs Assistant Visual Services Supervisor, Art Information Sally Freitag Zev Slurzberg Alan Newman Volunteer Operations Registrar for Exhibitions Marta Horgan Family and Youth Programs Photography Services Michelle Fondas Education Assistants Graduate Student Lecturers Emily Pegues Supervisory Photographer Collections Information Systems Anna Marley Sarah Stewart Lorene Emerson Coordinator Kimberly Curtiss Susan Finkel Photographers Dean Beasom Associate Registrar for Loans Judith L Cine

NATIONAL GALLERY OF ART 2005

{79} Ricardo Blanc Reference Assistant Senior Conservators Science Technician Lee Ewing George (Ted) T. Dalziel Jr. Carol Christensen Kathryn Morales Gregory Williams Ann Hoenigswald Interlibrary Loan Assistant Samuel Golden Research Fellow Jay Krueger Photographers/Lab Thomas F. J. McGill Jr. Gregory Dale Smith Catherine Metzger Doris Alston Interlibrary Loan Technician Michael Swicklik Charles E. Culpeper Advanced James Locke Anne Goska Training Fellow Conservator Secretary Jean-Philippe Echard Circulation Supervisor Elizabeth Walmsley Geneva Rosenboro Jeannette Canty Loans and Exhibitions Conservation Digital Imaging Services Circulation Technician Sarah Feinstein Head of Department/Deputy Yuri Long Supervisor Charles E. Culpeper Advanced Chief of Conservation Robert Grove Circulation Assistants Training Fellow Mervin Richard Sirena Lucas Pamela Betts Visual Information Specialists Senior Conservator Kristen Sosinski Deborah Adenan William R. Leisher Memorial Fellow Michael Pierce David Applegate Circulation Student Assistants Chantal Bernicky Associate Conservator Christina Moore Susan Moritz Interns Bethann Heinbaugh John Schwartz Adam A. Rudolphi Joanne Klaar Coordinator of Preservation Services Vertical Files Librarian Loa Ludvigsen Permissions Hugh Phibbs Roberta Geier Barbara Schoonhoven Permissions Coordinator Exhibition Specialist - Matting and Vertical Files Student Assistant Ira Bartfield Paper Conservation Framing Syreena Chattman Jenny Ritchie Head of Department Visual Services Serials Assistants Shelley Fletcher Conservators of Frames Bruce B. Hebblethwaite Coordinator of Visual Services Richard Ford Emily Lee Senior Conservator Barbara Bernard Stephan Wilcox Judith Walsh Museum Specialist Department of Image Collections Summer Intern Conservator Barbara Goldstein Wood Sarah Kleiner Chief, Library Image Collections Marian Dirda Museum Technician Gregory P. J. Most Photograph Conservator Peter Huestis CENTER FOR ADVANCED for Architecture Constance McCabe STUDY IN THE VISUAL ARTS Andrea R. Gibbs Conservation Technician LIBRARY Archivist for American and Michelle Matuszak Dean Richard W. Mutton Elizabeth Cropper Executive Librarian Permanent Collection Matting/Framing Neal T. Turtell Archivist for Modern and Elaine Vamos Associate Deans Contemporary Art Peter Lukehart Administrative Librarian Meg Melvin Object Conservation Therese O'Malley Roger C. Lawson Archivist for Italian Art Head of Department Center Administrator Library Systems Manager Melissa Beck Lemke Shelley Sturman Helen Tangires Karen P. Cassedy Associate Slide Librarians Senior Conservators Research Associates Staff Assistant Nicholas A. Martin Daphne Barbour Frances Gage Kate M. Allen Thomas A. O'Callaghan Jr. Judy L. Ozone Robert LaFrance Anne Nellis Technical Services Assistant Slide Librarian Conservators Elizabeth Pergam Lisa M. Coldiron Abigail Mack Technical Services Librarian Giancarla Periti Katherine May Anna M. Rachwald Photograph Conservator Terri Weissman Sarah Wagner Conservation Technician Acquisitions Assistants Research Assistants Caitlin Jenkins David Diaz Museum Technician Daniela Cini Jeffrey Leone Carrie A. Scharf Andrew W. Mellon Advanced Project Staff Mary A. Masters Training Fellow Staff Assistant Karen Binswanger Amy Sanftleben Michael Belman Debra K. Massey Program Assistants Cataloguers Summer Intern Textile Conservation Nicole Anselona Jane D. Bokyung Koo Jessica Evans Bary Johnson Head of Department Valerie French J. Bryan Lane Julia Kristina Giasi Trudi W. Olivetti CONSERVATION Colleen Harris Cathy F. Quinn Scientific Research Department Colleen Kelly Howard Marsha D. Spieth Chief of Conservation Head of Department Elizabeth Kielpinski Paula L. Zech Ross Merrill E. Rene de la Rie Laura Kinneberg Cataloguing Assistant Conservation Administrator Alexandra Lawson Senior Emily Bridges Michael Skalka Allison Peil Barbara H. Berrie Kim Rodeffer Bindery Assistant Conservation Program Assistants Research Conservator for Jane E. Higgins Christina Rich Paintings Technology Members, Center for Advanced Study Holly Kagle Student Assistant E. Melanie Gifford in the Visual Arts Academic Year Margaret Morton John P. Heins 2004-2005 Organic Chemist Intern for the Art Materials Collection Suzanne Quillen Lomax Samuel H. Kress Professor Reader Services Theresa Guidetti Jonathan J. G. Alexander Conservation Scientists Head of Reader Services Painting Conservation Lisha Deming Glinsman Andrew W. Mellon Professor Lamia Doumato Christopher Maines Alexander Nagel Head of Department Reference Librarian Michael R. Palmer Sarah Fisher Edmond J. Safra Visiting Professor John Hagood Carl Brandon Strehlke

NATIONAL GALLERY OF ART 2005

{80} Fifty-fourth A. W. Mellon Lecturer in the Paul Mellon Fellows DEPARTMENT OF Wood Crafters Fine Arts Robert Glass ARCHITECTURAL SERVICES Anthony Givens Irene J. Winter Ara H. Merjian Willard Menson Assistant to the Administrator for Robert Motley Paul Mellon Senior Fellow Samuel H. Kress Fellow Architectural Services and John Natale Betsy M. Bryan Katharina Pilaski Senior Architect John Rogers Samuel H. Kress Senior Fellows Wyeth Fellow James M. Grupe H. Perry Sarah Gordon Paint Shop Assistant Senior Architect A. A. Donohue Ittleson Fellow Carl M. Campioli Supervisor Ailsa Mellon Bruce Senior Fellows Karl Debreczeny Rhonda McCord Project Architects Alden Gordon Andrew W. Mellon Fellow Bruce D. Condit Painters Susan Niles Carlos Roberto de Souza William H. Cross, Jr. Joseph Copeland Frese Senior Fellow Kenneth Lindsay Chester Dale Fellows Architect/CAD Manager Philip Benedict Marc Makle John Harwood Martin A. Livezey James Miller Ailsa Mellon Bruce National Gallery of Sean E. Roberts Staff Assistant Lester Smith Art Sabbatical Curatorial Fellow Robert H. and Clarice Smith Fellow Teresa A. Mossi Sarah Greenough Natasha Seaman Mason Shop Paul Mellon Visiting Senior Fellows Ailsa Mellon Bruce Predoctoral Supervisor Shyamalkanti Chakravarti EQUAL EMPLOYMENT OPPORTUNITY Fellows for Travel Abroad for Roland Martin Stuart Lingo ATTORNEY AND OFFICER Historians of American Art Constant!ne Petridis Mason Leader Doris Chon Diane Wolfthal Kelly Goode Gino Ricci Rhonda C. Goodman Ailsa Mellon Bruce Visiting Linda Kim Masons Senior Fellows Jason Lafountain FACILITIES MANAGEMENT Robert Brinkley Laura Katzman Anna O. Marley Daniel Depaz Jacqueline Marie Musacchio Atsushi Yoshida Chief of Facilities Conrad Solomon David Schuyler Catherine Zuromskis Kurt Sisson Patrick Verdin Liubov Savinskaya Deputy Chief of Facilities Mason Worker Samuel H. Kress Paired Fellows in OFFICE OF THE ADMINISTRATOR Michael Giamber Christopher Baumann Conservation and the History of Facilities Management Mason Helpers Art and Administrator Processes Specialist Betty Holmes 2004-2005 Darrell R. Willson Dan Hamm Lamont Lee Ann Boulton Deputy Administrator Oliver Shell Assistant Special Projects Coordinator Production Shop Coordinator, Charles H. Schneider Darrell Waytes Warehouse J. Paul Getty Trust Paired Fellows for Staff Assistant Reginald Kellibrew Research in Conservation and the Program Specialist Kathleen Ortner History of Art and Archaeology Vasily Lazarenko Building Services Department 2004-2005 Staff Assistant Staff Assistants Nancy K. Anderson Kelley Schott General Foreman Marcy Broiles Elizabeth Simpson Charles Boone Assistant to the Administrator for Linda Hilliard Krysia Spirydowicz Budget Analysis Supervisors Michael P. Swicklik Andrew McCoy Engineering Department Sylvia Dorsey Paul Mellon Postdoctoral Fellow Frank Ford Budget Analyst Supervisor Yu Jiang Robin Hunt Nathan Guyer William Angela Lee Assistant to the Administrator for Engineering Technicians PREDOCTORAL FELLOWS Leaders Business Activities James Cromwell IN RESIDENCE Gerald Carthorne Anne Valentine Gary llko Paul Cotton Rodney Lough Paul Mellon Fellow Geraldine Crawford Phillip Walker Sabina de Cavi OFFICE OF CAPITAL PROJECTS Raymond Henson Ron Welch Sheila Sanders Samuel H. Kress Fellow Glenn Wright Assistant to the Administrator for Herica Valladares Housekeepers Capital Projects Building Automated System Manager Maurice Anderson Mary Davis Fellow Susan Wertheim Brian McGivney Kenneth Betts Shilpa Prasad Senior Program Manager George Bridges Work Control Center Wyeth Fellow Alison Hunt Rowna Camper Terri Weissman Supervisor James Clark Program Analyst John Haughey Lewis Dobbs Ittleson Fellow Lauren Huh Emma Faison Talinn Grigor Work Control Coordinators Construction Field Engineer Vanassa Fenwick Gwendolyn Arnold Chester Dale Fellow Dennis Donaldson Oliver Judith Williams Andre Dombrowski Carolyn Harvey Construction Field Representative Brock Hawkins David E. Finley Fellow Michelle Gilbert Building Maintenance Department Alice Holloman Nina Dubin Fire Protection Engineer Manager Lori Hungerford Robert Wilson Craig MacFarlane Anthony Inabinet PREDOCTORAL FELLOWS Lawrence Jackson Interior Designer NOT IN RESIDENCE Carpenter Shop Victor Jamison Susan A. Ritterpusch Michon Jenkins Supervisor David E. Finley Fellows Architect Dorothy Johnson Alvin Adams Aden Kumler Christopher Ruffing Teresa Johnson Ashley West Wood Crafter Leaders Sheldon Malloy Dorson Abney Gail Maxfield George McDonald

NATIONAL GALLERY OF ART 2005

(81} Theodora McCard Anthony Newman Information Technology and Gallery Protection Officers II Darlene Middleton Anthony Pizzo Security Projects Daniel Bailey Jason Rosenbaum Latina Bailey Darryel Parker Deputy Chief Carlton Williams Leonard Bashful Cassandra Pixley Stephen Lockard Ludwig Bednar Jr. Leora Richardson Electrical Helper Vander Blount Henry Rivers IT Specialist Leslie Raspberry Betty Rufus Stanley Lantz John Boone Jr. Corey Brown Evelyn Scott High Voltage Electrician Venetta Snead Mike Case Risk Management Wayne Buckner Alvin Burts Derrick Snowden Deputy Chief Joseph Callahan Lorraine Staggs HORTICULTURAL SERVICES Philip E. Goldsmith Angeline Sutton Edward Chapman Gloria Thomas Occupational Safety and Luther Clark Jr. Chief of Horticultural Services Diana Wells Health Manager Venus Cristwell Dianne Cina Zilphia Wright Linda G. Schilder John Davis Deputy Chief Carlos Dubose Linda Young Fire Protection Specialist Cynthia Kaufmann Ernest Edwards Billy Norman Building Operations Department Edward Foster Horticulturists Alonzo Fountain Margaret Church Visitor Services Manager Robert Gayleard David Gentilcore Dave Gilson Deputy Chief George Hamilton Julianna Goodman Assistant Manager Sandra Creighton Peter Henderson James Kaufmann John Bixler Elvis Hernandez David Slak Operations Jimmie Hines Supervisors Gardener Leader Donna Hinton Zery Mingo Deputy Chief Mildred Holeman Cliff P. Deckard Larry Smith Edward Johnson Gardeners William Sutton Major Frank Johnson Anthony Ferrell Donald Young Larry Kay I or Felisha Jones Brian Johnson Leaders John Jones Ronald McGill Office Assistant Felix Mulder Lee Jones Michael Peters Anna Howard James Phillips Veronica Jones Kirsi Petersen Security Driver Anthony Thomas Albert Lawrence Ronald Terrell Alvin Hawkins Anthony Walker John Legrand Willie Townes Console Operators Franklin Lewis Control Technicians Derrick Williams Philip Arnett Joe Lewis Anthony Winston Franklin David Logan Kevin Cockrell PROTECTION SERVICES Derieck Hairston Isaac Mathis III Eugene Givens Barbara Height Joseph Midgette John Goff Chief of Protection Services Ernest Reynolds Charles Wayne Valentine James J. Lucey James Townsend Jacob Neal Operating Engineer Secretary David Weston Beverly North James Hamilton Geri Green-Smith Laverne Whitted Michelle Perry Chris Privott Identification Office Commanders Maintenance Engineers Ronald Randall James Carlton Cleven Brown Noel Ashton Jerry Reaves Bran nock Reilly Ricky Manuel Nathaniel Bethune Marcus Reeves Roger Dunning Karen Perry Investigations William Richardson Jeroboam Powell Operations Unit James Deas Loretta Roy Larry Brown Enis Pinar Lieutenants Ronald Sewell Eugene Guthrie Timoth Fortt John Smith Technical Services Supervisor Harry Groce John Ott Leroy Smith Angelo Catucci Armando Hartley Timothy Smith Utility Systems Repair Operators Electronics Technicians Joseph Hudson Michael Strong Theresa Baldwin Patrick Parrett Quellan Josey Altina Sumter David Ellzey William Shaw David Lee Edward Thomas Varon Lee Nathaniel Stroman Lawrence Marshall Reginald Thornton Harold Liller Joshua Mewborn Larry Turner Locksmiths Clifton Mutts Dexter Moten Raymond Tyndle Robert Brown Lamar Sanker John Palmer Lynn Williams Ty Cullins Charles Strickland Kathy Sutton Ralph Wright (Union Representative) Marlene Tucker Mark Teed Willie Wright Administration Gerald Walker Sahlu Teklesadik James Yancey Alexander Tonic Sheila Wright Deputy Chief Gallery Protection Officers Elizabeth Thomas Sergeants Pipefitters Rukan Ahmed Michael Casasanto Ronald Brown Program Analyst James Allison Jr. Levern Jacobs Bernard Clemons Alison Reither Irene Anderson-Thomas Robert Lowry Jerry Doss Cedric Baker Supply Clerk Emanuel Goddard Wiziri Belcher Michelle Cameron James Hairston Electric Shop Gwendolyn Bell Dennis Hill Administrative Assistant Larita Best Supervisor Alonzo Kennedy Sherry Shaw-Johnson Vincente Best Chuck Herndon Dana Lee Ronald Bond Jr. Leader Office Assistant Quinyardo McClain Brian Bowman Daniel Smith Zoya Mussienko Victor McCrea Wesley Branon James Murphy Office Automation Assistant Steve Brock Electricians Ronnie Sloan Jr. David Cole Sandra Powell Anthony Thompson Jacqueline Brown Christopher Fioravanti Eugenio Velazquez Jason Brown

NATIONAL GALLERY OF ART 2005

(82) Roy Brown Rodney Mathew Personnel Management Specialist Supply, Distribution, and Fleet Vincent Brown Henry McKinnon Terrence Snyder Management Wayne Bryant William McLaughlin Senior Staffing Specialist Support Services Supervisor Benjamin Burgess Ernest Miller Rick Decuir Paul Rodriguez Felesia Burgess Leroy Miller George Burgess Charles Mobley Staffing Specialist Lead Materials Handler Otis Butler Vernon Morton Linda Pettiford Lemuel Jamison Richard Phillip Myers Personnel Staffing Assistant Materials Handler (Receiving) David Caldwell Willie Norman Janie Cole Alfred Cohen Albert Carr Jr. Roy Ottley Julius Carroll Retina Page Gallery Representatives Materials Handler Jesus Castro-Alvarez Joyce Palmer Luis Baquedano Darnell Brandon Paul Cawley Theodore Panglao Eric Janson Supply Technicians (Supply) Marcella Champion Marian Parker Office Manager Anthony Sean Hilliard David Clark Nolen Paulk Tammy Bennett Ulrick Vilmenay Thomasine Cloude Leopoldo Perdomo Walter Colbert Joe Peterson Human Resources Specialist Transportation Assistant Arthur Coleman Pamela Pitts Miriam Berman Dora Barksdale Ivy Cooper Carey Porter, Jr. Receptionist Driver Derwin Davis Harry Price Annette Brown Steven Nicholas Kelcey Draine Willie Pugh Alexander DuBoise Robert Rice Jr. Training Officer Technical Support Branch Jason Eder Eddie Richburg Judith Frank Altwan Edwards James Roberts Branch Chief Training Administrator Ersaline Edwards Andrew Robinson Thomas Valentine George Martin Robert Edwards Michael Robinson Michael Erwin Linda Roche Training Specialist Audio Visual Services Christopher Eubanks John Rogers Mendi Cogle Radio Production Specialist Jerome Gaffney Willie Sims John Conway Johnnie Gallop William Smallwood ADMINISTRATIVE SERVICES Gene Garrett Lamont Smith Audio Visual Technician Russell Gaskins Vladimir Solomykov Hugh Colston Chief of Administrative Services Antone Gatewood Johanna Speight Cathy Yates Motion Picture Projectionists Dionne Gilbert Alexander Stephens Jeannie Bernhards Lita Goings Gregory Stevenson Administrative Officer Karl Parker Debra Graham Earl Stewart Scott Stephens Pamela Green Keith Thalhammer Maintenance Technician Staff Assistant Michael Gregg Easton Thomas Lester Barry Bernadette Homol Paul Gresham Wilbert Thompson Sharman Gresham William Thome Fiscal Technician Printing & Duplicating Carolyn Groce Ivy Tolbert Christy Williams Printing Services Specialists Lome Harleston Joselito Tungcod Logistics Support Branch Patrick Beverly Dorothy Harper Thomas Tyson Frank Schiavone Burley Harris William Walker Branch Chief Roger Harris John Washington, Jr. Richard Pleffner Equipment/Copier Operator Marjorie Harvey David Watchorn James Morris Travel Gregory Watson Patricia Hassell Program Assistant and Kelly Hendley Michael Webster Telecommunications Travel Coordinator Yvette Herbert Verda Whitlow Barbara Caldwell Telecommunications Specialists Agnes Whittle Ron Despres Ronald Wilkins Fred Holmes Mail and Records Management Barbara McNair Priscilla Hopkins Barry Williams Mark Ranze Ernest Hughes Harold Williams Support Services Supervisor Sheila Humphrey Jeffrey Williams David Mason Supervisory Telephone Operator Minnie Barbour Ina Hunter Lee Williams Support Services Specialist Robert Hyer Vincent Williams Felton Byrd Telephone Operator Phillip Williamson John Jackson Juanita Walker David Jakes Andre Wilson Mail Clerks Errick James Pamela Wood James Arnold Victor Jamison Warren Woodson Clifton Fleet PROCUREMENT AND CONTRACTS Alan Jenkins Anthony Wright Reginald Matthews Jesus Jimenez Mable Wright Jose Vallecillo Chief of Procurement Claire Johnson Patricia Wright Elaine Larison Property Management and Movement Wayman Johnson Lawrence Yancey Deputy Chief of Procurement Yamashita Johnson Gallery Security Officer Supervisory Inventory Jeffrey P. Petrino Kenneth Jones Management Specialist Maxine Simmons Contract Specialists John Kennedy Sr. Ted Harper Aaron Kinchen Erica Chong Stephen King PERSONNEL Supply Technicians (Property) Kristin S. Fuller Anthony Kitttoe Paul Fortune Claudine A. Harper Beth Knight Personnel Officer Kevin Grays Robert L. Lawrence Robert Lewis Michael Bloom Nathan Howell Ethan S. Premysler Tyrone Lewis Geoffrey Spotts Deputy Personnel Officer Fransonia Littles Meredith Weiser Purchasing Agent Larry Macalino Barbara G. Manley Augustine Maldonado Personnel Systems Specialists Ramesh Malhotra Michele Caputo Staff Assistant Patricia Barber Sherron Manley Darryl Cherry

NATIONAL GALLERY OF ART 2005

{83} OFFICE OF THE TREASURER IT Specialist/Manager, Chris Bowden Archivist Web Systems Programming Christine Chu Michele Willens Ric Foster Pamela Coleman Treasurer Archives Technicians James E. Duff Denis Donovan IT Specialist/Intranet Development Jean Henry Pat Giblin Deputy Treasurer Neal Johnson Angela Salisbury Amanda Jirou-Murphy George-Ann Tobin IT Specialist/IT Security Theresa Keys Paul Mellon Fellow in Records Executive Assistant Jack Tucker Mary Kulik Management and Preservation Judy Shindel Noelle Larson Marlena Justsen Computer Operators Jonathan Louis Assistant Treasurer/Investment Karen Estacio Summer Intern Matthew Mann Management John McNeil Rachel Goldberg Bonnie McBride Michael W. Levine Roddie Worthington Margo Morton Supervisory Operating Accountant Kim Peacock OFFICE OF EXTERNAL AND Kelly Liller GALLERY SHOPS Hong Sherwood INTERNATIONAL AFFAIRS Mildred Shivers Chief Planning and Budget Officer Division Chief Angela Single External and International Affairs Officer William W. McClure Ysabel L. Lightner Elenore Tiehan Joseph J. Krakora Budget Analysts Timothy Turner Deputy Division Chief/ Deputy to the Executive Officer Lea-Ann Bigelow Rosemary Wilkerson Operations Manager Ellen Bryant Jean Krevinas Karen Boyd Merchandise Stock Clerks Special Assistant Assistant to the Treasurer for Risk Steve Corbin Office Administration/Office Manager Francine Linde Management and Special Projects Terry Gibson Laura A. Nancy Hoffmann Linda A. Hunt External and International Affairs Staff Assistants Aaron Seaboch Associate Financial Systems Manager Miriam Davis Erin Fisher Carol Ann Proietti Accounts Receivable Clerk Jonathan Walz Carol L. Messineo Staff Assistant Visual Information Specialist DEVELOPMENT Eileen Ng Operations Supervisor - Warehouse Noriko Bell Stephen Richardson Chief Development Officer Product Development Specialist/Buyer GENERAL ACCOUNTING Lead Materials Handler Paul Bessire Judy C. Luther Marvin M. Walton Senior Associate for Development Comptroller Book Buyers Materials Handlers Cathryn Dickert Scoville David J. Rada Dennis E. Callaghan Mioril Andoque Donald L. Henderson Senior Associate, Planned Giving Operating Accountant F. A. Bonnie Hourigan Ruth E. Lewis Buyers Motor Vehicle Operator Suzanne M. Haycock Senior Associate for Development Accounts Receivable Manager James B. Everett Janet B. Kerger Patricia A. Donovan Linda K. Smith Nancy A. Sanders Fulfillment/Shipping Clerk Senior Associate, Planned Giving Retail System and Accounts E. Jean Mitchell Systems Manager Betsy O'Brien Anderson Payable Manager G. Lee Cathey Shipping Clerks Michael Chapman Associate for Development Operations Angela Johnson Systems Analyst/Programmer Elizabeth A. Hutcheson Accounting Technicians Todd Osborn Alexander Bloshteyn Cynthia W. Czubat Development Officer, Special Richard Technology Specialist Membership Programs OFFICE OF THE SECRETARY Dyann Nelson-Reese Martin Rudder Kara Ramirez Mullins AND GENERAL COUNSEL Kevin C. Oberman Visual Presentation Manager Development Officer, The Circle Brenda M. Stevenson Therese M. Stripling Secretary and General Counsel Jeffrey W. Hale Stephanie L. Thorpe Elizabeth A. Croog Valerie M. Wright Visual Presentation Technicians Development Associate, Stewardship Melissa Cherry Deputy Secretary and Deputy Susan L. Redford Payroll Jason Losh General Counsel Development Associate, Research Mary Tewalt Nancy Robinson Breuer Payroll/Personnel Specialist Katherine M. Lemery Emma G. Moses Store Managers Associate General Counsels Development Associate, Annual Giving Stephen McKevitt Lara Levinson Civilian Pay Technicians Danielle Williams Nancy G. Vibert Isabelle Raval Brenda Julian F. Saenz Staff Assistant Margaret Myers Assistant Store Managers Wayne Henson Frenzetta Coward Legal Assistant Petra Guiland Sarah E. DATA PROCESSING C. Kelly Mayle CORPORATE RELATIONS Assistant Secretary Naomi Morgulis Chief Information Officer Kathryn K. Bartfield Kelly Song Chief Corporate Relations Officer Linda Stone Staff Assistant Christine M. Myers Category Specialists Deputy Chief Information Officer Carol A. Christ Nicole Glaude Deputy Corporate Relations Officer Greg Swift Mary Heiss Administrative Assistant Jason Herrick IT Specialist/Manager, Mary Powell Montrue V Conner Executive Assistant Customer Support Chris Siron Catherine C. Labib Susan Farr Lead Cashiers GALLERY ARCHIVES Research and Multimedia Specialist IT Specialist/Manager, Charlene Conlon Jeanette. C. Beers Network Infrastructure Linda Peterson Chief Katherine Green Maygene F. Daniels Sponsorship Manager Cashiers Susan McCullough IT Specialist/Manager, Beth Allen Deputy Chief Data Engineering Maria Aragon Anne G. Ritchie Staff Assistant Art Nicewick Pamela Baxter-Simms Anissa Masters

NATIONAL GALLERY OF ART 2005

{84} PRESS AND PUBLIC INFORMATION Rosalie Baker Candace Kaller Joyce Schwartz Jane Louise Karpicus Susan Scola Chief Press and Public Sue Beddow Evelyn Katz Nancy Searles Information Officer B. J. Beers Nancy Keefe Judy Shulman Deborah Ziska Valerie Bernat Carolyn Kelloff Ruth Sickel Susan Bollendorf Marney Kennedy Milton Silveira Senior Publicist Marlene Bolze Carol King Joan Silverman Mary Jane McKinven Irene Bortolussi llze King Beatriz Slotkoff Publicists Maureen Fallon Bridgeland Phyllis Knight Trudi Small Anabeth Guthrie Gail Gunter Koenig Sally Smyser Sarah Edwards Holley Florence Brodkey Patricia Kraemer Langley Spurlock Ana Maria Brown Audrey Kramer Celia Steingold Web Designer/Systems Developer Debra Brown Andrea Kraus Jem Sullivan Dwayne Franklin Susan Brown Bonhee Ku Mary Ann Sures Office Assistant/Clips Coordinator Susan Bruce Olga Kushnir Hiroko Tada David Wojcinski James Byron Rita Landers Michelle Tager Nancy Cammack Hiroko Takagi Staff Assistant/Calendar Editor Anne-Marie Lee Karen Campbell Victor Tang Laurie Tylec Hillary Lee Valerie Carleton Rosalie Lesser Lillian Taylor Administrative Secretary Jane Casazza Georgia Lewis Carolyn Thayer Barbara Lennhoff Sara Cherner Kimiko Lipsitz Ruth Thomas Leslie Cohen Paula Litvak Laurie Trusty Susan Van Nice SPECIAL EVENTS David Cooper Janet Lloyd Nancy Cummings Jean Loper Margaret Vanderhye Pastel I Vann Chief Protocol and Special Dina D'Arcangelo Ana Maria Macchetto Suzanne Vegh Events Officer Joy Dale Barbra Mann Joy Vige Carol W. Kelley Gerard de la Cruz Anne Marie Marenburg Rutgera de Rivera Patricia Martin Stella Walters Executive Assistant Joan Dickey Marylin Mathis Josephine Wang Gina O'Connell Anna Dixon Marget Maurer Momoko Watanabe Maria Elena Weissman Assistant for Event Scheduling Margaret Doole Ursula McKinney Emo Osawa Wellsteed Anne Sawkiw Rody Douzoglou Mary Ellen McMillen Judy Doyle Irma J. McNelia William Whalen Senior Event Planner Paula Duggan Joseph McPhillips Sue White Maria Tousimis Sue Wickwire Sandra Dugoff Amy Meadows Brooke Wilding Assistant Event Planner Helga Ehudin Alberto Melo Marjorie Williams Rachel Wahlmuller Alice Elaine Miller Michael Winer Elizabeth Farrell Sandra Mitchell Senior Event Planner for Budgeting and Leslie Farrell Marjorie Mitzner Maria Wood Event Staffing Marilyn Farrington Sally Molenkamp Laura Wyman Bethann Burns Fred Sharon Feldman Joan Morton Dora J. Young Staff Assistants for Victoria Feldman Mary Mossop Lois Young Invitations and Protocol Paula Ferdinand Joan Mulcahy Joan Zeizel Nora Connolly Sima Ficks Laureen Nicholson Kathryn Zoeller Julia Blair Spalding Harriet Finkelstein Elizabeth Niederman Sandra Akemi Nishida Gianna Zucchi Virginia Flavin Saka Noma SPECIAL PROJECTS Stephanie Frasher Olga Nosova ART INFORMATION VOLUNTEERS Phyllis Freirich Nur Nossuli Special Projects Officer Carl a Freyvogel Titiana O'Blazney Claire Ackerman Pamela Jenkinson Maureen Gevlin Mary Catharine O'Connell Liane Special Projects Associates Mary Gibb Mary O'Neill Eleanor Augustine Valerie French Thomas Gilday Oka Rosalie Baker Beth Sherrard Dawn Glass Yasuko Oku no Valerie Ballard Marilynn Goldsmith Gail H. Ostergaard Barbara Behr Joan Gottfried Patty Owens MUSIC Joan Davis Berger Gail Gregory Hedwig Pasolini Catherine Beyer Pamela Gulley Hardin Maxie Phillips Head of Department Barbara Bluestone Joyce Harmon Deborah Pietras Stephen Ackert Janet Boccia Mary Harms Karen Piper B. J. Boudreau Music Program Specialist Melissa Harris Gay Pirozzi Denise Boxberger Juliana Munsing Shannon Hobbs Judith Pomeranz Greta Brown Jane Hochberg Nancy Porter Music Librarian Amy Bruins Nira Hodos Teresa Preville George Gillespie Arthur Bugler Sally Hoffmann Ludmila Pruner Marian Carroll Assistant to the Music Department Beth Holland Maria Amelia Ramaciotti Patricia Casson Bruno Nasta Jennifer Hollings Pickett Randolph Elizabeth Catron Adriana Hopper Alyson Redden-Hardy Joan Chapin VOLUNTEERS Marta Horgan Lucia Jean Reynolds Evelyn Childs Sandy Horowitz Nancy Richardson Kimball Clark Marilyn Horwood Cynthea Riesenberg DOCENTS Nancy Clarke Carol Howerton Jo Roland Simone Clarke Merry Hunt Eileen Romano Ann Allen Lynn Cleary Mary Hurd Deborah Rucci Lee Allen Pat Clopper Patricia Jacobs Susan Rudy Donna Aubinoe Marlene Conner Francesca Janni Hannah Aurbach Sheila Ruffine Janet Cooper Marilyn Johnson Barbara Baker Lois Sacks Marcia Corey Cynthia Juvan-Dormont Tazuko Schmitz Sherry Cross

NATIONAL GALLERY OF ART 2005

(85) Elizabeth des Cognets Annette Rich Therese des Rosiers Bette Richardson Joanne DeSiato Gail Ridgway Verda Deutscher Arlene Ring Ruth Dinbergs Alix Robinson Janet Donaldson Dorothy Robinson Kimberly Doyle Wynefred Rogerson Donna Edmondson Melissa Roover Estelle Eisendrath Eugene Rosenfeld Rose Evans Shirley Rosenfeld Susana Fainbraun Howard Sanders Gloria Fastrup Audri Schiller Judith Feldman Roberta Schneidman Maureen Ferguson Sonja Schulken Barbara Fisher Marilyn Schwaner Marjorie Fisher Ned Shannon Barbara Freeman Frances Short Sue Fretts Margaret Sickels Marguerite Fry Nancy Silverman Pamela Fry Esther Slaff John Garneski Joan Steigelman Agnes Gavin Adele Stevens Joyce Gentile Janet Sugg Jean Gerhardt Linda Sundberg Annette Goldschmidt Bonnie Sweet Edward Greenberg Victor Tang Helena Gunnarsson Joan Timberlake Harvey Hale Marylee Tinsley Mary Hanrahan Alicia Tisnado Tawney Harding Ward Van Wormer Betty Hatch Barbara Vondy Josephine Hearld Frances Walls Barbara Hodges -Shia Wang Jean Holder Diane Wapner Leonard Holder Michael Weaver Drucilla Hopper Cecile West Claire Horowitz Mary Westfall Mark Huey Eleanor Williams Gail Huh Frances Winston Carol Huls Sally Wise Eileen Hurley Maria Wood Florence Imburg Merriam Woodhouse Carmen Iribarren Edie Wubben Bernice Jacobsen Gerry Wyche Lyn Jonnes Antoine Yared Nancy Kane Rubye Youngblood Jill Kasle Henri Keller ART INFORMATION Bonnie Kleinhans VOLUNTEER CANDIDATES Elaine Krassner Sally Kreisberg Angela Aguero Adel Labib Jennifer Leutner Julie LaFave Charlene Manning Stephen Lake Joan McCormick Shirley La vine Carolyn McDevitt Mary Lawler Carolyn Morse Marion Lebanik Patricia Orr Use Lewy Suzi Pease Susan Lightsey Karen Livornese Joyce MacCorquodale LIBRARY VOLUNTEERS Donald Markle Geraldine Markle Pat Clopper Harriett Mathews Ellen Descheneaux Barbara Meyers James Early Lynne Middleton Diane Horowitz Dale Moran Gale Kaufmann Barbara Morris Adel M. Labib Yolanda Morris Ellen Layman Susan Murphree Areli Marina Gabriele Nanda Frances M. Oliver Mary Neves Ruth Philbrick Joan Novell Doris Rauch Jinx (Frances) Oliver Lily Rosen Sharman O'Neill Richard Schwartz Arnold Pal ley Sheridan Strickland Anthony Piantes Rose Trippi Karin Regan

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(86} GIFTS/DONORS

The support of the federal government A. Thompson Ellwanger III and John Simmons INDIVIDUAL AND and private sector enables the Gallery Gregory E. Mescha FOUNDATION GIFTS Mr. and Mrs. Albert H. Small to fulfill its mission to collect, exhibit, Epstein Family Collection interpret, and preserve works of art Joshua P. Smithf Gifts of $10,000 or more for art acqui- Mr. and Mrs. Stuart P. Feld at the highest possible standard. The Mitchell and Nancy Steir sition, special exhibitions, education, federal government provides an annual Ruth Fine conservation, research initiatives, and appropriation for the Gallery's operations Athena Tacha and Richard Spear unrestricted support were received Barry and Gigi Fitzmorris and maintenance. Works of art in the Frank Anderson Trappt from the following generous donors collection, the two buildings and Aaron I. Fleischman during fiscal year 2005: David and Elizabeth Tunick sculpture garden and numerous educa- Bert Freidus tional and scholarly programs are Universal Limited Art Editions, Inc. $1,000,000 or more made possible through private gifts. Jo Ann and Julian Ganz, Jr. Leonard Vernon Anonymous The Gallery extends its gratitude to Kate Ganz the federal government and to the Dorothy and Herbert Vogel Annenberg Foundation William H. and Abigail Gerdts many generous donors listed here who Dian and Andrea Woodner The Lee and Juliet Folger Fund made gifts during fiscal year 2005. Ron Ginsberg Vicki and Roger Sant Their contributions allowed the Gallery Judy and Leo Zickler The Glenstone Foundation to enhance its art collections, build Charles S. Zucker Robert H. and Clarice Smith its library holdings, present special Andy Goldsworthy exhibitions, and offer outstanding Steven E. Gross LIBRARY GIFTS $500,000-$999,999 - educational and scholarly programs. Thanks to the ongoing commitment Helena Gunnarsson The Glenstone Foundation, Mitchell P. The following donors made significant of its supporters and the federal Rales, Founder Stephen Hahn gifts to the National Gallery of Art government, the Gallery continues Mark and Lynne Hammerschlag Library in fiscal year 2005: to fulfill its mission of service to the $250,000-$499,999 American people. Robert Hershkowitz Thomas Ellwanger III and Ann and Mark Kington / The Kington Gregory E. Mesha Mr. and Mrs. Benjamin Hertzbergt Foundation Patricia England GIFTS TO THE NATIONAL Lesley Hill and Alan Stone The Andrew W. Mellon Foundation GALLERY OF ART Albert Feldman Virginia and Ira Jackson Julienne M. Michelf Andy Goldsworthy GIFTS OF ART Jasper Johns Catherine B. Reynolds Foundation Sharon Keim Ruth Cole Kainen Mr. and Mrs. David M. Rubenstein The Gallery extends its thanks to those Joseph Lomax Louis D. Kaplan and Linda Mr. and Mrs. Thomas A. Saunders III who gave works of art during fiscal Lichtenberg Kaplan Seyla Martayan year 2005. These gifts enhance the Ruth S. Willoughby Foundation collections and carry on the tradition Jack Kay of generosity begun by the founding Thomas G. Klarner Neal Turtell $100,000-$249,999 benefactors more than sixty years ago. Elizabeth L. Klee The Ahmanson Foundation Anonymous (3) CORPORATE GIFTS Hans P. Kraus, Jr. Louis M. Bacon Thomas Agnew & Sons, Ltd. Judith W. Laughlin The Gallery is grateful to the following The Broad Art Foundation Architektur Galerie Berlin - Ulrich Simon Levin local, national, and international Marshall B. Coyne Foundation, Inc. Muller corporations, whose generous support Aaron and Barbara Levine helped make possible special exhibi- The Charles Engelhard Foundation Liane W. Atlas Dorothy, David, and Mitchell tions and related programs of the Greg and Candy Fazakerley Alexandra Baer and Jason lahn Lichtenstein highest quality in fiscal year 2005: Catherine Blanton Freed berg Jean-Luc Baroni, Ltd. Roy Lichtenstein Foundation Altria Group, Inc. The Horace W. Goldsmith Foundation Anne Baruch Jane S. Livingston ChoicePoint Government Services Philip L. Graham Fund Thomas W. Barwick Karen Mannes General Dynamics Corporation William Randolph Hearst Foundation Carolyn O. Bluhm Norma B. Marin Grupo Televisa, S.A. HRH Foundation C.G. Boerner, LLC David and Joan Maxwell Lehman-Smith + McLeish Ellsworth Kelly Foundation Andrew M. Brown Joseph F. McCrindle Lufthansa Samuel H. Kress Foundation Janet P. and David S. Bruce Keith and Beth Monda Merrill Lynch & Co., Inc. Pearl Family Fund of The Community Andre and Angela Candillier Jeffrey Hugh Newman Foundation for the National Capital Siemens Corporation Victoria Cassis John O'Brien Region Target Ian M. Cumming John and Mary Pappajohn Senator and Mrs. John D. Rockefeller IV Time Warner Inc. The Marion and Robert Rosenthal Catherine Gamble Curran Irving Penn Foundation Ted Dalziel, Jr. Heather and Tony Podesta Trellis Fund Roy and Cecily Langdale Davis Anita and Burton Reiner

Virginia Engleman Dehnf Mary and David Robinson

Eric Denker Richard M. Scaife

NATIONAL GALLERY OF ART 2005

{87} $50,000499,999 Irwin P. Edlavitch Foundation Michele and Lawrence Beyer The Honorable William D. Rollnick and The Honorable Nancy The Ryna and Melvin Cohen Family Virginia F. Harrison Elliott Dr. and Mrs. George N. Boone Foundation Mr. and Mrs. Robert M. Rosenthal* Dr. Mark R. Epstein and Eli and Edythe Broad* Helen Porter and James T. Dyke Amoretta Hoeber Vicki and Roger Sant* Mr. and Mrs. Calvin Cafritz Mr. and Mrs. Robert F. Erburu Walter Fitch III Trust Louisa Stude Sarofim* Joseph Cohen* Funger Foundation, Morton and Bernard and Sarah M. Gewirz Andrew and Denise Saul* Edwin L. Cox* Norma Lee Funger Foundation, Inc. Mr. and Mrs. B. Francis Saul II David L. Davies and John D. Weeden* Monica and Mermen Greenberg Glickfield Family Foundation Jon and Mary Shirley Foundation Mrs. John R. Donnell* The Florence Gould Foundation Mr. and Mrs. Albert H. Small The Frederic C. Hamilton Foundation Mr. Barney A. Ebsworth* The Honorable C. Boyden Gray Mr. and Mrs. Peter B. Smith Robert J. Hurst Foundation II Mr. James A. Elkins, Jr.* The Harman Family Foundation and Michelle Smith Linda H. Kaufman Harman Cain Family Foundation Mr. and Mrs. Donald G. Fisher* Dick and Jane Stoker* Thomas G. Klarner John and June Hechinger Children and Mr. Aaron I. Fleischman and Grandchildren's Charitable Lead Trusts Mr. Lin Lougheed* Roselyne Chroman Swig* Virginia C. Mars Margaret Mellon Hitchcock Cynthia Friedman* Dr. and Mrs. Jacob Y. Terner Park Foundation Foundation Mr. and Mrs. Morton Funger Mr. Richard E. Thompson* Edmond J. Safra Philanthropic The Mark and Carol Hyman Fund Foundation Jo Ann and Julian Ganz, Jr.* Mr. and Mrs. Matthew T. Weir Johnson Family Foundation Mr. and Mrs. Albert H. Small Mr. and Mrs. Carl S. Gewirz Ms. Dian Woodner* Mr. and Mrs. Edward H. Kaplan Trust for Mutual Understanding Mr. and Mrs. Robert Goergen Mr. and Mrs. Robert J. Woods, Jr.* Long & Foster Real Estate, Inc. Mallory and Diana Walker Lenore and Bernard Greenberg* Mr. and Mrs. C. Bagley Wright, Jr.* Jeffrey and Jane Marshall Mrs. Robert M. Weidenhammer Peggy and Richard Greenfield* Family Foundation CORPORATE CIRCLE OF THE Agnes Gund and Daniel Shapiro Wyeth Foundation for American Art NATIONAL GALLERY OF ART Evelyn Stefansson Nef James F. and Christine M. Young Mimi and Peter Haas* (as of 30 September 2005) Mrs. Derald H. Ruttenberg Mr. and Mrs. Frederic C. Hamilton* The Gallery extends thanks to the $25,000-549,999 Jonathan D. Schiller and Maria F. Richard C. and Elizabeth A. Hedreen* charter members of the new Corporate Prather The Honorable Max N. Berry Mrs. Charles W. Ireland* Circle initiative for their participation. and Mrs. Berry Leonard and Elaine Silverstein Family The generous annual gifts of Corporate George F. Jewett, Jr. and Foundation Circle members of $10,000 or more pro- David and Janet Lucille M. Jewett* Jay and Toshiko Tompkins vide funding for a range of activities Buffy and William Cafritz Tim and Candy Johnson throughout the Gallery. George Wasserman Family Donald and Nancy de Laski Foundation, Inc. Ms. J. Lisa Jorgenson and PEPCO The William H. Foundation, Inc. Mr. David D. Doniger* Mark D. Ein Linda H. Kaufman* COLLECTORS COMMITTEE John C. and Elizabeth E. Fontaine (as of 30 September 2005) Robert P. and Arlene R. Kogod* THE CIRCLE OF THE NATIONAL GALLERY OF ART Joseph and Lynne Horning Judith and Alexander Laughlin* (as of 30 September 2005) The Gallery gratefully acknowledges Gail and Benjamin Jacobs The Honorable Marc E. Leland and members of the Collectors Mrs. Leland* The Gallery extends thanks to contribu- JANDLSMITH Foundation Committee for their annual gifts of tors to The Circle for their generous Melvin and Thelma Z. Lenkin Ruth Cole Kainen $15,000, $30,000, or more. Their role annual gifts. Their support at the level of is vital in helping the Gallery to Mary and Robert Looker $1,000, $2,500, $5,000, or $10,000 or Alice S. Konze acquire modern and contemporary art. The Honorable Frederic V. Malek and more provides funding for a range of Mr. Edward J. Mathias and Ms. Dale * Indicates donors who have given for Mrs. Malek* activities throughout the Gallery. Lenzner Mathias five or more consecutive years. Joan and David Maxwell* * Indicates donors who have given to R.K. Mellon Family Foundation The Circle for five or more consecutive Mr. Henry S. McNeil, Jr.* The Morningstar Foundation Co-Chairs years. Mr. and Mrs. Edwin Van R. Milbury* Otto Naumann Roselyne Chroman Swig* Lisa and John Miller Co-Chair John Pappajohn* $10,000-$24,999 Mr. Raymond D. Nasher* Mary Jo Kirk*

Lora Lee Allums in honor of her sister Members Nancy B. N eg ley* Edward J. Mathias* Anne Lee Parrist Anonymous* Ms. Judith E. Neisser Bender Foundation Patron ($10,000 or more) Mr. Robert E. Abrams and Ms. Cynthia Barbara R. Palmer Anonymous Ann, Don, Cathy, and Laura Brown Vance-Abrams* John and Mary Pappajohn* Family Fund of The Community Mr. and Mrs. Howard F. Ahmanson, Jr. Carolyn Small Alper* Foundation for the National Capital Sally Engelhard Pingree Ms. Patricia L. Alper-Cohn Region Carolyn Small Alper The Honorable Leon B. Polsky and The Capital Group Companies Ann and Steven Ames* Mrs. Cynthia H. Polsky* Mr. and Mrs. Harry Alverson Charitable Foundation Anne H. Bass* Prince Charitable Trusts* Mr. and Mrs. George C. Andreas* The Clark Charitable Foundation Anne T. and Robert M. Bass* Mitchell P. Rales* Mr. and Mrs. David B. Anthony* The Cole Family Foundation Mr. Barry A. Berkus Mr. and Mrs. Burton Reiner Mr. and Mrs. Geoffrey B. Baker* Geraldine R. Dodge Foundation The Honorable Max N. Berry and Margaret Robson Terri and Tom Barry The Max and Victoria Dreyfus Mrs. Berry Senator & Mrs. John D. Rockefeller IV* Mr. and Mrs. Lee M. Bass Foundation, Inc.

NATIONAL GALLERY OF ART 2005

(88) Lea and Wayne German Gail and Benjamin Jacobs Emily Malino Scheuer* Mr. and Mrs. Alan H. Fleischmann

Mr. and Mrs. Norman Bernstein Robin and Reuben Jeffery Admiral and Mrs. Tazewell Shepard, Jr.* Carol C. and Robert T. Foley*

Bloomberg LP.* Dr. Cyrus and Myrtle Katzen* James and Masako Shinn Nancy Folger and Sidney Werkman

Mr. and Mrs. Lawrence N. Brandt Linda H. Kaufman Mr. Raja W. Sidawi* Elizabeth and Michael Galvin*

The Honorable John Landrum Bryant Jack Kay* Mr. and Mrs. Gerald R. Sigal* The Honorable Joseph and and Patricia Bauman* Alma Gildenhorn* Mrs. Stephen M. Kellen Leonard and Elaine Silverstein* Ms. Ruth H. Buchanan* Mr. and Mrs. Joseph Goldstein* James V. Kimsey Stephen and Bonnie Simon / Russell and Anne Byers* Esther Simon Charitable Trust Stephen Goldstein and Ann and Mark Kington* Antonietta Corvasce Mr. and Mrs. Carter Cafritz* Mr. and Mrs. James S. Smith* Mary Jo and Bob Kirk* Donald and Mary Graham Giuseppe and Mercedes Cecchi* Robert H. and Clarice Smith* Lee G. Kirstein* Mr. and Mrs. Andrew S. Gundlach A. James and Alice B. Clark Mr. and Mrs. Robert N. Snyder* Mr. Thomas G. Klarner* Mr. and Mrs. Corbin Gwaltney* Dr. and Mrs. David A. Cofrin Mrs. Frederick M. Stafford* Michael Klein and Joan Jeanne and Herbert Hansell* Judith and Richard Cohen* Dr. and Mrs. Barry S. Strauch* Lt. Col. and Mrs. William Karl Konze* Nancy W. Harding* Naomi and Nehemiah Cohen Dr. and Mrs. Lubert Stryer* Mr. and Mrs. Chiswell D. Langhorne, Jr.* Foundation* Richard C. and Elizabeth A. Hedreen Eugene and Clare Thaw* Mr. and Mrs. Leonard A. Lauder* Marshall B. Coyne Foundation* Helen Lee Henderson* Mr. and Mrs. H. Brian Thompson Jydith and Alexander Laughlin* Brittain Bardes Cudlip* The Honorable Eric H. Holder and Mr. and Mrs. L. von Hoffmann* ferjand Mrs. LaSalle D. Leffall, Jr.*]^Q Dr. Sharon D. Malone Ian and Annette Cumming / Mr. and Mrs. Mallory Walker* Cumming Foundation Mr. Edward J. Cerflcin*™ Mr. and Mrs. Joseph F. Horning, Jr.* Mr. and Mrs. William Walton Lavinia M. Currier The Philip and Janice Levin Foundation Margaret Stuart Hunter* Mr. and Mrs. David Warnock Mr. and Mrs. Leo A. III Lodestar Fund of The Community R. Edward and Arezu Ingle Foundation for the National Capital Mr. George A. Weiss The Darby Foundation Arthur and Anne Hale Johnson* Region The Honorable John C. Whitehead* John and April Delaney J.W. Kaempfer* Mr. and Mrs. Richard E. Marriott Diane B. Wilsey* Mr. and Mrs. Donald de Laski* The Fannie and Stephen Kahn Mr. and Mrs. Forrest E. Mars, Jr.* Mr. John C. Wohlstetter* Charitable Foundation Mr. and Mrs. Leslie Douglas* Jacqueline Badger Mars Wolfensohn Family Foundation* Mr. and Mrs. Edward H. Kaplan* Robert W. Duemling and Virginia C. Mars* Louisa C. Duemling* Ken and Dottie Woodcock* Kevin and Lee Kelley Mr. Edward J. Mathias and Ms. Dale Mr. Barney A. Ebsworth* James F. and Christine M. Young* Mr. and Mrs. David T. Kenney* Lenzner Mathias* Mr. Mark D. Ein Judy and Leo Zickler J. Richard and Robin Knop Mr. and Mrs. Timothy B. Matz* Dr. Mark R. Epstein and Amoretta Sperry and Anna Lea* Joan and David Maxwell* Hoeber* Sustaining ($5,000 to $9,999) The Lemon Foundation* Mr. and Mrs. Thomas F. McLarty III Mr. and Mrs. Robert F. Erburu* Anonymous Leon Fund, established and advised Gilbert and Jaylee Mead* Mrs. Norman Farquhar* Mr. and Mrs. Dana T. Ackerly II* by Irene and Alan Wurtzel with Philip and Eleanor Merrill The Community Foundation* Jean-Marie and Raul Fernandez / Mr. and Mrs. John H. Ariail, Jr.* The Fernandez Foundation The Honorable G. William Miller and Penn Lupovich, M.D. in honor of his Miss Gillian Attfield* Mrs. Miller* mother, Rita Natanson Lupovich John D. Firestone* The Honorable William Bader and Mary V. Mochary The Honorable John D. Macomber The Lee and Juliet Folger Fund* Mrs. Bader and Mrs. Macomber* Ambassador Alfred H. Moses* John C. and Elizabeth E. Fontaine* Ellen and Robert Bennett* Lynn C. Magruder* Mr. and Mrs. James Moshovitis Michael Forman Mrs. Lyn Kass Berger* Mr. and Mrs. Tom F. Marsh* Mrs. Pat Munroe* Carl M. Freeman Foundation Mr. and Mrs. Robert O. Blake, Sr.* Mrs. Thomas E. Marston* Evelyn Stefansson Nef* Mr. and Mrs. John French III* Mr. and Mrs. Richard I. * Frederick and Jan Mayer The Honorable William A. Nitze II and Jo Ann and Julian Ganz, Jr.* Mr. and Mrs. Daniel J. Callahan III* Mrs. Nitze* Mayo Charitable Foundation* Mr. and Mrs. Gordon P. Getty Mrs. Warwick Montgomery Carter* Diane A. Nixon* Mrs. James R. McAlee* Mr. and Mrs. John Goelet Jean and Steve Case* Dr. and Mrs. Ronald A. Paul Mr. Robert B. Menschel* Mrs. Barbara K. Gordon Mrs. Ellen M. Charles* Wes and Jackie Peebles Robert E. Meyerhoff* Mili Gralla Bonnie and Louis Cohen / Sally Engelhard Pingree James and Tracy Millar Rubenstein Charitable Foundation Harold and Sylvia Greenberg* Mr. and Mrs. David B. Pollin Ina and Fenner Milton* Ron and Barbara Cordover Lenore and Bernard Greenberg Irene and Abe Pollin* Frederick W. and Linda K. Moncrief* T.A. Cox Monica and Hermen Greenberg Mr. Thomas C. Quick* Commander Les Ogilvy, DSN (retired)* Foundation* Andrea B. Currier Rick Rickertsen* Parnassus Foundation, courtesy of Patrick W. and Sheila Proby Gross* Ruth and Bruce Dayton* Jane and Raphael Bernstein* Sylvia Ritzenberg Mr. and Mrs. Newman T. Halvorson, Jr.* Mrs. Paul Elicker* Mr. and Mrs. Gerald Petitt Senator and Mrs. John D. Rockefeller IV* Mr. and Mrs. Frederic C. Hamilton* Mr. and Mrs. Jonathan S. England* Lt. Col. and Mrs. Norman S. Portenoy* Vicki and Roger Sant* John and Tucker Harris* The Honorable Melvyn J. Estrin and Susan and Stephen Porter* Mrs. Stanley J. Sarnoff* Mrs. Estrin Christopher A. Havener, Jr. Mrs. Charles P. Price* Mr. and Mrs. B. Francis Saul II* The Honorable W. H. G. FitzGerald Joseph and Lucia Henderson* and Mrs. FitzGerald* The Reed Foundation, Inc. Mr. Michael J. Saylor Mr. Clark F. Hoyt and Ms. Linda Kauss*

NATIONAL GALLERY OF ART 2005

{89} Mrs. Grace Ritzenberg Philomena Burke and Paul Najarian Mr. and Mrs. Robert N. Herman* Elisabeth Scott Porter

Mr. and Mrs. Joseph E. Robert, Jr.* Mrs. Jefferson D. Burrus* Frederick D. Hill Dr. and Mrs. Jerold J. Principato*

Mr. David Rockefeller* Mrs. Daniel S. Campbell* John and Dori Holaday Mr. and Mrs. Whayne S. Quin*

Mr. and Mrs. Terence P. Ross Kelly Carr and Bryan Sherbacow Mr. and Mrs. Wallace F. Holladay* Earl and Carol Ravenal*

Mr. and Mrs. Alfred M. Rotondaro Robert O. Carr Lawrence and Lisbeth Horowitz - Mr. and Mrs. William P. Rayner Velsor Properties, LLC Mr. David E. Rust* The Honorable Henry Catto, Jr. and Mr. Robert C. Rea* Mrs. Catto* John K. Hoskinson and Ana I. Fabregas Mr. and Mrs. Thomas D. Rutherfoord, Jr.* Dr. and Mrs. F. Turner Reuter* The Honorable John E. Chapoton and Mr. and Mrs. J. Timothy Howard* Susan Small Savitsky and Richard and Pearl Richardson Mrs. Chapoton* Gerald S. Savitsky Mr. and Mrs. R. Bruce Hughes* Roberta O. and Theodore C. Roumel Mrs. Robert H. Charles* Tod and Kate Sedgwick* Mr. and Mrs. Harris Hyman IV Mrs. Derald H. Ruttenberg* Kate and Robert Chartener Amy R. Silverman Mr. and Mrs. Edward C. Johnson 3rd* The Honorable Arnold A. Saltzman The Coca-Cola Company* Abigail Spangler and Jeffrey Nuechterlein James A. Johnson, Jr.* and Mrs. Saltzman* Ted Cooper* Mr. and Mrs. Benjamin F. Stapleton III The Honorable R. Tenney Johnson James J. Sandman and Louise and Wendell Crain* and Mrs. Marilyn M. Johnson* Elizabeth D. Mullin* Mr. and Mrs. Edward Symes III Mrs. Catherine G. Curran* Peter W. Josten* Mr. and Mrs. Bruce W. Sanford* Mr. and Mrs. A. Alfred Taubman Mrs. John Charles Daly Mrs. Ford A. Kalil Jean Schepers* John and Eunice Thomas* Hester Diamond Robin King and Carol Hallene King* Mr. David M. Schwarz Mr. and Mrs. W. Reid Thompson* F. Eugene Dixon, Jr.* Mr. and Mrs. Norman V. Kinsey* Mr. and Mrs. Stephen M. Schwebel* Jay and Toshiko Tompkins* The William H. Donner Foundation Mr. and Mrs. James R. Kleeblatt* NoraLee and Jon Sedmak Nancy Voorhees Fund of the Montgomery County Community Dr. and Mrs. William H. L. Dornette* Rebecca Klemm Ms. Georgia K. Shallcross Foundation Douglas and Elaine Drysdale* Nick and Mary Lynn Kotz Mr. and Mrs. Charles C. Shelleman, Jr.* Scott and Christy Wallace The Honorable Craig G. Dunkerley Bill and Marilyn Lane* Judith and Jerry Shulman Ms. Alice L. Walton and Ms. Patricia A. Haigh Mr. and Mrs. Anthony A. Lapham* Ruth and Hugh Sickel Emily and Stephen Ward Merritt P. Dyke* Gigi and Arthur Lazarus, Jr.* Mr. and Mrs. David W. Simone* Mrs. Robert M. Weidenhammer* Mr. and Mrs. Terry Eakin* LaSalle D. Leffall III Mr. and Mrs. John W. Snow Frederica Wheeler and Lynn Eccleston and Harold Wegner Susan B. Levine and James W. Lauer* Ms. Barbara Spangenberg Charles E. Johnson Mr. and Mrs. C. Franklin Eck, Jr.* The William J. Levy Foundation* Ira Spanierman Ms. Kendall Wheeler Jean Efron Lawrence S. and Marion Lewin* Randolph Stayin Mr. and Mrs. John R. Whitmore* Mr. and Mrs. Edward L. Ernes, Jr.* Willee and Finlay Lewis* Ms. Polly Surrey* Williams Family Foundation of Georgia* Mr. and Mrs. Richard England* Mr. and Mrs. Jerome B. Libin* Mrs. Waverly Taylor* Harold and Louise Engle* Supporting ($2,500 to $4,999) Mr. and Mrs. Meredith Long* William R. and Norma Kline Tiefel* Lionel C. Epstein and Anonymous (8) Jack and Betty Lou Ludwick* Peggy and Alec Tomlinson* Elizabeth P. Streicher* Aberbach Dr. and Mrs. Bruce K. MacLaury* Lewis R. and Ann C. Townsend / Mr. and Mrs. James W. Evans* Trust for Museum Exhibitions* Jan and Warren Adelson* Mr. and Mrs. John Marion Dr. Boiling Farmer The Honorable and Mrs. Russell E. Train* Mr. and Mrs. Samuel A. Alward* Daniel and Karen Mayers* Mr. and Mrs. Robert Feinberg* Truland Foundation M. Francis Anders* Michael and Hannah Mazer Mrs. James J. Ferguson Jr.* Antoine and Emily van Agtmael* Aileen Athy* Mrs. Susan McCabe* Julie Finley Michael and Victoria Vergason* Agatha and Laurence Aurbach Darina and Allan McKelvie* Betsy and Peter Forster* Millicent Adams Vesper Mr. and Mrs. A.L. Ballard Dr. Robert and Laurel Mendelsohn* David and Jackie Fowler* Mr. and Mrs. G. Duane Vieth Mr. and Mrs. Albert H. Barclay, Jr.* Richard and Ronay Menschel Peter A. and Barbara W. Freeman* Mr. and Mrs. William von Raab* Drs. Jordan and Rhoda Baruch Richard Merriman* Mr. and Mrs. Alvin Friedman* Dr. Jeremy P. Waletzky* Mr. and Mrs. Eliezer Benbassat* Mr. and Mrs. Herbert S. Miller* Mr. and Mrs. David Morgan * Marvin F. Weissberg* Marguerite H. Benson* Iris and Lawrence Miller Patricia Garcia and Kenneth Golding Edward Foss Wilson Charitable Trust* Mrs. Patti Cadby Birch* James K. and Jane S. Mitchell* Professor Joseph L. Gastwirth* Mrs. Frances C. Winston* Susan and Allen Bloom* Joan and Dan Mulcahy* Steven and Katrina Gewirz* Mr. and Mrs. Alan F. Wohlstetter* Mr. and Mrs. Thomas H. Boggs Catherine Murray* Nancy Glassman* Jean R. Bower* Michael and Sharon Nemeroff Susan Sachs Goldman Contributing ($1,000 to $2,499) Bradley Charitable Fund of Melanie and Larry Nussdorf Dr. Margaret A. Goodman Anonymous (2) The Community Foundation for Mr. and Mrs. John Oberdorfer* the National Capital Region Pam and Tom Green* Mr. and Mrs. Scott Forster Abeel Dr. and Mrs. Frederick I. Ordway* Bob and Vivian Braunohler* hallie k. harrisburg and Hugh Trumbull Adams* Michael Rosenfeld Patty and Carroll Owens Mr. and Mrs. Edgar H. Brenner Theo Adamstein and Olvia Demetriou* HECHT'S Mr. and Mrs. James Cowan Peva Margot Brinkley* Sylvia and Christopher Addison* Kay and J. Roderick Heller* Mr. and Mrs. John Ely Pflieger* Marc H. and Vivian S. Brodsky* Errol M. Adels and Adrienne D. Adels Mrs. Charles T. Hellmuth, Sr.* Mr. and Mrs. H. Gregory Platts Mr. and Mrs. Raymond C. Brophy* Mr. and Mrs. Mario A. Aguilar Patti and Mitchell D. Herman Mrs. Charles L. Poor III* Wiley and Janis Buchanan*

NATIONAL GALLERY OF ART 2005

{90} Mr. Antonio Alcala and Mr. and Mrs. John A. Blackburn* Ken and Jane Casazza Mrs. Clarence Dodge, Jr.* Ms. Helen McNeill Mr. and Mrs. Roger W. Block* Mr. and Mrs. James F. Caughman David and Tess Doheny Richard and Mary Allen Dr. and Mrs. William C. Boicourt Carroll J. Cavanagh and Margaret R. Donovan* Dr. Katherine Alley and Dr. Richard Flax Candida N. Smith* Count and Countess Peder Bonde* Mr. and Mrs. Paul C. Dougherty Mr. and Mrs. Christopher S. Alpaugh M.E. Challinor and H.S. Richardson Mrs. Ruth F. Boorstin* Lorraine S. Dreyfuss Richard Small Alper* Chuck L. Chandler Bennett Boskey* Mr. and Mrs. John Driggs* Dr. and Mrs. Clement C. Alpert Aldus H. and Dolly Langdon Chapin* Edward C. Bou, Esq.* Mr. and Mrs. Larry D. Droppa Robert and Marcia Anderson* The Rhoda and David Chase Family Mr. and Mrs. Stephen A. Bou Helen and Ray DuBois* Foundation Cicely d'A. Angleton* Julia A. * Mr. and Mrs. John M. Dunnan Mr. and Mrs. George M. Chester, Jr.* Judith Areen and Richard Cooper* Mr. John G. Boyd* Mr. and Mrs. Weaver Dunnan* Drs. Thomas M. and Judith F. Chused* Alexandra and Miss Susan A. Boyd Mr. and Mrs. Alan P. Dye Jerry J. McCoy* Kate Clark and Joe Tydings* Mr. and Mrs. George M. Brady, Jr.* Helen Porter and James T. Dyke* Linda L. Arret* Mr. and Mrs. Thomas C. Clarke* Stuart and Lotta Brafman Mr. and Mrs. Jonathan Nathaniel Dyke* Allie and Ellen Ash* Charles and Patricia Clarkson Mr. and Mrs. Raymond E. Brann, Jr. E & B Family Trust Ms. Lila Oliver Asher The Honorable Raymond C. Rita Braver and Robert Barnett Clevenger III and Mrs. Clevenger* Bill and Donna Eacho* Joseph S. Asin* John and Joan Bray* Mr. and Mrs. Edward L. Cohen Elizabeth W. Edgeworth* Ann M. Askew* Mrs. Abner Brenner* Suzanne F. Cohen* Robert and Gertrude Edwards Mr. Andrew Athy, Jr.* Mr. and Mrs. Charles S. Bresler Mr. and Mrs. Jonathan E. Colby Dr. Daniel and Marina Ein* William and Midori Atkins Ms. Edith H. * Bill and Lovida Coleman* Mr. and Mrs. Robert Einhorn Atlas Foundation* Brico Fund, LLC Mrs. Francis G. Coleman* Estelle S. Eisendrath Marilyn and David Austern* Mr. and Mrs. John D. Briggs III Mark Colley and Deborah Harsch Mr. and Mrs. Julian Eisenstein* Mr. and Mrs. William Backer* Ms. Lucy E. Broadus Mr. and Mrs. Terence W. Collins* Anthony and Marjorie Elson* Mr. and Mrs. Stephen M. Badger Mrs. Harry Lott Brock David Cooper* Ms. Catherine B. Elwell* Mr. and Mrs. Kevin Baine The Honorable and Ms. Paula Cooper Anne L. Emmet Colonel Owen C. Baker and Mrs. Kenneth D. Brody* Barbara Baker* Jay and Margaret Costan Dr. and Mrs. John Esswein William R. and Wendyce H. Brody Dr. and Mrs. G. A. Balfour Deborah C. Costlow and Katharine W. Evans Fund of the Peninsula Community Gary M. LaCroix Mr. and Mrs. Michael Baly III Foundation* Page Evans Mr. and Mrs. Donald M. Cox* Mr. and Mrs. James Bankoff Jere and Bonnie Broh-Kahn* The Honorable Thomas B. Evans, Jr. Warren and Claire Cox and Mrs. Evans* Memorial to Marian Tobey Barnes* Helen Brooks* Mr. and Mrs. Robert H. Craft, Jr.* Mr. and Mrs. Rod E. Eyster Mr. and Mrs. Stephan Barth Dr. Peter F. Bross and Dr. Lisa Rarick Donna and Harold Cramer Frank and Mary Fahrenkopf* Mr. and Mrs. Edmund Bartlett III* Andrew Brown Mr. and Mrs. C. Benjamin Crisman, Jr. Elaine Feidelman and Irwin Shuman* Michael and Rose Bartlett Mr. and Mrs. Richard Gerard Brown* Mrs. Dillon-Smyth Crocker* Mrs. Elaine Fein* Anne Susan and Nevins Baxter* Robert Brown and Christine Neptune Karon N. Cullen Peter and Alison Fenn John and Priscilla Becker* Mr. and Mrs. E. Edward Bruce Dr. Nancy B. Cummings Roger W. Ferguson and Annette L. Mr. and Mrs. James R. Beers* Joseph M. Bryan, Jr. Nazareth Allen and Yvette Dale Mrs. William Tapley Bennett, Jr.* Dr. Bruce W. Bunting and Andrea E. Ferris Ms. Jessie A. Brinkley Kenneth and Marcia Dam Anne and Stephen Bent Ms. Tyrrell Flawn and Mr. and Mrs. I. Townsend Burden III Peggy and Richard M. Danziger* Kathleen Bergen and Alexander Bastos John P. Howe III, M.D. Frances and Leonard Burka* Mrs. Stuart C. Davidson Katherine M B. Berger Barbara G. Fleischman* Ms. Elizabeth A. Burton* Mr. and Mrs. Robert P. Davis Mrs. Edwin A. Bergman* Charles and Lisa Claudy Fleischman Dwight and Toni Bush Mr. and Mrs. Porter G. * Family Fund Mrs. Ellen R. Berlow* Mrs. Patricia Butler* Mr. and Mrs. Whitney Debevoise* Mr. and Mrs. Christopher Forbes* Roberta Matthews Bernstein Jane Rosenthal Cafritz* Mr. and Mrs. Willem J. de Looper Richard E. Ford* Mr. C. Bruce Berry William E. Cain and Barbara Harman Comtesse Alain d'Eudeville* Mr. and Mrs. Howard J. Forman Afsaneh Mashayekhi Beschloss and Michael Beschloss* The Honorable John Thiers Calkins* Philip J. Deutch and Marne L. Levine Mr. and Mrs. John O. Forrer*

Mr. Judah Best Mr. and Mrs. Juan M. Cameron* Mr. Bosworth Dewey and Florence Bryan Fowlkes* Ms. Liz Barratt-Brown Mr. and Mrs. Mark D. Betts Brig. General and Mrs. Thomas J. Camp* Charlton Gillet Friedberg* Mr. and Mrs. Charles Barbour DeWitt Mr. and Mrs. Albert J. Beveridge III* Dorothy and Jerry Canter* Mr. and Mrs. N. Rickard Frisbie Sally and Dick* Eugene L. Bialek and Arlene A. Brown Constance R. Caplan Foundation Inc. Susan K. Gallagher and Mr. and Mrs. James F. Dicke II Michael Williams Mrs. James J. Bierbower David Carliner* Phyllis G. Diebenkorn* Anne and Paul Gambal Thomas L. Birch and Sidney S. Lawrence Mrs. Neil Carothers III* Dr. Joseph P. DiGangi Mr. Arthur W. Gardner* Mr. and Mrs. Arthur A. Birney* Mrs. Charles Francis Carr Michael and Betsy Dingman* Renee and Stephen Gardner Judy and Leland Bishop* John F. Carr* Martha Dippell and Danny Korengold Mrs. Edward H. Gerry* Mr. and Mrs. James I. Black III* Mr. and Mrs. Keith Armistead Carr* Sonnie and Bill Dockser Mr. and Mrs. Allan Gerson Mr. and Mrs. Scott M. Black Mr. and Mrs. Charles Carroll Carter

NATIONAL GALLERY OF ART 2005

{91} Stuart Gerson and Pamela Somers Cynthia Helms* Mr. and Mrs. Peter H. Jost* Mrs. William S. Mailliard*

Mr. and Mrs. Michael K. Gewirz* M. Henderson-Rubio* S. Kann Sons Co. Foundation* Mr. and Mrs. Peter L. Malkin

Mr. and Mrs. William T. Gibb* Catherine Winkler Herman* Ann and Julius Kaplan Claudine B. Malone

Mr. and Mrs. Lawrence B. Gibbs* Mr. and Mrs. Robert J. Hermann Jeffrey M. Kaplan Mr. and Mrs. Robert G. Manice

Thomas Gibian and Tina Grady Ms. Judith Hernstadt Louis M. and Sally B. Kaplan Mr. and Mrs. Phillip L. Mann* Foundation* Mr. and Mrs. Kenneth W. Gideon* Mrs. Anita G. Herrick* J. Eugene and Anne Marie Marans Mr. and Mrs. Steven Kaplan* Maria D. Gilbert and Jackson B. Gilbert Julio E. Heurtematte, Jr. The Honorable Jan W. Mares and Mrs. Margot Kelly Mrs. Mares* Mr. and Mrs. Richard D. * Frank J. Hevrdejs Richard and Mary Kelly Family Fund Mr. and Mrs. Jay Markley Gene and Patricia Godley Mr. and Mrs. Henry L. Heymann Edward and Arleen Kessler Mr. and Mrs. John F. Mars* Mr. and Mrs. Terence C. Golden Mary L. Hildreth* Joelle and Paul Killian Mr. and Mrs. James B. Martin* Mary Anne Goley* Mr. and Mrs. Calvin G. Hill Miss Kweilen Kimmelman Mr. C. Raymond Marvin Elizabeth Marsteller Gordon* The Honorable Roderick M. Hills and The Honorable Carla A. Hills* Mrs. Alan G. Kirk Jane and Arthur Mason* llene and Tom Gordon Richard and Pamela Hinds* Steven and Mimi Kirstein Charles T. Matheson Mr. and Mrs. John Gore Robert and Nancy Hinton Mrs. Elizabeth L. Klee* The Pierre and Maria-Gaetana Matisse William and Gail Gorham Foundation Jane Stanton Hitchcock and Mr. and Mrs. R. Brewster Knight The Honorable Kingdon Gould, Jr. Jim Hoagland* Mr. and Mrs. Edward McBride and Mrs. Gould Mr. and Mrs. Robert H. Knox* Mr. and Mrs. Frank W. Hoch* Violet McCandlish* Nancy and Tony Gould* Mr. and Mrs. James L. Koltes* John and Ingola Hodges Stephen E. McGregor Kathleen and Austin Graff Dr. and Mrs. Marvin Korengold* Christian and Nora Hohenlohe* Katlin McKelvie Mr. and Mrs. Temple Grassi* Patricia and John Koskinen Robert and Beth Holland Rod and Claire McKelvie Alexandra and John Graubert Stephen P. Koster* Mr. and Mrs. Timothy Holland The Honorable Hollis S. McLoughlin Richard and Mary L. Gray* Robert M. and Hale A. Krasne* and Mrs. McLoughlin Mrs. Vernon W. Holleman, Jr. Allan Greenberg and Judith Seligson* Edith and John Kuhnle Leslie and Kathy Megyeri Mr. and Mrs. James K. Holman Charlotte Greenewalt Suzanne D. Kuser* Rona and Allan Mendelsohn Amanda and Carter Greenfield/Belser Ltd.* Ambassador and Mrs. Dennis Kux Mrs. Charles A. Meyer* Mr. and Mrs. Stephen A. Hopkins* Raffi and Bernadette Gregorian Mr. and Mrs. Jean Pierre Lacombe Mrs. Cord Meyer William Logan Hopkins George and Christina Griffin* Sheela K. Lampietti and Dr. and Mrs. Frederick Meyers Mr. and Mrs. S. Roger Horchow* Francois M. Lampietti* Vincent J. Griski* Mr. David Michaelis and Charles Horn and Jane Luxton Horn* Mr. and Mrs. Richard Landfield Mrs. Nina B. Griswold* Ms. Clara Bingham* Dr. Sari R. Hornstein and Mrs. Edward W. Lane, Jr.* Mr. A. Lawrence Groo Julie B. Middleton Dr. David W. Lightfoot* Mr. and Mrs. Nicholas P. Lapham Kathleen and Edward Grubb Edward T. and Noel C. Miller* Mr. and Mrs. Outerbridge Horsey* Mrs. Egbert Leigh* The Honorable and Elaine R. Miller* Mr. and Mrs. Edmond N. Ho war Mrs. Gilbert Hahn, Jr.* Marian and Stuart Lemle Mark Miller Rosemarie and James R. Howe* Mr. and Mrs. Edwin K. Hall Mrs. Harry Lenart Sandy and Norman Mitchell Richard H. Howland* Mr. and Mrs. Ridgway M. Hall, Jr.* Margaret and Terry Lenzner* Mr. and Mrs. Robert K. Molloy* Helen Hubbard Elizabeth B. Hamilton* Richard and Carol LePere Mr. Jonathan T. Molot and Mr. and Mrs. Hadlai A. Hull* James and Kristina Hamilton Herb and Dianne Lerner* Ms. Hattie Ruttenberg Randall C. Hunt Mr. and Mrs. Robert Hanke Mark D. and Judy Lenkin Lerner* Dr. and Mrs. Allen Mondzac* R. Bruce Hunter* Gail and John Harmon* Jack and Laura Levengard* Charles C. and Susan Finch Moore Barbara and Allan Hurwitz* Douglas and Marion Hart* Dr. and Mrs. Jerome H. Levy* Mrs. Edward P. Moore* Mrs. Jean-Louis Imhoff Dr. Terry W. Hartle and Richard H. Levy and Lorraine Gallard Margaret Moore and Robert Wilson Ms. Susan E. Quantius* Ann Ince-McKillop Jeanne G. Lewis* Mr. and Mrs. Robert L. Moore, Jr.* Arthur and Donna Hartman Mr. Breckenridge Ingles Donald V. Lincoln* Bill and Sue Moran Dr. William A. Haseltine John Peters Irelan* Francine Schear Linde Mr. and Mrs. F. Joseph Moravec* Heidi Hatfield and Charles Karelis Y.A. Istel Foundation / Yves-Andre Istel Dave Lloyd Mr. and Mrs. David B. Morgan* Mrs. Horace Havemeyer, Jr.* Shirley and Marshall Jacobs Janet and Wingate Lloyd* Barbara and David Morowitz* Mrs. Mones E. Hawley* Bruce and Nora James Mr. Thomas L. Lloyd Pearl and Seymour Moskowitz* Ms. Gale Hayman Mrs. Mary D. Janney* Joe and Pat Lonardo Scott and Caroline Muller* Mr. and Mrs. B. Daniel Hazel Gayle and Ken Jensen Dr. and Mrs. George P. Lupton* Anne G. Murphy Mr. and Mrs. John T. Hazel, Jr.* Helen and Philip Jessup Mr. and Mrs. James E. * Mr. and Mrs. Donald B. Murphy* Ms. Jo Ann Hearld Joan and Garry Jewett* Sandylee and Michael Maccoby* Mr. and Mrs. James J. Murphy* Mrs. Anthony Hecht* Willow Johnson, In memory of Mr. and Maxwell MacKenzie and Lorraine E. Murphy Mrs. Wynant D. Vanderpool, Jr.* Lenore Hecht Foundation, Inc.* Rebecca Cross MacKenzie Philip and Heather Musser Barbara J. Jones* Mrs. John M. Heckler* Mr. and Mrs. James T. Magee* E. Michael and Karen Magee Myers Mr. and Mrs. Boisfeuillet Jones, Jr. Mr. and Mrs. John O. Hedden* Jack and Heather Maier Mr. and Mrs. Thomas W. Myers, Jr. Mary Roberta Jones

NATIONAL GALLERY OF ART 2005

(92) Mr. and Mrs. Arthur H. Nash Susan and Don Rappaport* Geane and Richard Schubert* Mr. and Mrs. M. David Testa*

Mr. Jeffrey Nelson Mr. and Mrs. Raymond J. Rasenberger Dr. and Mrs. Andrew Schwartz Mrs. Benjamin W. Thoron*

Sanford and JoAnne Nelson Mrs. Elizabeth Beach Rea Rhea Schwartz and Paul Martin Wolff Mr. and Mrs. Merle L. Thorpe III

Jill Newhouse Mrs. Cynthia T. Redick and Mr. and Mrs. John P. Scott Tides Foundation, advised by Mr. Robert Brent Mr. Charles Savitt Louisa and William Newlin* Mr. Willis H. Shapley* Miss Berenice Anne Reed* Tintagel Charitable Foundation Ms. Anna C. Niceta Paul and Deane Shatz* Henry S. and Anne S. Reich Family Susan E. Trees Ms. Dane A. Nichols Brooke Shearer and Strobe Talbott Foundation, Inc.* Sam Turner* Henry E. and Mary Ann Nichols* Linda and Stanley Sher* Sarah Carey Reilly Mr. and Mrs. Edmund S. Twining III Akemi Nishida and S. Paul Selavko Stephen and Barbara Sherwin* Lola C. Reinsch and J. Almont Pierce Steve and Candy Umin* Ms. Janne E. Nolan Joan and Ev Shorey* Mr. and Mrs. Stanley R. Resor* Jennifer Urquhart and Michael Edwards Mr. Gerson Nordlinger* Ms. Jane Slate and Dr. M. Mr. and Mrs. Robert P. Reznick Talley, Jr. Mrs. Herbert A. Vance* Floyd L. Norton and Mr. and Mrs. Donald H. Richardson* Kathleen F. Patterson* Fanchon and Manuel Silberstein Mr. William C. Vance* Mr. and Mrs. John D. Richardson* Mr. and Mrs. Hubert K. O'Bannon David Silver and Ann R. Schwartz* Margaret Vanderhye* Ms. Cary Ridder and Washburn and Susan Oberwager Dr. and Mrs. Richard A. Simms* Jack and Margrit Vanderryn Mr. David Alberswerth* Mr. Michael D. O'Dell and J.L.H. Simonds Mr. and Mrs. George D. Vassiliou Marie W. Ridder* Dr. Judith E. Grass* Charles J. Simpson and Pamela Philip and Melanne Verveer* Dr. Mark H.T. Ridinger Oehme, van Sweden and Associates, Inc.* Raymont-Simpson Mr. and Mrs. C. Woods Vest, Jr.* Douglas and Katherine Rigler Roger H. Ogden* William K. Simpson Henry and Monika von Eichel Jacqueline Rizik William P. O'Neill and Mary L. Norman and Ellen Sinel Ambassador Jenonne Walker Richardson Cara W. Robertson* Frederick and Elizabeth Singer Mr. and Mrs. William M. Walker Mr. and Mrs. David Osnos Dr. and Mrs. William W. Robertson, Jr. Dr. Gerald D. Slawecki and Ms. Bill and Irene Wallert* Betty Ann Ottinger* Alix I. Robinson* Constance H. Slawecki* Gerald Warburg and Joy Jacobson* John T. Overbeck Jane Washburn Robinson* Christine and Robert Smart Mr. and Mrs. David Ward Barbara R. Palmer Nancy and George Roche The Honorable and Mrs. J.T. Smith II* Mr. and Mrs. William Watts* Mr. and Mrs. Nicholas C. Pappas Doris Rohner Rogers Lindsay Smith and Jason Herrick Suzan Reed Weaver* Mr. and Mrs. Thomas A. Parrott* Wynefred W. Rogerson Matthew C. and Jamie Beth Smith* Martha and David Webb E. Sanders Partee Mr. and Mrs. Felix G. Rohatyn* Mr. and Mrs. Robert Bland Smith* Kirsten Wegner and Brian Quintenz Lindsay C. Patterson Mr. and Mrs. Frederick S. Rolandi III* Richard and Catharine Snowdon* Peggy and Ted Weidlein* John and Alma Paty C. Rolde* Mr. and Mrs. John W. Snyder* Mr. and Mrs. Ulric Weil Mr. and Mrs. Dennis I. Paul Mr. and Mrs. James S. Rosebush Dr. Jonathan Solomon Amy Weinberg and Norbert Hornstein* The Honorable and Mrs. Michael T. Paul* Joel Rosenberg and Cynthia B. Rosenberg Dr. Robert and Jean Steele Mr. and Mrs. Caspar W. Weinberger* Ernestine (Tina) Pauley Helen G. Ross* Christine J. and Robert L. Steiner* Mr. and Mrs. Eric W. Weinmann* Mark Paulson and Eunice Murray Mr. and Mrs. William P. Ross S.S. Steiner, Inc.* Rebecca Weistock* Mr. and Mrs. Malcolm E. Peabody* Mr. and Mrs. Sheldon Ruben* Samuel A. Stern Dennis and Bridgette Weitzel* Muriel Miller Pear Mrs. Lilly A. Rubin The Honorable Malcolm Sterrett and Mrs. Sterrett* Mr. and Mrs. David K. Welles Mr. and Mrs. Ronald H. Peele, Jr. Nancy and Miles Rubin Mr. and Mrs. Edwin F. Stetson II Susanne and W. Harrison Wellford* Simmy and Haven Pell* Mrs. Donald H. Rumsfeld Mr. and Mrs. Guy T. Steuart II* The Honorable Allan Wendt and The Honorable Charles H. Percy and Nancy and Clive Runnells* Ms. Que D. Nguyen* Mrs. Percy* Mr. and Mrs. George C. Stevens, Jr.* Mr. and Mrs. Wayne Rusch Eileen Shields West and Mr. Bruce C. Perkins Ruth Carter Stevenson* Dr. and Mrs. Paul S. Russell* J. Robinson West Mr. and Mrs. Phillips Smith Peter* Whitney Stewart Michael and Sheila Ryan* Ms. Dorothy B. Wexler* Mr. and Mrs. Devereaux J. Phelps* Mr. and Mrs. Robert D. Stillman* Dr. and Mrs. Thomas R. Rykoff Katharine Weymouth Phillips Murray Foundation* Mr. and Mrs. Luther M. Stovall Mrs. Victor Sadd* Mr. and Mrs. George Y. Wheeler* Mr. and Mrs. Benjamin Thompson Pierce* Lewis and Dara Strauss* Peter and Ellen Safir Ed and Kathy White Dr. and Mrs. Warren Poland Dr. Stacy B. Stryer* Louise and Arnold Sagalyn* James K. White and Catherine Hirsch* The Honorable Trevor Potter and Stuart Family Foundation* Mr. and Mrs. Robert Salomon Shelby White* Mr. Dana Scott Westring* Pamela B. Stuart Mr. and Mrs. William C. Sanders, Jr. Mrs. Charles S. Whitehouse* Mr. and Mrs. John S. Price A. Michael Sullivan, Jr. Mr. and Mrs. J. Andrew Scallan II* Mr. and Mrs. Steve Whitney Judy Lynn Prince* Mr. and Mrs. David W. Swearingen Alison Schafer and Matt Herrington Edwin and Kathe Williamson Mr. and Mrs. William A. Pusey* Mary H.D. Swift* John and Edith Schafer Professor John Wilmerding* Dr. and Mrs. Charles E. Rackley* Mr. and Mrs. Hollis C. Taggart Susan Schaffer and Michael Rogan Donald M. and Susan N. Wilson Eden and Gerald Rafshoon Gary R. Tanigawa Dr. and Mrs. Stephen K. Scher* Joanne S. Wilson* Major General and Christopher J. Tavlarides Mrs. James G. Randolph* Robert M. Schmidt, M.D., Ph.D.* Mr. Robert W. Wilson* Mr. and Mrs. Crawford L. Taylor, Jr. Sylvia and Coleman Raphael* Mr. and Mrs. Samuel A. Schreiber Ambassador and Mrs. Curtin Winsor* Topsy Taylor*

NATIONAL GALLERY OF ART 2005

(93) Mr. and Mrs. David Legendre Winstead* Mr. A. Thompson Ellwanger III and Alexander M. and Judith W. Laughlin Jean Schepers in memory of Mr. Gregory E. Mescha J. Robertson Schepers and Elizabeth Kramer Wrege* The Honorable Marc E. Leland and E. Beeson Bruce Schepers Ms. Jane Engle Mrs. Leland Michael and Barbara Wynne Deanna J. Schupbach, Ph.D. The Epstein Family Collection Janice H. Levinf Mr. and Mrs. Roger J. Yasin Charles and Helen Schwab George and Ina Farbert Simon and Bonnie Levin Jacob Zeigler Joyce Pomeroy Schwartz Lee and Ann Fensterstock Donald V Lincoln Mr. and Mrs. Anthony J. Zelano Mrs. Muller Sheppardt William W. Finley Francine Schear Linde in honor of her Lenore G. Zinn parents, Herbert and Blanche Schear Ruth and Hugh Sickel Aaron I. Fleischman and Gianna Zucchi* Kathryn A. Looneyt Iris Silverman Mrs. Daniel Fraadt Donald and Barbara Zucker Angela M. LoRe in honor of her Albert and Shirley Small Foundation David Morgan Frost parents, Charles and Alice LoRe Robert H. and Clarice Smith Jo Ann and Julian Ganz, Jr. Jack and Betty Lou Ludwick Mrs. Rudolf Sobernheim LEGACY CIRCLE William H. Gerdts and Penn Lupovich (as of 30 September 2005) Abigail Booth Gerdts John and Alice Steinerf

Mr. and Mrs. Carl S. Gewirz Helen Lillie Marwickf Ruth Carter Stevenson The Gallery is pleased to recognize Joan and David Maxwell Mrs. Walter J. Stoessel, Jr. the members of the Legacy Circle for Mr. and Mrs. William T. Gibb their decision to include the Gallery in Mr.t and Mrs. John T. Gibson Frederick R. Mayer Donald D. Stone their estate plans, as well as making Milly and Arne Glimcher Sameeran Yonan McAlee Shirley Ross Sullivan irrevocable life income gifts such as charitable gift annuities. With their Dr. Margaret A. Goodman Mrs. Robert B. Menapace Ann Van Devanter Townsend and gifts, these individuals uphold a legacy Lewis Raynham Townsend Katharine Grahamf Julienne M. Michel"!" of philanthropy to the benefit of Professor Frank Anderson Trappt Mrs. Liselotte Millardf future generations. Sarah Greenough Jack and Margrit Vanderryn Mr. Harvey Shipley Miller and Anonymous (49) Agnes Gund and Daniel Shapiro Mr. J. Randall Plummer Andre-Francois H. Villeneuve Lee Allen Helena Gunnarsson Kent and Marcia Minichiello Dorothy and Herbert Vogel Lora Lee Allumsf in honor of The Stephen Hahn Family Collection Lucy G. Moorhead Bettye S. Walker her sister, Anne Lee Parris Mr. and Mrs. Nathan L. Halpernf Diane L. Morris Mrs. Robert M. Weidenhammer Carolyn Small Alper Harold Halpert The Patsy R.f and Raymond D. Nasher The Honorable and M. Francis Anders John C. Harbert, M.D. Collection Mrs. Caspar W. Weinberger Richard B. Anderson and Mrs. B. Lauriston Hardin, Jr. Evelyn Stefansson Nef John C. Whitehead William Logan Hopkins Charles U. Harris"!" Jeffrey Hugh Newman Malcolm Wiener Mrs. Martin Atlas Richard C. and Elizabeth A. Hedreen Diane A. Nixon Professor John Wilmerding Mr. L. Graeme Bell III Lore Heinemannt in memory of her Stephen and Claudine Ostrow Frances C. Winston The Honorable and husband, Dr. Rudolf J. Heinemann Mrs. William McCormick Blair, Jr. John T. Overbeck Christopher and Beverly With Helen Lee Henderson in memory of Karl and Gerda With Ambassador and Mrs. Donald Blinken Mary and John Pappajohn Benjamin and Lilian Hertzbergt in memory of Maurice H. Blinken Andrea Woodner Ivan E. and Winifred Phillips Susan Morse Hillesf Andrew Brown In memory of James S. Yamada Mrs. John Alexander Popet Ernest Hillman, Jr.t in memory of J. Carter Brownf Richard S. Zeisler John Davis Skilton, Jr. Helen Porter and James T. Dyke Gilbert Butler Judy and Leo Zickler Margaret and Raymond J. Horowitz"!" Judy Lynn Prince Mr. and Mrs. W. Russell G. Byers, Jr. Charles S. and Elynne B. Zucker R. Bruce Hunter Francis H. Rasmus Mrs. Charles Francis Carr Earle Hyman in memory of Rolf Sirnes Gaillard F. Ravenel lit and Frances P. (t Deceased) Mrs. Terrence F. Cathermanf Smyth-Ravenelf Dora Donner Idet Dr. Gerald Cerny Mr. and Mrs. George W. Riesz Ira and Virginia Jackson Every effort has been made to create Robin Rowan Clarke The Rizik Family Mr. James A. Johnson, Jr. a complete and accurate list of con- tributors. Due to limited space, gifts Ian and Annette Cumming Alix I. Robinson Ruth Cole Kainen in honor of Beuford under $1,000 are not listed. Catherine Gamble Curran and Teden Cole Mary and David Robinson

Roy and Cecily Langdale Davis Ellen F. Karpft Andrew Robison Gifts to the Gallery may be made in Dr. Lois de Menil and Jak Katalan David Rockefeller the form of cash, securities, and real Dr. Georges de Menil Inat and Jack Kay Laurance S. and Mary Rockefeller!" and personal property, and may be Mrs. Adolph Dehnf directed toward specific programs or Ellsworth Kelly Sharon Percy Rockefeller be unrestricted. Some donors make Robert W. and Louisa C. Duemling Mr. Thomas G. Klarner Trina and Lee G. Rubenstein outright gifts, while others elect to Mr. Barney A. Ebsworth make deferred gifts to help provide Robert P. and Arlene R. Kogod Gwendolyn Russell for the future. All gifts and bequests Joan M. Eckert Alice S. and William K. Konze David E. Rust are deductible, within the limits pre- Jean Efron scribed by law, for applicable federal Mrs. Rush H. Kress"!" in memory of Mrs. Walter Salantf Robertt and Mercedes Eichholz her late husband, Rush Kress tax purposes. For further information, The Honorable Arnold A. Saltzman please call the development office Mr. and Mrs. Gerry Elliott Julie LaFave and Joan Saltzman at (202) 842-6372.

Virginia F. Harrison Elliott and Evelyn and Mrs. Stanley J. Sarnoff George W. Elliott Jo Carole and Ronald S. Lauder

NATIONAL GALLERY OF ART 2005

{94} Copyright © 2006 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington www.nga.gov

ISBN 978-0-89468-339-8

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States.

Photographs by Dennis Brack Cover, inside front cover, Pages 2-3, 10-11, 12, 22, 25 (top), Pages 28, 34, 38

Photographs by Rob Shelley Pages 6-7, 23, 24, 25 (bottom), 27

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram I

I 1 I .1 !

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Washington, D. C.