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Also by Erich Maria Remarque
MYTOPBOOK.ORG ALSO BY ERICH MARIA REMARQUE ALL QUIET ON THE WESTERN FRONT THE ROAD BACK THREE COMRADES FLOTSAM ARCH OF TRIUMPH SPARK OF LIFE A TIME TO LOVE AND A TIME TO DIE THE BLACK OBELISK HEAVEN HAS NO FAVORITES THE NIGHT IN LISBON SHADOWS IN PARADISE MYTOPBOOK.ORG ARCH OF TRIUMPH Erich Maria Remarque Translated from the German by WA LTER SOR ELL AND DENVER LINDLEY Fawcett Columbine The Ballantine Publishing Group • New York MYTOPBOOK.ORG Sale of this book without a front cover may be unauthorized. If this book is coverless, it may have been reported to the publisher as "unsold or destroyed" and neither the author nor the publisher may have received payment for it. A Fawcett Columbine Book Published by The Ballantine Publishing Group Copyright ©1945 by Erich Maria Remarque Copyright renewed 1972 by Paulette Goddard Remarque All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by The Ballantine Publishing Group, a division of Random House, Inc., New York, and distributed in Canada by Random House of Canada Limited, Toronto. This translation was originally puiblished by D. Appleton-Century Company, Inc., in 1945. All names, characters, and events in this book are fictional, and any resemblance which may seem to exist to real persons is purely coincidental. http: / / www.randomhouse.com Library of Congress Catalog Card Number: 97-90644 ISBN-10: 0-449-91245-0 ISBN-13: 978-0-449-91245-4 Manufactured in the United States of America Cover design by Ruth Ross Ballantine Books Edition MYTOPBOOK.ORG ARCH OF TRIUMPH MYTOPBOOK.ORG 1 The woman veered toward Ravic. -
Institute of Fine Arts Alumni Newsletter, Number 55, Fall 2020
Number 55 – Fall 2020 NEWSLETTERAlumni PatriciaEichtnbaumKaretzky andZhangEr Neoclasicos rnE'-RTISTREINVENTiD,1~1-1= THEME""'lLC.IIEllMNICOLUCTION MoMA Ano M. Franco .. ..H .. •... 1 .1 e-i =~-:.~ CALLi RESPONSE Nyu THE INSTITUTE Published by the Alumni Association of II IOF FINE ARTS 1 Contents Letter from the Director In Memoriam ................. .10 The Year in Pictures: New Challenges, Renewed Commitments, Alumni at the Institute ..........16 and the Spirit of Community ........ .3 Iris Love, Trailblazing Archaeologist 10 Faculty Updates ...............17 Conversations with Alumni ....... .4 Leatrice Mendelsohn, Alumni Updates ...............22 The Best Way to Get Things Done: Expert on Italian Renaissance An Interview with Suzanne Deal Booth 4 Art Theory 11 Doctors of Philosophy Conferred in 2019-2020 .................34 The IFA as a Launching Pad for Seventy Nadia Tscherny, Years of Art-Historical Discovery: Expert in British Art 11 Master of Arts and An Interview with Jack Wasserman 6 Master of Science Dual-Degrees Dora Wiebenson, Conferred in 2019-2020 .........34 Zainab Bahrani Elected to the American Innovative, Infuential, and Academy of Arts and Sciences .... .8 Prolifc Architectural Historian 14 Masters Degrees Conferred in 2019-2020 .................34 Carolyn C Wilson Newmark, Noted Scholar of Venetian Art 15 Donors to the Institute, 2019-2020 .36 Institute of Fine Arts Alumni Association Offcers: Alumni Board Members: Walter S. Cook Lecture Susan Galassi, Co-Chair President Martha Dunkelman [email protected] and William Ambler [email protected] Katherine A. Schwab, Co-Chair [email protected] Matthew Israel [email protected] [email protected] Yvonne Elet Vice President Gabriella Perez Derek Moore Kathryn Calley Galitz [email protected] Debra Pincus [email protected] Debra Pincus Gertje Utley Treasurer [email protected] Newsletter Lisa Schermerhorn Rebecca Rushfeld Reva Wolf, Editor Lisa.Schermerhorn@ [email protected] [email protected] kressfoundation.org Katherine A. -
2014 National History Bowl National Championships Round 2 First Quarter
2014 National History Bowl National Championships Round 2 First Quarter 2 1. This man's never-finished final symphony was frequently promised yet never delivered to Serge Koussevitzky, and he apparently burned what he had of it in 1945. This composer's opus 26 was given such flippant names as "Happy Feelings at the Awakening" of the spring in his country. His most famous piece is a symphonic poem composed in 1899 as a subtle protest against Russian censorship. For 10 points, name this composer of Finlandia. ANSWER: Jean Sibelius [or Johan Julius Christian Sibelius] 052-13-94-02101 2. In a debate in this year's election, a candidate referred to military uniforms as "wardrobe." The losing candidate said in his acceptance speech that he would "tell the truth" by admitting he would raise taxes. This election's winning candidate made the "Morning in America" commercial. It featured the first major party female Vice-presidential candidate, Geraldine Ferraro. For 10 points, name this presidential election in which Walter Mondale lost to the incumbent candidate, Ronald Reagan. ANSWER: United States Presidential election of 1984 052-13-94-02102 3. While in Argentina, this man began making cigarettes from imported Turkish tobacco. This owner of the yacht Christina founded Olympic Airways and financed the Olympic Tower. This man was fined seven million dollars for violating the Merchant Marine Act of 1920 by buying surplus military ships without reselling them to American owners. For 10 points, name this Greek shipping tycoon, who married Jacqueline Kennedy in 1968. ANSWER: Aristotle "Ari" Socrates Onassis 242-13-94-02103 4. -
January 1, 2009–December 31, 2009 Kurt Siehr*
International Journal of Cultural Property (2010) 17:691–751. Printed in the USA. Copyright © 2011 International Cultural Property Society doi:10.1017/S0940739110000445 CHRONICLES 2009 January 1, 2009–December 31, 2009 Kurt Siehr* 1 JANUARY 2009 Thomas P. Campbell became the successor of Philippe de Montebello, the former director of the Metropolitan Museum of New York. Il Giornale dell’Arte,October 2008, pp. 1 and 8; December 2008, p. 48; The Art Newspaper, October 2008. pp. 11 and 34; ARTnews, March 2008, p. 128, and November 2008, p. 136; Le Journal des Arts, 3–16 October 2008, p. 6. 1 JANUARY 2009 The Austrian City of Linz and the capital of Lithuania Vilnius were awarded the title European Capitals of Culture 2009, The Art Newspaper, April 2009, p. 7. 1 JANUARY 2009 The Vatican City does not any more receive all Italian legislation for its small territory. Italian legislation is checked first before it becomes law in the Vatican. ͗http://www.timesonline.co.uk/tol/comment/faith/articles5424552eco͘ accessed on 4 January 2009. 1 JANUARY 2009 After the retirement of Wilfried Seipel, Sabine Haag took over as general director of Vienna’s Kunsthistorisches Museum. The Art Newspaper, July–August 2008, p. 8; Il Giornale dell’Arte, September 2008, p. 49. 1 JANUARY 2009 Claire Lyons was appointed as curator of the Department of Antiquities at the Getty Museum. The Art Newspaper, July–August 2008, p. 8. *University of Zürich Faculty of Law, Max-Plank-Institute Hamburg. Email: [email protected] 691 Downloaded from https:/www.cambridge.org/core. University of Basel Library, on 11 Jul 2017 at 14:32:01, subject to the Cambridge Core terms of use, available at https:/www.cambridge.org/core/terms. -
Inside This Issue
TASIS TODAY Fall 2007 A Magazine for Alumni and Friends of The American School In Switzerland Inside this issue: Horst Dürrschmidt Through Their Eyes Palmer ’64 Legacy Gift Haiti Project Leslie Sosnowski ’74 is done with fear Green Piece A journey towards sustainability Fall 2007 4 Features 11 Unprecedented Gift Before TASIS alumnus John Palmer ’64 died in April 2007 he told Mrs. Fleming that he intended to remember the School in his will. Never in her wildest dreams did she think he would leave this remarkable legacy that would impact the School in so many positive ways. 12 Haiti Project “Leslie Sosnowski ’74 is done with fear.” At least that’s what the letter says. She reads it to the sounds of the growling airplane engine as it carries her to Haiti, the poorest nation in the Western Hemisphere. TASIS TODAY Regulars 18 Horst Dürrschmidt - Through Their Eyes In honor of Mr. Dürrschmidt’s 32 years at TASIS, admirers, students, and alumni shared their thoughts alongside a photo essay of Mr. Dürrschmidt 2 From the Headmaster through the years. and the Chairman of the Board 4 Around Campus 24 Green Piece 6 Gala Benefit Dinner Michael Arny ’69, helps the Clinton Library to reach its “Green” potential, 7 Graduation 2007 while Bob ’76 and Camille Armantrout, continue on their journey towards sustainability. 28 Reunions 31 Coming Up Editor’s Note: 33 Alumni News By adding quality advertising to TASIS TODAY for the first time, we are able to bring 55 Travel Connection you two issues of the magazine instead of one. -
Lesbian Love and the Great Goddess in Louise Maheux- Forcier's Amadou
Lesbian Love and the Great Goddess in Louise Maheux- Forcier's Kathleen L. Kellett-Betsos Amadou Ryerson Polytechnical Institute ABSTRACT This paper examines the portrayal of the lesbian lover as an embodiment of the Great Goddess figure in the Quebec novel Amadou. A study of literary imagery and intertextuality in this novel shows how the first person narrator, Nathalie, creates her own personal mythology of a pagan, matriarchal cult in direct opposition to the dominant patriarchal, Judeo-Christian order upheld notably by her husband, a self-appointed Christ figure and representative of the Father's law, who proposes to save Nathalie from her own lesbian desires. RESUME Cet article examine la representation de l'amante lesbienne comme incarnation de la Grande Deesse dans le roman quebecois Amadou. Une 6tude des images litt6raires et de rintertextualite dans ce roman rdvelent la facon dont la narratrice autodiegetique, Nathalie, cree sa propre mythologie d'un culte matriarcal et paien qui s'oppose directement a l'ordre patriarcal, judeo-chretien predominant appuye notamment par son mari, soi-disant Rddempteur et representant de la loi du Pere, qui voudrait proteger Nathalie de ses desirs lesbiens. LTHOUGH LOUISE MAHEUX-FORCIER'S tance to accept the narrator's bisexuality as a first novel, Amadou, received the Prix responsible adult choice. In the past few years, A du Cercle de France upon its publica• more and more critics, especially those outside tion in 1963, critics were slow to recognize its Quebec, have chosen to study the complex literary importance. Warmly praising Amadou structure and imagery of this novel. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Chapter 1: Parts of Speech Overview, Pp. 1–25
L09NAGUMA10_001-012.qxd 12/11/07 2:28 PM Page 1 Chapter 1: Parts of Speech 14. Leslie always lapses into baby talk when Overview, pp. 1–25 she sees a litter of kittens. Common, Proper, Concrete, and Abstract Nouns, 15. The band included one song that sounded as p. 1 if it had been recorded in an echo chamber. EXERCISE Com, A [or Con] 16. The class presented Ms. Stockdale with a 1. A constitution may have a bill of rights. bouquet of baby’s breath. 2. The Constitution of the United States guar- Com, A 17. The TV weatherperson explained to the antees freedomof speech. P, Con audience how a barometer works. 3. The Works Progress Administration existed 18. In order to get a good batch of cookies, you during the Great Depression. need to use the best oatmeal available. 4. That candidate is a staunch supporter of a Com, A [or Con] 19. A school of killer whales followed in the republican form of government. P, Con wake of the ship. 5. The Articles of Confederation were y of the instructor. 20. The bird-watchers were awe-struck as the approved in 1781. flock of geese lifted into the sky. 6. This document established “a firm league Com, A of friendship” among the states. Pronouns and Antecedents, p. 3 Com, Con Possessive pronouns in items 1 and 3, Ex. A, and 7. The editorial in today’s newspaper items 14 and 15, Ex. B, also may be identified as defended the proposed amendment. possessive adjectives. P, Con 8. -
FROM DARKNESS to LIGHT WRITERS in MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne
Mamoli Zorzi and Manthorne (eds.) FROM DARKNESS TO LIGHT WRITERS IN MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne From Darkness to Light explores from a variety of angles the subject of museum ligh� ng in exhibi� on spaces in America, Japan, and Western Europe throughout the nineteenth and twen� eth centuries. Wri� en by an array of interna� onal experts, these collected essays gather perspec� ves from a diverse range of cultural sensibili� es. From sensi� ve discussions of Tintore� o’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum ligh� ng as part of Japanese ar� s� c self-fashioning, via the story of an epic American pain� ng on tour, museum illumina� on in the work of Henry James, and ligh� ng altera� ons at Chatsworth, this book is a treasure trove of illumina� ng contribu� ons. FROM DARKNESS TO LIGHT FROM DARKNESS TO LIGHT The collec� on is at once a refreshing insight for the enthusias� c museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to WRITERS IN MUSEUMS 1798-1898 proceed in their academic or curatorial work with a more enlightened sense of the lighted space. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image: -
364 Italian Bookshelf
ITALIAN BOOKSHELF Edited by Dino S. Cervigni and Anne Tordi with the collaboration of Norma Bouchard, Paolo Cherchi, Gustavo Costa, Albert N. Mancini, Massimo Maggiari, and John P. Welle. Mario Marti. Da Dante a Croce. Proposte consensi dissensi. Pubblicazioni del Dipartimento di Filologia, Linguistica e Letteratura dell’Università di Lecce, 25. Galatina: Congedo, 2005. Pp. 187. I cavalli di razza — mi piace a volte ricordare a giovani colleghi — si riconoscono non solo dallo sprint iniziale, cioè dall’entusiasmo di ogni giovane studioso all’inizio della carriera, ma ancor più dalla capacità di restare in lizza sino alla conclusione della carriera, che va ben oltre l’attività didattica. Cavallo di razza eccezionale — e spero che la metafora non dispiaccia — è dunque Mario Marti, classe 1914 (come ricorda egli stesso orgogliosamente in questo volume), il quale pubblicò il suo primissimo scritto nel lontano 1943, come si legge nel suo penultimo volume, Ultimi contributi: dal certo al vero (Galatina: Congedo, 1995), corredato della bibliografia dell’Autore (pagg. 255-316). Bibliografia, questa di Marti, che già nel 1995, quando egli aveva compiuto gli ottanta anni di età, aveva raggiunto il numero di 969 scritti, che egli ha continuato ad aumentare nei due lustri susseguenti tramite un’attività di investigatore profondo, perspicace e diligente e che arriva dunque, come leggiamo nella bibliografia del presente volume (pagg. 175-81), a 1064 voci: un elenco, questo, già superato dato che il volume è stato consegnato alla stampa il 25 marzo 2005 e dato che il professor Mario Marti è tuttora impegnato su vari fronti della storia letteraria d’Italia. -
The Visual Elements
Chapter Four A The Visual Elements • Line • Shape and Mass • Light Line Line can be continuous or broken, straight or wavy, organic or geometric, round or angular, thin or thick, of constant width or of freely varying widths, etc. Käthe Kollwitz A German painter, printmaker, and sculptor whose work offered an eloquent and often searing account of the human condition in the first half of the 20th century. She was an eloquent advocate for victims of social injustice, war, and inhumanity. “While I drew, and wept with the terrified children I was drawing, I really felt the burden I was bearing...” Käthe Kollwitz Self Portrait with Hand on Her Forehead. 1910. Etching, 6x5” Henry Matisse, Study of a Woman’s Back, 1914. Lithograph, 16x10”. Metropolitan Museum, NY Contour: The perceived edges of a three-dimensional form. Contour lines are lines used to indicate these perceived edges in two-dimensional art. Keith Haring. Untitled. 1983 Käthe Kollwitz Keith Haring. Untitled. 1983 Self Portrait with Hand on Her Forehead. 1910. Etching, 6x5” Keith Haring. Pop Shop Quad IV 1989. Silkscreen Print. h: 24 x w: 30 in / h: 61 x w: 76,2 cm. Edition Size: 75 Types of Lines • Actual lines • Linear forms • Lines formed by edges • Implied lines Ernesto Briel, Untitiled, 1960s Vincent Van Gogh. Road In Etten. 1881 Implied Line Jean Antoine Watteau. The Embarkation for Cythera. 1718-19. Oil on Canvas, 50x76” Jean Antoine Watteau. The Embarkation for Cythera. Detail. 1718-19. 50x76” Line: Direction and Movement Henri Cartier-Bresson. Aquila, Abruzzi, Italy, 1951. Photograph. Line: Direction and Movement Vertical lines seem assertive, or denote growth & strength. -
Duration of Activity on Lobate-Scarp Thrust Faults on Mercury
PUBLICATIONS Journal of Geophysical Research: Planets RESEARCH ARTICLE Duration of activity on lobate-scarp thrust 10.1002/2015JE004828 faults on Mercury Key Points: Maria E. Banks1,2, Zhiyong Xiao3,4,5, Thomas R. Watters1, Robert G. Strom3, Sarah E. Braden6, • MESSSENGER data reveal stratigraphic 7 8,9 9,10 9,11 relations between lobate scarps Clark R. Chapman , Sean C. Solomon , Christian Klimczak , and Paul K. Byrne and craters 1 • Such relations constrain the timing Center for Earth and Planetary Studies, National Air and Space Museum, Smithsonian Institution, Washington, District of 2 3 and duration of Mercury’s global Columbia, USA, Planetary Science Institute, Tucson, Arizona, USA, Lunar and Planetary Laboratory, University of Arizona, contraction Tucson, Arizona, USA, 4School of Earth Sciences, China University of Geosciences, Wuhan, Hubei, China, 5Centre for Earth • Global contraction deformed Evolution and Dynamics, University of Oslo, Oslo, Norway, 6School of Earth and Space Exploration, Arizona State University, ’ Mercury s surface over much of the 7 8 last 3–4 Gyr Tempe, Arizona, USA, Department of Space Studies, Southwest Research Institute, Boulder, Colorado, USA, Lamont- Doherty Earth Observatory, Columbia University, Palisades, New York, USA, 9Department of Terrestrial Magnetism, Carnegie Institution of Washington, Washington, District of Columbia, USA, 10Department of Geology, University of Georgia, Athens, Georgia, USA, 11Lunar and Planetary Institute, Universities Space Research Association, Houston, Texas, USA Correspondence to: M. E. Banks, [email protected] Abstract Lobate scarps, landforms interpreted as the surface manifestation of thrust faults, are widely distributed across Mercury and preserve a record of its history of crustal deformation. Their formation is Citation: primarily attributed to the accommodation of horizontal shortening of Mercury’s lithosphere in response to Banks, M.