Proposal for a Hebrew Script Root Zone Label Generation Ruleset (LGR)
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The Hebrew Alphabet
BBH2 Textbook Supplement Chapter 1 – The Hebrew Alphabet 1 The following comments explain, provide mnemonics for, answer questions that students have raised about, and otherwise supplement the second edition of Basics of Biblical Hebrew by Pratico and Van Pelt. Chapter 1 – The Hebrew Alphabet 1.1 The consonants For begadkephat letters (§1.5), the pronunciation in §1.1 is the pronunciation with the Dagesh Lene (§1.5), even though the Dagesh Lene is not shown in §1.1. .Kaf” has an “off” sound“ כ The name It looks like open mouth coughing or a cup of coffee on its side. .Qof” is pronounced with either an “oh” sound or an “oo” sound“ ק The name It has a circle (like the letter “o” inside it). Also, it is transliterated with the letter q, and it looks like a backwards q. here are different wa s of spellin the na es of letters. lef leph leˉ There are many different ways to write the consonants. See below (page 3) for a table of examples. See my chapter 1 overheads for suggested letter shapes, stroke order, and the keys to distinguishing similar-looking letters. ”.having its dot on the left: “Sin is never ri ht ׂש Mnemonic for Sin ׁש and Shin ׂש Order of Sin ׁש before Shin ׂש Our textbook and Biblical Hebrew lexicons put Sin Some alphabet songs on YouTube reverse the order of Sin and Shin. Modern Hebrew dictionaries, the acrostic poems in the Bible, and ancient abecedaries (inscriptions in which someone wrote the alphabet) all treat Sin and Shin as the same letter. -
ב Bet ה Heh ו Vav ט Tet י Yod ך מ Mem ם
Exercise 1A: Writing the Hebrew Square Script Using the examples at the right, practice writing out the Hebrew characters on the lines provided for you. Be sure to accurately reflect the position of the letter in relation to the base line. Boxes are used to indicate final forms. Letter Name aleph א aleph bet ב bet gimel ג gimel dalet ד dalet heh ה heh vav ו vav zayin ז zayin .het ח ḥet tet ט tet yod י kaph כ yod ך kaph final kaph lamed ל mem מ lamed ם mem 3 Exercise 1A: Writing tHe Hebrew SquAre Script final mem Letter Name nun נ ן nun final nun samek ס samek ayin ע pe פ ayin ף pe final pe tsade צ ץ tsade final tsade qoph ק qoph resh ר resh שׂ sin sin shin ׁש shin tav ת tav NAme: __________________________________________________ Exercise 1A: Writing tHe Hebrew SquAre Script 4 Exercise 1B: Reading Proper Names In this exercise you will practice identifying the Hebrew consonants by reading familiar proper names. Write the English name in the space to the left of the Hebrew name. Since the alphabet has no vowels, you will have to provide vowel sounds to recognize each word. Start by trying an “a” vowel between each con- sonant. The “a” vowel is the most common vowel in Hebrew and, while it will not always be the correct one, it should help you recognize these names. לבן Laban יעקב אסתר אברהם עבדיה יצחק יחזקאל יׂשראל דוד רבקה נחמיה נבכדנאזר ירבעם ירדן מרדכי מׁשה דברה גלית יׁשמעאל עׂשו 5 Exercise 1B: ReAding Proper NAmes Exercise 1C: Hebrew Cursive (Optional) Using the examples shown, practice writing out the cursive Hebrew characters on the lines provided for you. -
Heichal Avodath Hashemb
Heichal Avodath Hashem A Guide to Proper Pronunciation of Hebrew Rabbi Avi Grossman First Edition Introduction .................................................................................5 Exact Pronunciation – How? .......................................................7 The Superiority of the Yemenite Dialect .....................................9 The Letters that have been Confused and their Correct Pronunciations ............................................................................14 The Guttural Letters ...........................................................................................14 .14 Ayin‘ 'ע' The .15 Het 'ח' The 17 Hei 'ה' The .18 Alef 'א' The Non-Gutturals .....................................................................................................18 .18 Waw 'ו' The .20 Tet 'ט' The 20 Tzadi 'צ' The Kaf, Quf, and Gimmel ........................................................................................21 21 Quf 'ק' The The Weak Forms of the Beged Kefet Letters .............................22 Vet .......................................................................................................................22 The Weak Sound of Gimmel.............................................................................. 22 The Weak Dalet ..................................................................................................23 The Weak Tau ....................................................................................................25 The Vowels that have Become Confused and Their -
The Tiberian Pronunciation Tradition of Biblical Hebrew, Volume 2
Cambridge Semitic Languages and Cultures The Tiberian Pronunciation Khan Tradition of Biblical Hebrew (Vol. II) The Tiberian Pronunciation Geoffrey Khan Tradition of Biblical Hebrew The form of Biblical Hebrew that is presented in printed edi� ons, with vocaliza� on and accent signs, has its origin in medieval manuscripts of the Bible. The vocaliza� on and Tradition of Biblical Hebrew Vol. II Volume II accent signs are nota� on systems that were created in Tiberias in the early Islamic period by scholars known as the Tiberian Masoretes, but the oral tradi� on they represent has roots in an� quity. The gramma� cal textbooks and reference grammars of Biblical Hebrew The Tiberian Pronunciation in use today are heirs to centuries of tradi� on of gramma� cal works on Biblical Hebrew in GEOFFREY KHAN Europe. The paradox is that this European tradi� on of Biblical Hebrew grammar did not have direct access to the way the Tiberian Masoretes were pronouncing Biblical Hebrew. In the last few decades, research of manuscript sources from the medieval Middle East has made it possible to reconstruct with considerable accuracy the pronuncia� on of the Tiberian Masoretes, which has come to be known as the ‘Tiberian pronuncia� on tradi� on’. This book presents the current state of knowledge of the Tiberian pronuncia� on tradi� on of Biblical Hebrew and a full edi� on of one of the key medieval sources, Hidāyat al-Qāriʾ ‘The Guide for the Reader’, by ʾAbū al-Faraj Hārūn. It is hoped that the book will help to break the mould of current gramma� cal descrip� ons of Biblical Hebrew and form a bridge between modern tradi� ons of grammar and the school of the Masoretes of Tiberias. -
A Critique of L2/18-276
A Critique of L2/18-276 Abe Meyers* November 30, 2018 Contents 1 Introduction 1 2 Multiple incompatible representations 2 2.1 <gimel-daleth-yodh> + <shin> vs <aleph-heth> + <aleph-heth> 3 2.2 <Fixed-aleph> + <gimel-daleth-yodh> vs <fixed-gimel-daleth-yodth> + <aleph> ............................. 3 2.3 <gimel-daleth-yodth> + <gimel-daleth> vs <samekh> . 3 2.4 <pe> vs <sadhe> ......................... 4 3 Miscellaneous issues 4 3.1 Joining of <aleph-heth> ..................... 5 3.2 Missing alternate form of <gimel-daleth-yodh> . 5 3.3 Inclusion of <HE> ......................... 5 3.4 Joining of <zayin> ........................ 5 3.5 Old lamedth . 5 4 The dogma of shape-shifting and the problem of good-enough 5 5 Bibliography 6 1 Introduction It has been a source of delight that after a dormant period of four years, since the submission of my proposal to encode Book Pahlavi in the Unicode *abraham.meyers AT orientology DOT ca 1 standard, there has been some renewed activity in the community. The recent preliminary proposal by Dr. Anshuman Pandey (L2/18-276) might therefore signal a resurgence of activities towards the noble goal of encoding of Book Pahlavi in the Unicode standard. I started reading the work of Dr. Pandey with enthusiasm and in antic- ipation of further improvement and suggestions and perhaps discovery of new characters. It was indeed pleasant to see a relatively thorough classica- tion of the visual joining of the stem of the characters of Book Pahlavi, while taking the base-line into consideration. Such studies will be very benecial for the future type designers of Book Pahlavialthough I have doubts about the applicability of this study to the level of abstraction pertaining to the Unicode standard. -
L2/20-246 Teeth and Bellies: a Proposed Model for Encoding Book Pahlavi
L2/20-246 Teeth and bellies: a proposed model for encoding Book Pahlavi Roozbeh Pournader (WhatsApp) September 7, 2020 Background In Everson 2002, a proposal was made to encode a unified Avestan and Pahlavi script in the Unicode Standard. The proposal went through several iterations, eventually leading to a separate encoding of Avestan as proposed by Everson and Pournader 2007a, in which Pahlavi was considered non-unifiable with Avestan due to its cursive joining property. The non-cursive Inscriptional Pahlavi (Everson and Pournader 2007b) and the cursive Psalter Pahlavi (Everson and Pournader 2011) were later encoded too. But Book Pahlavi, despite several attempts (see the Book Pahlavi Topical Document list at https://unicode.org/L2/ topical/bookpahlavi/), remains unencoded. Everson 2002 is peculiar among earlier proposals by proposing six Pahlavi archigraphemes, including an ear, an elbow, and a belly. I remember from conversations with Michael Everson that he intended these to be used for cases when a scribe was just copying some text without understanding the underlying letters, considering the complexity of the script and the loss of some of its nuances to later scribes. They could also be used when modern scholars wanted to represent a manuscript as written, without needing to over-analyze potentially controversial readings. Meyers 2014 takes such a graphical model to an extreme, trying to encode pieces of the writing system, most of which have some correspondence to letters, but with occasional partial letters (e.g. PARTIAL SHIN and FINAL SADHE-PARTIAL PE). Unfortunately, their proposal rejects joining properties for Book Pahlavi and insists that “[t]he joining behaviour of the final stems of the characters in Book Pahlavi is more similar to cursive variants of Latin than to Arabic”. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
Fragmente Jüdischer Kultur in Der Stadtbibliothek Mainz
Veröffentlichungen der Bibliotheken der Stadt Mainz Herausgegeben von der Landeshauptstadt Mainz Band 62 Andreas Lehnardt und Annelen Ottermann Fragmente jüdischer Kultur in der Stadtbibliothek Mainz Entdeckungen und Deutungen Mainz 2014 Umschlag: III d:4°/394 ® Gestaltung: Tanja Labs (artefont) Bibliografi sche Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografi e; detaillierte bibliografi sche Daten sind im Internet über http://dnb.dnb.de abrufbar. ISBN 978-3-00-046570-3 © Landeshauptstadt Mainz / Bibliotheken der Stadt Mainz 2014 Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung der Bibliotheken der Stadt Mainz unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen jeder Art, Übersetzungen, Mikroverfi lmungen und für die Einspeicherung in elektronische Systeme. Gestaltung, Satz, Einband: Silja Geisler, Tanja Labs (artefont) und Elke Morlok Druck: Lindner OHG Mainz Inhaltsverzeichnis Vorwort des Direktors 7 Vorwort 9 Allgemeine Hinweise 11 1. Einführung 13 Hebräische Makulaturforschung in Mainz 15 Die Stadtbibliothek Mainz und ihre Bestände 18 Zwischen Verfolgung und Vernachlässigung - Wie kamen die Fragmente zu den Büchern? 19 Was besagen die Fragmente über die jüdische Lesekultur im Mittelalter? Welche Schriften wurden von Juden gelesen? 27 Zur Beschreibung der Fragmente 30 2. Tora-Rollen 35 3. Bibel (Tanakh), Masora und Targum 49 4. Bibel-Kommentar 87 5. Mischna 95 6. Talmud 105 7. Talmud-Kommentare 131 8. Midrasch Tanchuma 145 9. Machsor 157 10. Piyyut-Kommentar 201 11. Kodizes 207 12. Nicht identifi zierte hebräische Fragmente 223 13. Anhang: Orientalische Genisa-Fragmente 233 14. Liste aller hebräischen Fragmente in der Stadtbibliothek Mainz 241 15. -
Arabic Alphabet - Wikipedia, the Free Encyclopedia Arabic Alphabet from Wikipedia, the Free Encyclopedia
2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia Arabic alphabet From Wikipedia, the free encyclopedia َأﺑْ َﺠ ِﺪﯾﱠﺔ َﻋ َﺮﺑِﯿﱠﺔ :The Arabic alphabet (Arabic ’abjadiyyah ‘arabiyyah) or Arabic abjad is Arabic abjad the Arabic script as it is codified for writing the Arabic language. It is written from right to left, in a cursive style, and includes 28 letters. Because letters usually[1] stand for consonants, it is classified as an abjad. Type Abjad Languages Arabic Time 400 to the present period Parent Proto-Sinaitic systems Phoenician Aramaic Syriac Nabataean Arabic abjad Child N'Ko alphabet systems ISO 15924 Arab, 160 Direction Right-to-left Unicode Arabic alias Unicode U+0600 to U+06FF range (http://www.unicode.org/charts/PDF/U0600.pdf) U+0750 to U+077F (http://www.unicode.org/charts/PDF/U0750.pdf) U+08A0 to U+08FF (http://www.unicode.org/charts/PDF/U08A0.pdf) U+FB50 to U+FDFF (http://www.unicode.org/charts/PDF/UFB50.pdf) U+FE70 to U+FEFF (http://www.unicode.org/charts/PDF/UFE70.pdf) U+1EE00 to U+1EEFF (http://www.unicode.org/charts/PDF/U1EE00.pdf) Note: This page may contain IPA phonetic symbols. Arabic alphabet ا ب ت ث ج ح خ د ذ ر ز س ش ص ض ط ظ ع en.wikipedia.org/wiki/Arabic_alphabet 1/20 2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia غ ف ق ك ل م ن ه و ي History · Transliteration ء Diacritics · Hamza Numerals · Numeration V · T · E (//en.wikipedia.org/w/index.php?title=Template:Arabic_alphabet&action=edit) Contents 1 Consonants 1.1 Alphabetical order 1.2 Letter forms 1.2.1 Table of basic letters 1.2.2 Further notes -
Emerged from Antiquity As an All-Jewish Possession, Together with Is Interesting
7+ Yiddish in the Framework of OtherJewish Languages Yiddish in the Framework of OtherJewish Languages there discoverable threads extending lrom these three linguistic groups "Arabic" as a native tongue amongJews (in z.rr.I it will become to the ancient Parsic? These questions have not yet been touched by cle ar why it is more appropriate to spe ak of a separate Jewish language scholarship. with Arabic stock, which.may be called Yahudic) is current among a 2.ro The sunset of Targumic as the spoken language of a major much larger group. On the eve of World War II the number of Yahudic Jewish community came with the rise of the Arabs (z.r.r). A survey of speakers was estimated at about seven hundred thousand. Of course, we the linguistic condition of the Jews up to the Arab period is therefore in have no statistics on the Gaonic period, but by no means can the current place. figure give us any idea of the proportion and the dynamics of Yahudic The frontal attack of Hellenism on Jewish culture failed; but at least in former years. By virtue of the Arab conquests, Yahudic was firmly it was historical drama on a large scaie, and visible signs olJaphet's established in Yemen, Babylonia, Palestine, and all of North Africa, beauty remained in the tents of Shem, to use a stock phrase so popular from Egypt to the Atlantic; even Sicily and southern Italy, which as a in the Haskalah period. Nor will we leave Persian out of consideration rule should be included in the Yavanic culture area (z.I 2 ), were at times in the overall picture ofJewish subcultures, although the phenomenon considerably influenced by North Africa. -
On the Proper Pronunciation of Hebrew
On the proper pronunciation of Hebrew Every language has its own mixture of phonological, morphological, and syntactic features that, taken together, constitute its unique character and identity. For the most part, these features are of interest only to a small minority of professionals and geeks; the better part of mankind remains obliviously content, interested only in how to practically manipulate the language so as to generate and absorb meaning. This is as true of Hebrew as it is of any other language. There is, however, one feature of Hebrew that protrudes so obnoxiously that it cannot escape the attention of the most minimally thoughtful person, whether he be a native speaker or a foreign student. On the one hand, Hebrew has one of the most phonetically regular alphabets of any language, a fact that is particularly remarkable since this alphabet has remained unchanged for at least 2,100 years. There are scarcely any Hebrew words that cannot be deciphered with complete accuracy, providing, of course, that the nikud is added. On the other hand ,this phonetically regular alphabet has an abundance of completely redundant letters whose sole purpose seems to be to confuse people trying to spell. So far, we have said nothing remotely controversial. Everyone, from the native speaker to the ulpan student, religious and secular, will freely comment on this odd feature of Hebrew and its ability to generate all sorts of amusement and confusion. However, this friendly atmosphere is instantly shattered the second anyone suggests a blindingly obvious thesis, namely that this feature of Hebrew is not a feature at all, but a mistake. -
Page 1 CHAPTER EIGHTEEN on INFIĀL and IFTIĀL These Two Verb
CHAPTER EIGHTEEN ON INFIʿĀL AND IFTIʿĀL These two verb types are intransitive. Conjugational patterns of .הִבָנֵה ,הִשָׁחֵט ,הִמָלֵט ,.the type of inʿāl do not contain a taw, e.g A conjugational pattern of the type of iftiʿāl has a taw that nev- -The taw of iftiʿāl does not oc .הִתְאַמֵץ ,הִתְמַכֵר er disappears, as in cur between radicals, unless the #rst radical is a samekh, a ṣadi or a shin. Other letters do not come before the taw, as do samekh, ,(Micah 6:16) וישתמר חקות עמרי ,(Eccl. 12:5) ויסתבל החגב ,.ṣadi and shin, e.g and similar cases. An exception to this is one word beginning in a -Jer. 49:3), in which the taw occurs be) והתשוטטנה בגדרות ,shin, namely fore the shin. As for ṣadi, they said that the people of the lan- guage substituted a ṭet for the taw after the ṣadi in order to ease ומה ,(Josh. 9:4) וילכו ויצטירו ,(Josh. 9:12) חם הצטידנו אותו ,.pronunciation, e.g .(Gen. 44:16) נצטדק Take note that the taw of iftiʿāl cannot be confused with the fu- ture pre#x taw, because the taw of iftiʿāl is stable in the entire paradigm, but the future pre#x taw is not. Moreover, the vocali- sation of the taw of iftiʿāl is a shewa in all cases when it does not occur between the #rst and the second radical. But the pre#xes can be vocalised with a shewa or other vowels. Moreover, a א֗ ֗ י ֗ נ ת֗ word can never begin in the taw of iftiʿāl, but another letter must come before it, be it a heh, a mem, or a future pre#x.