Encoded Representations for Distinct Positional Uses of Hebrew Meteg Peter Constable, Microsoft Corporation 2004-09-13
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How Was the Dageš in Biblical Hebrew Pronounced and Why Is It There? Geoffrey Khan
1 pronounced and why is it בָּתִּ ים How was the dageš in Biblical Hebrew there? Geoffrey Khan houses’ is generally presented as an enigma in‘ בָּתִּ ים The dageš in the Biblical Hebrew plural form descriptions of the language. A wide variety of opinions about it have been expressed in Biblical Hebrew textbooks, reference grammars and the scholarly literature, but many of these are speculative without any direct or comparative evidence. One of the aims of this article is to examine the evidence for the way the dageš was pronounced in this word in sources that give us direct access to the Tiberian Masoretic reading tradition. A second aim is to propose a reason why the word has a dageš on the basis of comparative evidence within Biblical Hebrew reading traditions and other Semitic languages. בָּתִּיםבָּתִּ ים The Pronunciation of the Dageš in .1.0 The Tiberian vocalization signs and accents were created by the Masoretes of Tiberias in the early Islamic period to record an oral tradition of reading. There is evidence that this reading tradition had its roots in the Second Temple period, although some features of it appear to have developed at later periods. 1 The Tiberian reading was regarded in the Middle Ages as the most prestigious and authoritative tradition. On account of the authoritative status of the reading, great efforts were made by the Tiberian Masoretes to fix the tradition in a standardized form. There remained, nevertheless, some degree of variation in reading and sign notation in the Tiberian Masoretic school. By the end of the Masoretic period in the 10 th century C.E. -
A Basic Chart of the Hebrew Vowels (And a Few Marks)
A Basic Chart of the Hebrew Vowels (and a Few Marks) Name + Sample How it Sounds Mnemonics (& Some Notes) each A Dagesh looks like a פּ and ,כּ ,בּ .but a 1—( שֵׁגָדּ ) Dagesh dot in a He’ is a make a sound that dot. cannot be held—as ( קיִפַּמ ) Mapik opposed to the sounds .פ and ,כ ,ב of רּ 2. הּ (Heh with Mapik, which looks like Dagesh) sounds like the “h” in “hi.” 3. For all other letters, ignore. Example: ke’ivu-YAH = הָּיוּוִּאֿ ְכּ Meteg A mark that tells us A Meteg looks like the bottom of a stop sign that a syllable should ( גֶתֶֽמ ) be more stressed than being held by a stressed stop-sign-holder telling other syllables in the you to slow down for the ֽר word. stress(ed syllable). Example: -meku-TZE = תֶרֶֽצֻּקְֿמ ret Edited by Rabbi Jonah Rank for the Shaar Shalom Synagogue in Halifax, NS | 06.27.2018 1 A Basic Chart of the Hebrew Vowels (and a Few Marks) Name + Sample How it Sounds Mnemonics (& Some Notes) Sheva Nach No vowel sound. The Sheva Nach makes the sound that you might Just say the) ( וְ ֿשׁ אָ חָנ ) consonant as if no make when you are silent, and the Sheva Na‘ makes vowel were beneath the sound of you saying a (.it ְר really short “Eh” after someone asks you for Example: your opinion about .sif-RO something you disliked = וֹרְפִס Either way, the Sheva In this packet, we looks like the developing bubbles before the always put a line thought bubble rises, above a Sheva Na to helping you figure out make distinct-looking how to respond. -
Tbsl Tyrxs SHACHARIT L’SHABBAT Shabbat Morning Connection I Kabbalah4all Transliteration Guidelines
tbsl tyrxs SHACHARIT L’SHABBAT Shabbat Morning Connection i Kabbalah4All Transliteration Guidelines Please note that transliteration guidelines are different according to each culture and also within each movement of Judaism. We have developed these guidelines for use with our transliterated documents. They may or may not apply to transliterations put out by other movements including the various organizations teaching Kabbalah. a as in Creator ai as in aisle e as in red ei as in eight i as in pizza o as in no oy as in toy u as in tune ch as in Bach in German (strong sound from the throat) g as in give tz as in lots ’ typically adds an “EH” sound after a consonant, this is known as a Shva Na or pronounced Shva as in the word “Sh’ma”. - a dash is simply used to aid in pronounciation, usually if two like vowels follow each other, as in the word “da-at.” In Hebrew, the accent generally falls on the last syllable, however it sometimes falls somewhere else in the word. In our transliteration, when the syllable falls somewhere else other than the last syllable, that stressed syllable will be underlined. Example: Melech. Hebrew Rules The following are some of the Hebrew rules you may notice in our siddurim (connection books). In Hebrew, the accent generally falls on the last syllable, however it sometimes falls Kjl¤ n«¤ somewhere else in the word. Whenever a syllable other than the last is accented, a “meteg” (the vertical line under the first letter) will appear. The “masoret” above the letter Chaf indicates that this is a Kamatz Katan, which is lkǨ pronounced as “o”; in this example the word is “kol.” The “rafe” above a letter indicates it is a Shva Na. -
The Unicode Standard, Version 6.2 Copyright © 1991–2012 Unicode, Inc
The Unicode Standard Version 6.2 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. Copyright © 1991–2012 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium ; edited by Julie D. Allen ... [et al.]. — Version 6.2. -
The Tiberian Pronunciation Tradition of Biblical Hebrew, Volume 1
Cambridge Semitic Languages and Cultures The Tiberian Pronunciation Khan Tradition of Biblical Hebrew (Vol. I) The Tiberian Pronunciation Geoffrey Khan Tradition of Biblical Hebrew The form of Biblical Hebrew that is presented in printed edi� ons, with vocaliza� on and Tradition of Biblical Hebrew Vol. I accent signs, has its origin in medieval manuscripts of the Bible. The vocaliza� on and Volume I accent signs are nota� on systems that were created in Tiberias in the early Islamic period The Tiberian Pronunciation The by scholars known as the Tiberian Masoretes, but the oral tradi� on they represent has roots in an� quity. The gramma� cal textbooks and reference grammars of Biblical Hebrew in use today are heirs to centuries of tradi� on of gramma� cal works on Biblical Hebrew in GEOFFREY KHAN Europe. The paradox is that this European tradi� on of Biblical Hebrew grammar did not have direct access to the way the Tiberian Masoretes were pronouncing Biblical Hebrew. In the last few decades, research of manuscript sources from the medieval Middle East has made it possible to reconstruct with considerable accuracy the pronuncia� on of the Tiberian Masoretes, which has come to be known as the ‘Tiberian pronuncia� on tradi� on’. This book presents the current state of knowledge of the Tiberian pronuncia� on tradi� on of Biblical Hebrew and a full edi� on of one of the key medieval sources, Hidāyat al-Qāriʾ ‘The Guide for the Reader’, by ʾAbū al-Faraj Hārūn. It is hoped that the book will help to break the mould of current gramma� cal descrip� ons of Biblical Hebrew and form a bridge between modern tradi� ons of grammar and the school of the Masoretes of Tiberias. -
Ending Shabbat
tbs yaovm rdc SEDER MOTZAEI SHABBAT Connection For The Conclusion of Shabbat i Kabbalah4All Transliteration Guidelines Please note that transliteration guidelines are different according to each culture and also within each movement of Judaism. We have developed these guidelines for use with our transliterated documents. They may or may not apply to transliterations put out by other movements including the various organizations teaching Kabbalah. a as in father ai as in aisle e as in red ei as in eight i as in pizza o as in no oy as in toy u as in tune ch as in Bach in German (strong sound from the throat) g as in give tz as in lots ’ typically adds an “EH” sound after a consonant, this is known as a Shva Na or pronounced Shva as in the word “Sh’ma”. - a dash is simply used to aid in pronounciation, usually if two like vowels follow each other, as in the word “da-at.” In Hebrew, the accent generally falls on the last syllable, however it sometimes falls somewhere else in the word. In our transliteration, when the syllable falls somewhere else other than the last syllable, that stressed syllable will be underlined. Example: Melech. Hebrew Rules The following are some of the Hebrew rules you may notice in our siddurim (connection books). In Hebrew, the accent generally falls on the last syllable, however it sometimes falls Kjl¤ n«¤ somewhere else in the word. Whenever a syllable other than the last is accented, a “meteg” (the vertical line under the first letter) will appear. -
How to Install B. Hebrew Font (Mac)
INSTALLING SBL HEBREW FONT (SIL) For Mac OS 1. Open Safari (or Chrome) 2. CLICK LINK Teaching Bible SBL HEBREW FONT Biblical Fonts Texts and Resources Bible Odyssey Font download (True Type Font file, v1 .56a Build 016, updated 12/15/2010) Keyboard Drivers (.zip files, updated 4/21/2008) SBL Hebrew keyboard Driver, SIL Layout (Windows) SBL Hebrew keyboard Driver, Tiro Layout (Windows) SBL Hebrew keyboard Drivers, SIL and Tiro (macOS/OS X). PASSWORD User Manuals (pdf files, updated 2/26/2008) SBL Hebrew User Manual ... Login SBL Hebrew SIL Keyboard Driver Manual Create new 12assword SBL Hebrew Tiro Keyboard Driver Manual ForgQL'{.our12assword? Join SBL To decide which keyboard layout is best for you, consult the driver manuals. Having trouble installing or using the SBL Hebrew font? Please consult our Biblical Fonts FAQ. Please donate to support Font development and other SBL projects. 3. CLICK AND DOWNLOAD HEBREW FONT FOR MAC ~r.(True Type Font file, v1 .56a Build 016, updated 12/15/2010) rs (.zip files, updated 4/21/2008) fl r·,rrl r,-iur T' C,. I U"""-1 • -- - -- • /r" \ SBL Hebrew keY.board Drivers, SIL and Tiro (macOS/0S X). User Manuals (pdf files, updated 2/26/2008) !, ,L H- t-,-.!w L 1r'!" r,1c-,,-1..-- !, ,L H- t-""•w !, "'ry~o;. rrt >r.v---r, 1111 11 f, ,L H ~ • ,·J 1ro K .ybo·1rdL•r1¥1 r ' T' 1, 1 To decide which keyboard layout is best for you, consult the driver manuals. Having trouble installing or using the SBL Hebrew font? Please consult our r 1t"lic I r or•, r Af , , _or J to support Font development and other SBL projects. -
A Basic Chart of the Hebrew Vowels (And a Few Marks)
A Basic Chart of the Hebrew Vowels (and a Few Marks) Name + Sample How it Sounds Mnemonics (& Some Notes) each A Dagesh looks like a dot פּ and ,כּ ,בּ .1 —( שֵׁגָדּ ) Dagesh but a dot in a Hey is make a sound that in the centre of a letter. cannot be held—as ,( קיִפַּמ ) a Mapik opposed to the sounds and a dot in a Vav .פ and ,כ ,ב of without a vowel is a 2. הּ (Heh with Mapik, which looks like ( וּשׁ ר וּ ק ) Shuruk Dagesh) sounds like the “h” in “hi.” רּ 3. If וּ has a vowel vs. under it, over it, or immediately to its הּ left, this is a Vav with a Dagesh—and you vs. can pronounce it like a regular Vav. וּ Otherwise is a Shuruk vowel that makes the sound “u” like in “tutu.” 4. For all other letters, ignore. Example: ke’ivu-YAH = הָּיוּוִּאֿ ְכּ Edited by Rabbi Jonah Rank for the Shaar Shalom Synagogue in Halifax, NS | 10.13.2018 1 A Basic Chart of the Hebrew Vowels (and a Few Marks) Name + Sample How it Sounds Mnemonics (& Some Notes) Meteg A mark that tells us A Meteg looks like the bottom of a stop sign that a syllable should ( גֶתֽ ֶמ ) be more stressed than being held by a stressed stop-sign-holder telling other syllables in the you to slow down for the ֽר word. stress(ed syllable). Example: -meku-TZE = ֶצֻּקְ ֿמ תֶרְֶֻֽֿ ret Makef It doesn’t sound like Makef is like a bridge that connects two (or more) anything; it connects ( ַמ ףֵקּ ) words, and we count words. -
Primo Technical Guide
Technical Guide May 2016 Ex Libris Confidential 6/7 1 CONFIDENTIAL INFORMATION The information herein is the property of Ex Libris Ltd. or its affiliates and any misuse or abuse will result in economic loss. DO NOT COPY UNLESS YOU HAVE BEEN GIVEN SPECIFIC WRITTEN AUTHORIZATION FROM EX LIBRIS LTD. This document is provided for limited and restricted purposes in accordance with a binding contract with Ex Libris Ltd. or an affiliate. The information herein includes trade secrets and is confidential. DISCLAIMER The information in this document will be subject to periodic change and updating. Please confirm that you have the most current documentation. There are no warranties of any kind, express or implied, provided in this documentation, other than those expressly agreed upon in the applicable Ex Libris contract. This information is provided AS IS. Unless otherwise agreed, Ex Libris shall not be liable for any damages for use of this document, including, without limitation, consequential, punitive, indirect or direct damages. Any references in this document to third‐party material (including third‐party Web sites) are provided for convenience only and do not in any manner serve as an endorsement of that third‐ party material or those Web sites. The third‐party materials are not part of the materials for this Ex Libris product and Ex Libris has no liability for such materials. TRADEMARKS ʺEx Libris,ʺ the Ex Libris bridge , Primo, Aleph, Alephino, Voyager, SFX, MetaLib, Verde, DigiTool, Preservation, Rosetta, URM, ENCompass, Endeavor eZConnect, WebVoyáge, Citation Server, LinkFinder and LinkFinder Plus, and other marks are trademarks or registered trademarks of Ex Libris Ltd. -
Middle East-I 9 Modern and Liturgical Scripts
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Parashat Vayishlach: a Tribute to Cantor Eugene Rosner December 14, 2019 | 16 Kislev 5780 Rabbi Neil S
Parashat VaYishlach: A Tribute to Cantor Eugene Rosner December 14, 2019 | 16 Kislev 5780 Rabbi Neil S. Cooper At the beginning of Parashat VaYishlach, Jacob is on edge. Soon he will need to confront his brother, his twin brother, Esau, who Jacob had avoided for more than 20 years. Jacob was smart to avoid his brother and smart to give Esau two decades for Esau’s anger and sense of wrath to subside. Jacob cheated Esau out of his birthright and blessings. Now, for the first time in 20 years, the two brothers would meet. But, today, what interests me more than that long-awaited confrontation is what occurred just before the brothers met. Specifically, in preparation for that meeting, Jacob prays to God in the following words. katonti mi’kol hahasadim - I have been made small by all of the kindnesses - קטנתי מכל החסדים you have so steadfastly shown your servant, for with my staff I crossed this Jordan and now I have become two camps.” (Genesis 32:11) With all of the blessings which you, God, have showered upon me, I feel “katan.” But, what is not clear from this verse, is whether this word, “katonti,” is spoken: 1. Positively: I am humbled by the kindness you have shown me, O God. (This implies that Jacob will be protected by God’s goodness). Or 2. Negatively: As I wait to cross the river and confront Esau, you left me small and vulnerable, God. I have split my camp in half and now, without protection, am totally vulnerable before my hateful brother (who, I believe, will try to kill me). -
Dead Sea Scrolls - the Music of the Bible an Overview on the Work of Suzanne Haik-Vantura(1912 - 2000)
Dead Sea Scrolls - The Music of the Bible An overview on the work of Suzanne Haik-Vantura(1912 - 2000) Hebrew Bible Cantillation ITU-State Conservatory, Istanbul. Term Project Mehmet Okon¸sar January 27, 2011 i Contents Biblical research 1 BiblicalExegesis ............................ 1 TraditionalJudaicBibleStudies . 2 Musical Archeology 2 ”NewTestament”Times .. .. .. .. .. .. .. .. .. 2 IncantationversusChanting. 3 Dead Sea Scrolls 4 Thediscovery.............................. 6 TheimportanceoftheScrolls . 7 Qumran-EsseneTheory and the departures from it . 8 The texts 9 GroupingtheScrolls .. .. .. .. .. .. .. .. .. .. 10 Excavations............................... 11 The Story of the Discovery 11 TheBedouins.............................. 11 MarSamuel............................... 12 The photographies allows for the reading . 12 Gettingintotherighthands. 13 Historical importance of the Scrolls . 13 Facts About the Dead Sea Scrols . 14 On Jewish Liturgical Music 17 Maqams 18 Cantillation Signs 19 ThePurposeofCantillationSigns . 20 Thesyntacticalfunction . 20 Importanceintheunderstanding . 21 Thephoneticfunction . 22 Themusicalfunction.. .. .. .. .. .. .. .. .. .. 22 Types of Cantillation Marks 22 Babyloniansystem ........................... 22 Palestiniansystem ........................... 23 Tiberiansystem ............................ 24 Differentiation in the poetic books . 25 Notation 25 ii Suzanne Haik-Vantura 26 The Methodology 28 The schools of interpretation of the signs . 28 Appendices 30 NamesandMeaningoftheSigns . 30 Sequences