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Yiddish Diction in Singing
UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Yiddish Diction in Singing Carrie Suzanne Schuster-Wachsberger University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Language Description and Documentation Commons, Music Commons, Other Languages, Societies, and Cultures Commons, and the Theatre and Performance Studies Commons Repository Citation Schuster-Wachsberger, Carrie Suzanne, "Yiddish Diction in Singing" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2733. http://dx.doi.org/10.34917/9112178 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. YIDDISH DICTION IN SINGING By Carrie Schuster-Wachsberger Bachelor of Music in Vocal Performance Syracuse University 2010 Master of Music in Vocal Performance Western Michigan University 2012 -
A Study of Kufic Script in Islamic Calligraphy and Its Relevance To
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1999 A study of Kufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century Enis Timuçin Tan University of Wollongong Recommended Citation Tan, Enis Timuçin, A study of Kufic crs ipt in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1999. http://ro.uow.edu.au/ theses/1749 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. A Study ofKufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century. DOCTORATE OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ENiS TIMUgiN TAN, GRAD DIP, MCA FACULTY OF CREATIVE ARTS 1999 CERTIFICATION I certify that this work has not been submitted for a degree to any university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, expect where due reference has been made in the text. Enis Timucin Tan December 1999 ACKNOWLEDGEMENTS I acknowledge with appreciation Dr. Diana Wood Conroy, who acted not only as my supervisor, but was also a good friend to me. I acknowledge all staff of the Faculty of Creative Arts, specially Olena Cullen, Liz Jeneid and Associate Professor Stephen Ingham for the variety of help they have given to me. -
International Journal of Multicultural and Multireligious Understanding (IJMMU) Vol
Comparative Study of Post-Marriage Nationality Of Women in Legal Systems of Different Countries http://ijmmu.com [email protected] International Journal of Multicultural ISSN 2364-5369 Volume 2, Issue 6 and Multireligious Understanding December, 2015 Pages: 41-57 Public Perception on Calligraphic Woodcarving Ornamentations of Mosques; a Comparison between East Coast and Southwest of Peninsula Malaysia Ahmadreza Saberi1; Esmawee Hj Endut1; Sabarinah Sh Ahmad1; Shervin Motamedi2,3; Shahab Kariminia4; Roslan Hashim2,3 1 Faculty of Architecture, Planning and Surveying, Universiti Teknologi MARA, Shah Alam, 40450, Malaysia Email: [email protected] 2 Department of Civil Engineering, Faculty of Engineering, University of Malaya, 50603, Kuala Lumpur, Malaysia 3 Institute of Ocean and Earth Sciences (IOES), University of Malaya, 50603, Kuala Lumpur, Malaysia 4 Department of Architecture, Faculty of Art, Architecture and Urban Planning, Najafabad Branch, Islamic Azad University, Najafabad, Isfahan, Iran Abstract Woodcarving ornamentation is considered as, a national heritage and can be found in many Malaysian mosques. Woodcarvings are mostly displayed in three different motifs, namely floral, geometry and calligraphy. The application of floral and geometry motifs is to convey an abstract meaning of Islamic teachings to the viewers. However, the calligraphic decorations directly express the messages of Allah almighty or the sayings of the prophets to the congregations. Muslims are the main users of mosques as these are places for prayers as well as other religious and community activities. Therefore, the assessment of users’ opinion about this type of decoration needs to be investigated. This paper aims to evaluate the perception of two groups of mosque users on the calligraphic woodcarving ornamentations from two regions, namely the East Coast and Southwest of Peninsula Malaysia. -
Ka И @И Ka M Л @Л Ga Н @Н Ga M М @М Nga О @О Ca П
ISO/IEC JTC1/SC2/WG2 N3319R L2/07-295R 2007-09-11 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal for encoding the Javanese script in the UCS Source: Michael Everson, SEI (Universal Scripts Project) Status: Individual Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N3292 Date: 2007-09-11 1. Introduction. The Javanese script, or aksara Jawa, is used for writing the Javanese language, the native language of one of the peoples of Java, known locally as basa Jawa. It is a descendent of the ancient Brahmi script of India, and so has many similarities with modern scripts of South Asia and Southeast Asia which are also members of that family. The Javanese script is also used for writing Sanskrit, Jawa Kuna (a kind of Sanskritized Javanese), and Kawi, as well as the Sundanese language, also spoken on the island of Java, and the Sasak language, spoken on the island of Lombok. Javanese script was in current use in Java until about 1945; in 1928 Bahasa Indonesia was made the national language of Indonesia and its influence eclipsed that of other languages and their scripts. Traditional Javanese texts are written on palm leaves; books of these bound together are called lontar, a word which derives from ron ‘leaf’ and tal ‘palm’. 2.1. Consonant letters. Consonants have an inherent -a vowel sound. Consonants combine with following consonants in the usual Brahmic fashion: the inherent vowel is “killed” by the PANGKON, and the follow- ing consonant is subjoined or postfixed, often with a change in shape: §£ ndha = § NA + @¿ PANGKON + £ DA-MAHAPRANA; üù n. -
Amir HARRAK, Syriac and Garshuni Inscriptions of Iraq
Syria Archéologie, art et histoire 89 | 2012 Varia Amir HARRAK, Syriac and Garshuni Inscriptions of Iraq Lucas Van Rompay Electronic version URL: http://journals.openedition.org/syria/1110 DOI: 10.4000/syria.1110 ISSN: 2076-8435 Publisher IFPO - Institut français du Proche-Orient Printed version Date of publication: 1 January 2012 Number of pages: 448-451 ISBN: 9782351591963 ISSN: 0039-7946 Electronic reference Lucas Van Rompay, « Amir HARRAK, Syriac and Garshuni Inscriptions of Iraq », Syria [Online], 89 | 2012, Online since 01 July 2016, connection on 24 September 2020. URL : http://journals.openedition.org/ syria/1110 ; DOI : https://doi.org/10.4000/syria.1110 © Presses IFPO 448 RECENSIONS Syria 89 (2012) des divers ateliers et des différentes phases, en mosaïstes, dont la provenance locale ou itinérante et fonction des mortiers, des supports, des couleurs et étrangère reste en question. des matériaux. Quelques motifs singuliers pourraient Après la traduction turque de la synthèse, sont même représenter la « signature » d’un artiste ou présentés des addenda. d’une équipe (p. 142). Dans ce premier ouvrage du Corpus des mosaïques Avant d’en venir à un essai de chronologie du de Turquie, d’une indéniable réussite, une question bâtiment, l’A. rappelle des différentes étapes et les n’est pas éclaircie : la raison pour laquelle le livre a apports du programme récent de restauration. La été rédigé en anglais par l’auteur de langue française chronologie du complexe (p. 144) ne repose ni sur et l’on se demande si c’est un parti pris qui sera adopté des inscriptions, ni sur des monnaies ou des textes pour tous les volumes suivants. -
The Ogham-Runes and El-Mushajjar
c L ite atu e Vo l x a t n t r n o . o R So . u P R e i t ed m he T a s . 1 1 87 " p r f ro y f r r , , r , THE OGHAM - RUNES AND EL - MUSHAJJAR A D STU Y . BY RICH A R D B URTO N F . , e ad J an uar 22 (R y , PART I . The O ham-Run es g . e n u IN tr ating this first portio of my s bj ect, the - I of i Ogham Runes , have made free use the mater als r John collected by Dr . Cha les Graves , Prof. Rhys , and other students, ending it with my own work in the Orkney Islands . i The Ogham character, the fair wr ting of ' Babel - loth ancient Irish literature , is called the , ’ Bethluis Bethlm snion e or , from its initial lett rs, like “ ” Gree co- oe Al hab e t a an d the Ph nician p , the Arabo “ ” Ab ad fl d H ebrew j . It may brie y be describe as f b ormed y straight or curved strokes , of various lengths , disposed either perpendicularly or obliquely to an angle of the substa nce upon which the letters n . were i cised , punched, or rubbed In monuments supposed to be more modern , the letters were traced , b T - N E E - A HE OGHAM RU S AND L M USH JJ A R . n not on the edge , but upon the face of the recipie t f n l o t sur ace ; the latter was origi al y wo d , s aves and tablets ; then stone, rude or worked ; and , lastly, metal , Th . -
Kiraz 2019 a Functional Approach to Garshunography
Intellectual History of the Islamicate World 7 (2019) 264–277 brill.com/ihiw A Functional Approach to Garshunography A Case Study of Syro-X and X-Syriac Writing Systems George A. Kiraz Institute for Advanced Study, Princeton and Beth Mardutho: The Syriac Institute, Piscataway [email protected] Abstract It is argued here that functionalism lies at the heart of garshunographic writing systems (where one language is written in a script that is sociolinguistically associated with another language). Giving historical accounts of such systems that began as early as the eighth century, it will be demonstrated that garshunographic systems grew organ- ically because of necessity and that they offered a certain degree of simplicity rather than complexity.While the paper discusses mostly Syriac-based systems, its arguments can probably be expanded to other garshunographic systems. Keywords Garshuni – garshunography – allography – writing systems It has long been suggested that cultural identity may have been the cause for the emergence of Garshuni systems. (In the strictest sense of the term, ‘Garshuni’ refers to Arabic texts written in the Syriac script but the term’s semantics were drastically extended to other systems, sometimes ones that have little to do with Syriac—for which see below.) This paper argues for an alterna- tive origin, one that is rooted in functional theory. At its most fundamental level, Garshuni—as a system—is nothing but a tool and as such it ought to be understood with respect to the function it performs. To achieve this, one must take into consideration the social contexts—plural, as there are many—under which each Garshuni system appeared. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
Early-Alphabets-3.Pdf
Early Alphabets Alphabetic characteristics 1 Cretan Pictographs 11 Hieroglyphics 16 The Phoenician Alphabet 24 The Greek Alphabet 31 The Latin Alphabet 39 Summary 53 GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS 1 / 53 Alphabetic characteristics 3,000 BCE Basic building blocks of written language GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 2 / 53 Early visual language systems were disparate and decentralized 3,000 BCE Protowriting, Cuneiform, Heiroglyphs and far Eastern writing all functioned differently Rebuses, ideographs, logograms, and syllabaries · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 3 / 53 HIEROGLYPHICS REPRESENTING THE REBUS PRINCIPAL · BEE & LEAF · SEA & SUN · BELIEF AND SEASON GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 4 / 53 PETROGLYPHIC PICTOGRAMS AND IDEOGRAPHS · CIRCA 200 BCE · UTAH, UNITED STATES GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 5 / 53 LUWIAN LOGOGRAMS · CIRCA 1400 AND 1200 BCE · TURKEY GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 6 / 53 OLD PERSIAN SYLLABARY · 600 BCE GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 7 / 53 Alphabetic structure marked an enormous societal leap 3,000 BCE Power was reserved for those who could read and write · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 8 / 53 What is an alphabet? Definition An alphabet is a set of visual symbols or characters used to represent the elementary sounds of a spoken language. –PM · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 9 / 53 What is an alphabet? Definition They can be connected and combined to make visual configurations signifying sounds, syllables, and words uttered by the human mouth. -
M. Ricklefs an Inventory of the Javanese Manuscript Collection in the British Museum
M. Ricklefs An inventory of the Javanese manuscript collection in the British Museum In: Bijdragen tot de Taal-, Land- en Volkenkunde 125 (1969), no: 2, Leiden, 241-262 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/29/2021 11:29:04AM via free access AN INVENTORY OF THE JAVANESE MANUSCRIPT COLLECTION IN THE BRITISH MUSEUM* he collection of Javanese manuscripts in the British Museum, London, although small by comparison with collections in THolland and Indonesia, is nevertheless of considerable importance. The Crawfurd collection, forming the bulk of the manuscripts, provides a picture of the types of literature being written in Central Java in the late eighteenth and early nineteenth centuries, a period which Dr. Pigeaud has described as a Literary Renaissance.1 Because they were acquired by John Crawfurd during his residence as an official of the British administration on Java, 1811-1815, these manuscripts have a convenient terminus ad quem with regard to composition. A large number of the items are dated, a further convenience to the research worker, and the dates are seen to cluster in the four decades between AD 1775 and AD 1815. A number of the texts were originally obtained from Pakualam I, who was installed as an independent Prince by the British admini- stration. Some of the manuscripts are specifically said to have come from him (e.g. Add. 12281 and 12337), and a statement in a Leiden University Bah ad from the Pakualaman suggests many other volumes in Crawfurd's collection also derive from this source: Tuwan Mister [Crawfurd] asked to be instructed in adat law, with examples of the Javanese usage. -
Arabic Alphabet - Wikipedia, the Free Encyclopedia Arabic Alphabet from Wikipedia, the Free Encyclopedia
2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia Arabic alphabet From Wikipedia, the free encyclopedia َأﺑْ َﺠ ِﺪﯾﱠﺔ َﻋ َﺮﺑِﯿﱠﺔ :The Arabic alphabet (Arabic ’abjadiyyah ‘arabiyyah) or Arabic abjad is Arabic abjad the Arabic script as it is codified for writing the Arabic language. It is written from right to left, in a cursive style, and includes 28 letters. Because letters usually[1] stand for consonants, it is classified as an abjad. Type Abjad Languages Arabic Time 400 to the present period Parent Proto-Sinaitic systems Phoenician Aramaic Syriac Nabataean Arabic abjad Child N'Ko alphabet systems ISO 15924 Arab, 160 Direction Right-to-left Unicode Arabic alias Unicode U+0600 to U+06FF range (http://www.unicode.org/charts/PDF/U0600.pdf) U+0750 to U+077F (http://www.unicode.org/charts/PDF/U0750.pdf) U+08A0 to U+08FF (http://www.unicode.org/charts/PDF/U08A0.pdf) U+FB50 to U+FDFF (http://www.unicode.org/charts/PDF/UFB50.pdf) U+FE70 to U+FEFF (http://www.unicode.org/charts/PDF/UFE70.pdf) U+1EE00 to U+1EEFF (http://www.unicode.org/charts/PDF/U1EE00.pdf) Note: This page may contain IPA phonetic symbols. Arabic alphabet ا ب ت ث ج ح خ د ذ ر ز س ش ص ض ط ظ ع en.wikipedia.org/wiki/Arabic_alphabet 1/20 2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia غ ف ق ك ل م ن ه و ي History · Transliteration ء Diacritics · Hamza Numerals · Numeration V · T · E (//en.wikipedia.org/w/index.php?title=Template:Arabic_alphabet&action=edit) Contents 1 Consonants 1.1 Alphabetical order 1.2 Letter forms 1.2.1 Table of basic letters 1.2.2 Further notes -
2016 Semi Finalists Medals
2016 US Physics Olympiad Semi Finalists Medal Rankings StudentMedal School City State Abbott, Ryan WHopkinsBronze Medal SchoolNew Haven CT Alton, James SLakesideHonorable Mention High SchoolEvans GA ALUMOOTIL, VARKEY TCanyonHonorable Mention Crest AcademySan Diego CA An, Seung HwanGold Medal Taft SchoolWatertown CT Ashary, Rafay AWilliamHonorable Mention P Clements High SchoolSugar Land TX Balaji, ShreyasSilver Medal John Foster Dulles High SchoolSugar Land TX Bao, MikeGold Medal Cambridge Educational InstituteChino Hills CA Beasley, NicholasGold Medal Stuyvesant High SchoolNew York NY BENABOU, JOSHUA N Gold Medal Plandome NY Bhattacharyya, MoinakSilver Medal Lynbrook High SchoolSan Jose CA Bhattaram, Krishnakumar SLynbrookBronze Medal High SchoolSan Jose CA Bhimnathwala, Tarung SBronze Medal Manalapan High SchoolManalapan NJ Boopathy, AkhilanGold Medal Lakeside Upper SchoolSeattle WA Cao, AntonSilver Medal Evergreen Valley High SchoolSan Jose CA Cen, Edward DBellaireHonorable Mention High SchoolBellaire TX Chadraa, Dalai BRedmondHonorable Mention High SchoolRedmond WA Chakrabarti, DarshanBronze Medal Northside College Preparatory HSChicago IL Chan, Clive ALexingtonSilver Medal High SchoolLexington MA Chang, Kevin YBellarmineSilver Medal Coll PrepSan Jose CA Cheerla, NikhilBronze Medal Monta Vista High SchoolSan Jose CA Chen, AlexanderSilver Medal Princeton High SchoolPrinceton NJ Chen, Andrew LMissionSilver Medal San Jose High SchoolFremont CA Chen, Benjamin YArdentSilver Medal Academy for Gifted YouthIrvine CA Chen, Bryan XMontaHonorable