BACK NUMBERS
Volume XVI-ii: Fall 2014: Order number 5183632 Uncollected Items: R H. Winnick, “Two Unrecorded Allusions in “Tess”; Hardy Abroad: Galia Benziman, “Hardy in Israel”; Lisa Hoffman-Reyes,“‘Terribly Beautiful’: Tess of the D’Urbervilles”; Philip V. Allingham, “John Collier’s Pre-Raphaelite Illustrations to The Trumpet-Major”; Living Poets: Five Poems by Martha Modena Vetreace- Doody”; Book Reviews.
Volume XVI-i: Spring 2014: Order number 4874445 Uncollected Items: “The Original Publication of ‘To Please His Wife’”; Hardy Abroad: Neelanjana Basu, “Hardy in India”; Charles Pettit, “Literature Into Music: Music Inspired by Thomas Hardy”; Mary Lynn Bensen, “Impress- ionism and ‘Various Persons’ in Far From the Madding Crowd”; Oindrila Ghosh, “Surrogacy, Adoption and Hardy’s Unsentimental Views on Motherhood: The Case of Selected Short Stories”; Khatereh Tanoori, ‘“Be Not Perturbed’: Stoicism and Heroism in Thomas Hardy’s Fiction”; Rodney Stenning Edgecombe, “A Note on Two Allusions in Far From the Madding Crowd”; Living Poets: Three Poems by Floyd Skloot; Book Reviews. Volume XV-ii: Fall 2013: Order number 4581273 Uncollected Items: “The Case of Hardy, Mary Robinson and the Earliest Notice of Tess ”; George Levine, “Hardy’s ‘Inward Turn’: From Mindless Matter to the Art of the Mind”; Mark Rollins, “The Profitable Reading of Fancy: In- determinacy in Under the Greenwood Tree”; Charles P. C. Pettit, “…Music Inspired by the Works of Thomas Hardy” I; Ronald D. Morrison, “Culture and Agriculture in ‘The Dorsetshire Labourer’ and The Mayor of Casterbridge: An Ecocritical Approach”; Rodney Stenning Edgecombe, “A Note on Hardy’s ‘The Darkling Thrush’ and Jane Eyre.” Living Poets: Four Poems by Rick Vetrone; Book Reviews.
Volume XV-i: Spring 2013: Order number 4317547 Guest Editors: I. Gadoin and A. Ramel; Jonathon Godshaw Memel, “Some Poor Gaper: Community, Identity and Marginal Individuals in Hardy’s Fiction”; Emanuela Ettorre, “Voyeurism and Liminality in Thomas Hardy’s Short Stories”; Rosemarie Morgan, “Hardy and Epigenetics: the Case of ‘An Imaginative Woman’ and ‘San Sebastian’”; Peggy Blin-Cordon, “Hardy and Generic Liminality: the Case of The Mayor of Casterbridge and Jude the Obscure”; Elisa Bizotto, “The Well-Beloved: The Persistence of Liminality”; Claude Maisonnat, “Arkhè, Archive and the Textual Voice in ‘The Melancholy Hussar of the German Legion’”; Laurence Estanove, “[As] Though /I Were Not By”: Marty South, ‘Parenthetically.’”
Volume XIV-ii: Fall 2012: Order number 4185065 Uncollected Items: “Tess of the d’Urbervilles,” a poem by Charles Knowles Bolton, 1895”; Herbert F. Tucker, “At the Bottom Line: How Hardy Tries Conclusions”; Rodney Stenning Edgecombe, “Thomas Hardy and Victor Hugo: ‘The Oxen”; Philip V. Allingham, “Reading with the Mind’s Eye”; Keith Clavin, “A History of Negation: Liberty and Coercion in Jude the Obscure”; Hardy Abroad: Zane Linde, “Thomas Hardy in Latvia.” Living Poets: Seven Poems by Gray Jacobik; Book Reviews.
Volume XIV-i: Spring 2012: Order number 382091 Uncollected Items:“The Complete Serial Piracy of The Trumpet-Major in New York, Jan. 1880-Dec 1880”; Jerome Davis, “Thomas Hardy’s Jude the Obscure: A Musical Adaptation”; Mary-Lynn Bensen, “Telling the ‘True Tale’: Thomas Hardy’s Impressionism,” Hugh Epstein, “Vision, Substance and Literary Style in A Laodicean”; Hardy Abroad: “Hardy in the Post-Mao, Market-Driven China,” Shouhua Qi; “Somerset Maugham and the Profitable Re-Writing of Hardy’s Fiction: Cakes and Ale and Embedded Hardyan Intertexts,” Paul J. Niemeyer; Living Poets: Four Poems by Robert Bensen; Book Reviews.
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