Critical Notes

Total Page:16

File Type:pdf, Size:1020Kb

Critical Notes New Explorations Critical Notes Higher Level Ordinary Level Higher Level Poets prescribed for examination in 2015 2015 2 Higher Level Poets prescribed for examination in 2016 2016 3 Higher Level Poets prescribed for examination in 2017 2017 4 Higher Level Poets prescribed for examination in 2018 2018 5 John Donne Notes and Explorations: Carole Scully 6 NEW EXPLORATIONS JOHN DONNE INTRODUCTION Introduction likelihood, Donne was fully aware of his uncle’s situation, as he was about 11 years old at the time and still living at home with his mother and stepfather. The quest for certainty Donne’s father had died when Donne was four years old, leaving about John Donne was born in 1572 in Bread Street, London, into a family £3,500 to his wife and six children – a large fortune at the time. About six that was prosperous, educated and, as Catholics, part of an unpopular months later Donne’s mother, still only in her thirties, married Dr John religious minority. He was the third of six children. His father, also Syminges, a wealthy widower with three children. At one time Syminges called John, was a successful merchant and a prominent member of the had been president of the Royal College of Physicians; more significantly, Company of Ironmongers. His mother, Elizabeth, a devout Catholic, he was a Catholic. Donne continued to live, therefore, in a family where was the daughter of John Heywood and the granddaughter of John education was valued, affordable and Catholic. Rastell, both popular writers in their time; even more significantly, she was the grandniece of Sir Thomas More, who had been beheaded by King Education Henry VIII in 1535 because he would not swear the oath accepting Henry Donne was educated at home with his brother Henry for the early as supreme head of the church. More had famously declared on the years of his life. There are strong indications that the boys’ teachers scaffold: ‘I die the King’s good servant, but God’s servant first.’ were Jesuits. In later years Donne wrote of these men: ‘I had my first breeding and conversation with men of suppressed and afflicted This staunch religious devotion in the face of oppression was very much religion, accustomed to the despite of death and hungry of an imagined in evidence in Elizabeth’s family. Two of her brothers, Donne’s uncles, martyrdom.’ This early exposure to religious intensity had a profound became members of the Jesuit order – an extremely dangerous choice of effect on Donne and may partly explain his constant intellectual career, as Jesuits were considered, with some justification, to be the main struggle to find some evidence of certainty in existence. Izaak Walton, leaders of the Catholic revolt against English Protestantism. It was treason, Donne’s first biographer, relates how Donne, at the age of 12, entered punishable by horrific forms of death, to be a Catholic priest or even to the University of Oxford with his younger brother, Henry. By starting help a Catholic priest. One of Donne’s uncles, Jasper, led a secret Jesuit university at a slightly younger age, Catholic boys could finish early; in mission to England between 1581 and 1583; he was caught and sentenced this way they left before taking a degree, as that involved swearing the to death, but this sentence was reduced to imprisonment and exile. There Oath of Supremacy, which declared the English monarch, and not the have been suggestions that the young Donne accompanied his mother Pope, to be head of the church. The boys attended Hart Hall, a college to visit Jasper in the Tower of London, but there is no proof of this. In all with Catholic sympathies, for three years. There are suggestions that they 7 NEW EXPLORATIONS JOHN DONNE INTRODUCTION then transferred to the other great university town of Cambridge. Even At this point in his life the 20-year-old Donne was living a life that was though he was still unable to take a degree, Donne benefited from this radically different from the one he had learned from his Jesuit teachers time spent in studies and in mixing with the intellectual group that lived and his family. He was Master of the Revels (the title explains his role) around the colleges. for the Christmas celebrations at Lincoln’s Inn. His poetry was circulated, with much praise, among the learned of London. He went to the theatre The world’s pleasures and socialised with fashionable women; he was on the way to becoming At some time in his youth, most probably between 1589 and 1591, Donne a popular celebrity. This may simply have been the natural rebellion of appears to have travelled on the Continent. Travel was very much a a young man against the beliefs of the older generation, or it may have part of a young gentleman’s education at this time. He seems to have been a reaction to seeing his younger brother, Henry, die from the plague been fluent in Italian and Spanish, and in later years he kept a great while imprisoned in Newgate prison for helping a Catholic priest. It could many Spanish books in his library; indeed, at about this time he chose a have been another attempt to find the elusive certainty in life. Whatever Spanish motto for himself, antes muerto que mudado (sooner dead than the reason, Donne gave himself up to living the life of a gentleman about changed). The dramatic nature of this motto expresses the type of young town and expressing his view of the world in bright, clever, sensual poetry: man Donne was, or at least wished to be. An early portrait shows him beautifully dressed, with long, dark, curly hair, his intelligent, educated Put forth, put forth that warm balm-breathing thigh, gaze looking into the future while his hand grasps a sword. He is the Which when next time you in these sheets will smother epitome of the Elizabethan gentleman. Perhaps Donne had discovered, There it must meet another. as so many of us do, that there is a comforting certainty in belonging to a recognisable group. Gradually, he drifted away from the law. In 1596 he joined a band of volunteers, under the leadership of Robert Devereux, Earl of Essex, and In 1592 Donne was admitted to study law at Lincoln’s Inn, London. In this Sir Walter Raleigh, and sailed to Cádiz. He experienced a violent sea he was following the strong family tradition on his mother’s side. However, battle and wrote with grim honesty of the terrible scenes he witnessed: as the student lawyers were from wealthy families, they spent more of ‘They in the sea being burnt, they in the burnt ship drowned.’ He returned their time pursuing the pleasures of London life than studying law. A to England briefly, but in 1597 he joined another expedition under the friend of Donne’s from this time, Sir Richard Baker, described him as ‘not command of the Earl of Essex, sailing to the Azores with the aim of dissolute but very neat: a great visitor of ladies, a great frequenter of plays, capturing the Spanish treasure fleet. a great writer of conceited verses’. 8 NEW EXPLORATIONS JOHN DONNE INTRODUCTION It was socially acceptable for young men from the upper classes to take fortunes soon improved. In 1598 he was offered a post by the father of part in these expeditions. At the time, relations between England and one of his fellow volunteers to Cádiz and he became private secretary Spain were uneasy. As recently as 1588 English forces had narrowly to Sir Thomas Egerton, Lord Keeper of the Great Seal. This was a great defeated the Spanish Armada, more by luck than by design. Queen opportunity for Donne, as he now had steady employment and a clear Elizabeth, though officially disapproving of her subjects’ attacks on connection with an important member of the court. The Lord Keeper Spanish vessels and territories, was perfectly happy to receive a share of presided over the House of Lords and the Court of the Star Chamber, the booty. Certainly the sense of drama and adventure seems to have where religious trials were conducted, and he organised the Court of appealed to Donne, as can be seen in his poetry: Chancery. As was customary, the Lord Keeper lived at York House, so Donne came to live in a large palace with beautiful gardens that swept Here take my picture, though I bid farewell; down to the Thames. He became part of Egerton’s extended family Thine, in my heart, where my soul dwells, shall dwell. group, which included his 14-year-old niece, Ann More. The trip to the Azores was not a success, with violent storms battering the There is no doubt that Egerton was very fond of Donne. When his son ships. Donne described the damage vividly: died of his wounds in Dublin Castle while serving with Essex in Ireland, Egerton asked Donne to carry his son’s sword in the funeral procession And from our tattered sails, rags drop down so, at Chester Cathedral. In 1601 he made Donne member of Parliament As from one hanged in chains, a year ago. for one of the boroughs that he controlled. It seemed as if John Donne was destined to play an important role in the world of Elizabethan politics. There is a feeling that Donne may have gone on these voyages hoping to Perhaps he had found his certainty at last. find that elusive certainty he craved, but came home with the realisation that it was not to be found in the role of adventurer.
Recommended publications
  • Life Is a Dream
    Paul Durcan Life is a Dream 40 Years Reading Poems 1967-2007 Harvill Seeker LONDON Contents Foreword xix Acknowledgements xx ENDSVILLE (1967) The White Window 3 O WESTPORT IN THE LIGHT OF ASIA MINOR (1975) Nessa 7 Gate 8 8 On a BEA Trident Jet 9 Hymn to Nessa 9 Le Bal 10 O Westport in the Light of Asia Minor 10 Phoenix Park Vespers 12 In the Springtime of Her Life My Love Cut Off Her Hair 13 The Daughters Singing to Their Father 14 The Nun's Bath 14 Combe Florey 15 Please Stay in the Family, Clovis 15 Black Sister 16 November 30, 1967 17 They Say the Butterfly is the Hardest Stroke 17 La Terre des Hommes 18 Aughawall Graveyard 18 Ireland 1972 18 The Girl with the Keys to Pearse's Cottage 18 Dun Chaoin 19 The Day of the Starter 20 The Limerickman that Went to the Bad 20 The Night They Murdered Boyle Somerville 21 Tribute to a Reporter in Belfast, 1974 22 Letter to Ben, 1972 23 vii TERESA'S BAR (1976) The Difficulty that is Marriage 27 She Mends an Ancient Wireless 27 Two in a Boat 28 Anna Swanton 28 Wife Who Smashed Television Gets Jail 29 Teresa's Bar 3O Polycarp 32 Lord Mayo 33 The Drover's Path Murder 34 Before the Celtic Yoke 35 What is a Protestant, Daddy? 36 The Weeping Headstones of the Isaac Becketts 37 In Memory of Those Murdered in the Dublin Massacre, May 1974 38 Mr Newspapers 39 The Baker 40 The Archbishop Dreams of the Harlot of Rathkeale 40 The Friary Golf Club 41 The Hat Factory 42 The Crown of Widowhood 45 Protestant Old Folks' Coach Tour of the Ring of Kerry 45 Goodbye Tipperary 46 The Kilfenora Teaboy 47 SAM'S CROSS (1978)
    [Show full text]
  • Fall 2003 Archipelago
    archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach
    [Show full text]
  • Poems by Thomas Hardy Questions by Dr
    Poems by Thomas Hardy Questions by Dr. Boos “Channel Firing” 1. Why does Hardy set this poem in a churchyard? What is the point of using such expressions as “the glebe cow” and “Christes sake”? 2. From whose point of view is the poem told? What is the effect of making “God” a character in the poem? 3. What is the effect of the stanza form and rhythm? 4. What do you make of God’s use of colloquial expression? 5. What dead human being receives the last word, and why is he chosen? 6. Are there droll or humorous aspects to the poem? Even if so, is the poem ultimately lighthearted? 7. What is the meaning of the poem? What is added by the final allusions to “Stourton Tower, / And Camelot, and starlit Stonehenge”? “The Oxen” 1. To what legend does the poem refer? Why do you think Hardy chose the legend of the kneeling oxen to represent Chrismas rather than, say, legends of angels or Santa Claus? 2. What are features of the poem’s stanza form, rhythms, and rhymes? Are they appropriate for the topic? Is the poem too short? 3. How is dialogue and direct address used in the poem? What effect do these have? 4. What characterizes Hardy’s word choice? Would his audience have used words such as “barton” and “coomb”? 5. What does Hardy think of the truth of this legend? Why does he say that “I feel” I would go with a messenger reporting this event? 6. What are some implications of the finallLine? Are there beliefs beyond the legend of kneeling oxen in which the poet can have no faith? Or is the final line indeterminate? 7.
    [Show full text]
  • Guide to the Jack Coughlin Collection, 1973-1986
    Bridgewater State University Maxwell Library Archives & Special Collections Jack Coughlin Collection, 1973-1986 (MSS-034) Finding Aid Compiled by Orson Kingsley, June 2018 Last Updated: June 13, 2018 Maxwell Library Bridgewater State University 10 Shaw Road / Bridgewater, MA 02325 / (508) 531-1389 Finding Aid: Jack Coughlin Collection (MSS-034) 2 Volume: 1.25 linear feet (2 document boxes, 3 framed items) Acquisition: All items in this manuscript group were donated to Bridgewater State University by Maureen Connelly in 2012 and 2018, with one etching donated by the Paula Vadeboncoeur estate in 2016. Access: Access to this record group is unrestricted. Copyright: The researcher assumes full responsibility for conforming with the laws of copyright. Whenever possible, the Maxwell Library will provide information about copyright owners and other restrictions, but the legal determination ultimately rests with the researcher. Requests for permission to publish material from this collection should be discussed with the University Archivist. Jack Coughlin Collection Biographical Sketch Jack Coughlin is an artist of Irish-American heritage who is well known for his portraits of literary figures and musicians. His prints, drawings and watercolors have been exhibited widely across the United States and Europe. They are in the permanent collections of the Metropolitan Museum and the Museum of Modern Art in New York, the National Collection of Fine Arts in Washington D.C., the Norfolk Museum of Arts and Sciences in Virginia, the Worcester Art Museum in Massachusetts, the University of Colorado, the Philadelphia Free Public Library, Staedelsches Kunstinstitut, Frankfort, Germany, the New University of Ulster, Coleraine, Northern Ireland and in several other important museum, university and library collections worldwide.
    [Show full text]
  • HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
    HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository.
    [Show full text]
  • The Metaphysical Poet: John Donne and His Religious Experience in Poetry
    ORIGINAL ARTICLE © UIJIR | ISSN (O) - 2582-6417 June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion.
    [Show full text]
  • Music Inspired by the Works of Thomas Hardy
    This article was first published in The Hardy Review , Volume XVI-i, Spring 2014, pp. 29-45, and is reproduced by kind permission of The Thomas Hardy Association, editor Rosemarie Morgan. Should you wish to purchase a copy of the paper please go to: http://www.ingentaconnect.com/content/ttha/thr/2014/00000016/0 0000001/art00004 LITERATURE INTO MUSIC: MUSIC INSPIRED BY THE WORKS OF THOMAS HARDY Part Two: Music composed after Hardy’s lifetime CHARLES P. C. PETTIT Part One of this article was published in the Autumn 2013 issue. It covered music composed during Hardy’s lifetime. This second article covers music composed since Hardy’s death, coming right up to the present day. The focus is again on music by those composers who wrote operatic and orchestral works, and only mentions song settings of poems, and music in dramatisations for radio and other media, when they were written by featured composers. Hardy’s work is seen to have inspired a wide variety of music, from full-length operas and musicals, via short pieces featuring particular fictional episodes, to ballet music and purely orchestral responses. Hardy-inspired compositions show no sign of reducing in number over the decades. However despite the quantity of music produced and the quality of much of it, there is not the sense in this period that Hardy maintained the kind of universal appeal for composers that was evident during the last two decades of his life. Keywords : Thomas Hardy, Music, Opera, Far from the Madding Crowd , Tess of the d’Urbervilles , Alun Hoddinott, Benjamin Britten, Elizabeth Maconchy In my earlier article, published in the Autumn 2013 issue of the Hardy Review , I covered Hardy-inspired music composed during Hardy’s lifetime.
    [Show full text]
  • Thomas Hardy Poems
    1 Thomas Hardy Poems Thomas Hardy (1840 1928) was an English novelist and poet. After a successful writing career that included such novels as Far from the Madding Crowd (1874), The Return of the Native (1878), The Mayor of Casterbridge (1886), and Tess of the D’Urbervilles (1891), his last novel, Jude the Obscure (1895) was roundly condemned by the church as immoral. After that, Hardy concentrated on writing poetry. In 1898 he published Wessex Poems; he continued to publish poetry throughout the rest of his life. “The Man He Killed” (1909) Had he and I but met By some old ancient inn, We should have set us down to wet Right many a nipperkin! But ranged as infantry, 5 And staring face to face, I shot at him as he at me, And killed him in his place. I shot him dead because— Because he was my foe, 10 Just so: my foe of course he was; That's clear enough; although He thought he'd 'list, perhaps, Off-hand like—just as I— Was out of work—had sold his traps— 15 No other reason why. Yes; quaint and curious war is! You shoot a fellow down You'd treat, if met where any bar is, Or help to half a crown. 20 Neutral Tones (1898) We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; —They had fallen from an ash, and were gray. Your eyes on me were as eyes that rove 5 2 Over tedious riddles solved years ago; And some words played between us to and fro On which lost the more by our love.
    [Show full text]
  • Austin Clarke Papers
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R.
    [Show full text]
  • Irish Anthologies and Literary History
    UvA-DARE (Digital Academic Repository) A commodious vicus of recirculation: Irish anthologies and literary history Leerssen, J. Publication date 2010 Document Version Submitted manuscript Link to publication Citation for published version (APA): Leerssen, J. (2010). A commodious vicus of recirculation: Irish anthologies and literary history. (Working papers European Studies Amsterdam; No. 10). Opleiding Europese Studies, Universiteit van Amsterdam. http://www.uva.nl/disciplines/europese- studies/onderzoek/working-papers.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 WORKING PAPERS EUROPEAN STUDIES AMSTERDAM 10 Joep Leerssen A Commodious Vicus of Recirculation: Irish Anthologies and Literary History Opleiding Europese Studies, Universiteit van Amsterdam 2010 Joep Leerssen is professor of Modern European Literature at the University of Amsterdam and Royal Netherlands Academy of Arts and Sciences Professor.
    [Show full text]
  • English Compulsory – Ii
    ENGLISH COMPULSORY – II B.A. English Semester - I BAG - 103 SHRI VENKATESHWARA UNIVERSITY UTTAR PRADESH-244236 BOARD OF STUDIES Prof (Dr.) P.K.Bharti Vice Chancellor Dr. Rajesh Singh Director Directorate of Distance Education SUBJECT EXPERT Dr. S.K.Bhogal, Professor Dr. Yogeshwar Prasad Sharma, Professor Dr. Uma Mishra, Asst. Professor COURSE CO-ORDINATOR Mr. Shakeel Kausar Dy. Registrar Authors Dr Priyanka Bhardwaj, Units: (1, 2.0-2.2, 2.2.1, 2.4.3, 2.5.1, 2.6.3, 2.9.2, 2.10-2.14) © Dr Priyanka Bhardwaj, 2019 Dr Shuchi Agrawal, Units: (2.3, 2.4-2.4.2, 2.9-2.9.1, 3.2.3) © Dr Shuchi Agrawal, 2019 Khusi Pattanayak, Units: (2.3.1-2.3.4, 2.6.2, 2.8-2.8.1) © Khusi Pattanayak, 2019 Deb Dulal Halder, Units: (2.5, 2.6-2.6.1, 2.7-2.7.1) © Deb Dulal Halder, 2019 Vivek Kumar, Units: (3.0-3.1, 3.2-3.2.2, 3.2.4-3.2.5, 3.3-3.4.3, 3.5-3.5.3, 3.6-3.10) © Vivek Kumar, 2019 Dr Joita Dhar Rakshit, Unit: (4.2-4.4) © Dr Joita Dhar Rakshit, 2019 Pramindha Banerjee, Unit: (5.3, 5.4.3) © Pramindha Banerjee, 2019 Vikas Publishing House, Units: (4.0-4.1, 4.5-4.9, 5.0-5.2, 5.4-5.4.2, 5.5-5.9) © Reserved, 2019 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher.
    [Show full text]
  • "The Given Note": Traditional Music and Modern Irish Poetry
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements .................................................................................
    [Show full text]