Austin Clarke Papers
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De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Guide to the Jack Coughlin Collection, 1973-1986
Bridgewater State University Maxwell Library Archives & Special Collections Jack Coughlin Collection, 1973-1986 (MSS-034) Finding Aid Compiled by Orson Kingsley, June 2018 Last Updated: June 13, 2018 Maxwell Library Bridgewater State University 10 Shaw Road / Bridgewater, MA 02325 / (508) 531-1389 Finding Aid: Jack Coughlin Collection (MSS-034) 2 Volume: 1.25 linear feet (2 document boxes, 3 framed items) Acquisition: All items in this manuscript group were donated to Bridgewater State University by Maureen Connelly in 2012 and 2018, with one etching donated by the Paula Vadeboncoeur estate in 2016. Access: Access to this record group is unrestricted. Copyright: The researcher assumes full responsibility for conforming with the laws of copyright. Whenever possible, the Maxwell Library will provide information about copyright owners and other restrictions, but the legal determination ultimately rests with the researcher. Requests for permission to publish material from this collection should be discussed with the University Archivist. Jack Coughlin Collection Biographical Sketch Jack Coughlin is an artist of Irish-American heritage who is well known for his portraits of literary figures and musicians. His prints, drawings and watercolors have been exhibited widely across the United States and Europe. They are in the permanent collections of the Metropolitan Museum and the Museum of Modern Art in New York, the National Collection of Fine Arts in Washington D.C., the Norfolk Museum of Arts and Sciences in Virginia, the Worcester Art Museum in Massachusetts, the University of Colorado, the Philadelphia Free Public Library, Staedelsches Kunstinstitut, Frankfort, Germany, the New University of Ulster, Coleraine, Northern Ireland and in several other important museum, university and library collections worldwide. -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
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An Chomhaırle Ealaíon An Tríochadú Turascáil Bhliantúil, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1981. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 (3) agus 7 (1) den Acht Ealaíon 1951. Thirtieth Annual Report and Accounts for the year ended 31st December 1981. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 (3) and 7 (1) of the Arts Act, 1951. Cover: Photograph by Thomas Grace from the Arts Council touring exhibition of Irish photography "Out of the Shadows". Members James White, Chairman Brendan Adams (until October) Kathleen Barrington Brian Boydell Máire de Paor Andrew Devane Bridget Doolan Dr. J. B. Kearney Hugh Maguire (until December) Louis Marcus (until December) Seán Ó Tuama (until January) Donald Potter Nóra Relihan Michael Scott Richard Stokes Dr. T. J. Walsh James Warwick Staff Director Colm Ó Briain Drama and Dance Officer Arthur Lappin Opera and Music Officer Marion Creely Traditional Music Officer Paddy Glackin Education and Community Arts Officer Adrian Munnelly Literature and Combined Arts Officer Laurence Cassidy Visual Arts Officer/Grants Medb Ruane Visual Arts Officer/Exhibitions Patrick Murphy Finance and Regional Development Officer David McConnell Administration, Research and Film Officer David Kavanagh Administrative Assistant Nuala O'Byrne Secretarial Assistants Veronica Barker Patricia Callaly Antoinette Dawson Sheilah Harris Kevin Healy Bernadette O'Leary Receptionist Kathryn Cahille 70 Merrion Square, Dublin 2. Tel: (01) 764685. An Chomhaırle Ealaíon An Chomhairle Ealaíon/The Arts Council is an independent organization set up under the Arts Acts 1951 and 1973 to promote the arts. -
RTE NSO 25 Sept Prog.Qxp:Layout 1
WATCH rte.ie/culture LISTEN RTÉ lyric fm ARTHUR DUFF Echoes of Georgian Dublin JOHN KINSELLA Nocturne for Strings MÍCHEÁL Ó SÚILLEABHÁIN Bean Dubh an Ghleanna Oileán/Island Traditional arr. NEIL MARTIN The Fairy Queen Danny Boy The Humours of Ballyloughlin RTÉ National Symphony Orchestra David Brophy conductor Mark Redmond uilleann pipes, flute Presented by Paul Herriott, RTÉ lyric fm FRIDAY 25 SEPTEMBER 2020, 7pm NATIONAL CONCERT HALL 1 Arthur Duff 1899-1956 Echoes of Georgian Dublin i. In College Green ii. Song for Amanda iii. Minuet iv. Largo (The tender lover) v. Rigaudon Arthur Duff showed early promise as a musician. He was a chorister at Dublin’s Christ Church Cathedral and studied at the Royal Irish Academy of Music, taking his degree in music at Trinity College, Dublin. He was later awarded a doctorate in music in 1942. Duff had initially intended to enter the Church of Ireland as a priest, but abandoned his studies in favour of a career in music, studying composition for a time with Hamilton Harty. He was organist and choirmaster at Christ Church, Bray, for a short time before becoming a bandmaster in the Army School of Music and conductor of the Army No. 2 band based in Cork. He left the army in 1931, at the same time that his short-lived marriage broke down, and became Music Director at the Abbey Theatre, writing music for plays such as W.B. Yeats’s The King of the Great Clock Tower and Resurrection, and Denis Johnston’s A Bride for the Unicorn. The Abbey connection also led to the composition of one of Duff’s characteristic works, the Drinking Horn Suite (1953 but drawing on music he had composed twenty years earlier as a ballet score). -
Guides Irish in Michigan
IRISH GUIDES Basic guide to Irish records for family history, by Brian Mitchell, Geneal. R 929.3415 M692b. Bibliography of Irish family history, by Edward MacLysaght, Geneal. R 929.209415 M226b 1982. Burke's Irish family records, by Bernard Burke, Geneal. R 929.72 B917 1976. Directory of Irish archives, by Seamus Helferty & Raymond Refausse, Geneal. R 027.0415 D628 1993. A guide to Irish parish registers, by Brian Mitchell, Geneal. R 929.3415 M692g : 1/96. In search of your British & Irish roots: a complete guide to tracing your English, Welsh, Scottish & Irish ancestors, by Angus Baxter, Geneal. R929.1072 B333i. Irish and Scotch-Irish ancestral research : a guide to the genealogical records, methods and sources in Ireland,by Margaret Dickson Falley, Geneal. R 929.3415 F192i v.1-2. Irish church records : their history, availability, and use in family and local history research, by James G. Ryan, Geneal. R 929.3415 Ir4 : 9/96. Irish genealogy : a record finder, Donal F. Begley, Geneal. R 929.1072 Ir4 : 3/93. The Irish in America : immigration, land, probate, administrations, birth, marriage, and burial records of the Irish in America in and about the eighteenth century, by Michael Joseph O'Brien, Geneal. R 929.1 Ob6i. Irish records : sources for family & local history, by James G. Ryan, Geneal. R 929.3415 R955i. More Irish families, by Edward MacLysaght, Geneal. R 929.1 M226m. Pocket guide to Irish genealogy, by Brian Mitchell, Geneal. R 929.1072 M692p : 9/92. A simple guide to Irish genealogy, by Wallace Clare, Geneal. R 929.1 C541s 1966. -
Stan Smith – Irish Poetry and the Construction
139 Book Reviews: Writers at Work in Ireland and England Irish Poetry and the Construction of Modern Identity: Ireland between Fantasy and History. By Stan Smith. Dublin: Irish Academic Press, 2005. x + 238 pp. $65.00 cloth, $29.50 paper. The world is not wanting in histories of Irish poetry, or even of twen- tieth-century Irish poetry in particular: I know of at least ten since 1988. Nevertheless, Stan Smith’s Irish Poetry and the Construction of Modern Identity represents an important accomplishment. Smith’s color title, “Ire- land between Fantasy and History,” suggests precisely what he’s after—the ways in which poetry has functioned in the self-conscious shaping of mod- ern Irish identities. Smith’s interest in what he calls, while discussing Pa- draic Fallon, “the compounding and interpretation of story and history” (39), develops from the work he’s undertaken in such books as Inviolable Voice: History and 20th-Century Poetry (1982) or The Origins of Mod- ernism: Eliot, Pound, Yeats and the Rhetorics of Renewal (1994). Smith has always attended to how ideology yokes together signifier and signified. In this book, however, perhaps because questions of tradition and nation have been more overtly a part of nation-building in Ireland than in Britain, post-structuralist and post-colonial theory have inflected Smith’s atten- tion in ways rather more dramatic than I have seen in his earlier work. Theory is rarely Smith’s overt topic; it shows up rather in his ability to see organization rather than organicism, history subjected to question rather than nature subjecting us. -
'Muting the Klaxon: Poetry, History, and Irish Modernism'1
1 Tim Armstrong 1 ‘Muting the Klaxon: Poetry, History, and Irish Modernism’ This is an uncorrected and reset version of the original article which appeared as: ‘Muting the Klaxon: Poetry, History, and Irish Modernism,’ in Modernism and Ireland: The Poetry of the 1930s , ed. Patricia Coughlan and Alex Davies (Cork: Cork University Press, 1995), pp.43-74. In the winter of 1923-24 a periodical called The Klaxon appeared in Dublin. It was the only issue of what was hopefully announced as a ‘seasonal’ quarterly. The table of contents makes interesting reading: 2 Confessional . L. K. E. Beauty Energised . F. R. H. The Midnight Court (from the Irish). Percy Ussher North. H. Stuart Cheese . .John W. Blaine The Will of God. Sechilienne The Ulysses of Mr. James Joyce . Lawrence K. Emery Cleopatra. F. R. Higgins An Inghean Dubh. G. Coulter Picasso, Mamie Jellett and Dublin Criticism. Thomas McGreevy Seeking, as its editorial note suggests, to link itself to International Modernism, The Klaxon has a Brancusi-like cover device and a ‘Negro sculpture in wood’ as frontispiece. The ‘Confessional’ by Lawrence Emery which opens this Irish Blast has a fine ranting tone: ‘We railed against the psychopedantic parlours of our elders and their old maidenly consorts, hoping the while with an excess of Picabia and banter, a whiff of Dadaist Europe to kick Ireland into artistic wakefulness.’ The aggressive Modernism of the doomed journal, and the harshness of the context it expects to insert itself into, is evident in its defense of Joyce and Picasso against philistine taste. The inclusion of Ussher’s translation of ‘The Midnight Court’ also carries a political weight – its bawdy invoking a different Irish tradition from that of the Celtic Twilight (it was to be republished in 1926 with an polemical introduction by Yeats). -
1 Title: Modernist Presses and the Gayfield Press a Brief Description Of
Title: Modernist Presses and the Gayfield Press A brief description of the Gayfield Press is outlined in the Liam Miller’s history of The Dolmen Press which Miller owned and edited. Miller’s first publication was Thomas Kinsella’s The Starlit Eye which he printed on a wooden press: “loaned from Cecil French Salkeld, who used it to publish his Gayfield Press series of Dublin poets and artists”.1 Since the publication of Miller’s text, the Gayfield Press has received little attention and its history has been lost or forgotten. Furthermore, the role of Blanaid Salkeld as a publisher has been virtually erased from literary studies of the period. This paper sheds light on this little-known feminist press, and foregrounds the key role of Salkeld as a contributor, editor and publisher of the Gayfield Press. The consideration of this press as a feminist enterprise reinstates Salkeld back into the narrative of Irish publishing and enhances our understanding of private printing presses as a vital force for female creativity. Blanaid Salkeld (1880-1959), was born in India and brought up in Fitzwilliam Street, Dublin. Her early influences included poet John Keats and the Bengali poet Rabindranath Tagore, a friend of her father, whom she met as a young girl in India.2 She married an Englishman in the Bombay civil service in 1902 but was widowed and returned to Ireland in 1906 with her son, the artist Cecil ffrench Salkeld (1903-1969). She joined the Abbey Theatre, appearing under the stage name Nell Byrne and took the lead role in George Fitzmaurice’s Country Dressmaker in 1907. -
YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
Lot 1 Box of Irish Interest Books Estimate
Purcell Auctioneers - ***ONLINE AUCTION***. Collection of Irish Historical Interest Books, Maps, Journals, Periodicals, Pamphlets, Ephemera etc. etc. - Starts 22 Apr 2020 Lot 1 Box of Irish Interest books Estimate: 20 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 2 Box of Irish Interest books Estimate: 20 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 3 Ulster Journal of Archaeology (Early run, from Vol.1, Pt.1), along with Journal of the Royal Society of Antiquaries of Ireland Estimate: 50 - 100 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 4 Box of Folio Society Books Estimate: 20 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 5 Irish Law Books - The Irish Jurist and Journal of the Irish Society for Labour Law - two boxes of Estimate: 20 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 6 Two small boxes of Irish Georgian Society Journal, Irish Naturalist, pamphlets and a large collection of vintage local Irish ordnance survey, folded maps. Approximately 160 items Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 7 Seven Boxes of Republic of Ireland Statutory Instruments published from the 40s up to the 90s Estimate: 50 - 100 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 8 F.