An Appendix on Criticism of Donne's Writings
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The Metaphysical Poet: John Donne and His Religious Experience in Poetry
ORIGINAL ARTICLE © UIJIR | ISSN (O) - 2582-6417 June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion. -
William Blake
.,, '•I I I• 1J I I 11~ -· II I It~ I "I 1 rj.. I 1'111 .., l:l111i1l II' I i!1 ".IU - I. I ' 'I l ~ ,11 I ~ ii ·1 ... u",,.11 '"·' I '" 111 lit TH E COMPLETE POET R Y AN D SELECTED PROSE OF John Dorine & TH E COMPLETE POET R Y OF William Blake )))))))))))))))))))))))))))))))))))))))))))))))))) WITH AN INTRODU C TION BY Robert Silliman Hillyer ))))))))))))))))))))))))))))))))))))))))))))))))~~ THE MODERN LIBRARY NEW YORK Contents INTRODVCTION by Robert Silliman Hillyer THE COMPLETE POETRY AND SELECTED PROSE OF JOHN DONNE THE POEMS SONGS AND SONETS The Good-morrow 3 Song 3 Womans Constancy 4 The Undertaking S The Sunne rising 6 The Indifferent 6 Loves Usury 7 The Canonization 8 The Triple Foote 9 Lovers infiniteuesse Io Song II The Legacie I 2 A Feaver I3 Aire and Angells I3 Breake of Day 14 The Anniversarie IS A Valediction: of my name, in the window 16 T wicknam Garden 18 A Valediction: of the booke I9 Communitie 21 Loves Growth 21 Loves Exchange 22 Confined Love 23 The Drearne 24 A Valediction: of weeping 25 Loves Alchymie 26 The Flea 26 v CONTE NTS vii vi CON TENT S S4 The Curse 27 Raderus The Message 28 Mercurius Gallo-Beligicus S4 Ralphius SS A Nocturnall upon S. Lucies Day 29 The Lier SS Witchcraft by a Picture 30 The Baite 30 The Apparition 3I E LEGIES The Broken Heart 32 A Valediction: forbidding mourning 33 I. Jealosie s6 The Extasie 34 II. The Anagram S7 Loves Deitie 36 III. Change s8 Loves Diet 37 IV. -
Essays in Divinity
i -.^ Digitized by tine Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.arcli ive.org/details/essaysindivinityOOdonnricli ' ESSAYS IN DIVINITY BY JOHN I)OT!r.;f^;l!,D.D,'?- • »<• »» *••'••» ' ' '. SOME TIME HyBXS 'OF- ?jT.. I»AUlV.- > ^ OF THR ^^;-^. UNIVERSITY EDITED BY JUGUSTUS JESSOFF, M.J. or ST. JOHN'S COLLEGE, CAMBRIDGE. L O ND ON: John Tupling, 320 Strand, 1855. T:)6 • :/: '.- fS3-^/0 10 him^ who with his wide knowledge is always able, and in his generous kindliness is always willing, to help and encourage his less-experienced fellow-labourers in the fields of English Literature, PHILIP BLISS, D. C.L. PRINCIPAL OF ST. MAEY'S HALL, OXFOKD, this Edition of Donne's Essays is respectfully dedicated, by AUGUSTUS JESSOPP. ,85330 tf ^ ^ OF THK ' r IX I UNIVERSITY ^^LCALiFOBjj^ SOME NOTICE OF THE AUTHOR AND HIS WRITINGS. JOHN DONNE, the writer of .the Essays contained in this volume, lived in an age more fruitful in great men and stirring events than the world has perhaps ever seen, from the times of Pericles to the days of Queen Victoria. He was born in 1573—the year after the massacre of St. Bartholomew; he died m 1631, the year after the battle of Liitzen. where Gustavus Adolphus fell. In his childhood Camoens fetched his last sigh in Portugal,— the poet who had laid the only firm foundation for his country^s literature, condemned to die in penury, hardly finding for his very corpse its last garment—a shroud. In his boyhood. Sir Philip Sidney wrote the Ar- cadia, and he was still in his teens when that gaUant hero put away the cup of water from his own parched lips to slake the thirst of the bleeding trooper lying by his side. -
Appendix: a Brief Review of Scholarship
Appendix: A Brief Review of Scholarship The main subjects of the preceding pages—Donne’s Songs and Sonnets , the mechanisms and repercussions of evolution, the fields of Biology and Cognition it led to, and an allied science of Love—are not always easy to understand. I have tried to be comprehensible and to share my contagious interests; my success can only be judged by my readers. Fortunately for all of us, though, some admirably lucid com- mentators have turned their attentions to explaining Donne, Darwin, and desire, and this guide is presented with the aim of clearing up confusions and prompting further inquiry (full citations are found in the Works Cited.) There are extensive—better said, excessive —bodies of scholarship on every minute subtopic touched on here, enough to make the most diehard Holmesian investigator or grad student despair. Mountains of material have been published on, well, everything, down to gold and alchemy, gossip, particular metaphorical schema such as Donne’s compasses, and so forth. No claims for systematic inclusiveness are advanced here. More specifically, let me note that the previous chap- ters have (relatively) few citations to the history of science, to overhasty first-generation efforts at sociobiological literary criticism, and to the masses of twentieth-century work on Donne’s poems, though many of those pieces are topnotch and sometimes stand, at one remove, behind interpretations that are generally accepted today. Donne criticism may be said to have reached its full-blown matu- rity, and now occupies several shelves in most well-stocked university libraries. To boil it down to a single paragraph: the two most influen- tial opponents of Metaphysical verse were John Dryden and Samuel Johnson. -
The Songs and Sonets of John Donne: an Essay on Mutability
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1967 The onS gs and Sonets of John Donne: an Essay on Mutability. Barbara Ann Maynard Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Maynard, Barbara Ann, "The onS gs and Sonets of John Donne: an Essay on Mutability." (1967). LSU Historical Dissertations and Theses. 1304. https://digitalcommons.lsu.edu/gradschool_disstheses/1304 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received ^ 13,999 MAYNARD, Barbara Ann, 1935- THE SONGS AND SONETS OF JOHN DONNE: AN ESSAY ON MUTABILITY. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1967 Language and Literature, general Please note: Name in vita is Barbara Kehoe Maynard. University Microfilms, Inc., Ann Arbor, Michigan THE SONGS AND SONETS OF JOHN DONNE: AN ESSAY ON MUTABILITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Barbara Ann Maynard M.A., Louisiana State University, 1959 May, 1967 FOREWORD The number of poems included in the Songs and Sonets varies from editor to editor; accurate dating of the poems is impossible. -
1 John Donne from Songs and Sonnets John Donne (1572-1631) Was an English Poet and Anglican Cleric, Becoming Dean of Saint Paul
1 John Donne From Songs and Sonnets John Donne (1572-1631) was an English poet and Anglican cleric, becoming Dean of Saint Paul’s Cathedral in London in 1621. He is known for his early poetry, written in what has become known as the “metaphysical” style. His poetry marks a change from the Elizabethan fluidity and classical reference of Spenser and Shakespeare to a more rugged and colloquial style of poetry that would have its followers through the next several centuries. Donne’s early love poetry was collected in Songs and Sonnets (1633), from which the following poems are taken. The Flea Mark but this flea, and mark in this, How little that which thou deniest me is; It suck'd me first, and now sucks thee, And in this flea our two bloods mingled be. Thou know'st that this cannot be said 5 A sin, nor shame, nor loss of maidenhead; Yet this enjoys before it woo, And pamper'd swells with one blood made of two; And this, alas ! is more than we would do. O stay, three lives in one flea spare, 10 Where we almost, yea, more than married are. This flea is you and I, and this Our marriage bed, and marriage temple is. Though parents grudge, and you, we're met, And cloister'd in these living walls of jet. 15 Though use make you apt to kill me, Let not to that self-murder added be, And sacrilege, three sins in killing three. Cruel and sudden, hast thou since Purpled thy nail in blood of innocence? 20 Wherein could this flea guilty be, Except in that drop which it suck'd from thee? Yet thou triumph'st, and say'st that thou Find'st not thyself nor me the weaker now. -
Loss , Love and Geographical Imagination in Donne's Poetry
Ministry of Higher Education and Scientific Research University of Al-Qadisiyah College of Education Department of English Loss , Love and Geographical Imagination in Donne's Poetry Submitted By Fatima Latif Salman Nabad Ahmad Marzah Supervised By Lect. Ahmed Abdul Hussein Chiyad May 2018 Dedication This work is dedicated to our dear parents for their patience, help, understanding and support during all the years of our studies Also, I dedicate this work to our best friends It is dedicated to all whom we love without exception. ii Acknowledgements In the name of Allah, Allah who teaches us with pen and teaches human beings what they do not know. May peace be upon our prophet Muhammad, the noblest human being and the teacher of all people in the world. He is a chosen prophet who has most fluent tongue. All praise and gratitude be to Allah having power upon all people on earth, giving the inspirations, health, and power to me, so I can finally finish this Dissertation. We very grateful to my supervisor, Lect. Ahmed Abdul Hussein for showing us the way to the generative level, for all his encouraging support and for being an inexhaustible source of helpful comments. iii Contents Dedication ii Acknowledgements iii Contents iv Abstract v Chapter One Jonne Donne's Life and Career 1 Notes 6 Chapter Two Loss , Love and Geographical Imagination in Donne's Poetry 8 Notes 15 Conclusion 17 Bibliography 18 iv Abstract John Donne is acknowledged as the master of metaphysical poetry and is admired for his talent and magnificent wit exercised in his writing. -
Literature and the Encounter with God in Post-Reformtion England, C. 1550 - 1704 Michael Thomas Martin Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2012 Hallowed ground: literature and the encounter with god in post-reformtion england, c. 1550 - 1704 Michael Thomas Martin Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the English Language and Literature Commons, and the Other Religion Commons Recommended Citation Martin, Michael Thomas, "Hallowed ground: literature and the encounter with god in post-reformtion england, c. 1550 - 1704" (2012). Wayne State University Dissertations. Paper 456. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. HALLOWED GROUND: LITERATURE AND THE ENCOUNTER WITH GOD IN POST-REFORMATION ENGLAND, C.1550 – 1704 by MICHAEL MARTIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2012 MAJOR: ENGLISH Approved by ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ ____________________________________ © COPYRIGHT BY MICHAEL MARTIN 2012 All Rights Reserved DEDICATION for Bonnie “since all Divinity is love or wonder” ii ACKNOWLEDGMENTS I could never have completed—or even contemplated—this dissertation without the direction, help, and support of mentors, colleagues, friends, and family members. I could never begin to repay them for their generosity, which has given me a deeper appreciation for the admission, “Beggar that I am, I am even poor in thanks.” Ken Jackson’s forthrightness, insightful readings of my drafts, and knowledge of both early modern English literature and Continental philosophy were of great benefit to me as I worked through the issues of this study. -
The Metaphysical Poet: John Donne and His Religious Experience in Poetry
ORIGINAL ARTICLE © UIJIR | ISSN (O) - XXXX-XXXX June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion. -
Unit 4 Donne: “The Sun Rising” and “Death Be Not Proud”
UNIT 4 DONNE: “THE SUN RISING” AND “DEATH BE NOT PROUD” Structure 4.0 Objectives 4.1 Introduction 4.2 Donne’s Poetic Sensibility 4.3 The Sunne Rising: Discussion 4.4 Holy Sonnets: A View 4.4.1 Death be Not Proud: Discussion 4.5 Let Us Sum Up 4.6 Questions 4.7 Suggested Readings 4.0 OBJECTIVES It is difficult to integrate John Donne with the stream of poetry in English. From the point of view of the period in which he wrote, he happens to be between Wyatt, Surrey, Spenser and Shakespeare on one side and Milton on the other. This is speaking merely in relation with his immediate predecessors and contemporaries—the latter were the Jacobean dramatists such as John Webster, Beaumont and Fletcher who presented states of mind that had no ideals to pursue. Indeed, the Jacobean period was of decline, not just economically but also in terms of the views and ideas that floated around. Ben Jonson, Marlowe, and Sidney were placed a little before Donne. Those who came later such as the Cavalier Poets kept an eye on narrow interests of seeking patronage also formed a category to be considered in the context. The Cavalier poets were royalists, in sync with the authority headed by the king. They constituted the circles of influence in the first three decades of the seventeenth century. More importantly, England in this period went through the processes of transition and instability. Apart from religion and ideology involving succession following the death of Queen Elizabeth, the crucial pressures emanated from the politics of the day carrying the burden of economic clashes and conflicts. -
PGEG S1 02 (Block 2)
PGEG SI 02 KRISHNA KANTA HANDIQUI STATE OPEN UNIVERSITY Patgaon, Rani Gate, Guwahati-781017 SEMESTER 1 MA IN ENGLISH COURSE 2: ENGLISH POTERY: CHAUCER TO THE NEO-CLASSICAL BLOCK 2: METAPHYSICAL POETRY TO MILTON CONTENTS Unit 6: Introducing Metaphysical Poetry Unit 7: John Donne: “The Good Morrow”, “Death Be Not Proud” Unit 8: Andrew Marvell: “To His Coy Mistress” and “The Garden” Unit 9: John Milton: Paradise Lost “Book I” (Part I) Unit 10: John Milton: Paradise Lost “Book I” (Part II) REFERENCES : For All Units Subject Experts Prof. Pona Mahanta, Former Head, Department of English, Dibrugarh University Prof. Ranjit Kumar Dev Goswami, Srimanta Sankardeva Chair, Tezpur University Prof. Bibhash Choudhury, Department of English, Gauhati University Course Coordinator : Dr. Prasenjit Das, Assistant Professor, Department of English, KKHSOU SLM Preparation Team Units Contributors 6 & 8 Chayanika Roy, KKHSOU 7 Bashabi Gogoi, Former Academic Consultant, KKHSOU 9 & 10 Dr. Pritima Sarma, Former Academic Consultant, KKHSOU & Dr. Prasenjit Das Editorial Team Content: Prof. Udayon Misra, Former Head, Department of English, Dibrugarh University (Units 7,9,10) In house Editing (Units 6 & 8) Structure, Format and Graphics: Dr. Prasenjit Das May, 2017 This Self Learning Material (SLM) of the Krishna Kanta Handiqui State University is made available under a Creative Commons Attribution-Non Commercial-ShareAlike4.0 License (International) : http.//creativecommons.org/licenses/by-nc-sa/4.0 Printed and published by Registrar on behalf of the Krishna Kanta Handiqui State Open University. Headquarters: Patgaon, Rani Gate, Guwahati-781017 City Office: Housefed Complex, Dispur, Guwahati-781006; Web: www.kkhsou.in The University acknowledges with strength the financial support provided by the Distance Education Bureau, UGC for preparation of this material. -
Preparing for the Poetry Exam: John Donne [Source (With Some Amendments): Richard Huish College, Taunton]
Preparing for the Poetry Exam: John Donne [Source (with some amendments): Richard Huish College, Taunton] The poetry question is assessed mainly on AO3, so you need to be aware of all the techniques that Donne uses in terms of language, structure and form. The following are some of these techniques, though you may think of more. You need to be able to make cross-references across the poems to illustrate these techniques as part of your answer. 1. General issues on form Donne's poems were collected under a general heading of "Songs and Sonnets", written between 1593 and 1601, but first published in 1633, two years after Donne's death (Shakespeare was 8 years older than Donne). Many Elizabethan love poems were written in the lyric, and particularly the sonnet forms, in a smoothly flowing language style. Hence they could quite easily be set to music and we have two poems called "songs" in our collection. Poetry is often described as 'lyric' and this relates to the fact that the earliest poetry written by the Greeks was written to be sung to the accompaniment of a lyre (an ancient Greek instrument). Even now, the term 'lyric' relates to words set to music. A lyric is usually fairly short (between 12 and 30 lines) and expresses the thoughts or feelings of a single speaker in a personal and subjective fashion. The Renaissance, when Donne was writing, was the great age of the lyric, not only in England but also in France and Italy. Early Elizabethan poets, such as Sir Thomas Wyatt and the Earl of Surrey, made outstanding contributions to the genre and wrote songs, lyrics and sonnets.