Poems by Thomas Hardy Questions by Dr
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Thomas Hardy Winter Words Poetry and Personal Writings POETRY Read by Bruce Alexander and Janet Maw NA237312D 1 The Oxen * 1:58 2 So begins The Life of Thomas Hardy r 1:18 3 A Church Romance # 2:15 4 The Self-Unseeing * 2:03 5 Neutral Tones * 1:18 6 When I Set Out For Lyonnesse * 3:47 7 Poems of Childhood and Home r 0:31 8 Domicilium * 2:36 9 During Wind And Rain # 1:26 10 The House Of Hospitalities * 0:49 11 Night In The Old Home * 1:15 12 Wessex Poems r 1:41 13 A Trampwoman’s Tragedy # 5:10 14 At The Railway Station * 1:23 15 One Ralph Blossom Soliloquizes * # 1:22 16 The Ruined Maid # 1:47 17 The Lost Pyx * 3:42 18 Great Things * 1:14 19 Weathers * 0:50 20 Snow In The Suburbs * 1:20 2 21 The Fallow Deer At The Lonely House # 0:59 22 Poems Past And Present r 1:58 23 In Tenebris I (From Psalm 102) * 1:10 24 In Tenebris II (From Psalm 142) * 1:55 25 Wessex Heights * 2:49 26 At Day-Close In November * 0:36 27 Shut Out That Moon # 1:14 28 The Five Students * 1:58 29 A Commonplace Day * 2:11 30 I Look Into My Glass * 0:40 31 Nobody Comes * 0:51 32 Exeunt Omnes * 1:03 33 Satires Of Circumstance r 0:52 34 The Workbox * 1:32 35 ‘Ah, Are You Digging On My Grave?’ # 1:56 36 In Church * 0:47 37 In The Cemetery * 0:42 38 At Tea # 0:44 39 At A Watering Place * 0:46 40 The Curate’s Kindness * 1:52 3 41 The Rash Bride * 5:45 42 Poems of Love And Loss r 2:15 43 A Countenance * 0:58 44 The Contretemps * 3:00 45 Plena Timoris * 1:14 46 Molly Gone * 1:37 47 A Broken Appointment * 0:54 48 The Division * 0:35 49 The Photograph * 1:54 50 Thoughts Of Phena -
Poems of the Past and the Present Online
iZXjl (Mobile ebook) Poems of the Past and the Present Online [iZXjl.ebook] Poems of the Past and the Present Pdf Free Thomas Hardy *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook Hardy Thomas 2016-04-27Original language:English 9.21 x .69 x 6.14l, 1.26 #File Name: 1354881273Poems of the Past and the Present | File size: 29.Mb Thomas Hardy : Poems of the Past and the Present before purchasing it in order to gage whether or not it would be worth my time, and all praised Poems of the Past and the Present: 2 of 2 people found the following review helpful. Great poems, but why not buy an anthology?By Bill R. MooreThomas Hardy's second poetry collection, 1901's Poems of the Past and the Present, may be his best original volume and is likely my personal favorite. It definitely showed that the greatness of Wessex Tales, the first book of poetry by a writer who had long been famous and acclaimed for novels, was no fluke. The book may well have Hardy's best individual poems, including "The Darkling Thrush," perhaps his best known work. Other classics include "`I Said to Love,'" "A Broken Appointment," "The Ruined Maid," and "In Tenebris." Also here are some lesser-known works that are among my personal favorites: "To an Unborn Pauper Child," "The Respectable Burgher on `The Higher Criticism'," and "The Church-Builder." General quality aside, this collection is notable for several features distinguishing it from Hardy's other great poetry books. -
Music Inspired by the Works of Thomas Hardy
This article was first published in The Hardy Review , Volume XVI-i, Spring 2014, pp. 29-45, and is reproduced by kind permission of The Thomas Hardy Association, editor Rosemarie Morgan. Should you wish to purchase a copy of the paper please go to: http://www.ingentaconnect.com/content/ttha/thr/2014/00000016/0 0000001/art00004 LITERATURE INTO MUSIC: MUSIC INSPIRED BY THE WORKS OF THOMAS HARDY Part Two: Music composed after Hardy’s lifetime CHARLES P. C. PETTIT Part One of this article was published in the Autumn 2013 issue. It covered music composed during Hardy’s lifetime. This second article covers music composed since Hardy’s death, coming right up to the present day. The focus is again on music by those composers who wrote operatic and orchestral works, and only mentions song settings of poems, and music in dramatisations for radio and other media, when they were written by featured composers. Hardy’s work is seen to have inspired a wide variety of music, from full-length operas and musicals, via short pieces featuring particular fictional episodes, to ballet music and purely orchestral responses. Hardy-inspired compositions show no sign of reducing in number over the decades. However despite the quantity of music produced and the quality of much of it, there is not the sense in this period that Hardy maintained the kind of universal appeal for composers that was evident during the last two decades of his life. Keywords : Thomas Hardy, Music, Opera, Far from the Madding Crowd , Tess of the d’Urbervilles , Alun Hoddinott, Benjamin Britten, Elizabeth Maconchy In my earlier article, published in the Autumn 2013 issue of the Hardy Review , I covered Hardy-inspired music composed during Hardy’s lifetime. -
Thomas Hardy: Scripting the Irrational
1 Thomas Hardy: Scripting the Irrational Alan Gordon Smith Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds York St John University School of Humanities, Religion and Philosophy April 2019 2 3 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Alan Gordon Smith to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 4 5 Acknowledgements I am extremely grateful to have been in receipt of the valuable support, creative inspiration and patience of my principal supervisor Rob Edgar throughout my period of study. This has been aided by Jo Waugh’s meticulous attention to detail and vast knowledge of nineteenth-century literature and the early assistance of big Zimmerman fan JT. I am grateful to the NHS for still being on this planet, long may its existence also continue. Much thought and thanks must also go to my late, great Mother, who in the early stages of my life pushed me onwards, initially arguing with the education department of Birmingham City Council when they said that I was not promising enough to do ‘O’ levels. Tim Moore, stepson and good friend must also be thanked for his digital wizardry. Finally, I am immensely grateful to my wife Joyce for her valued help in checking all my final drafts and the manner in which she has encouraged me along the years of my research; standing right beside me as she has always done when I have faced other challenging issues. -
Thomas Hardy Poems
1 Thomas Hardy Poems Thomas Hardy (1840 1928) was an English novelist and poet. After a successful writing career that included such novels as Far from the Madding Crowd (1874), The Return of the Native (1878), The Mayor of Casterbridge (1886), and Tess of the D’Urbervilles (1891), his last novel, Jude the Obscure (1895) was roundly condemned by the church as immoral. After that, Hardy concentrated on writing poetry. In 1898 he published Wessex Poems; he continued to publish poetry throughout the rest of his life. “The Man He Killed” (1909) Had he and I but met By some old ancient inn, We should have set us down to wet Right many a nipperkin! But ranged as infantry, 5 And staring face to face, I shot at him as he at me, And killed him in his place. I shot him dead because— Because he was my foe, 10 Just so: my foe of course he was; That's clear enough; although He thought he'd 'list, perhaps, Off-hand like—just as I— Was out of work—had sold his traps— 15 No other reason why. Yes; quaint and curious war is! You shoot a fellow down You'd treat, if met where any bar is, Or help to half a crown. 20 Neutral Tones (1898) We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; —They had fallen from an ash, and were gray. Your eyes on me were as eyes that rove 5 2 Over tedious riddles solved years ago; And some words played between us to and fro On which lost the more by our love. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
The Decay of Romanticism in the Poetry of Thomas Hardy
tI| THE DECAY OF ROMANTICISM IN THE POETRY OF THOMAS HARDY THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS, By Carolynn L. Wartes, B. S. Denton, Texas December 1978 Wartes, Carolynn, The Deea _of Romanticism in the Poe of Thomas Har4d. Master of Arts (English), December 1978, 121 pp., bibliography, 29 titles. The purpose of this study is to demonstrate that the concept of a godless universe governed by a consciousless and conscienceless Immanent Will in Hardy's poetry is an ineluctable outcome, given the expanded scientific knowledge of the nineteenth century, of the pantheistic views of the English Romantic poets. The purpose is accomplished by tracing characteristically Romantic attitudes through the representative poetry of the early Victorian period and in Hardy's poetry. The first chapter is a brief introduction. Chapter II surveys major Romantic themes, illustrating them in Words- worth's poetry. Chapter III treats the decline of the Romantic vision in the poetry of Tennyson and Arnold. Hardy's views and the Victorian poets' influence are the subject of Chapter IV. Chapter V demonstrates Wordsworth's influence on Hardy in several areas. TABLE OF CONTENTS Chapter Page I. INTRODUCTIONC..1.......... II. ROMANTICISM AND WORDSWORTH . 6 III. THE VICTORIANS: TENNYSON AND ARNOLD . 26 IV. HARDY . -o-*- -. .*** *56 V. CONCLUSION: WORDSWORTH AND HARDY . 100 BIBLIOGRAPHY . .. .118 iii CHAPTER I INTRODUCTION Although Thomas Hardy is generally recognized as a late Victorian novelist and poet, scholars have noted that much of his poetry is more modern than Victorian. -
English Compulsory – Ii
ENGLISH COMPULSORY – II B.A. English Semester - I BAG - 103 SHRI VENKATESHWARA UNIVERSITY UTTAR PRADESH-244236 BOARD OF STUDIES Prof (Dr.) P.K.Bharti Vice Chancellor Dr. Rajesh Singh Director Directorate of Distance Education SUBJECT EXPERT Dr. S.K.Bhogal, Professor Dr. Yogeshwar Prasad Sharma, Professor Dr. Uma Mishra, Asst. Professor COURSE CO-ORDINATOR Mr. Shakeel Kausar Dy. Registrar Authors Dr Priyanka Bhardwaj, Units: (1, 2.0-2.2, 2.2.1, 2.4.3, 2.5.1, 2.6.3, 2.9.2, 2.10-2.14) © Dr Priyanka Bhardwaj, 2019 Dr Shuchi Agrawal, Units: (2.3, 2.4-2.4.2, 2.9-2.9.1, 3.2.3) © Dr Shuchi Agrawal, 2019 Khusi Pattanayak, Units: (2.3.1-2.3.4, 2.6.2, 2.8-2.8.1) © Khusi Pattanayak, 2019 Deb Dulal Halder, Units: (2.5, 2.6-2.6.1, 2.7-2.7.1) © Deb Dulal Halder, 2019 Vivek Kumar, Units: (3.0-3.1, 3.2-3.2.2, 3.2.4-3.2.5, 3.3-3.4.3, 3.5-3.5.3, 3.6-3.10) © Vivek Kumar, 2019 Dr Joita Dhar Rakshit, Unit: (4.2-4.4) © Dr Joita Dhar Rakshit, 2019 Pramindha Banerjee, Unit: (5.3, 5.4.3) © Pramindha Banerjee, 2019 Vikas Publishing House, Units: (4.0-4.1, 4.5-4.9, 5.0-5.2, 5.4-5.4.2, 5.5-5.9) © Reserved, 2019 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. -
Neutral Tones
Get hundreds more LitCharts at www.litcharts.com Neutral Tones day—the other person's face, the sun, the pond, the trees, and POEM TEXT the fallen leaves. 1 We stood by a pond that winter day, THEMES 2 And the sun was white, as though chidden of God, 3 And a few leaves lay on the starving sod; 4 – They had fallen from an ash, and were gray. LOVE AND LOSS “Neutral Tones” is a melancholic poem that looks at 5 Your eyes on me were as eyes that rove the dying moments of a relationship between the 6 Over tedious riddles of years ago; speaker and his (or her) lover. Defeated in tone, the poem 7 And some words played between us to and fro shows the way in which love contains the possibility of loss. It also demonstrates how this loss can completely alter a person’s 8 On which lost the more by our love. perception of the world and the person they once loved. Through the example of the speaker and the speaker's lover, 9 The smile on your mouth was the deadest thing the poem shows how embracing love always involves risking 10 Alive enough to have strength to die; painful loss and estrangement, and it even suggests that all love 11 And a grin of bitterness swept thereby might inherently deceptive. 12 Like an ominous bird a-wing…. The speaker captures a very specific moment in the poem: the death of the love between two people. Though the reader 13 Since then, keen lessons that love deceives, doesn’t know anything about the history of the relationship 14 And wrings with wrong, have shaped to me (including the gender of the speaker or the lover), the speaker 15 Your face, and the God curst sun, and a tree, creates a vivid, detailed depiction of exactly what the couple’s 16 And a pond edged with grayish leaves. -
A Bibliography of the Richard Johnson Collection of Hardyana “Hardy’S Se�Ings Always Intrigued Me” “HARDY’S SETTINGS ALWAYS INTRIGUED ME”
“HARDY’S SETTINGS ALWAYS INTRIGUED ME” A Bibliography of the Richard Johnson Collection of Hardyana “Hardy’s Se�ings Always Intrigued Me” “HARDY’S SETTINGS ALWAYS INTRIGUED ME” A Bibliography of the Richard Johnson Collection of Hardyana Prepared by Lyle Ford and Jan Horner University of Manitoba Libraries 2007 The University of Manitoba Libraries Thomas Hardy Collection: An Introduction _______________________ The start of what was to become an ongoing fascination with the writings of Thomas Hardy came for me in 1949-50 when I was in Grade XII at Gordon Bell High School in Winnipeg. At that time, the English requirement was a double course that represented a third of the year’s curriculum. The required reading novel in the Prose half of the course was The Return of the Native. The poetry selections in the Poetry and Drama half were heavily weighted with Wordsworth but included five or six of Hardy’s poems to represent in part, I suppose, “modern” poetry. I was fortunate to have Gordon (“Pop”) Snider as my English teacher for Grades X through XII at Gordon Bell (the original school at Wolseley and Maryland). Up to that point English classes had involved an interminable run of texts in the “Vitalized English” series that entailed studies of word usage, required 7 readings, and the repetitive study of parts of speech that le� me cold. Snider introduced us to figures of speech in a systematic way in Grade X and from there made literature come alive for me. At the same time, I was completing five years of Latin with W. -
Title Two Fallen Women in Thomas Hardy's Poems : "The Woman I Met"
Two Fallen Women in Thomas Hardy's Poems : "The Woman I Title Met" and "The Chapel Organist" Author(s) NAGAMORI, Akemi Citation 人間・環境学 (2017), 26: 229-238 Issue Date 2017-12-20 URL http://hdl.handle.net/2433/235186 Right ©2017 京都大学大学院人間・環境学研究科 Type Departmental Bulletin Paper Textversion publisher Kyoto University 人間・環境学,第 26 巻,229-238 頁,2017 年 229 Two Fallen Women in Thomas Hardyʼs Poems : “TheWomanIMet” and “The Chapel Organist” Akemi NAGAMORI Graduate School of Human and Environmental Studies, Kyoto University, Kyoto 606-8501 Japan Summary Among the most prominent “fallen women” described in Thomas Hardyʼs works is Tess in Tess of the d’Urbervilles (1891). Fanny Robin in Far From the Madding Crowd (1874) andSue Brideheadin Jude the Obscure (1895) are also recognizedas “fallen-women” characters. Such women promptedharsh criticism from Victorian readers, on account of the stark description of the “fallen woman” in the novels. Hardyʼs poems also deal with “fallen women.” Discussion of his poetry in a large number of studies on his major poetic works often tendsto be concernedwith his pessimistic view of life, influencedby Schopenhauer, his “philosophy of life,” or his attitudestowardGodandChristianity. Therefore, by focusing on the two protagonistsʼ femininity of “The Woman I Met” and “The Chapel Organist,” this paper will pay attention to the significance of these fallen-women poems written in Hardyʼs later years and present the poetʼs view of a woman, especially of the two fallen womenʼs conscience that associates them with Christianity. mindto commit suicidein the presence of people in the Introduction chapel immediately after playing the instrument for the last time. -
THOMAS HARDY the V Ariorun1 Edition OF
THE VARIORUM EDITION OF THE COMPLETE POEMS OF THOMAS HARDY THE V ariorun1 Edition OF THE Complete Poems OF THOMAS HARDY EDITED BY James Gibson M THE VARIORUM EDITION OF THE COMPLETE POEMS OF THOMAS HARDY Poems 1-919, 925--6, 929-34 and 943, Thomas Hardy's prefaces and notes © Macmillan London Ltd Poems 920-4, 927-8, 935-42 and 944-7 © Trustees of the Hardy Estate Editorial arrangement © Macmillan London Ltd 1976, 1979 Introduction and editorial matter ©James Gibson 1979 Typography © Macmillan London Ltd 1976, 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-23773-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission. ISBN 978-1-349-03806-0 ISBN 978-1-349-03804-6 (eBook) DOI 10.1007/978-1-349-03804-6 The Variorum Edition first published in 1979 by MACMILLAN LONDON LIMITED 4 Little Essex Street London WC2R 3LF and Basingstoke Associated companies in Delhi, Dublin, Hong Kong, johannesburg, Lagos, Melbourne, New York, Singapore and Tokyo Typeset by WESTERN PRINTING SERVICES L TO, BRISTOL Contents LIST OF MANUSCRIPT My Cicely 51 ILLUSTRATIONS page xvii Her Immortality 55 INTRODUCTION XIX The Ivy-Wife 57 ACKNOWLEDGEMENTS XXXlll A Meeting with Despair 57 NOTES FOR USERS OF THE Unknowing 58 VARIORUM XXXV Friends Beyond 59 To Outer Nature 61 Domicilium 3 Thoughts of Phena 62 Middle-Age Enthusiasms 63 Wessex Poems and Other Verses In a Wood 64 Preface 6 To a Lady 65 The Temporary the All 7 To a Motherless Child 65 Amabel 8 Nature's Questioning 66 Hap 9 The Impercipient 67 In Vision I Roamed 9 At an Inn 68 At a Bridal 10 The Slow Nature 69 Postponement 11 In a Eweleaze near Weatherbury 70 A Confession to a Friend in Trouble 11 The Bride-Night Fire 71 Neutral Tones 12 Heiress and Architect 75 She at His Funeral 12 The Two Men 77 Her Initials 13 Lines 79 Her Dilemma 13 I Look Into My Glass 81 Revulsion 14 She, to Him I 14 Poems of the Past and the Present She, to Him II 15 Preface 84 She, to Him III 15 V.R.