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Recent Back Numbers RECENT BACK NUMBERS Volume XIX- i: Spring 2017. Order number 0250118 Uncollected Items – Series-: P. K. Lennon, “Some Blessed Hope.”; Hardy Abroad- Series-“Hardy in Oman,” Nada-al-Ajmi; Articles: John Hughes, “A Metrical Reading of ‘The Oxen’”; R. H. Winnick, “Some New Allusions in Hardy’s The Woodlanders”; Miriam Sette, “Thomas Hardy, Far From the Madding Crowd and the Turn of the Lyric”; Emilie Loriaux, “Hardy’s Lesson: Mind your Desires Since Creation is ‘MAYA’”; Living Poets – Series- Mark Sealey, “Better There Be.” Reviews. Volume XVIII-ii: Fall 2016: Order number 6381726 Hardy Abroad - Series- “Hardy in Italy,” Elena Rimondo; Articles: John Hughes, “Hardy’s Two Voices: ‘The Oxen’ and its Contexts”; Elle Everhart, “Tiny Creatures, Trophic Pyramids and Hardy’s The Dynasts”; Kyle Miller, “An Evolving Perspective: The Apatable Metaphysics of Thomas Hardy”; R. H. Winnick, “Hardy’s Two on a Tower: Some Lost Allusions Found”; Living Poets – Series: Eight Poems by Kathryn Kerr, “Field Ecologist’s Love Song”; “Displacement”; “Solstice”; “Sasaskia, in Memoriam”; “Near the End”; “I’ve Done Enough Burning”; “New Subdivision, Central Illinois”; “Fall.” Reviews. Volume XVIII-i: Spring 2016: Order number Hardy Abroad – (Series), Articles: George Christian, “Not Without a Sense of Humour”: Hardy’s Comic Consciousness in Jude the Obscure”; Philip Allingham, “William Tinsley’s Illustrated Edition of Under the Greenwood Tree”; Suzanne J. Flynn, “The Return of the Poor Man: Jude the Obscure and Late Victorian Socialism”; Joan Sheski, “Mark Van Doren’s Homage to Thomas Hardy”; Living Poets – (Series): Ten Poems from Bill Morgan’s The Art of Salvage: “Morning Pause”; “Reckoning: An Autumn Afternoon”; “Losing Ground”; “Ephemeroptera”; “Six Tree Sparrows”; “Equinox”; “Christmas Morning”; “Restoration”; “Spirits of the Field”; “A Second Eden.” Reviews; Ordnance Survey Map First Series – Dorchester Region. Volume XVII-ii: Fall 2015: Order number 5935749 Uncollected Items:The Aldine, 1875, uncollected review of FFMC; Hardy Abroad: Hardy in France, Peggy Blin- Gordon & Laurence Estanove; Tracy Hayes, ‘“An Unpedestalled Dionysius’: The Alpha-Male as Anrogyne in DR and L”; R.H. Winnick, “Some New Allusions in Hardy’s Complete Poems”; Ian Rogerson, “Creative Wood=Engraved Illustration in the Novels of TH”; Living Poets: Six Poems by Patricia Brady; Book Reviews. Volume XVII-i: Spring 2015: Order number 5629818 Uncollected Items: Wessex Dialect Glossary; John Hughes, “Metre and Mourning: Hardy’s ‘The Going’ and Poems of 1912-13”; John Farrell, “Matthew Arnold and Thomas Hardy: Three Ties That Bind”; Gillian Steinberg, “Thomas Hardy and Philip Larkin: Influence, Anxiety, and Personae”; R.H. Winnick, “Hardy’s PBE: Some Lost Allusions Found”; Living Poets: Three Poems by Three Poets: David Havird, Mark Halliday, David Latané; Book Reviews. Volume XVI-ii: Fall 2014: Order number 5183632 Uncollected Items: R H. Winnick, “Two Unrecorded Allusions in “Tess”; Hardy Abroad: Galia Benziman, “Hardy in Israel”; Lisa Hoffman-Reyes,”‘Terribly Beautiful’: T D”; Philip V. Allingham, “John Collier’s Pre-Raphaelite Illustrations to T-M”; Living Poets: Five Poems by Martha Modena Vetreace-Doody; Book Reviews. Volume XVI-i: Spring 2014: Order number 4874445 Uncollected Items: “The Original Publication of ‘To Please His Wife’”; Hardy Abroad: Neelanjana Basu, “Hardy in India”; Charles Pettit, “Literature Into Music: Music Inspired by Thomas Hardy”; Mary Lynn Bensen, “Impress- ionism and ‘Various Persons’ in FFMC”; Oindrila Ghosh, “Surrogacy, Adoption and Hardy’s Unsentimental Views on Motherhood: The Case of Selected Short Stories”; Khatereh Tanoori, ‘“Be Not Perturbed’: Stoicism and Heroism in Thomas Hardy’s Fiction”; Rodney Stenning Edgecombe, “A Note on Two Allusions in FFMC”; Living Poets: Three Poems by Floyd Skloot; Book Reviews. Volume XV-ii: Fall 2013: Order number 4581273 Uncollected Items: “The Case of Hardy, Mary Robinson and the Earliest Notice of Tess “; George Levine, “Hardy’s ‘Inward Turn’: From Mindless Matter to the Art of the Mind”; Mark Rollins, “The Profitable Reading of Fancy: In- determinacy in UGT”; Charles P. C. Pettit, “Music Inspired by the Works of Thomas Hardy” I; Ronald D. Morrison, “Culture and Agriculture in ‘The Dorsetshire Labourer’ and MC: An Ecocritical Approach”; Rodney Stenning Edgecombe, “A Note on Hardy’s ‘The Darkling Thrush’ and Jane Eyre.” Living Poets: Four Poems by Rick Vetrone; Book Reviews. Volume XV-i: Spring 2013: Order number 4317547 Guest Editors: I. Gadoin and A. Ramel; Jonathon Godshaw Memel, “Some Poor Gaper: Community, Identity and Marginal Individuals in Hardy’s Fiction”; Emanuela Ettorre, “Voyeurism and Liminality in Thomas Hardy’s Short Stories”; Rosemarie Morgan, “Hardy and Epigenetics: the Case of ‘An Imaginative Woman’ and ‘San Sebastian’”; Peggy Blin-Cordon, “Hardy and Generic Liminality: the Case of MC and JO”; Elisa Bizotto, “WB: The Persistence of 107 Liminality”; Claude Maisonnat, “Arkhè, Archive and the Textual Voice in ‘The Melancholy Hussar of the German Legion’”; Laurence Estanove, “[As] Though /I Were Not By”: Marty South, ‘Parenthetically.’” Volume XIV-ii: Fall 2012: Order number 4185065 Uncollected Items: “Tess of the d’Urbervilles,” a poem by Charles Knowles Bolton, 1895”; Herbert F. Tucker, “At the Bottom Line: How Hardy Tries Conclusions”; Rodney Stenning Edgecombe, “Thomas Hardy and Victor Hugo: ‘The Oxen”; Philip V. Allingham, “Reading with the Mind’s Eye”; Keith Clavin, “A History of Negation: Liberty and Coercion in JO”; Hardy Abroad: Zane Linde, “Thomas Hardy in Latvia.” Living Poets: Seven Poems by Gray Jacobik; Book Reviews. Volume XIV-i: Spring 2012: Order number 382091 Hardy Abroad – (Series), Articles: George Christian, “Not Without a Sense of Humour”: Hardy’s Comic Consciousness in Jude the Obscure”; Philip Allingham, “William Tinsley’s Illustrated Edition of Under the Greenwood Tree”; Suzanne J. Flynn, “The Return of the Poor Man: Jude the Obscure and Late Victorian Socialism”; Joan Sheski, “Mark Van Doren’s Homage to Thomas Hardy”; Living Poets – (Series): Ten Poems from Bill Morgan’s The Art of Salvage: “Morning Pause”; “Reckoning: An Autumn Afternoon”; “Losing Ground”; “Ephemeroptera”; “Six Tree Sparrows”; “Equinox”; “Christmas Morning”; “Restoration”; “Spirits of the Field”; “A Second Eden.” Reviews; Ordnance Survey Map First Series – Dorchester Region. 108 .
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  • Poems by Thomas Hardy Questions by Dr
    Poems by Thomas Hardy Questions by Dr. Boos “Channel Firing” 1. Why does Hardy set this poem in a churchyard? What is the point of using such expressions as “the glebe cow” and “Christes sake”? 2. From whose point of view is the poem told? What is the effect of making “God” a character in the poem? 3. What is the effect of the stanza form and rhythm? 4. What do you make of God’s use of colloquial expression? 5. What dead human being receives the last word, and why is he chosen? 6. Are there droll or humorous aspects to the poem? Even if so, is the poem ultimately lighthearted? 7. What is the meaning of the poem? What is added by the final allusions to “Stourton Tower, / And Camelot, and starlit Stonehenge”? “The Oxen” 1. To what legend does the poem refer? Why do you think Hardy chose the legend of the kneeling oxen to represent Chrismas rather than, say, legends of angels or Santa Claus? 2. What are features of the poem’s stanza form, rhythms, and rhymes? Are they appropriate for the topic? Is the poem too short? 3. How is dialogue and direct address used in the poem? What effect do these have? 4. What characterizes Hardy’s word choice? Would his audience have used words such as “barton” and “coomb”? 5. What does Hardy think of the truth of this legend? Why does he say that “I feel” I would go with a messenger reporting this event? 6. What are some implications of the finallLine? Are there beliefs beyond the legend of kneeling oxen in which the poet can have no faith? Or is the final line indeterminate? 7.
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