6 X 10.Long.P65

Cambridge University Press 0521828589 - A History of Korean Literature Edited by Peter H. Lee Index More information

Index

“60 nyondae˘ sik” (The sixties style), 474 Angler’s Calendar, The (Obu˘ sasi sa), 45 Abe’s Family (Abe ui˘ kajok), 478 “Angler’s Songs” (obu˘ sa [or ka]), 208–217 Acrobatics (Salp’an), 313 An Hamgwang, 498 address-reference terms, 37 An Hoenam, 403, 468 Admonition to the King of Flowers (Hwawang An Hyang, 144 kye), 94 “Anmin ka” (“Statesmanship”), 78–79, 86 “Adoration of a Six Shooter” (“Yukhyolp’o˘ An Minyong,˘ 221 sungbae”), 450 “Annyong”˘ (“Hello”), 508 “Ae ch’usok˘ sa” (“A Lament for an Autumn “Another Entrance” (“Tarun˘ ipku”), 424 Evening”), 42 “Another Home” (“Tto tarun˘ kohyang”), 372 Aeguk puinjon˘ (Life of a Patriotic Woman), 390 “Another Man’s Room” (“T’ain ui˘ pang”), 475 “Aengjok˘ ka” (“Song of Cherry Bandits”), 450 An Sokky˘ ong,˘ 268–269 “Again Harmonizing with My Two Friends” An Sugil, 471 (“Yanggun kyon˘ hwaujak”), 43 Anthology of Korean Literature in Chinese Age of Distrust, The (Pulsin sidae), 482 (Tong munson˘ ), 96, 328 Age of Heroes, The (Yongung˘ sidae), 476 “April” (“Sawol”),˘ 422 “Age of Transition” (“Kwadogi”), 398 Arai Hakuseki, 15 agrarian ﬁction, 476 Aristophanes, 77 “Ahop k’yolle˘ ui˘ kuduro namun˘ sanae” (“The “Arrows” (“Hwasal”), 451, 452 Man who was Left as Nine Pairs of Arumdaun˘ saebyok˘ (Beautiful Dawn), 346–347 Shoes”), 477 Aso Hisashi, 380 “Ajik ch’otppul ul˘ k’yolttae˘ ka animnida” “Assignation, The,” 410 (“Not Yet Time to Light a Candle”), At Munui˘ Village (Munui˘ maul˘ e waso˘), 451 363 “At Tabuwon”˘ (“Tabuwon˘ eso”),˘ 425 akchang, 148 “At the Beginning of the Feast,” 207 Akchang kasa (Words for Songs and Music), “At the Deathbed” (“Imjong”), 451–452 100–101, 107, 208, 209 “At the Endof the Feast,” 207 “Akkisinun˘ maum”˘ (“The Heart that Cares for “At the Ugang Station,” 97 Us”), 508 “At Yongdangni” (“Yongdangni eso”),˘ 448 “Alleyway” (“Kolmok”), 426 Austronesian languages, 16 allusions, 143 autumn (season), in poetry, 47–48, 346 alphabet, Korean (hangul˘ ), 26–30 “Awakening” (“Chagak”), 413–414 Altaic languages, 16 “Awful Hour” (“Musoun˘ sigan”), 372–373 Amidst Hardship (Siryon˘ sok eso˘), 502 Azaleas (Chindallaekkot), 348–349 Amitayus¯ cult, 83–84, 85 Analects, 1, 3, 92, 230 Ballad of Ch’oe Pyongdu˘ , 297 An Chohwan, 237–240, 259–260 Ballad of Maehwa of Kangnung˘ (Kangnung˘ An Ch’uk, 111 Maehwa t’aryong˘ ), 300 “Ancient-Style Garment” (“Kop’ung uisang”),˘ Ballad of Musugi (Musugi t’aryong˘ ), 300 425 Ballad of Pyon˘ Kangsoe (Pyon˘ Kangsoe ka or Angae ui˘ nun (Misty Snow), 478 Karujigi t’aryong˘ ), 295

551

552 Index

Ballad of Subcommander Pae (Paebijang airs in, 323, 326, 330 t’aryong˘ ), 291, 300 allusion to in “A Woman’s Sorrow,” 201 Ballad of the False Transcendent (Katcha sinson˘ allusion to in “Hall of Solitary Bliss,” 232 t’aryong˘ ), 300 allusion to in “Nuhang sa” (“In Praise of Ballad of the Miser Ong Kojip (Ong Kojip Poverty”), 230 t’aryong˘ ), 300 allusion to in “At the Endof the Feast,” Ballad of the Pheasant Cock (Changkki t’aryong˘ ), 207 300 ﬂies in, 216 Barbusse, Henri, 380 Kim Hujik’s quotations from, 92 Bare Tree, The (Namok), 487 love songs in, 100 Bartky, Sandra Lee, 461–462 normative tetrasyllabic line of, 101 Beautiful Dawn (Arumdaun˘ saebyok˘ ), 346–347 phrases denoting perpetuity, 176 “Before andAfter Liberation” (“Haebang study of, 1, 3, 92, 317 chonhu”),˘ 469–470 symbolization of family descent, 164 Before the March First Movement (“Mansejon”),˘ “Boozer, The” (“Sulkkun”), 475 396 Boys (Sonyon˘ ), 342 Beginning, The (“Kaebyok”),˘ 395 “Boy’s Bones, A” (“Tonghae”), 403 “Bell Warning the Public, A” (“Kyongsejong”),˘ “Breath andDream,” 439 391 “Brief History of Stars in Korea” (“Hanguk “Beside a Chrysanthemum” (“Kukhwa songsa˘ yak”), 426–427 yop’es˘ o”),˘ 426 “Broken Zither” (“P’agum”),˘ 412 “Betrayal” (“Paesin”), 471 “Brothers at the Feast” (“Yon˘ hyongje˘ kok”), 150 Bhadra-cari-pran. ıdh¯ ana¯ (Vows on the Practices of Bubble (P’omal), 483 the Bodhisattva), 82 Buddhism “Big Rat” (Soks˘ o),˘ 253 andthe Hwarang class, 67–83, 85 Big Story South (Taesol˘ nam), 451 andMaster W onhyo,˘ 92–94 biographical ﬁction, 265–267 in poetry, 165–167, 359–360 biographies in Silla, 83–85 of heroes, 390–391 Buddhism (Pulgyo), 386 Koryo˘ writings in Chinese, 127–136 see also pseudobiographies calendrical kasa, 243–245 “Biography of a Square-HoledCoin” “Calling a Boy,” 203 (“Kongbang chon”),˘ 137 “Calling Back the Soul” (“Ch’ohon”), 351–352 “Biography of Bamboo,” 138 “Camellias” (“Tongbaekkot”), 404 “Biography of Kuk Sun,” 137 Candlelight (Ch’otppul), 363 “Biography of Mao Ying” (“Mao Ying zhuan”), Canon of Music, 100–101, 104 136–137, 138–147 Cao Pi, 140, 319 Birds, The, 77 Capital Miscellany (Kyongdo˘ chapchi), 292, 304 “Birds Fly to the Forest” (“Saedur˘ un˘ sup’uro˘ “Carter, A” (“Kurumakkun”), 381 kanda”), 501 Cathay, 340 BirthofanEra(Sidae ui˘ t’ansaeng), 506 Catholic Youth, 374 “Black is Black, White is White” (“Hukh˘ uk˘ Central Arts Operative, 498 paekpaek”), 482 Central dialect, 19 Bloom, Jonquil (P’iora˘ susonhwa˘ ), 495 Ch’ae Mansik, 400, 403, 469 “Blue Clothes” (“P’urun˘ ot”), 448–449 “Chagak” (“Awakening”), 413–414 “Blue Sky” (“P’urun˘ hanul˘ ul”),˘ 430 “Chahwasang” (“Self-portrait”), 372–377, 387, “Blush in Shame, America” (“Ogur˘ ul˘ pulk’ira, 389 Amerik’a yo”),˘ 501 “Chajak namu sup uro˘ kaso”˘ (“Visit to a Birch bodhisattva Avalokite´svara, 83 Grove”), 452–453 bodhisattva Universally Worthy Chandung˘ (Lamplight), 468 (Samantabhadra), 81 “Changjinju sa” (“A Time to Drink”), 223 Book of Changes, 3, 41, 92, 141 Chang Kilsan, 477, 479 Book of Documents, 1, 3, 92 Changkki t’aryong˘ (Ballad of the Pheasant Cock), Book of Filial Piety, 1, 92 300 Book of Songs Chang Kyongnin,˘ 440–441

Index 553

Chang Manyong,˘ 365 Ch’oe Myongh˘ ui,˘ 486 “Changmat” (“Taste of Soy Sauce”), 424 Ch’oe Myongik,˘ 403, 502 “Changsam isa” (“The Common Crowd”), 403 Ch’oe Namson,˘ 342 Chang Tokcho,˘ 414 Ch’oe Sungja,˘ 461 Chang Yonghak, 472 Ch’oe Sohae,˘ 397 Chang Yu, 322 Ch’oe Soktu,˘ 499 “Chaninhan tosi” (“Cruel City”), 475 Ch’oe Yak, 144 “Ch’an Kip’arang ka” (“Ode to Knight Kip’a”), Ch’oe Yun, 494–495 44, 77–78, 86 Chogi˘ soriopssi˘ hanjom˘ kkonnip’i chigo (There a “Chapter of Life, The” (“Saengmyong˘ ui˘ so˘ Petal Silently Falls), 494–495 ilchang”), 378 “Choguk i sarang hanun˘ ch’ony˘ o”˘ (“A Young ch’asa sanoe style (kyok˘ ), 66, 67 Woman the HomelandLoves”), 507 Chayujong (Liberty Bell), 392 Choguk ui˘ pyol˘ (Homeland Stars), 452–453 Cheju dialect, 19 “Ch’ohon” (“Calling Back the Soul”), 351–352 “Che mangmae ka” (“Requiem for the Dead Cho Kich’on,˘ 499 Sister”), 75–77, 83, 86 “Chokpin”˘ (“Destitution”), 413–414 “Chesam inganhyong”˘ (“A ThirdKindof Chokto˘ (The Equator), 401 Man”), 471 Cho Kwangjo, 322 “Chiha ch’on” (“Underground Village”), 412 “Cholch˘ ong”˘ (“The Summit”), 371 Chi Haryon,˘ 414, 417, 468 “Ch’ollima˘ Undong” (“Gallant Steed “Chijuhoesi” (“Spiders meet a Pig”), 402 Campaign”), 501, 502 “Childhood Garden” (“Yunyon˘ ui˘ ttul”),˘ 488 “Cholmang˘ twie onun˘ kot”˘ (“What Comes after Chilmajae sinhwa (Tales of Chilmajae), 427 Despair”), 483 Chimaek (Earthly Ties), 415, 416 Cholm˘ unnal˘ ui˘ ch’osang (Portrait of a Youth), 476 China, Korean population in, 15 “Cholm˘ un˘ nut’inamu”˘ (“The Young Zelkova”), Chindallaekkot (Azaleas), 348–349 483 Chinese language Choms˘ on˘ monument, 90 early methods of reading, 88–90 Cho Myongh˘ ui,˘ 397 inﬂuence on Korean language, 22–24 “Chonban˘ ui˘ silp’ae” (“The Failure of a Half”), Korean literature written in, 39–40 492–493 replacement by Korean, 337 Ch’onby˘ on˘ p’unggyong˘ (Scenes on the Riverside), see also Choson˘ ﬁction in Chinese; Choson˘ 400 poetry in Chinese; Koryo˘ writings in “Chonch’˘ o˘ ki” (“Recordof the First Wife”), 416 Chinese; Silla writings in Chinese “Chongan˘ kisa” (“Stories from the Farm”), Chingam, Meditation Master, 97 255–256 Chinhung,˘ King, 83, 84–85 Chongbi˘ chon˘ (Tale of Queen Chong˘ ), 276–277 Chin Hwa, 145 Chong˘ Ch’im, 135 “Ch’isuk” (“My Idiot Uncle”), 403 Chong˘ Chisang, 41, 145, 320 Cho Chihun, 421, 425 Chong˘ Chiyong, 373–376, 420 Cho Chongnae,˘ 478, 479–480 Chong˘ Ch’ol,˘ 179–184, 192–200 Cho Chonsong,˘ 203 “Changjinju sa” (“A Time to Drink”), 223 Ch’oe Cha, 141, 142–143, 144, 147 education, 3–4 Ch’oe Ch’ansik, 392–393 kasa poems, 326 Ch’oe Ch’iwon,˘ 41, 97, 262, 321 poets inspiredby, 236, 255–257 Ch’oe Ch’ok˘ chon˘ (Tale of Ch’oe Ch’ok˘ ), 262, 264 “Songsan˘ pyolgok”˘ (“Little Odes to Mount Ch’oe Chongh˘ ui,˘ 415, 416, 419, 468 Star”), 198–200 Ch’oe Ch’ung, 118 use of similes, 192 Ch’oe Hae, 134 Ch’ongch’un˘ sungni˘ (Youth’s Victory), 468 Ch’oe Haenggwi, 67, 69, 81 Ch’ongdok ui˘ sori (The Governor-General’s Ch’oe Haksu, 508 Messages), 473 Ch’oe Harim, 454 Ch’onggu˘ yong˘ on˘ (Songs of Green Hills), 170, 329, Ch’oe Inho, 475 330, 331–332 Ch’oe Inhun, 473 “Ch’onggyech’˘ on˘ yukka” (“Ch’onggye˘ Sixth Ch’oe Kyongch’ang,˘ 253 Street”), 440–441 Ch’oe Malli, 29 Chong˘ Hagyu, 243–245

554 Index

Chong˘ Hwajin, 466 “Ch’oro ui˘ hwamong” (“Dream of Flowers with Chong˘ Hyonjong,˘ 436–439 Morning Dew”), 385 Chong˘ Io, 136 “Chory˘ ong˘ sinhwa” (“New Funny Story that Chongjo,˘ King, 334 Loosens the Hat String”), 391, 392 Chong˘ Kugin,˘ 46, 190–191 Cho Sehui,˘ 477 “Chong˘ Kwajong,”˘ 101–102, 111, 117 Choson˘ Daily, 395 Chong˘ Mongju, 145 Choson˘ dynasty, 24 Chong˘ Munhyang, 501, 507 Choson˘ eulogies, 148–167 Chong˘ Naegyo, 330 Buddhist poems of King Sejong, 165–167 Ch’ongnok˘ chip (Green Deer Anthology), 421–425, further reading, 544 427 Songs of Flying Dragons, 139–140, 150, 151–165 “Ch’ong˘ noru” (“Green Deer”), 423 canto, 43, 148–149 Ch’ongny˘ on˘ hoesim kok (Song of a Youth’s martial valor andprowess, 153 Repentance), 281, 287 moral andkingly virtues, 163 Chong˘ P’o, 145–146 tree of dynasty, 163–165 “Ch’ongp’odo”˘ (“Deep-purple Grapes”), 371 Choson˘ fiction “Chongsaenggi” (“Endof my Life”), 403 in Chinese, 261–272 “Ch’ongsan˘ pyolgok”˘ (“Song of Green biographical fiction, 265–267 Mountain”), 45, 101, 102, 107–109, 117 full-length fiction, 261, 269–271 Chong˘ So,˘ 103, 117 further reading, 545 “Chongs˘ ok˘ ka” (“Song of the Gong and overview, 261–262 Chimes”), 101, 117 tales of wonder (chuanqi) genre, 262–265 Chong˘ Sujong˘ chon˘ (Tale of Chong˘ Sujong˘ ), at turn of century, 261–271, 272 276–277 unofficial histories (yadam), 267–269 Chong˘ Tojon,˘ 250 in Korean, 273–287 comment on civil service examination, 316 clan fiction, 281–283 comment on literature, 317 dream visions and romance fiction, compositions presentedto throne, 148 277–281 poems about King T’aejo, 149 family fiction (kajong˘ sosol˘ ), 283–284 poems about Seoul, 149 founding of vernacular fiction, 273–274 view of literature, 145 further reading, 545 “Chong˘ tongbang kok” (“Pacification of the heroic fiction, 275–277 East”), 149 new classical fiction (sinjak ku sosol˘ ), Chong˘ Tongyu, 326 286–287 “Chong˘ up-kun˘ millansi wihang ch’ongyo”˘ overview, 273 (“Song Composedat the Time of a p’ansori fiction andfiction of manners, Rebellion in Chong˘ up”),˘ 229–230, 284–286 248 Cho Songgi,˘ 270, 273, 282, 283 Chong˘ Yagyong (pen name Tasan), 255–257, Choson˘ kasa 325–326, 334 early, 189–202 Chong˘ Yoch’ang,˘ 318 form andtechnique, 189–192 Chong˘ Yonh˘ ui,˘ 482 further reading, 544 Chon˘ Kwangyong, 473 poet Chong˘ Ch’ol,˘ 192–200 Ch’onmaek˘ (Heavenly Ties), 415 poet Ho˘ Nansorh˘ on,˘ 200–202 Chon˘ p’almyongch’ang˘ (“Former Eight Master late, 228–249 Singers”), 294 calendrical kasa, 243–245 Chon˘ Pongjun, 447 by exiles, 236–240 Chon˘ Pyongsun,˘ 483 further reading, 544 Chon˘ Sangguk, 478 overview, 228 Ch’on˘ Sebong, 502 on places andother topics, 245–246 Ch’onsus˘ ok˘ (Stones in the Spring Water), poet Pak Illo, 228–236 282 satirical kasa, 248–249 Chon˘ T’aeil, 445–446 on social protest, 247–248 “Ch’ookcha chon,”˘ 135–136 travel kasa, 241–243 Cho Pyogam,˘ 501 by women, 246 “Ch’orokpit moja” (“The Green Hat”), 489 overview, 46

Index 555

Choson˘ poetry in Chinese, 250–260 “Ch’unhyang,” 363 Choson˘ style, 257–259 Ch’unhyang chon˘ (Tale of Ch’unhyang), 281 early Choson,˘ 250–253 “Ch’unil” (“Spring Day”), 251 further reading, 545 Ch’up’ung kambyol˘ kok (Song of Longing in the late Choson,˘ 236, 255–257 Autumn Wind), 281, 287 of “middle people,” 259–260 Chusaeng chon˘ (Tale of Chu Hoe), 264 overview, 250 Chu Sebung, 177 Practical Learning scholars, 255–257 Ch’uwolsaek˘ (Color of the Autumn Moon), in reign of King Sonjo,˘ 253–255 392–393 Choson˘ P’urollet’aria˘ Yesul Tongmaeng (Korea Chu Yohan, 346–348 artista proleta federatio [KAPF]), 380, Chu Yosop,˘ 405 381–385, 411–412 “Ch’wiyu Pubyokch˘ ong˘ ki” (“Student Hong Choson˘ sijo, 219 Plays at Floating EmeraldTower”), 263 early, 168–188 ci (elegy), 42 courtier poets, 173–176 “Cicada,” 120 form andstructure, 168–170 “City of Women” (“Yoin˘ to”), 416 further reading, 544 clan fiction, 281–283 andKory o˘ loyalists, 170–173 Classes of Poetry (Shipin), 141 poet Chong˘ Ch’ol,˘ 179–184 classical fiction, new (sinjak ku sosol˘ ), 286–287 poet Yi I, 178–179 clerk reading (idu), 27, 69, 88–89, 90–95 women poets, 185–188 “Climbing Phoenix Terrace at Jinling,” 320 by Yongnam˘ School, 176–178 Clippinger, M. E., 16–17 late, 203–227 “Cloudandthe Rose, The” (“Kur um˘ kwa “Angler’s Songs,” 208–217 changmi”), 432 changes in, 219 “Cockfight” (“T’ugye”), 403 further reading, 544 “Cold-Blooded Animal, A” (“Naenghyol˘ overview, 203–204 tongmul”), 473 poet Pak Illo, 204–205 Collected Commentaries on the Four Books (Sushu poet Yun Sondo,˘ 205–207 jizhu), 144 rise of professional singers, 219–221 Collection in Celebration of Liberation (Haebang rise of sasol˘ sijo, 221–227 kinyom˘ sijip), 421 topic of withdrawal, 218–219 Collection in Commemoration of the March First overview, 45 Independence Movement (Samil kinyom˘ Choson˘ uii˘ om˘ oni˘ (Mother of Korea), 506 sijip), 421 “Choson˘ un˘ ssaunda” (“Korea Fights”), 501 Collection of Three Periods (Samdaemok), 68 Cho Su, 320 Color of the Autumn Moon (Ch’uwolsaek˘ ), Ch’otppul (Candlelight), 363 392–393 Cho Wi, 190 “Common Crowd, The” (“Changsam isa”), 403 Cho Wihan, 264 comparative expressions, 33 Ch’oyong,˘ 73–74, 86 “Confession of a Divorce” (“Ihon kobaek so”),˘ “Ch’oyong˘ Dance,” 304 409 “Ch’oyong˘ ka” (“Song of Ch’oyong”),˘ 44, Confucianism 73–74, 86, 102, 104, 124, 303 canon, 6–9 “Ch’oyong˘ tanjang” (“Fragments on in early Choson˘ poetry, 251–252 Ch’oyong”),˘ 433 education and examinations, 1 chuch’e (self-reliance, autonomy), 497–498 Koryo,˘ 144–145 “Chu kido mun” (“Lord’s Prayer”), 441 in late Choson˘ kasa, 232–233 “Chukkye pyolgok”˘ (“Song of the Bamboo in unofficial history (yadam), 269 Stream”), 111, 117 Confucius, 328, 330 “Ch’uk songsu”˘ (“Long Live the King”), 150 Contemporary Korean, 18 Chun Doo Hwan, 445 content words, 37 Ch’ungdam, Master, 67, 77, 78, 86 “ContinuedHymn of Constancy” (“Sok samiin “Ch’ungju sok”˘ (“Stone of Ch’ungju”), 254–255 kok”), 195, 236–237, 253–255, 257–259 Ch’ungsong˘ ui˘ han kil eso˘ (On the Road of Loyal “Correct Sounds for Teaching the People” Devotion), 506 (“Hunmin chong˘ um”),˘ 5, 28–29 Chungwon˘ monument, 90–91 “Counting the Stars” (“Pyol˘ ul˘ henda”), 468

556 Index

Couple Living on the Lane, A (Tongho kosil˘ ), Dongyi tribes, 54 260 “Do You Know of That Far-Off Land?” (“Ku˘ courtesy expressions, 34–35 mon˘ nara rul˘ arusimnikka”),˘ 363 courtier poets, 173–176 Dravidian languages, 16–17 Crape Myrtle (Paegilhong), 506 “Dreaming of Zhuge Liang” (“Monggyon˘ Creation and Criticism, 461 Chegal Yang”), 391 Creation magazine, 395 “Dream of Flowers with Morning Dew” Criticism of Culture (Inmun p’yongnon˘ ), 379 (“Ch’oro ui˘ hwamong”), 385 “Cross, The” (“Sipchaga”), 472–473 Dream of HoK˘ ot’ong˘ (Okson˘ mong), 280 Cross of Shapan, The (Saban ui˘ sipchaga), 471 Dream of Nine Clouds (Kuun mong), 269–270, “Crow’s-Eye View, A” (“Ogamdo”), 366–367 273, 277–280, 334, 473 “Cruel City” (“Chaninhan tosi”), 475 “Dream of the Earth’s Future” (“Tigusyong˘ “Cry of Magpies” (“Kkach’i sori”), 471 miraemong”), 391 “Cuckoo, The” (“Polgokcho”),˘ 112 Dream of the Fallen (Ssur˘ ojin˘ cha ui˘ kkum), 445 CulturedLanguage ( munhwao˘), 20–22 “Dream of the Golden Ruler” (“Mong Custom of the Sun, The (T’aeyang ui˘ p’ungsok), kumch’˘ ok”),˘ 148–149 364 Dream of the Jade Tower (Ongnu mong), 271, “Cuttlefish” (“Ojugo˘ haeng”), 257 280 dream visions and romance fiction, 275–281 dance, 52–54, 60–61 “Drinking Alone Beneath the Moon,” 204 Dance of Anguish (Onoe ui˘ mudo), 343–344 “Drinking Barley Wine” (“Um˘ maekchu”), 43 Daodejing, 41 “Duck andan Insignia, A” (“Ori wa Day in the Life of Kubo the Writer, A (Sosolga˘ kyegupchang”),˘ 472 Kubossi ui˘ iril), 401 Du Fu, 319 “Days andDreams” (“Nat kwa kkum”), 492 “Early April” (“Sawol˘ sangsun”), 425 “Dayshine” (“Hwanhamnida”), 437 Early Villages period, 62–65 “Dazzling” (“Nun pusida”), 508 Earthly Ties (Chimaek), 415, 416 “Dear Distant Love” (“Mon˘ kudae”),˘ 489 Echo (Sanullim), 478 “December the Twelfth,” 365 education and examinations, 1–3 “Declaration of Conscience,” 449 “Eighteen Songs of Idle Life,” 178 deconstructionist poetry, 460–462, 463–464 eight-line songs, 66, 72–74 “Dedication of the Flowers” (“Honhwa˘ ka”), 71 “Eight Master Singers” (“P’almyongch’ang”),˘ “Deep Blue Night” (“Kipko p’urun˘ pam”), 475 294 “Deep-Purple Grapes” (“Ch’ongp’odo”),˘ 371 “Eight Scenes of Kaesong”˘ (“Songdo “Deer” (“Sasum”),˘ 387–388 p’algyong”),˘ 43 Descendants of Cain, The (K’ain ui˘ huye), 471 “Eight Scenes of the New Capital” (“Sindo “Destitution” (“Chokpin”),˘ 413–414 p’algyong˘ si”), 149 Detailed Contents of the Life History of Sákyamuni¯ Elegy (Ci), 42 (Sokpo˘ sangjol˘ ), 165–166, 167 Eliot, T. S., 324–325 dialectal variations, Korean language, 18–19 “Embrace on This Mature Night, An” “Dirge for Two Generals” (“To ijang ka”), (“I songsuk˘ han pam ui˘ p’oong”), 101–102 473–474 “Disappointing Journey, The” (“Mongch’on˘ “Encountering Sorrow” (“Li Sao”), 42, 195 yo”), 217 “Endof My Life” (“Chongsaeng ki”), 403 Discourse on Literature (Lun wen), 140 engagement, poetry of, 441–445 dish spinning (Pona˘ ), 313 English language, influence on Korean, 25 “Dispelling Gloom” (“Kyonhoe˘ yo”), 205–206 Equator, The (Chokto˘ ), 401 dissent literature, 11, 439–441 “Eternal Life” (“Yongsaeng”),˘ 508 Doctrine of the Mean, 3, 177 eulogies, Choson;˘ see Choson˘ eulogies “Does Spring Come to Stolen Fields?”, Evergreen (Sangnoksu), 401 368–369 exiles, kasa by, 236–240 “Doing Nothing” (“Muwi”), 252 Exile’s Life, An (Manon˘ sa), 237–240, 259–260 “Doll’s House” (“Inhyong˘ ui˘ chip”), 409 Extensive Gleanings of the Reign of Great dolmens, 53 Tranquillity (Taiping guangji), 273

Index 557

fables andsatires, 391–392 rise of feminism, 490–496 “Failure of a Half, The” (“Chonban˘ ui˘ silp’ae”), unofficial histories, 484–490 492–493 figurative language, in poetry, 46–47 “Falconer, The” (“Maejabi”), 475 “Fire River” (“Pulgun˘ kang”), 488 Fall and Rise of General and Statesman Wang “Fireworks” (“Pullori”), 346–347 (Nakch’on˘ tungun˘ ), 282 “Fire Worshippers, The” (“Pihwa milgyo”), “Falling Flowers” (“Nakhwa”), 425 475 family fiction (kajong˘ sosol˘ ), 283–284 fisherman, in poems, 208–217 Family of Laborers, A (Nodong ilga), 500 “Fisherman, The,” 215–216 “Farewell, The” (“Kyolby˘ ol”),˘ 414, 417 Five Classics, 2 “Farewell Without a Word” (“Muoby˘ ol”),˘ 254 “Five Commandments for Laymen,” 83, Farmer’s Dance (Nongmu), 443–444 84–85 farmer’s music (p’ungmul) “Five Fisherman’s Songs,” 176 Farmer’s Works and Days, The (Nongga wolly˘ ong˘ “Five Outlaws” (“Ojok”),˘ 449–450 ka), 243 Five Shows (Ogi), 304 Farmland (Nongt’o), 470 “Floating Words” (“Ttodon˘ un˘ maldul”),˘ 475 “Farm Village People” (“Nongch’on saramdul”),˘ Flood (Hongsu), 397–398 397 “Flower” (“Kkot”), 432 “Fate of a Self-Defense Force” (“Han chawidan “Flower Girl” (“Kkot p’anun˘ ch’ony˘ o”),˘ 507 ui˘ unmyong”),˘ 507 “Flowering of Our Lives, The” (“Uri saengae ui˘ Female Entertainer Lotus’ Song of Love (Puyong kkot”), 495 sangsa kok), 281, 287 “Flowering Tree, A” (“Kkonnamu”), 367, 368 Fenollosa, Ernest, 340–342, 343 “Flowers of Fire” (“Pulkkot”), 472 fiction folk customs, 403–405 see also Choson˘ fiction folk drama, 303–315 early twentieth-century, by men, 390–405 decline of, 315 biographies of heroes, 390–391 further reading, 546 fables andsatires, 391–392 mask dance plays, 304–312 further reading, 546 origin anddevelopment, 305–307 under Japanese colonial rule, 394–401 regional, 307–309 new fiction, 392–394 themes of, 309–312 overview, 390 overview, 303–304 satire andfolk customs, 403–405 puppet plays, 313–315 style andspirit of modernism, 401–403 folk songs, 112–116 early twentieth-century, by women, 406–419 “Foodfor S onghwang˘ Gods” (“Songhwang˘ first phase: from private space to the public, pan”), 113–114 408–411 “Foodfor the Great King” (“Taewang pan”), 114, secondphase: social commitment and 117 motherhood, 411–414 foot mask (Palt’al), 303, 313 thirdphase: room of one’s own, 414–417 “Foreigner’s Village, The” (“Oeinch’on”), 364 further reading, 547 “For Five Minutes” (“Obungan”), 472 modern women writers, 406–408 forms, prosody, and themes, 39–40, 543 role andlegacy, 417–419 For the Emperor (Hwangje rul˘ wihayo˘), 476 late twentieth-century, by men, 468–480 Forty Years (Sasimnyon˘ ), 468 further reading, 548–549 foundation myths, 54–59 in Industrialization Age, 474–480 Four Books, 2 andKorean War, 470–474 four-line songs, 66, 70–72 overview, 468 Four Poets of the Translation Bureau, 259–260 during post-liberation period, 468–470 “Freeing the Cicada” (“Pangson˘ pu”), 43 late twentieth-century, by women, 481–496 friendship, in poetry, 49–50 of 1950s and 1960s, 481–484 “From a Study” (“Supchaksil˘ eso”),˘ 403 of 1970s, 484–490 “From the Sea to Boys” (“Haeegeso˘ further reading, 549 sonyonege”),˘ 342 liberation andKorean War, 481–484 Frontier, 476 overview, 481 Fruits of Life (Saengmyong˘ ui˘ kwasil), 410, 418

558 Index

Fujii Sadamoto, 15 Haep’ari ui˘ norae (Songs of Jellyﬁsh), 339–345 Full Moon Terrace (Manwoltae˘ ), 393 Haeso˘ mask play, 308 Hagi ulgo kannal ture˘ si (Poems After the Crane Gallant SteedCampaign (Ch’ ollima˘ Undong), Cried and Left), 427 501, 502 “Hagwan” (“Lowering the Cofﬁn”), 424 “Game on the Moon, The” (“Tallara ui˘ Ha Kunch’an,˘ 474 changnan”), 430 “Ha kurimja˘ ka opta”˘ (“Ha, There is No Gaoseng zhuan, 132 Shadow”), 430 General History of Institutions and Critical Hallasan (Mount Halla), 499 Examination of Documents and Studies “Hallim pyolgok”˘ (“Song of Confucian (Wenxian tongkao), 313 Scholars”), 111–112, 117 genres, hierarchy of, 5–9 “Hall of Solitary Bliss” (“Tongnaktang”), “Giant Jackdaw, The” (“Taea”), 410 198–199, 231–233 “Girl Under Suspicion, A” (“Uisim˘ ui˘ Ham Chongim,˘ 496 ch’ony˘ o”),˘ 385 Hamgyong˘ dialect, 19 Glorious Region, The (Pinnanun˘ chiyok˘ ), 386 “Han chawidan ui˘ unmyong”˘ (“Fate of a Go Alone Like a Rhino’s Horn (Muso ui˘ ppul Self-defense Force”), 507 ch’or˘ om˘ honjaso˘ kara), 493 “Hangmaul˘ saramdul”˘ (“People of Crane Gold-Crowned Jesus, The, 449 Village”), 473 “GoldFeather, A” (“Hwangg um˘ kitt’ol”),˘ 489 hangul˘ (Korean alphabet), 26–30 Gold Vase Plum (Jin Ping Mei), 274 hangul˘ generation, 474–476 Governor-General’s Messages, The (Ch’ongdok ui˘ “Hanguk saengmyong˘ pohom˘ hoesa Song sori), 473 Irhwan ssi ui˘ on˘ unal”˘ (“One Day in the “Granite” (“Hwagangsok”),˘ 380 Life of Mr. Song Irhwan of the Korean “Grass” (“P’ul”), 430–431 Life Insurance Company”), 439–440 Gray Man, A (Hoesaegin), 473 “Hanguk songsa˘ yak” (“Brief History of Stars in “Gray Snowman” (“Hoesaek nunsaram”), Korea”), 426–427 494–495 “Han kkotsongi” (“A Single Blossom”), 436–437 “Great Earth, The” (“Taeji”), 508 Han Malsuk, 482, 483 “Great King of the Three WalledCities” Han Musuk, 482 (“Samsong˘ taewang”), 114, 117 Hansong˘ chubo, 337 “Great King of the Warhorse, The” (“Kunma Han Sorya,˘ 398, 498 taewang”), 115, 117 Han-ssi samdae rok (Three-generation Record of Great Learning, 3 the Han Clan), 282 Great Master Sosan˘ (Sosan˘ taesa), 502 Han tribes, 54 “Green Deer” (“Ch’ong˘ noru”), 423 Hanyang ka (Song of Seoul), 245–246, 253 Green Deer Anthology (Ch’ongnok˘ chip), 421–425, “Hanya wol”˘ (“Moon on a Leisurely Evening”), 427 414 “Green Frog in the Specimen Gallery, The” Han Yongun, 353–360 (“P’yobonsil ui˘ ch’onggaegori”),˘ 396 Han Yu, 136–137, 138–147, 320 “Green Hat, The” (“Ch’orokpit moja”), 489 “HardLife of Confucius” (“Kongja ui˘ saenghwallan”), 429 “Ha, There is No Shadow” (“Ha kurimja˘ ka “Ha songd˘ ok˘ ka” (“Song of Sagely Virtue”), 150 opta”),˘ 430 “HauntedHouse” (“Hyungga”), 415 “Haebang chonhu”˘ (“Before andAfter Hayan tojong˘ (White Path), 483 Liberation”), 469–470 “HeadMonk Lotus Leaf andBlinker, His Haebang kinyom˘ sijip (Collection in Celebration of Attendant, The” (“Yonnip˘ and Liberation), 421 Nunkkumjogi”),˘ 305 haech’e si (poetry of deconstruction), 440 Heartless (Mujong˘ ), 394–395 Haedong kayo (Songs of Korea), 329 “Heart that Cares for Us, The” (Akkisinun˘ Haedong kosung˘ chon˘ (Lives of Eminent Korean maum),˘ 508 Monks), 131–132 Heavenly Ties (Ch’onmaek˘ ), 415 Haedong yuju (Remaining Gems of Korea), 327 “Hello” (“Annyong”),˘ 508 “Haeegeso˘ sonyonege”˘ (From the Sea to Boys), heroes, biographical patterns of, 52, 59–60 342 Hightower, James, 118–136, 137

Index 559

Historical Records (Shiji), 141 “Hukh˘ uk˘ paekpaek” (“Black is Black, White is Historical Records of the Three Kingdoms, 27, 65, White”), 482 66, 67, 90, 129–130, 145 Human Grafting (Ingan chommok˘ ), 471 histories Human Problems (Ingan munje), 412 Koryo˘ writings in Chinese, 127–136 Human Ties, 416 unofficial (yadam), 267–269, 484–490 “HundredPlays of Song andDance,” 304 “History of a Dense Forest” (“Millim ui˘ yoksa”),˘ “Hungnam˘ ch’olsu”˘ (“The Retreat from 506 Hungnam”),˘ 471 History of Koryo˘ (Koryosa˘ ), 100 Hunmin chong˘ um˘ (Correct Sounds for History of the Later Han (Hou Hanshu), 60–61 Teaching the People), 28–29 History of Wei (Weishu), 55–56, 60–61 “Husk, Go Away” (“Kkopttegi˘ nun˘ kara”), 442 Ho˘ Chun, 403, 468 “Hwaeppul” (“Torch”), 444–445 Hoesaegin (AGrayMan), 473 “Hwagangsok”˘ (“Granite”), 380 “Hoesaek nunsaram” (“Gray Snowman”), “Hwajon˘ ka” (“Song of the Flower-adorned 494–495 Cake”), 248 Ho˘ Kyun, 273 “Hwa kwigorae˘ sa,” 42 comment on allusions in poetry, 323 “Hwangch’ang Dance,” 304 comment on i (principle) and ki (material Hwang Chini, 185, 186 force), 322–323 Hwang Chiu, 439–440 execution of, 334 Hwang Chullyang, 208 negative reading of Water Margin, 333 “Hwanggum˘ kitt’ol”˘ (“A GoldFeather”), 489 secret reading of, 274 “Hwanghon” (“Twilight”), 369, 398 sources of fictional works, 282 Hwang Hui,˘ 174 Tale of Hong Kiltong, 275–277 Hwang Insuk, 464, 465 “Holding an Umbrella at Yokohama Pier,” Hwangje rul˘ wihayo˘ (For the Emperor), 476 383–384 “Hwangjo ka” (“Song of Orioles”), 65 “Homeland” (“Koguk”), 397 Hwang Kon,˘ 502 Homeland Stars (Choguk ui˘ pyol˘ ), 452–453 Hwang Sogy˘ ong,˘ 477, 479 Homer, 77 Hwang Sunwon,˘ 468, 471 Hometown of Stars (Pyold˘ ul˘ ui˘ kohyang), Hwangt’o (Yellow Earth), 449 475 “Hwangt’o ki” (“Loess Village Story”), 404–405 Ho˘ Nansorh˘ on,˘ 200–202 “Hwangt’o kkil” (“Yellow Earth Road”), Hong Huibok,˘ 335 447–448 Hong Kiltong chon˘ (Tale of Hong Kiltong), 273, Hwang Tonggyu, 433–436 275–277 “Hwanhamnida” (“Dayshine”), 437 Hong Kyongnae,˘ 286 Hwanmyol˘ ul˘ ch’ajaso˘ (In Search of Hong Manjong, 334 Disillusionment), 478 Hong Nang, 187 hwarang, 83, 84–85 Hong Set’ae, 259–260, 327 Hwaryohan˘ chiok (A Splendid Hell), 481 Hongsu (Flood), 397–398 “Hwasal” (“Arrows”), 451, 452 Hong Sunhak, 243 “Hwasan pyolgok”˘ (“Song of Mount Hwa”), Hong Yangho, 327–328 149, 150 “Honhwa˘ ka” (“Dedication of the Flowers”), 71, “Hwasanttaek” (“The Woman from Hwasan”), 86 474 honorific system, 35 Hwawang kye (Admonition to the King of Honppul (Soul Fire), 486 Flowers), 94 Ho˘ Sugyong,˘ 465 Hwich’ongg˘ orin˘ un˘ ohu (Staggering Afternoon), 487 Hou Hanshu (History of the Later Han), 60–61 hyangch’al, 68, 89–90, 99 “How I Miss You!,” 309 hyangga, 66–86, 102 “How to Cross the Desert” (“Samak ul˘ and Buddhism and Hwarang class, 67–83, 85 konn˘ on˘ un˘ pop”),˘ 489 eight-line songs, 66, 72–74 Huang Tingjian, 319 four-line songs, 66, 70–72 Hubangi group, 427–429 further reading, 543 “Huch’o˘ ki” (“Recordof a SecondWife”), 416 overview, 44 Huimy˘ ong,˘ 79, 86 ten-line songs, 74–83

560 Index

Hyesim, 138 Im Pangul, 300 “Hyesong˘ ka” (“Song of a Comet”), 74, 86 Imperishable History (Pulmyol˘ ui˘ yoksa˘ ), 505–506 “Hymn of Constancy” (“Sa miin kok”), 195, 198 Independent, The, 338 “Hymn to the Thousand-Eyed Bodhisattva Who “Indirect Free Kick” (“Kanjop˘ p’uri k’ik”), 441 Observes the Sounds of the World; Ingan chommok˘ (“Human Grafting”), 471 SoundObserver” (“To Ch’ onsu˘ Ingan munje (Human Problems), 412 Kwanum˘ ka”), 79, 83 “Ingyo˘ ingan” (“Superﬂuous men”), 473 “Hyols˘ o”˘ (“Written in Blood”), 473 “Inhyong˘ ui˘ chip” (“Doll’s house”), 409 Hyol˘ ui˘ nu (Tears of Blood), 393 “In Memory of Minister Kim Yongdon,”˘ 208 Hyon˘ Chingon,˘ 395–396, 401 Inmun p’yongnon˘ (Criticism of Culture), 379 “Hyonhae˘ Strait” (“Hyonhaet’an”),˘ 384 Inn, The, 479 “Hyonhaet’an”˘ (“Hyonhae˘ strait”), 384 “Inner Hall, The” (“Naedang”), 114, 117 Hyonhwa˘ Temple, 102 “In Praise of Poverty” (“Nuhang sa”), 230–231 Hyonjong,˘ King, 102 “In Praise of Spring” (“Sangch’un kok”), 46, Hyon-ssi˘ yangung ssangnin ki (Tale of the Hyon˘ 190, 191 Brothers), 283 “Inscribedat the Studyon Mount Kaya,” 97 Hyon˘ Sungg˘ ol,˘ 508 In Search of Disillusionment (Hwanmyol˘ ul˘ “Hyungga” (“HauntedHouse”), 415 ch’ajaso˘), 478 “In the Mountain” (“Sanjung sa”), 42 “I am a Star Uncle” (“Nanun˘ pyol˘ ajossi”),˘ 436 “In the Square” (“Kwangjang eso”),˘ 501 “I Can See Mount Samgak” (“Samgaksan i Iryon,˘ 55, 70, 71, 72, 74, 79, 134 poinda”), 501 “Isang kok,” 117 “I Desire what is Forbidden Me” (“Nanun˘ “I Saw You,” 358 somanghanda naege kumjidoen˘ kos˘ ul”),˘ “IsolatedRoom, An” (“Oettan pang”), 495 493 “I songsuk˘ han pam ui˘ p’oong” (“An Embrace “I Didn’t Know Before” (“Yejonen˘ mich’o˘ on this Mature Night”), 473–474 mollassoyo”),˘ 350 “It’s MarriedLife” (“Sijipsariyo”), 258 “Idiot and the Fool, The” (“Pyongsin˘ kwa moj˘ ori”),˘ 475 Japan idu (clerk reading), 27, 69, 88–89, 90–95 early development of vernacular poetry, 8–9 “If I hadWings” (“Nalgae ka toch’ otamy˘ on”),˘ Korean population in, 15 363 Japanese language, relation to Korean, 15–17 “If There are Living Things” (“Sarainnun˘ kosi˘ Jiandeng xinhua (New Tales Written while ittamyon”),˘ 428 Trimming the Wick), 263, 282 “Ihap” (“Meeting andParting”), 468 Jin Ping Mei (Gold Vase Plum), 274 “Ihon kobaek so”˘ (“Confession of a Divorce”), Jottings to Break Up Idleness, 139–140 409 “Journey” (“Tojong”),˘ 468 I’ll Teach You Shame (Pukkur˘ oum˘ ul˘ “Journey to Mujin, A” (“Mujin kihaeng”), 474 karuch’imnida˘ ), 487 Journey to the West (Xiyouji), 274 “IlluminatedInlet, The” (“Pich’i ssahin un˘ haegu”), 483 Kabo nongmin chonjaeng˘ (Peasant Revolution of Illyomhong˘ (Love Story between Lady Hong and the Year Kabo), 507 Bachelor Yi), 271–272 Kaebyok˘ (The Beginning), 395 Iltong changyu ka (Song of a Grand Trip to “Kaekchi” (“Strange Land”), 477 Japan), 241–243 Kaema kowon˘ (Kaema Plateau), 502 imagism, in poetry, 363–365 “Kaenmaul” (“Seaside Village”), 474 Im Che, 186–187, 254 K’ain ui˘ huye (The Descendants of Cain), 471 Im Ch’un, 119, 137, 140 kajon˘ (pseudobiography), 136–138, 265–266 Im Houn˘ chon˘ (Tale of Im Houn˘ ), 280 kajong˘ sosol˘ (family ﬁction), 283–284 Im Hwa, 380, 381–385, 499 Kalchung˘ imyo˘ saemmul in (Thirst and Spring), Imjin nok (Record of the Black Dragon Year), 276, 438 357 “Kaltae” (“Reed”), 444 “Imjong” (“At the Deathbed”), 451–452 “Kamja” (“Potato”), 395 Im Kkokch˘ ong˘ , 400 “Kammin ka” (“Song of the Kapsan People”), Im Kyong˘ op˘ chon˘ (Tale of Im Kyong˘ op˘ ), 276 247–248 Im Ogin kana (temporary, or borrowed, script), 5

Index 561

Kang Ich’on,˘ 304–305 “Kim kangsa wa T kyosu” (“Lecturer Kim and Kang Iryong,˘ 139 Professor T”), 403–404 Kang Kamch’an, 286 Kim Kijin, 380–381, 412 Kang Kyongae,˘ 411, 412–413 Kim Kirim, 364, 365 Kangnung˘ Maehwa t’aryong˘ (Ballad of Maehwa Kim Kukki,˘ 145 of Kangnung˘ ), 300 Kim Kwanggyun, 364–365 Kang Sinjae, 482, 483 Kim Kwanguk, 218 Kang Sokky˘ ong,˘ 492 Kim Kyongnin,˘ 427–428 Kangsu, 94 Kim Kyudong, 428 Kang Sunghan,˘ 499 Kim Maesun, 271 Kang Ungyo,˘ 458, 459–460 Kim Malbong, 417, 481 “Kanjop˘ p’uri k’ik” (“Indirect Free Kick”), 441 Kim Manjung KAPF (Korea artista proleta federatio [Choson˘ comment on abandonment of Korean P’urollet’aria˘ Yesul Tongmaeng]), 380, language, 326 381–385, 411–412 Dream of Nine Clouds, 277–280 “Kapitan Ri” (“Kkop’it’an˘ Ri”), 473 language usedin writings, 273 Karakkuk ki (Record of the State of Karak), 55 motive for writing fiction, 270, 282 “Kasiri” (“Will you Go?”), 101, 102, 110, 117 works containing elements of early family Katcha sinson˘ t’aryong˘ (Ballad of the False fiction, 269–270 Transcendent), 300 writing fiction secretly, 274 “Kia wa sallyuk” (“Starvation andMurder”), Kim Myongsun,˘ 385, 408–411, 418, 457 397 Kim Ok,˘ 339–344, 345, 348 Kijae kii (Strange Tales by Kijae), 264 Kim Pusik, 129–130, 145, 320 Kil (Road), 445, 452 Kim Puui,˘ 139, 147 Kim Ch’aewon,˘ 489 Kim Sangyong, 177 Kim Ch’anghyop,˘ 328–329 Kim Sisup,˘ 253, 261–263, 271, 272, 282, 317–318 Kim Chasun, 208 Kim Sohaeng, 271 Kim Chaui,˘ 139 Kim Songgwan,˘ 508 Kim Chiha, 447–451 Kim Songhan,˘ 472 Kim Chinhyong,˘ 240 Kim Sowol,˘ 348–353 Kim Chinyang, 135–136 Kim Sujang, 220–221 Kim Chisong,˘ 95 Kim Sungh˘ ui,˘ 462, 463 Kim Chogyu, 499 Kim Sungok,˘ 474–475 Kim Chongil,˘ 507–508 Kim Suon, 319, 320 Kim Chongjik, 317 Kim Suyong,˘ 427–428, 429–432 Kim Ch’ongmy˘ ong,˘ 262 Kim Tonghwan, 381 Kim Chongnan,˘ 466 Kim Tongin, 395 Kim Chongsuk,˘ 506 Kim Tongni, 404–405, 469, 470–471 Kim Ch’ont’aek,˘ 329 Kim Tongny˘ ong,˘ 286 Kim Ch’unsu, 432–433 Kim Tuksin,˘ 326, 328 Kim Ch’unt’aek, 236–237, 334 Kim Wanjin, 116 Kim Chuyong,˘ 479 Kim Wonil,˘ 477–478 Kim Huigy˘ ong˘ chon˘ (Tale of Kim Huigy˘ ong˘ ), Kim Wonju,˘ 385, 386, 408–411, 413–414, 457 276–277 Kim Yongg˘ un,˘ 508 Kim Humun,˘ 85 Kim Yongnang,˘ 362–363 Kim Hyangsuk, 491 Kim Yujong,˘ 404 Kim Hyesun, 462–463, 466 Kim Yunsik, 145 Kim Hyongy˘ ong,˘ 493 King Yuri, 66, 70–72 Kim Ilsong˘ Kim Yusin, 83, 84–85, 130–131, 286 chuch’e (self-reliance, autonomy) thought of, kinship terms, 37 497–498, 511 Kip’a, Knight, 77–78 definition of socialist realism, 511 “Kipko p’urun˘ pam” (“Deep Blue Night”), 475 literary works eulogizing, 499, 501, Kisangdo (The Weather Chart), 364 503–504 “Kkach’i sori” (“Cry of Magpies”), 471 revolutionary ideology, 510 Kkoktu kaksi, 313 Kim Ingyom,˘ 241–243 “Kkonnamu” (“A Flowering Tree”), 367, 368

562 Index

“Kkop’it’an˘ Ri” (“Kapitan Ri”), 473 linguistic divergence in South and North, “Kkopttegi˘ nun˘ kara” (“Husk, go away”), 442 19–22 “Kkoraei”˘ (“Koreans”), 413 sentence structure, 34 “Kkot” (“Flower”), 432 speech levels, 35–37 “Kkotkil ul˘ kor˘ os˘ o”˘ (“Walking the Flower speech sounds, 30–31 Road”), 388–389 strategic politeness, 15, 38 “Kkot p’anun˘ ch’ony˘ o”˘ (“Flower Girl”), 507 subject- and addressee-honorific suffixes, 38 “Kkot ui˘ somyo” (“Sketches of a Flower 1”), 432 vocabulary, 20–22, 26 “Kobu˘ ohae” (“Misunderstanding of Rickshaw wordstructure, 31–32 Men”), 391, 392 “Koreans” (“Kkoraei”),˘ 413 Ko Chongh˘ ui,˘ 460 Korean War “Kodaehanun˘ maum”˘ (“The Mindthat Eagerly andlate twentieth-century fiction by men, Awaits”), 380 470–474 Kogi (Old Record), 55 andlate twentieth-century fiction by women, “Koguk” (“Homeland”), 397 481–484 Koguryo˘ language, 17 “Koryo˘ Kang sijung chon”˘ (“Life of the Koryo˘ “Kogwan” (“View from the Buttocks”), 450 Minister Kang Kamch’an”), 286 Kohung,˘ 88, 90 Koryo˘ loyalists, 170–173 Kohyang (Hometown), 398 Koryosa˘ (History of Koryo˘), 100 “Kohyang omn˘ un˘ saram” (“People Without Koryo˘ songs, 44–45, 99–117 Hometowns”), 468 folk andshamanist songs, 112–116 “Kohyang omn˘ un˘ saramdul”˘ (“People Without further reading, 543 a Native Land”), 413 kyonggi-ch’e˘ songs, 111–112 Kojong, King, 29, 132 refrain in, 102 Kollontai, Alexandra M., 409–410 sogyo (popular songs), 102 “Kolmok” (“Alleyway”), 426 vicissitudes of textual transmission, “Kongbang chon”˘ (“Biography of a 99–101 Square-holedCoin”), 137 see also names of specific Koryo˘ songs Kong Chiyong,˘ 493 Koryo˘ writings in Chinese, 118–147 “Konghu in” (“A Medley for the Harp”), 64 further reading, 544 “Kongja ui˘ saenghwallan” (“HardLife of history andbiography, 127–136 Confucius”), 429 literary miscellany, 136–137, 138–147 Kong Sonok,˘ 495 overview, 118 Koppi (Reins), 491, 492 poetry, 118–127 “Kop’ung uisang”˘ (“Ancient-style Garment”), pseudobiography (kajon˘ ), 136–138 425 Ko Sugwan, 295 “Korae sanyang” (“Whale Hunting”), 475 “Koul”˘ (“The Mirror”), 367 Korea Ko Un,˘ 451–454 population of, 15 Kuch˘ onnal˘ pam (On that Eve), 500 see also North Korea; South Korea “Kudae˘ tasinun˘ kohyang e kaji mot’ari” (“You Korea artista proleta federatio (Choson˘ Can Never Return to your Hometown”), P’urollet’aria˘ Yesul Tongmaeng), 380, 476 381–385, 411–412 kukhanmun (mixedorthographic style), 337 Korea Daily News, 338 “Kukhwa yop’es˘ o”˘ (“Beside a “Korea Fights” (“Choson˘ un˘ ssaunda”), 501 Chrysanthemum”), 426 Korean language, 15 Kumagom˘ (The Sword that Drives away Demons), see also Choson˘ fiction, in Korean 393 address-reference terms, 37 “Kuma haeng” (“Song of Driving away Evil alphabet (hangul˘ ), 26–30 Spirits”), 127 ban on, 334, 360 “Kum˘ on˘ nara rul˘ arusimnikka”˘ (“Do you Know content words and particles, 37 of that Far-off Land?”), 363 dialectal variations, 18–19 Kumo˘ sinhwa (New Stories from Gold Turtle genetic affiliation, 15–17 Mountain), 261, 262–265, 269–271 historical development, 17–18 Kum˘ River, The, 442–443 linguistic courtesy, 34–35 “Kumsijo”˘ (“Phoenix”), 476

Index 563

“Kumsu˘ chaep’an” (“Trial of Birds and Beasts”), kyonggi-ch’e˘ songs, 111–112 391 “Kyongh˘ ui,”˘ 385, 409 “Kumsu˘ hoeuirok”˘ (“Proceedings of the Council Kyongmun,˘ King, 95 of Birds and Beasts”), 391 “Kyongsejong”˘ (“A Bell Warning the Public”), “Kunari˘ omyon”˘ (“When that Day Comes”), 391 369 “Kyonhoe˘ yo” (“Dispelling Gloom”), 205–206 Kungmin munhak (National Literature), 379 Kyoul˘ koltchagi (Winter Valley), 478 “Kunma taewang” (“The Great King of the “Kyoul˘ nagunae”˘ (“Winter Traveler”), 475 Warhorse”), 115, 117 “Kyoul˘ sonja”˘ (“Winter Fan”), 424–425 “Kurumakkun” (“A Carter”), 381 Kyunyo,˘ Great Master, 67, 81–83, 86, 88, 90 “Kurum˘ kwa changmi” (“The Cloudandthe “Kyusu sangsa kok” (“Song of a Lovestruck Rose”), 432 Man”), 248 Ku samguk sa (Old History of the Three “Kyuwon˘ ka” (“A Woman’s Sorrow”), 200–202 Kingdoms), 55, 129–130 Kuun ki (Record of Nine Clouds), 280 labor fiction, 476–477 Kuun mong (Dream of Nine Clouds), 473 “Lament for an Autumn Evening, A” (“Ae “Kwabu ka” (“Song of a Widow”), 248 ch’usok˘ sa”), 42 “Kwadogi” (“Age of Transition”), 398 “Lament on the Water” (“Sonsang˘ t’an”), 229 “Kwagu rok” (“Recordof Concern for the Lamplight (Chandung˘ ), 468 Underprivileged”), 293 Land (T’oji,byPakKyongni),˘ 478, 479, 485–486 Kwanch’ang, 85 Land (Ttang,byYiKiyong),˘ 500 Kwanch’on Miscellany, 476 “Landof Exile” (“Yuhy ong˘ ui˘ ttang”), 478 “Kwandong pyolgok”˘ (“Song of Diamond “Land’s End” (“Ttangkkut”),˘ 448 Mountains,” by An Ch’uk), 111, 117 Laozi, 92 “Kwandong pyolgok”˘ (“The Wanderings,” by “Large Country, The” (“Taeguk”), 114–115, 117 Chong˘ Ch’ol),˘ 191–195, 241 Later Four Poets, 255 Kwangdok˘ (monk), 74, 86 “Lay of King Tongmyong,˘ The,” 55, 58–59 Kwangjang (The Square), 473 “Lecturer Kim andProfessor T” (“Kim kangsa “Kwangjang eso”˘ (“In the Square”), 501 wa T kyosu”), 403–404 Kwangjong, King, 23 leftist poetry, 380–385 “Kwangya” (“The Wide Plain”), 370–371 Legend of the Circular Fate (Wonhy˘ ong˘ ui˘ “Kwan nonghwan yujak” (“On Viewing a chons˘ ol˘ ), 472 Puppet Play”), 313 “Leper” (“Mundungi”), 377 “Kwansopy˘ olgok”˘ (“Song of the Northwest”), Liberty Bell (Chayujong), 392 190 Li Bo, 204, 319, 320 “Kwan uhui”˘ (“On Seeing the Plays of Actors), Liezi, 42 290, 293–294 Life of a Patriotic Woman (Aeguk puin chon˘ ), “Kwihwan changjong”˘ (“Returning Soldier”), 390 470 “Life of the Koryo˘ Minister Kang Kamch’an” Kwon˘ Homun, 178 (“Koryo˘ Kang sijung chon”),˘ 286 Kwon˘ Kun,˘ 150, 320 Life-Sized Statue of Buddha (Tungsinbul˘ ), 471 Kwon˘ P’il, 254–255, 264, 324 Li Gongzuo, 277 Kwon˘ Samduk,˘ 294 linguistic courtesy, 34–35 Kwon˘ Sop,˘ 219 linguistic divergence in South and North, 24; “Kyeomny˘ ong˘ ha ui˘ nun” (“Snow under Martial see also Korean language Law”), 434–435 “Lipstick” (“Yonji”),˘ 415, 416 Kyeso˘ yadam (Unofficial Tales from Korea), “Liquor Story” (“Sul iyagi”), 468 268–269 “Li Sao” (“Encountering Sorrow”), 42 Kyewon˘ p’ilgyong˘ [chip] (Plowing the Laurel Grove literary criticism, 316–335 with a Writing Brush), 96 fiction, 332–335 Kye Yongmuk, 468 late Choson˘ period, 325–329 Kyokunsh¯ o¯, 306 literary trends of early Choson,˘ 317–321 “Kyolby˘ ol”˘ (“The Farewell”), 414 mid-Choson˘ period, 321–325 Kyongdo˘ chapchi (Capital Miscellany), 292, 304 overview, 316–317 Kyongd˘ ok,˘ King, 67–83, 85 sijo, 329–332

564 Index

Literary Mind and the Carving of Dragons, The “Mao Ying zhuan” (“Biography of Mao Ying”), (Wenxin diaolong), 320 136–137, 138–147 Literature, 379 “Marching Path of Our Party, The” (“Uri tang Literature and Intellect, 461 ui˘ haenggun no”), 506 Little Ball Launched by a Dwarf, A (Nanjaengi ka Marketplace and Battlefield (Sijang kwa ssoaollin chagun˘ kong), 477 chonjang˘ ), 482 “Little Odes to Mount Star” (“Songsan˘ “MarriedLife with the In-Laws” (“Sijip sari”) pyolgok”),˘ 198–200 Martin, Samuel, 15 Liu Xie, 320 Mask Dance (Totpoegi˘ ), 313 Li Zicheng, 334 “Maternal Love,” 101, 111 “Loess Village Story” (“Hwangt’o ki”), 404–405 “Meditation” (“Myongsang”),˘ 403 long clan fiction, 282–283 “Medley for the Harp, A” (“Konghu in”), 64 “Long from Now” (“Mon˘ huil”), 350 “Meeting, The” (“Sangbong”), 410 “Long Live the King” (“Ch’uk songsu”),˘ 150 “Meeting andParting” (“Ihap”), 468 “Lord’s Prayer” (“Chu kido mun”), 441 “Meeting with Bandits” (“Ujok˘ ka”), 79–81, “Lost Dream” (“Yusilmong”), 473 86 Lotus Blossom Scripture, 93–94 “Melting Furnace” (“Yonggwangno”), 398 love “Memilkkot p’il muryop”˘ (“When the in classical fiction, 277–281 Buckwheat Blooms”), 402 in poetry, 49, 185–188, 225–226 Memorabilia of the Three Kingdoms (Samguk “Love andMarriage,” 409 yusa) Love Story Between Lady Hong and Bachelor Yi account of Buddhism, 134 (Illyomhong˘ ), 271–272 description of composition of “Hwangjo ka” “Lowering the Coffin” (“Hagwan”), 424 (“Song of Orioles”), 65 “Lucky Day, A” (“Unsu choun˘ nal”), 395–396 idu script in, 27 Lun wen (Discourse on Literature), 140 “Kuji ka” (“Song of Kuji”), 62 language usedin, 90 madang, 297 mention of Master Wolmy˘ ong,˘ 72 Maech’ang (“Plum Window”), 187 Silla songs, 66, 67 “Maejabi” (“The Falconer”), 475 story of Chosin, 278 Maeng Sasong,˘ 173–174 story of Kim Hyon,˘ 146 “Maeng sunsa” (“Officer Maeng”), 469 the story of Tangun, 55 “Maesobu” (“Prostitute”), 416 men Maeumny˘ okainn˘ un˘ pamui˘ sijang (Night Market early twentieth-century fiction by, 546–547 with Prostitutes), 461 late twentieth-century fiction by, 468–480 Maitreya cult, 83–85 further reading, 548–549 “Malttugi andSaennim,” 305 in Industrialization Age, 474–480 “Mama andthe Boarder”(“Sarang sonnim kwa andKorean War, 470–474 om˘ oni”),˘ 405 overview, 468 mana (true script), 5 during post-liberation period, 468–470 “Manboksa chop’o˘ ki” (“OldBachelor Yang late twentieth-century poetry by, 420–456 Plays a Chop’o˘ Game with a Buddha of 1970s and 1980s, 447–451 a MyriadBlessing Temple”), 263 Ch’ongnok˘ chip (Green Deer Anthology), “Manbun ka” (“Song of Fury”), 190, 191 421–427 “Mangmyong˘ nyo”˘ (“A Woman Refugee”), 417 dissident poetry, 439–441 Manin po (Ten Thousand Lives), 453, 454 further reading, 547 “Manjonch’un”˘ (“Manjonch’un˘ pyolsa,”˘ minjung poetry, 445–447 “Spring Overflows the Pavilion”), 101, modernist poetry, 427–439 110–111, 117, 168 overview, 420–421 Manon˘ sa (An Exile’s Life), 237–240, 259–260 poet Ko Un,˘ 451–454 Mansejon˘ (Before the March First Movement), 396 poetry of engagement, 441–445 Mansokchung˘ play, 313 Mencius, 3 “Man Who Was left as Nine Pairs of Shoes, menhirs, 53 The” (“Ahop k’yolle˘ ui˘ kuduro namun˘ metaphor, 46–47 sanae”), 477 “Midday,” 377 Manwoltae˘ (Full Moon Terrace), 393 Middle Korean, 17–18

Index 565

“Mihaegyol˘ ui˘ chang” (“An UnsettledChapter”), Mo Yunsuk, 386–387 473 “Mr. Pang” (“Mist’o˘ Pang”), 469 “Miin pyolgok”˘ (“Song of a Beautiful Woman”), Mu, King, 70 190, 191 Muddy Currents (T’angnyu, Ch’ae Mansik), 400 “Millim ui˘ yoksa”˘ (“History of a Dense Forest”), “Muddy Stream” (“T’angnyu”), 403 506 Mugi ui˘ kun˘ ul˘ (The Shadow of Arms), 477 “MindThat Eagerly Awaits, The” “Mujin kihaeng” (“A Journey to Mujin”), 474 (“Kodaehanun˘ maum”),˘ 380 Mujong˘ (Heartless), 394–395 “Minjok ui˘ choein” (“A Sinner before his “Muksi” (“The Revelation”), 472–473 People”), 469 “Mullebanga” (“Water Mill”), 396 minjung poetry, 445–447 Mun Chongh˘ ui,˘ 458, 459–460 Min Pyonggyun,˘ 501 “Mundungi” (“Leper”), 377 “Miro”˘ (“A WhisperedSecret”), 426 “Munhak ui˘ kach’i” (“Value of Literature”), 394 “Mirror, The” (“Koul”),˘ 367 munhwaoˆ (CulturedLanguage), 20–22 “mirror-for-princes” literature, 6 Munjang, 374 “Missing Persons” (“Simin”), 440 Munui˘ maul˘ e waso˘ (At Munui˘ Village), 451 “Mist’o˘ Pang” (“Mr. Pang”), 469 “Munyodo”˘ (“Portrait of a Shaman”), 404 Misty Snow (Angae ui˘ nun), 478 “Muoby˘ ol”˘ (“Farewell Without a Word”), 254 “Misunderstanding of Rickshaw Men” (“Kobu˘ Mu of Paekche, King, 86 ohae”), 391, 392 music mixedorthographic style ( kukhanmun), 337 hyangga, 44, 66–86 Miyazaki Ichisada, 3 and Buddhism and Hwarang class, 67–83, “Mo Chukchirang ka” (“Ode to Knight 85 Chukchi”), 72, 86 eight-line songs, 66, 72–74 modernist ﬁction, 401–403 four-line songs, 66, 70–72 modernist poetry, 427–439 ten-line songs, 74–83 Modern Korean, 18 Koreans’ love of song anddance, 52–54, 60–61 Mogun˘ munjip (Collected Works of Yi Saek), 317 Koryo˘ songs, 44–45, 99–117 Mo Hunggap,˘ 295 folk andshamanist songs, 112–116 “Moktong mundap ka” (“Song of the further reading, 543 Cowherd”), 235–236 kyonggi-ch’e˘ songs, 111–112 “Mongch’on˘ yo” (“The Disappointing refrain in, 102 Journey”), 217 sogyo (popular songs), 102 “Monggyon˘ Chegal Yang” (“Dreaming of Zhuge vicissitudes of textual transmission, 99–101 Liang”), 391 see also names of speciﬁc Koryo˘ songs “Mong kumch’˘ ok”˘ (“Dream of the Golden patriotic songs, 338 Ruler”), 148–149 political use of, 148 “Mongma wa sungnyo”˘ (“A Rocking Horse and power of primal songs, 62–65 a Lady”), 428 sijo, 45 “Mon˘ huil” (“Long from Now”), 350 Silla songs, 44, 66, 67 “Monk dance” (“Sungmu”),˘ 425 song words, 43 “Mon˘ kudae”˘ (“Dear Distant Love”), 489 Music Bureau (Yuefu) songs, 43–44 “Monograph on Literature,” 96 “Musoun˘ sigan” (“Awful Hour”), 372–373 “Monologue” (“Tokpaek”), 370, 402 Muso ui˘ ppul ch’or˘ om˘ honjaso˘ kara (Go Alone like “Monthly Festivals,” 244–245 a Rhino’s Horn), 493 “Moonlit Night” (“Talpam”), 401–402 Musugi t’aryong˘ (Ballad of Musugi), 300 “Moon on a Leisurely Evening” (“Hanya wol”),˘ “Muwi” (“Doing Nothing”), 252 414 Muyom,˘ National Preceptor, 98 Moranbong (Peony Peak), 393 “My Beliefs on Chastity” (“Na ui˘ chongjo˘ Moran pyong˘ (Peony Screen), 393 kwan”), 410 Mother of Korea (Choson˘ ui˘ om˘ oni˘ ), 506 “My Idiot Uncle” (“Ch’isuk”), 403 Mothers and Daughters (Om˘ oni˘ wa ttal), 491 “My Muse” (“Naui˘ myuuj˘ u”),˘ 370 “Mountain Flowers” (“Sanyuhwa”), 352–353 “My Older Brother and a Brazier” (“Uri oppa wa Mountain Path (San kil), 417 hwaro”), 380, 382–383 Mount Halla (Hallasan), 499 “Myonangj˘ ong˘ ka” (“Song of Myonang˘ Arbor”), Mount Paektu (Paektusan), 454, 499 190, 191

566 Index

Myongju˘ powolbing˘ (Tribulations of the Three “New Funny Story that Loosens the Hat String” Clans), 282 (“Chory˘ ong˘ sinhwa”), 391, 392 Myongok,˘ 187–188 New History of the Tang, 96 “Myongsang”˘ (“Meditation”), 403 “New Songs in the Mountain,” 206–207 “Myonhoe”˘ (“Visit”), 388 New Spring (Sae pom), 507 myths, foundation, 54–59 New Spring by Sok˘ Stream, A (Sokkaeul˘ ui˘ saebom), 502 “Naedang” (“The Inner Hall”), 114, 117 New Stories from Gold Turtle Mountain (Kumo˘ “Naenghyol˘ tongmul” (“A Cold-blooded sinhwa), 261, 262–265, 269–271 Animal”), 473 new-style poetry, 339–342 Na Hyesok,˘ 385–386, 408–411, 457 New Tales Written While Trimming the Wick Nakano Shigeharu, 383 (Jiandeng xinhua), 263, 282 Nakch’on˘ tungun˘ (Fall and Rise of General and New Women (Sinyoja˘ ), 410 Statesman Wang), 282 “Night Greeting” (“Paminsa”), 489 “Nakhwa” (“Falling Flowers”), 425 “Night in an ImpoverishedVillage” (“Pinch’on Nakson˘ Library ﬁction, 282–283 ui˘ pam”), 380 “Naktonggang” (“Naktong River”), 397 “Night in the Cowshed, A” (“Oeyangkan ui˘ “Nalgae” (“Wings”), 402–403 haruppam”), 387 “Nalgae ka toch’otamy˘ on”˘ (“If I hadWings”), Night Market with Prostitutes (Maeumny˘ oka˘ 363 innun˘ pamui˘ sijang), 461 Nam Hangang (South Han River), 444–445 “Night’s Cold” (“Yahan ki”), 403 Nam Hyoon, 318, 319 nim, 351–352, 354–356 Nam I, 286 Nim ui˘ ch’immuk (The Silence of Love), 354–355 “Namjong˘ ka” (“Song of the Southern “Nine Declarations,” 195 Expedition”), 190 “Nine Songs of Mount Ko,” 178–179 Nam Kuman, 219 “Niyagi” (“A Tale”), 346 Namok (The Bare Tree), 487 No Ch’onmy˘ ong,˘ 387–389 “Namsong˘ kwanhuija”˘ (“Upon seeing a Play at “Noch’ony˘ o˘ ka” (“Song of a Spinster”), 248 South Gate), 304 Nodong ilga (A Family of Laborers), 500 Namudul˘ pit’are soda˘ (Trees on a Slope), 471 “Nogye ka” (“Song of the Reedy Stream”), “Nam yombuju˘ chi” (“Student Pak Visits the 234–235 Underworld”), 263 “Noin ka” (“Song of an OldMan”), 248 Nam Yongik, 328–329 “Noks˘ ul˘ p’ara” (“Soul-sellers”), 422 Nam Yongno,˘ 271 No Myongh˘ um,˘ 268–269 Nanjaengi ka ssoaollin chagun˘ kong (A Little Ball “Nongch’on saramdul”˘ (“Farm Village People”), Launched by a Dwarf ), 477 397 “Nanke taishou zhuan” (“Prefect of South Nongga wolly˘ ong˘ ka (The Farmer’s Works and Branch”), 277 Days), 243 “Nanun˘ pyol˘ ajossi”˘ (“I am a Star Uncle”), 436 Nongmu (Farmer’s Dance), 443–444 “Nanun˘ somanghanda naege kumjidoen˘ kos˘ ul”˘ Nongt’o (Farmland), 470 (“I Desire What is Forbidden Me”), 493 “Nora,” 385–386 “Napssi ka” (“Song of Naghacu”), 149 “Noraerul˘ chiury˘ on˘ un˘ iege (sijakpop)”˘ (“To “Narye ka” (“Song of Exorcism”), 113, 117 Those who WouldCompose Songs; “Nat kwa kkum” (“Days andDreams”), 492 Poetics”), 347 Na Tohyang, 396 North Jiandao (Pukkando), 471 nature, in poetry, 50 North Korea “Na ui˘ chongjo˘ kwan” (“My Beliefs on linguistic divergence in, 19–22 Chastity”), 410 literature of, 497–511, 550 “Naui˘ kkumul˘ yotposigess˘ umnikka”˘ (“What if foundations of, 498–500 you Look into my Dream?”), 363 further reading “Naui˘ myuuj˘ u”˘ (“My Muse”), 370 andideology, 509–511 “Negori˘ ui˘ Suni” (“Suni at the Square”), 381–382 overview, 497–498 Neolithic period, 62–65 in periodof chuch’e, 503–509 New City and the Chorus of Citizens, The postwar, 500–502 (Saeroum tosi wa simin ui˘ hapch’ang), 427 population of, 15 new classical ﬁction (sinjak ku sosol˘ ), 286–287 North Korean Artists Federation, 498

Index 567

Notations for Korean Music in Contemporary Use Om˘ oni˘ wa ttal (Mothers and Daughters), 413 (Siyong hyangak po), 100–101, 112 “On a Rainy Autumn Night,” 41, 97 “Not Yet Time to Light a Candle” (“Ajik “Onch’onjang˘ ui˘ pom” (“Spring at the Spa”), 417 ch’otppul ul˘ k’yolttae˘ ka animnida”), 363 “One Day in the Life of Mr. Song Irhwan of the Noul˘ (Sunset), 478 Korean Life Insurance Company” “Nuhang sa” (“In Praise of Poverty”), 230–231 (“Hanguk saengmyong˘ pohom˘ hoesa “Nun” (“Snow”), 346 Song Irhwan ssi ui˘ on˘ unal”),˘ 439–440 “Nun pusida” (“Dazzling”), 508 Ong Kojip t’aryong˘ (Ballad of the Miser Ong Kojip), 300 “Obalt’an” (“A Stray Bullet”), 473 Ongnu mong (Dream of the Jade Tower), 271, 280 Observations on a Journey to the West (Soyu˘ onmun˘ (common script), 5 kyonmun˘ ), 337 Onoe ui˘ mudo (Dance of Anguish), 343–344 “Obungan” (“For Five Minutes”), 472 onomatopoeia, 46 “Obu˘ sasi sa” (“The Angler’s Calendar”), 45 “On Seeing the Plays of Actors” (“Kwan uhui”),˘ O Cham, 104, 117 290, 293–294 O Changhwan, 499 On That Eve (Kuch˘ onnal˘ pam), 500 OChongh˘ ui,˘ 488–489 “On the Creation of Revolutionary Literature,” “Ode to Knight Chukchi” (“Mo Chukchirang 509–510 ka”), 72, 86 “On the Revival of Korean Buddhism,” 354 “Ode to Knight Kip’a” (“Ch’an Kip’arang ka”), On the Road of Loyal Devotion (Ch’ungsong˘ ui˘ 44, 67, 77–78, 86 han kil eso˘), 506 “Ode to the Seasons” (“Tongdong”), 45, 101, “On Viewing a Puppet Play” (“Kwan nonghwan 102, 105–106, 117, 244 yujak”), 313 “Ode to Yangji” (“P’ungyo”), 44, 71, 86 “Oraejon˘ chibul˘ ttonal˘ ttae” (“When I Left “Odum˘ ui˘ hon” (“Soul of Darkness”), 478 Home Long Ago”), 495 “Oeinch’on” (“The Foreigners’ Village”), 364 oral narratives, transition to written literature, “Oettan pang” (“An IsolatedRoom”), 495 52–65 “Oeyangkan ui˘ haruppam” (“A Night in the biographical patterns of heroes, 52, 59–60 Cowshed”), 387 early history of Korea, 52–54 “Officer Maeng” (“Maeng sunsa”), 469 foundation myths, 54–59 “official slave mask play,” 308 further reading, 543 “Ogamdo” (“A Crow’s-eye View), 366–367, Koreans’ love of song anddance, 52–54, 368 60–61 “Ogi” (“Five Shows”), 304 power of primal songs, 62–65 Ogwangdae, 307, 308, 312 oral poetry, 11 Ogwon˘ chaehap kiyon˘ (Rare Reunion of a Couple), “Origin of the Work of Art,” 431 282 “Orin˘ ttal ege” (“To my Young Daughter”), 428 “Ojok”˘ (“Five Outlaws”), 449–450 “Ori wa kyegupchang”˘ (“A Duck andan “Ojugo˘ haeng” (“Cuttlefish”), 257 Insignia”), 472 Okson˘ mong (Dream of HoK˘ ot’ong˘ ), 280 “Or˘ ori˘ pol”˘ (“The Plains of Or˘ ori”),˘ 501 Oksu ki (Record of the Jade Tree), 271 Or˘ um˘ (tightrope walking), 313 “Oktang paek pu” (“Rhymeprose on the Cypress “Oryun ka” (“Song of the Five Relations”), 150 by the Hallim Academy”), 42 ot˘ sijo, 45 “OldBachelor Yang Plays a Ch op’o˘ Game with “Ou ka” (“Songs of Five Friends”), 206–207 a Buddha of a Myriad Blessing Temple” “Our DistortedHero” (“Urid ul˘ ui˘ ilgur˘ ojin˘ (“Manboksa chop’o˘ ki”), 263 yongung”),˘ 476 OldChos on,˘ 53 outdoor plays, 307 Old History of the Three Kingdoms (Ku samguk Outsiders, The (Pangoe in), 253 sa), 55, 141 Ou˘ yadam (Ou’s˘ Unofficial Histories), 267 OldKorean, 17 OYongjae,˘ 507 “OldMan,” 305 OYongsu,˘ 473 Old Record (Kogi), 55 O Yuran chon˘ (Tale of the Female Entertainer O old-style verse, 40–41 Yuran), 285 “OldWoman,” 305 “Olgur˘ ul˘ pulk’ira, Amerik’a yo”˘ (“Blush in “Pabido,” 472 Shame, America”), 501 “Pabodul˘ ui˘ haengjin” (“Parade of Fools”), 475

568 Index

“Pacification of the East” (“Chong˘ tongbang before eighteenth century, 289–292 kok”), 149 further reading, 546 Paeban ui˘ yor˘ um˘ (Treacherous Summer), 487 overview, 288–289 Paebijang t’aryong˘ (Ballad of Subcommander p’ansori fiction andfiction of manners, Pae), 291, 300 284–286 Paegilhong (Crape Myrtle), 506 twelve works of, 297–302 Paekche writing, 89–90 “Parade of Fools” (“Pabodul˘ ui˘ haengjin”), 475 Paek Hakson˘ chon˘ (Tale of the White Crane Fan), “Paramui˘ nok”˘ (“Spirit of the Wind”), 488 281 particles, 33, 37 Paek Ijong,˘ 144 “Partridge Sky” (Zhugetian), 43 Paek Injun, 501, 507 “Path of Conscience, The” (“Ryangsim ui˘ kil”), Paek Kwanghong, 190 508, 509 Paek Kwanghun, 253 patriotic songs, 338 Paek Sinae, 411, 412, 413–414 “Pawi” (“The Rock”), 405 Paektusan (Mount Paektu), 454, 499 Peace Under Heaven (T’aep’yong˘ ch’onha˘ ), 400 Paek Unp’al,˘ 508 Peasant Revolution of the Year Kabo (Kabo Paengnoktam (White Deer Lake), 374, 375–376 nongmin chonjaeng˘ ), 507 “Paesin” (“Betrayal”), 471 Peony Peak (Moranbong), 393 Pae Sua, 496 Peony Screen (Morang pyong˘ ), 393 “Paettaragi” (“The Seaman’s Chant”), 395 “People of Crane Village” (“Hangmaul˘ “P’agum”˘ (“Broken Zither”), 412 saramdul”),˘ 473 Pak Chega, 255 People of Wonmi-dong˘ , The (Wonmidong˘ Pak Chiwon,˘ 255, 257, 266–267, 325, 326 saramdul˘ ), 492 Pak Chonghwa, 468 “People Without a Native Land” (“Kohyang Pak Chun, 208 omn˘ un˘ saramdul”),˘ 413 Pak Hwasong,˘ 411, 413, 414, 417, 419 “People without Hometowns” (“Kohyang Pak Hyon,˘ 508 omn˘ un˘ saram”), 468 Pak Illo, 177, 198–199, 204–205, 228–236 personal pronouns, 36–37 Pak Illyang, 262, 318 Petite Bourgeoisie, The (Sosimin), 473 Pak Inhwan, 427–428 “Phoenix” (“Kumsijo”),˘ 476 Pak Kyongni,˘ 478, 479, 482, 485–486 “Pich’i ssahinun˘ haegu” (“The Illuminated Pak Mogwol,˘ 421, 423–425 Inlet”), 483 Pak Namch’ol,˘ 441 “Picking Chestnuts,” 120 Pak Nayon,˘ 464 “Pig” (“Ton”), 402 Pak Nogap, 468 “Pihwa milgyo” (“The Fire Worshippers”), 475 Pak P’aengnyon,˘ 318 “Pinch’o”˘ (“A Destitute Wife”), 396 Pak P’aryang, 499 “Pinch’on ui˘ pam” (“Night in an Impoverished Pak Seyong,˘ 498, 499, 506 Village”), 380 Pak Sow˘ on,˘ 466 “Pine Caterpillars,” 257 Pak-ssi chon˘ (Tale of Lady Pak), 276 Pine River Anthology (Songgang kasa), 181 Pak Sunnyo,˘ 483 Pinnanun˘ chiyok˘ (The Glorious Region), 386 Pak T’aewon,˘ 400, 401, 507 Pinsangsol˘ (Snow on the Temple Hair), 393 Pak Tujin, 421–423 “Pio”˘ (“Rumors”), 449, 450 Pak Un,˘ 328 P’iora˘ susonhwa˘ (Bloom, Jonquil), 495 Pak Wanso,˘ 487–488, 491 “P’i pada” (“Sea of Blood”), 507 Pak Yongch’ol,˘ 361–362 “Pissori” (“The Soundof Rain”), 347 Pak Yongh˘ ui,˘ 412 “Plains of Or˘ ori,˘ The” (“Or˘ ori˘ pol”),˘ 501 Pak Yongjun,˘ 468 “Playing with Fire” (“Pullori”), 478 Paleolithic period, 52, 59–60 “Please Don’t Go,” 359 “P’almyongch’ang”˘ (“Eight Master Singers”), “Pledging Love at Nongae’s Shrine,” 357–358 294 Plekhanov, Georgy, 380 Palt’al (foot mask), 303, 313 Plowing the Laurel Grove with a Writing Brush “Paminsa” (“Night Greeting”), 489 (Kyewon˘ p’ilgyong˘ [chip]), 96 “Pangson˘ pu” (“Freeing the Cicada”), 43 Plum in the Golden Vase, The, 334 p’ansori, 11, 288–302 “Plum Window” (Maech’ang), 187 after eighteenth century, 292–297 Poe, Edgar Allan, 410

Index 569

Poems After the Crane Cried and Left (Hagi ulgo maternity, 462–463 kannal ture˘ si), 427 overview, 457 Poems of a Wanderer (Ttodori˘ ui˘ si), 427 use of word“flesh,” 458–460 “Poems of Sudaedong” (“Sudaedong si”), love lyrics, 49 426 metaphor, 46–47 Poetic Literature (Simunhak), 360 nature in, 50 poetry, 40 old-style verse, 40–41 see also Choson˘ kasa; Choson˘ poetry in regulatedverse (quatrain), 41–42 Chinese; Koryo˘ writings in Chinese; rhymeprose, 42–43 Koryo˘ songs; music rural retirement in, 48–49 ci (elegy), 42 seasons in, 47–48 deconstructionist, 460–462, 463–464 sijo, 45 dissident, 439–441 Silla songs, 44, 66, 67 early development of vernacular poetry, simile, 46 8–9 song words, 43 early twentieth-century, 336 soundsymbolism (ideophones), 46 1940s, 379 use of everyday language, 324 folk-song-style poetry, 346–353 vernacular, forms andprosodyof, 44–46 further reading, 546 “Poetry: A Chronic Sickness” (“Sibyok”),˘ 122 imagism, 363–365 “Poetry, Spit it Out!” (“Siyo˘ ch’imul˘ paet’ora”),˘ impact of symbolism andromanticism, 431 342–346 “Poetry Book of St. John” (“Yohan sijip”), language, 337 472 leftist poetry, 380–385 “Pohyon˘ sibwon˘ ka,” 86 new-style poetry, 339–342 “P’okp’ung ui˘ yoksa”˘ (“Tumultuous History”), overview, 336 468 poet Chong˘ Chiyong, 373–376 “Polgokcho”˘ (“The Cuckoo”), 112 poet Han Yongun, 353–360 P’omal (Bubble), 483 poetry for life, 376–379 “Pombom” (“Spring, Spring”), 404 poetry of resistance, 368–373 “Pom uroe” (“Spring Thunder”), 504 pure poetry movement, 360–363 Pona˘ (dish spinning), 313 reform andenlightenment, 338–339 “Ponghwang um”˘ (“Song of the Phoenix”), surrealism, 365–368 104 women’s poetry, 385–389 “Pong˘ ori˘ Samnyong” (“Samnyong the Mute”), favoredtopics, 47 396 figurative language in, 46–47 “Pongsonhwa˘ ka” (“Song of Balsam Flowers”), friendship in, 49–50 200 hyangga, 44 “Pongt’ae” (“You andI Viedfor First Place in images of time, 50 Grade School”), 453 late twentieth-century, by men, 420–456 “Poor Wife” (“Pinch’o”),˘ 396 1970s and 1980s, 447–451 popular songs (sogyo), 102 Ch’ongnok˘ chip (Green Deer Anthology), population, Korean, 15 421–427 “Portrait of a Shaman” (“Munyodo”),˘ 404 dissident poetry, 439–441 “Portrait of a Stone” (“Tol ui˘ ch’osang”), 475 further reading, 548 Portrait of a Youth (Cholm˘ unnal˘ ui˘ ch’osang), minjung poetry, 445–447 476 modernist poetry, 427–439 Post-Horse Curse, The (Yongma˘ ), 470 overview, 420–421 post-liberation period, late twentieth-century poet Ko Un,˘ 451–454 fiction by men during, 468–470 poetry of engagement, 441–445 “Potato” (“Kamja”), 395 late twentieth-century, by women, Pound, Ezra, 340, 364 457–467 Poun˘ kiu rok (Record of Rare Encounters and in 1990s, 465–467 Requital of Kindness), 282 deconstructionist poetry, 460–462 “Prayer to Amitayus”¯ (“Won˘ wangsaeng ka”), andfemale identity, 458–460 74–75, 83 first wave of poets, 457–458 Precipice of Myth, The (Sinhwa ui˘ tanae), 483

570 Index

“Prefect of South Branch” (“Nanke taishou quatrain (regulatedverse), 41–42 zhuan”), 277 “Questions andAnswers Between a BlindMan Principles of Poetry (Sich’ik), 329 anda Cripple” (“Sogy ong˘ kwa “Proceedings of the Council of Birds and Beasts” anjumbangi˘ mundap”), 391–392 (“Kumsu˘ hoeuirok”),˘ 391 Qu Yu, 263, 282 “Prodigal Child,” 415–416 Qu Yuan, 42, 211, 215–216 “Professor Pak Who Walks the Muddy Stream” (“T’angnyusog ul˘ kanun˘ Pak kyosu”), Random Records at Sapkyo (Sapkyo mallok), 468 268–269 “Prologue” (“Sosi”),˘ 372 Rare Reunion of a Couple (Ogwon˘ chaehap kiyon˘ ), “Prostitute” (“Maesobu”), 416 282 pseudobiographies (kajon˘ ), 136–138, 265–266 Rat Fire (Sohwa˘ ), 398 “Pubyok˘ Tower,” 430 “Raven, The,” 410 “Puhwal” (“Resurrection”), 426 “Ready-made Life” (“Redimeidu˘ insaeng”), 403 Puin sinbo (Women’s News), 481 “Recordof a Dream Journey to Talch’ on”˘ Pukkando (North Jiandao), 471 (“Talch’on˘ mongyu rok”), 278 Pukkur˘ oum˘ ul˘ karuch’imnida˘ (I’ll Teach you “Recordof an Escape” (“T’alch’ul ki”), 397 Shame), 487 “Recordof a Reunion of the Sick,” 392 “P’ul” (“Grass”), 430 “Recordof a SecondWife” (“Huch’ o˘ ki”), 416 “Pulgun˘ kang” (“Fire River”), 488 “Record of Concern for the Underprivileged” Pulgyo (Buddhism), 386 (“Kwagu rok”), 293 “Pulkkot” (“Flowers of Fire”), 472 “Recordof Deeds,” 130 “Pullori” (“Fireworks”), 346–347, 478 Record of Lady Sa’s Journey South, 269–270, 273, Pulmyol˘ ui˘ yoksa˘ (Imperishable History), 505–506 334 Pulsin sidae (The Age of Distrust), 482 Record of Nine Clouds (Kuun ki), 280 “P’unggumi˘ itton˘ chari” (“Where the Organ Record of Perfect Penetration (Wont’ong˘ ki), 90 Once Stood”), 495 Record of Rare Encounters and Requital of P’ungjang (Wind Burial), 435–436 Kindness (Poun˘ kiu rok), 282 P’ungmul (farmer’s music), 313 Record of Rites, 1, 3, 83–84, 85, 92 “P’ungnyu chap’inun˘ maul”˘ (“Landowner So’s˘ Record of SixBeauties (Yungmidang ki), 271 Birthday Celebration”), 468 Record of the Black Dragon Year (Imjin nok), “P’ungyo” (“Ode to Yangji”), 44, 71, 86 276 “Punnyo,”˘ 402 “Recordof the First Wife” (“Ch onch’˘ o˘ ki”), 416 Puppet Show (Tolmi˘ ), 313 Record of the Jade Tree (Oksu ki), 271 pure poetry movement, 360–363 “Recordof the Oath Madein the Year Imsin,” “P’urun˘ hanul˘ ul”˘ (“Blue Sky”), 430 89, 95–98 “P’urun˘ ot” (“Blue Clothes”), 448–449 Record of the State of Karak (Karakkuk ki), 55 Puyong sangsa kok (Female Entertainer Lotus’s Record of Three Transcendents (Samson˘ ki), 285 Song of Love), 281 “Redimeidu˘ insaeng” (“Ready-made Life”), 403 “P’yobonsil ui˘ ch’onggaegori”˘ (“The Green Frog “Reed” (“Kaltae”), 444 in the Specimen Gallery”), 396 “Regret” (“Chong˘ Kwajong”),˘ 101–102, 111 Pyold˘ ul˘ ui˘ kohyang (Hometown of Stars), 475 regulatedverse (quatrain), 41–42 “Pyol˘ samiin kok” (“Separate Hymn of Reins (Koppi), 491, 492 Constancy”), 236–237 Remaining Gems of Korea (Haedong yuju), 327 pyolsin˘ ritual, 306 Remains from the Three Han (Samhan subyu˘ ), 271 “Pyol˘ ul˘ henda” (“Counting the Stars”), 468 Remarks on Poetry by a Man from the East P’yongan˘ dialect, 19 (Tongin sihwa), 120, 323 “P’yongil˘ sich’o” (“Selections on an Ordinary “Representative of the Stonemasons’ Union” Day”), 425 (“Sokkong˘ chohap taep’yo”), 398 “Pyongsin˘ kwa moj˘ ori”˘ (“The Idiot and the “Requiem for the DeadSister” (“Che mangmae Fool”), 475 ka”), 75–77, 83, 86 P’yongyang˘ sigan (P’yongyang˘ time), 506–507 “Resurrection” (“Puhwal”), 426 Pyon˘ Kangsoe ka or Karujigi t’aryong˘ (Ballad of “Retreat from Hungnam,˘ The” (“Hungnam˘ Pyon˘ Kangsoe), 300 ch’olsu”),˘ 471 Pyon˘ Kyeryang, 149 “Return, The,” 42

Index 571

“Returning Soldier” (“Kwihwan changjong”),˘ Samdaemok (Collection of Three Periods), 68 470 “Samgaksan i poinda” (“I Can See Mount “Revelation, The” (“Muksi”), 472–473 Samgak”), 501 “Rewritten Essay, A” (“Tasi ssun˘ nonmun”), 508 Samguk yusa; see Memorabilia of the Three rhymeprose, 42–43 Kingdoms (Samguk yusa) “Rhymeprose on the Cypress by the Hallim Samhan subyu˘ (Remains from the Three Han), 271 Academy” (“Oktang paek pu”), 42 “Sa miin kok” (“Hymn of Constancy”), 195, 198 Ri Myonghun,˘ 508 Samil kinyom˘ sijip (Collection in Commemoration “Ripples in the Heart” (“Simmun”), 403 of the March First Movement), 421 “Ripples Sifting Sand” (“Langtaosha”), 43 “Samnam e naerinun˘ nun” (“Snow Falls in the “Rising from a Nap” (“Sugi”), 251 South”), 434 Ri Taesang, 508 “Samnan” (“Three Difficulties”), 258–259 rites, political use of, 148 “Samnyong the Mute” (“Pong˘ ori˘ Samnyong”), Rites of Chou, 113 396 river fiction, 282–283 “Samo kok,” 117 Road (Kil), 445, 452 “Samp’o kanun˘ kil” (“The Roadto Samp’o”), Road at the Dawn of History, The (Yoksa˘ ui˘ 477 saebyok˘ kil), 506 “Samsong˘ taewang” (“Great King of the Three “Roadto Samp’o, The” (“Samp’o kan un˘ kil”), WalledCities”), 114, 117 477 Samson˘ ki (Record of Three Transcendents), 285 “Rock, The” (“Pawi”), 405 sandae play (sandae kuk˘ ), 304, 305, 307, 308 “Rock-a-bye-baby” (“Tungdung t’aryong”),˘ 309 “Sangbong” (“The Meeting”), 410 “Rocking Horse anda Lady, A” (“Mongma wa “Sangch’un kok” (“In Praise of Spring”), 46, sungnyo”),˘ 428 190, 191 Rolland, Romain, 380 “Sangdae pyolgok”˘ (“Song of the Censorate”), romance fiction, 275–281 150 Romance of the Three Kingdoms (Sanguo[zhi] Sang Hongyang, 216 yanyi), 274, 284, 334 “Sangjo˘ ka,” 117 romans-fleuves, 478–480 Sangnoksu (Evergreen), 401 “Room in the Woods, A” (“Supsoge bang”), 492 Sanguo[zhi] yanyi (Romance of the Three “Royal Tomb andOccupation Forces, A” Kingdoms), 274 (“Wangnung˘ kwa chudungun”), 474 “Sanjung sa” (“In the Mountain”), 42 “Rumors” (“Pio”),˘ 449 San kil (Mountain Path), 417 rural dances, 307 sanoe style (kyok˘ ), 66, 67 rural retirement, in poetry, 48–49 Sanullim (Echo), 478 “Ryangsim ui˘ kil” (“The Path of Conscience”), “Sanyuhwa” (“Mountain Flowers”), 352–353 508, 509 Sapkyo mallok (Random Records at Sapkyo), 268–269 Saban ui˘ sipchaga (The Cross of Shapan), 471 “Sarainnun˘ kosi˘ ittamyon”˘ (“If There are Living “Saedur˘ un˘ sup’uro˘ kanda” (“Birds Fly to the Things”), 428 Forest”), 501 “Saram ui˘ adul”˘ (“Sons of Human Beings”), 476 Saengmyong˘ su (Water of Life), 507 “Sarang sonnim kwa om˘ oni”˘ (“Mama andthe Saengmyong˘ ui˘ kwasil (Fruits of Life), 410, 418 Boarder”), 405 “Saengmyong˘ ui˘ so˘ ilchang” (“The Chapter of “Sarang ui˘ saem” (“Spring of Love”), 508 Life”), 378 Sasanggye (World of Thought), 449 Sae pom (New Spring), 507 Sasimnyon˘ (Forty Years), 468 Saeroun tosi wa simin ui˘ hapch’ang (The New sasol˘ sijo, 45, 221–227 City and the Chorus of Citizens), 427 Sa-ssi namjong˘ ki (Record of Lady Sa’s Journey “Saje kok” (“Song of Sedge Bank”), 229–230 South), 270 salp’an (acrobatics), 313 “Sasum”˘ (“Deer”), 387–388 “Salt” (“Sogom”), 412 “Sat’aek Chijok˘ pi” monument, 91 “Samak ul˘ konn˘ on˘ un˘ pop”˘ (“How to Cross the satires, 391–392, 403–405 Desert”), 489 satirical kasa, 248–249 Samch’olli˘ (Three Thousand Tricents), 409 “Sawol”˘ (“April”), 422 Samdae (Three Generations), 399 “Sawol˘ sangsun” (“Early April”), 425

572 Index

Scenery of a Woman (Yoja˘ ui˘ p’unggyong˘ ), 415 Silla writings in Chinese, 87–98 Scenes on the Riverside (Ch’onby˘ on˘ p’unggyong˘ ), Ch’oe Ch’iwon,˘ 89, 95–98 400 early methods of reading, 88–90 “Seaman’s Chant, The” (“Paettaragi”), 395 further reading, 543 “Sea of Blood” (“P’i pada”), 507 overview, 87–88 “Sea of Excrement” (“Ttong pada”), 450 use of Chinese in Three Kingdoms, 89, 90–95 “Seaside Village” (“Kaenmaul”), 474 Silvery World, A (Unsegye˘ ), 393 seasons, in poetry, 47–48 Sima Qian, 128 “Seeing a Fellow Villager Off in Shanyang,” Sim Hun, 369, 401 96–97 simile, 46 Sejo, King, 29 “Simin” (“Missing Persons”), 440 Sejong, King, 28–29, 165–167 “Simmun” (“Ripples in the Heart”), 403 Selections of Refined Literature (Wenxuan), 1, 7, 92 Sim Nungsuk,˘ 271 “Selections on an Ordinary Day” (“P’yongil˘ Sim Sugyong,˘ 319 sich’o”), 425 Sim Ui,˘ 278 “Self-portrait” (“Chahwasang”), 372–377, 387, Simunhak (Poetic Literature), 360 389 Sin Ch’aeho, 390–391 “Sending Off a Friend,” 41–42 Sin Chaehyo, 295–296 sentence structure, 34 Sinch’ung, 86 Seoul, Korea, poems about, 149 Sindan kongan (Swift Decision on a Public Case), “Seoul 1964 nyon˘ kyoul”˘ (“Seoul: 1964, 271–272 Winter”), 474–475 “Sindo ka” (“Song of the New Capital”), 149 “Separate Hymn of Constancy” (“Pyol˘ samiin “Sindo p’algyong˘ si” (“Eight Scenes of the New kok”), 236–237 Capital”), 149 Seven Songs of Salt Valley (Yomgok˘ ch’ilka), singers, professional, 219–221 260 “Singing About the Suffering of the Mountain “Sewol”˘ (“Time andTide”), 493 Home” (“Yong˘ sanga ko”), 253 sex, presentation of in poems, 224–225 “Single Blossom, A” (“Han kkotsongi”), 436–437 Shadow of Arms, The (Mugi ui˘ kun˘ ul˘ ), 477 Sin Hum,˘ 218 Shadow Play (kurimja˘ inhyong˘ nori), 313 Sinhwa ui˘ tanae (The Precipice of Myth), 483 shamanist songs, 112–116, 289–290 sinjak ku sosol˘ (new classical fiction), 286–287 Shiji (Historical Records,orRecords of the Sinjun, 140 Historian), 128 Sin Kwanghan, 264 “Shinagawa Station in the Rain,” 383 Sin Kyongjun,˘ 329 Shipin (Classes of Poetry), 141 Sin Kyongnim,˘ 443–445 Showing Goodness and Stirred by Righteousness, Sin Kyongsuk,˘ 495 270, 273 “Sinner Before his People, A” (“Minjok ui˘ Shuihu zhuan (Water Margin), 274, 282, 333–334 choein”), 469 Sich’ik (Principles of Poetry), 329 Sino-Korean (SK), 23–26 “Sidae e taehan saenggak” (“Thoughts on the Sin Sokch˘ ong,˘ 363, 365 Era”), 507 Sin Tongyop,˘ 441–443 Sidae ui˘ t’ansaeng (BirthofanEra), 506 Sin Wi, 329 Sidney, Philip, 335 Sinyoja˘ (New Women), 410 “Sigan ui˘ mun” (“Time’s Gate”), 475 “Sipchaga” (“The Cross”), 472–473 Sigyongam˘ (Prince Hye), 138 Siryon˘ sok eso˘ (Amidst Hardship), 502 Sijang kwa chonjang˘ (Marketplace and Sishu jizhu (Collected Commentaries on the Four Battlefield), 482 Books), 144 “Sijip sari” (“MarriedLife with the In-laws”) “Sixties Style, The” (“60 nyondae˘ sik”), 474–475 “Sijipsariyo” (“It’s MarriedLife”), 258 “Siyo˘ ch’imul˘ paet’ora”˘ (“Poetry, Spit it Out!”), sijo–Ch’onggu˘ yong˘ on˘ (Songs of Green Hills), 329 431 Silence of Love, The (Nim ui˘ ch’immuk), Siyong hyangak po (Notations for Korean Music in 354–355 Contemporary Use), 100–101, 112 Silla “Sketch” (“Somyo”), 424 Buddhism in, 83–85 “Sketches of a Flower 1” (“Kkot ui˘ somyo”), 432 royal Confucian academy at, 1 Small Collection of Folk Songs, A (So akpu), Silla songs, 44, 66, 67 123–124

Index 573

“Smoke” (“Yongi”),˘ 403 Songgang kasa (Pine River Anthology), 181 “Snow” (“Nun”), 346 Song Hungnok,˘ 294 “Snow Falls in the South” (“Samnam e naerinun˘ Song˘ Hyon,˘ 313, 317, 319, 320, 321 nun”), 434 “Songjadong ond˘ ok˘ ui˘ nun” (“Snow on “Snow on Songjadong Hills” (“Songjadong Songjadong Hills”), 447–448 ond˘ ok˘ ui˘ nun”), 447–448 Songjong,˘ King, 100, 175–176 Snow on the Temple Hair (Pinsangsol˘ ), 393 Song Kyonga,˘ 496 “Snow Under Martial Law” (“Kyeomny˘ ong˘ ha Song Manjae, 290, 293–294 ui˘ nun”), 434–435 “Song of a Beautiful Woman” (“Miin pyolgok”),˘ So akpu (A Small Collection of Folk Songs), 190, 191 123–124 “Song of a Comet” (“Hyesong˘ ka”), 74, 86 SoCh˘ ongju,˘ 376–377, 425–427 Song of a Grand Trip to Japan (Iltong changyu social protest, kasa about, 247–248 ka), 241–243 “Sodong˘ yo” (“Song of Sodong”),˘ 70–71, 86 “Song of a Lovestruck Man” (“Kyusu sangsa “Sogom” (“Salt”), 412 kok”), 248 sogyo (popular songs), 102 “Song of an OldMan” (“Noin ka”), 248 “Sogyong˘ kwa anjumbangi˘ mundap” “Song of a Simple Wife”(“Yongbu ka”), 248 (“Questions andAnswers Between a “Song of a Spinster” (“Noch’ony˘ o˘ ka”), 248 BlindMan anda Cripple”), 391–392 Song of a Trip to Peking (Yonhaeng˘ ka), 243 “Sogy˘ ong˘ pyolgok”˘ (“Song of P’yongyang”),˘ 101, “Song of a Widow” (“Kwabu ka”), 248 109, 117 Song of a Youth’s Repentance (Ch’ongny˘ on˘ hoesim Sohwa˘ (Rat Fire), 398 kok), 281, 287 So Hyons˘ ong˘ nok (Tale of So Hyons˘ ong˘ ), 282, 283 “Song of Balsam Flowers” (“Pongsonhwa˘ ka”), So˘ Kiwon,˘ 473 200 Sokkaeul˘ ui˘ saebom (A New Spring by Sok˘ “Song of Cherry Bandits” (“Aengjok˘ ka”), Stream), 502 450 “Sokkong˘ chohap taep’yo” (“Representative of “Song of Ch’oyong”˘ (“Ch’oyong˘ ka”), 44, the Stonemasons’ Union”), 398 73–74, 86, 102, 104, 124, 303 “Sok miin kok” (“ContinuedHymn of Song of Ch’unhyang(Ch’unhyang ka), 291, 296, Constancy”), 195, 198 297, 300–301 SoK˘ oj˘ ong,˘ 251 “Song of Confucian Scholars” (“Hallim comment on ki, 319 pyolgok”),˘ 111–112, 117 comment on obscure words in poetry, 319 “Song of DiamondMountains” (“Kwandong comment on reversing meaning of ancients pyolgok”),˘ 111, 117 for effect in poetry, 319–320 “Song of Driving Away Evil Spirits” (“Kuma education and examinations, 3 haeng”), 140 praise of other poets, 320 “Song of Exorcism” (“Narye ka”), 113, 117 Tongin sihwa (Remarks on Poetry by a Man “Song of Foolish Men” (“Ubu ka”), 248 from the East), 323 “Song of Fury” (“Manbun ka”), 190, 191 Sokpo˘ sangjol˘ (Detailed Contents of the Life “Song of Green Mountain” (“Ch’ongsan˘ History of S´akyamuni¯ ), 165–166, 167 pyolgok”),˘ 45, 101, 102, 107–109, 117 “Soksagim, soksagim” (“Whispers”), 494–495 “Song of Hapkang Arbor”(“Hapkangjong˘ ka”), “Sok samiin kok” (“ContinuedHymn of 248 Constancy”), 236–237, 253–255 “Song of Heartrending Grief” (“Tanjang ka [or “Soks˘ o”˘ (“Big Rat”), 253 “sa”]”) Sol˘ Ch’ong, 68 Song of Hungbo˘ (Hungbo˘ ka), 296, 297, 301, 302 “Somun ui˘ pyok”˘ (“Walls of Rumor”), 475 “Song of Kuji” (“Kuji ka”), 62–63 “Somyo” (“Sketch”), 424 Song of Longing in the Autumn Wind (Ch’up’ung “Sonang˘ pan” (“Foodfor S onghwang˘ Gods”), kambyol˘ kok), 281, 287 113–114, 117 “Song of Mount Hwa” (“Hwasan pyolgok”),˘ Son Ch’angsop,˘ 473 149, 150 “Song Composedat the Time of a Rebellion in “Song of Myonang˘ Arbor” (“Myonangj˘ ong˘ ka”), Chong˘ up”˘ (“Chong˘ up-kun˘ millansi 190, 191 wihang ch’ongyo”),˘ 229–230 “Song of Naghacu” (“Napssi ka”), 149, 248 “Songdo p’algyong”˘ (“Eight Scenes of “Song of Orioles” (“Hwangjo ka”), 65 Kaesong”),˘ 43 “Song of Peace” (“T’aep’yong˘ sa”), 228–229

574 Index

“Song of P’yongyang”˘ (“Sogy˘ ong˘ pyolgok”),˘ 101, canto, 43, 148–149 109, 117 General Yi Songgye˘ in, 124–125 Song of Pyon˘ Kangsoe (Pyon˘ Kangsoe ka), 296 martial valor andprowess, 153 Song of Red Cliff , 284, 296, 297, 301 moral andkingly virtues, 163 “Song of Sagely Virtue” (“Ha songd˘ ok˘ ka”), 150 tree of dynasty, 163–165 “Song of Sedge Bank” (“Saje kok”), 229–230 Songs of Green Hills (Ch’onggu˘ yong˘ on˘ ), 170, 329, Song of Seoul (Hanyang ka), 245–246, 253 330, 331–332 Song of Sim Ch’ong(Sim Ch’ong˘ ka), 296, 297, Songs of Jellyfish (Haep’ari ui˘ norae), 339–345 301–302 Songs of Korea (Haedong kayo), 329 “Song of Sodong”˘ (“Sodong˘ yo”), 86 Songs of the Moon’s Reflection on a Thousand “Song of the Bamboo Stream” (“Chukkye Rivers (Worin˘ ch’ongang˘ chigok), 87, pyolgok”),˘ 111, 117 165–166 “Song of the Censorate” (“Sangdae pyolgok”),˘ Song Songch’ong,˘ 135 150–151 Song Sun, 177, 190, 191 “Song of the Comet” (“Hyesong˘ ka”), 426–427 song words, 43 “Song of the Cowherd” (“Moktong mundap Song˘ Yohak,˘ 324 ka”), 235–236 Song Yong,˘ 398, 498 “Song of the Five Relations” (“Oryun ka”), 150 “Sonsang˘ t’an” (“Lament on the Water”), 229 “Song of the Flower-Adorned Cake” (“Hwajon˘ “Sons of Human Beings” (“Saram ui˘ adul”),˘ 476 ka”), 248 Son Sohui,˘ 482 “Song of the Gong andChimes” (“Ch ongs˘ ok˘ Sonu˘ Hwi, 472–473 ka”), 101, 109–110 Sonyon˘ (Boys), 342 “Song of the Kapsan People” (“Kammin ka”), “Sonyon˘ ui˘ piae” (“Sorrow of a Youth”), 394 247–248 “Sori naeryok”˘ (“The Story of a Sound”), 450 “Song of the Lantern Festival” (“Kwandung˘ “Sorrow of a Youth” (“Sonyon˘ ui˘ piae”), 394 ka”), 244 Sosan˘ taesa (Great Master Sosan˘ ), 502 “Song of the New Capital” (“Sindo ka”), 149 “Sosi”˘ (“Prologue”), 372 “Song of the Northwest” (“Kwansopy˘ olgok”),˘ Sosimin (The Petite Bourgeoisie), 473 190 Sosolga˘ Kubossi ui˘ iril (A Day in the Life of Kubo “Song of the Pacification of the East” (“Chong˘ the Writer), 401 tongbang kok”), 102 So-ssi samdae rok (Three-Generation Record of the “Song of the Pestle” (“Sangjo˘ ka”), 113 So Clan), 282 “Song of the Phoenix” (“Ponghwang um”),˘ 104 So˘ Taeju chon˘ (Tale of Captain Rat), 282 “Song of the Pigeon” (“Yugu kok”), 112–113, 117 Soul Fire (Honppul), 486 Song of the Rabbit and the Turtle (T’obyol˘ ka), “Soul of Darkness” (“Odum˘ ui˘ hon”), 478 296, 297, 301 “Soul-sellers” (“Noks˘ ul˘ p’ara”), 422 “Song of the Reedy Stream” (“Nogye ka”), “Soundof Rain, The” (“Pissori”), 347 234–235 soundsymbolism, 30–31, 46 “Song of the Southeast” (“Yongnam˘ ka”), South Han River (Nam Hangang), 444–445 233–234 South Korea “Song of the southern expedition” (“Namjong˘ linguistic divergence in, 19–22 ka”), 190 population of, 15 “Song of Tus.ita Heaven” (“Turinnorae”), 66, 67, Soviet Union, Korean population in, 15 83, 86 SoY˘ ong˘ un,˘ 489 Song of Unjin,˘ Lady, 246 Soyu˘ kyonmun˘ (Observations on a Journey to the “Song of Welcoming the Divine Lord” (“Yong˘ West), 337 singun ka”), 62 SoYuy˘ ong,˘ 271 Song˘ Sammun, 174, 318 speech levels, 35–37 “Songsan˘ pyolgok”˘ (“Little Odes to Mount speech sounds, 30–31 Star”), 198–200 speed( soktojon˘ ), 505 “Songs of Five Friends” (“Ou ka”), 206–207 “Spiders meet a Pig” (“Chijuhoesi”), 402 “Songs of Five Relations” (“Oryun ka”), 204, 205 “Spirit of the Wind” (“Paramui˘ nok”),˘ 488 Songs of Flying Dragons (Yongbi och’˘ on˘ ka), Splendid Hell, A (Hwaryohan˘ chiok), 481 151–165 spring (season), in poetry, 47–48 brotherly rivalry, 150 “Spring, Spring” (“Pombom”), 404

Index 575

“Spring at the Spa” (“Onch’onjang˘ ui˘ pom”), 417 “Suni at the Square” (“Negori˘ ui˘ Suni”), 381–382 Spring at Unhyon˘ Palace (Unhyon-gung˘ ui˘ pom), Sunset (Noul˘ ), 478 400 “Supchaksil˘ eso”˘ (“From a Study”), 403 “Spring Day” (“Ch’unil”), 241–243 “Superfluous Men” (“Ingyo˘ ingan”), 473 “Spring of Love” (“Sarang ui˘ saem”), 508 “Su porok” (“Upon Receiving the Precious “Spring Overflows the Pavilion” Prophecy”), 148–149 (“Manjonch’un”),˘ 101, 110–111, 117, 168 Supplementary Jottings in Idleness, 146 “Spring Thunder” (“Pom uroe”), 508–509 “Supsoge bang” (“A Room in the Woods”), 492 Square, The (Kwangjang), 473 surrealism, in poetry, 365–368 “Ssanghwajom”˘ (“The Turkish Bakery”), 104, Su Shi, 319 117, 303 “Suson˘ chon,”˘ 136 Ssangokchok˘ (Two Jade Flutes), 393 “Suspicious Girl,” 409, 410–411 “Ssirum”˘ (“Wrestling”), 398 Swift Decision on a Public Case (Sindan kongan), Ssur˘ ojin˘ cha ui˘ kkum (Dream of the Fallen), 445 271–272 Staggering Afternoon (Hwich’ongg˘ orin˘ un˘ ohu), Sword That Drives Away Demons, The 487 (Kumagom˘ ), 393 Standard Language (p’yojun mal), 20–22 symbolism, in poetry, 342–346 Standing Rock, 204–205 “Starvation andMurder”(“Kia wa sallyuk”), 397 “Tabuwon˘ eso”˘ (“At Tabuwon”),˘ 425 “Statesmanship” (“Anmin ka”), 78–79, 86 “Taea” (“The Giant Jackdaw”), 410 “Stone of Ch’ungju” (“Ch’ungju sok”),˘ 254–255 “Taedonggang e hur˘ un˘ un˘ iyagi” (“A Story Stones in the Spring Water (Ch’onsus˘ ok˘ ), 282 Flowing in Taedong River”), 507 “Stories from the Farm” (“Chongan˘ kisa”), Taegu, Monk, 68 255–256 “Taeguk” (“The Large Country”), 114–115, 117 “Story Flowing in Taedong River, A” “Taeji” (“The Great Earth”), 508 (“Taedonggang e hur˘ un˘ un˘ iyagi”), 507 T’aejong sillok (T’aejong Annals), 208 “Story of a Sound, The” (“Sori naeryok”),˘ 450 Taemyon˘ , 304 Storytellers’ Collection from the East, A (Tongbi T’aep’yong˘ ch’onha˘ (Peace under Heaven), 400 nakson˘ ), 268–269 “T’aep’yong˘ sa” (“Song of Peace”), 228–229 “Strange Land” (“Kaekchi”), 477 Taesol˘ nam (Big Story South), 451 Strange Tales by Kijae (Kijae kii), 264 “Taewang pan” (“Foodfor the Great King”), 114, “Stray Bullet, A” (“Obalt’an”), 473 117 “Stretch of Cloudover Mount Wu, A” T’aeyang ui˘ kyegok (Valley of the Sun), 483 (“Wushan yiduan yun”), 43 T’aeyang ui˘ p’ungsok (The Custom of the Sun), “Student Han Visits the Dragon Palace” 364 (“Yonggung puyon˘ rok”), 263 T’angnyu (Muddy Currents), 400 “Student Hong Plays at Floating Emerald “T’agnyu” (“Muddy Stream”), 403 Tower” (“Ch’wiyu Pubyokch˘ ong˘ ki”), Tai Kang of Xia, 163 263 “T’ain ui pang” (“Another Man’s Room”), 475 “Student Pak Visits the Underworld” (“Nam Taiping guangji (Extensive Gleanings of the Reign yombuju˘ chi”), 263 of Great Tranquility), 273 “Student Yi Peers over the Wall” (“Yisaeng “Talch’on˘ mongyu rok” (“Recordof a Dream kyujang chon”),˘ 263 Journey to Talch’on”),˘ 278 subject- and addressee-honorific suffixes, 38 “T’alch’ul ki” (“Recordof an Escape”), 397 “Sudaedong si” (“Poems of Sudaedong”), 426 “Tale, A” (“Niyagi”), 346 “Sugi” (“Rising from a Nap”), 251 “Tale of a Nightsoil Man” (“Yedok˘ sonsaeng˘ Sugyong˘ nangja chon˘ (Tale of Sugyong˘ ), 281 chon”),˘ 267 Sui chon˘ (Tales of the Extraordinary), 262 Tale of a Pheasant Cock (Changkki chon˘ ), 282–285 Sukhyang chon˘ (Tale of Sukhyang), 281 Tale of a Rabbit (T’okki chon˘ ), 282–285 “Sul iyagi” (“Liquor Story”), 468 Tale of a Toad (Tukkobi˘ chon˘ ), 285–286 “Sulkkun” (“The Boozer”), 475 Tale of Captain Rat (So˘ Taeju chon˘ ), 282 “Summit, The” (“Cholch˘ ong”),˘ 371 Tale of Ch’oe Ch’ok˘ (Ch’oe Ch’ok˘ chon˘ ), 262, “Sunan sidae” (“Two Generations of Suffering”), 264 474 Tale of Chong˘ Sujong˘ (Chong˘ Sujong˘ chon˘ ), “Sungmu”˘ (“Monk Dance”), 425 276–277

576 Index

Tale of Chu Hoe (Chusaeng chon˘ ), 264 Three Thousand Tricents (Samch’olli˘ ), 409 Tale of Ch’unhyang (Ch’unhyang chon˘ ), 281 Thus Come One of Infinite Light, image of the, Tale of Hong Kiltong (Hong Kiltong chon˘ ), 273, 94–95 275–277, 334 “Tiger’s Rebuke, A” (“Hojil”), 266–267 Tale of Im Houn˘ (Im Houn˘ chon˘ ), 280 tightrope walking (Or˘ um˘ ), 313 Tale of Im Kyong˘ op˘ (Im Kyong˘ op˘ chon˘ ), 276 “Tigusyong˘ miraemong” (“Dream of the Earth’s Tale of Kim Huigy˘ ong˘ (Kim Huigy˘ ong˘ chon˘ ), Future”), 391 276–277 time, images of, 50 Tale of Lady Pak (Pak-ssi chon˘ ), 276 “Time andTide”(“Sew ol”),˘ 493 Tale of Queen Chong˘ (Chongbi˘ chon˘ ), 276–277 “Time’s Gate” (“Sigan ui˘ mun”), 475 Tale of So Hyons˘ ong˘ (So Hyons˘ ong˘ nok), 282, 283 “Time to Drink, A” (“Changjinju sa”), 223 Tale of Sugyong˘ (Sugyong˘ nangja chon˘ ), 281 “To Ch’onsu˘ Kwanum˘ ka” (“Hymn to the Tale of Sukhyang (Sukhyang chon˘ ), 281 Thousand-Eyed Bodhisattva Who Tale of the Female Entertainer O Yuran (O Yuran Observes the Sounds of the World”; chon˘ ), 285 “SoundObserver”), 79 Tale of the Hyon˘ Brothers (Hyon-ssi˘ yangung “To Drive Away the Poetry Demon” (“Ku sima ssangnin ki), 283 mun”), 122 Tale of the Profligate Yi (Yi Ch’unp’ung chon˘ ), 285 Tohon,˘ Great Master, 98 Tale of the White Crane Fan (Paek Hakson˘ chon˘ ), “To Hyang,” 441 281 “To ijang ka” (“Dirge for Two Generals”), Tale of Unyong˘ (Unyong˘ chon˘ ), 264, 265 101–102, 117 Tale of Yang Kison (Yang Kison chon˘ ), 284 T’oji (Land), 478, 479, 485–486 Tale of Yun Chigyong˘ (Yun Chigyong˘ chon˘ ), 281 “Tojong”˘ (“Journey”), 468 Tales of Chilmajae (Chilmajae sinhwa), 427 “Tokpaek” (“Monologue”), 370, 402 Tales of the Extraordinary (Sui chon˘ ), 262 Tolmi˘ (puppet show), 313 tales of wonder (chuanqi) genre, 262–265 “Tol ui˘ ch’osang” (“Portrait of a Stone”), 475 “Tallara ui˘ changnan” (“The Game on the “To My Son Editing My Poems,” 122–123 Moon”), 430. “To My Young Daughter” (“Orin˘ ttal ege”), “Talpam” (“Moonlit Night”), 401–402 428 “T’angnyusog ul˘ kanun˘ Pak kyosu” (“Professor “Ton” (“Pig”), 402 Pak who Walks the Muddy Stream”), Tonga Daily, 395 468 “Tongbaekkot” (“Camellias”), 404 Tang poets, 323–324 Tongbi nakson˘ (A Storytellers’ Collection from the Tears of Blood (Hyol˘ ui˘ nu), 393 East), 268–269 temporary, or borrowed, script (kana), 5 “Tongdong” (“Ode to the Seasons”), 45, 101, 117 ten-line songs, 74–83 “Tonghae” (“A Boy’s Bones”), 403 Ten Thousand Lives (Manin po), 453, 454 Tongho kosil˘ (A Couple Living on the Lane), 260 “Terrorist, The” (“T’erorist’u”), 472 Tongin sihwa (Remarks on Poetry by a Man from There a Petal Silently Falls (Chogi˘ soriopssi˘ hanjom˘ the East), 120, 323 kkonnip’i chigo), 494–495 Tong munson˘ (Anthology of Korean Literature in Thinking of a Fair One (Simeiren), 195 Chinese), 96, 328 “ThirdKindof Man, A” (“Chesam “Tongnaktang” (“Hall of Solitary Bliss”), inganhyong”),˘ 471 198–199, 231–233 Thirst and Spring (Kalchung˘ imyo˘ saemmul in), “Torch” (“Hwaeppul”), 444–445 438 “Tosol ka,” 66, 72–74 “Thoughts on the Era” (“Sidae e taehan “To Those Who WouldCompose Songs, saenggak”), 507 Poetics” (“Noraerul˘ chiury˘ on˘ un˘ iege Thousand Sinograph Primer, 309 [sijakpop]”),˘ 347 “Three Difficulties” (“Samnan”), 258–259 Totpoegi˘ (mask dance), 313 Three-Generation Record of the Han Clan travel kasa, 241–243 (Han-ssi samdae rok), 282 Treacherous Summer (Paeban ui˘ yor˘ um˘ ), 487 Three-Generation Record of the So Clan (So-ssi “Treading Frost” (“Isang kok”), 101, 102, 110 samdae rok), 282 Trees on a Slope (Namudul˘ pit’are soda˘ ), 471 Three Generations (Samdae), 399 “Trial of Birds and Beasts” (“Kumsu˘ chaep’an”), Three Tang-Style Poets, 253–254 391

Index 577

Tribulations of the Three Clans (Myongju˘ “Upon Receiving the Precious Prophecy” (“Su powolbing˘ ), 282 porok”), 148–149 true script (mana), 5 “Upon Seeing a Play at South Gate” (“Namsong˘ Ttang (Land), 500 kwanhuija”),˘ 304 “Ttangkkut”˘ (“Land’s End”), 448 urban dances, 307 “Ttodon˘ un˘ maldul”˘ (“Floating Words”), 475 urban poetry, 440–441 Ttodori˘ ui˘ si (Poems of a Wanderer), 427 Urhwa˘ , 404 “Ttong pada” (“Sea of Excrement”), 450 “Uridul˘ ui˘ ilgur˘ ojin˘ yongung”˘ (“Our Distorted “Tto tarun˘ kohyang” (“Another Home”), 372 Hero”), 476 Tugo,˘ 86 “Uri oppa wa hwaro” (“My Older Brother and a “T’ugye” (“Cockfight”), 403 Brazier”), 380 Tukkobi˘ chon˘ (Tale of a Toad), 285–286 “Uri saengae ui˘ kkot” (“The Flowering of our Tumangang (Tumen River), 502 Lives”), 495 Tumen River (Tumangang), 502 “Uri tang ui˘ haenggun no” (“The Marching “Tumultuous History” (“P’okp’ung ui˘ yoksa”),˘ Path of our Party”), 506 468 USSR (Union of Soviet Socialist Republics), “Tungdung t’aryong”˘ (“Rock-a-bye-baby”), 309 Korean population in, 15 Tungsinbul˘ (Life-sized Statue of Buddha), 471 U T’ak, 144, 170 “Turinnorae” (“Song of Tus.ita Heaven”), 66, 67, 71–72, 86 Valley of the Sun (T’aeyang ui˘ kyegok), 483 “Turkish Bakery, The” (“Ssanghwajom”),˘ 104, “Value of Literature” (“Munhak ui˘ kach’i”), 394 117, 303 “Vasilisa Malygina” (“Free Love” or “Red “Twelve Songs of Tosan” (“Tosan sibi kok”), 176, Love”), 410 177–178 Verlaine, Paul, 344 twentieth-century poetry; see poetry, early “View from the Buttocks” (“Kogwan”), 450 twentieth-century; poetry, late “Visit” (“Myonhoe”),˘ 388 twentieth-century – by men – by women “Visit to a Birch Grove” (“Chajak namu sup uro˘ kaso”),˘ 452–453 “Twilight” (“Hwanghon”), 369, 398 vocabulary, 20–22, 26 “Two Generations of Suffering” (“Sunan sidae”), Vows on the Practices of the Bodhisattva 474 (Bhadra-cari-pran. ¯ıdhana¯ ), 82 Two Jade Flutes (Ssangokchok˘ ), 393 “Walking the Flower Road” (“Kkotkil ul˘ U Ch’undae, 294 kor˘ os˘ o”),˘ 388–389 “Uisim˘ ui˘ ch’ony˘ o”˘ (“A Girl under Suspicion”), “Walls of Rumor” (“Somun ui˘ pyok”),˘ 475 385 “Wanderings, The” (“Kwandong pyolgok”),˘ “Ujok˘ ka” (“Meeting with Bandits”), 79–81, 86 191–195, 241 Ulchi˘ Mundok,˘ 40, 91 Wang Dao, 214 “Um˘ maekchu” (“Drinking Barley Wine”), 43 Wang In, 23 “Underground Village” (“Chiha ch’on”), 412 “Wangnung˘ kwa chudungun” (“A Royal Tomb Un˘ Huigy˘ ong,˘ 496 andOccupation Forces”), 474 Unhyon-gung˘ ui˘ pom (Spring of Unhyon˘ Palace), Water Margin (Shuihu zhuan), 274, 282, 333–334 400 “Water Mill” (“Mullebanga”), 396 Union of Soviet Socialist Republics, Korean Water of Life (Saengmyong˘ su), 507 population in, 15 “Wearing Flesh” (“Tarajinun˘ saldul”),˘ 473 UnitedStates, Korean population in, 15 Weather Chart, The (Kisangdo), 364 unofficial histories (yadam), 267–269, 484–490 Weishu (History of Wei), 55–56, 60–61 Unofficial Tales from Korea (Kyeso˘ yadam), Wenxian tongkao (General History of Institutions 268–269 and Critical Examination of Documents Unsegye˘ (A Silvery World), 393 and Studies), 313 “UnsettledChapter, An” (“Mihaegy ol˘ ui˘ Wenxin diaolong (The Literary Mind and the chang”), 473 Carving of Dragons), 320 “Unsu choun˘ nal” (“A Lucky Day”), 395–396 Wenxuan (Selections of Refined Literature), 1, 7, 92 Unyong˘ chon˘ (Tale of Unyong˘ ), 264, 265 Western Literary Weekly, 340–342, 343 “Upon Reading Tagore’s ‘Gardenisto,’” 358 “Whale Hunting” (“Korae sanyang”), 475

578 Index

“What Comes after Despair” (“Cholmang˘ twie rise of feminism, 490–496 onun˘ kot”),˘ 483 unofficial histories, 484–490 “What If You Look into My Dream?” (“Naui˘ late twentieth-century poetry by, 457–467 kkumul˘ yotposigess˘ umnikka”),˘ 363 in 1990s, 465–467 “When I Left Home Long Ago” (“Oraejon˘ “deconstructionist poetry,” 460–462 chibul˘ ttonal˘ ttae”), 495 andfemale identity, 458–460 “When that Day Comes” (“Kunari˘ omyon”),˘ first wave of poets, 457–458 369 maternity, 462–463 “When the Buckwheat Blooms” (“Memilkkot overview, 457 p’il muryop”),˘ 402 use of word“flesh,” 458–460 “Where Have You Gone?” 309 Women’s News (Puin sinbo), 481 “Where the Organ Once Stood” (“P’unggumi˘ Women’s Songs, 258, 259 itton˘ chari”), 495 women’s-quarters fiction (kyubang sosol˘ ), “WhisperedSecret, A” (“Mir o”),˘ 426 282–283 “Whispers” (“Soksagim, soksagim”), 494–495 Won˘ Ch’ons˘ ok,˘ 173 White Deer Lake (Paengnoktam), 374 “Wonga”˘ (“Regret”), 72–73, 86 White Flower (Paekhwa), 414 Wongwang,˘ 83, 84–85 White Path (Hayan tojong˘ ), 483 Wonhyo,˘ Master, 92–94 White Tide group, 345 Wonhy˘ ong˘ ui˘ chons˘ ol˘ (Legend of the Circular “Wide Plain, The” (“Kwangya”), 370–371 Fate), 472 Wihong, Prime Minister, 68 Wonmidong˘ saramdul˘ (The People of “Will You Go?” (“Kasiri”), 101, 102, 110, 117 Wonmi-dong˘ ), 492 Wind Burial (P’ungjang), 435–436 Wont’ong˘ ki (Record of Perfect Penetration), 90 “Window” (“Yurich’ang”), 374–375 “Won˘ wangsaeng ka” (“Prayer to Amitayus”),¯ wine, in poems, 203–204 74–75, 86 “Wings” (“Nalgae”), 402–403 Words for Songs and Music (Akchang kasa), “Winter Fan” (“Kyoul˘ sonja”),˘ 424–425 100–101, 107, 208, 209 “Winter Traveler” (“Kyoul˘ nagunae”),˘ 475 wordstructure, 31–32 Winter Valley (Kyoul˘ koltchagi), 478 Worin˘ ch’ongang˘ chigok (Songs of the Moon’s Wi Paekkyu, 219, 326 Reflection on a Thousand Rivers), 87, 165 withdrawal, topic of, 218–219 World of Thought (Sasanggye), 449 “With Poison,” 363 “Wrestling” (“Ssirum”),˘ 398 Wolmy˘ ong,˘ Master, 66–72, 75, 77, 86 “Written in Blood” (“Hyols˘ o”),˘ 473 “Woman from Hwasan, The” (“Hwasanttaek”), written literature, transition from oral narratives 474 to; see oral narratives, transition to “Woman Refugee, A” (“Mangmyong˘ nyo”),˘ 417 written literature “Woman’s Sorrow, A” (“Kyuwon˘ ka”), 200–202 “Wushan yiduan yun” (“Stretch of Cloud over women Mount Wu, A”), 43 early twentieth-century fiction by, 406–419 Wu Zixu, 211 first phase: from private space to the public, 408–411 Xiyouji (Journey to the West), 274 secondphase: social commitment and Xu You, 214 motherhood, 411–414 thirdphase: room of one’s own, 414–417 “Yahan ki” (“Night’s Cold”), 403 further reading, 547 “Yanggun kyon˘ hwaujak” (“Again Harmonizing modern women writers, 406–408 with My Two Friends”), 43 role andlegacy, 417–419 Yang Kison chon˘ (Tale of Yang Kison), 284 early twentieth-century poetry by, 385–389 Yang Kwija, 492, 493 as heroic figures, 276–277 Yang Sajun, 190 kasa by, 185–188, 246 Yang Saon,˘ 190 late twentieth-century fiction by, 481–496 “Yedok˘ sonsaeng˘ chon”˘ (“Tale of a Nightsoil of 1950s and 1960s, 481–484 Man”), 267 of 1970s, 484–490 “Yejonen˘ mich’o˘ mollassoyo”˘ (“I Didn’t Know further reading, 547–549 Before”), 350 liberation andKorean War, 481–484 Yejong, King, 102–103, 117, 119 overview, 481 Yellow Earth (Hwangt’o), 449

Index 579

“Yellow Earth Road” (“Hwangt’o kkil”), view of admonitory poems, 144 447–448 view of function of poetry, 143–144 Yemaek tribes, 54 Yi Imyong,˘ 333–334 Yen Yu, 323 Yi Injik, 392 “Yesan unja˘ chon,”˘ 134 Yi Isun, 335 Yi Chae, 334 Yi Kae, 175 Yi Chahyon,˘ 139–140 Yi Kiyong,˘ 397–398, 498, 502, 506 Yi Ch’an, 499 Yi Kok, 136 Yi Chehyon,˘ 3, 43, 123–124, 141, 143, 144, 145, Yi Kungy˘ ong,˘ 468 146, 147 Yi Kwangsu, 394–395 Yi Chinmyong,˘ 464–465 Yi Kyongja,˘ 492–493 Yi Chinyu, 236–237, 253–255 Yi Kyongnim,˘ 465–466 Yi Ch’om,˘ 136 Yi Kyubo Yi Chongbo,˘ 218 ability to capture mood, 319 Yi Chonggu,˘ 499 comment on criticizing own poems, 143 Yi Ch’ongjun,˘ 475 comment on education of poets, 142 Yi Chong˘ un,˘ 319 comment on essence of prose, 141 Yi Chono, 170, 171–172, 320 comment on Ulchi˘ Mundok’s˘ message, 40 Yi Chonyon,˘ 170–171, 172–173, 332 “Lay of King Tongmyong,˘ The,” 58–59 Yi Ch’unp’ung chon˘ (Tale of the Proﬂigate Yi), 285 literary licentiate, 3 Yi Haejo, 392, 393 methodof writing poetry, 141, 143 Yi Hoch’ol,˘ 473 “Paegun kosa˘ chon”˘ and Paegun kosa˘ orok˘ , Yi Hon, 320 134 Yi Huip’y˘ ong,˘ 268–269 “Pangson˘ pu” (“Freeing the Cicada”), 43 Yi Hungmin,˘ 335 poets emulatedby, 319 Yi Hwang view of function of poetry, 143–144 comment on Cho Kwangjo, 322 views of others towardworks of, 328 comment on classical scholarship, 317 “Yanggun kyon˘ hwaujak” (“Again comment on poetry, 252 Harmonizing with My Two Friends”), 43 comment on popularity of “Angler’s Songs,” Yi Kyugyong,˘ 334 208–209 Yi Mungu, 476 contribution to the development of sijo, 178 Yi Munjin, 88–90 correspondence with Yi Hyonbo,˘ 208–209 Yi Munyol,˘ 475–476 denunciation of Ch’oe Ch’iwon,˘ 320 Yi O, 140 education and examinations, 4 Yi of Yonam,˘ Lady, 246 holograph of “Twelve Songs of Tosan,” 176 Yi Ok, 257–259 speech acts, 177 Yi Onjin,˘ 260 Yi Hyanggum,˘ 187 Yi Onj˘ ok,˘ 231–233, 252 Yi Hyangji, 466 Yi Poms˘ on,˘ 473 Yi Hyonbo,˘ 176–177, 208–209 Yi Pungmyong,˘ 500 Yi Hyosok,˘ 402 Yi Saek, 124–127 Yi I, 4, 178–179 acceptance of others’ suggestions, 320 Yi Ik, 325, 333–334 biographies by, 135 Yi Illo literary licentiate, 3 advice on use of allusions, 143 andthe royal academy, 144 censure of, 142 “Sanjung sa” (“In the Mountain”), 42 comment on Kim Puui,˘ 147 sijo by, 172, 173 comment on poets, 140–141 view of literature, 144–145 “Hwa kwigorae˘ sa,” 42 view of others toward, 320, 328 literary licentiate, 3 “Yisaeng kyujang chon”˘ (“Student Yi Peers over methodof writing poetry, 141, 143 the Wall”), 263 motivation for writing, 138–140 Yi Sang, 365–368, 402–403 “Oktang paek pu” (“Rhymeprose on the Yi Sanghwa, 345, 368–369, 380–381 Cypress by the Hallim Academy”), 42 Yi Sebo, 219 poets admired by, 142 Yi Sech’un, 168 technique andform, 143 Yi Sik, 333, 334

580 Index

Yi Sogu,˘ 255 “Yonnip˘ andNunkkumj ogi”˘ (“The HeadMonk Yi Sokpong,˘ 483 Lotus Leaf andBlinker, his Attendant”), Yi Songbu,˘ 454 305 Yi Songgye;˘ see Songs of Flying Dragons “You andI Viedfor First Place in GradeSchool” Yi Sonh˘ ui,˘ 414, 415, 416 (“Pongt’ae”), 453 Yi Sugwang, 322–323 “You Can Never Return to Your Hometown” Yi Sungin, 42, 135–136, 146 (“Kudae˘ tasinun˘ kohyang e kaji Yi T’aejun, 401–402, 469–470 mot’ari”), 476 Yi Tal, 253–254 “Young Woman the HomelandLoves, A” Yi Tokhy˘ ong,˘ 203–204, 229–231 (“Choguk i sarang hanun˘ ch’ony˘ o”),˘ 507 Yi Tongbaek, 300 “Young Zelkova, The” (“Cholm˘ un˘ nut’inamu”),˘ Yi Tonggyu, 498, 500 483 Yi Tongmu,˘ 255, 326, 334 Your Paradise (Tangsindul˘ ui˘ ch’onguk˘ ), 475 Yi Ujun, 334–335 Youth’s Victory (Ch’ongch’un˘ sungni˘ ), 468 Yi Yango, 334 Yu Ch’ihwan, 376–377, 378–379 Yi Yongak, 501 Yu Chinhan, 291 Yi Yonju,˘ 461–462 Yu Chino, 403–404 Yi Yuksa, 369–371 Yuefu (Music Bureau) songs, 43–44 “Yohan sijip” (“Poetry Book of St. John”), “Yugu kok” (“Song of the Pigeon”), 112–113, 117 472 “Yuhyong˘ ui˘ ttang” (“Landof Exile”), 478 “Yoin˘ to” (“City of Women”), 416 “Yukhyolp’o˘ sungbae” (“Adoration of a Yoja˘ ui˘ p’unggyong˘ (Scenery of a Woman), 415 Six-Shooter”), 450 Yoksa˘ ui˘ saebyok˘ kil (The Road at the Dawn of Yu Kilchun, 337 History), 506 Yun Chigyong˘ chon˘ (Tale of Yun Chigyong˘ ), 281 Yom˘ Kyedal, 295 Yun Chongmo,˘ 491, 492 Yom˘ Sangsop,˘ 396, 399, 468 Yungch’on,˘ Master, 74, 86, 426 Yongbi och’˘ on˘ ka; see Songs of Flying Dragons Yungmidang ki (Record of SixBeauties ), 271 “Yongdangni eso”˘ (“At Yongdangni”), 448 Yun Hunggil,˘ 477 “Yonggung puyon˘ rok” (“Student Han Visits the Yun Kyeson,˘ 278 Dragon Palace”), 263 Yun Sejung, 502 “Yonggwangno” (“Melting Furnace”), 398 Yun Sondo,˘ 4, 45, 205–207, 208, 209–217 “Yongi”˘ (“Smoke”), 403 Yun Tongju, 371–373 Yongjae,˘ Master, 79, 86 “Yunyon˘ ui˘ ttul”˘ (“Childhood Garden”), 488 Yongma˘ (The Post-Horse Curse), 470 “Yuon”˘ (“Will”), 418 “Yongnam˘ ka” (“Song of the Southeast”), “Yurich’ang” (“Window”), 374–375 233–234 “Yusilmong” (“Lost Dream”), 473 Yongnam˘ School, 176–178 Yu Sungdan,˘ 145 “Yongsaeng”˘ (“Eternal Life”), 508 Yu Tukkong,˘ 255, 304 “Yong˘ sanga ko” (“Singing about the Suffering of the Mountain Home”), 253 Zhong Rong, 141 “Yong˘ singun ka” (“Song of Welcoming the Zhong Ziqi, 41 Divine Lord”), 62 Zhou Dunyi, 144 Yongung˘ sidae (The Age of Heroes), 476 Zhuangzi, 42, 141 Yonhaeng˘ ka (Song of a Trip to Peking), 243 “Zhugetian” (“Partridge Sky”), 43 “Yon˘ hyongje˘ kok” (“Brothers at the Feast”), 150 Zhu Xi, 144 “Yonji”˘ (“Lipstick”), 415, 416 Zuo Commentary, 1, 3, 83–84, 85, 92, 165