CKR NEWSLETTER the Center for Korean Research at the Weatherhead East Asian Institute Columbia University 2012-2013

Total Page:16

File Type:pdf, Size:1020Kb

CKR NEWSLETTER the Center for Korean Research at the Weatherhead East Asian Institute Columbia University 2012-2013 CKR NEWSLETTER The Center for Korean Research at the Weatherhead East Asian Institute Columbia University 2012-2013 Cover image: Gilbert Choi, 360- Degree View of Seoul from the N Seoul Tower IN THIS ISSUE 2 Director’s Note 6 CKR/KEI Policy Forum 3 People to Know 8 Korean Literature Essay Contest 4 This Year in Review DIRECTOR’S NOTE BY CHARLES ARMSTRONG According to the East Asian lunar calendar we are now in the Year of the Snake, which began on Febru- ary 10, 2013. Traditionally, the snake is characterized as mysterious and introverted, but CKR has been quite the opposite! The 2012-2013 academic year has been an especially busy one for the Center, which hosted numerous guest lectures, forums, seminars, and a translation contest among other activities. The focus of CKR’s work this year has been on the culture and politics of modern and contemporary Korea, and our events have been more or less evenly divided between the humanities and current af- fairs. Shortly after the academic year began in September, Professor John Lie gave a provocative talk entitled “What is the ‘K’ in K-Pop?” (hint: NOT “Korea!”) to a standing-room-only audience in the Weatherhead East Asian Institute conference room. In October, CKR co-sponsored two events related to North Korea, both of them “firsts”: a report on a School of International and Public Affairs student trip to North Korea, the first visit ever by an American university student group; and a talk by Columbia alumna Jean Lee, the first Associated Press reporter stationed in Pyongyang. In December, CKR hosted an award ceremony for student essays on the Korean novel The Bird (featured later in this newsletter). The Center also hosted two ongoing series, the Colloquium on Korean Cultural Studies, featuring talks by Ellie Choi of Cornell, Jina Kim of Smith College, and Jesook Song of the University of Toronto: and the CKR-Korea Eco- nomic Institute Policy Forum, featuring a roundtable on Korea-Japan-US regional cooperation in October and a discussion of the 2012 South Korean presidential election at the end of January. In addition, CKR is hosting two symposia in the spring. The first, Common Ground, was sponsored by the contemporary art project Unify Korea and held on March 2 in Columbia’s Altschul Auditorium. The second, to be held on May 3, is this year’s CKR Regional Seminar and will bring together a group of scholars to discuss the sixtieth anniversary of the Korean War Ar- mistice. Once again, we would like to thank the staff at Weatherhead for their continued work with the CKR, as well as our co- sponsors on these various events. Our program coordinator, Jooyeon Kim; student assistant, Sahng-Ah Yoo; and numerous student volunteers have done stellar work in managing the day-to-day activities of the Center. Last but certainly not least, we would like to express our deepest appreciation to the Korea Foundation, the M.S. Shin Fund, and the Columbia University Alumni Association of Korea for their financial support. The snake is a symbol of change and rebirth, and this aspect of the Year of the Snake does hold true for CKR. This will be my last Director’s note before handing the reigns over to my col- league Theodore Hughes, the Korea Foundation Associate Professor of Korean Studies in the Humanities. It has been an honor and a privilege directing the CKR over these last seven years. During my time at the Center, interest in Korean Studies has grown throughout the university, and CKR has deepened its ties with student groups and other research centers at Columbia, as well as off-campus institutions in New York and Korea, such as the Korean Cultural Service, the Korea Society, the Korean Literature Translation Institute, and many others. Columbia’s Korean Studies faculty has undergone momentous changes, including the retirement of longtime Associate Director Samuel Kim; the passing of Professor JaHyun Kim Haboush, King Sejong Professor of Korean Studies; and the hiring of Professor Jungwon Kim in pre-modern Korean history, who will join the Columbia faculty in fall 2013. Thanks to the hard work and enthusiasm of all the people associated with the Center, the CKR has truly established its presence as the focal point of Korean Studies at Columbia University and the greater New York region. I look forward to the continued growth and visibility of the Center under Ted Hughes’ capable direction. Yours truly, 2 PEOPLE TO KNOW Jungwon Kim, Assistant Professor of East Asian Languages and Cultures Jungwon Kim will be joining Columbia’s EALAC department in Fall 2013 after having taught at the University of Illinois at Urbana-Champaign. Now focusing on writing her book that explores the cult of chastity and its impact on the lives of Kore- an women in the 18th and 19th centuries, this scholar of Chosŏn Korea has keen interest in ordinary people’s lives. Interviewed by Ksenia Chisova, Ph.D. candidate KS: What do you anticipate will be major changes in the professional and academic environment as you transition into Co- lumbia’s EALAC department? JK: I think the major change in academic environment will be the opportunity to really focus on teaching premodern Korean history at Columbia. At U of Illinois, where I was the only Korean history faculty member on campus (as is the norm at most US universities), my courses covered not only the history of premodern and modern Korea, but East Asian civilizations and histories as well […] As a historian of Chosŏn Korea, I have always hoped to offer in-depth upper-level colloquiums or grad seminar courses on Korean history prior to the twenti- eth century. I am truly excited that Columbia is one of the few US institutions offering such courses in premodern Korea and that it has already trained first-rate historians of Korea. Other important changes will be having the rich East Asian library nearby with librarians in Korean stud- ies—something that I have missed so much at U of Illinois—as well as the Center for Korea Research, which fully supports and promotes ac- tivities related to Korean studies. KS: You are currently working on your book. Could you briefly describe it? JK: My book manuscript, Negotiating Virtue: The Politics of Chastity and Social Power in Late Chosŏn Korea, was born out of my curiosity about how people actually lived in Chosŏn society. Negotiating Virtue explores the lives of 18th and 19th century Korean women at all levels of social status by delving into the ideology, practice, and socio-legal impact of chastity culture, as revealed through a large body of underused legal testimonies that allow us to observe the lower strata of society. Through an analysis of the perception and practice of chastity among ordinary people, this manuscript not only reconsiders the conventional wisdom that “all women” in the late Chosŏn were subject to, and inter- nalized, the dominant Confucian notions of female virtue, but reevaluates the prevailing historical narrative in which chastity culture is em- ployed as powerful evidence of Confucianization in Chosŏn society, a claim that has enormous historiographical implications for the study of new (wo)men and family both in early 20th century Korea under Japanese colonialism and in modern Korea. KS: As a Ph.D. student in dissertation-writing phase and having the prospect of job-hunting and teaching in the near future, I am curious to ask what are the major challenges at the beginning of the teaching career. What, would you say, were the things that you were not quite prepared for? JK: I still remember how nervous I was right before the start of my very first semester at U of Illinois. Most grad students these days get solid training in teaching courses, and I believe such experience is definitely helpful preparation for a teaching career. It can actually be difficult to acknowledge the fact that now, at long last, you have to stand on your own. But at the same time, you will have wonderful colleagues who are willing to guide your smooth transition from a grad student to a professional teacher. Sue Mi Terry, Senior Research Scholar Sue Mi Terry is a Senior Research Scholar with a focus on North Korea, particularly North Korean leadership succession plans, Pyongyang's evolving nuclear strategy and the potential for instability in North Korea, politics and foreign policy of South Korea, Northeast Asian security, and US-Northeast Asia relations. Interviewed by Tae Young Kim, SIPA student TK: How did you end up coming to SIPA and what are your impressions so far about SIPA students? ST: After more than a decade of public service, I was looking to do something that was meaningful and I found teaching to be one of the more meaningful things I could do. I chose SIPA because of its stellar reputation, diverse student body, and of course its location (New York!). Currently I teach International Relations of East Asia with a classroom full of students from China, Korea, Ja- pan, Taiwan, the US, and other parts of Asia. I am having a blast learning from these students. (continued on page 10) 3 This Year in Review During the year of the dragon and into the year of the snake, CKR is proud to have played host to so many outstanding speakers and to have shared the progress that various academics, artists, and politicians have made in their efforts in researching and expressing the Korean culture, literature, economy, and politics. Take a look! September 20, 2012 What is the K in K-pop? October 2, 2012 Colloquium Series on Korean Cultural Studies Speaker: John Lie, University of California, Berkeley A First Glimpse of North Korea Speaker: Professor Elisabeth Lindenmayer, Director of the United Na- “South Korea has become a culture that worships mammon,” at least tions Studies Program according to John Lie.
Recommended publications
  • The Ahn Changho Controversy: Rescuing a Patriot from Colonial and Postcolonial Myths
    The Ahn Changho Controversy: Rescuing a Patriot from Colonial and Postcolonial Myths Jacqueline Pak Cornell University The Journal of Northeast Asian History Volume 9 Number 2 (Winter 2012), 181-227 Copyright © 2012 by the Northeast Asian History Foundation. All Rights Reserved. No portion of the contents may be reproduced in any form without written permission of the Northeast Asian History Foundation. The Ahn Changho Controversy: Rescuing a Patriot from Colonial and Postcolonial Myths The “Ahn Changho Controversy” was sparked by new documentary evidence which challenged the earlier conventional views concerning the preeminent Korean nationalist leader, Ahn Changho (1878-1938). The Controversy arose from the historical mystery and enigma which long surrounded Ahn Changho, who was a leader of the transnational independence movement during the Japanese colonial rule, 1905-45. As one of the most spirited and enduring controversies in Korean Studies over the past decades since the 1990s, the Ahn Changho Controversy revealed theoretical divisions or ideological cleavages in the interpretations and re-interpretations of Korean colonial history: 1) gradualist pacifism vs. radical militarism; 2) a new view of “revolutionary-democracy” vs. the old view of “tripartite division” of Korean nationalist movement; 3) revisionism of “cultural nationalism” vs. neo-revisionism of revolutionary nationalism; 4) patriotism vs. collaborationism in the colonial period and the complicated legacy of the issue thereafter; and 5) the origins of Korean democracy, including the origin and drafter of the Korean republican constitution. In this regard, the Ahn Changho Controversy touched upon the highly complex and potentially explosive issues of patriotism vs. collaboration by probing into the previous revisionist binaries arising from the reductive matrix of the bipolar Cold War alignments.
    [Show full text]
  • Manchukuo Perspectives
    Manchukuo Perspectives Transnational Approaches to Literary Production Edited by Annika A. Culver and Norman Smith Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong https://hkupress.hku.hk © 2019 Hong Kong University Press ISBN 978-988-8528-13-4 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd. in Hong Kong, China Contents List of Illustrations ix Foreword by Karen THORNBER x Acknowledgements xii Introduction: “Manchukuo Perspectives,” or “Collaboration” as a Transcendence of Literary, National, and Chronological Boundaries 1 Annika A. CULVER Part I: Manchukuo’s Print Media and the Politics of Representation/ Translation 1. Unpacking “New Manchuria” Narratives: Propaganda, Fact, Memory, and Aesthetics 13 LIU Xiaoli 2. Fairy Tales and the Creation of the “Future Nation” of Manchukuo 28 CHEN Shi 3. Spiritual Resistance: A Study of the Phenomenon of Resistance Literature in Supplements of Manchukuo’s Datong bao [Great Unity Herald] 44 JIANG Lei 4. Utopianism Unrealized: Ōuichi Takao’s Literary Translation in Manchukuo 64 YING Xiong Part II: Chinese Writers in Manchukuo and “Manchukuo” Writers in Japan 5. Linguistic Hybridity, Transnational Connectivity, and the Cultural Territorialization of Colonial Literature: The Case of Gu Ding 83 Miya Qiong XIE 6.
    [Show full text]
  • Twentieth-Century Korean Literature - 1
    Twentieth-Century Korean Literature - 1 - Twentieth-Century Korean Literature Yi Nam-ho, U Ch’anje, Yi Kwangho, Kim Mihyŏn Translated by Youngju Ryu Edited by Brother Anthony, of Taizé Twentieth-Century Korean Literature - 2 - Preface The purpose of this little volume is to offer readers some essential information and a basic framework in order to help them understand twentieth-century Korean literature. The endeavor has been funded by the Korea Literature Translation Institute, as a part of their larger project of making Korean literature known to the world at large. The works of literature produced in Korea in the course of the twentieth century are only the latest products in a historical tradition that spans over two thousand years. However, as they have been shaped by that profound transformation of society which Korean scholars generally term “Modernization,” the works of the twentieth century reveal essential differences from those of earlier times. It is partly in recognition of the significance of this break that Korean scholars often term the literature of the entire twentieth century “Modern Korean Literature.” The twentieth century was not kind to Korea. Tumultuous historical changes, including long years of Japanese rule and a devastating war that left the country divided, revolutions and dictatorships as well as the pangs of modernization and industrialization, brought great suffering to the Korean people. But it was also an era in which a strong determination to overcome the depredations of history were manifested in many areas of life. The decades of suffering gave birth to poets and writers of great vision, and to works of literature that testify both to actual Korean experience within this history and to the Korean spirit of resistance and transcendence that ever aspires to overcome oppression.
    [Show full text]
  • Colonial Korean Exiles in China Minseung Kim Washington University in St
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-17-2019 The Rise and Fall of the Fighters: Colonial Korean Exiles in China Minseung Kim Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Korean Studies Commons Recommended Citation Kim, Minseung, "The Rise and Fall of the Fighters: Colonial Korean Exiles in China" (2019). Arts & Sciences Electronic Theses and Dissertations. 1744. https://openscholarship.wustl.edu/art_sci_etds/1744 This Thesis DLA is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Studies The Rise and Fall of the Fighters: Colonial Korean Exiles in China by Minseung Kim A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2019 St. Louis, Missouri © 2019, Minseung Kim Table of Contents Acknowledgments..................................................................................................................... ⅲ Abstract ....................................................................................................................................
    [Show full text]
  • Archives of Ephemera.Docx
    UCLA UCLA Electronic Theses and Dissertations Title Archives of Ephemera: Cinema and Decolonization in South Korea Permalink https://escholarship.org/uc/item/1gr9j6t5 Author Kim, Hieyoon Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Archives of Ephemera: Cinema and Decolonization in South Korea A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Hieyoon Kim 2016 ABSRACT OF THE DISSERTATION Archives of Ephemera: Cinema and Decolonization in South Korea by Hieyoon Kim Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Namhee Lee, Chair This dissertation offers a historical account of film preservation in South Korea, detailing how and why the idea of preserving film took hold, and how the process of decolonization complicated its practical realization. Drawing upon sources from archives, interviews, newspapers and published reports, it explores the conditions under which the archives of cinema evolved, and analyzes the conflicting ways that Japanese and American political authorities, Korean leaders, international policy makers, and Korean film industry members understood film’s value and purpose. The political regimes that ruled over South Korea—both foreign and domestic—understood film to be both short-term entertainment and a didactic tool, and therefore were not concerned with the long-term storage of cinema. Meanwhile, local actors such as ii filmmakers and critics challenged the state’s dominant perception of cinema. Their transnational encounters with film institutes, audiovisual education agencies, and film preservation movements around the world led to different and diverse understandings of the role and value of film.
    [Show full text]
  • 6 X 10.Long.P65
    Cambridge University Press 0521828589 - A History of Korean Literature Edited by Peter H. Lee Index More information Index “60 nyondae˘ sik” (The sixties style), 474 Angler’s Calendar, The (Obu˘ sasi sa), 45 Abe’s Family (Abe ui˘ kajok), 478 “Angler’s Songs” (obu˘ sa [or ka]), 208–217 Acrobatics (Salp’an), 313 An Hamgwang, 498 address-reference terms, 37 An Hoenam, 403, 468 Admonition to the King of Flowers (Hwawang An Hyang, 144 kye), 94 “Anmin ka” (“Statesmanship”), 78–79, 86 “Adoration of a Six Shooter” (“Yukhyolp’o˘ An Minyong,˘ 221 sungbae”), 450 “Annyong”˘ (“Hello”), 508 “Ae ch’usok˘ sa” (“A Lament for an Autumn “Another Entrance” (“Tarun˘ ipku”), 424 Evening”), 42 “Another Home” (“Tto tarun˘ kohyang”), 372 Aeguk puinjon˘ (Life of a Patriotic Woman), 390 “Another Man’s Room” (“T’ain ui˘ pang”), 475 “Aengjok˘ ka” (“Song of Cherry Bandits”), 450 An Sokky˘ ong,˘ 268–269 “Again Harmonizing with My Two Friends” An Sugil, 471 (“Yanggun kyon˘ hwaujak”), 43 Anthology of Korean Literature in Chinese Age of Distrust, The (Pulsin sidae), 482 (Tong munson˘ ), 96, 328 Age of Heroes, The (Yongung˘ sidae), 476 “April” (“Sawol”),˘ 422 “Age of Transition” (“Kwadogi”), 398 Arai Hakuseki, 15 agrarian fiction, 476 Aristophanes, 77 “Ahop k’yolle˘ ui˘ kuduro namun˘ sanae” (“The “Arrows” (“Hwasal”), 451, 452 Man who was Left as Nine Pairs of Arumdaun˘ saebyok˘ (Beautiful Dawn), 346–347 Shoes”), 477 Aso Hisashi, 380 “Ajik ch’otppul ul˘ k’yolttae˘ ka animnida” “Assignation, The,” 410 (“Not Yet Time to Light a Candle”), At Munui˘ Village (Munui˘ maul˘ e waso˘),
    [Show full text]
  • Yeonghwa Soseol )
    Special Feature Intermedial Aesthetics: Still Images, Moving Words, and Written Sounds in Early Twentieth-Century Korean Cinematic Novels (Yeonghwa Soseol ) Jina E. Kim The Review of Korean Studies Volume 16 Number 2 (December 2013): 45-79 ©2013 by the Academy of Korean Studies. All rights reserved. 46 The Review of Korean Studies Introduction: Korean New Mediascape and Yeonghwa soseol Contemporary Korean and Korean American mediascape explodes with intermedial arts where boundaries between platforms, mediums, genres and modes of representation are no longer fixed but quite porous, readily interacting to obscure established distinctions between different media. From easy crossovers between comic books into novels and then to films or digital images projected on the facades of skyscrapers to multi-media artists’ installations, we constantly encounter intermedial objects in our everyday lives.1 Furthermore, webtoons, video arts, digital books, computer-generated images in films and television, and smart phones reshape the ways in which text, image, sound, and technology are fused together to bring about new ways of seeing, reading, and hearing. New technology in the twenty-first century, especially the computer and digitization, has indeed radically altered our mediascape whereby our encounter with art, especially literature, photography, film, and the press, though now considered not so new media, has also undergone significant changes. Indeed the questions and debates around how technology will affect the way we read books, understand them, interact with them, communicate with each other, and understand our world are pervasive, especially in South Korea, a country that currently boasts itself as a leader in Internet speed and * I would like to thank the two anonymous reviewers for their helpful comments and suggestions.
    [Show full text]
  • An Investigative Study of Confucian Humanism in the Development and Maintenance of Korean Business Groups”
    “An Investigative Study of Confucian Humanism in the Development and Maintenance of Korean Business Groups” Calvin Chong Kun Lee Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Business Administration. Faculty of Business and Enterprise Swinburne University of Technology 2009 Foreword This thesis has been prepared for submission in December 2008 to fulfil the requirements of the degree of Doctor of Business Administration (DBA) at Swinburne University of Technology, Melbourne, Australia. The study is trans-temporal and cross-disciplinary, and crosses cultural and linguistic boundaries of the East Asian nations of Korea, Japan and Greater China, and deploys tri-lingual vocabulary and concepts. Names of figures, places and events already popularised in the English language have been kept as in common use. Others have followed the international conventions of Romanisation as below: For Korean, the McCune-Reischauer system1 has been used. In the quotation of other works the conventions used by original sources have been maintained, unless changes were considered imperative. For Japanese, the Hepburn system2 has been used together with modification made to it by Kenkyusha’s new Japanese-English Dictionary, 3rd edition. In the quotation of other works, the conventions used by the original sources have been honoured, unless changes were considered necessary to maintain integrity of the texts. For Chinese, the Wade-Giles system3 has been used and pinyin equivalents are shown where deemed necessary. In the quotation of other works, the conventions used by original sources have been used, unless changes were considered desirable. 1 McCune-Reischauer system: http://mccune-reischauer.org, examined 20 August 2008.
    [Show full text]
  • Exhibit Catalog
    Between Liberation Space and Time of Need 1945-1950: An Exhibition of Rare Literary Works from the Korean Collection of the University of Washington Libraries May 10, 2006 through August 31, 2006 • Allen Library North Lobby, University of Washington • Seattle, Washington East Asia Library, University of Washington Libraries An Exhibition of Rare Literary Works from the Korean Collection of the University of Washington Libraries by Scott Swaner, Assistant Professor Department of Asian Languages & Literature To better understand the Liberation Space (Haebang collection: it is a very hard-to-find collection of poems that konggan) try to imagine Korea as a person rather than a not only sings Korea’s newfound freedom, it is also a country. In the first half of the twentieth century, to see collection by authors of various ideological stripes. Korea even as a country is hard enough, and despite many Despite almost universally shared dislike for Japan at the understandable but retroactive nationalist imaginings of time, the space quickly filled with competing rightist and Korea as a nation during that time, Korea was something leftist visions of a better future. quite different entirely. How then should we imagine Korea during this time, during this period so palpable or Unspeakable hardship had occupied Korea and would pervasive that it is in fact labeled as if it were a physical return full-force with the deeply ideological war of 1950 — space (“konggan,” space)? the “time of need” Heidegger gave to the poet, the phrase brought into Korean by critic Kim Yunsik — but for a few Korea, the individual, was the classic subaltern subject of short years the voice of the subaltern could be heard on whom Gayatri Spivak has written -- the individual, this corner of the world’s stage.
    [Show full text]
  • Nation-Empire: Rural Youth Mobilization in Japan, Taiwan, and Korea 1895-1945
    Nation-Empire: Rural Youth Mobilization in Japan, Taiwan, and Korea 1895-1945 Sayaka Chatani Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Sayaka Chatani All rights reserved Abstract Nation-Empire: Rural Youth Mobilization Japan, Taiwan, and Korea 1895-1945 Sayaka Chatani By the turn of the twentieth century, “rural youth” came to symbolize the spirit of hard work, masculinity, and patriotism. The village youth associations, the seinendan, as well as a number of other youth training programs, carried that ideal and spread it all over the Japanese empire. This dissertation examines how the movement to create “rural youth” unfolded in different parts of the empire and how young farmers responded to this mobilization. By examining three rural areas in Miyagi (northern Japan), Xinzhu (Taiwan), and South Ch’ungchǒng (Korea), I argue that the social tensions and local dynamics, such as the divisions between urban and rural, the educated and the uneducated, and the young and the old, determined the motivations and emotional drives behind youth participation in the mobilization. To invert the analytical viewpoint from the state to youth themselves, I use the term “Rural Youth Industry.” This indicates the social sphere in which agrarian youth transformed themselves from perpetual farmers to success-oriented modern youth, shared an identity as “rural youth” by incorporating imperial and global youth activism, and developed a sense of moral superiority over the urban, the educated, and the old. The social dynamics of the “Rural Youth Industry” explain why many of these youth so internalized the ideology of Japanese nationalism that they volunteered for military service and fought for the empire.
    [Show full text]
  • KOREAN TRANSLATION INTO the US AFTER the KOREAN WAR Ester Torres Simón Dipòsit Legal: T 1100-2014
    TRANSLATION AND POST-BELLUM IMAGE BUILDING: KOREAN TRANSLATION INTO THE US AFTER THE KOREAN WAR Ester Torres Simón Dipòsit Legal: T 1100-2014 ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora.
    [Show full text]
  • Now on My Way to Meet Who? South Korean Television, North Korean Refugees, and the Dilemmas of Representation
    Volume 11 | Issue 41 | Number 2 | Article ID 4007 | Oct 13, 2013 The Asia-Pacific Journal | Japan Focus Now On My Way to Meet Who? South Korean Television, North Korean Refugees, and the Dilemmas of Representation Christopher K. Green, Stephen Epstein Introduction demographic shift. Nevertheless, other than journalistic treatment, only a limited number of In 2011, the recently established South Korean South Korean scholars (e.g. Tae and Hwang broadcasting network Channel-A launched Ije 2012; Oh 2013) and Western academic mannareo gamnida (Now on My Way to Meet bloggers (Draudt and Gleason 2012) have thus You), a program whose format brings together far investigated the show and its larger social a group of a dozen or more femaletalbukja ramifications. In this paper, we ask howNow (North Korean refugees)2 on a weekly basis. on My Way to Meet You is to be understood These women interact with host Nam Hui-seok, within the contexts of South Korean society, its an additional female co-host (or, in the earlier evolving media culture, and developments in episodes, two), and a panel composed of four South Korean popular representations of North male South Korean entertainers. Episodes Koreans. We offer close readings of segments typically open in a lighthearted manner, with from Ije mannareo gamnida in order to elicit conversation about daily life in North Korea motifs that recur as it pursues its stated goal of alongside mild flirtation between the Southern humanizing North Korea for a South Korean male and Northern female participants, often audience and giving defectors a voice amidst involving song and dance, but climax with a the general populace.
    [Show full text]