“Psalm 127: Unless the Lord Builds the House” Psalm 127
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Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
ARISE OH YAH - Psalm 68
ARISE OH YAH - Psalm 68 ................................................... 4 AWAKE JERUSALEM - Isaiah 52 ........................................ 9 BLESS YAHWEH OH MY SOUL - Psalm 103 ..................... 7 HEALING IN HIS WINGS - Malachi 4 ............................... 11 HOW LOVELY - Psalm 84 .................................................... 1 I WILL BLESS YAH - Psalm 34 ............................................ 6 IF I FORGET YOU JERUSALEM - Psalm 137 .................. 10 MY SHEPHERD - Psalm 23 .................................................. 8 OPEN THE GATES - Psalm 24 (capo 1) .............................. 3 SONG OF ASCENTS - Psalm 121 (capo 3) .......................... 2 YOUR LOVE ENDURES - Psalm 118 .................................. 5 HOW LOVELY - Psalm 84 G Bm MA, MA YEDIDOT (How lovely is) C G MISHKANOTECHA YHWH TSEVA’OT (Your dwelling place YHWH of Hosts) Bm NICHSEFA VE GAM KALTA NEFSHI (My soul longs and even faints) C Cm G LE’CHETZEROT YHWH, LE’CHETSEROT YHWH, (For the courts of YHWH, For the courts of YHWH) Bm LEBI OU BESARI YERANENU, (My heart and my flesh cries out) C Cm G EL EL CHI, EL EL CHI (For the Living Elohim, For the Living Elohim) Bm ASHREI YOSHVEH, YOSHVEH BETCHA (Blessed are those who dwell. who dwell in your house) C OD YALELUCHA (They’ll still be praising you) G OD YALELUCHA D OD YALELUCHA Am OD YALELUCHA Gm D OH, FOR JUST ONE DAY, ONE DAY IN YOUR HOUSE F D Dsus4 D IS BETTER THAN A THOUSAND ANYWHERE ELSE G HOW LOVELY IS YOUR HOUSE Bm FOR ALL MY DAYS I AM LONGING C Cm G FOR THE COURTS OF THE ONE, LIVING ELOHIM Bm OH HOW MY SOUL IT LONGS, AND EVEN FAINTS C Cm G FOR THE COURTS OF THE ONE, YHWH Bm MY HEART AND MY FLESH, THEY CRY OUT C Cm G FOR THE LIVING ELOHIM, THE LIVING ELOHIM G HOW BLESSED ARE THE ONES Bm WHO DWELL IN YOUR HOUSE C G THEY WILL STILL, STILL BE PRAISING YOU D THEY'LL STILL BE PRAISING YOU Am FOREVER THEY'LL BE PRAISING YOU F FOREVER WE'LL BE PRAISING YOU G Bm C Cm G OH OH! YALA LAI LAI.. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
The Psalms As Hymns in the Temple of Jerusalem Gary A
4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L. -
The Importance of the Dead Sea Scrolls for the Study of the Explicit Quotations in Ad Hebraeos
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 9 Original Research The importance of the Dead Sea Scrolls for the study of the explicit quotations inAd Hebraeos Author: The important contribution that the Dead Sea Scrolls (DSS) hold for New Testament studies is Gert J. Steyn¹ probably most evident in Ad Hebraeos. This contribution seeks to present an overview of Affiliation: relevant extant DSS fragments available for an investigation of the Old Testament explicit 1Department of New quotations and motifs in the book of Hebrews. A large number of the explicit quotations in Testament Studies, Faculty of Hebrews were already alluded to, or even quoted, in some of the DSS. The DSS are of great Theology, University of importance for the study of the explicit quotations in Ad Hebraeos in at least four areas, namely Pretoria, South Africa in terms of its text-critical value, the hermeneutical methods employed in both the DSS and Project leader: G.J. Steyn Hebrews, theological themes and motifs that surface in both works, and the socio-religious Project number: 02378450 background in which these quotations are embedded. After these four areas are briefly explored, this contribution concludes, among others, that one can cautiously imagine a similar Description Jewish sectarian matrix from which certain Christian converts might have come – such as the This research is part of the project, ‘Acts’, directed by author of Hebrews himself. Prof. Dr Gert Steyn, Department of New Testament Studies, Faculty of Theology, University of Introduction Pretoria. The relation between the text readings found among the Dead Sea Scrolls (DSS), those of the LXX witnesses and the quotations in Ad Hebraeos1 needs much more attention (Batdorf 1972:16–35; Corresponding author: 2 Gert Steyn, Bruce 1962/1963:217–232; Grässer 1964:171–176; Steyn 2003a:493–514; Wilcox 1988:647–656). -
1 Psalm 127, “The Good Life??” Pastor Jason Van Bemmel a Song of Ascents. of Solomon. Unless the LORD Builds the House, Thos
1 Psalm 127, “The Good Life??” Pastor Jason Van Bemmel A Song of Ascents. Of Solomon. Unless the LORD builds the house, those who build it labor in vain. Unless the LORD watches over the city, the watchman stays awake in vain. It is in vain that you rise up early and go late to rest, eating the bread of anxious toil; for he gives to his beloved sleep. Behold, children are a heritage from the LORD, the fruit of the womb a reward. Like arrows in the hand of a warrior are the children of one's youth. Blessed is the man who fills his quiver with them! He shall not be put to shame when he speaks with his enemies in the gate. Introduction: The American Dream What is your picture of the good life? What does it look like in your mind to be successful? When I was the Head of School at New Covenant Christian School, I used to interview all of the incoming parents. I would ask them a number of questions, including, “What are your goals for your children?” I got a variety of answers, but the most common answer was, “I really just want my children to be happy and successful at whatever they choose to do.” So, I discern here three key ideas: happiness, success and personal choice. Tennessee Congresswoman Marsha Blackburn defines the American dream this way: “The American Dream is independence and being able to create that dream for yourself.” Notice the key words: “independence” and “for yourself.” Senator Tammy Duckworth from Illinois says, “The American Dream I believe in is one that provides anyone willing to work hard enough with the opportunity to succeed.” Here the key is that “anyone willing” can have “the opportunity to succeed.” By the way, in preparing this sermon, I looked at dozens of quotes about the American dream, made mostly by politicians, ranging from Ted Cruz and Marco Rubio to Bernie Sanders, Michelle Obama and Robert Reich. -
His Steadfast Love Endures Forever: General Remarks on the Psalms
Leaven Volume 4 Issue 1 The Psalms Article 3 1-1-1996 His Steadfast Love Endures Forever: General Remarks on the Psalms Timothy Willis [email protected] Follow this and additional works at: https://digitalcommons.pepperdine.edu/leaven Part of the Biblical Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Willis, Timothy (2012) "His Steadfast Love Endures Forever: General Remarks on the Psalms," Leaven: Vol. 4 : Iss. 1 , Article 3. Available at: https://digitalcommons.pepperdine.edu/leaven/vol4/iss1/3 This Article is brought to you for free and open access by the Religion at Pepperdine Digital Commons. It has been accepted for inclusion in Leaven by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Willis: His Steadfast Love Endures Forever: General Remarks on the Psalms 4 Leaven, Winter, 1996 His Steadfast Love Endures Forever General Remarks on the Book of Psalms by Tim Willis It is not my intention in this essay to layout a number of individuals who represent a variety of the way to read and study the Psalms, because I am occupations and who lived over a span of several convinced that they were purposefully written with centuries. The final stages of the era of psalms- just enough ambiguity to be read in several different composition overlap with a long process of collecting ways-from the standpoint of the individual and and arranging the psalms that encompasses much of from the standpoint of the group; in the face of the Second Temple Period (from 520 BC to 70 AD), a physical challenges and in the face of spiritual ones; process that involved yet more people. -
Liturgical Press Style Guide
STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript. -
1 Now I Lay Me Down to Sleep Psalm 4 Introduction. 1). in Psalm 127:2
1 Now I Lay Me Down To Sleep Psalm 4 Introduction. 1). In Psalm 127:2 the Bible says, “for He [the Lord] grants sleep to those He loves (NIV).” 2) Psalm 4 is an evening psalm (v.8) and a companion to Psalm 3. Psalm 3 is appropriately prayed when you get up (3:5). Psalm 4 is appropriately prayed before you lie down (4:8). It is another psalm of lament, though it also has components of the psalms of trust or confidence. I. Remember: God Answers the Prayers of Hurting 4:1 David is going through a difficult time as he makes clear in vs. 2, 4 & 6. What does he know about the God to whom he prays? 1) God will act righteously • Twice in this verse David ask God to hear him: God is righteous both in His character and His conduct. Here the latter is in view. 2) God will give relief • David is under distress (pressure) that is psychological, physical, spiritual or all the above! The word for distress means a “tight corner.” By a series of 4 imperatives he pours out his heart to the Lord asking for relief: 1) hear me; 2) relieve me; 3) have mercy; 4) hear me. David needs God to give him some space. He needs from God what he knows he does not deserve: mercy. II. Remember: God Honors the Pure in Heart 4:2-5 Psalm 3 addressed physical danger. Psalm 4 notes personal slander. David begins to address his enemies, those who oppose him. -
Hebreo: Rossi's Mantua House Program
2019-2020: The Fellowship of Early Music Hebreo: ROSSI’S MANTUA Guest Ensemble Profeti della Quinta JANUARY 31 & FEBRUARY 1, 2020 2019-2020 Jeanne Lamon Hall, Trinity-St.Paul’s Centre Season Sponsor THANK YOU! This production is made possible by The David Fallis Fund for Culture Bridging Programming It is with sincere appreciation and gratitude that we salute the following supporters of this fund: Anonymous (2) Matthew & Phyllis Airhart Michelle & Robert Knight Rita-Anne Piquet The Pluralism Fund Join us at our Intermission Café! The Toronto Consort is happy to offer a wide range of refreshments: BEVERAGES SNACKS PREMIUM ($2) ($2) BAKED GOODS ($2.50) Coffee Assortment of Chips Assortment by Tea Assortment of Candy Bars Harbord Bakery Coke Breathsavers Diet Coke Halls San Pellegrino Apple Juice Pre-order in the lobby! Back by popular demand, pre-order your refreshments in the lobby and skip the line at intermission! PROGRAM The Songs of Salomon HaShirim asher liShlomo Music by Salomone Rossi and Elam Rotem Salomone Rossi Lamnatséah ‘al hagitít Psalm 8 (c.1570-1630) Elohím hashivénu Psalm 80:4, 8, 20 Elam Rotem Kol dodí hineh-zéh bá Song of Songs 2: 8-13 Siméni chachotám al libécha Song of Songs 8: 6-7 Girolamo Kapsperger Passacaglia (ca. 1580-1651) Salomone Rossi Shir hama’alót, ashréy kol yeré Adonái Psalm 128 Hashkivénu Evening prayer Elam Rotem Shechoráh aní venaváh Song of Songs 1: 5-7 Aní yeshenáh velibí er Song of Songs 5:2-16, 6:1-3 INTERMISSION – Join us for the Intermission Café, located in the gym. -
(1Qha XX 7–XXI 39[?]) a NEW SUPERSCRIPTION-ORIENTED APPROACH
ASSESSING THE GENRE OF THE MASKIL THANKSGIVING-PRAYER (1QHa XX 7–XXI 39[?]) A NEW SUPERSCRIPTION-ORIENTED APPROACH by MICHAEL BROOKS JOHNSON A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES BIBLICAL STUDIES PROGRAM We accept this thesis as conforming to the required standard ................................................................................. Peter Flint, Ph.D.; Thesis Supervisor ................................................................................. Martin Abegg, Jr., Ph.D.; Second Reader TRINITY WESTERN UNIVERSITY August 28, 2013 © Michael Brooks Johnson To Stanley C. Johnson, a gardener, carpenter, and father. Memory Eternal CONTENTS Table of Contents i Acknowledgements iii Sigla, Terms, and Abbreviations iv Abstract vii Chapter 1: Introduction: Thesis Question, Plan of Study, and Definitions of Key Terms 1 1.0 Introduction 1.1 Thesis Question 1.2 The Problem and Solution for the Thesis Question 1.3 The Contents of the Maskil Thanksgiving-Prayer 1.4 Plan of Study 1.5 Definitions of Key Terms Chapter 2: Review of Scholarship on the Maskil Thanksgiving-Prayer 26 2.0 Introduction 2.1 Review of Hodayot Scholarship: From E. L. Sukenik to A. K. Harkins 2.2 Editions of Hodayot Manuscripts 2.3 Dating the Hodayot Manuscripts 2.4 Observations, Proposals, and Conclusions Chapter 3: Genre Criticism: A Method and a Model for Maskil Superscriptions 53 3.0 Introduction 3.1 A Working Definition of “Genre” and “Genre Criticism” 3.2 Three Phases of