Order for Compline 18 to 22 January 2021 Preparation the Lord Almighty Grant Us a Quiet Night and a Perfect End

Total Page:16

File Type:pdf, Size:1020Kb

Order for Compline 18 to 22 January 2021 Preparation the Lord Almighty Grant Us a Quiet Night and a Perfect End Order for Compline 18 to 22 January 2021 Preparation The Lord almighty grant us a quiet night and a perfect end. All Amen. Our help is in the name of the Lord All who made heaven and earth. I will give thanks to you with my whole heart All I will tell of all your marvellous work All Most merciful God, we confess to you, before the whole company of heaven and one another, that we have sinned in thought, word and deed and in what we have failed to do. Forgive us our sins, heal us by your Spirit and raise us to new life in Christ. Amen. O God, make speed to save us. All O Lord, make haste to help us. All Glory to the Father and to the Son and to the Holy Spirit; as it was in the beginning is now and shall be for ever. Amen. The Word of God Abiding in Christ from the Song of Ascents Monday - Psalm 133, The Blessedness of Unity 1 How very good and pleasant it is ♦ when kindred live together in unity! 2 It is like the precious oil on the head, ♦ running down upon the beard, 3 on the beard of Aaron, ♦ running down over the collar of his robes. 4 It is like the dew of Hermon, ♦ which falls on the mountains of Zion. 5 For there the Lord ordained his blessing, ♦ life for evermore. Wednesday - Psalm 131, Song of Quiet Trust 1 O Lord, my heart is not lifted up, ♦ my eyes are not raised too high; 2 I do not occupy myself with things ♦ too great and too marvellous for me. 3 But I have calmed and quieted my soul, ♦ like a weaned child with its mother; my soul is like the weaned child that is with me. 4 O Israel, hope in the Lord Friday - Psalm 134, Praise in the Night 1 Come, bless the Lord, all you servants of the Lord, ♦ who stand by night in the house of the Lord! 2 Lift up your hands to the holy place, ♦ and bless the Lord. 3 May the Lord, maker of heaven and earth, ♦ bless you from Zion. All Glory to the Father and to the Son and to the Holy Spirit; as it was in the beginning is now and shall be for ever. Amen. Monday - John15:12 Love one another as I have loved you” Wednesday – John15:12 “I do not call you servants any longer… but I have called you friends” Friday – John15:5 “I am the vine; you are the branches” This is the word of the Lord All Thanks be to God. Reflections on the readings Into your hands, O Lord, I commend my spirit. All Into your hands, O Lord, I commend my spirit. For you have redeemed me, Lord God of truth. All I commend my spirit. Glory to the Father and to the Son and to the Holy Spirit. All Into your hands, O Lord, I commend my spirit. Keep me as the apple of your eye. All Hide me under the shadow of your wings. Gospel Canticle All Alleluia. Christ the Light of the world has manifested his Glory Alleluia, alleluia. 1 Now, Lord, you let your servant go in peace: ♦ your word has been fulfilled. 2 My own eyes have seen the salvation ♦ which you have prepared in the sight of every people; 3 A light to reveal you to the nations ♦ and the glory of your people Israel. Luke 2.29-32 All Glory to the Father and to the Son and to the Holy Spirit; as it was in the beginning is now and shall be for ever. Amen. All Alleluia. Christ the Light of the world has manifested his Glory Alleluia, alleluia. Prayers Intercessions and thanksgivings may be offered here. The Collect for this week of prayer for unity God our Father, you reveal your love for us through Christ and through all our brothers and sisters. Grant us to live so united as one body, that the gift that is each person is revealed. Open our hearts to recognise and welcome each other with all our gifts and differences, teach us to live together in forgiveness and delight. May we together reflect the living Christ as His body in the world. Amen. Be present, O merciful God, and protect us through the silent hours of this night, so that we who are wearied by the changes and chances of this fleeting world, may rest upon your eternal changelessness. through Jesus Christ our Lord. Amen. All Our Father in heaven, hallowed be your name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Lead us not into temptation but deliver us from evil. For the kingdom, the power, and the glory are yours now and for ever. Amen. The Conclusion In peace we will lie down and sleep; All for you alone, Lord, make us dwell in safety. Abide with us, Lord Jesus, All for the night is at hand and the day is now past. As the night watch looks for the morning, All so do we look for you, O Christ. May the God of hope fill us with all joy and peace in believing, that we may abound in hope by the power of the Holy Spirit. God the Father, the Son and the Holy Spirit bless this night and always. Amen. .
Recommended publications
  • Complete Song Book (2013 - 2016)
    James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH
    [Show full text]
  • ARISE OH YAH - Psalm 68
    ARISE OH YAH - Psalm 68 ................................................... 4 AWAKE JERUSALEM - Isaiah 52 ........................................ 9 BLESS YAHWEH OH MY SOUL - Psalm 103 ..................... 7 HEALING IN HIS WINGS - Malachi 4 ............................... 11 HOW LOVELY - Psalm 84 .................................................... 1 I WILL BLESS YAH - Psalm 34 ............................................ 6 IF I FORGET YOU JERUSALEM - Psalm 137 .................. 10 MY SHEPHERD - Psalm 23 .................................................. 8 OPEN THE GATES - Psalm 24 (capo 1) .............................. 3 SONG OF ASCENTS - Psalm 121 (capo 3) .......................... 2 YOUR LOVE ENDURES - Psalm 118 .................................. 5 HOW LOVELY - Psalm 84 G Bm MA, MA YEDIDOT (How lovely is) C G MISHKANOTECHA YHWH TSEVA’OT (Your dwelling place YHWH of Hosts) Bm NICHSEFA VE GAM KALTA NEFSHI (My soul longs and even faints) C Cm G LE’CHETZEROT YHWH, LE’CHETSEROT YHWH, (For the courts of YHWH, For the courts of YHWH) Bm LEBI OU BESARI YERANENU, (My heart and my flesh cries out) C Cm G EL EL CHI, EL EL CHI (For the Living Elohim, For the Living Elohim) Bm ASHREI YOSHVEH, YOSHVEH BETCHA (Blessed are those who dwell. who dwell in your house) C OD YALELUCHA (They’ll still be praising you) G OD YALELUCHA D OD YALELUCHA Am OD YALELUCHA Gm D OH, FOR JUST ONE DAY, ONE DAY IN YOUR HOUSE F D Dsus4 D IS BETTER THAN A THOUSAND ANYWHERE ELSE G HOW LOVELY IS YOUR HOUSE Bm FOR ALL MY DAYS I AM LONGING C Cm G FOR THE COURTS OF THE ONE, LIVING ELOHIM Bm OH HOW MY SOUL IT LONGS, AND EVEN FAINTS C Cm G FOR THE COURTS OF THE ONE, YHWH Bm MY HEART AND MY FLESH, THEY CRY OUT C Cm G FOR THE LIVING ELOHIM, THE LIVING ELOHIM G HOW BLESSED ARE THE ONES Bm WHO DWELL IN YOUR HOUSE C G THEY WILL STILL, STILL BE PRAISING YOU D THEY'LL STILL BE PRAISING YOU Am FOREVER THEY'LL BE PRAISING YOU F FOREVER WE'LL BE PRAISING YOU G Bm C Cm G OH OH! YALA LAI LAI..
    [Show full text]
  • A Concise Glossary of the Genres of Eastern Orthodox Hymnography
    Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service.
    [Show full text]
  • The Psalms As Hymns in the Temple of Jerusalem Gary A
    4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L.
    [Show full text]
  • Liturgical Press Style Guide
    STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript.
    [Show full text]
  • Hebreo: Rossi's Mantua House Program
    2019-2020: The Fellowship of Early Music Hebreo: ROSSI’S MANTUA Guest Ensemble Profeti della Quinta JANUARY 31 & FEBRUARY 1, 2020 2019-2020 Jeanne Lamon Hall, Trinity-St.Paul’s Centre Season Sponsor THANK YOU! This production is made possible by The David Fallis Fund for Culture Bridging Programming It is with sincere appreciation and gratitude that we salute the following supporters of this fund: Anonymous (2) Matthew & Phyllis Airhart Michelle & Robert Knight Rita-Anne Piquet The Pluralism Fund Join us at our Intermission Café! The Toronto Consort is happy to offer a wide range of refreshments: BEVERAGES SNACKS PREMIUM ($2) ($2) BAKED GOODS ($2.50) Coffee Assortment of Chips Assortment by Tea Assortment of Candy Bars Harbord Bakery Coke Breathsavers Diet Coke Halls San Pellegrino Apple Juice Pre-order in the lobby! Back by popular demand, pre-order your refreshments in the lobby and skip the line at intermission! PROGRAM The Songs of Salomon HaShirim asher liShlomo Music by Salomone Rossi and Elam Rotem Salomone Rossi Lamnatséah ‘al hagitít Psalm 8 (c.1570-1630) Elohím hashivénu Psalm 80:4, 8, 20 Elam Rotem Kol dodí hineh-zéh bá Song of Songs 2: 8-13 Siméni chachotám al libécha Song of Songs 8: 6-7 Girolamo Kapsperger Passacaglia (ca. 1580-1651) Salomone Rossi Shir hama’alót, ashréy kol yeré Adonái Psalm 128 Hashkivénu Evening prayer Elam Rotem Shechoráh aní venaváh Song of Songs 1: 5-7 Aní yeshenáh velibí er Song of Songs 5:2-16, 6:1-3 INTERMISSION – Join us for the Intermission Café, located in the gym.
    [Show full text]
  • Theological Studies Spelling, Abbreviations, and Preferred Usage
    Theological Studies Spelling, Almighty, the Abbreviations, and Preferred Alpha and Omega (Christ) Usage Guide Ambrosian Rite, Missal, chant Revised August 9, 2017 Amendment, First, etc. (For words not covered here, consult CMOS chap. 8. Note that TS favors anamnesis American usage, not British.) anaphora ancient Near East A angel Gabriel, the Angelus a fortiori Anglican Church a posteriori Anglican orders a priori Annunciation, the (feast of) a.m., p.m. annunciation, the (to Mary) Abba (for Jesus’s reference to the Anointed One (Christ) Father) anointing, sacrament of abba, amma ante-Nicene abbey, abbot, abbess anti-Semitism, anti-Semitic AD 68, avoid: use 68 CE or 68 BCE Antichrist ad hoc Antiochene Rite ad hominem antiphon ad limina Antiphonary, the Adoptionism, Adoptionists Apocalypse, the Advent season Apocrypha, apocryphal Advocate, the (Holy Spirit) apologetic African-American (noun & adj.) Apologists (Justin Martyr, etc.) agape apostasy Age of Reason, Enlightenment, etc. apostle Paul, the aggiornamento Apostle to the Gentiles Agnus Dei apostles agony in the garden, the Apostles’ Creed Alexandrine Rite apostolic All Saints Day apostolic blessing All Souls Day apostolic church Alleluia (before the Gospel) apostolic constitution almighty God apostolic exhortation (by a pope) beatific vision Apostolic Fathers Beatitudes, the Apostolic See Being (God) appendixes Beloved Apostle, the archabbot Beloved Disciple, the archangel Michael, the Benediction of the Blessed Sacrament archdiocese Benedictus Archdiocese of Seattle berakah (pl.:
    [Show full text]
  • Psalm 126 1 a Song of Ascents When the LORD Restored the Fortunes Of
    Psalm 126 1 A Song of Ascents When the LORD restored the fortunes of Zion, We were like those who dream. 2 Then our mouth was filled with laughter, And our tongue with shouts of joy; Then it was said among the nations, ‘The LORD has done great things for them.’ 3 The LORD has done great things for us, And we rejoiced. 4 Restore our fortunes, O LORD, Like the watercourses in the Negeb. 5 May those who sow in tears Reap with shouts of joy. Those who go out weeping, 6 Bearing the seed for sowing, Shall come home with shouts of joy, Carrying their sheaves. Last week, I wrote about Psalm 137 (“By the Rivers of Babylon”) to help give some perspective to our present moment. We are not the first group to have experienced a loss of our social institutions. This week, I would like to turn to Psalm 126. I hope that you will continue to see in our ancient poetry expressions of emotion that resonate with you and that help you to contextualize the many conflicting emotions that most of us are experiencing these days. Psalm 126 is another famous psalm in our liturgy. We use it to introduce Birkat HaMazon, the blessings after meals, on Shabbat and on holidays. You may recall my mentioning last week that Psalm 137 is the introduction on Weekdays, so the two make for an interesting pairing. This psalm has also produced such book titles as Like Dreamers by Yossi Klein HaLevi, which is about the paratroopers responsible for the conquest of Jerusalem in 1967.
    [Show full text]
  • Studies on the Psalms of Ascents (Psalm 120–134)
    People on a Journey Studies on the Psalms of Ascents (Psalm 120–134) Church of the Servant • Fall 2011 2 Fall 2011 Study Series: Psalms of Ascents (Psalm 120–134) CHURCH OF THE SERVANT Introduction to the Psalms of Ascents The Psalms of Ascents (Psalm 120-134) have existed artists and pastors. Their goal was to recapture the rele- as a pilgrim psalter for the Judeo-Christian faith for vance and power of the psalms in shaping and forming over two millennia. [They are a unique collection of their faith in modern life. psalms—shorter than average with a distinctive ‘folky- ness’—that were sung by Jewish pilgrims as they trav- Bruce Benedict, one of the ministers at Christ the King eled up to Jerusalem for the great feasts.] and primary writer of the material for their pilgrimage, has generously agreed to allow Church of the Servant to Christ the King Presbyterian Church in Raleigh, use these materials with slight adjustments as needed. North Carolina was awarded a grant from the Calvin We are grateful for rich, carefully compiled studies Institute of Christian Worship (funded in part by the and reflections and for this opportunity for Church of Lilly Endowment) in May 2009. They spent a year im- the Servant to be enriched by their work. If you would mersing themselves in a spiritual pilgrimage, taking all like to see everything they developed for the Psalms of of their signposts from the Psalms of Ascents with the Ascents, go to their website: www.cardiphonia.org help of cultural translators: linguists, musicians, visual The Story of the Psalms of Ascents Joy in the Sojourn The Ancient Sojourn Folk singer Michael Card wrote a song titled “Joy in the In Ancient Israel, God’s temple in Jerusalem represent- Journey.” In the song, Card describes the life of a fol- ed the center of worship for God’s people.
    [Show full text]
  • Compline) – Nov 4 2020
    An Order for Night Prayer (Compline) – Nov 4 2020 The ancient office of Compline derives its name from a Latin word meaning ‘completion’ (completorium). It is above all a service of quietness and reflection before rest at the end of the day. Opening Leader The Lord almighty grant us a quiet night and a perfect end. All Amen. Leader Our help is in the name of the Lord All who made heaven and earth. A period of silence for reflection on the past day may follow. The following or other suitable words of penitence may be used: All Most merciful God, we confess to you, before the whole company of heaven and one another, that we have sinned in thought, word and deed and in what we have failed to do. Forgive us our sins, heal us by your Spirit and raise us to new life in Christ. Amen. Leader O God, make speed to save us. All O Lord, make haste to help us. All Glory to the Father and to the Son and to the Holy Spirit; as it was in the beginning is now and shall be for ever. Amen. The following or another suitable hymn may be said or sung: Before the ending of the day, Creator of the world, we pray That you, with steadfast love, would keep Your watch around us while we sleep. From evil dreams defend our sight, From fears and terrors of the night; Tread underfoot our deadly foe That we no sinful thought may know. 1 O Father, that we ask be done Through Jesus Christ, your only Son; And Holy Spirit, by whose breath Our souls are raised to life from death.
    [Show full text]
  • Psalms of Ascent
    “Your word is a lamp to my feet, a light for my path” (Ps. 119:105) 51st International Jewish-Christian Bible Week Psalms 119 to 134 28th July to 4th August 2019 PSALMS OF ASCENT Shani Tzoref I am excited to be joining you here at Osnabruck for the Jewish-Christian Bible week. I am very grateful for the kind invitation and for the opportunity that it has given me to think about the Psalms of Ascent. Since my expertise is in Hebrew Bible and Jewish texts, I have decided to focus this talk on biblical and rabbinic texts, and I am looking forward to learning more from you about Christian exegesis and reception in the coming days. In my study of the Psalms, I have found a most useful rubric to be Hermann Gunkel’s form-critical approach. I would even say that it has served me as a key to deciphering the corpus, helping me discern sense and structure amidst the poetic language. My personal religious experience of Tehillim as prayer had given me an early appreciation of the biblical Psalter, but in a way that was quite atomized—individual phrases had strong resonances for me; I had less sensitivity to larger blocs of text and literary cohesion. I’d like to use our time together to consider the Psalms of As- cent through two of Gunkel’s form-critical lenses, Sitz-im-Leben and Gattung, and concluding with an intertextual glance at Solomon’s prayer at the dedication of the Temple in 1 Kings 8 and 2 Chronicles 6.
    [Show full text]
  • Wrecked Narratives, Meaning, and the Songs of Ascent” by Benjamin Williams and Ian Mcloud (April 2013)
    Excerpt From: “Wrecked Narratives, Meaning, and the Songs of Ascent” By Benjamin Williams and Ian McLoud (April 2013) Introduction All of the psalms find themselves in a place between worlds. As Bonhoeffer wrote, “The Psalter occupies a unique place in the Holy Scriptures. It is God’s Word and…the prayer of men as well.”1 Just as the psalms form a bridge between the human and the divine, they also stretch across generations. In particular, the Songs of Ascent convey memory from one generation to the next and help to provide a way for oppressed communities to tell their way out of the wreckage that has become the narrative of the community. This paper will describe how the Songs of Ascent function as memory for the oppressed Exilic community and then show how this same function was co-opted by the African-American slave community as well. Examination of Songs of Ascent The Songs of Ascent are a collection within Book V, which itself is a collection within the larger collection of the Psalter. Each of these psalms begins with the title, , “A Song of Ascents.”2 The collection, psalms 120-134, follows after the magnum opus dedicated to Torah contained within Psalm 119. After the last psalm of ascent, two more great psalms of praise ensue. Psalm 135 & 136 swell in the telling of YHWH’s historically great works from Egypt on forward. This elevated chorus crescendos in the repetitive song of 136, and then crashes headlong into the despair of Psalm 137. This psalm is an unspeakably deep lament that picks up the telling of 1 Dietrich Bonhoeffer, Life Together: The Classic Exploration of Christian Community (New York: Harper Collins, 2009), 44.
    [Show full text]