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Humility and Hope Psalm 131
Rock Valley Bible Church (www.rvbc.cc) # 2013-027 July 14, 2013 by Steve Brandon Humility and Hope Psalm 131 1. Humility (verses 1-2) 2. Hope (verse 3) The Bible says that King David was a man after God's own heart (1 Samuel 15:14; Acts 13:22). David loved the LORD (Psalm 18:1). David took refuge in the LORD(Psalm 18:2). David called upon the LORD (Psalm 18:3). David prayed to the LORD (Psalm 5:3). David gave thanks to the LORD with all of his heart (Psalm 9:1). David told others of the wonders of the LORD (Psalm 9:1). David was glad in the LORD(Psalm 9:2). David sang praise to the LORD (Psalm 9:2). David blessed the LORD (Psalm 16:7). David found his greatest joy in the LORD (Psalm 4:7). And because David was a man after God's own heart, he "found favor in God's sight" (Acts 7:46). God heard David's prayers (Psalm 18:6). God saved David from his enemies (Psalm 18:3). Now, surely, you know enough about human nature to know that David was not perfect. He was a man of war (1 Chronicles 29:3). He was a man of bloodshed (1 Chronicles 29:3). He committed adultery (2 Samuel 11). He committed murder (2 Samuel 11). He tried to cover up his sin (2 Samuel 12). And yet, David did repent. David confessed his sin to the LORD (Psalm 32:5). David pleaded for God's grace (Psalm 51:1). -
One of the Shortest Psalms to Read and the Longest to Learn” Psalm 131 21 May 2017
“One Of The Shortest Psalms To Read And The Longest To Learn” Psalm 131 21 May 2017 Charles Spurgeon said that Psalm 131 was one of the shortest psalms to read but the longest psalm to learn. How true! You can read this psalm in about 10 seconds, but it will take you your whole life to learn it. And by the time you get through this sermon, I think you’ll agree. Psalm 131 is not the shortest of the psalms, Psalm 117 is, but it’s pretty short and it does take a looooong time to learn- like the rest of your life. Psalm 131 shows us that we all struggle with fear and worry and anxiety and panic at times. We all do to some degree. And some of us really struggle with anxiety and panic attacks. So I know that there is not easy answer to all of these issues. Some people struggle with severe cases of anxiety and panic attacks that are debilitating. I had a pastor friend call me this week and tell me that he suffered a massive panic attack that sent him to the hospital. And in that moment, it would not have mattered if you quoted Psalm 131 to him because he was out of it. Of course, we want to share Scripture with people- it’s God’s word for crying out loud! But sometimes it isn’t as simple as just quoting a Scripture to someone. It may require medicine. Now, I don’t want to get into a debate on the validity of using medicine to help, but I will say this, that my friend said that it is helping him. -
Psalm 45 Title: a Royal Wedding Song Author and Date: the Sons of Korah Key Verses
Psalm 45 Title: A Royal Wedding Song Author and Date: The Sons of Korah Key Verses: Psalm 45:1, 17 Type: Royal / Messianic Outline A. The king’s messenger (verse 1). B. The king’s majesty (verses 2-9). C. The king’s marriage (verses 10-15). D. The king’s memorial (verses 16-17). Notes Title: “For the Chief Musician; set to Shoshannim. A Psalm of the sons of Korah. Maschil. A song of loves.” See the notes on Psalm 42. The following psalms have something similar to this title: Psalm 42, 44-49, 84-85, and 87-88. “Shoshannim” means “lilies” and it may refer to a particular instrument (lilly-shaped cymbals?) or tune of the day to which this song was sung. This was a musical instruction given to the chief musician to direct the song “after” or “in the manner of” Shoshannim. “A song of loves” (also called an epithalamium) refers to a song that describes the love between a king (verse 1) and his queen (verse 9) who are about to marry. Summary: Psalm 45 is a royal psalm (see Psa. 2) describing the king and his marriage to the queen. It is a song celebrating the majesty (verses 2-9) and the marriage (verses 10- 15) of one of the king’s of Israel. The marriage of Solomon to the daughter of Pharaoh is one example that would fit this occasion (1 K. 3:1). First, the psalmist describes the king’s physical features (verses 2-5, 8-9) and then his spiritual qualities (verses 4, 6-7). -
Psalm 2 the Lord's Reign Ruins the Rebellious and Rescues the Faithful
Psalm 2 The Lord’s Reign ruins the rebellious and rescues the faithful Nov. 15, 2015 I like sitting in my front yard or resting on my front porch when I have a porch of any size. When I don’t, the yard does just fine. Right before we moved to Bloomfield a few weeks ago, in the fading sunlight of a fall afternoon, the rumble of a Harley Davidson V-Twin eased to a stop right in front of me. So here I am, enjoying the last hours of a pleasant afternoon at our Windsor apartment. Next thing I know, the biker asks, above the Harley's rumble, “Is there a liquor store around here?” I point down the street, to the east at a little strip mall. “Yeah, there's one in that strip mall, just past the Italian restaurant.” He said, “I just go past that green awning and it's right there?” “Yeah,” I said. “It's right there.” At that point, I noticed a cross on his bandanna. The bandanna was folded just so, and positioned on the man's head just right. The cross was clearly seen, burnt orange on a black background. So I asked him, “Are you a Christian?” “No,” he said. “Oh, OK, I saw the cross on your bandanna but, no offense, I didn't think you were.” To which he said, “Well, I'm a Christian, I'm just not practicing.” stand up When Andre started this sermon series in September, he made this statement early in his first sermon: “The question is not, ‘Are you pursuing a kingdom? But whose kingdom are you pursuing?’” I think the stranger looking for a liquor store thought he could pay lip service to one thing and practice another. -
Psalms, Hymns, and Spiritual Songs: the Master Musician's Melodies
Psalms, Hymns, and Spiritual Songs: The Master Musician’s Melodies Bereans Sunday School Placerita Baptist Church 2006 by William D. Barrick, Th.D. Professor of OT, The Master’s Seminary Psalm 81 — Celebrate the Feast Day! 1.0 Introducing Psalm 81 y In the early 1960’s excavators uncovered a manuscript including Psalms 81– 85 at Masada, the Jewish fortress on the west side of the Dead Sea that was destroyed around A.D. 73. y Psalms 50, 81, and 95 are the three festival psalms in the Psalter. y Most commentators identify the Feast of Tabernacles with the festival celebration in Psalm 81 (Leviticus 23:33-36, 39-43; Deuteronomy 16:13-15). y According to the rabbis, the following psalms were sung in the daily services of the Temple: 9 1st day (Sunday): Psalm 24 9 2nd day (Monday): Psalm 48 9 3rd day (Tuesday): Psalm 82 9 4th day (Wednesday): Psalm 94 9 5th day (Thursday): Psalm 81 9 6th day (Friday): Psalm 93 9 7th day (Saturday): Psalm 92 y Within the collection of Asaph psalms (Psalms 79–83), Psalm 81 presents God’s response to the laments of Psalms 79 and 80. 2.0 Reading Psalm 81 (NAU) 81:1 A Psalm of Asaph. Sing for joy to God our strength; Shout joyfully to the God of Jacob. 81:2 Raise a song, strike the timbrel, The sweet sounding lyre with the harp. 81:3 Blow the trumpet at the new moon, Psalms, Hymns, and Spiritual Songs 2 Barrick, Placerita Baptist Church 2006 At the full moon, on our feast day. -
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
From Preachingtoday.Com Top 10 Thanksgiving Illustrations Click Here to Subscribe and Get $20 Off!
from preachingtoday.com top 10 Thanksgiving Illustrations Click here to subscribe and get $20 off! References: 1. Praise God with Your 23,000 Breaths per Day Psalm 3:1-4; Psalm 23:1-3; Psalm 27:1-6; Psalm 34:4-6; Psalm 66:1-2; Psalm 86:1-4; Psalm 91:1- 15; Psalm 130:1-2; Psalm 142:1-3; Matthew 7:9-11; Matthew 8:1-2; Luke 18:1-8; Romans 12:12; Illustration: You take approximately 23,000 breaths every day, but when was the last time you Ephesians 6:18; Philippians 4:6-7; Philippians 4:13; Colossians 4:2; 1 Thessalonians 5:16-18. thanked God for one of them? The process of inhaling oxygen and exhaling carbon dioxide is a complicated respiratory task that requires physiological precision. We tend to thank God for the things that take our breath away. And that’s fine. But maybe we should thank him for every other breath too! 3. Grandson Refuses to Express His Thanks Mark Batterson, All In (Zondervan, 2013), page 119 We took our grandson (age 3 at the time) to Chuck E. Cheese’s for pizza and noisy rides. When Related Topics: Adoration; Exaltation of God; God, goodness of; God, greatness of; Gratitude; the evening ended, his grandmother buckled him into his car seat and said, “Now be sure you Ingratitude; Praise; Thanks; Thanksgiving; Thanksgiving Day; Worship say thank you to your Papa.” References: Silence. No reaction. She said again, “Did you hear me? Be sure you say thank you to Papa.” Psalm 98:4; Psalm 100:1-3; Psalm 103:1-3; Psalm 103:22; Psalm 145:1-3; Psalm 146:1-2; Psalm Again, silence. -
The Passion Translation | Psalms Study | Dr. Brian Simmons Lesson 3 / Psalm 3: Covered by the Glory King David's Song W
The Passion Translation | Psalms Study | Dr. Brian Simmons Lesson 3 / Psalm 3: Covered by the Glory King David’s song when he was forced to flee from Absalom, his own son The rabbis call this ‘The Morning Hymn.’ The words of this psalm could have been heard early in the morning from the lips of Jesus Christ as He prayed in the garden of Gethsemane. It is the song of a soul in grave peril as a new day dawns. It is the heartbreak of a father (David) that spoke these words. Although known as a psalm of lament, the true theme of Psalm 3 is: quietness in the midst of troubles. Even though the king was in a painful situation, he still had a song in his heart. This psalm begins at a very low moment in the life of David. Because of his sin with Bathsheba, his family life was torn apart with strife. Absalom was the arrogant, insolent son of David who attempted to take the kingship from his father by force. He was David’s third son by Maacah, the daughter of king Geshur. Absalom was a charming prince with the people and used his charm to steal their heart from his father the king. Exiled for the murder of his brother Ammon, Absalom eventually returned to Jerusalem and plotted to dethrone his father. David learned of the rebellion of his son and fled to Mahanaim. Although Absalom was formally anointed king, he was eventually defeated and killed by David’s army (2 Sam.15-18). -
Bach Festival the First Collegiate Bach Festival in the Nation
Bach Festival The First Collegiate Bach Festival in the Nation ANNOTATED PROGRAM APRIL 1921, 2013 THE 2013 BACH FESTIVAL IS MADE POSSIBLE BY: e Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil DEDICATION ELINORE LOUISE BARBER 1919-2013 e Eighty-rst Annual Bach Festival is respectfully dedicated to Elinore Barber, Director of the Riemenschneider Bach Institute from 1969-1998 and Editor of the journal BACH—both of which she helped to found. She served from 1969-1984 as Professor of Music History and Literature at what was then called Baldwin-Wallace College and as head of that department from 1980-1984. Before coming to Baldwin Wallace she was from 1944-1969 a Professor of Music at Hastings College, Coordinator of the Hastings College-wide Honors Program, and Curator of the Rinderspacher Rare Score and Instrument Collection located at that institution. Dr. Barber held a Ph.D. degree in Musicology from the University of Michigan. She also completed a Master’s degree at the Eastman School of Music and received a Bachelor’s degree with High Honors in Music and English Literature from Kansas Wesleyan University in 1941. In the fall of 1951 and again during the summer of 1954, she studied Bach’s works as a guest in the home of Dr. Albert Schweitzer. Since 1978, her Schweitzer research brought Dr. Barber to the Schweitzer House archives (Gunsbach, France) many times. In 1953 the collection of Dr. Albert Riemenschneider was donated to the University by his wife, Selma. Sixteen years later, Dr. Warren Scharf, then director of the Conservatory, and Dr. -
1 When Your Enemies Are Too Many to Count Psalm 3 Introduction
1 When Your Enemies Are Too Many To Count Psalm 3 Introduction: 1) In life we should not be surprised when we are forced to fight, when we are faced with battles we cannot avoid. 2) One of life’s greatest disappointments and heartbreaks is to be in a foxhole, receiving enemy fire, only to feel a burning sharp pain in the back, to turn and see that someone you were certain was a friend, is actually the enemy who has just stabbed you in the back in cruel betrayal. 3) This no doubt is what David felt when he was betrayed by his own son, Absalom. (2 Sam. 15-18). 4) What should we do when all seems lost? Trust in the Lord and call out to Him in confidence that He will deliver us. I. Share Your Problem with God 3:1-2 Psalm 3 is the first Psalm with a superscription providing some information about its context and occasion for writing. It is a psalm of lament and it is the natural extension of Psalms 1 & 2. Interestingly, the promise of Psalm 2:12 is tragically fulfilled in the death of Absalom as recorded in 2 Sam. 18:14-15. 1) Tell the Lord What They Do 3:1 • Lord, how (amazement at the turn of events) they have increased who trouble me. Many…Many (vr 2). 2) Tell the Lord What They Say 2:2 • David’s adversaries are active (v.1) and they are accusing (v.2). • V.2 ends with “Selah,” as does vs. -
Theme and Genre in 4Q177 and Its Scriptural Selections
THEME AND GENRE IN 4Q177 AND ITS SCRIPTURAL SELECTIONS Mark Laughlin and Shani Tzoref Jerusalem 4Q1771 has conventionally been classified as a “thematic pesher,”2 or, more recently as “thematic commentary,”3 or “eschatological midrash.”4 It is one of a group of Qumranic compositions in which the author cites and interprets biblical texts, applying them to the contemporary experience of his community, which he understands to be living in the eschatological era. Unlike the continuous pesharim, thematic pesha- rim are not structured as sequential commentaries on a particular 1 John M. Allegro first pieced together the thirty fragments that he identified as comprising 4Q177, which he labeled 4QCatena A. Cf. John M. Allegro and Arnold A. Anderson. Qumran Cave 4.I (4Q158–4Q186) (DJD V; Oxford: Clarendon Press, 1968), 67–74, Pls. XXIV–XXV. John Strugnell subsequently added four additional fragments, and suggested improvements to Allegro’s readings and reconstructions (“Notes en marge,” 236–48). Annette Steudel re-worked the order of the material in 4Q174 and 4Q177, and argued that the two manuscripts should be regarded as parts of a single composition, which she termed 4QMidrEschat. See George J. Brooke, “From Flori- legium or Midrash to Commentary: The Problem of Re/Naming an Adopted Manu- script,” in this volume. Cf. Annette Steudel, Der Midrasch zur Eschatologie aus der Qumrangemeinde (4QMidrEschata,b): Materielle Rekonstruktion, Textbestand, Gattung und traditionsgeschichtliche Einordnung des durch 4Q174 (“Florilegium”) und 4Q177 (“Catenaa”) repräsentierten Werkes aus den Qumranfunden (STDJ 13; Leiden: Brill, 1994). The current discussion will touch upon the relationship between 4Q177 and 4Q174 but is primarily concerned with the composition of 4Q177 itself.