Psalms of Praise: 100 and 150 the OLD TESTAMENT * Week 25 * Opening Prayer: Psalm 100

Total Page：16

File Type：pdf, Size：1020Kb

Psalms of Praise: 100 and 150 THE OLD TESTAMENT * Week 25 * Opening Prayer: Psalm 100 I. “Songs of Ascent” – Psalms 120-134 – II. Psalm 100 A psalm. For giving grateful praise. 1 Shout for joy to the Lord, all the earth. Psalm 33:3 – Sing to [the LORD] a new song; play skillfully, and shout for joy. 2 Worship the Lord with gladness; come before him with joyful songs. 3 Know that the Lord is God. It is he who made us, and we are his (OR “and not we ourselves”) we are his people, the sheep of his pasture. 4 Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name. 5 For the Lord is good and his love endures forever; his faithfulness continues through all generations. (See Revelation chapters 4,7,and 19-22) III. Psalm 150 1 Praise the Lord. Praise God in his sanctuary; praise him in his mighty heavens. 2 Praise him for his acts of power; praise him for his surpassing greatness. 3 Praise him with the sounding of the trumpet, praise him with the harp and lyre, 4 praise him with timbrel and dancing, praise him with the strings and pipe, 5 praise him with the clash of cymbals, praise him with resounding cymbals. 6 Let everything that has breath praise the Lord. Praise the Lord. IV. Messianic Psalms A. Psalm 2:1-7 – B. Psalm 22 – Quoted on the cross. C. Psalm 31:5 – Prayer at bedtime. D. Psalm 78:1-2 – “parables.” E. Psalm 110:1-4 – Melchizedek. See Genesis 14:18-20; Hebrews 5-7. A. Psalm 118:22-26—“Hosanna!” Closing Prayer: Psalm 150 Preparation for next time: Read Proverbs 1-16 NO DIVING DEEPER NEXT WEEK ON EASTER. .

Copy Link

Recommended publications

4Q521 and What It Might Mean for Q 3–7
Chapter 20 4Q521 and What It Might Mean for Q 3–7 Gaye Strathearn am personally grateful for S. Kent Brown. He was a commit- I tee member for my master’s thesis, in which I examined 4Q521. Since that time he has been a wonderful colleague who has always encouraged me in my academic pursuits. The relationship between the Dead Sea Scrolls and Christian- ity has fueled the imagination of both scholar and layperson since their discovery in 1947. Were the early Christians aware of the com- munity at Qumran and their texts? Did these groups interact in any way? Was the Qumran community the source for nascent Chris- tianity, as some popular and scholarly sources have intimated,¹ or was it simply a parallel community? One Qumran fragment that 1. For an example from the popular press, see Richard N. Ostling, “Is Jesus in the Dead Sea Scrolls?” Time Magazine, 21 September 1992, 56–57. See also the claim that the scrolls are “the earliest Christian records” in the popular novel by Dan Brown, The Da Vinci Code (New York: Doubleday, 2003), 245. For examples from the academic arena, see André Dupont-Sommer, The Dead Sea Scrolls: A Preliminary Survey (New York: Mac- millan, 1952), 98–100; Robert Eisenman, James the Just in the Habakkuk Pesher (Leiden: Brill, 1986), 1–20; Barbara E. Thiering, The Gospels and Qumran: A New Hypothesis (Syd- ney: Theological Explorations, 1981), 3–11; Carsten P. Thiede, The Dead Sea Scrolls and the Jewish Origins of Christianity (New York: Palgrave, 2001), 152–81; José O’Callaghan, “Papiros neotestamentarios en la cueva 7 de Qumrān?,” Biblica 53/1 (1972): 91–100.
[Show full text]
Psalm 2 the Lord's Reign Ruins the Rebellious and Rescues the Faithful
Psalm 2 The Lord’s Reign ruins the rebellious and rescues the faithful Nov. 15, 2015 I like sitting in my front yard or resting on my front porch when I have a porch of any size. When I don’t, the yard does just fine. Right before we moved to Bloomfield a few weeks ago, in the fading sunlight of a fall afternoon, the rumble of a Harley Davidson V-Twin eased to a stop right in front of me. So here I am, enjoying the last hours of a pleasant afternoon at our Windsor apartment. Next thing I know, the biker asks, above the Harley's rumble, “Is there a liquor store around here?” I point down the street, to the east at a little strip mall. “Yeah, there's one in that strip mall, just past the Italian restaurant.” He said, “I just go past that green awning and it's right there?” “Yeah,” I said. “It's right there.” At that point, I noticed a cross on his bandanna. The bandanna was folded just so, and positioned on the man's head just right. The cross was clearly seen, burnt orange on a black background. So I asked him, “Are you a Christian?” “No,” he said. “Oh, OK, I saw the cross on your bandanna but, no offense, I didn't think you were.” To which he said, “Well, I'm a Christian, I'm just not practicing.” stand up When Andre started this sermon series in September, he made this statement early in his first sermon: “The question is not, ‘Are you pursuing a kingdom? But whose kingdom are you pursuing?’” I think the stranger looking for a liquor store thought he could pay lip service to one thing and practice another.
[Show full text]
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them.
[Show full text]
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH
[Show full text]
An Exposition of Psalm 22
BIBLIOTHECA SACRA 147 (July 1990) 286-308 Copyright © 1990 by Dallas Theological Seminary. Cited with permission. An Exposition of Psalm 22 Mark H. Heinemann Lecturer in Practical Theology German Theological Seminary, Giessen, West Germany "Extraordinary" is the word for Psalm 22. The craftsmanship of its poetry, the boldness of its images, and the sweep of its historical scope all contribute to this impression. But the most striking thing about Psalm 22 is its messianic character. God inspired David to write in such a way that certain aspects of the crucifixion of Jesus Christ were clearly prefigured: His perplexed cry, "My God, my God"1 (v. 1; see Mark 15:34), the mockings of the onlookers (Ps. 22:6-8; see Matt. 27:39-43), the piercing of His hands and feet (Ps. 22:16, see John 20:24-27), and the casting of lots for His garments (Ps. 22:18; see John 19:24). The fact that the writer to the Hebrews quoted Psalm 22:22 in Hebrews 2:12 as the words of Jesus certainly validates the view that the psalm is messianic. In the course of studying the psalm, the messianic aspect must be kept in mind. A number of intriguing questions arise. What experi- ences was David describing? In what ways do his descriptions go be- yond his own experience, if any? Did he knowingly prophesy? But in seeking to answer these questions, it is important to note that the psalm has a message in itself for both the readers of that day and those of the present.
[Show full text]
The Psalms Psalm 22 My God, My God 17 February 2019 Kirsty Ross
The Psalms Psalm 22 My God, my God 17 February 2019 Kirsty Ross Isaiah 52: 13; 53: 3–end Matthew 27: 45–54 Those of you who know me or have seen me outside of these Chapel walls won’t have failed to realise that I have two young children. Both of my children have been born here and my eldest, William, who is now three, took his first steps here, was baptised here, and spoke his first words here. Now, I wish I could tell you that William’s first words were something profound or even vaguely religious, as would befit the firstborn of two priests, but the sad reality is that his first word was ‘dat’, which translated from toddler into normal English is ‘fire alarm’. Anyone who has ever lived within the College will know the joys of the weekly call point testing, the 7.00 am fire drills, and the full-scale evacuations that occur whenever someone so much as waves a piece of bread in the direction of a toaster. Whether you are a Fellow sipping tea in the Parlour, a student enjoying breakfast in the Hall, or a six-month-old baby warm in your bed, fire alarms are all part of our shared college experience. As William proved with his first word, the language we use gives important insight into a person’s background and formation. In the second of tonight’s readings, Jesus gives us a glimpse into the culture in which he was formed when he utters, not his first, but his final words from the cross: ‘My God, My God, why have you forsaken me’.
[Show full text]
1 When Your Enemies Are Too Many to Count Psalm 3 Introduction
1 When Your Enemies Are Too Many To Count Psalm 3 Introduction: 1) In life we should not be surprised when we are forced to fight, when we are faced with battles we cannot avoid. 2) One of life’s greatest disappointments and heartbreaks is to be in a foxhole, receiving enemy fire, only to feel a burning sharp pain in the back, to turn and see that someone you were certain was a friend, is actually the enemy who has just stabbed you in the back in cruel betrayal. 3) This no doubt is what David felt when he was betrayed by his own son, Absalom. (2 Sam. 15-18). 4) What should we do when all seems lost? Trust in the Lord and call out to Him in confidence that He will deliver us. I. Share Your Problem with God 3:1-2 Psalm 3 is the first Psalm with a superscription providing some information about its context and occasion for writing. It is a psalm of lament and it is the natural extension of Psalms 1 & 2. Interestingly, the promise of Psalm 2:12 is tragically fulfilled in the death of Absalom as recorded in 2 Sam. 18:14-15. 1) Tell the Lord What They Do 3:1 • Lord, how (amazement at the turn of events) they have increased who trouble me. Many…Many (vr 2). 2) Tell the Lord What They Say 2:2 • David’s adversaries are active (v.1) and they are accusing (v.2). • V.2 ends with “Selah,” as does vs.
[Show full text]
The Significance of the Biblical Dead Sea Scrolls
Journal of Theology of Journal Southwestern dead sea scrolls sea dead SWJT dead sea scrolls Vol. 53 No. 1 • Fall 2010 Southwestern Journal of Theology • Volume 53 • Number 1 • Fall 2010 The Significance of the Biblical Dead Sea Scrolls Peter W. Flint Trinity Western University Langley, British Columbia [email protected] Brief Comments on the Dead Sea Scrolls and Their Importance On 11 April 1948, the Dead Sea Scrolls were announced to the world by Millar Burrows, one of America’s leading biblical scholars. Soon after- wards, famed archaeologist William Albright made the extraordinary claim that the scrolls found in the Judean Desert were “the greatest archaeological find of the Twentieth Century.” A brief introduction to the Dead Sea Scrolls and what follows will provide clear indications why Albright’s claim is in- deed valid. Details on the discovery of the scrolls are readily accessible and known to most scholars,1 so only the barest comments are necessary. The discovery begins with scrolls found by Bedouin shepherds in one cave in late 1946 or early 1947 in the region of Khirbet Qumran, about one mile inland from the western shore of the Dead Sea and some eight miles south of Jericho. By 1956, a total of eleven caves had been discovered at Qumran. The caves yielded various artifacts, especially pottery. The most impor- tant find was scrolls (i.e. rolled manuscripts) written in Hebrew, Aramaic, and Greek, the three languages of the Bible. Almost 900 were found in the Qumran caves in about 25,000–50,000 pieces,2 with many no bigger than a postage stamp.
[Show full text]
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing.
[Show full text]
Psalm 118: an Exposition
Psalm 118: An Exposition S. B. FROST HE CITY of Montreal encircles the mountain from which it takes its T name. Some of the taller buildinngs built against the mountain side have the pleasant architectural feature of possessing several front doors, placed on different sides of the building, and at different levels. Entrance may be gained from several roads giving access at various floors to the whole building. So it is with the Psalter. We may enter into the structure of a psa]m at any one of at least three levels of understanding. The basic level is that of seeking to determine the meaning of the psalm for the man who wrote it. Most literary productions in the ancient world had their origin in some particular "setting in life" -love songs were composed for wedding-£ easts, dirges for funerals, laments for fasts, hymns for cultic occasions. It is important to grasp Gunkel's point that "free" literary composition was not natural to the ancient world, and that the differing types of literary produc tion arose out of particular human situations. Thus the basic level of under standing with regard to any psalm is to ask: For what purpose did its author compose it? Out of what setting in life did it come? What did the author understand himself to be saying to his contemporaries in that particular social situation? These are the basic exegetical questions. When, however, we have recognized and reconstructed the "setting in life" and thus are reasonably sure that we have grasped the meaning of the psalm for the author and his friends, we are but ready to move t6 a second level of understanding.
[Show full text]
The Psalms As Hymns in the Temple of Jerusalem Gary A
4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L.
[Show full text]
Prager-Shabbat-Morning-Siddur.Pdf
r1'13~'~tp~ N~:-t ~'!~ Ntf1~P 1~n: CW? '?¥ '~i?? 1~~T~~ 1~~~ '~~:} 'tZJ... :-ttli3i.. -·. n,~~- . - .... ... For the sake of the union of the Holy One Blessed Be He, and the Shekhinah I am prepared to take upon myself the mitzvah You Shall Love Your Fellow Person as Yourself V'ahavta l'rey-acha kamocha and by this merit I open my mouth. .I ....................... ·· ./.· ~ I The P'nai Or Shabbat Morning Siddur Second Edition Completed, with Heaven's Aid, during the final days of the count of the Orner, 5769. "Prayer can be electric and alive! Prayer can touch the soul, burst forth a creative celebration of the spirit and open deep wells of gratitude, longing and praise. Prayer can connect us to our Living Source and to each other, enfolding us in love and praise, wonder and gratitude, awe and thankfulness. Jewish prayer in its essence is soul dialogue and calls us into relationship within and beyond. Through the power of words and melodies both ancient and new, we venture into realms of deep emotion and find longing, sorrow ,joy, hope, wholeness, connection and peace. When guided by skilled leaders of prayer and ritual, our complacency is challenged. We break through outworn assumptions about God and ourselves, and emerge refreshed and inspired to meet the challenges OUr lives offer." (-from the DLTI brochure, by Rabbis Marcia Prager and Shawn Israel Zevit) This Siddur was created as a vehicle to explore how traditional and novel approaches to Jewish prayer can blend, so that the experience of Jewish prayer can be renewed, revitalized and deepened.
[Show full text]