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CINÉMAS D’ASIE DU SUD-EST LA LETTRE DE l’AFRASE ASSOCIATION FRANÇAISE POUR LA RECHERCHE EN ASIE DU SUD-EST NUMÉRO1 95 - 2018 CONTACT AFRASE [email protected] SITE INTERNET ET RÉSEAUX SOCIAUX [email protected] PUBLICATIONS [email protected] REVUES [email protected] THÈSES [email protected] MISE EN PAGE, PAO BUREAU DE L’AFRASE [email protected] Louise Pichard-Bertaux, présidente CONCEPTION DE LA MAQUETTE [email protected] Joseph Herbelin Paul Sorrentino, vice-président COUVERTURE [email protected] Portrait de Dome Sukvong, fondateur de la Cinémathèque thaïlandaise, datant des Rémi Desmoulière, trésorier années 80, © Cinémathèque thaïlandaise [email protected] REMERCIEMENTS Marie Aberdam, secrétaire L’Afrase remercie Pierre Brocheux et [email protected] Liliane Vo-Quang pour leurs abonnements de soutien ainsi qu’Alexis Michaud pour Christophe Caudron, membre du bureau son abonnement sur plusieurs années. [email protected] L’Afrase remercie également le CERLOM pour le financement des Rencontres 2017 Amandine Dabat, membre du bureau et l’Inalco pour le prêt de l’auditorium. [email protected] François Guillemot, membre du bureau [email protected] Votre institution peut aider Mathilde Lefebvre, membre du bureau l'AFRASE en lui versant une [email protected] subvention ou en finançant la mis- Hélène Poitevin-Blanchard, membre du sion du représentant de l'AFRASE bureau aux réunions de l’Euroseas. [email protected] 2 — LA LETTRE DE L'AFRASE • N° 95 — SOMMAIRE matières ÉDITO 4 DOSSIER "CINÉMAS D’ASIE DU SUD-EST " Introduction 6 Le cinéma (d’action) indonésien : a hero never dies 10 Rat Pestanyi, « gemme » du cinéma thaïlandais 15 Le cinéma lao 20 Impian Kemarau/The Rainmaker de Ravi Bharwani 22 Beautiful boxer 26 HORS CHAMP Un grand cinéaste méconnu : Georges Bourdelon, l’aventure de l’objectif 29 ACTUALITÉS Distinction 31 Deux rendez-vous importants 31 VIE DE LA RECHERCHE LANGAU ou l’archéométallurgie à Angkor Thom 32 REGARD DE CHERCHEUR Camp d’ouvriers migrants à Bangkok by night 35 RETOUR DE TERRAIN Le festival des fleurs à Chang Mai 36 IN MEMORIAM Tanete A. Pong Masak 42 VIE DE L'AFRASE Rapport moral présenté à l’Assemblée générale du 19 janvier 2018 44 Rapport financier 14 décembre 2016 – 19 janvier 2018 46 Rencontres de l'AFRASE, 27 novembre 2018 48 COMPTES RENDUS 50 OUVRAGES 58 REVUE DES REVUES 66 THÈSES ET HDR 84 3 — LA LETTRE DE L'AFRASE • N° 95 — ÉDITORIAL Voici donc, enfin, la Lettre 95 ! Nous avons pris un peu de retard, fait quelques détours, tordu en tous sens nos emplois du temps un peu char- gés et joint nos efforts pour, finalement, arriver à boucler et à vous présenter ce beau numéro. Comme annoncé à l’Assemblée Générale, un nouveau rythme de parution a été mis en place : un seul numéro annuel de la Lettre sera édité – normalement en juin ! — et présentera les inter- ventions des Rencontres ayant eu lieu en fin d’an- née précédente. Vous trouverez donc, en premier lieu, un dossier Cinéma qui fait suite aux riches rencontres organisées par Paul Sorrentino et Caroline Herbelin en janvier 2018. Cinq articles présentés et introduits par Paul sont ainsi ras- semblés. Bernard Sellato nous a offert un article supplé- mentaire qui, s’il n’entre pas tout à fait dans la thématique du dossier, s’y rattache par les acti- vités cinématographiques de Georges Bourdelon dont il est ici question. Deux rendez-vous incontournables en 2019 sont ensuite présentés : le 7e Congrès Asie et la 10e Conférence Euroseas. Dans la rubrique Vie de la recherche, Brice Vincent nous présente le projet LANDAU qui nous entraîne à Angkor dans les mystères de l’archéométallurgie. Un peu plus loin, François Robinne exerce avec finesse et poésie son Regard de chercheur sur l’habitat précaire des camps de travailleurs au cœur de Bangkok. Nolwenn Lacoume, qui vient de soutenir un Master 2 à Aix-Marseille Université, parcours 4 — LA LETTRE DE L'AFRASE • N° 95 — ÉDITORIAL Tourisme, langue et patrimoine, nourrit un Je voudrais également vous rappeler que l’Afrase Retour de terrain après un séjour à Chiang Mai ne vit que de ses adhésions et que votre soutien où elle a pu se rendre grâce à une bourse EFEO. est donc essentiel pour que l’association puisse Tanete Adrianus Pong Masak, spécialiste du continuer à organiser des Rencontres riches et cinéma indonésien, est décédé le 10 décembre passionnantes et à publier La Lettre régulière- 2017. Jean-Marc de Grave nous parle de cet éru- ment. N’oubliez pas qu’entre deux numéros de dit, réalisateur et chercheur, qui a fait sa thèse la Lettre, vous trouverez plein d’actus et d’in- sous la direction de Denys Lombard. fos sur la vie de la recherche sur l’Asie du Sud- Est sur le site de l’Afrase (http://www.afrase. En cette année 2018, le 20 février, nous avons org/) ainsi que sur la page du groupe Facebook aussi perdu Claude Jacques, épigraphiste de de l’association (https://www.facebook.com/ grand talent, spécialiste incontournable des groups/146191948782576/), page que vous pou- inscriptions d’Angkor. Je me souviens qu’il me vez vous-même alimenter au fil de l’eau. poussait, pendant de passionnantes discussions à Pondichéry, à lâcher le thaï et le birman pour Je voudrais, pour finir, remercier chaleureuse- me tourner vers l’épigraphie indienne qui man- ment Caroline Herbelin, ancienne présidente de quait de chercheurs… Mais j’avais 18 ans, et l’Afrase, ainsi que Téphanie Sieng, May Ngo et plutôt le goût pour l’Asie du Sud-Est et les écrits Hélène Njoto qui ont quitté le bureau de l’Afrase contemporains ! De nombreux textes ont été après avoir formidablement œuvré pour l’asso- publiés après son décès, et l’Afrase, dont Claude ciation. Rémi Desmoulière (trésorier), Marie a bien sûr été membre, souhaite lui rendre ici Aberdam (secrétaire), François Guillemot et hommage par ces quelques lignes. Amandine Dabat ont accepté en janvier dernier d’intégrer le bureau et je les en félicite ! Dernier Vous trouverez ensuite quelques informations point avant de vous laisser découvrir ce numéro, sur la Vie de l’Afrase : le Compte rendu de l’As- Mathilde Lefebvre, éditrice de Moussons et semblé Générale de janvier 2018 (qui compte membre du bureau depuis plusieurs années déjà, pour 2017 !) et l’annonce des prochaines Ren- a accepté d’assurer la PAO de la Lettre. Merci à contres en novembre prochain ; elle ! En fin les rubriques habituelles, mais ô com- Bonne lecture et belles recherches sur l’Asie du bien précieuses, vous informeront sur les Sud-Est ! ouvrages parus, les Journées DocAsie 2018, les sommaires des revues et les thèses soutenues au Louise Pichard-Bertaux cours de l’année. 5 — LA LETTRE DE L'AFRASE • N° 95 — DOSSIER Cinémas d’Asie du Sud-Est La Palme d’Or décernée à Oncle Boonmee par le Sud-Est. Oncle Boonmee fut à peine vu en Thaï- jury cannois de Tim Burton, en 2010, a mis sur lande : malgré un succès relatif dans une unique le devant de la scène internationale un cinéma salle de Bangkok, il y resta essentiellement d’auteur sud-est asiatique habituellement montré, comme les autres films de son réalisa- réservé aux cercles restreints des cinéphiles. teur, à l’occasion de projections privées – et la Peinant à trouver un distributeur français dans censure relative dont il fit l’objet (interdiction les mois précédant le Festival de Cannes, le film aux moins de 15 ans) n’en fut que très partiel- fut finalement exploité dans 84 salles à travers lement responsable. En effet, le cinéma sud-est le pays. Surtout, la projection du film dont le asiatique primé sur les festivals internationaux sous-titre était Celui qui se souvient de ses vies est rarement destiné aux marchés de ses pays antérieures a offert à plus de 120 000 spectateurs d’origine. À l’inverse, un cinéma plus populaire français une plongée inédite dans un imaginaire – ou plus commercial – reste inconnu des spec- oscillant entre métempsycose bouddhiste et his- tateurs étrangers. Surtout, les cinémas d’Asie du toire de la guerre « froide » en Asie du Sud-Est. Sud-Est ont, pour la plupart, une histoire plus 120 000 entrées, c’est modeste pour le box-office longue et moins linéaire que celle suggérée par français, mais une visibilité inhabituelle pour un le récit convenu d’une entrée progressive dans le auteur tel que Apichatpong Weerasethakul, dont marché mondial du film. le succès critique Tropical Malady (2004) n’avait Cette coexistence entre plusieurs cinémas – guère attiré plus de 25 000 spectateurs dans évidemment tous dignes d’intérêt pour nous l’hexagone. Oncle Boonmee venait donc rappe- en tant que chercheurs mais aussi en tant que ler au public français – et à celui de la quaran- spectateurs – a été le fil conducteur des Ren- taine de pays l’ayant accueilli sur leurs écrans – contres de l’Afrase 2017, qui se sont tenues en la vivacité du cinéma d’Asie du Sud-Est. Celui-ci, janvier 2018 dans le confortable auditorium de malgré des contraintes souvent lourdes, sur les l’Inalco. Outre la diffusion de deux films aussi plans financier et politique notamment, semble rares que passionnants, ces Rencontres ont été éclore irrésistiblement depuis les années 1990. l’occasion d’une table ronde réunissant Aliosha Toutefois, l’abondance croissante de films d’au- Herrera, auteure d’une thèse fondée sur une teurs de la région sur les circuits internationaux longue enquête au sein de la Cinémathèque tend à donner un portrait simplifié de l’histoire Thaïlandaise, Claire Lajoumard, productrice et de la cartographie du septième art en Asie du forte d’une longue expérience d’accompagne- Illustration haut de page : photo Aliosha Herrera.
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