DOCSLIB.ORG

The Sword of Judith Judith Studies Across the Disciplines Edited by Kevin R

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Sword of Judith Judith Studies Across the Disciplines Edited by Kevin R The Sword of Judith Judith Studies Across the Disciplines Edited by Kevin R. Brine, Elena Ciletti and Henrike Lähnemann To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/28 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Abraham Bosse, Judith Femme Forte, 1645. Engraving in Lescalopier, Les predications. Photo credit: Bibliothèque Nationale, Paris. Kevin R. Brine, Elena Ciletti and Henrike Lähnemann (eds.) The Sword of Judith Judith Studies Across the Disciplines Cambridge 2010 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2010 Kevin R. Brine, Elena Ciletti and Henrike Lähnemann Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://www.openbookpublishers.com As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website: http://www.openbookpublishers.com ISBN Hardback: 978-1-906924-16-4 ISBN Paperback: 978-1-906924-15-7 ISBN Digital (pdf): 978-1-906924-17-1 All paper used by Open Book Publishers is SFI (Sustainable Forestry Initia- tive), and PEFC (Programme for the Endorsement of Forest Certification Schemes) Certified. Printed in the United Kingdom and United States by Lightning Source for Open Book Publishers Contents Introductions 1. The Judith Project 3 Kevin R. Brine 2. The Jewish Textual Traditions 23 Deborah Levine Gera 3. Judith in the Christian Tradition 41 Elena Ciletti and Henrike Lähnemann Writing Judith Jewish Textual Traditions 4. Holofernes’s Canopy in the Septuagint 71 Barbara Schmitz 5. Shorter Medieval Hebrew Tales of Judith 81 Deborah Levine Gera 6. Food, Sex, and Redemption in Megillat Yehudit (the “Scroll of Judith”) 97 Susan Weingarten 7. Shalom bar Abraham’s Book of Judith in Yiddish 127 Ruth von Bernuth and Michael Terry Christian Textual Tradition 8. Typology and Agency in Prudentius’s Treatment of the Judith Story 153 Marc Mastrangelo 9. Judith in Late Anglo-Saxon England 169 Tracey-Anne Cooper 10. The Prayer of Judith in Two Late-Fifteenth-Century French Mystery Plays 197 John Nassichuk 11. The Example of Judith in Early Modern French Literature 213 Kathleen M. Llewellyn 12. The Aestheticization of Tyrannicide: Du Bartas’s La Judit 227 Robert Cummings 13. The Cunning of Judith in Late Medieval German Texts 239 Henrike Lähnemann 14. The Role of Judith in Margaret Fell’s Womens Speaking Justified 259 Janet Bartholomew Staging Judith Visual Arts 15. Judith, Jael, and Humilitas in the Speculum Virginum 275 Elizabeth Bailey 16. Judith between the Private and Public Realms in Renaissance Florence 291 Roger J. Crum 17. Donatello’s Judith as the Emblem of God’s Chosen People 307 Sarah Blake McHam 18. Costuming Judith in Italian Art of the Sixteenth Century 325 Diane Apostolos-Cappadona 19. Judith Imagery as Catholic Orthodoxy in Counter-Reformation Italy 345 Elena Ciletti Music and Drama 20. Judith, Music, and Female Patrons in Early Modern Italy 371 Kelley Harness 21. Judith in Baroque Oratorio 385 David Marsh 22. Judith in the Italian Unification Process, 1800–1900 397 Paolo Bernardini 23. Marcello and Peri’s Giuditta (1860) 411 Alexandre Lhâa 24. Politics, Biblical Debates, and French Dramatic Music on Judith after 1870 431 Jann Pasler 25. Judith and the “Jew-Eaters” in German Volkstheater 453 Gabrijela Mecky Zaragoza Bibliography 469 Abbreviations 495 Indexes 497 Online Resources: http://www.openbookpublishers.com Illustrations page Title-page to the Book of Judith in a 15th century German cover Bible, workshop of Diebold Lauber (1441-1449) Heidelberg University Library, Cpg 21, fol. 70v (http://diglit.ub.uni- heidelberg.de/diglit/cpg21/) Abraham Bosse, Judith Femme Forte, 1645. Engraving in ii Lescalopier, Les predications. Photo credit: Bibliothèque Nationale, Paris. 2.1. Odecha ki anafta bi, 1434. Hebrew poem on Judith. Hamburg 35 miscellany, Cod. Heb. 37, fol. 81, Mainz (?). Photo credit: Deborah Levine Gera. Hans Holbein, Judith, 1546. Woodcut from Sefer Yossipon. Zürich, 69 Christophe Froschauer. Photo credit: Wiesemann, 2002, Abb. 5 (K 11). 4.1. Workshop of Ludwig Henfflin,German Bible, ca. 1479. 72 Heidelberg University Library, Cpg 17, fol. 255v. Photo credit: Heidelberger historische Bestände – digital (http://diglit.ub.uni- heidelberg.de/) 4.2. Herrad of Hohenbourg, Hortus Deliciarum, fol. 60r, 1167–85. 77 Photo credit: Green II, p. 99. 5.1. Hanukkah-Story, 16th century. Paris, Bibliothèque nationale 90 1459.2. 7.1. Shalom bar Abraham, Shmue fun der vrume Shoshane, 1571. Title 128 page. Cracow. Photo credit: National Library of Israel. 7.2. Zurich Bible, 1536. Woodcuts by Hans Holbein the Younger 132 (1497–1543). Photo credit: The New York Public Library, Astor, Lenox and Tilden Foundations. 7.3. Jean Jacques Boissard, Icones virorum illustrium, 1597–99. 136 Engraving by Theodor de Bry. Frankfurt am Main. Photo credit: The New York Public Library, Astor, Lenox and Tilden Foundations. Hans Holbein, Judith, 1538. Woodcut from Biblia Latina. “Icones,” 151 Lyon. Photo credit: Wiesemann, 2002, Abb. 4 (K 10). viii The Sword of Judith 10.1. Ci baigne Judi, ca. 1245. Judith-Window D-126. Sainte-Chapelle, 198 Paris, Judith-Window. Photo credit: Centre des Monuments Nationaux, Paris. 10.2. Ci prie Judit dieu quele puist enginier, ca. 1245. Judith-Window 199 D-136. Sainte-Chapelle, Paris. Photo credit: Centre des Monuments Nationaux, Paris. 13.1. German Miscellany, early 15th century. Washington, Library of 244 Congress, Rosenwald Collection MS 4, fol. 8r. Photo credit: The Library of Congress. 13.2. Judith-song “In the tune of the song about the battle at Pavia,” 247 ca. 1560. Cover. Strasbourg: Christian Müller. Photo credit: Bibliotheca Palatina, Micro-Fiche F5290. Elisabetta Sirani, Judith Triumphant, ca. 1658. Burghley House, 273 Stamford, UK. Photo credit: G.E.M.A. (Grande Enciclopedia Multimediale dell’Arte). 15.1. “Judith, Humilitas, and Jael,” Speculum Virginum, ca. 1140. 276 London, British Library, MS Arundel 44, fol. 34v. © British Library Board. 15.2. “Perpetua’s Ladder,” Speculum Virginum, ca. 1140. London, 280 British Library, MS Arundel 44, fol. 93v. © British Library Board. 15.3. “The Three Types of Women,” Speculum Virginum, ca. 1140. 285 London, British Library, MS Arundel 44, fol. 70r. © British Library Board. 15.4. “The Quadriga,” Speculum Virginum, ca. 1140. London, British 287 Library, MS Arundel 44, fol. 46r. © British Library Board. 15.5. De laudibus sanctae crucis, ca. 1170. Munich, Staatsbibliothek, 289 Clm. 14159, fol. 6r, Regensburg-Prüfening. Photo credit: urn:nbn:de:bvb:12-bsb00018415-2 © Bayerische Staatsbibliothek. 16.1. Lorenzo Ghiberti, Detail of Judith and Holofernes from the 295 Gates of Paradise, 1425–1452. Baptistry, Florence, Italy. Photo credit: Timothy McCarthy/Art Resource, NY. 16.2. Sandro Botticelli,Judith , ca. 1472. Uffizi, Florence, Italy. Photo 296 credit: Scala/Art Resource, NY. Illustrations ix 16.3. Antonio del Pollaiuolo, Judith, ca. 1470 (bronze with traces of 297 gilding). The Detroit Institute of Arts/Gift of Eleanor Clay Ford, Detroit, MI. Photo credit: The Bridgeman Art Library. 16.4. Baccio Baldini, Judith with the Head of Holofernes. The British 298 Museum. Photo credit: © The Trustees of the British Museum. 16.5. The Master of Marradi, Florentine, Judith and Holofernes, 15th 298 century. The Dayton Art Institute, Dayton, OH. Photo credit: The Dayton Art Institute. 16.6. Andrea Mantegna, Judith, 1491. National Gallery of Art, 299 Widener Collection, Washington, DC. Photo credit: G.E.M.A. (Grande Enciclopedia Multimediale dell’Arte). 17.1. Donatello, Judith and Holofernes, 1457–64. Palazzo della Signoria, 308 Florence, Italy. Photo credit: Scala/Art Resource. 17.2. Donatello, bronze David, late 1430s?. Museo Nazionale del 309 Bargello, Florence, Italy. Photo credit: Erich Lessing/Art Resource, NY. 17.3. Ambrogio Lorenzetti, Justice, fromAllegory of the Good 315 Government, 1338–40. Palazzo Pubblico, Siena, Italy. Photo credit: Scala/Art Resource, NY. 17.4. Anonymous, Fresco of Judit Ebrea, Aristotle, and Solomon, ca. 317 1463–65. Palazzo del Comune, Lucignano, Italy. Photo credit: Elena Ciletti. 17.5. Niccolò Fiorentino, style of (Ambrogio & Mattia della Robbia?): 319 Girolamo Savonarola, Dominican Preacher [obverse]; Italy Threatened by the Hand of God [reverse], ca. 1497. National Gallery of Art, Samuel H. Kress Collection, Washington, DC. Photo credit: © 2008 Board of Trustees, National Gallery of Art, Washington, DC. 17.6. Anonymous, The Martyrdom of Savonarola, 15th century. Museo 321 di S. Marco, Florence, Italy. Photo credit: Scala/Art Resource, NY. 17.7. Play of Iudith Hebrea staged in 1518. Title-page. Florence, 1589. 322 National Art Gallery, Victoria and Albert Museum. Photo credit: Sarah Blake McHam. x The Sword of Judith 18.1. Judith’s upper body and right hand with sword from Donatello, 326 Judith and Holofernes, 1457–64. Palazzo della Signoria, Florence, Italy. Photo credit: Scala/Art Resource, NY. 18.2. Athena Armed as Athena Parthenos, Third century b.c.e. Musée 333 du Louvre MR285, Paris. Photo credit: Réunion des Musées Nationaux/Art Resource, NY. 18.3. Michelangelo, Judith with the Head of Holofernes, 1509–11. Sistine 334 Chapel, Vatican City, pendentive fresco; (left) detail of the same. Photo credit: G.E.M.A. (Grande Enciclopedia Multimediale dell’Arte). 18.4. Giorgio Vasari, Judith and Holofernes, ca. 1554. Saint Louis Art 336 Museum, St. Louis. Photo credit: Saint Louis Art Museum, Friends Fund and funds given in honor of Betty Greenfield Grossman. 18.5. Michelangelo, Libyan Sibyl, 1515. Sistine Chapel, Vatican City. 337 Photo credit: Erich Lessing/Art Resource, NY.
Load more

Recommended publications
  • Jiddistik Heute
    לקט ייִ דישע שטודיעס הנט Jiddistik heute Yiddish Studies Today לקט Der vorliegende Sammelband eröffnet eine neue Reihe wissenschaftli- cher Studien zur Jiddistik sowie philolo- gischer Editionen und Studienausgaben jiddischer Literatur. Jiddisch, Englisch und Deutsch stehen als Publikationsspra- chen gleichberechtigt nebeneinander. Leket erscheint anlässlich des xv. Sym posiums für Jiddische Studien in Deutschland, ein im Jahre 1998 von Erika Timm und Marion Aptroot als für das in Deutschland noch junge Fach Jiddistik und dessen interdisziplinären אָ רשונג אויסגאַבעס און ייִדיש אויסגאַבעס און אָ רשונג Umfeld ins Leben gerufenes Forum. Die im Band versammelten 32 Essays zur jiddischen Literatur-, Sprach- und Kul- turwissenschaft von Autoren aus Europa, den usa, Kanada und Israel vermitteln ein Bild von der Lebendigkeit und Viel- falt jiddistischer Forschung heute. Yiddish & Research Editions ISBN 978-3-943460-09-4 Jiddistik Jiddistik & Forschung Edition 9 783943 460094 ִיידיש ַאויסגאבעס און ָ ארשונג Jiddistik Edition & Forschung Yiddish Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 לקט ִיידישע שטודיעס ַהנט Jiddistik heute Yiddish Studies Today Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Yidish : oysgabes un forshung Jiddistik : Edition & Forschung Yiddish : Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 Leket : yidishe shtudyes haynt Leket : Jiddistik heute Leket : Yiddish Studies Today Bibliografijische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliografijie ; detaillierte bibliografijische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © düsseldorf university press, Düsseldorf 2012 Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urhe- berrechtlich geschützt.
    [Show full text]
  • Annual Report
    COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R.
    [Show full text]
  • Handel's Oratorios and the Culture of Sentiment By
    Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera.
    [Show full text]
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • A REWRITTEN BIBLICAL BOOK the So-Called Lucianic
    CHAPTER THIRTY-SEVEN THE ‘LUCIANIC’ TEXT OF THE CANONICAL AND APOCRYPHAL SECTIONS OF ESTHER: A REWRITTEN BIBLICAL BOOK The so-called Lucianic (L) text of Esther is contained in manuscripts 19 (Brooke-McLean: b’), 93 (e2), 108 (b), 319 (y), and part of 392 (see Hanhart, Esther, 15–16). In other biblical books the Lucianic text is joined by manuscripts 82, 127, 129. In Esther this group is traditionally called ‘Lucianic’ because in most other books it represents a ‘Lucianic’ text, even though the ‘Lucianic’ text of Esther and that of the other books have little in common in either vocabulary or translation technique.1 The same terminology is used here (the L text). Some scholars call this text A, as distinct from B which designates the LXX.2 Brooke-McLean3 and Hanhart, Esther print the LXX and L separately, just as Rahlfs, Septuaginta (1935) provided separate texts of A and B in Judges. Despite the separation between L and the LXX in these editions, the unique character of L in Esther was not sufficiently noted, possibly because Rahlfs, Septuaginta does not include any of its readings. Also HR 1 Scholars attempted in vain to detect the characteristic features of LXXLuc in Esther as well. For example, the Lucianic text is known for substituting words of the LXX with synonymous words, and a similar technique has been detected in Esther by Cook, “A Text,” 369–370. However, this criterion does not provide sufficient proof for labeling the L text of Esther ‘Lucianic,’ since the use of synonymous Greek words can be expected to occur in any two Greek translations of the same Hebrew text.
    [Show full text]
  • Eng-Kjv 2MA.Pdf 2 Maccabees
    2 Maccabees 1:1 1 2 Maccabees 1:10 The Second Book of the Maccabees 1 The brethren, the Jews that be at Jerusalem and in the land of Judea, wish unto the brethren, the Jews that are throughout Egypt health and peace: 2 God be gracious unto you, and remember his covenant that he made with Abraham, Isaac, and Jacob, his faithful servants; 3 And give you all an heart to serve him, and to do his will, with a good courage and a willing mind; 4 And open your hearts in his law and commandments, and send you peace, 5 And hear your prayers, and be at one with you, and never forsake you in time of trouble. 6 And now we be here praying for you. 7 What time as Demetrius reigned, in the hundred threescore and ninth year, we the Jews wrote unto you in the extremity of trouble that came upon us in those years, from the time that Jason and his company revolted from the holy land and kingdom, 8 And burned the porch, and shed innocent blood: then we prayed unto the Lord, and were heard; we offered also sacrifices and fine flour, and lighted the lamps, and set forth the loaves. 9 And now see that ye keep the feast of tabernacles in the month Casleu. 10 In the hundred fourscore and eighth year, the people that were at Jerusalem and in Judea, and the council, and Judas, sent greeting and health unto Aristobulus, king Ptolemeus’ master, who was of the stock of the anointed priests, and to the Jews that were in Egypt: 2 Maccabees 1:11 2 2 Maccabees 1:20 11 Insomuch as God hath delivered us from great perils, we thank him highly, as having been in battle against a king.
    [Show full text]
  • Syllabus, Deuterocanonical Books
    The Deuterocanonical Books (Tobit, Judith, 1 & 2 Maccabees, Wisdom, Sirach, Baruch, and additions to Daniel & Esther) Caravaggio. Saint Jerome Writing (oil on canvas), c. 1605-1606. Galleria Borghese, Rome. with Dr. Bill Creasy Copyright © 2021 by Logos Educational Corporation. All rights reserved. No part of this course—audio, video, photography, maps, timelines or other media—may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording or by any information storage or retrieval devices without permission in writing or a licensing agreement from the copyright holder. Scripture texts in this work are taken from the New American Bible, revised edition © 2010, 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, D.C. and are used by permission of the copyright owner. All Rights Reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner. 2 The Deuterocanonical Books (Tobit, Judith, 1 & 2 Maccabees, Wisdom, Sirach, Baruch, and additions to Daniel & Esther) Traditional Authors: Various Traditional Dates Written: c. 250-100 B.C. Traditional Periods Covered: c. 250-100 B.C. Introduction The Deuterocanonical books are those books of Scripture written (for the most part) in Greek that are accepted by Roman Catholic and Eastern Orthodox churches as inspired, but they are not among the 39 books written in Hebrew accepted by Jews, nor are they accepted as Scripture by most Protestant denominations. The deuterocanonical books include: • Tobit • Judith • 1 Maccabees • 2 Maccabees • Wisdom (also called the Wisdom of Solomon) • Sirach (also called Ecclesiasticus) • Baruch, (including the Letter of Jeremiah) • Additions to Daniel o “Prayer of Azariah” and the “Song of the Three Holy Children” (Vulgate Daniel 3: 24- 90) o Suzanna (Daniel 13) o Bel and the Dragon (Daniel 14) • Additions to Esther Eastern Orthodox churches also include: 3 Maccabees, 4 Maccabees, 1 Esdras, Odes (which include the “Prayer of Manasseh”) and Psalm 151.
    [Show full text]
  • The Principal Works of St. Jerome by St
    NPNF2-06. Jerome: The Principal Works of St. Jerome by St. Jerome About NPNF2-06. Jerome: The Principal Works of St. Jerome by St. Jerome Title: NPNF2-06. Jerome: The Principal Works of St. Jerome URL: http://www.ccel.org/ccel/schaff/npnf206.html Author(s): Jerome, St. Schaff, Philip (1819-1893) (Editor) Freemantle, M.A., The Hon. W.H. (Translator) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Print Basis: New York: Christian Literature Publishing Co., 1892 Source: Logos Inc. Rights: Public Domain Status: This volume has been carefully proofread and corrected. CCEL Subjects: All; Proofed; Early Church; LC Call no: BR60 LC Subjects: Christianity Early Christian Literature. Fathers of the Church, etc. NPNF2-06. Jerome: The Principal Works of St. Jerome St. Jerome Table of Contents About This Book. p. ii Title Page.. p. 1 Title Page.. p. 2 Translator©s Preface.. p. 3 Prolegomena to Jerome.. p. 4 Introductory.. p. 4 Contemporary History.. p. 4 Life of Jerome.. p. 10 The Writings of Jerome.. p. 22 Estimate of the Scope and Value of Jerome©s Writings.. p. 26 Character and Influence of Jerome.. p. 32 Chronological Tables of the Life and Times of St. Jerome A.D. 345-420.. p. 33 The Letters of St. Jerome.. p. 40 To Innocent.. p. 40 To Theodosius and the Rest of the Anchorites.. p. 44 To Rufinus the Monk.. p. 44 To Florentius.. p. 48 To Florentius.. p. 49 To Julian, a Deacon of Antioch.. p. 50 To Chromatius, Jovinus, and Eusebius.. p. 51 To Niceas, Sub-Deacon of Aquileia.
    [Show full text]
  • The Characterization of Tobit in the Light of Tobit 1:1-2
    Santa Clara University Scholar Commons Jesuit School of Theology Dissertations Student Scholarship 4-2017 The hC aracterization of Tobit in the Light of Tobit 1:1-2 Emmanuel Nshimbi Follow this and additional works at: http://scholarcommons.scu.edu/jst_dissertations Part of the Biblical Studies Commons Recommended Citation Nshimbi, Emmanuel, "The hC aracterization of Tobit in the Light of Tobit 1:1-2" (2017). Jesuit School of Theology Dissertations. 6. http://scholarcommons.scu.edu/jst_dissertations/6 This Dissertation is brought to you for free and open access by the Student Scholarship at Scholar Commons. It has been accepted for inclusion in Jesuit School of Theology Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE CHARACTERIZATION OF TOBIT IN THE LIGHT OF TOBIT 1:1-2 A dissertation by Emmanuel Kabamba Nshimbi, S.J. presented to The Faculty of the Jesuit School of Theology of Santa Clara University in partial fulfillment of the requirements for the degree of Doctor of Sacred Theology Berkeley, California April 2017 Committee Signatures 퐏퐫퐨퐟̅̅̅̅̅̅̅.̅퐉퐨퐡퐧̅̅̅̅̅̅ ̅퐄퐧퐝퐫퐞퐬̅̅̅̅̅̅̅̅̅̅,̅퐒̅̅.̅퐉̅.̅,̅퐃퐢퐫퐞퐜퐭퐨퐫̅̅̅̅̅̅̅̅̅̅̅̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅퐃퐚퐭퐞̅̅̅̅̅̅ 퐏퐫퐨퐟̅̅̅̅̅̅̅.̅퐉퐞퐚퐧̅̅̅̅̅̅̅−̅̅̅퐅퐫퐚퐧̅̅̅̅̅̅̅ç̅퐨퐢퐬̅̅̅̅ ̅퐑퐚퐜퐢퐧퐞̅̅̅̅̅̅̅̅̅,̅퐑퐞퐚퐝퐞퐫̅̅̅̅̅̅̅̅̅̅̅ ̅ ̅ ̅ ̅ ̅ ̅ ̅퐃퐚퐭퐞̅̅̅̅̅̅ 퐏퐫퐨퐟̅̅̅̅̅̅̅.̅퐀퐧퐚퐭퐡퐞퐚̅̅̅̅̅̅̅̅̅̅̅̅ 퐏퐨퐫퐭퐢퐞퐫̅̅̅̅̅̅̅̅̅̅̅−̅̅̅퐘퐨퐮퐧퐠̅̅̅̅̅̅̅̅̅,̅퐑퐞퐚퐝퐞퐫̅̅̅̅̅̅̅̅̅̅̅ ̅ ̅ ̅ ̅퐃퐚퐭퐞̅̅̅̅̅̅ Contents CHAPTER ONE .................................................................................................................................
    [Show full text]
  • Constructing 'Race': the Catholic Church and the Evolution of Racial Categories and Gender in Colonial Mexico, 1521-1700
    CONSTRUCTING ‘RACE’: THE CATHOLIC CHURCH AND THE EVOLUTION OF RACIAL CATEGORIES AND GENDER IN COLONIAL MEXICO, 1521-1700 _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Alexandria E. Castillo August, 2017 i CONSTRUCTING ‘RACE’: THE CATHOLIC CHURCH AND THE EVOLUTION OF RACIAL CATEGORIES AND GENDER IN COLONIAL MEXICO, 1521-1700 _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Alexandria E. Castillo August, 2017 ii ABSTRACT This dissertation examines the role of the Catholic Church in defining racial categories and construction of the social order during and after the Spanish conquest of Mexico, then New Spain. The Catholic Church, at both the institutional and local levels, was vital to Spanish colonization and exercised power equal to the colonial state within the Americas. Therefore, its interests, specifically in connection to internal and external “threats,” effected New Spain society considerably. The growth of Protestantism, the Crown’s attempts to suppress Church influence in the colonies, and the power struggle between the secular and regular orders put the Spanish Catholic Church on the defensive. Its traditional roles and influence in Spanish society not only needed protecting, but reinforcing. As per tradition, the Church acted as cultural center once established in New Spain. However, the complex demographic challenged traditional parameters of social inclusion and exclusion which caused clergymen to revisit and refine conceptions of race and gender.
    [Show full text]
  • Early Jewish Writings
    EARLY JEWISH WRITINGS Press SBL T HE BIBLE AND WOMEN A n Encyclopaedia of Exegesis and Cultural History Edited by Christiana de Groot, Irmtraud Fischer, Mercedes Navarro Puerto, and Adriana Valerio Volume 3.1: Early Jewish Writings Press SBL EARLY JEWISH WRITINGS Edited by Eileen Schuller and Marie-Theres Wacker Press SBL Atlanta Copyright © 2017 by SBL Press A ll rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office,S BL Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Names: Schuller, Eileen M., 1946- editor. | Wacker, Marie-Theres, editor. Title: Early Jewish writings / edited by Eileen Schuller and Marie-Theres Wacker. Description: Atlanta : SBL Press, [2017] | Series: The Bible and women Number 3.1 | Includes bibliographical references and index. | Description based on print version record and CIP data provided by publisher; resource not viewed. Identifiers:L CCN 2017019564 (print) | LCCN 2017020850 (ebook) | ISBN 9780884142324 (ebook) | ISBN 9781628371833 (pbk. : alk. paper) | ISBN 9780884142331 (hardcover : alk. paper) Subjects: LCSH: Bible. Old Testament—Feminist criticism. | Women in the Bible. | Women in rabbinical literature. Classification: LCC BS521.4 (ebook) | LCC BS521.4 .E27 2017 (print) | DDC 296.1082— dc23 LC record available at https://lccn.loc.gov/2017019564 Press Printed on acid-free paper.
    [Show full text]
  • For Such a Time As This 1 Introduction
    For Such a Time as This (Esther 4:7-17) To me, this is a very personal and a very touching moment, because twenty-nine years ago when I first arrived at the United States I had never dreamed that one day I would be standing here to preach in a language that is not my mother tongue. I am very thankful for having this opportunity. And thank you for bearing with me. 1 Introduction The Book of Esther is a very peculiar book in the Bible. So eccentric is the book that there are many debates among Bible scholars on whether this book should have been included in the old testament in the first place. After all, the keyword “God” or “Lord” which should be of such paramount significance has never occurred even once in the entire writing, not to mention the absence of other spiritual activities such as “worshiping,” “praying,” or “offering.” It has been argued that the form of the story seems closer to that of a romance than a work of history, that the chronicle is a charming love story indeed, with exciting plots, but of few true spiritual values. Maybe those scholars do have their points which cannot easily be com- prehended by lay-persons such as you and me. But if we put ourselves in the story and think about it for a moment, then it is not difficult to dis- cover that it is precisely under such an environment of “Godlessness” that this book brings forth a powerful message. The message is this — Yes, darkness is around us! Yes, enemies are amassing and prevailing! Yes, the surroundings of us are full of dangers and evils.
    [Show full text]