Knights at the Museum Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in Fulfillment of the Requirements for Graduation

Total Page:16

File Type:pdf, Size:1020Kb

Knights at the Museum Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in Fulfillment of the Requirements for Graduation Knights! At the Museum Knights at the Museum Interactive Qualifying Project Submitted to the faculty of the Worcester Polytechnic Institute in fulfillment of the requirements for graduation. By: Jonathan Blythe, Thomas Cieslewski, Derek Johnson, Erich Weltsek Faculty Advisor: Jeffrey Forgeng JLS IQP 0073 March 6, 2015 1 Knights! At the Museum Contents Knights at the Museum .............................................................................................................................. 1 Authorship: .................................................................................................................................................. 5 Abstract: ...................................................................................................................................................... 6 Introduction ................................................................................................................................................. 7 Introduction to Metallurgy ...................................................................................................................... 12 “Bloomeries” ......................................................................................................................................... 13 The Blast Furnace ................................................................................................................................. 14 Techniques: Pattern-welding, Piling, and Quenching ....................................................................... 16 Background on the Middle Ages: Feudalism and Chivalry .................................................................. 18 Introduction to the Sword: ....................................................................................................................... 20 The Physical Evolution of the Sword from Vikings to Knights: ........................................................... 21 The Evolution of the Symbolism of the Sword from Vikings to Knights: ........................................... 24 Swords after the Knight: .......................................................................................................................... 25 Swords after the Knight- Personal Use: .............................................................................................. 25 Swords after the Knight- Military Use: .............................................................................................. 25 Introduction to Hafted Weaponry ........................................................................................................... 27 The Winged Spear ................................................................................................................................. 28 The Pike ................................................................................................................................................. 29 The Lance .............................................................................................................................................. 30 Axes and Hammers ............................................................................................................................... 32 The Halberd ........................................................................................................................................... 34 The Glaive .............................................................................................................................................. 35 Ranged Weaponry in the Middle Ages: .................................................................................................. 36 The English War Bow: ......................................................................................................................... 37 The Crossbow: ....................................................................................................................................... 40 Early Guns and Powder Weapons: ..................................................................................................... 42 European Armor Make and Function .................................................................................................... 43 Horse Armor.............................................................................................................................................. 48 Maximillian Armor: Sixteenth Century to the Rise of Firearms.......................................................... 52 European Armor: Rise of Firearms (1550) to Present .......................................................................... 58 Persia .......................................................................................................................................................... 61 Sub-Saharan .............................................................................................................................................. 65 2 Knights! At the Museum Sudanic ....................................................................................................................................................... 69 Turkey ........................................................................................................................................................ 72 Indian Arms and Armor .......................................................................................................................... 76 History and Influence ........................................................................................................................... 76 Helmet .................................................................................................................................................... 82 Shield ...................................................................................................................................................... 83 Arms ....................................................................................................................................................... 85 Art .......................................................................................................................................................... 87 Worcester Art Museum Collection ...................................................................................................... 88 Japanese Weaponry .................................................................................................................................. 91 History .................................................................................................................................................... 91 Common Weapons ................................................................................................................................ 93 Parts of the Katana ............................................................................................................................... 95 Making ................................................................................................................................................... 96 Arms in the Worcester Collection ....................................................................................................... 98 Japanese Armor ...................................................................................................................................... 101 History .................................................................................................................................................. 101 Armor ................................................................................................................................................... 103 Helmet .................................................................................................................................................. 106 Foot Soldiers ........................................................................................................................................ 109 Horseback ............................................................................................................................................ 109 Clothing Under Armor ....................................................................................................................... 111 Worcester Art Museum and Higgins Armory Collections .............................................................. 112 Chinese/East Asian Arms and Armor ................................................................................................... 114 Armor ................................................................................................................................................... 114 Helmet .................................................................................................................................................. 118 Shield .................................................................................................................................................... 119 Arms ..................................................................................................................................................... 120 Survey Data ............................................................................................................................................. 121 Methods: .............................................................................................................................................
Recommended publications
  • Records of the Medieval Sword Free
    FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser.
    [Show full text]
  • Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
    Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/Anti­Paladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double
    [Show full text]
  • Rules and Options
    Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.).
    [Show full text]
  • August 02,1865
    PORT PRESS. Uatabliahed June 23, 1862. Yol. 4. WEDNESDAY AUGUST PORTLAND, MORNING, 2, 1865. Term*** 8H „ ____’_ ___’ per annum, in advance. PORTLAND DAILY PRESS: clever agents and plenty of money, are of great Miscellaneous. For Sale and to Let* Wants, Lost and Found. Miscellaneous. importance, the Mayor has placarded Business Cards. JOHN T. GILMAN, Editor, though Business Cards. every dead wall with warnings against illegal I PUBLISHED AT 82} EXCHANGE STREET, BY ‘•bribery treating and under influence,” what- YORK & CUMBERLAND R. R House Lot for Sale. Wanted Immediately. ever The drunken and on the oorner of and BOSS a> that may be. noisy, Deering Henry GOOD BAKER at No. S8 Brackett Street. Late Dep y P. M. N. A. FOSTER & CO. x 100 feet. of a General ol Mo. FEENY, sometimes violent mob of non-voters in Eng- SITUATEDSts, SO Enquire A G. W. H. BROOKS. Notice to Bond-Holders. R. W. ^ ^ as a GAGE, July 27—dlw P The Portland Daily Press is at lish towns strikes me pretty strong argu- TYLER & LAST published july2Sdtfi» 137 Commercial St. _» »_ ere RS, unless it can SAWYER, f 8.00 per year in advance. ment against universal sutfrage, ^±hi±trbrrSQ Notice is hereby given to holders of GENERAL PLAIN AND ORNAMENTAL The Maine State Press is published these men ballots and for issued every be Bhown that giving would vW*^?Bond8 Coupons interest, Boat for Sale. 'Wanted. I>. W. morning, at $2.00 per annum, in advance ; tue loin & Cumberland Railroad bear- __* CLARK, Thursday save them the trouble of heavier and by Company, to to whom STU000 AND if witum six and if throwing date Jan.
    [Show full text]
  • Expedition Conquistador Brochure
    EXPEDITION CONQUISTADOR Traveling Exhibit Proposal The Palm Beach Museum of Natural History Minimum Requirements 500-3,500 sq. ft. (variable, based on available space) of display area 8-12 ft ceiling clearance Available for 6-8 week (or longer) periods Expedition Conquistador takes three to seven days to set up and take down Assistance by venue staff may be required to unload, set up and break down the exhibit Venue provides all set up/break down equipment, including pallet jacks, fork lift, etc. Structure of Exhibit Basic: Armored Conquistador Diorama – (3 foot soldiers or 1 mounted on horse, 120 sq. ft.) Maps and Maritime Navigation Display Weapons and Armor Display Trade in the New World Display Daily Life and Clothing Display American Indian Weaponry and material culture (contemporary 16th century) Optional: First Contact Diorama (explorers, foot soldiers, sailors, priests, American Indians) American Indian Habitation Diorama Living History Component Both the basic and optional versions of Expedition Conquistador can be adjusted via the modification of the number of displays to accommodate venues with limited exhibition space. We welcome your questions regarding “Expedition Conquistador” For additional information or to book reservations please contact Rudolph F. Pascucci The Palm Beach Museum of Natural History [email protected] (561) 729-4246 Expedition Conquistador Expedition Conquistador provides the The beginnings of European colonization in public with a vision of what life was like for the New World began a series of violent the earliest European explorers of the New changes. Cultures and technology both World as they battled to claim territory, clashed on a monumental basis.
    [Show full text]
  • Welcome to the Wonderful World of Latex Weaponry
    Knighthawk Armoury Handsome, Safe, Durable, Realistic Latex-Foam Weaponry Welcome to the wonderful world of latex-foam weaponry. These superb and beautiful latex/foam weapons are designed to be used in Live Action Role-Playing (LARP) combat and last for years in a LARP environment. They are equally at home in a theater, a video, a martial arts dojo, or for you and your friends just having fun! Accessories These products are designed to complement the already great experience of owning one of our fabulous latex- foam weapons. From great looking ways to carry your weapons, to sword tips to allow even safer thrusting, to your very own “Mr. Pointy” – we’ve got your LARP weapon accessories covered! Axe Hanger Axe Holder, Small Black, Brown 3 Throwing Knife Holder 5 Throwing Knife Holder Adventurer Frog $9 $30 $22 $36 $38 Basic Sword Frog Celtic Triskel Sword Dagger Frog Diagonal Frog Double Sword Frog $20 Frog $14 $28 $80 $30 Double Sword Harness King’s Sword Frog Victory Sword Frog Black, Brown, Green, Dual Sword Back $30 $30 Scabbard, Dagger Red - $48 Harness $38 $62 Scabbard, Noble Holster, Geared Holster, Western Scabbard, IF Scabbard, Legend & mounting straps $65 $60 Med $87 Large $92 Short $95 Long $105 $120 120 East FM 544, Suite 72 (148), Murphy, TX 75094-3808 972-979-8753 www.latex-weaponry.com www.knighthawkarmoury.com Knighthawk Armoury Handsome, Safe, Durable, Realistic Latex-Foam Weaponry Accessories - pg 2 Knife Leg Harness Pirates Single Pistol Pirates Triple Pistol Baldric, Musketeer’s Baldric, Pirate's $35 Holster $65 $105
    [Show full text]
  • Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
    Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade.
    [Show full text]
  • Oriental Adventures James Wyatt
    620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K.
    [Show full text]
  • Maqueta Def. Nueva
    L ARTE INTEGRADO EN LA BATALLA. ESTUDIO TECNOLÓGICO PREVIO A LA RESTAURACIÓN E DE CINCO ARMADURAS JAPONESAS DEL MUSEO DEL EJÉRCITO DE TOLEDO MARTA PLAZA BELTRÁN // JORGE RIVAS LÓPEZ1 Departamento de Pintura-Restauración. Universidad Complutense de Madrid Abstract: Throughout the eighteenth century the Chinoiserie style spread among the European courts. Based on Chinese and Japanese models, it was reflected both in painting and in architecture, as well as in decorative and textile arts. During this period many oriental items were imported from the Far East in order to decorate palaces and mansions. This was a determining factor for the increment of exotic art collecting, like Japanese lacquerware and Chinese porcelain. Samurai armours represent an exceptional example, which are veritable masterpieces made with remarkable complexity and using a great variety of materials. The main purpose of this article is to show the results prior to the intervention on the restoration of the collection of Japanese ar- mours belonging to the Army Museum in Toledo, Spain. In this way, a formal and symbolic analysis of the different elements involved in these sets will be exposed, as well as the most applied artistic technique to de- corate them: the Japanese lacquer. Key words: armour / samurai / artistic techniques / lacquer. Resumen: A lo largo del siglo XVIII la moda Chinoiserie se difundió entre las cortes europeas. Basada en mo- delos chinos y japoneses, la veremos reflejada tanto en la pintura como en la arquitectura, las artes decorativas o el arte textil. Durante este periodo se importaron numerosos objetos de Extremo Oriente con destino a los palacios y casas señoriales, factor determinante en el auge del coleccionismo de piezas de arte exótico, como las lacas japonesas y la porcelana china.
    [Show full text]
  • Courier Gazette, Saturday, August 7 1897
    Rockland Gazette The Largest Rockland Tribune Circulation Union Times In Eastern Maine C onsolidated .March 17, 1897 T he Courier-Gazette. T W / C H - A - W H H K . TUESDAY AND SATURDAY. Two Dollars a Year R ockland Maine Srturday August 7 ’897 Vol. 52. No. 52 __ ________ .. .. 1 _____ ____ _____ A REBEL IN MAINE WATERS IN A CORNER OF THE LIBRARY [)O YOU KNOW THAT winds being light but still strong enough to bring the craft into the circle of destruction, Concrete Walk on I.hnerock Street nnd One Palr-Ia Klnhty One and tbe Other Fligh­ and she was soon another prize to this ocean Prosper Merrlmee's "Letters to an U n­ How the Confederate Cruiser Tallahassee Stenin Boiler Knocked Out — Enoch ty .Three yenrn of nge. Came Upon the Knox County Const and chief. Owen Wincapaw was commander, known,” which have been circulated more or Davies Elected City Clerk—NewSIden nlkn less in this country, Ixrth in English and the the________________ Destruction ___She Wrought„ Here— ( while Emery Davis, another soldier of the 21st The Boston Globe recently published the THE TRAVELERS INSURANCE CO., and Seven — New Ordinance* — Other Friendship Vessels Thnt Suffered- A S tir - } Maine, was one of the crew as well as half- following interesting despatch from this effy original, have been translated anew by Henri llnalneaa of Importance. Pene du Bois. This translation, which is to ring Episode of the bate War Narrated owner. Albert Collsmore and Alphonso relative to an interesting pair of Maine twins: OF HARTFORD, CONN., he issued by the Brentanos, ia announced aa For Our Benders.
    [Show full text]
  • OKCA 32Nd Annual • April 14-15
    OKCA 32nd Annual • April 14-15 KNIFE SHOW Lane Events Center & Fairgrounds • Eugene, Oregon April 2007 Ourinternational membership is happily involved with “Anything that goes ‘cut’!” You Could Win... a new Brand Name knife or other valuable prize, just for filling out a door prize coupon. Do it now so you don't forget! You can also... buy tickets in our Saturday (only) RAFFLE for chances to WIN even more fabulous knife prizes. Stop at the OKCA table before 5:00 p.m. Saturday. Tickets are only $1 each, or 6 for $5. Join in the Silent Auction... Saturday only we will have a display case filled with very special knives for bidding. Put in your bid and see if you will take home a very special prize. Free Identification & Appraisal Ask for Bernard Levine, author of Levine's Guide to Knives and Their Values, at table N-01. ELCOME to the Oregon Knife have Blade Forging, sword demonstrations, the raffle. See the display case by the exit to Collectors Association Special Show Scrimshaw, Engraving, Knife Sharpening, purchase tickets and see the items that you could WKnewslettter. On Saturday, April 14 Blade Grinding Competition, Wood Carving, win. and Sunday, April 15, we want to welcome you Balisong and Flint Knapping. And don't miss Along the side walls, we will have more than a and your friends and family to the famous and the FREE knife identification and appraisal by score of MUSEUM QUALITY KNIFE AND spectacular OREGON KNIFE SHOW & SALE. knife author BERNARD LEVINE SWORD COLLECTIONS ON DISPLAY for Now the Largest Knife Show in the World! (Table N-01).
    [Show full text]
  • The Chinese Face of Jesus Christ
    MONUMENTA SERICA MONOGRAPH SERIES _________________________________L/3b________________________________ The Chinese Face of Jesus Christ Volume 3b Edited by ROMAN MALEK, S.V.D. Jointly published by Institut Monumenta Serica and China-Zentrum Sankt Augustin Sumptibus Societatis Verbi Divini (S.V.D.) Die Deutsche Bibliothek – CIP Cataloguing-in-Publication-Data A catalogue record for this publication is available from Die Deutsche Bibliothek. For further information, see: http://dnb.ddb.de Sankt Augustin – Nettetal 2007 Copy editors: KATHARINA FEITH, BARBARA HOSTER, ROMAN MALEK Cover and layout: ROMAN MALEK Printed by: DRUCKEREI FRANZ SCHMITT, Siegburg Copyright: INSTITUT MONUMENTA SERICA Arnold-Janssen-Str. 20 53757 Sankt Augustin, Germany Fax: +49-2241-237486 E-mail: [email protected] www.monumenta-serica.de Distribution: STEYLER VERLAG Postfach 2460, 41311 Nettetal, Germany Fax: +49-2157-120222 E-mail: [email protected] www.monumenta-serica.de ISBN 978-3-8050-0542-5 ISSN 0179-261X JESUS IN CHINESE POPULAR SECTS PHILIP CLART Contents 1. Introduction..................................... .................. 1315 2. Jesus in the Daoyuan............................................ 1316 3. Jesus in the Yiguandao.......................................... 1320 a. Jesus in the Early History of the Sect..................... 1320 b. Post-War Developments..................................... 1325 4. Conclusion........................................................ 1331 Bibliography..........................................................
    [Show full text]