Syllabus of Dance Descriptions
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Europeanfolkdanc006971mbp.Pdf
CZ 107911 EUROPEAN FOLK DANCE EUROPEAN FOLK DANCE .-<:, t "* ,,-SS.fc' HUNGARIAN COSTUME most elaborate costume in Europe EUROPEAN FOLK DANCE ITS NATIONAL AND MUSICAL CHARACTERISTICS By JOAN LAWSON Published under the auspices of The Teachers Imperial Society of of Dancing Incorporated WITH ILLUSTKATIONS BY IRIS BROOKE PITMAN PUBLISHING CORPORATION NEW YORK TORONTO LONDON First published 1953 AHSOOrATKI) SIR ISAAC PITMAN & SONS. I/TT>. London Mblbourne Johannesburg SIR ISAAC PITMAN & SONS (CANADA), LTD. Toronto MADB IN QIUtAT DRTTACN AT TTIK riTMAN PRBSB^ BATH For DAME NZNETH DB VALOIS With Gratitude and Admiration Hoping it will answer in some part Iter a the request for classification of historical and musical foundation of National Dance Preface MrlHE famous Russian writer has said: and warlike Gogol "People living proud lives I that same in their a free life that express pride dances; people living show same unbounded will and of a diniate A poetic self-oblivion; people fiery express in their national dance that same and passion, languor jealousy," There is no such as a national folk dance that a dance thing is, performed solely within the boundaries as are known political they to-day. Folk dances, like all other folk arts, follow it would be to define ethnological boundaries; perhaps possible the limits of a nation from a of the dances the and the arts study people perform they practise. The African native of the Bantu tribe who asks the do great stranger "What you dance?" does so because he that the dance will knows, perhaps instinctively, stranger's him to understand of that man's life. -
Teaching English Through Body Movement a Pa
AMERICAN UNIVERSITY OF ARMENIA College of Humanities and Social Sciences Dancing – Teaching English through Body Movement A paper is submitted in partial fulfillment of the requirements for the degree Master of Arts in Teaching English as a Foreign Language By Ninel Gasparyan Adviser: Raichle Farrelly Reader: Rubina Gasparyan Yerevan, Armenia May 7, 2014 We hereby approve that this design project By Ninel Gasparyan Entitled Dancing – Teaching English through Body Movement Be accepted in partial fulfillment for the requirements of the degree Master of Arts in Teaching English as a Foreign Language Committee on the MA Design Project ………..………………………… Raichle Farrelly ………..………………………… Rubina Gasparyan ………..………………………… Dr. Irshat Madyarov MA TEFL Program Chair Yerevan, Armenia May 7, 2014 ii TABLE OF CONTENTS Abstract ….....….………………………………………..………………………… v Chapter One: Introduction …………...….………………………………………… 1 Chapter Two: Literature Review ……..…………………………………………… 3 2.1. Content-Based Instruction Models ……..……………..……………………… 5 2.1.1. The use of Dance in an EFL Classroom ………...…..……………………… 11 Chapter Three: Proposed Plan and Deliverables…………………..……………… 15 3.1. Course Description ..………………………………………………………….. 15 3.1.1. Needs and Environment Analysis ……………………..…………………… 15 3.1.2. Goals and Objectives ……………………………………………….………. 16 3.1.3. Assessment Plan …………………………………………………….…….... 17 3.1.4. Learning Plan ……..…………………………………………….…..……… 19 3.1.5. Deliverables …………………………………………………………....…… 24 Chapter Four: Reflection and Recommendations ……………………..……...…… 27 4.1. Reflection -
Miami Valley Folk Dance/~S Bull Etin
MIAMI VALLEY FOLK DANCE/~S BULL ETIN APRIL 1978 G?JlliK vmEKEl'TD PRm~ISES TO BE GREAT - John and Carole Pappas have been working hard in making final arrangements for the Greek . Weekend this Sat. & Sun., April 29 t. 30. Through the cooperation of the entire club and ." , David Henry, the leader for the weekend, every thing is falling into place. At least 125 will be attending. The Program will be at the Bomberger Recreation Center, 1306 E. Fifth St., Dayton. The Schedule for Saturday is as follows I Registration and Request Dancing 1100 - 2.00; Teaching Session 2100 - 5100; Request Dancing 5.00 - 6.00; Dinner 6130 - 7130, Kulture Korner 7.30 - 8100; Party and Review 8'30 - 11100. Sundays Program will be. Request Dancing 1100 - 2.00; Teaching 2.00 - 5.00, Request Dancing 5100 - 6.00 Some of the regions of Greece along with some dances are as follows with the area or city within the region shown in parentheses. EPIRUS: Beratis (Albanian), Gramrnendchoritkos (Ioannina), Iatros (Pogoni), Pogonisious (Pogoni); WACEDONIA. Gaida Gidhas (Thessaloniki) Leventikos (Florina), Leoto (Florina), Nizamikos, Syrtos, pylaias (Thessaloniki),. REBETIC. Kainourious Argos Hasapikos; THRACE. Zonaradhikos. COW~ITTEE FOR GREEK ti.EE~ND GENERAL CHAIRPERSONS. John & Carole Pappas, TREASURER: Sam Ballinger An~ FORK: Adelle Nellis NAtm TAGS I Vera Fisher SYLLABUS: Typing - Karjorie Darragh; Collating - Charles & Ella Ingraham; Cover Color - Lenny and Betty ~olnar. TABLE DECOP~TIONSI Bessie Shopshire, Jewell Steed, Grace Wol OTHEll DECORATIONS: Ann Ballinger, Vera Fisher, Leona Lybarge Dorothy Santi. CATERING: Lebanese Delicatessen. CATERING }lliLPERS. Roki Jackson, Sara Fleisher. BAKLAVA: Bruce Cantrell REGISTRATION': Sam Ballinger, ~.cadge Hart, Ken Steed EQUIPTh~NT: P.A. -
Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
Download Dance in the Schools Presentation
A Rationale for Offering Ethnic Folk Dance Programs in the School Curriculum Pathways to Health, Teamwork and Multi-Cultural Understanding Programs for Grades 5 through 12 – 2009 Paul Collins Ethnic Dance Connection (Dancing As a Second Language) Mobile: (847)-846-8139 – Office: (773) 463-2288 [email protected] - www.ethnicdance.org Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 1 Photo Gallery - 1 Catholic Central High School (Burlington, WI) – 12th Graders at Diversity Day Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 2 Photo Gallery - 2 Spring Hill Middle School (Wisconsin Dells, WI) – 8th Graders at International Festival Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 3 About Paul Collins Paul Collins is a management consultant, providing high performance techniques and technologies that support collaborative problem solving and decision-making in web-based meetings. His clients, generally Fortune 1000 Companies and Government Agencies, have included, NASA, the US EPA, BP/Amoco and Motorola. He is currently a part-time student in Northwestern University’s Leadership and Organization Behavior program. Paul has had a passion for dance since he started dancing at the age of eight and called his first Square Dance at the age of twelve. He has taught ethnic dance programs at the Old Town School of Folk Music, the University of Chicago and the University of Illinois at Chicago, has been a popular instructor in downtown dance programs at SummerDance in Grant Park, Millennium Park and the Cultural Center, and has taught dance workshops throughout the United States, Canada and Europe. In 1989, Paul founded Ethnic Dance Chicago which now meets weekly at the Chicago Latvian Cultural Center and the S.P.A.C.E. -
Stockton Index by Instructor
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56, 57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 STOCKTON FOLK DANCE CAMP INDEX 1948-2019 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
Levendikos (Greece)
69 Levendikos (Greece) Levendikos is perhaps the most characteristic dance of Greek Macedonia. (It is also well-known in the former Yugoslavian republic of Macedonia and can also be called either Pousténo or Berance.)v Leader variations are an integral part of the dance, and leading this dance well is considered an honor and a challenge. Pronunciation: Leh-VEHN-dee-kohs Music: “Leventikos” on “Songs of Western Macedonia” (SDNM 109), or any other Levendikos melody. Rhythm: 12/8 meter (3+2+2+3+2/8), counted either as S,Q,Q,S,Q or 1 2 3 4 5. Formation: Open circle of M and W. High handhold (W-pos), handkerchief between leader (the person farthest to the R) and second dancer. Styling: Individual. (See “style variations.”) Meas Pattern BASIC FIGURES 1 Turning to face ctr, hop on L and lift R leg twd ctr (ct 1); turning to face slightly R, hop again on L while bringing R leg to R (ct 2); step on R to R (ct 3); step on L across behind R (ct 4); step on R to R (ct 5). 2 Turning even more to the R, take a long skipping step onto the L across in front of R, that is: hop slightly on the R on the upbeat before stepping on the L (ct 1); turning to face ctr, hop on L (ct 2); step on R to R (ct 3); step on L across in front of R (ct 4); step on R in place (ct 5). 3 Dancing in place, hop on R (ct 1); hop again on R while bringing L ft around behind the R ft (ct 2); step on L behind R (ct 3); step on ball of R ft beside or slightly behind L (ct 4); turning to face diag R, step on L across in front of R (ct 5). -
Scene June-July 11.Book
FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S. POSTAGE Santa Monica, CA 90405 PAID Los Angeles, CA Permit No. 573 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ E-MAIL _________________________________________ PHONE (_____)_____–________ ADDRESS _________________________________________ STATE __________________ CITY _______________________________________ ZIP __________–________ Please mail subscription orders to the address at the top left corner of this page. (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 47, No. 5 June/July 2011 Folk Dance Scene Committee Club Directory Coordinator Jay Michtom [email protected] (818) 368-1957 SAN PEDRO KOLO DANCERS ETHNIC EXPRESS Dance Companies and Calendar Gerri Alexander [email protected] (818) 363-3761 Mon 7:30-9:30 Wed 6:30-7:30 closed holidays & Aug On the Scene Jill Michtom [email protected] (818) 368-1957 (310) 832-1074 Pauline Klak (702) 732-4871 Richard Killian Exhibition Groups Club Directory Steve Himel [email protected] (949) 646-7082 SAN PEDRO, Dalmatian-American LAS VEGAS, Charleston Heights Art Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Club, 1639 S Palos Verdes St. Center, 800 S. Brush St. BALLET FOLKLORICO JUVENIL DE PICO RIVERA Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor H. -
YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F
LISTING BY INSTRUCTOR DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Buzdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56,57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56.57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 El Diablo Chingo Costa Rica Amaya, N. 68 EI Xuc El Salvador Amaya, N. 68 El Carbonero El Salvador Amaya, N. 68 Las Cortadoras El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Dansul Tiganilor Basarabeni Moldova Arabagi, G & I 14 Hora Dragostei Moldova Arabagi, G & I 14 Poama Moldova Arabagi, G & I 14 Sirba Moldovenilor Moldova Arabagi, G & I 14 Bereznianka - Березнянка Ukraine Arabagi, G & I 14 Horlitsya – Горлиця Ukraine Arabagi, G & I 14 Pleskach - Плескач Ukraine Arabagi, G & I 14 Tropotianka - Тропотянка Ukraine Arabagi, G & I 14 Vesnianka - Веснянка Ukraine Arabagi, G & I 14 Hora din Giurgiuleşti Moldavia Arabagi, G. & I. 12 Joc Mare Moldavia Arabagi, G. & I. 12 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2014 PAGE 1 LISTING BY INSTRUCTOR DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Hutsulka Ukraine Arabagi, G. & I. 12 Kievskii Hopak Ukraine Arabagi, G. & I. 12 Kolomiyka Ukraine Arabagi, G. & I. 12 Resheto Ukraine Arabagi, G. & I. 12 Volynska Polka Ukraine Arabagi, G. -
2012 Door County Folk Festival Syllabus.Pdf
33rd Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 11 – 15, 2012 Sister Bay, Ephraim, and Baileys Harbor, Wisconsin Website: www.dcff.net E-mail: [email protected] Facebook Group: www.facebook.com/groups/dcffmail Facebook Fan Page: www.facebook.com/dcff.fan.page Dance Syllabus Advance Regular Discount Price Paper $22.00 $24.00 CD $14.00 $24.00 Flash Drive $12.00 $24.00 2012 Door County Folk Festival (DCFF), Wisconsin 2012 Door County Folk Festival (DCFF), Wisconsin 2012 Door County Folk Festival Schedule v02 NOTE: Schedule Subject to Change Get Your Foot in the Door! Wednesday - Sunday, July 11-15, 2012 - Baileys Harbor, Sister Bay, Ephraim and Fish Creek, Wisconsin DCFF Home Phone: (847)-846-8139 [email protected] Wednesday Start End Where Event Who Morning 10:00am 12:00pm SBSC Northern Door YMCA Youth Dance Program Paul Collins & Patti Cohen 10:00am 12:00pm SBSC Northern Door YMCA Youth Activity Program Miriam & Dick Miller 12:00pm 2:00pm SBSC Northern Door YMCA Youth Dance Program Paul Collins & Patti Cohen 12:00pm 2:00pm SBSC Northern Door YMCA Youth Activity Program Miriam & Dick Miller Afternoon 12:00pm BHTH Staff Arrives Staff & Volunteers 3:00pm BHTH Setup Begins Staff & Volunteers Evening 6:00pm BHTH Registration Begins Staff & Volunteers 8:00pm 1:00am BHTH Opening Night Party with Recorded Music Forrest Johnson & Other Regional Leaders 1:00am 2:30am BHTH Late Night Party Paul Collins & Rick King Thursday Start End Where Event Who Morning 9:45am SBVH Setup & Registration Continues Staff & Volunteers -
Syllabus of Dance Descriptions
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2008 – FINAL STOCKTON FOLK DANCE CAMP – 2008 – FINAL Preface Many of the dance descriptions in the syllabus have been, or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Joyce Lissant Uggla served as Editor of this syllabus (including formatting and printing) and Loui Tucker was Assistant Editor. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing addenda and errata. Cover art copyright © 2008 Susan Gregory. Thanks, Susan. Please do not use without Susan’s permission. Abbreviations Used in the Syllabus beg beginning, begin meas measure bkwd backward opp opposite CCW counterclockwise orig original cpl(s) couple(s) pos position ct(s) count(s) ptr(s) partner(s) ctr center R right CW clockwise RLOD reverse line of direction (CW) diag diagonal sdwd sideward Fig figure shldr(s) shoulder(s) ft foot, feet T-pos hands on shoulders ftwk footwork twd toward fwd forward V-pos hands joined and held down L left W woman, women LOD line of direction (CCW) W-pos hands joined, elbows bent M man, men wt weight Folk Dance Camp Committee Bruce Mitchell, Director Bobi Ashley, Gordon Deeg, Bob Harris, Jeff O’Connor, Lee Otterholt E. David Uggla, Joyce Lissant Uggla, Karen Wilson-Bell, Jan Wright. Founder and Director of Folk Dance Camp 1948-1967—Lawton Harris STOCKTON FOLK DANCE CAMP – 2008 – FINAL In Memoriam Leona (Woods) Faoro 30 July 1919, The Dalles, OR to 16 April 2008, Sacramento, CA Leona took a job before completing high school, then married Oscar Faoro on 27 April 1940 and started raising a family. -
Traditional Greek Dance and Theatre1
TRADITIONAL GREEK DANCE AND THEATRE1 I R E N E L OUTZAKI Abstract In modern Greece staged folk dance performances focus on the representation of a scenario. The outcome of aesthetic experience depends on the narrative forwarded by the organizers of the event. By comparing the master narratives of three dance groups – more specifically, a “national” example, an experienced “traditional” example from one site, and a third example of “historic” evolution – the paper proposes a framework for understanding staged folk dance in Greece. It juxtaposes issues such as: dance movements, dancer’s body, costumes, staging approaches, and the audience. The paper concludes with suggestions of starting a critical dialogue with dance teachers/choreographers in the hope of creating alternative approaches to staged performances of Greek folk dances. Keywords Greece; narrative analysis; staging; performances; folk dances It is an established fact that over the past twenty years a significant growth is observed in the scholarship on traditional dance in Greece. Meanwhile, most publications are preoccupied with the potential benefits of traditional dance in education. And to a great extent this may be justified. From 1980 onward, when Greek dances are established as a discipline2 and their instruction is in- tegrated into the school curriculum, a similar interest is observed among other educational institu- tions (e.g. cultural organizations, dance groups, and various dance schools that integrated teaching into their educational programs); traditional Greek dances are now regarded as a cherished form of educational material, and there is an intention to teach all interested pupils to dance, while also acquiring knowledge with regard to the origin, history and function of these dances.