PETALUMA ALPHABETICAL FOLK DANCE LOCATOR Home: Petaluma’S Best Balkan Folk Dance Music
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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Folk Dances for Language Classes, Dona Hyll, Lorraine Fortner, 2001
Folk Dances for Language Classes Dona Hyll Lorraine Fortner September 21, 2001 Louisville, Kentucky Table of Contents About the Instructors...................................................................................................................ii Dances from German speaking regions: GROSSER ATLANTIK .......................................... .......................... Germany....................1 D'HAMMERSCHMIEDSG'SELLN........................ .......................... Germany....................2 LA SALAMANDRE................................................ Alsace............... France......................15 Dances from Spanish speaking regions: CARNAVALITO..................................................... .......................... Bolivia.......................3 ESPUNYOLET........................................................ Catalonia .......... France / Spain..........16 MEXICAN POLKA................................................. .......................... Mexico ......................4 Dances from French speaking regions: AN DRO RETOURNÉ ............................................ Brittany............. France........................5 AVANT-DEUX DE TRAVERS.............................. Brittany............. France......................14 LE BAL DE JUGON ............................................... Brittany............. France........................9 BANNIELOU LAMBAOL...................................... Brittany............. France........................7 BRANLE NORMAND ........................................... -
Results Level 3
Pass (P) Level First Name Last Name or Fail (F) 4132 CHRISTINA S ABARTSOUMIDOU F 4132 EMMANOUIL G ABARTZAKIS P 4132 PANAYIOTIS M ABARTZAKIS P 4132 CHOUSEIN S ABASI F 4132 KONSTANTINOS N ACHILEUS F 4132 PANAGIOTIS V ACHILLEOPOULOS P 4132 DIMITRIOS V ACHILLEOPOULOS P 4132 ARCHODOULA MARIA D ACHINIOTI F 4132 TSAMPIKOS-ELEFTHERIOS M ACHIOLAS P 4132 VASILIKI D ACHLADIOTI P 4132 THEMISTOKLIS G ACHYRIDIS P 4132 ANGELIKI N ADALI F 4132 MARIA A ADAM P 4132 KONSTANTINOS-IOANNIS I ADAMAKIS P 4132 IOANNIS P ADAMAKOS P 4132 GEORGIOS S ADAMIDIS P 4132 KIRIAKOS A ADAMIDIS P 4132 ANTIGONI G ADAMIDOU P 4132 THEODOROS G ADAMOPOULOS P 4132 NIKOLAOS G ADAMOPOULOS P 4132 GEORGIOS E ADAMOPOULOS P 4132 GEORGIOS I ADAMOPOULOS F 4132 NIKOLAOS T ADAMOPOULOS P 4132 GEORGE K ADAMOPOULOS P 4132 AGELOS S ADAMOPOULOS P 4132 ANNA N ADAMOPOULOU P 4132 MARIGO I ADAMOPOULOU F 4132 GEORGIA D ADAMOPOULOU F 4132 THEODORA P ADAMOPOULOU F 4132 POLYXENI A ADAMOPOULOU P 4132 IOANNA S ADAMOPOULOU P 4132 FOTIS S ADAMOS F 4132 EVAGGELIA A ADAMOU P 4132 MARIA G ADAMOU F 4132 SOULTANA T ADAMOU-ANDROULAKI P 4132 EVAGELIA V ADONAKI P 4132 THEODOROS N ADONIOU F 4132 CHRISOULA K ADONIOU F 4132 ANA D ADRANJI P 4132 LAZAROS T AEFADIS F 4132 ANDREAS K AERAKIS P 4132 EMMANOUIL G AERAKIS P 4132 EMMANOUIL M AERAKIS P 4132 CHARA P AFALONIATI P 4132 TSAMPIKA D AFANTENOU P 4132 VASILIKI G AFENTOULI P 4132 SAVVAS A AFENTOULIDIS F 4132 ALEXANDROS P AFENTOULIDIS F 4132 MARIA A AGA P 4132 BRUNILDA I AGALLIU P 4132 ANASTASIOS G AGAOGLOU F 4132 ELENI V AGAPITOU F 4132 JOHN K AGATHAGGELOS P 4132 PANAGIOTA -
Why Stockton Folk Dance Camp Still Produces a Syllabus
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please -
SYRTAKI Greek PRONUNCIATION
SYRTAKI Greek PRONUNCIATION: seer-TAH-kee TRANSLATION: Little dragging dance SOURCE: Dick Oakes learned this dance in the Greek community of Los Angeles. Athan Karras, a prominent Greek dance researcher, also has taught Syrtaki to folk dancers in the United States, as have many other teachers of Greek dance. BACKGROUND: The Syrtaki, or Sirtaki, was the name given to the combination of various Hasapika (or Hassapika) dances, both in style and the variation of tempo, after its popularization in the motion picture Alexis Zorbas (titled Zorba the Greek in America). The Syrtaki is danced mainly in the taverns of Greece with dances such as the Zeybekiko (Zeimbekiko), the Tsiftetelli, and the Karsilamas. It is a combination of either a slow hasapiko and fast hasapiko, or a slow hasapiko, hasaposerviko, and fast hasapiko. It is typical for the musicians to "wake things up" after a slow or heavy (vari or argo) hasapiko with a medium and / or fast Hasapiko. The name "Syrtaki" is a misnomer in that it is derived from the most common Greek dance "Syrtos" and this name is a recent invention. These "butcher dances" spread throughout the Balkans and the Near East and all across the Aegean islands, and entertained a great popularity. The origins of the dance are traced to Byzantium, but the Argo Hasapiko is an evolved idiom by Aegean fisherman and their languid lifestyle. The name "Syrtaki" is now embedded as a dance form (meaning "little Syrtos," though it is totally unlike any Syrto dance), but its international fame has made it a hallmark of Greek dancing. -
Round Dances Scot Byars Started Dancing in 1965 in the San Francisco Bay Area
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2016 – FINAL 7/31/2016 In Memoriam Floyd Davis 1927 – 2016 Floyd Davis was born and raised in Modesto. He started dancing in the Modesto/Turlock area in 1947, became one of the teachers for the Modesto Folk Dancers in 1955, and was eventually awarded the Lifetime Achievement Award for dance by the Stanislaus Arts Council. Floyd loved to bake and was famous for his Chocolate Kahlua cake, which he made every year to auction off at the Stockton Folk Dance Camp Wednesday auction. Floyd was tireless in promoting folk dancing and usually danced three times a week – with the Del Valle Folk Dancers in Livermore, the Modesto Folk Dancers and the Village Dancers. In his last years, Alzheimer’s disease robbed him of his extensive knowledge and memory of hundreds, if not thousands, of folk dances. A celebration for his 89th birthday was held at the Carnegie Arts Center in Turlock on January 29 and was attended by many of his well-wishers from all over northern California. Although Floyd could not attend, a DVD was made of the event and he was able to view it and he enjoyed seeing familiar faces from his dancing days. He died less than a month later. Floyd missed attending Stockton Folk Dance Camp only once between 1970 and 2013. Sidney Messer 1926 – 2015 Sidney Messer died in November, 2015, at the age of 89. Many California folk dancers will remember his name because theny sent checks for their Federation membership to him for nine years. -
Lyrids/Kyklos Festival Parties Playlists
Lyrids/Kyklos Festival Parties Playlists Friday, April 23 6-9pm PDT Name Country Instructions Video Favorites Dances Idam Ne Idam Bulgaria Andrew Carnie YouTube Ajde Jano (Joukowsky) Serbia Andrew Carnie YouTube Indijski Čoček Macedonia Rom Andrew Carnie Kotansky Ali Pasa Turkey Andrew Carnie YouTube Dobrudzanska Raka Bulgaria Andrew Carnie YouTube T'filati Israel Shapiro BIFD Opinca Romania Salt Spring Island Kolo Dragan Mahala Mori Shej Hungarian Roma Lyrids BIFD Tu Nopti Romania Andrew Carnie Chikulata Chikita Balkan Gypsy Lyrids YouTube Tou Paradeísou Lemoniá Greece Andrew Carnie SIFD Retreat Horehronsky Csárdás Slovakia Andrew Carnie YouTube Jovano Jovanke Macedonia Andrew Carnie YouTube Osem i Devet & Friends recorded music Bog da go bie Ibraim odza Pousteno Macedonia Andrew Carnie Nama Ljepse Cure U Sest Serbia Andrew Carnie YouTube Star merak Lesnoto Oro Macedonia Andrew Carnie Lesnoto De Secerat De secerat Romania Lyrids SIFD Retreat Joc de Leagane Joc de Leagăne Romania Andrew Carnie Theodor Ca la Daeni Ca La Dăeni Romania Stockton Nad Neda Racenica Racenica Bulgaria Andrew Carnie Favorites Dances Karamfil Bulgaria, Pirin Andrew Carnie Dancilla Fado Português de Nós Portugal/Sacred Circle Andrew Carnie YouTube Tino Mori Macedonia Federation SIFD Hora Veche Romania Andrew Carnie YouTube Lubili Se Dvama Mladi Bulgaria Andrew Carnie YouTube Hai Ne Ne Ne Russia Lyrids YouTube Valle Pogonishte Albania, South Federation YouTube Sabrali sa se Sabrali Bulgaria Evansville Valle Shqiptare Albania Andrew Carnie YouTube Yar ko parag Armenia -
Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30Pm - 11:00Pm-Ish CDT Page #1
Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30pm - 11:00pm-ish CDT Page #1 Play Last Set Origin Session Set Ord Dances Played Date Play Seq Ethnicity Status 6/18 50 0 Set 050 - Repertoire Workshop Set - Paul Co Paul Collins 6/18 50 1 1 Akh Naro Naro Armenian/Modern paul/Teach 6/18 6/11 50 2 2 Karakachansko Horo Bulgarian paul/Teach 6/18 6/11 50 3 3 Hackig's Tamzara Armenian paul/review 6/18 6/11 50 4 4 Zonaradikos #1 Evros/Generic (Economou) Greek/Thrace 6/18 6/11 50 5 5 Esmer (Dyarbakir in Eastern Turkey) (Ozkok)Turkish paul/review 6/18 100 0 Set 100 - Program & Requests - 1 6/18 5/7 100 1 1 Godecki Cacak Serbian/East paul/lead 6/18 6/11 100 2 2 Sardana (Bella Franca) Spanish/Catalonian paul/lead 6/18 2/12 100 3 3 Drmes Iz Zdencine Croatian paul/lead 6/18 1/8 100 4 4 Adana (Atanas) Macedonian Paul/Nakas 6/18 5/21 100 5 5 Aidym Central Asia 6/18 6/4 100 6 6 Sandansko Horo Bulgarian/Pirin 6/18 6/11 100 7 7 Indijski Cocek Serbian/Roma 6/18 6/4 100 8 8 Rukavice Croatian/Slavonian 6/18 6/11 100 9 9 Gorani Armenian Theresa 6/18 4/23 100 10 10 Joc de Fete Romanian diane/lead 6/18 2/19 100 11 11 Cimpoi Romanian Paul 6/18 5/21 100 12 12 Swing Dance USA/Swing Diane/Barbara/Paul 6/18 100 13 Announcement Set 1 Karen Tutkowski 6/18 5/21 100 14 13 Passu Torrau (Celest) Italian/Sardinian Paul/George 6/18 4/23 100 15 14 Haroa Haktana Israeli Leigh/Patti 6/18 4/9 100 16 15 Electric Slide USA/Line Paul 6/18 5/28 100 17 16 Popovicanka Serbian Paul 6/18 2/12 100 18 17 Karapyet Russian Paul/Catherine 6/18 200 0 Set 200 - Guest Host -
One the Peculiarities of Modern Musical Folklore of Shirak
Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak. -
Traditional Dances PARTNERS
The Treasuere Chest and ICT or ICT in Reading and Writing May 26, 2015 Traditional Dances PARTNERS: BULGARIA The Treasuere Chest and ICT or ICT in Reading and Writing Професионална гимназия по транспорт-РазлогVocational High School of Transport -Razlog Issue 1 LATVIA Rezekne Polish State Gymnasium What is Inside? POLAND This leaflet is designed They visited I ZESPOL SZKOL IM ST.STASZICA WE WSCHOWIE for outputs of the libraries and used TURKEY Project “The treasure catalogues for AVCILAR TICARET MESLEK LISESI Chest and ICT or ICT searching in Reading and information. HUNGARY Writing”. Also they met eldery Hunyadi János Grammar School, Technical School and Students'Hostel In this leaflet, there people to ask for ESTONIA are 3 dances from each infomration. In This Issue: Peetri Lasteaed-Põhikool country , and their In this leaflet, we description. put 3 of them from ROMANIA Students looked for each country. LICEUL TEHNOLOGIC COSTESTI interesting folk dances All the dances and Hungary 2 from the local places their English form 18 or 21 century. description can be Latvia 5 About The Project The treasure chest and ICT and they don’t want to write scenario for Common or ICT in reading and essays or to create their European celebration – the Estonia 8 writing is faced towards the own short texts. They just past and nowadays students aged 16-19. The copy them from Internet. traditions. Students will main purpose of the project use their creativity and ICT communication has is to combine “old – imaginations and new re p la ce d the di re ct Romania 11 fashioned reading and knowledge. -
Connecting Through Dance
Connecting Through Dance: The Multiplicity of Meanings of Kurdish Folk Dances in Turkey Mona Maria Nyberg Thesis submitted in partial fulfillment of the M.A. degree Department of Social Anthropology, University of Bergen Spring 2012 The front page photograph is taken by Mona Maria Nyberg at a Kurdish wedding celebration. The women who are dancing in the picture are not informants. II Acknowledgements While studying for an exam during my time as a bachelor student, I read a work by Professor Bruce Kapferer which made me reconsider my decision of not applying for the master program; I could write about dance, I realized. And now I have! The process has been challenging and intense, but well worth it. Throughout this journey I have been anything but alone on this, and the list of persons who have contributed is too long to mention. First of all I need to thank my informants. Without you this thesis could not have been written. Thank you for your help and generosity! Especially I want to thank everyone at the culture centers for allowing me do fieldwork and participate in activities. My inmost gratitude goes to two of my informants, whose names I cannot write out of reasons of anonymity - but you know who you are. I want to thank you for allowing me into your lives and making me part of your family. You have contributing to my fieldwork by helping me in in innumerous ways, being my translators – both in terms of language and culture. You have become two of my closest friends. -
Ö 10 - 1 Royal Empress Tango English Couple I A- 5
MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD