Traditional Dances PARTNERS
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The Treasuere Chest and ICT or ICT in Reading and Writing May 26, 2015 Traditional Dances PARTNERS: BULGARIA The Treasuere Chest and ICT or ICT in Reading and Writing Професионална гимназия по транспорт-РазлогVocational High School of Transport -Razlog Issue 1 LATVIA Rezekne Polish State Gymnasium What is Inside? POLAND This leaflet is designed They visited I ZESPOL SZKOL IM ST.STASZICA WE WSCHOWIE for outputs of the libraries and used TURKEY Project “The treasure catalogues for AVCILAR TICARET MESLEK LISESI Chest and ICT or ICT searching in Reading and information. HUNGARY Writing”. Also they met eldery Hunyadi János Grammar School, Technical School and Students'Hostel In this leaflet, there people to ask for ESTONIA are 3 dances from each infomration. In This Issue: Peetri Lasteaed-Põhikool country , and their In this leaflet, we description. put 3 of them from ROMANIA Students looked for each country. LICEUL TEHNOLOGIC COSTESTI interesting folk dances All the dances and Hungary 2 from the local places their English form 18 or 21 century. description can be Latvia 5 About The Project The treasure chest and ICT and they don’t want to write scenario for Common or ICT in reading and essays or to create their European celebration – the Estonia 8 writing is faced towards the own short texts. They just past and nowadays students aged 16-19. The copy them from Internet. traditions. Students will main purpose of the project use their creativity and ICT communication has is to combine “old – imaginations and new re p la ce d the di re ct Romania 11 fashioned reading and knowledge. communication between writing” with “modern” ICT young people and adults ICT will help them to make and to make students good and this project gives an animation of the stories, to readers and writes and opportunity for contacts prepare Power Point raise their creativity and Poland 14 between different age presentation about their imagination, to improve groups and raising the opinion about reading and their language skills by interest toward “narrating writing, making short involving them in exploring culture”. movies about the role of old traditions and reading and writing in their Turkey 17 performing them. The The students will have life and to make these two students will be shown how opportunities to look for main processes of learning - rich are the folk traditions information /myths, reading and writing- more of different countries and legends,songs etc/ to write interesting and closer to Bulgaria 20 will be created cultural and to describe old unique them. awareness. The outdoor traditions and to translate activities will be done. them in English, to The products will be a book exchange information with with texts, notes and CD Nowadays many students the partners. The last part with songs, leaflets. don’t want to read books will be writing of a new Hungary Turkey Csárdás The zeybek Csárdás: Az új tánc a 18. és 19. században is a form of folk music and dance peculiar to Western Anatolia in Turkey. Zeybeks were mountain warriors of Western Anatolia during the kezdte meg térhódítását. Kialakulásában a 13th – 19th centuries. Zeybeks generally had Turkmen and Yörük origins. They acted as protectors of village people against landlords, verbunkos is közrejátszott. A másik előd az bandits and tax collectors. A leader of a Zeybek gang was called “EFE” and his soldiers were known as “Kızan”. The men begin slowly ugrós lehetett. Az ugróst többnyire legények strutting about to tight strains of music. Usually slow and boastful figures suggest men's strength as well as pride in being heroes. Most of the szólóban, párban vagy négyesben járták, de Zeybek dances start with a part called "strolling around". Until the end of the first part of the music, dancers stroll around in the stage and get bizonyos változatait már vegyes párként is. used to the stage in a way. And then abruptly, with the music, they start dancing with also shouting out. This shouting out is called "nara" in Szinte ezzel a folyamattal párhuzamosan Turkish and it is important because it is a signal that the main part of the dancing is starting. However, this shouting out part is only for male egyre többen táncolták a csárdást. A csárdást is gyönyörű hímzett ruhában ropták. dancers, female dancers start playing just as the same but they don't shout out. It is believed that this dance was created by zeybek warriors Megtalálhatók benne a csizmaszárat who try to simulate movements of hawks. csapkodó legények hevessége, a női körtáncok lágysága, de a falusi ünnepek hangulatát is érezhetjük rajta. Nevében is bent van a csárda, ezzel hangsúlyozza Zeybek;Türkiye’nin Batı anadoluya has bir müzik ve dans şeklidir.Zeybekler 13-19 yüzyıllar arasında Batı Anadolu’daki dağ eredetét is, szinte a nemesi paloták táncának savaşcılarıdır.Zeybekler genellikle Türkmen ve yörük asıllıdır.Zeybekler , köyü beylere,eşkiyalara ve haraç kesenlere karşı korurlar.Zeybek ellensúlyozására „találták ki”. A 19. század grubu liderine Efe ,yarenlerine ise Kızan denir.Tiz müzik sesiyle ,erkek danscılar birbirlerini selamlıyarak dansa başlarlar.Genellikle övünen bu derekára hihetetlenül népszerű lett. A kísérő figürler ,erkeğin kahramanlığındaki gurur gibi gücünüde simgeler.Zeybek danscıları çoğu zaman ağır ağır gezinerek dansa başlarlar.Müziğin zene nem tökéletesen volt mindenütt başından sonuna kadar sahnede bir ileri ,bir geri dolaşırlar.Müzikle birlikte dans ederken aniden bağırırlar.Bu bağırışa Nara denir.Nara egyforma,így a tánc is variációkat mutat, önemlidir çünkü dansın ana bölümünün başladınığını belirtir.Bu haykırış sadece erkek danscılar içindir.Bu oyunda,bayanlarda dans ederler természetesen a zenész virtusa is fakat nara atmazlar.Bu dansın zeybek savaşcılarının Şahin(kuş) hareketlerini tasvir ettiğine inanılır. változtathatott egy kicsit. A férfiak vezették a pár táncát, így az ő mozdulataik domináltak. A férfiak büszke főtartással külön-külön rögtönöznek, dobognak, azaz szét-és összedobbantják lábaikat. Tánc közben a párok időnként kört alkottak. A párok forgó mozgást végeztek. Férfi és nő legtöbbször összekapaszkodik. Amikor mégis különválnak, csalogatásnak New style dances developed in the 18th and 19th centuries is the Hungarian name nevezzük, ezt főleg az erőfitogtatás, for the national dances, with Hungarian embroidered costumes and energetic incselgés tölti ki. music. From the men's intricate bootslapping dances to the ancient women's circle A csárdást a ritmus váltakozása, variálása dances, Csárdás demonstrates the infectious exuberance of the Hungarian folk teszi jellemzővé: a lassú vezeti be, és a dancing still celebrated in the villages. The best known dance of the Hungarians, vidám, nagyon gyors tempójú friss fejezi be. the csárdás, expresses in its name (csárda, tavern) the opposite of the palotás Számos más variáció van, melyeket ritka (palota, palace), the dance of the nobility. It came into general fashion in the sec- csárdásnak, sűrű csárdásnak és szökős ond quarter of the 19th century The csárdás assimilated in itself the numerous csárdásnak neveznek. A zene lüktető, traditions of the various paired dances which were increasingly gaining ground szinkópált 2/4 vagy 4/4 ritmusú. from the Renaissance period on. The music itself grew out of the music of recruit- A klasszikus zeneszerzők is felhasználtak ing dances, to the tunes of which a great many different kinds of csárdás were csárdás témákat, mint például Liszt Ferenc, danced.Only men have an active role in paired dances, and in the Hungarian aki már elmúlt 70 éves, mikor első csárdását csárdás of 4/4 beat, they do a movement at every quarter-value. The basic double írja. A Csárdás Macabre kézirat maradt step is partly repeated, partly the couples spin around in different fashions. As a sokáig, fanyalogtak a kortársak, amikor relic of the old round dances, 2 to 4 pairs sometimes join together and dance in a előkerült, később mégis igen népszerűvé circle. The Csárdás is undoubtedly the most popular and important dance in the vált. Johannes Brahms, ifjabb Johann Hungarian repertoire. Strauss, Pablo de Sarasate, Pjotr Iljics Csajkovszkij és mások művei között is megtaláljuk. A világon a legismertebb „csárdást” Vittorio Monti írta hegedűre és zongorára, a tempó 5 variációjával. Page 2 Traditional Dances Issue 1 Page 19 Turkey Hungary Karikázó Horon Dances A karádi kertek alatt Fölfutott a gyöngyiszalag Horon as a word means different things: it means black from colors. It was the name of the dance that was played in very old ages in religious ceremonies. It also means the bunch of reaped crops after harvest. It can also be called as "horum, horun or horan" in some parts Gyöngyiszalag, of the country. The same person usually both sings and plays the musical instruments. The dances are played by making a circle, semi- lapulevél circle or making a row. The first dancer of the row is called "cavus" which means the sergeant in English. The most significant figures of Hamis a karádi these dances are trembling the shoulders, bending or bowing to front, throwing front the legs, and kneeling down. Horon dances are played in all the coast of the Black Sea region . Black Sea region is famous with its mountains, the fresh air, corn bread and anchovy fish. The legény Horon Dances represent the vibrations of the anchovy. The lyrics of the folk songs are rather witty. A karádi kertek alatt Meglepett engem a harmat //De nem ám a Horon kelime anlamı olarak birçok anlama gelmektedir.Renklerden siyah anlamındadır.Çok eski zamanlarda dini törenlerde oynanan dansın