The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
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FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Culver City, CA Permit No. 69 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 39, No. 7 September 2003 Folk Dance Scene Committee Coordinators Jay Michtom [email protected] (818) 368-1957 Jill Michtom [email protected] (818) 368-1957 Calendar Jay Michtom [email protected] (818) 368-1957 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Contributing Editor Richard Duree [email protected] (714) 641-7450 Contributing Editor Jatila van der Veen [email protected] (805) 964-5591 Proofreading Editor Laurette Carlson [email protected] (310) 397-2450 presents Design & -
Read This Year's Christmas Revels Program Notes
PRESENTS THE CHRISTMAS REVELS In Celebration of the Winter Solstice Echoes of Thrace Music, Dance & Drama of Bulgaria, Greece & Turkey December 7–15, 2013 GW Lisner Auditorium • Washington, DC Roberta Gasbarre, Artistic and Stage Director Elizabeth Fulford, Music Director PHOTO BY ROGER IDE THE CHRISTMAS REVELS In Celebration of the Winter Solstice Echoes of Thrace Music, Dance & Drama of Bulgaria, Greece & Turkey The Washington Featuring Revels Company Karpouzi Trio Koleda Chorus Lyuti Chushki Koros Teens Spyros Koliavasilis Survakari Children Tanya Dosseva & Lyuben Dossev Thracian Bells Tzvety Dosseva Weiner Grum Drums Bryndyn Weiner Kukeri Mummers and Christmas Kamila Morgan Duncan, as The Poet With And Folk-Dance Ensembles The Balkan Brass Byzantio (Greek) and Zharava (Bulgarian) Emerson Hawley, tuba Radouane Halihal, percussion Roberta Gasbarre, Artistic and Stage Director Elizabeth Fulford, Music Director Gregory C. Magee, Production Manager Dedication On September 1, 2013, Washington Revels lost our beloved Reveler and friend, Kathleen Marie McGhee—known to everyone in Revels as Kate—to metastatic breast cancer. Office manager/costume designer/costume shop manager/desktop publisher: as just this partial list of her roles with Revels suggests, Kate was a woman of many talents. The most visibly evident to the Revels community were her tremendous costume skills: in addition to serving as Associate Costume Designer for nine Christmas Revels productions (including this one), Kate was the sole costume designer for four of our five performing ensembles, including nineteenth- century sailors and canal folk, enslaved and free African Americans during Civil War times, merchants, society ladies, and even Abraham Lincoln. Kate’s greatest talent not on regular display at Revels related to music. -
Critiquing the Crisis Through Music – Three Songs About Life in Cyprus Before and After the ‘Haircut’ of March 2013
9_MIKE_HAJIMICHAEL:2_TAO 9/6/15 14:23 233 Critiquing the Crisis through Music – Three Songs about Life in Cyprus Before and After the ‘Haircut’ of March 2013 MIKE HAJIMICHAEL Abstract This essay reflects on three songs from Cyprus written, released and performed on/or about/around the bailout crisis of March 2013. While the songs come from three different musical genres and artists they articulate a number of themes which are pertinent to understanding the economic crisis as a possible succession of a number of political crises and unresolved wounds that go back to the 1970s. One of the essay’s main objectives is to contribute to an emerging field in contemporary Cypriot scholarship, namely that of popular music studies through a contextual analysis of songs and the art of listening (Back, 2008). The essay also aims to develop an understanding of songs as commentary, as a form of media narrative on everyday lived experiences as reflected by musicians living through economic and political crises in Cyprus. Keywords: popular music, protest, songs, ethnomusicology, Cyprus, crisis, ethnography Introduction Music has always been a barometer of society’s problems, often reflecting on social, economic and political conditions. Musicians act as commentators on the present, reflecting on society’s anxieties, injustices and problems. We listen to songs by modern day ‘troubadours’ who express ideas through the looking glass of music on the world around them, as they see it. Every generation and moment in history has its own epoch-defining music. Bob Dylan’s ‘Blowin in the Wind’, John Lennon’s ‘Imagine’, The Sex Pistols ‘God Save The Queen’ and Bob Marley’s ‘Redemption Song’. -
A Musical Instrument of Global Sounding Saadat Abdullayeva Doctor of Arts, Professor
Focusing on Azerbaijan A musical instrument of global sounding Saadat ABDULLAYEVA Doctor of Arts, Professor THE TAR IS PRObabLY THE MOST POPULAR MUSICAL INSTRUMENT AMONG “The trio”, 2005, Zakir Ahmadov, AZERbaIJANIS. ITS SHAPE, WHICH IS DIFFERENT FROM OTHER STRINGED INSTRU- bronze, 40x25x15 cm MENTS, IMMEDIATELY ATTRACTS ATTENTION. The juicy and colorful sounds to the lineup of mughams, and of a coming from the strings of the tar bass string that is used only for per- please the ear and captivate people. forming them. The wide range, lively It is certainly explained by the perfec- sounds, melodiousness, special reg- tion of the construction, specifically isters, the possibility of performing the presence of twisted steel and polyphonic chords, virtuoso passag- copper strings that convey all nuanc- es, lengthy dynamic sound rises and es of popular tunes and especially, attenuations, colorful decorations mughams. This is graphically proved and gradations of shades all allow by the presence on the instrument’s the tar to be used as a solo, accom- neck of five frets that correspondent panying, ensemble and orchestra 46 www.irs-az.com instrument. But nonetheless, the tar sounding board instead of a leather is a recognized instrument of solo sounding board contradict this con- mughams when the performer’s clusion. The double body and the mastery and the technical capa- leather sounding board are typical of bilities of the instrument manifest the geychek which, unlike the tar, has themselves in full. The tar conveys a short neck and a head folded back- the feelings, mood and dreams of a wards. Moreover, a bow is used play person especially vividly and fully dis- this instrument. -
October 1952
OCTOBER 1952 THE MAGAZINE OF FOLK AND SQUARE DANCING 25c THE FIRST COUNCI L--SEE PAGE 7 Folk Dance Books for (lancing jeet . of ALL Folk Dances FOLK DANCE SHOES COSTUME FABRICS Send for list A Square Dance Magazine for PEASANT TRIMS Square Dance Napkins Square Dancers! Folk & Square Dance Note Paper Novelty Cotton Prints The National Monthly Square Dance Magazine FOLK & SQUARE DANCE CHRISTMAS CARDS—ALSO BEAUTIFUL CHRISTMAS Each issue filled with • New Ideas • New LETTERS Calls • New Patter • Round Dances • Book and Record Reviews • Current Square ROSEMONT LETTER SHOP DANCE ART CO. Dance News • Lots of Pictures • Helps (71 O'Far re 11 St. San Francisco on music, clothes, equipment. 176 Duboce Ave. HEmlocIc 1-0817 Mail Orders Catalog on Request San Francisco 3, Calif. $2.50 twelve issues mailed directly to your home. A SAMPLE COPY will be sent to anyone AL'S PROMENADERS not previously acquainted v/ith SETS IN PEASANT COSTUMES ORDER by writing Miss Susie Que, Dept. "The Perfect Dance Shoes for Men" FD, SETS IN ORDER, 462 North Robertson $7.95 plus 24c sales tax A also ORIGINAL MODELS Blvd., Los Angeles 48, California • CRest- Sizes 6-14, B-C-D-E Width, Fit Guaranteed view 5-5538. AL'S STORE 210 Main Street SALINAS, CALIF. Complete Costumes $17.50 to $45.00 KURANT'S Phil Maron's Folk Shop Skirts—$8.50 up WESTERN OUTFITTERS Blouses—$3.00 up Folk and Square Dance Records Accessories for the folk dancer Books and Accessories A full line of Western Outfitting MAIL ORDERS FILLED PROMPTLY for men, women and children DOROTHY GODFREY COWBOY BOOTS - SHIRTS - PANTS, Etc. -
White Woman Draft
SKYROS CARNIVAL SKYROS CARNIVAL Photographs by Dick Blau Essay by Agapi Amanatidis and Panayotis Panopoulos Audio CD and Video DVD by Steven Feld VOXLOX 3 DICK I I grew up in the theater, my father a director and my mother an actress. As a result, I devel - oped a lifelong fascination with the dramatic moment, the heightened gesture, the mysterious transfor - mation of self into other. I suppose it was inevitable that my abiding preoccupation with the stage would find its way into my photography. When Steve called one day a few years ago and told me that Panos had told him about Greece’s wildest and noisiest carnival, I put down the phone and began packing my bag and cameras. What I eventually discovered on Skyros was not exactly what I spent the next few months imagining. I had been dreaming of Dionysus, Pan, and the Eleusinian mysteries in a smoky grove, but I found myself instead in a small Greek island town with an Internet café. Normal life continued amidst the wildness. Performers and audience were mixed together. And then there were the cameras. Everyone, it seemed, was either taking pictures or posing for them. This was not simply an ancient ritual; it was a modern media event. In fact, the carnival was old and new at the same time. Skyros carnival is a hybrid form in which the goat dancers, dressed in their rough, rank animal skins and festooned in huge clanking bells, mix easily with other performers who look decidedly of our moment. I would be standing at dusk on the street waiting for the dancers to appear when a kid would float by wearing a cheap monkey mask from the grocery store, and I would instantly find myself swept up with him into the world of myth. -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
Bbbs 38 (2012)
38 2012 BULLETIN OF BRITISH BYZANTINE STUDIES BULLETIN OF BRITISH BYZANTINE STUDIES 38 ISSN 0265-162 2012 being the Bulletin of the Society for the Promotion of Byzantine Studies 1. Chairmen, Secretaries and Addresses of National Committees of the International Association of Byzantine Studies Albania: Dhorka Dhamo, Pellumb Xhufi, Rr Sulejman Pasha Pall 124, Shk. 3, Apart 37, Tirana, Albania Australia: Dr Bronwen Neil (President), Centre for Early Christian Studies, Australian Catholic University, PO Box 456, Virginia, Queensland 4014 ([email protected]); Dr Andrew Gillett (Secretary & Newsletter Editor), Department of Ancient History, Division of Humanities, Macquarie University, New South Wales 2109. Email: [email protected] Austria: Prof Dr Andreas Külzer (Secretary), Institut für Byzantinistik und Neogräzistik der Universität Wien, Postgrasse 7, A-1010 Vienna, Austria. Email: [email protected] Belgium: Anne Tihon (President); Jacques Noret (Vice-President and Treasurer); Caroline Mace (Secretary). Address of the Society for Byzantine Studies: Rue Ducale 1, 1000 Brussels, Belgium; address of the secretariat: Kardinaal Mercierplein 2, B3000 Leuven, Belgium Brazil: Angela Comnene, G. Kambani, 505 St Laurent Blvd, suite 106, Ottawa K1K4-4, Canada Bulgaria: Prof. Vassil Ghiuselev (President), University of Sofia "St Kliment Ohridski", Faculty of History, 15 Tsar Osvoboditel Bd., Room 40A, 1504 Sofia, Bulgaria. Canada: Antony Littlewood, Dept. of Classical Studies, The University of Western Ontario, Talbot College, London, Ontario, Canada N6A 3K7 Chile: Alejandro Zorbas, Universidad de Chile, Facultad de Filosofia, Centro de Estudios Bizantinos y Neohelenicos, Casilla 10136, Santiago, Chile China: Zhu Huan, Xu Jia-Lin, Wang Yue, History Dept., Lanzhou University, 730000 Lanzhou, Gansu Province, P. -
Evdokia's Zeibekiko
European Scientific Journal December 2017 edition Vol.13, No.35 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 The Bouzouki’s Signifiers and Significance Through the Zeibekiko Dance Song: "Evdokia’s Zeibekiko" Evangelos Saragatsis Musician, Secondary Education Teacher, Holder Of Postgraduate Diploma Ifigeneia Vamvakidou Professor at the University of Western Macedonia, Greece Doi: 10.19044/esj.2017.v13n35p125 URL:http://dx.doi.org/10.19044/esj.2017.v13n35p125 Abstract The objective of this study is to identify the signifiers and significance of the Zeibekiko dance, and those of the bouzouki itself, to a further extent, as they emerge through research conducted in the relevant literature, and which is anchored to those signifiers, as they are highlighted through their presence in material that is obtained from movies. The semiotic analysis of the film “Evdokia”, by A. Damianos (1971), is the research method that is followed. In this context, the main focus is placed on the episode/scene, where Evdokia’s Zeibekiko is displayed on stage. This ‘polytropic’ (polymodal) material that consists of listening to, viewing, playing music, and dancing encompasses a large variety of musicological and gender signifiers that refer to the specific era. The model followed is that of Greimas (1996), as it was used by Lagopoulos & Boklund-Lagopoulou (2016), and Christodoulou (2012), in order to point out those characteristic features that are expressed by the bouzouki, as a musical instrument, through a representative sample of the zeibekiko dance, as it is illustrated in the homonymous film. The analysis of images, as well as of the language message, lead to the emergence of codes, such as the one referring to the gender, and also the symbolic, value, and social codes, and it is found that all these codes agree with the introductory literature research conducted on the zeibekiko dance and the bouzouki. -
Fanfare Cioca Rlia
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TITLE NATIONALITY FORMATION COMPLEXITY Adana Macedonia Line Adv Al Tira Israel Indiv Adv Alunelul Batut a Romania Line Adv Ardel
AIFD Music List Alpha Order April 19, 2009 TITLE NATIONALITY FORMATION COMPLEXITY Adana Macedonia Line Adv Al Tira Israel Indiv Adv Alunelul Batut A Romania Line Adv Ardeleana Cu Figuri Romania Couple Adv Arkan Ukraine Line Adv Askagaragan (tape) Armenia Line Adv Atzay Hatsaftsafot (tape) Israel Couple Adv Bekesi Paros (Hungary) Hungary Couple Adv Bingsjo Polska - Wallmans Sweden Couple Adv Bistrishka Kopanitsa Bulgaria Line Adv Boda Polska (tape) Sweden Couple Adv Bourree Carree De La Chatre France Set Adv Bourree de la Brande D'ardentes France Set Adv Bourree Pastourelle (medium speed) France Set Adv Bourree Pastourelle (original version - fast) France Set Adv Briul Pe Opt (Mihai David) Romania Line Adv Bruder Lustig Germany Couple Adv Calusharii Romania Line Adv Changier Germany Set Adv Cimpoi Romania Line Adv De A Lungul Romania Couple Adv D'Invirtit Romania Couple Adv Dodi Li Israel Couple Adv Ei Hatal Israel Couple Adv Eski Bulgaria Line Adv Floricica Olteneasca Romania Line Adv Galaonul De La Birca Romania Line Adv Gamzovjana Bulgaria Line Adv Gankino Horo Bulgaria Line Adv Gankino Horo (Boris Karlov) Bulgaria Line Adv Gencsi Verbunk Hungary Indiv Adv Grancarsko Horo (XOPO LP-4) Bulgaria Line Adv Graovsko Horo (Connie Taylor) (tape) Bulgaria Line Adv Hambo - Accordion Hambo Sweden Couple Adv Hambo - Alle Vakre Jenters (very fast) Sweden Couple Adv Hambo - Gammelhambo (Gastrickland) Sweden Couple Adv Hambo - Horgalaten (Hambo In The Barn) Sweden Couple Adv Hambo - Vigerspolska (Hambo In The Barn) Sweden Couple Adv Hora De La Gorj